Month: August 2017

Pop star Miley Cyrus and Oscar-winning actors Sandra Bullock and Leonardo DiCaprio pledged funds to help victims of storm Harvey, while Beyonce on Thursday said she was sending a team to her Houston, Texas hometown to help with relief efforts.

A donation drive organized by Houston Texans NFL star J.J. Watt had reached $10 million in pledges from celebrities and ordinary people by Thursday, and singer Solange Knowles, Beyonce’s sister, announced benefit concerts in Boston and New York for September and October.

A tearful Cyrus, 24, announced a $500,000 contribution in an emotional appearance on “The Ellen DeGeneres Show.”

“It just really makes me just really upset… I go home to my seven dogs and if I didn’t have that anymore, it would just be really hard. So I am really happy to help in any way I can. And I hope people understand and can put themselves in those people’s shoes,” Cyrus said.

Some 779,000 Texans have been ordered to evacuate their homes and another 980,000 fled voluntarily amid concerns on Thursday that swollen reservoirs and rivers could bring new flooding. Harvey roared ashore late last week as the most powerful hurricane to hit Texas in a half-century but has now been downgraded to a tropical depression.

“Gravity” star Bullock, and DiCaprio’s foundation said this week they will each contribute $1 million to organizations helping people recover from the devastating floods.

Beyonce, one of Houston’s best-known celebrities, launched BeyGOOD Houston on her website. A statement said a team from her BeyGOOD philanthropic foundation was headed to the city to help with relief efforts, and the website asked fans to make donations to two local groups working there.

The “Lemonade” singer, who now lives in Los Angeles, has not said whether she is making a personal donation, but her pastor Rudy Rasmus said she tends to keep her charitable efforts quiet.

“Beyonce is extremely private and has done a lot that she has requested we don’t announce and publicize over the years, Rasmus told celebrity website TMZ.com in an interview this week. “She has really stepped up and it has been a big blessing for us,” added Rasmus, who launched the non-profit Bread for Life in Houston in 1992 to feed homeless people.
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It’s been a year of transition for Fifth Harmony: The pop stars parted ways with member Camila Cabello, switched management teams, negotiated a new contract with their label and won greater creative control of their brand.

Luckily the newly-minted quartet, who released their third album last week, had the fairy godmother of girl groups to guide them through the tumultuous times: Destiny’s Child alum Kelly Rowland.

“We were advised by THE Kelly Rowland,” Dinah Jane, 20, said with reverence. “She just told us to, like, let the music speak for itself … and just know your worth, believe in yourself and just be there for each other. So we’ve definitely honed into that. And for her to advise that, like, that says a lot because, you know, she’s gone through the same things.”

“And she said that she was really proud of us,” beamed Normani Kordei, 21.

Destiny’s Child went through similar changes before settling on the final and most famous formation, the trio of Rowland, Beyonce Knowles and Michelle Williams.

Fifth Harmony said they looked to the “Bootylicious” hitmakers when deciding to fill the spot left by Cabello, who exited in December to pursue a solo career.

“We kept referencing that while we were in the moments of that whole thing happening. … Like people, teams or whatever, suggesting, ‘Oh maybe we get a fifth member?”’ Lauren Jauregui, 21, recalled. “Like no, dude. If we’re going to do this, it’s the four of us. Period.”

“It’s been us. It will be us,” echoed Kordei.

The group doubled down on that decision during Sunday’s MTV Video Music Awards, where a stand-in fifth member was quickly tossed from the stage as they began to perform. The dance-heavy performance, which came two days after the release of their new album, was well-received and boosted sales of the single “Down.” The girls also won best pop video for the song’s video, which features rapper Gucci Mane.

Naming their third album after the group drives the point home — though they’ve downsized, they feel stronger than ever.

“[The album] is more edgy and mature, of course, but the most harmonious we’ve ever been,” Jane said.

They say they are most comfortable now because they’re in the driver’s seat. They pushed for more creative control with their labels, Epic Records and Simon Cowell’s Syco imprint, and sought legal counsel to gain ownership of the Fifth Harmony trademark.

“When we hired our lawyer, Dina LaPolt, that’s when our real transformation began because she really informed us about our business and informed us about our rights as artists,” Jauregui said. “And we really, I feel, gained this sort of inner power that we didn’t have before and this control and ownership of our music, of our brand, of our business.”

