Month: October 2021

Among the once-taboo professions emerging from Somalia’s decades of conflict and Islamic extremism is the world of arts, and a 21-year-old female painter has faced more opposition than most.

A rare woman artist in the highly conservative Horn of Africa nation, Sana Ashraf Sharif Muhsin lives and works amid the rubble of her uncle’s building that was partially destroyed in Mogadishu’s years of war.

Despite the challenges that include the belief by some Muslims that Islam bars all representations of people, and the search for brushes and other materials for her work, she is optimistic.

“I love my work and believe that I can contribute to the rebuilding and pacifying of my country,” she said.

Sana stands out for breaking the gender barrier to enter a male-dominated profession, according to Abdi Mohamed Shu’ayb, a professor of arts at Somali National University. She is just one of two female artists he knows of in Somalia, with the other in the breakaway region of Somaliland.

And yet Sana is unique “because her artworks capture contemporary life in a positive way and seek to build reconciliation,” he said, calling her a national hero.

Sana, a civil engineering student, began drawing at the age of 8, following in the footsteps of her maternal uncle, Abdikarim Osman Addow, a well-known artist.

“I would use charcoal on all the walls of the house, drawing my vision of the world,” Sana said, laughing. More formal instruction followed, and she eventually assembled a book from her sketches of household items like a shoe or a jug of water.

But as her work brought her more public attention over the years, some tensions followed.

“I fear for myself sometimes,” she said, and recalled a confrontation during a recent exhibition at the City University of Mogadishu. A male student began shouting “This is wrong!” and professors tried to calm him, explaining that art is an important part of the world.

Many people in Somalia don’t understand the arts, Sana said, and some even criticize them as disgusting. At exhibitions, she tries to make people understand that art is useful and “a weapon that can be used for many things.”

A teacher once challenged her skills by asking questions and requiring answers in the form of a drawing, she said.

“Everything that’s made is first drawn, and what we’re making is not the dress but something that changes your internal emotions,” Sana said. “Our paintings talk to the people.”

Her work at times explores the social issues roiling Somalia, including a painting of a soldier looking at the ruins of the country’s first parliament building. It reflects the current political clash between the federal government and opposition, she said, as national elections are delayed.

Another painting reflects abuses against vulnerable young women “which they cannot even express.” A third shows a woman in the bare-shouldered dress popular in Somalia decades ago before a stricter interpretation of Islam took hold and scholars urged women to wear the hijab.

But Sana also strives for beauty in her work, aware that “we have passed through 30 years of destruction, and the people only see bad things, having in their mind blood and destruction and explosions. … If you Google Somalia, we don’t have beautiful pictures there, but ugly ones, so I’d like to change all that using my paintings.”

Sana said she hopes to gain further confidence in her work by exhibiting it more widely, beyond events in Somalia and neighboring Kenya.

But finding role models at home for her profession doesn’t come easily.

Sana named several Somali artists whose work she admires, but she knows of no other female ones like herself.
…

Jay-Z added another title to a resume that includes rapper, songwriter, Grammy winner, billionaire business mogul, and global icon — Hall of Famer.

The self-proclaimed “greatest rapper alive” was inducted Saturday night as part of an eclectic 2021 Rock & Roll Hall of Fame class that included Foo Fighters, Carole King, Tina Turner, The Go-Gos and Todd Rundgren.

Once a drug dealer on the tough streets of Brooklyn, New York, Jay-Z rose through the rap world with hard, straightforward songs that often portrayed the struggles of Black people in America.

His catalogue includes songs like Hard Knock Life, 99 Problems and Empire State of Mind, as well as 14 No. 1 albums.

Following a video introduction that included President Barack Obama, LeBron James and David Letterman, Jay-Z was inducted by comedian Dave Chappelle, who praised him for being an inspiration.

“He rhymed a recipe for survival,” Chappelle said. “He embodies what the potential of our lives can be and what success can be.”

Paul McCartney welcomed Foo Fighters, who have carried the mantle as one of rock’s top arena acts. Initially, the band was little more than a side project for front man Dave Grohl, who was previously inducted as Nirvana’s drummer.

McCartney described the parallels between himself and Grohl as both were part of massively popular bands that broke up.

