Month: April 2017

Acclaimed Russian poet Yevgeny Yevtushenko, whose work focused on war atrocities and denounced anti-Semitism and tyrannical dictators, has died. He was 84.

Ginny Hensley, a spokeswoman for Hillcrest Medical Center in Tulsa, confirmed Yevtushenko’s death. Roger Blais, provost at the University of Tulsa, where Yevtushenko was a longtime faculty member, said he was told Yevtushenko had died Saturday morning.

“He died a few minutes ago surrounded by relatives and close friends,” his widow, Maria Novikova, was quoted as saying by the Russian state news agency RIA Novosti. She said he’d died peacefully in his sleep of heart failure.

Yevtushenko gained notoriety in the former Soviet Union while in his 20s, with poetry denouncing Josef Stalin. He gained international acclaim as a young revolutionary with “Babi Yar,” the unflinching 1961 poem that told of the slaughter of nearly 34,000 Jews by the Nazis and denounced the anti-Semitism that had spread throughout the Soviet Union.

Heard by huge crowds

At the height of his fame, Yevtushenko read his works in packed soccer stadiums and arenas, including to a crowd of 200,000 in 1991 that came to listen during a failed coup attempt in Russia. He also attracted large audiences on tours of the West.

With his tall, rangy body, chiseled visage and declaratory style, he was a compelling presence on stages when reading his works.

“He’s more like a rock star than some sort of bespectacled, quiet poet,” said former University of Tulsa President Robert Donaldson, who specialized in Soviet policy during his academic years at Harvard.

Until “Babi Yar” was published, the history of the massacre was shrouded in the fog of the Cold War.

“I don’t call it political poetry, I call it human rights poetry, the poetry which defends human conscience as the greatest spiritual value,” Yevtushenko, who had been splitting his time between Oklahoma and Moscow, said during a 2007 interview with The Associated Press at his home in Tulsa.

Yevtushenko said he wrote the poem after visiting the site of the mass killings in Kyiv, Ukraine, and searching for something memorializing what happened there — a sign, a tombstone, some kind of historical marker — but finding nothing.

“I was so shocked. I was absolutely shocked when I saw it, that people didn’t keep a memory about it,” he said.

It took him two hours to write the poem that begins, “No monument stands over Babi Yar. A drop sheer as a crude gravestone. I am afraid.”

Native of Zima

Yevtushenko was born in the Siberian town of Zima, a name that translates to winter. He rose to prominence during Nikita Khrushchev’s rule.

His poetry was outspoken and drew on the passion for poetry that is characteristic of Russia, where poetry is more widely revered than in the West. Some considered it risky, though others said he was only a showpiece dissident whose public views never went beyond the limits of what officials would permit.

Dissident exile poet Joseph Brodsky was especially critical, saying, “He throws stones only in directions that are officially sanctioned and approved.” Brodsky resigned from the American Academy of Arts and Letters when Yevtushenko was made an honorary member.

Donaldson invited Yevtushenko to teach at the university in 1992.

“I like very much the University of Tulsa,” Yevtushenko said in a 1995 interview with the AP. “My students are sons of ranchers, even cowboys, oil engineers. They are different people, but they are very gifted. They are closer to Mother Nature than the big city. They are more sensitive.”

He was also touched after the 1995 bombing of a federal government building in Oklahoma City, killing 168 people. He recalled one woman in his class who lost a relative in the blast, then commented that Russian women must have endured such suffering all their lives.

“This was the greatest compliment for me,” he said.

Blais, the university provost, said Yevtushenko remained an active professor at the time of his death. His poetry classes were perennially popular and featured football players and teenagers from small towns reading from the stage.

“He had a hard time giving bad grades to students because he liked the students so much,” Blais said.

Lauded in Russia

Yevtushenko’s death inspired tributes from his homeland.

Prime Minister Dmitry Medvedev said on the Russian social media site Vkontakte: “He knew how to find the key to the souls of people, to find surprisingly accurate words that were in harmony with many.”

A spokesman for President Vladimir Putin said the poet’s legacy would remain “part of Russian culture.”

Natalia Solzhenitsyna, widow of the novelist Aleksandr Solzhenitsyn, said on Russian state television that Yevtushenko “lived by his own formula.”

“A poet in Russia is more than a poet,” she said. “And he really was more than a poet — he was a citizen with a pronounced civic position.”
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Rodney Crowell’s tender lyrics about a woman with “hair two shades of foxtail red” in a song that features ex-wife Rosanne Cash makes it an easy leap to assume that he’s singing about her. It’s not like the thought didn’t cross her mind.

 

“If I’m totally honest,” she said. “Yeah, a little bit.”

 

But Crowell, whose new album “Close Ties” is sure to be one of the year’s cornerstone releases in the Americana genre, insists he had others in mind while writing “It Ain’t Over Yet.” He was thinking about old friends Susanna and Guy Clark, who both died in recent years.