Fifth Harmony was formed on the U.S. version of “The X Factor” in 2012. In 2015 they released their full-length debut, “Reflection,” finding chart success with the upbeat hit, “Worth It.” They reached greater heights with the slick and sexy song “Work from Home” — the lead single from last year’s “7/27” — peaking at No. 4 on the Billboard Hot 100 chart.

But behind closed doors, the girls were struggling.

“There are just so many crazy things that happen behind-the-scenes. So many honestly horrific situations that happen and we had to step up and say, ‘You know what? We demand the respect that we deserve,”’ recalled Ally Brooke, 24. “We need to write on this album. We need to be part of that process and that’s exactly what we did.”

“Fifth Harmony” delivers more of the group’s signature provocative pop/R&B sound along with an eclectic mix of messages. The women writhe on motel beds and showcase saucy parking lot dance sequences in the video for “Down.” They touch on politics and encourage inclusivity in the uplifting album-closer “Bridges.” And they issue a stern warning to those who misjudge them in the darker, F-bomb-fueled “Angel,” produced by Justin Bieber collaborator Poo Bear and grungy EDM star Skrillex.

“Honestly it’s a breath of fresh air,” said Kordei of the group’s new dynamic. “We’re just so grateful and we thank God, like, literally every single day.”

“Even in those times where the storm was really, really heavy and we didn’t know if it was going to end … now I recognize what goodness actually feels like,” she added.
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Guillermo del Toro’s The Shape of Water is an aquatic Beauty and the Beast, a transgressive fairy tale about a young woman’s love for a scaly creature from the Amazonian depths.

Like the best fables, it’s also rooted in the real world: the story of a migrant from the south facing a hostile reception in a security-obsessed United States.

“I think that fantasy is a very political genre,” del Toro said Thursday at the Venice Film Festival, where The Shape of Water had its red-carpet world premiere. It’s one of 21 films competing for the coveted Golden Lion, the festival’s top prize.

“Fairy tales were born in times of great trouble. They were born in times of famine, pestilence and war,” he added.

Part monster movie, part noir thriller, part Hollywood musical, the film defies categorization, though Del Toro took a stab, suggesting it’s “like Douglas Sirk rewriting Pasolini’s Theorem with a fish.”

Some critics are calling it del Toro’s best film since Pan’s Labyrinth in 2006. The Daily Telegraph summed it up as “an honest-to-God B-movie blood-curdler that’s also, somehow, a shimmeringly earnest and boundlessly beautiful melodrama.” Screen International called it “exquisite … del Toro at his most poignant and sweet.”

Set in early-1960s Baltimore, the film stars Sally Hawkins as Elisa, a mute orphan who works as a cleaner at a high-security lab. She forges a bond with a captured creature who is at the center of a Cold War tug-of-war between the U.S. and the Soviet Union.

“It’s a movie set in 1962, but it’s a movie about today,” del Toro told reporters at a Venice news conference. “It’s about the issues we have today. When America talks about America being great again, I think they are dreaming of an America that was in gestation in `62 — an America that was futuristic, full of promise … but at the same time there was racism, sexism, classism.”

Del Toro said the creature — played with fittingly fluid movements by Doug Jones — is the only character in the film without a name, because he represents “many things to many people.”

For lonely Elisa, “it’s the first time somebody, something is looking at her, looking back the way you look back at the person you love.” For Michael Shannon’s ruthless U.S. government agent Strickland, the creature is “a dark, dirty thing that comes from the south” and must be eliminated.

“I am Mexican, and I know what it is to be looked at as `the other’ no matter what circumstances you’re in,” the director said — and the character of the creature embodied that otherness.

The film features warm performances from Octavia Spencer and Richard Jenkins as Elisa’s friends — and a mesmerizing turn from Hawkins, who creates a character of depth, passion and compassion without saying a word.

Hawkins said that when del Toro first told her about the movie, she was working on her own project about “a woman who doesn’t know she’s a mermaid.” Some of those ideas fed into the character of Elisa.

“It was just synchronistic,” she said. “It was very odd. Those things rarely happen and when they do you know it’s something special.”

The Shape of Water features del Toro’s usual rich mix of ingredients: everything from Russian spies to musical interludes. Its overriding message, the director says, is “to choose love over fear.”

“We live in times where fear and cynicism are used in a way that is very pervasive and persuasive,” del Toro said. “Our first duty when we wake up is to believe in love.

“It’s the strongest force in the universe,” he said. “The Beatles and Jesus can’t be wrong — not both of them at the same time.”
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Downsizing has generated jumbo-sized buzz at the Venice Film Festival — not least as viewers debate how to describe it.

