Thailand Welcomes Back Stolen Artifacts After San Francisco Forfeiture

Thailand held a welcoming ceremony Monday to mark the return of two ancient handcarved artifacts that were stolen decades ago and smuggled out of the country to the United States.The two 680-kilogram Khmer-style stone carvings had been on display at the Asian Arts Museum in San Francisco, which was required to forfeit them when a settlement was reached in February between the U.S. government and San Francisco authorities.Thailand had informed the United States in 2017 that the lintels, which date back to the 10th and 11th centuries, had been stolen.”Today is the day that they are finally returned to their home country and displayed here,” Thai Culture Minister Itthiphol Kunplome said at the Bangkok ceremony.The sandstone lintels were once parts of the structure of two religious sanctuaries in Thailand’s northeast. The government will assess whether they can be returned to their original locations.”This is a legal battle that has set an excellent example for the museums that still own Thai artifacts illegally, because they know they will lose the case,” said Tanongsak Hanwong, who located the artifacts and pushed for their return.”Many museums have chosen to reach out to begin the return process instead of going into the legal process.”

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Brazil to Host Copa America as Pandemic-Hit Argentina Withdraws

Next month’s Copa America soccer tournament will take place in Brazil, the South American Football Confederation (CONMEBOL) said on Monday, as it thanked President Jair Bolsonaro for stepping in after original host Argentina pulled out after a surge of COVID-19 cases.
 
The surprise decision, which relocates the competition from one South American coronavirus hot spot to another, means the oldest international tournament in the world will kick off as planned on June 13, with the final on July 10.
 
“The Brazilian government has shown agility and decisive thinking at a crucial moment for South American football,” CONMEBOL president Alejandro Dominguez said in a statement.
 
“Brazil is in a time of stability, it has proven infrastructure and recent experience in hosting a tournament of this magnitude.”
 
Brazil hosted the Copa America in 2019 and the World Cup in 2014.
 
The decision is a boost for Bolsonaro, a far-right former army captain who has railed against lockdowns and urged Brazilians to return to normal life.
 
In a separate tweet, CONMEBOL thanked Bolsonaro for “opening the country’s doors to what is now the safest sporting event in the world.”
 
The president’s office directed questions to the sport department at the Ministry of Citizenship, which did not immediately respond to a request for comment.
 460,000 Dead
 
More than 460,000 people have died from COVID-19 in Brazil, the second highest number in the world after the United States, and the vaccination roll-out has stuttered. But Argentina is struggling with a recent spike. According to a Reuters tally, Brazil has reported 204 infections per 100,000 people in the last seven days, compared to 484 per 100,000 in Argentina.
 
Large protests took place across Brazil on Saturday against Bolsonaro’s handling of the pandemic.
 
Huge social demos also shook Brazil during the 2013 Confederations Cup but vice president Hamilton Mourao told reporters in Brasilia he did not expect more demonstrations during the Copa America and said he thought Brazil was a “less risky” choice than Argentina. With no fans expected to attend, the risk was diminished, he said.
 
But many others in Brazil, where soccer is a national obsession, were outraged by the decision.
 
“The authorities act as if Brazil had advanced vaccination as in the United States. It will be difficult to cheer for the national team,” prominent journalist Guga Chacra wrote in a tweet.
 
The CONMEBOL announcement comes less than 24 hours after Argentina said its outbreak meant it could no longer host.
 
This year’s Copa America was to be the first featuring joint hosts, but Colombia was removed as co-host on May 20 after a wave of protests demanding social and economic change spread across the country.
 
CONMEBOL hoped Argentina could then host all 28 games or share them with South American neighbors.
 
Organizers had been reluctant to cancel the lucrative tournament. The last Copa America, held in Brazil in 2019, brought in $118 million in revenue.
 
Although no decision has yet been made on venues, many of the stadiums Brazil built or reformed for the 2014 World Cup could be candidates to host matches, with the Maracana stadium in Rio de Janeiro or the Mane Garrincha stadium in the capital Brasilia possible locations.
 
One source told Reuters that venues in Brasilia, Natal, Manaus and Cuiaba will be used. CONMEBOL said it would reveal the host cities “in the coming hours.”
 
The last-minute decision also throws up some complicated questions for the Brazilian national federation (CBF). The Brazilian league was not due to be halted for the Copa America and at least 70 league games are scheduled to be played during the month-long tournament.
 
News reports in Brazil said Flamengo will ask the CBF to suspend the league for the duration of the Copa.
 

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Fueling Box Office Rebound, ‘Quiet Place’ Opens With $58.5M asso