“Do you think this guy is stalking me?” McCartney joked.

Foo Fighters and McCartney closed the show with the Beatles’ Get Back.

Rapper LL Cool J was enshrined for musical excellence along with keyboardist Billy Preston and guitarist Randy Rhoads.

 

Electronic pioneers Kraftwerk, singer-poet Gil Scott-Heron and Delta blues legend Charley Patton were inducted as early influencers, and Sussex Records founder Clarence Avant received the Ahmet Ertegun Award.

Cool J recruited some of his heavyweight musical friends to usher him into rock immortality. He was joined on stage by Eminem and Jennifer Lopez for a powerful career-spanning performance.

With New York street style and swagger, Cool J remains a relevant artist more than 40 years after he first spit lyrics.

“What does LL really stand for?” asked rapper/producer Dr. Dre in his induction speech. “Ladies love? Living large? Licking lips? I’m here because I think it stands for living legend.”

Cool J then did a medley of his hits, including Rock The Bells accompanied by a bearded Eminem before he was joined by J-Lo for All I Have. Cool J wrapped up his blistering set with one of his biggest hits, Mama Said Knock You Out.

Superstar Taylor Swift opened the show with one of King’s best-known songs, Will You Love Me Tomorrow, which appeared on Tapestry her seminal 1971 album — a soundtrack for a generation.

Swift gave a heartfelt induction speech for one of her musical idols.

“I can’t remember a time when I didn’t know Carole King’s music,” Swift said, saying her parents taught her several important lessons as a child with one of the most important being “that Carole King is the greatest songwriter of all time.”

King thanked Swift “for carrying the torch forward.” She noted other female singers and songwriters have said they stand on her shoulders.

“Let it not be forgotten,” King said. “They also stand on the shoulders of the first woman inducted into the Rock & Roll Hall of Fame. May she rest in power, Miss Aretha Franklin.”

King then introduced Jennifer Hudson, who performed a stunning, rafter-shaking performance of (You Make Me Feel Like) A Natural Woman before King sang You Got A Friend.

The 81-year-old Turner, who found her greatest success when she left abusive husband Ike Turner, lives in Switzerland and did not attend the ceremony.

“If they’re still giving me awards at 81,” Turner said in a video message. “I must have done something right.”

Keith Urban and H.E.R. performed It’s Only Love, a duet Turner did with Bryan Adams, before Mickey Guyton took on her most iconic song, What’s Love Got To Do With It. Then Christina Aguilera belted out River Deep, Mountain High.

 

Considered the greatest female group in rock history, The Go-Go’s emerged from Los Angeles’ punk scene in the 1980s. The quintet broke rules and smashed gender ceilings in a male-dominated industry with hits like We Got The Beat, My Lips Are Sealed and Head Over Heels.

“They’ve been in my personal Hall of Fame since I was 6 years old,” said actress Drew Barrymore, who mimicked the cover of the band’s debut album, Beauty and the Beat, during her induction speech by wrapping her body and hair in bath towels and applying face cream.

“Now,” she said. “My childhood fantasy is fulfilled.”

Best known for soft ballads like Hello It’s Me and Love Is The Answer, Rundgren also had a long path to induction. He’s been outspoken about the hall’s selection process and skipped the ceremony in protest.

“Ever defiant,” Patti Smith said in a video presenting Rundgren.

This year’s ceremony was held for the first time at Rocket Mortgage FieldHouse, the 20,000-seat home of the NBA’s Cleveland Cavaliers and a venue familiar to Jay-Z and Foo Fighters, who have played shows in the arena before.

It was a return to normalcy for the event, which was forced to go virtual in 2020 due to the COVID-19 pandemic.

Artists are not eligible for induction until 25 years after release of their first recording.

There are lively debates every year over omissions, and as Public Enemy’s Chuck D noted during a plaque induction ceremony on Friday at the hall, patience is sometimes another requirement for entrance.

“It ain’t no overnight thing,” he said. “You can’t stumble into this place.”

That was certainly the case for King, who had been eligible for enshrinement as a solo artist since 1986. She went in previously as a songwriter with Gerry Goffin, her late husband, in 1990.

The ceremony will be shown on HBO on Nov. 20. 