Is it a science fiction film, a romantic comedy, a political parable, an apocalyptic thriller? Alexander Payne’s movie mixes all those elements in its story of a man, played by Matt Damon, who tries to solve his problems by shrinking himself.

Damon and co-stars Kristen Wiig and Hong Chau joined Payne on the red carpet for the film’s Venice premiere Wednesday — the first of 11 days of galas that will bring stars including George Clooney and Jennifer Lawrence to the canal-crossed Italian city.

The Venice opening-night slot has become coveted by filmmakers hoping to make a splash come awards season. Several recent Venice openers, including Gravity and La La Land, have gone on to win multiple Academy Awards.

Downsizing has ingredients that could help it strike a similar chord with audiences and awards voters: a likable, bankable star in Damon; a strong supporting cast that includes Wiig and Christophe Waltz; and an imaginative story laced with compassion and humor.

Payne says despite its sci-fi premise and international canvas, Downsizing is not so different to the films he’s best known for — funny-sad stories of middle-aged or Midwestern strugglers such as About Schmidt, Sideways and Nebraska.

 “It has the same sense of humor and basically the same tone,” Payne told reporters in Venice on Wednesday.

The movie applies Payne’s wry eye for human foibles to a plot that explores the power and limits of science and the threat of environmental catastrophe.

The script by Payne and Jim Taylor opens with a Norwegian scientist making a breakthrough he thinks will save humanity: a technique that can shrink people to 5 inches (12 centimeters) tall. That means they use a tiny fraction of the resources they once did — and need to pay less, allowing people of modest means to grow instantly rich by becoming small.

The movie has fun imagining what the miniaturized world would be like, as Damon goes to live in a luxury micro-city, a sort of retirement community for the tiny.

Then it takes a serious turn to ask whether science could be humanity’s salvation, or whether stubbornly fallible human nature is likely to be our species’ undoing.

Along the way, a movie that started in the familiar Payne territory of Omaha, Nebraska, takes viewers all the way to an underground bunker in a Norwegian fjord.

Many will find the journey unexpected, but reviewers in Venice were mostly happy to be swept along for the ride. The Guardian called the film a “spry, nuanced, winningly digressive movie,” while the Hollywood Reporter said it was “captivating, funny” and “deeply humane.”

Ultimately, the film rests on Payne’s knack for depicting human relationships. Damon’s Paul becomes friends with a louche European neighbor, played by Waltz, and develops feelings for Ngoc Lan, a former Vietnamese political prisoner working as a house cleaner.

Actress Hong Chau (Treme, Inherent Vice) is already being talked of as a potential awards nominee for her performance as the spirited, complex character.

“This is a character that is normally in the background, that is low-status character in the culture, and not one that you typically see in the forefront of a story,” she said.

Downsizing is the latest ordinary-Joe role for Damon, who exudes a likable everyman-under-duress quality whether he’s action hero Jason Bourne or a stranded astronaut in The Martian.

Damon said he thinks movies “are the greatest tool for empathy that we have.”

“What I love about this — what I love about a lot of these stories that I get to help tell — is it shows a relatable character whose life is different from our own but who we find common cause with,” he said. “This is a beautiful and optimistic movie. A journalist said to me, which I thought was really great: `This is Alexander’s most optimistic movie and it has the apocalypse in it.”‘

The film has been in the works for a decade, but in an AP interview, Damon said its environmental theme felt “torn from the headlines.”

“Though the [U.S.] administration wouldn’t say that,” he added. “They’re not acknowledging climate change as a reality.”
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The U.S. is playing a World Cup qualifier in the New York metropolitan area for the first time, a critical match against Costa Rica on Friday night at Red Bull Arena in Harrison, New Jersey.

The Americans have played plenty of matches in and near the Big Apple, mostly in the CONCACAF Gold Cup and exhibition games. Until now, the closest to New York a qualifier has been played was in 1989, a 2-1 win over Guatemala at Veterans Stadium in New Britain, Connecticut.

“This was a pipe dream, this stadium in Harrison,” said goalkeeper Tim Howard, who played for the New York/New Jersey MetroStars when the team was based at Giants Stadium in East Rutherford. “For it to be there and to actually be playing games, you know, there’s no crowd like playing in front of your home crowd for me.”

Howard spoke Tuesday during a news conference in Manhattan, joined by coach Bruce Arena, captain Michael Bradley and teenage star midfielder Christian Pulisic.