Moviegoing increasingly looks like it didn’t die during the pandemic. It just went into hibernation.  
John Krasinski’s thriller sequel “A Quiet Place Part II” opened over the Memorial Day weekend to a pandemic-best $48.4 million, according to studio estimates Sunday. Including the Monday holiday, the studio forecasts the film will gross $58.5 million in North America. It added another $22 million in ticket sales overseas.  
The film’s performance cheered a movie industry that has been punished and transformed by the pandemic. Paramount Pictures’ “A Quiet Place Part II,” which was on the cusp of opening in March 2021 before theaters shut, was the first big film this year — and one of the only larger budget COVID-era releases beside Christopher Nolan’s “Tenet” — to open exclusively in theaters.  
Chris Aronson, distribution chief for Paramount, called the opening “an unqualified success.”
“It’s a huge sigh of a relief and a sense of optimism for sure,” Aronson said.
“Movies, moviegoing, movie theaters aren’t dead. Yes, they’ve been threatened but they’re proving once again that they’re resilient and that people do want to have that communal experience.”  
Many studios have trotted out hybrid release plans during the pandemic, debuting films simultaneously in the home. The Walt Disney Co. did that this weekend with its  live-action PG-13 Cruella De Vil prequel, “Cruella,”  making it available to Disney+ subscribers for $30. In theaters, it grossed $21.3 million, Disney said, and an estimated $26.4 million over the four-day weekend. “Cruella” also added $16.1 million in 29 international territories. Disney didn’t say how much the film made on the company’s streaming platform.  
“A Quiet Place II” will also turn to streaming after 45 days in theaters when it becomes available on Paramount+. One clear result of the pandemic is that the theatrical window has shrunk, probably permanently. Three months was once the customary length of a movie’s run in theaters. The year’s previous best debut belonged to Warner Bros.’ “Godzilla vs. Kong,” which opened with $32.2 million, or $48.5 million over its first five days, while simultaneously streaming on HBO Max. 
The contrasting release strategies between “A Quiet Place Part II” and “Cruella” offered a test case for Hollywood. How much does a day-and-date release cost a movie like “Cruella” in ticket sales? Is it worth it? Without knowing how much “Cruella” benefitted Disney+, a true comparison isn’t possible. But the strong returns for the theater-only “A Quiet Place Part II” are telling, says Paul Dergarabedian, senior media analyst for data firm Comscore. He called it a “pivotal weekend” for the movie industry that proved predictions of the movie theater’s demise “flat-out wrong.”  
“That ‘Quiet Place Part II’ did so well makes a strong case that a theatrical-first release for a big movie is the way to go,” Dergarabedian said. “This is the best possible news for an industry that’s been dealing with probably the most profoundly challenging chapter in the history of the movie theater.”  
The debut of “A Quiet Place Part II” was much watched throughout Hollywood as the kickoff to its delayed summer movie season. After largely sitting out the pandemic, or diverting to streaming platforms, a lineup of blockbusters are again queuing up. On tap are Warner Bros.’ “In the Heights,” Universals’ “F9” and Disney’s “Black Widow.”  
Last week, Universal Pictures’ ninth installment in the “Fast & Furious” franchise, “F9,” opened with $162 million in ticket sales in eight international markets, and $135 million in China alone. In its second weekend, “F9,” which opens in North America on June 25, raced toward $230 million worldwide.  Emily Blunt and John Krasinski attend the world premiere of Paramount Pictures’ “A Quiet Place Part II” at Jazz at Lincoln Center’s Frederick P. Rose Hall, March 8, 2020, in New York.”A Quiet Place Part II” had already had its red-carpet premiere in March last year, and spent some of its marketing budget. But it opened remarkably in line with predictions of how many tickets it would sell before the onset of the pandemic.
In the intervening months, Paramount sold off many of its films to streamers — “Coming 2 America,” “The Trial of the Chicago 7” — but Krasinski and the studio felt strongly that the hushed intensity of “A Quiet Place Part II” worked best on the big screen.  
In an interview ahead of the film’s release, Krasinski said a theatrical release was “non-negotiable.” And Krasinski worked hard to stoke excitement, traveling the country in the week leading up to release to surprise moviegoers. Still, given the circumstances, he had little idea whether audiences would come out.  
“As bizarre as the entire year has been is how bizarre whatever opening weekend is,” Krasinski said. “I don’t really know what it is anymore.”  
In the end, “A Quiet Place Part II” performed a lot like how the first one did. That 2018 hit, which ultimately grossed $340 million globally on a $17 million budget, launched with $50.2 million in North American ticket sales. Sequels usually do better than the original but “Part II” had far more challenges due to pandemic.  
Rich Gelfond, chief executive of IMAX, where “A Quiet Place Part II” earned $4.1 million domestically, called the film “the first domestic release this year to cross the threshold from ‘great opening weekend given the pandemic’ to ‘great opening weekend, period.'”
Memorial Day weekend, usually one of the busiest for theaters, still didn’t look like it normally does at the movies. Total box office exceeded $80 million but that’s about a third of the holiday weekend’s normal business. Last Memorial Day, when nearly all operating theaters were drive-ins, ticket sales amounted to $842,000, according to Comscore.  
Many theaters, particularly in New York and Los Angeles, are still operating with social distancing measures. But guidelines are thawing. Last week, the nation’s top theater chains — AMC, Regal, Cinemark — said they would no longer require vaccinated moviegoers to wear face masks. 

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‘Tarzan’ Actor Joe Lara Among 7 Presumed Dead in US Plane Crash

All seven passengers aboard a plane, including “Tarzan” actor Joe Lara and his diet guru wife, are presumed dead after it crashed in a lake near the U.S. city of Nashville, authorities said.
 
The small business jet crashed at around 11:00 am local time Saturday, shortly after taking off from the Smyrna, Tennessee airport for Palm Beach, Florida, Rutherford County Fire & Rescue (RCFR) said on Facebook.
 
The plane went down into Percy Priest Lake, about 19 kilometers south of Nashville.
 
The Federal Aviation Administration confirmed seven people had been aboard the plane, CNN reported.
 
By Saturday night, operations had switched from search and rescue to recovery efforts, RCFR incident commander Captain Joshua Sanders told a press conference.
 
“We are no longer in an attempt to (look) for live victims at this point so we’re now recovering as much as we can from the crash site,” he said.
 
On Sunday afternoon, RCFR said on Facebook that recovery operations had found “several components of the aircraft as well as human remains” in a debris field about half a mile wide.
 
Operations would continue until dark and resume Monday morning, RCFR wrote.
 
Lara played Tarzan in the 1989 television movie “Tarzan in Manhattan.” He later starred in the television series “Tarzan: The Epic Adventures,” which ran from 1996-1997.
 
His wife Gwen Shamblin Lara, whom he married in 2018, was the leader of a Christian weight-loss group called Weigh Down Ministries. She founded the group in 1986, and then in 1999 founded the Remnant Fellowship Church in Brentwood, Tennessee.
 