 
…

Candyman, the latest film by Jordan Peele and director Nia da Costa, is a remake of the 1992 original of the same title, by Bernard Rose. The reimagined Candyman addresses the racial divide, gentrification, and police brutality in Chicago. VOA’s Penelope Poulou has more.
…

Afghan artists and activists say the Taliban have replaced their murals with their logo and slogans, making it impossible for them to continue working in Afghanistan. VOA’s Yalda Baktash has more. Roshan Noorzai contributed.
…

Efforts by Chinese diplomats to stop cultural events deemed critical of the government in Beijing have met with mixed results in Europe, succeeding in Germany but being rebuffed by a city government in Italy.

The incident in Germany concerned a new book, Xi Jinping — The Most Powerful Man in the World, by two veteran German journalists, Stern magazine’s China correspondent Adrian Geiges, and Die Welt newspaper publisher Stefan Aust.

Confucius Institutes at two German universities had planned online events on Oct. 27 to coordinate with the book’s launch. But the book’s publisher, Piper Verlag of Munich, said the events were canceled at short notice “due to Chinese pressure.”

The company accused Feng Haiyang, the Chinese consul general in Düsseldorf, of intervening personally to quash the event at the University of Duisburg-Essen in Duisburg and Essen, North Rhine-Westphalia, Germany.

At Leibniz University in Hannover, the Tongji University in Shanghai — which jointly operates the Confucius Institute there — forced the cancellation of an event, according to the company. Neither the publisher nor the institute offered details on what triggered the cancellation.

The institutes, run by China’s education ministry, are seen by Beijing as a way to promote its culture. Many Western countries have become wary of the influence the institutes exert on campuses by subsidizing classes, travel and research.

Dozens of Confucius Institutes have been closed or are closing in Europe and Australia. At least 29 shuttered in the U.S. after the State Department in August 2020 designated the Confucius Institute U.S. Center as a “foreign mission” of the Chinese government.

In a statement, Piper Verlag quoted a Confucius Institute employee as saying that “One can no longer talk about Xi Jinping as a normal person, he should now be untouchable and unspeakable.”

Felicitas von Lovenberg, head of Piper Verlag, called the cancellation of the events “a worrying and disturbing signal.”

Aust of Die Welt said the incident confirmed the book’s basic thesis: “For the first time, a dictatorship is in the process of overtaking the West economically, and is now also trying to impose its values, which are against our freedom, internationally.”

The book presented China in a very differentiated way as it also talked about China’s success in overcoming poverty, co-author Geiges said. “Apparently, such balanced reports are no longer enough for Xi Jinping. Stories are no longer enough — he now wants a cult around his person internationally, just as he does in China itself.”

A spokesperson for the Chinese Embassy in Berlin said events at Confucius Institutes were planned to bring about better understanding between the two peoples, and they “should build on the basis of comprehensive communications between the partners.”

China supports the development of the institutes as “a platform to understand China comprehensively and objectively,” the embassy spokesperson added. “But we strongly object to any politicization of academic and cultural exchange.”

Both Confucius Institutes said in their respective statements that there were different views between the German and Chinese partners, making it impossible to carry on. The Institute for East Asian Studies at the University of Duisburg-Essen had expressed interest in hosting the event, according to the university’s Confucius Institute.

German human rights activist David Missal told VOA Cantonese there has always been pressure from the Chinese side when it comes to critical events, but the tactics were rarely exposed. He took it as a positive development that these incidents are coming to light.

“I think this is the only way to fight this kind of influence in a democracy — you have to make these things public, make them transparent, and then there will be political responses to these incidents,” Missal said.

Reinhard Bütikofer, a German member of the European Parliament who is critical of China, said the next German federal government must draw clear lines about its China policy. “Chinese censorship at German universities? Does not work at all. These so-called ‘Confucius’ institutes, which are in fact CCP aides, have no future,” he tweeted.

 

Earlier this month, the Chinese Embassy in Rome attempted to stop a critical art show, but failed.

A museum in Brescia, an Italian city about 100 kilometers east of Milan, will continue with its plans to open a solo exhibition of the work of Australia-based Chinese exiled activist Badiucao. Scheduled to run from Nov. 13-Feb. 13, the exhibition is entitled “China is [not] near.” It will feature the artist’s work criticizing issues such as China’s handling of the COVID-19 pandemic and its crackdowns in Hong Kong and Xinjiang.