After the U.S. opened the final round of the North and Central American and Caribbean region with losses to Mexico and Costa Rica, the U.S. Soccer Federation brought back Arena to replace coach Jurgen Klinsmann. The U.S. has recovered and is in third place with eight points, trailing Mexico (14) and Costa Rica (11). Panama (seven), Honduras (five) and Trinidad and Tobago (three) follow.

The top three nations qualify, and the fourth-place team advances to a playoff against Asia’s No. 5 nation.

Perhaps no one understands the role fan support can play in an outcome more than Arena, a member of the U.S. National Soccer Hall of Fame. The U.S. had a 16-year home unbeaten streak in qualifying going into a match against Honduras at RFK Stadium in Washington, D.C., on Sept. 1, 2001. The majority of the sellout crowd of 54,282 backed Honduras, which won 3-2.

“Only in America, I guess, we’re fighting for a home-field advantage,” Arena, who was born in Brooklyn and raised in Long Island, said at the time.

Costa Rica played a Gold Cup match at Harrison in July, but Arena expects a different crowd.

“We’re playing at home and I don’t care what anyone says. We have a home-field advantage,” Arena said. “My experiences in the short time that I’ve been here back with the U.S. team is that we have great support and I really believe that we’ll have great support on Friday, and hopefully the fact that Costa Rica played here in the Gold Cup is not going be a factor.”

At a venue with a 25,000 capacity that was built for Major League Soccer, the USSF and Red Bulls can control ticket allocation with pre-sales to Red Bulls season-ticket holders and national team regulars.

“We understand the challenges of playing at home versus going on the road in CONCACAF and we’re willing to do whatever it takes to make sure that in five or six weeks’ time we’ve punched our ticket to Russia,” Bradley said. “It’s on us to make sure that we can finish the job and allow ourselves the chance to look forward to playing at a World Cup next summer.”

The U.S. plays Honduras at San Pedro Sula on Sept. 5, and then closes the hexagonal against Panama on Oct. 6 at Orlando, Florida, and at Trinidad four days later.

“All the work that we’ve put in this year was for these next four games, to make sure that we can find the right ways in the biggest moments when the lights come on brightest to make sure that we get the job done,” Bradley said.

Reality check

U.S. players also have their minds on teammates and their families affected by Hurricane Harvey.

“I’ve heard DaMarcus (Beasley) speak of it. I haven’t yet had the chance yet to talk with Clint (Dempsey),” Arena said. “Hopefully his family’s safe. I know they’re in east Texas. I know it’s a tough week for them. I know for DaMarcus in particular it’s been very challenging. For him personally, for his friends and family ties to the Houston area. It’s difficult but all we can do is hope that the conditions improve in the Houston area and that everyone is safe.”

Added Bradley: “Some of the images and videos that have come out of Texas have been heartbreaking, and for all of us now as human beings, as fellow Americans, to find the right ways to show support and help that part of the country as they find the right ways to move on from this. That’s very important and obviously in our own very little way playing and representing the country in a really strong and proud way on Friday night is a little part of that.”
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The Archbishop of Paris is on a 100 million-euro ($120 million) fundraising drive to save the crumbling gargoyles and gothic arches of the storied Notre-Dame cathedral.

Every year, 12 million to 14 million people visit the 12th-century Parisian landmark on an island in the Seine river. Groundbreaking for the structure occurred in 1163 and construction was completed in 1345. Pollution and exposure to elements over time have resulted in losses of large chunks of stone.

“If we don’t do these restoration works, we’ll risk seeing parts of the exterior structure begin to fall. This is a very serious risk,” said Michel Picaud, president of the Friends of Notre-Dame charity set up by the archbishop.

Church officials, who have created what they are calling a “stone cemetery” from fallen masonry, say the cathedral remains safe to visit.

Entry to the cathedral is free, and the French state, which owns the building, devotes 2 million euros a year to repairs.

But that is not enough to embark on major restoration works, the last of which were carried out during the 1800s, officials at the cathedral and charity said.

Hugo’s book

Notre-Dame has long drawn tourists from around the world.

It is most famous in popular culture as the locale for 19th-century author Victor Hugo’s “The Hunchback of Notre-Dame” and films of the same name, including the 1939 classic with Charles Laughton and the 1996 Disney musical animation.

The latter in particular raised the cathedral’s profile for modern-day tourists from China to the United States.

“It’s the movie for me. I just think of the Hunchback of Notre-Dame, and the book as well. After reading that book, I actually really wanted to come see it,” said U.S tourist Claire Huber as she visited the cathedral.

Church authorities hope the cathedral’s worldwide fame will attract donors, particularly from the United States.