She is survived by two children from a previous marriage, according to a statement posted on the church’s website.

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Brazil’s Castroneves Wins Indianapolis 500 for 4th Time

Helio Castroneves won the Indianapolis 500 on Sunday for a record-equaling fourth time, in front of the largest crowd to attend a sporting event in the United States since the start of the COVID-19 pandemic.The 46-year-old Brazilian surged to the front with two laps to go and held off a challenge from hard-charging Spanish young gun Alex Palou to claim victory and join AJ Foyt, Rick Mears and Al Unser as the only four-time winners of the “Greatest Spectacle in Racing.”It was the 21st Indy 500 start for Castroneves but his first with Meyer Shank Racing, his other wins in 2001, 2002 and 2009 all coming with Team Penske.With the race back in its traditional U.S. Memorial Day holiday weekend slot, after last year’s event was moved to August and held at an empty track because of the pandemic, a sold-out crowd of 135,000 excited fans flocked to the Indianapolis Motor Speedway.While the crowd was well shy of the nearly 400,000 that the speedway can accommodate, the roars returned to the Brickyard as fans partied in the sunshine.
 

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Studies Reveal China’s Dominant Position in High-Tech Minerals

New clean energy technologies like solar power and electric vehicles are expected to remake the global energy industry. Trillions of dollars used to drill and ship oil and gas will instead be spent finding and processing the specialized minerals used to make high-tech gear including advanced electric generators and powerful, compact batteries.Energy analysts say this will challenge the United States, which will likely need to import vastly more minerals like cobalt, lithium and aluminum, at the same time that China has increased its control over the supply of some key resources.People cool off in the beach near the mining pipeline “Puerto Coloso” of the “Escondida” cooper mine in Antofagasta, Chile, Feb. 16, 2017.A VOA examination of U.S. government data shows how China has become the main supplier for some of the most important raw materials that Western countries import, giving Beijing leverage over the materials that go into everything from advanced fighter jets to solar panels.Not only has Beijing bought up some of the world’s biggest mines for these minerals, the country also has invested heavily in the processing facilities that refine the raw materials into industrially-useful products, strengthening Beijing’s position in global supply chains.Beijing has already given the world reason to worry about its reliability as a global supplier. In 2011, it used its position as the top global supplier of rare earth metals to cut exports, driving up prices. China’s critics say Beijing’s dominant position in so-called “critical minerals” gives them similar leverage.Aerial view of evaporation pools of the new state-owned lithium extraction complex, in the southern zone of the Uyuni Salt Flat, Bolivia, on July 10, 2019.35 critical mineralsThe United States has designated A man watches a conveyor belt loaded with chunks of raw cobalt after a first transformation at a plant in Lubumbashi, Congo, on Feb. 16, 2018, before being exported, mainly to China, to be refined.Chinese dominance in U.S. allies’ supply chainsOther Western countries have different lists of minerals considered critical to their economies. Among the lists of Australia, U.K. and Canada, rare earth minerals account for only one of the 24, 41 and 31 critical minerals, respectively.  The European Union classifies light and heavy rare earths as two separate critical elements on its 30 Critical Raw Materials (CRM) list.A study published last year by the European Commission’s Joint Research Center, a science and technology service agency, found that the production of a Rafale fighter aircraft requires a total of 16 CRMs, of which only three are rare earth elements. Although each country makes up its own list of “critical minerals” based on its strategic needs, China is a dominant supplier in all of the lists.In the EU’s list, China is the largest source of imports for 10 minerals. Among the 24 critical minerals identified by the Australian government in its Critical Minerals Prospectus 2020 report, China is listed as the largest producer of 11 of them.   In the U.K.’s Risk List, China is the leading producer of 23 minerals.Similar findings were reported by Chinese researchers as well.  A study published by China Geological Survey stated that “after combing through the list of Critical Minerals in the United States, the European Union, the United Kingdom and other countries, it can be seen that half or more of the country’s main producing countries and main sources of imports are our country.”The 2019 report said that of the 35 key minerals in the U.S., the largest supplier of 13 CMs is China, and China is also the largest producer of 19 CMs.This story originated in VOA’s Mandarin Service. 

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Egypt Bets on Ancient Finds to Pull Tourism out of Pandemic 