The Chinese Embassy in Rome sent the Brescia city council a message on Oct. 21, contending that Badiucao’s works twisted facts, spread false information, would mislead the Italian people’s understanding of China while seriously damaging Chinese people’s feelings, and jeopardize friendly relations between China and Italy, according to Italy’s ANSA news agency.

Brescia Mayor Emilio Del Bono told the Il Foglio newspaper the show will not be canceled, adding, “I think it is important to show that you can stay friends while criticizing some things.”

Badiucao told VOA Mandarin via phone on live TV that he was not surprised by the embassy’s position. “I am very excited that the city government and the museum stood strongly with me. I can say very confidently that my exhibition will not be canceled. I will not amend my exhibits or commit any self-censorship.”

VOA Cantonese asked the Chinese Embassy in Rome for comments but received no response.

This story originated in VOA’s Cantonese Service.
…

Hong Kong lawmakers passed an amendment to the Film Censorship Bill Wednesday that will allow authorities to ban films past or present that are seen as a threat to national security.

People found guilty of producing such films can land punishments of up to three years in jail and a fine of $128,000.

Back in June, the Hong Kong government first announced proposed amendments to the territory’s film ordinance law. Filmmakers, both local and overseas, told VOA that the action would stifle the movie industry.

But at Wednesday’s meeting of Hong Kong’s Legislative Council – the city’s mini-parliament – as the bill was passed, Priscilla Leung Mei-fun, a pro-Beijing lawmaker said, “No society in the world welcomes forces that encourage young people to break the law, harbor hatred against their own countries and embrace terrorism,” The South China Morning Post newspaper reported.

The Federation of Hong Kong Filmmakers had previously stated it was “worried” by the new law, but when contacted by VOA had no further comment.

Christopher Ling, a commercial director and filmmaker in Hong Kong, told VOA earlier this year that the law has raised concern in the industry.

“For films that don’t care about the Chinese market, most Hong Kong features have a lot of freedom to voice out what the director wants to talk about.”

“After the law, [that] seems like that won’t be the case anymore. And the scariest part is that it’s up to the government to say what’s alright and what’s not, there’s no clear indication of what can be said and what not,” he said.

Ling said films considered politically sensitive will be affected in other ways, even if they are not screened in Hong Kong.

“Hong Kong movies aside, I’m also worried that a lot of films can’t be imported and distributed in Hong Kong from now on. Not even big production movies should be worried, even the independent short films…filmmakers should also be worried that the law might be affecting them,” he added.

But Kenny Kwok Kwan Ng, Associate Professor at the Hong Kong Baptist University Academy of Film, told VOA that the law will likely target independent productions more than commercial, big-budget films.

“The main impact may fall on documentaries. Particularly in the past few years or the past decade, there has been a rise in documentaries, not commercially, more independently made, [and] also recording social events, social crises.”

“These kinds of movies are more prone to the censorship law because if they record the events, things that deemed by the government as risky or undesirable or endangering social harmonies, social security – these things will probably have been prohibited for showing in the public,” Ng told VOA in a phone call.

As for commercial productions, Ng said if they have value, there is still room to produce movies based on governmental issues in society. Ng pointed to the recently released Raging Fire, a Hong Kong-Chinese action movie that focuses on a good cop, bad cop scenario. The movie has so far grossed over $213 million worldwide.

“You have the leeway to talk about how the bad cop turned corrupt, what kind of social institutional problems he’s facing. Maybe that’s the way these cop genres can deal with it. In the near future will this space be even more limited? We don’t know. It has to be tested case by case. It depends on each films response, that’s why I think filmmakers are still figuring out and testing the waters,” he added.

Ng said he is trying to be optimistic about the censorship law because it encourages new filmmakers to be more creative when making independent movies.

“It really depends on the young filmmakers, their creativity, if they are willing to go around and to see other ways of storytelling – I think this is a challenge for them and hope they take up the challenge,” he added.

But with the censor law in place, Ng said filmmakers are already looking at alternative channels to showcase their productions and get around censors.