“Gargoyles are what people want to see when they come to Paris. If there are no more gargoyles, what will they see?” Notre-Dame communications chief Andre Finot said.
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Kim Kardashian West and her famous siblings are donating $500,000 to help Harvey victims.

A spokeswoman for the reality star says she and her mother and sisters have given $250,000 to the Red Cross and $250,000 to the Salvation Army.

Kardashian West announced the donation on Twitter on Tuesday, saying, “Houston we are praying for you.” She used the hashtag #HoustonStrong.

They are among several stars who’ve said publicly they are helping hurricane victims. Kevin Hart on Monday announced a $25,000 donation to the Red Cross for storm victims and called on other celebrities to do the same.
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Beyonce says she’s working with her charity to assist those in her hometown affected by Tropical Storm Harvey.

The Houston native says in a statement to The Houston Chronicle late Monday that “my heart goes out to my hometown, Houston, and I remain in constant prayer for those affected.”

Beyonce, Kelly Rowland and the original members of Destiny’s Child who left the group, LeToya Luckett and LaTavia Roberson, formed as teenagers in Houston.

Harvey made landfall four days ago as the fiercest hurricane to hit the U.S. in 13 years.

Beyonce said she’s praying “for the rescuers who have been so brave and determined.” The singer said she is working closely with her organization BeyGOOD and her pastor to find ways to help those affected.

 
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The Venice Film Festival is kicking off the fall cinema season with searing drama, serious glamour and a crop of new movies vying for attention, awards and acclaim.

Thanks to its late-summer time slot, just ahead of rivals in Telluride and Toronto, the world’s oldest cinema festival has become a key showcase for films hoping to dominate Hollywood’s awards season. In recent years, Venice has been a launch-pad for Oscar winners including “Gravity,” “Birdman,” “Spotlight” and “La La Land.”

This year’s edition opens Wednesday with Alexander Payne’s “Downsizing,” a science fiction-tinged drama starring Matt Damon as a man who hopes to minimize his problems by shrinking himself.

Other films competing for the festival’s top prize, the Golden Lion, include George Clooney-directed heist movie “Suburbicon”; Guillermo del Toro’s fantastical “The Shape of Water”; Darren Aronofsky’s secrecy-shrouded thriller “Mother!”; and Martin McDonagh’s dark comedy “Three Billboards Outside Ebbing, Missouri.”

Here’s what to watch for at the 74th Venice Film Festival, which runs to September 9:

Glamour galore

Unspooling in one of Italy’s most ravishing cities, the festival takes style and celebrity very seriously. Among the stars who will be whisked across the Venice lagoon by boat to walk the Palazzo del Cinema red carpet are Clooney, a festival favorite who has a house on nearby Lake Como.

He’ll likely be joined by pal Damon, who stars in both “Suburbicon” and “Downsizing,” which also features Kristen Wiig. Jennifer Lawrence is expected for the much-anticipated “Mother!”, which also stars Javier Bardem. The Spanish star should also be on hand alongside Penelope Cruz for the drug-lord biopic “Loving Pablo.”

An older generation of showbiz royalty will be well represented by stars including Judi Dench, Helen Mirren, Donald Sutherland and Michael Caine. Jane Fonda and Robert Redford star in the late-life romance “Our Souls at Night” and are being given lifetime-achievement awards by the festival.

Global Crises

Several films in the lineup tackle the conflicts and divisions convulsing the world.

Chinese artist Ai Weiwei’s documentary “Human Flow” travels to 23 countries as it tries to put a human face on the vast migrations unfolding around the world. Paul Schrader, who wrote “Taxi Driver,” directs “First Reformed,” featuring Ethan Hawke as a minister wrestling with his faith and the specter of environmental catastrophe.

Israel’s Samuel Moaz, director of acclaimed war drama “Lebanon,” returns with “Foxtrot,” another story of conflict and loss. From China, Vivian Qu’s “Angels Wear White” centers on sexual assault in a small provincial town.

It hasn’t escaped comment that Qu is the only female director among 21 filmmakers in the festival’s main competition. Debates about diversity and inclusion in the movie business are a long way from dying down.

Thrills and chills

Once considered the preserve of B-movies, thrills have become respectable. The Venice competition brims with films that include elements of sci-fi, action and horror, including “Downsizing,” “The Shape of Water” and “Mother!”

Further jolts and shocks are promised by the Italian organized-crime series “Suburra”; S. Craig Zahler’s bloody “Brawl in Cell Block 99,” starring Vince Vaughn; and a 3-D version of Michael Jackson’s “Thriller,” screening alongside a 25th-anniversary documentary about the landmark video.