Workers dig and ferry wheelbarrows laden with sand to open a new shaft at a bustling archaeological site outside of Cairo, while a handful of Egyptian archaeologists supervise from garden chairs. The dig is at the foot of the Step Pyramid of Djoser, arguably the world’s oldest pyramid, and is one of many recent excavations that are yielding troves of ancient artifacts from the country’s largest archaeological site.   As some European countries re-open to international tourists, Egypt has already been trying for months to attract them to its archaeological sites and museums. Officials are betting that the new ancient discoveries will set it apart on the mid- and post-pandemic tourism market. They need visitors to come back in force to inject cash into the tourism industry, a pillar of the economy.   But like countries elsewhere, Egypt continues to battle the coronavirus, and is struggling to get its people vaccinated. The country has, up until now, received only 5 million vaccines for its population of 100 million people, according to its Health Ministry. In early May, the government announced that 1 million people had been vaccinated, though that number is believed to be higher now.   In the meantime, authorities have kept the publicity machine running, focused on the new discoveries.   In November, archaeologists announced the discovery of at least 100 ancient coffins dating back to the Pharaonic Late Period and Greco-Ptolemaic era, along with 40 gilded statues found 2,500 years after they were first buried. That came a month after the discovery of 57 other coffins at the same site, the necropolis of Saqqara that includes the step pyramid.   “Saqqara is a treasure,” said Tourism and Antiquities Minister Khaled el-Anany while announcing the November discovery, estimating that only 1% of what the site contains has been unearthed so far.   “Our problem now is that we don’t know how we can possibly wow the world after this,” he said.   If they don’t, it certainly won’t be for lack of trying.  FILE – Dr. Zahi Hawass, the renowned Egyptian archeologist credited with discovering the site, leads a media tour of the roughly 3,000-year-old “lost golden city” in Luxor, Egypt, Apr. 10, 2021. (Hamada Elrasam/VOA)In April, Zahi Hawass, Egypt’s best-known archaeologist, announced the discovery of a 3,000-year-old lost city in southern Luxor, complete with mud brick houses, artifacts and tools from pharaonic times. It dates to Amenhotep III of the 18th dynasty, whose reign (1390–1353 B.C.) is considered a golden era for ancient Egypt.   That discovery was followed by a made-for-TV parade celebrating the transport of 22 of the country’s prized royal mummies from central Cairo to their new resting place in a massive facility farther south in the capital, the National Museum of Egyptian Civilization.   The Red Sea resort of Sharm el-Sheikh is now home to an archaeological museum, as is Cairo’s International Airport, both opened in recent months. And officials have also said they still plan to open the massive new Grand Egyptian Museum next to the Giza Pyramids by January, after years of delays. Entrance fees for archeological sites have been lowered, as has the cost of tourist visas.   The government has for years played up its ancient history as a selling point, as part of a yearslong effort to revive the country’s battered tourism industry. It was badly hit during and after the popular uprising that toppled longtime autocrat Hosni Mubarak and the ensuring unrest. The coronavirus dealt it a similar blow, just as it was getting back on its feet.   In 2019, foreign tourism’s revenue stood at $13 billion. Egypt received some 13.1 million foreign tourists — reaching pre-2011 levels for the first time. But in 2020, it greeted only 3.5 million foreign tourists, according to the minister el-Anany.   At the newly opened National Museum of Egyptian Civilization, Mahmoud el-Rays, a tour guide, was leading a small group of European tourists at the hall housing the royal mummies.   “2019 was a fantastic year,” he said. “But corona reversed everything. It is a massive blow.”   Tourism traffic strengthened in the first months of 2021, el-Anany, the minister, told The Associated Press in a recent interview, though he did not give specific figures. He was optimistic that more would continue to come year-round.   “Egypt is a perfect destination for post-COVID in that our tourism is really an open-air tourism,” he said.   But it remains to be seen if the country truly has the virus under control. It has recorded a total of 14,950 deaths from the virus and is still seeing more than a thousand new cases daily. Like other countries, the real numbers are believed to be much higher. In Egypt, though, authorities have arrested doctors and silenced critics who questioned the government’s response, so there are fears that information on the true cost of the virus may have been suppressed from the beginning.   Egypt also had a trying experience early on in the pandemic, when it saw a coronavirus outbreak on one of its Nile River cruise boats. It first closed its borders completely until the summer of 2020, but later welcomed tourists back, first to Red-Sea resort towns and now to the heart of the country — Cairo and the Nile River Valley that hosts most of its famous archaeological sites. Visitors still require a negative COVID-19 test result to enter the country.   In a further cause for optimism, Russia said in April that it plans to resume direct flights to Egypt’s Red Sea resort towns. Moscow stopped the flights after the local Islamic State affiliate bombed a Russian airliner over the Sinai Peninsula in October 2015, killing all on board.   Amanda, a 36-year-old engineer from Austria, returned to Egypt in May. It was her second visit in four years. She visited the Egyptian Museum, the National Museum of Egyptian Civilization and Islamic Cairo, in the capital’s historic center.   She had planned to come last year, but the pandemic interfered.   “Once they opened, I came,” she said. “It was my dream to see the Pyramids again.”   El-Rays, the tour guide, says that while he’s seeing tourists starting to come in larger numbers, he knows a full recovery will not happen overnight.   “It will take some time to return to before corona,” he said.  

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Actor MacLeod, ‘Love Boat’ Captain, Dies at 90 