“People have also begun talking about alternative channels, rather than beyond conventional cinema houses, like streamlining, social media. It will be a kind of struggle between the players and the government,” Ng added.

Hong Kong has already seen examples of censorship in the film industry.

In March, a local cinema canceled the screening of the award-winning documentary Inside the Red Brick Wall. The documentary focused on the clashes between protesters and police at Hong Kong’s Polytechnic University in November 2019 that lasted nearly two weeks.

The same month, Hong Kong’s largest TV network, Television Broadcast Ltd, known as TVB, canceled its broadcast of the Academy Awards for the first time in over 50 years, citing “commercial reasons.” The decision came as China requested media to lessen the coverage of the awards after Norwegian filmmaker Anders Hammer’s documentary Do Not Split received an Oscar nomination. The documentary also focused on Hong Kong’s much-publicized anti-government demonstrations.

And organizers of the Fresh Wave International Short Film Festival in Hong Kong canceled the screening of Far From Home, a short political film that also focused on political unrest two years ago.

China’s government has been targeting the entertainment sector of late. Its crackdown has seen new government controls for broadcasters on beauty standards, and to curb “effeminate male celebrities.” The government has also been displeased with the political views of Beijing-born director Chloe Zhao, who subsequently won the best director award for her movie Nomadland.

Since Beijing enacted a national security law in Hong Kong last year, books judged to be sensitive to the law have been removed from libraries and schools. In June, Hong Kong’s pro-democracy newspaper Apple Daily was forced to close after its executives were arrested under the security law. Among other things, the law prohibits secession, subversion, terrorism and collusion with foreign forces, and its details can be widely interpreted.  

 
…

Actor Alec Baldwin fired a vintage Colt pistol loaded with a live lead round in the accidental fatal shooting last week of a cinematographer on the New Mexico set of his movie “Rust,” authorities said on Wednesday.

Santa Fe County Sheriff Adan Mendoza and District Attorney Mary Carmack-Altwies held a briefing six days after Baldwin accidentally shot and killed cinematographer Halyna Hutchins during a rehearsal for a scene inside a church at the filming location in New Mexico.

No one has been charged. Mendoza and Carmack-Altwies it is too early to discuss charges but said charges would be filed if warranted.

“No one has been ruled out at this point,” Carmack-Altwies said referring to potential charges. She said the investigation is not yet concluded.

Authorities have the firearm used in the shooting, the sheriff said. Mendoza said what is thought to be additional live rounds have been found on the set but they would be subject to testing by ballistics experts.

Mendoza said the gun was Long Colt revolver. “It’s a suspected live round that was fired but it did fire from the weapon and it did cause injury. That would lead us to believe it was a live round,” he said.

The sheriff said Baldwin has been cooperative in the investigation.

“He’s obviously the person that fired the weapon,” Mendoza said. “Right now, he is an active part of this investigation.”

The sheriff also said there was “complacency” on the set regarding firearms.

The shooting has sent shockwaves through Hollywood, prompting a debate about safety protocols in film and television – including whether certain types of guns used as props should be banned – and working conditions on low-budget productions.

Authorities have said in court filings that Baldwin last Thursday was handed what he thought was a “cold,” or safe, gun by the film’s assistant director David Halls, who took it from a cart used by Hannah Gutierrez, who was employed to oversee firearms and their safety in a job called an armorer.

The gun instead contained what police called “live rounds,” and a shot hit Hutchins in the chest and director Joel Souza, standing behind her, in the shoulder. Hutchins was transported by helicopter to the University of New Mexico Hospital, where she was pronounced dead. Souza was treated at a hospital and released.

The lead round was recovered from Souza, Mendoza said.

Baldwin, 63, serves as a co-producer of “Rust,” a Western film set in 1880s Kansas, and plays an outlaw grandfather of a 13-year-old boy convicted of an accidental killing. Production had been taking place at the Bonanza Creek Ranch, located south of Santa Fe, and has been halted.

Baldwin has called it a “tragic accident” and, like other cast and crew, is cooperating with police.

The film’s producers have hired the law firm Jenner & Block to investigate the shooting. In a letter sent to cast and crew on Tuesday night, the film’s production team said Jenner “will have full discretion about who to interview and any conclusions they draw.”