 

That’s fortunate, since he sings: “Takes the right kind of woman to help you put it all in place. It only happened once in my life, but man you should have seen.” It might have made for awkward dinner conversation with Crowell’s current wife, Claudia Church.

 

“Rosanne was a wonderful period in my life,” Crowell said, “but the ‘one’ woman is the one I’m with now.”

 

Susanna Clark was a straight-talking muse for many aspiring Nashville songwriters in the 1970s who figured if she liked one of their songs, they must be on to something, Crowell explained.

 

Crowell understands why people might think he was talking about Cash, who appears on record with her for only the second time since their 12-year marriage broke up in 1992 (he sang backup on a song on her most recent album). They were once Country music’s First Couple, taking turns at the top of the charts, and for both their artistry has deepened as the spotlight moved on.

 

They’re both also of the school that appreciate listeners who can take their own meanings from songs.

 

Another song on “Close Ties,” out Friday, was actually written with Cash in mind. More specifically, “Forgive Me Annabelle” is about Crowell’s own actions during their breakup. After an inevitably bitter period, they’re friends now.

 

“I passed through a period where I simply did not like myself,” Crowell said. “If you don’t like yourself, you’re not liking anybody else. You’re pretty miserable. And that’s what the narrator is apologizing for. It’s saying, ‘Forgive me for who I was then.’ But, of course, I was already forgiven.”

 

Crowell recalls pawing through some albums at home and coming upon his own “Diamonds and Dirt” from 1988, which yielded five No. 1 Country singles. He and his wife laughed at the mullet-haired guy on the cover.

 

“I wanted to be like Dwight Yoakam,” he said. “He definitely owned ‘cool’ at that moment.”

 

He’s fueled by a “look back with bemusement” attitude now. After taking five years off at the turn of the century, Crowell returned as a focused writer, digging deep into his heart and leaving few wasted words. He learned to take his art more seriously than himself. In “I Don’t Care Anymore” he sings: “All those party dolls and favors that I savored from day one add up to next to nothing after all is said and done.”

 

The funny “Nashville 1972” recalls his first meeting, at age 22, with Willie Nelson. At a party, of course. “There was hippies and reefer and God knows what all, I was drinking pretty hard,” he sings. “I played him this shitty song I wrote and puked out in the yard.”

 

Like most people his age, 66, Crowell is affected by loved ones lost — the Clarks, Townes Van Zandt, Leonard Cohen — and it’s reflected in his music. He’s also recently rewritten some of his old songs, notably “Shame on the Moon,” a 1982 hit for Bob Seger, where he wanted another crack at a verse he didn’t like.

 

“He’s actually writing the best songs of his life after 45 years, or however long it is,” Cash said. “His level of commitment has deepened, and as his level of commitment has deepened, his songs have gotten better. That’s very inspiring. He’s not a dilettante. He’s not just out there showing up at the next gig. He’s completely devoted to his work and his songwriting and it shows.

 

“As Leonard Cohen said, he’s completely employed in the tower of song.”
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Already one of the biggest names in Latin music, Colombian pop star Maluma is hoping to cross over to a wider audience with an upcoming album of Spanish and English music.

Maluma, the 23-year-old singer from Medellin, Colombia, has already collaborated with some of Latin music’s most successful cross over talents, such as Shakira and Ricky Martin.

“I’m trying to find the balance and do like, ‘Spanglish’ music or some songs in Spanish and others in English or do a translation,” Maluma told Reuters at the end of his U.S. tour in Los Angeles.

Maluma’s second album, “Pretty Boy, Dirty Boy,” was released in 2015 and became his breakout record, with hit singles “Borro Cassette” and “Sin Contrato.”

So far, his native Spanish has already garnered him a legion of fans on social media. Maluma, whose real name is Juan Luis Londono Arias, is the most-followed Latin male artist on Instagram with more than 22 million fans.

“That connection that I have with my fans is really special and every time when I have moments, when I have free time, the only thing that I think about is what I’m going to post, what I’m going to say to my fans,” he said.

“I think that’s the key to being a success right now,” he added.

It was Maluma’s social media presence that brought him to the attention of pop star Selena Gomez, whom Maluma invited to collaborate on a new song.

“I found out that she was following me and I tried to be in touch with her to make some music but we can’t do it … maybe because she’s a busy girl and me too, I’m a really busy man, and maybe next time we can do something,” he said.

Maluma’s world tour next takes him to Mexico, Brazil and Argentina.

“I have a lot of surprises in store,” Maluma teased of his upcoming shows, although he remained tight-lipped about whether any special guest stars might join him on stage.

“I like to prepare each tour in a different way. Now that I’m heading to Mexico, I’m preparing something special for my fans in Mexico.”
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