Gavin MacLeod, the veteran supporting actor who achieved stardom as Murray Slaughter, the sardonic TV news writer on “The Mary Tyler Moore Show,” before going on to even bigger fame as the cheerful Captain Stubing on “The Love Boat,” has died. He was 90. MacLeod died early Saturday, his nephew, Mark See, told Variety. MacLeod’s health had been poor recently, but no cause of death was given, the trade publication reported. Known to sitcom fans for his bald head and wide smile, MacLeod toiled in near anonymity for more than a decade, appearing on dozens of TV shows and in several movies before landing his “Mary Tyler Moore” role in 1970. He had originally tested for Moore’s TV boss, Lou Grant, a part that went to Ed Asner. Realizing he wasn’t right for playing the blustery, short-tempered TV newsroom leader, MacLeod asked if he could try instead for the wisecracking TV news writer, whose jokes were often made at the expense of dimwitted anchorman Ted Baxter. “The Mary Tyler Moore Show” was a smash from the start and remains a classic of situation comedies. It produced two spinoffs, “Rhoda” and “Phyllis,” starring Valerie Harper and Cloris Leachman, who had portrayed Mary’s neighbors. It was still top-rated when Moore, who played news producer Mary Richards, decided to end it after seven seasons. MacLeod moved on to “The Love Boat,” a romantic comedy in which guest stars, from Gene Kelly to Janet Jackson, would come aboard for a cruise and fall in love with one another. Although scorned by critics, the series proved immensely popular, lasting 11 seasons and spinning off several TV movies, including two in which MacLeod remained at the cruise ship’s helm. It also resulted in his being hired as a TV pitchman for Princess Cruise Lines. “The critics hated it. They called it mindless TV, but we became goodwill ambassadors,” he told the Los Angeles Times in 2013. Private strugglesMacLeod’s lighthearted screen persona was in contrast to his private life. In his 2013 memoir, This Is Your Captain Speaking, MacLeod acknowledged that he had struggled with alcoholism in the 1960s and ’70s. He also wrote that losing his hair at an early age made it hard for him to find work as an actor. “I went all over town looking for an agent, but no one was interested in representing a young man with a bald head,” he wrote. “I knew what I needed to do. I needed to buy myself a hairpiece.” A toupee changed his luck “pretty quickly.” By middle age, he didn’t need the toupee.MacLeod, whose given name was Allan See, took his first name from a French movie and his last from a drama teacher at New York’s Ithaca College who had encouraged him to pursue an acting career. After college, the Mount Kisco, New York-native became a supporting player in “A Hatful of Rain” and other Broadway plays, and in such films as “I Want to Live!” and “Operation Petticoat.” He made guest appearances on TV shows throughout the 1960s, including “Hogan’s Heroes,” “Hawaii Five-O” and “The Dick Van Dyke Show.” He also appeared on “McHale’s Navy” from 1962 to 1964 as seaman Joseph “Happy” Haines.He auditioned for the role of Archie Bunker in “All in the Family.” But he quickly realized that the character, immortalized by Carroll O’Connor, was wrong for him. “Immediately I thought, ‘This is not the script for me. The character is too much of a bigot.’ I can’t say these things,” MacLeod wrote in his memoir. Other movie credits included “Kelly’s Heroes,” “The Sand Pebbles” and “The Sword of Ali Baba.” MacLeod had four children with his first wife, Joan Rootvik, whom he divorced in 1972. He was the son of an alcoholic and his drinking problems helped lead to a second divorce, from Patti Steele. But after MacLeod quit drinking, he and Steele remarried in 1985. The couple later hosted a Christian radio show called “Back on Course: A Ministry for Marriages.” 

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New Paris Museum Offers Dazzling Display of Contemporary Art

As French cultural institutions reopen after months of coronavirus restrictions, a spectacular new museum has made its debut in Paris, housing the contemporary art collection of French billionaire Francois Pinault, including a number of prominent Black artists.A wax replica of The Rape of the Sabine Women by 16th century artist Giambologna at the Pinault Collection. (L. Bryant/VOA)A chandelier shaped like a basketball net, by American artist David Hammons, a slow-burning wax replica of a 16th century sculpture aimed to melt completely in six months, the works of Chinese-born painter Xinyi Cheng and British artist Lynette Yiadom-Boakye — the Pinault Collection is an eclectic mix of contemporary art.A crystal chandelier shaped as a basketball net by Black American artist David Hammons. (L. Bryant/VOA)”It’s giving different kind of offers to a general public in Paris, but being more of today, so to speak,” said Curator Caroline Bourgeois. “We are focused on today’s question. Even David Hammons is 70s years old, but he speaks a lot of today.”Bourgeois says the private Pinault Collection complements the raft of other Paris museums, offering completely contemporary works focusing on young artists. This opening exhibit is just a taste of the 10,000 artworks 84-year-old Francois Pinault has collected over the years.A wax replica of The Rape of the Sabine Women by 16th century artist Giambologna at the Pinault Collection. (L. Bryant/VOA)A number of them include a number Black artists like Hammons — a friend of Pinault’s, with this show including about 30 of his works. But Bougeois says showcasing race or gender is not the point. “We don’t want to put them ghettos, to show them just as women artists. This is unfair,” Bourgeois said. “Or to show the Black artists as Black artists only. This is also unfair. For us, it’s important that they can dialogue — the dialogues between the generations, the origin…”The Pinault Collection includes works by a number of prominent Black artists, including British painter Lynette Yiadom-Boakye. (L. Bryant/VOA)This Pars museum embodies a years-long goal by Pinault, a self-made billionaire from humble origins in Brittany. As other European museums struggle to stay afloat after months of coronavirus closures, this one sank nearly $200 million into redeveloping a former Paris grain exchange to house it.It’s an amazing space — rented for 50 years from the city of Paris. The building’s circular shape is inspired by Roman monuments. The top offers views of Paris—including the Pompidou Center, which also offers contemporary as well as earlier, modern art.A view of Paris from the Pinault museum, including the Pompidou center, which also exhibits contemporary but also modern art. (L. Bryant/VOA)Restored 19th-century frescoes flank the ceiling, depicting colonial-era trade. It’s a sharp and studied contrast with this collection. Frescoes on the ceiling of Bourse de Commerce, housing the Pinault Collection, depict colonial-era trade. (L. Bryant/VOA)Outside, there’s a long line to get in, even on a weekday afternoon. For those lucky enough to get tickets these first days, it’s a discovery.Francoise, who didn’t want to give her last name, says she knows some of Pinault’s collection from his museums in Venice. This one is luminous, she says, and beautiful.It’s like reliving after months of lockdown, her friend Jocelyne adds. You can’t imagine what it’s like to see art everywhere.Curator Bourgeois says she’s been moved by the many visitors who thank her.Crowds pack the Pinault Collection days after its opening. (L. Bryant/VOA).”The most beautiful compliment I had about this first show is that it’s made for everyone. And I had that a few times,” said Bourgeois. “That everyone can recognize themselves.”She won’t say when or what the next exhibit will be. This one is called “Ouvert” or “open” — a word that suggests many things.   