Baldwin was drawing a revolver across his body and pointing it at a camera while rehearsing when the weapon fired, according to a sheriff’s department affidavit released on Sunday.

Detectives recovered two boxes of “ammo,” “loose ammo and boxes” as well as “a fanny pack w/ammo,” along with several spent casings, according to a court filing.

Before the incident, camera operators had walked off the set to protest working conditions, according to the affidavit.
…

Chinese organizers have confirmed participants in next year’s Winter Olympics will be strictly isolated from the general population and could face expulsion for violating COVID-19 restrictions. 

Vice mayor and Beijing 2022 organizing committee official Zhang Jiandong told reporters Wednesday that those taking part in the games beginning Feb. 4 must remain in a “closed loop” for training, competing, transport, dining and accommodation. 

A strict Olympic bubble has long been on the books, but Beijing has now made it official in keeping with its zero-tolerance approach to the pandemic. Athletes and other participants will also be tested regularly for the coronavirus before and during the Games. Family, spectators and sponsors from outside the country will not be allowed to attend. 

“All participants of the Games and our Chinese staff and volunteers will implement the same policy,” Zhang said. “They will be strictly separated from the external society. 

“Those who do not comply with the epidemic prevention regulations may face severe consequences such as warning, temporary or permanent cancellation of registration, temporary or permanent disqualification or expulsion from the competition, and other punishment.” 

All participants must have been fully vaccinated at least 14 days prior to their departure for China. 

China has enforced strict rules on mask wearing, quarantines and contact tracing that have largely succeeded in eliminating the local transmission of COVID-19, but imported cases and domestic infections continue to appear in daily reports. 

“Indeed, epidemic prevention and control is the biggest challenge for us to host the Winter Olympic Games,” Zhang told a news conference. 

Wednesday marked 100 days until the Beijing Games. Organizers have held test events featuring international athletes at Olympic venues under strict conditions. 

Japan imposed restrictive rules and an Olympic bubble during the July 23-Aug. 8 Summer Games in Tokyo, which had been postponed by 12 months because of the pandemic.
…

Nothing says Halloween like a visit to a pumpkin patch where selections range from cute to specimens so gigantic, they arrive by truck. Titi Tran has this report from Orange County, California.

Camera:    Titi Mary Tran
…

The niece of Japanese Emperor Naruhito, Princess Mako, married a commoner Tuesday, relinquishing her royal status following a heavily scrutinized, controversial four-year engagement.

The Japanese Imperial Household Agency issued a statement announcing the marriage of Mako to Kei Komuro, both 30 years old.

The couple broke with tradition by foregoing the usual rituals and ceremonies of royal weddings, including a reception, while Mako also refused the one-off payment of about $1.3 million typically made to royal women who leave the imperial family to marry.

The couple had been classmates at Tokyo’s International Christian University when they announced their engagement in 2017, saying they intended to marry the next year.

But shortly after the announcement, a dispute involving money Komuro’s mother, a widow, had received from a former suiter surfaced and the wedding was postponed. Komuro wrote a lengthy statement explaining the situation, and but it is still unclear if the dispute has been fully resolved.

Komuro spent the last three years at law school in New York City, where The New York Times reports tabloid newspapers documented everything from his hairstyle to the food trucks where he bought his lunch.

At a news conference, the former princess addressed the controversies, gossip and mixed public opinion about the relationship, saying, “I am very sorry to the people who had trouble (with our marriage). Also, I feel gratitude towards people who cared and quietly worried about me, or people who were not misled by the non-factual information and still continued to support me and Kei.”

The couple expressed their love for one another, and Mako said, “As we go on with our lives, I think there will be different difficulties. But as we have in the past, we will work together and continue to move on together.”  

The couple plans to live in New York City.

Some information for this report was provided by The Associated Press, Reuters, and Agence France-Presse
…

Production of the movie that Alec Baldwin was making when he shot and killed a cinematographer last week has been officially halted, but producers of the Western described the move as “a pause rather than an end.” 

In an email to crew members, the movie’s production team confirmed that work on “Rust” has been suspended at least until the investigation is complete. The team said it is working with law enforcement and is conducting its own internal safety review. The production company is also offering grief counseling. 