A changing industry

Technology and economics are transforming the film industry, and festivals like Venice are working hard to keep up.

Festival director Alberto Barbera has said he wants the lineup to provide “a perception of the future,” rather than “a snapshot of the present or a souvenir selfie of our contemporary cinema.”

One big change this year is the festival’s first virtual reality competition, featuring 22 films and installations judged by a jury led by director John Landis. Barbera said VR, until recently considered little more than “the latest technological gimmick,” looked set to “become one of the most colossal investments” for the cultural industry.

With the way films are funded, made, distributed and watched all in flux, the taste-maker role played by festivals like Venice makes them more powerful than ever.

Schrader, who has been making films since the 1970s, said advances in technology had let him make “First Reformed” twice as fast and at half the cost of a movie made just 10 or 15 years ago.

“That’s the upside of the enormous freedom we’ve been given by technology in film,” he said. “The downside is thousands of films are getting made now that no one wants to see.”

“The festivals are the new gatekeepers,” he added. “We need these festival structures to process this tsunami of product.”
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A United Nations human rights panel called on the Russian Federation on Monday to step up prosecutions of racist attacks by ultra-nationalists and neo-Nazis and of hate speech by politicians.

Russian authorities must intensify measures to “vigorously combat racist behavior in sports, particularly in football, and ensure that sports regulatory bodies investigate manifestations of racism, xenophobia and intolerance,” the U.N. Committee against Racial Discrimination (CERD) said.

Fines or administrative sanctions should be imposed for such cases. The panel, referring to “the upcoming (2018) World Cup, expresses its concern that racist displays remain deeply entrenched among football fans, especially against persons belonging to ethnic minorities and people of African descent.”

Russia has pledged to crack down on racism and fan violence as it faces increased scrutiny before hosting the World Cup finals next summer. Russian Premier League champions Spartak Moscow and rivals Dynamo Moscow were each fined 250,000 rubles ($4,250) over fans’ racist behavior, the Russian Football Union (RFU) said last month.

The 18 independent experts, who reviewed Russia’s record and those of seven other countries at a session that ended on Friday, issued their findings on Monday.

Igor Barinov, head of the Federal Agency for Ethnic Affairs of the Russian Federation, told the panel on Aug. 4 that Moscow had taken measures against the propagation of racist ideas.

Russia consistently combats the glorification of Nazism — made a crime in 2014 — the propaganda of Nazi ideas and attempts at racial hatred or discrimination, he said. In 2016, officials had identified 1,450 extremist crimes, 993 had been sent to court and 934 people were found guilty, he said.

The U.N. panel said violent racist attacks had decreased in recent years, but added: “Violent racist attacks undertaken by groups such as neo-Nazi groups and Cossack patrols, targeting particularly people from Central Asia and the Caucasus and persons belonging to ethnic minorities including migrants, the Roma and people of African descent, remain a pressing problem.”

It called for an end to “de facto racial profiling by the police,” decrying arbitrary identity checks and “unnecessary arrests.”

“Racist hate speech is still used by officials and politicians, especially during election campaigns, and remains unpunished,” it said, recommending investigations.

Russia still lacks anti-discrimination legislation and the definition of extremist activity in its federal law “remains vague and broad,” it said.

Regarding Crimea, seized by Russia from Ukraine in 2014, the panel voiced concern at the fate of Crimean Tatar representative institutions, such as the outlawing of the Mejlis, the Crimean Tatar’s semi-official legislature, the closure of several media outlets, and “allegations of disappearances, criminal and administrative prosecutions, mass raids, and interrogations.”

 
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The lineup for the first women’s basketball World Cup in 2018 has been completed by African champion Nigeria and runner-up Senegal.

The top-ranked United States, which qualified as the 2016 Rio de Janeiro Olympics champion, heads the 16-team tournament being played Sept. 22-30 next year in Spain, ranked No. 2.

Nigeria and Senegal sealed their places by reaching the AfroBasket final, won 65-48 on Sunday by the Nigerians in Mali.

The U.S. is the two-time defending champion in a competition rebranded from the World Championship after the 2014 edition.

The qualified teams are, from Africa: Nigeria and Senegal; from the Americas: Argentina, Canada, Puerto Rico and United States; from Asia: Australia, China, Japan and South Korea; from Europe: Belgium, France, Greece, Latvia, Spain (host) and Turkey.
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