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‘In the Heights’ Celebrates Diversity in America

In the Heights, a film about the dreams and struggles of the Latino community in a New York neighborhood, is Lin Manuel Miranda’s love letter to the place where he grew up. It also represents Miranda’s high-stakes bet that people will flock to the theater after months of COVID restrictions. VOA’s Penelope Poulou has more from the cast and the filmmaker.  
Camera: Penelope Poulou      Producer: Penelope Poulou

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SolarWinds Hackers Targeted 150 Organizations with Phishing, Microsoft Says

The state-backed Russian cyber spies behind the SolarWinds hacking campaign launched a targeted spear-phishing assault on U.S. and foreign government agencies and think tanks this week using an email marketing account of the U.S. Agency for International Development, Microsoft said.
The effort targeted about 3,000 email accounts at more than 150 different organizations, at least a quarter of them involved in international development, humanitarian and human rights work, Microsoft Vice President Tom Burt said in a blog post late Thursday.
It did not say what portion of the attempts may have led to successful intrusions.
The cybersecurity firm Volexity, which also tracked the campaign but has less visibility into email systems than Microsoft , said in a post  that relatively low detection rates of the phishing emails suggest the attacker was “likely having some success in breaching targets.”  
Burt said the campaign appeared to be a continuation of multiple efforts by the Russian hackers to “target government agencies involved in foreign policy as part of intelligence gathering efforts.” He said the targets spanned at least 24 countries.
The hackers gained access to USAID’s account at Constant Contact, an email marketing service, Microsoft said. The authentic-looking phishing emails dated May 25 purport to contain new information on 2020 election fraud claims and include a link to malware that allows the hackers to “achieve persistent access to compromised machines.”
Microsoft said in a  separate blog post that the campaign is ongoing and evolved out of several waves of spear-phishing campaigns it first detected in January that escalated to the mass-mailings of this week.
While the SolarWinds campaign, which infiltrated dozens of private sector companies and think tanks as well as at least nine U.S. government agencies, was supremely stealthy and went on for most of 2020 before being detected in December by the cybersecurity firm FireEye, this campaign is what cybersecurity researchers call noisy. Easy to detect.
Microsoft noted the two mass distribution methods used: the SolarWinds hack exploited the supply chain of a trusted technology provider’s software updates; this campaign piggybacked on a mass email provider.
With both methods, the company said, the hackers undermine trust in the technology ecosystem.

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Hollywood Actors Say Local Theaters in California Under Threat

Some veteran Hollywood actors say a law intended to help gig economy workers has the unintended consequence of threatening nonprofit theaters.  Mike O’Sullivan has the story from Los Angeles.
Camera: Roy Kim, Rodmy Dorcil and Arturo Martinez

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Facebook Won’t Remove Posts Claiming COVID-19 is Human-made

Facebook says it will no longer remove claims that COVID-19 is human-made or manufactured “in light of ongoing investigations into the origin of COVID-19 and in consultation with public health experts.”There is rising pressure worldwide to investigate the origins of the pandemic, including the possibility that it came from a lab. Since the pandemic began, Facebook has been changing what it allows on the topic and what it bans. In February, it announced a host of new claims it would be prohibiting — including that COVID-19 was created in a Chinese lab. Other claims it added at the time included the false notion that vaccines are not effective or that they are toxic.Lisa Fazio, a professor of psychology at Vanderbilt University, said the reversal shows the difficulty of fact-checking in general, particularly with something unprecedented like the coronavirus, when experts can disagree and change their minds with new evidence.“It’s one reason that content moderation shouldn’t be static, scientific consensus changes over time,” Fazio said. “It’s also a reminder to be humble and that for some questions the best current answer is “we don’t know yet” or “it’s possible, but experts think it’s unlikely.”Facebook’s reversal comes as President Joe Biden ordered U.S. intelligence officials to “redouble” their efforts to investigate the origins of the COVID-19 pandemic, including any possibility the trail might lead to a Chinese laboratory. After months of minimizing these claims as a fringe theory, the Biden administration is joining worldwide pressure for China to be more open about the outbreak. It aims to head off GOP complaints that Biden has not been tough enough and to use the opportunity to press China on alleged obstruction.“We’re continuing to work with health experts to keep pace with the evolving nature of the pandemic and regularly update our policies as new facts and trends emerge,” said Guy Rosen, Facebook’s vice president of integrity, in a statement Wednesday.Facebook does not usually ban misinformation outright on its platform, instead adding fact-checks by outside parties, which includes The Associated Press, to debunked claims. The two exceptions have been around elections and COVID-19.

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Tanker’s Impossible Voyage Signals New Sanction Evasion Ploy