The sheriff’s investigation continued Monday. The team said that it could not respond to comments made in news reports or on social media. The email suggested that production could resume at some point. 

“Although our hearts are broken, and it is hard to see beyond the horizon, this is, at the moment, a pause rather than an end,” the email read. 

‘Cold gun’

Moments before the shooting, Baldwin was explaining how he was going to draw the revolver from his holster and where his arm would be positioned, court records show. 

The actor had been told that the gun was safe to use for the rehearsal of a scene in which he was supposed to pull out the weapon while sitting in a church pew and point it at the camera, the records said. 

Cameraman Reid Russell told a detective that he was unsure whether the weapon was checked before it was handed to Baldwin, and he did not know why the gun was fired. 

The camera was not rolling when the gun went off and killed cinematographer Halyna Hutchins, Russell told authorities, according a search warrant affidavit released Sunday. 

Authorities said Friday that the assistant director, Dave Halls, had handed the weapon to Baldwin and announced “cold gun,” indicating it was safe. 

When asked about how Baldwin treated firearms on the set, Russell said the actor was safe, citing a previous instance when Baldwin made sure a child actor was not near him when a gun was being discharged. 

Statements by director 

The affidavit released Sunday also included statements by director Joel Souza, who was standing behind Hutchins and was wounded. 

It detailed the moments before the shooting and showed that there was turmoil on the set the day of the shooting. Several members of the camera crew walked off the production in a dispute over payment and lodging, Russell said, and he was left with a lot of work to do. Only one camera was available to shoot, and it had to be moved because the light had shifted and there was a shadow. 

Souza said he was focused on how the scene would appear on camera. He said he recalled hearing the phrase “cold gun” before the shooting, the affidavit said. 

He said the scene did not call for the use of live rounds. After a lunch break, Souza said he was not sure if the firearm had been checked again. Souza was looking over Hutchins’ shoulder when he heard the gunshot, according to the affidavit. 

Previous concerns

On Sunday, a crew member who worked with Halls on another project said she had raised safety concerns about him in 2019. 

Maggie Goll, a prop maker and licensed pyrotechnician, said in a statement that she filed an internal complaint with the executive producers of Hulu’s “Into the Dark” series in 2019 over concerns about Halls’ behavior on set. Goll said in a phone interview Sunday that Halls disregarded safety protocols for weapons and pyrotechnics and tried to continue filming after the supervising pyrotechnician lost consciousness on set. 

Halls has not returned phone calls and email messages seeking comment. 

The fatal shooting and previous experiences point to larger safety issues that need to be addressed, Goll said, adding that crew member safety and well-being were top issues in recent contract negotiations between a union that represents film and TV workers and a major producers’ group. 

“This situation is not about Dave Halls. … It’s in no way one person’s fault,” she said. “It’s a bigger conversation about safety on set and what we are trying to achieve with that culture.” 

The film’s chief electrician, Serge Svetnoy, blamed producers for Hutchins’ death in an emotional Facebook post on Sunday. Svetnoy said he had worked with Hutchins on multiple films and faulted “negligence and unprofessionalism” among those handling weapons on the set. He said producers hired an inexperienced armorer. 

Safety measures

Since the shooting, other production crews have stepped up safety measures. 

Jeffrey Wright, who has worked on projects including the James Bond franchise and the upcoming movie “The Batman,” was acting with a weapon on the set of “Westworld” when he learned of the shooting Thursday at a New Mexico ranch. 

“We were all pretty shocked. And it informed what we did from that moment on,” he said in an interview Sunday at the Newport Beach Film Festival. 

“I don’t recall ever being handed a weapon that was not cleared in front of me — meaning chamber open, barrel shown to me, light flashed inside the barrel to make sure that it’s cleared,” Wright said. “Clearly that was a mismanaged set.” 

Actor Ray Liotta agreed with Wright that the checks on firearms are usually extensive. 

“They always — that I know of — they check it so you can see,” Liotta said. “They give it to the person you’re pointing the gun at. They do it to the producer. They show whoever is there that it doesn’t work.” 

Baldwin, who is known for his roles in “30 Rock” and “The Hunt for Red October” and his impression of former President Donald Trump on “Saturday Night Live,” has described the killing as a “tragic accident.” 

 
…