The Cyprus-flagged oil tanker Berlina was drifting near the Caribbean island of Dominica earlier this year when tracking technology showed it stopping in its tracks and in two minutes turning around 180 degrees.It was an amazingly quick pivot since the 274-meter ship needs roughly 10 times that amount of time to perform such a maneuver.Even more intriguing: Around the same time the Berlina was pinging its location at sea, it was physically spotted loading crude oil in nearby Venezuela despite U.S. sanctions against such trading.Meanwhile, nine other ships, some connected to the same Greece-based owner of the Berlina, were digitally monitored moving nearby at an identical speed and direction with sudden draft changes, indicating they had somehow been loaded full of crude though apparently out at sea.The Berlina’s impossible journey could represent the next frontier of how rogue states and their enablers manipulate GPS-like tracking systems to hide their movements while circumventing sanctions, maritime experts say.Evading detectionIn recent years, as the U.S. has expanded economic sanctions and tracking technology has become more widely used, companies have adopted a number of techniques to evade detection. Most involve a ship going dark, by turning off its mandatory automated identification system or by “spoofing” the identity and registration information of another ship, sometimes a sunken or scrapped vessel.Windward, a maritime intelligence agency whose data is used by the U.S. to investigate sanctions violations, carried out a detailed investigation into the Berlina. It considers the movements of the Berlina and the other ships to be one of the first instances of orchestrated manipulation in which vessels went dark for an extended period while off-ship agents used machines to hide their activities by making it appear they were transmitting their locations normally.Militaries around the world have been using the same electronic warfare technology for decades. But it is only now cropping up in commercial shipping, with serious national security, environmental and maritime safety implications.“We believe this is going to spread really fast because it’s so efficient and easy,” Matan Peled, co-founder of Windward, said in an interview. “And it’s not just a maritime challenge. Imagine what would happen if small planes started adopting this tactic to hide their true locations?”Under a United Nations maritime treaty, ships of over 300 tons have been required since 2004 to use the automated identification system to avoid collisions and assist rescues in the event of a spill or accident at sea. Tampering with its use is a major breach that can lead to consequences for a vessel and its owners.But the maritime safety mechanism has also become a powerful mechanism for tracking ships engaged in rogue activities like illegal fishing or transporting sanctioned crude oil to and from places under U.S. or international sanctions like Venezuela, Iran and North Korea.In the cat-and-mouse game that has ensued, the advent of digital ghosts leaving false tracks could give the bad actors the upper hand, said Russ Dallen, the Miami-based head of Caracas Capital Markets brokerage, who tracks maritime activity near Venezuela.“It’s pretty clear the bad guys will learn from these mistakes and next time will leave a digital trail that more closely resembles the real thing,” Dallen said. “The only way to verify its true movement will be to get a physical view of the ship, which is time consuming and expensive.”Manipulation or malfunction?The Berlina never reported a port call while floating in the Caribbean. Nonetheless, on March 5, the draft indicated by its identification system went from 9 meters to 17 meters, suggesting it had been loaded with oil.Was it manipulation or a malfunction?While the Berlina’s voyage remains something of a mystery, Vortexa, a London-based energy cargo tracker, determined the tanker had loaded at the Venezuelan port of Jose on March 2 and then headed toward Asia. Separately, Windward also confirmed the crude delivery through two sources.Two months later, on May 5, the Berlina discharged its crude in a ship-to-ship transfer to a floating storage vessel, the CS Innovation, according to Vortexa. The CS Innovation remains off the coast of Malaysia where the transfer took place and has undertaken several ship-to-ship transfers in the interim, making it nearly impossible to know where Venezuela’s oil will end up.Adding to suspicions, the Berlina and at least four of the nine other vessels involved in the Caribbean voyage earlier this year are connected to the same Greek company, according to Windward. And all 10 vessels switched flags — another common ploy used to make it harder to keep track of ships — to Cyprus in the four months prior to the manipulation of the fleet’s tracking information.The AP was unable to locate any contact information for the Berlina’s ship manager or owner, both of which are based in the port city of Pireaus, near Athens.Peled said the Berlina’s activities may never have been detected if not for a tip it received from an external source that it wouldn’t identify.But the know-how gained from the investigation has allowed it to identify other recent examples of location tampering, including one in January when a ship it did not identify was spotted loading Iranian crude at Kharg island while broadcasting its location out at sea somewhere else in the Persian Gulf.While the U.S. government has additional resources to ferret out such deceptive practices, doing so will require extra effort.“It suggests the length to which rogue actors are willing to go, to hide their activities,” said Marshall Billingslea, an assistant Treasury secretary for terrorist financing during the Trump administration and former deputy undersecretary of the Navy. “It’s a worrisome trend and given the huge volume of maritime traffic will introduce a lot more noise into the system.”

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HBO Max Airs Highly-Anticipated ‘Friends’ Reunion

After so many years — and episode re-watches — could there BE anything left to learn about “Friends”?As the highly-anticipated, almost two-hour reunion special for HBO Max shows (and with apologies to Matthew Perry for continuing to borrow his lines), “Yes, yes, a thousand times, yes.”One thing that we didn’t need to learn (because we already knew it) was just how truly there these six characters were for the audience.In the 1990s and early-aughts, the cast of “Friends” provided hours of joy — first just on Thursday nights when new episodes aired, but soon enough five nights a week in syndication. Within the past decade, diehard and casual fans alike could spend any time of any day with Jennifer Aniston, Courteney Cox, Lisa Kudrow, Matt LeBlanc, Perry and David Schwimmer, as the show became available on streaming services. This sextet has helped their audience get through so much, now including the COVID-19 pandemic. Not only did “Friends” see a spike in viewership in the earliest lockdown days according to Nielsen, but also, just before the world fully reopens, they gathered together to shoot “Friends: The Reunion.””It was life-changing, not only for us but for whoever watched it, and that’s just such a great feeling,” Cox said of her experience on “Friends.”Within the special, they reminisced over their time working together while walking around recreated versions of Joey and Chandler’s apartment, Monica and Rachel’s (turned Monica and Chandler’s) apartment and the Central Perk coffeehouse, as well as while sitting down on the ironic orange couch for an outdoors interview with “The Late Late Show’s” James Corden.They performed scene readings from “The One Where Ross Finds Out,” “The One Where Everybody Finds Out” and the Season 4 premiere, “The One With The Jellyfish.” They also took part in a trivia game, designed and shot identically to the one in “The One With The Embryos.”In doing all of these things, they revealed behind-the-scenes tidbits and showed off special relationship dynamics that expanded even the biggest fan’s knowledge of their favorite show. The one thing they did NOT do was dance in a fountain.Here are 18 things learned from “Friends: The Reunion.”The one where Ross and Rachel were on a break!
Corden asked the six stars to reveal whose side of that infamous argument they fell on, and they all agreed that Ross and Rachel were on a break when he slept with Chloe (Angela Featherstone). Admittedly, they all had different levels of enthusiasm about that belief, but the authorities have spoken, so debate no more!The one with the crush
Borrowing a question that Janice (Maggie Wheeler) once posed to the six characters, Corden asked the six actors who became romantically involved with each other while filming. “The first season I had a major crush on Jen,” Schwimmer admitted. “It was reciprocal,” she shared. But, he went on, “It was like two ships passing because one of us was always in a relationship and we never crossed that boundary. We respected that.” LeBlanc piped up with a fake cough and a “Bullshit,” which sent the audience into wild applause. But he was joking, and Aniston clarified that she once told Schwimmer, “It’s going to be such a bummer if the first time you and I kiss is on national television.” But, “sure enough, the first time we kissed was in that coffee shop. So we just channeled all of our adoration and love for each other into Ross and Rachel.”The one where Ross and Rachel almost didn’t end up together
“Friends” co-creator David Crane, who was sitting in the COVID-safe audience during Corden’s interview and gave in an off-site interview for the special, shared that in working on the final season, the writers’ room did consider more ambivalent endings about the status of Ross and Rachel. But ultimately love won out definitively because, “People have been waiting 10 years to see this couple get together, we’ve got to give them what they want, we just have to find a way to do it so the journey is unexpected.”The one without a movie
For anyone holding out hope that the experience these actors had coming together for only the second time since “Friends” wrapped in 2004 would spark interest in more, we’re sorry to burst your bubble, but that is not going to happen. “That’s all up to Marta and David,” Kudrow said. “I once heard them say, and I completely agree, that they ended the show very nicely, everyone’s lives are very nice, and they would have to unravel all of those good things in order for there to be stories. And I don’t want anyone’s lives to be unraveled.” Kudrow also added, “At my age, saying like, ‘Floopy’ — stop. You have to grow up.” Aniston took things farther and said they probably wouldn’t even do another reunion like this.The one with where they are now
Kudrow may have crushed many people’s dreams about actually seeing where the characters would be at this place in time, but she said she imagines Phoebe is still married to Mike (Paul Rudd), with kids, living in Connecticut. “I think she was probably the advocate for her kids…and all of the other kids who were a little different, creating the arts program,” she said. Aniston said Ross and Rachel got married and had some kids, and Ross still “played with bones.” Cox said she believed that because Monica is so competitive, she would still be “in charge of the bake sale in elementary school,” even though her and Chandler’s kids would be out of school by now. “She’s just got to keep things going, PTA. And you are still making me laugh every day,” she said to Perry. “Just wanted to make sure I factored in somewhere,” he replied. And Joey? “I think he probably opened a sandwich shop on Venice Beach,” LeBlanc said.The one where the audience inspired Monica and Chandler’s relationship
The audience reaction was so loud — and long — at the reveal that Chandler and Monica slept together in “The One With Ross’ Wedding Part 2,” it made the writers re-think plans for that storyline. Originally, Crane said, it was going to be a “brief thing where we had fun with it afterward, ‘What did we do?'” Since that episode was the fourth season finale, the writers and producers had time to reflect on the reaction, and ultimately expanded it from being “just one night in London,” as Crane said it was originally meant to be. This opened up a wealth of stories, from dating in secret, to having multiple characters find out about the relationship at different times, to eventually getting engaged, married and adopting twins.The one with the grudge against MarcelWhen asked what part of the show the cast members did not enjoy, poor Marcel came to mind immediately. Cox clarified that this was because “the monkey scared me,” but Schwimmer had some serious complaints. “The monkey didn’t do its job right,” he said. Marcel (real name: Katie) was a trained working capuchin, of course, but Schwimmer noted there would be choreographed bits the human actors worked out that didn’t perfectly align with the monkey’s own timing to hit his mark, “so we’d have to reset, we’d have to go again, because the monkey didn’t get it right. This kept happening over and over.” But he didn’t stop there: Schwimmer also remembered how Marcel would be fed live grubs while sitting on his shoulder. “I’d have monkey grubby hands all over. It was just time for Marcel to [expletive] off.” (The irony is that the producers shared a story about how Schwimmer had such a bad time doing a previous TV show he had quit this side of the biz to only focus on theater and in order to get him to agree to do “Friends,” they had to swear up and down it would be different. And it was different, but not always better for him, judging by his still-palpable anger about the monkey all these decades later.)The one with missing set pieces
As detail-oriented as the production design team and art department were in rebuilding the sets for this special reunion, they could not replace every item exactly. Cox pointed out that the cookie jar in Monica’s kitchen was different because the “original cookie jar is at Lisa Kudrow’s house.” Additionally, Aniston shared she took a mug from the original set and LeBlanc took the foosball from that iconic table. While those items are small enough that the casual viewer would never know, “Friends” fans have been re-watching the old episodes for years in anticipation of a reunion like this and certainly would have freeze-framed moments in the kitchen to call out that cookie jar, if nothing else, had Cox not said something.The one with the beam
The beam should have been the seventh billed in the “Friends” reunion, as almost every cast member called it out when stepping onto the set of Monica’s apartment. In early episodes (and others that James Burrows directed), there was a wooden archway that separated the kitchen and living room sets on that part of the soundstage. It provided a convenient piece of story in Season 3’s “The One with the Giant Poking Device” when Monica banged her nephew’s head into it, but it limited camera angles and interfered with lighting, so it was usually absent, wreaking havoc with continuity and raising questions about just how much work a renter could do on a New York City apartment. It was restored in all of its nostalgic glory for the reunion special, truly bringing the experience full-circle.The one with Courteney Cox’s cheat sheets
As LeBlanc walked through Monica’s meticulously-recreated kitchen during the special, he paused at the table and pondered aloud whether Cox’s line would still be written on it. Although he sounded like he was kidding at first, he revealed to Aniston, Kudrow and Schwimmer that he caught her doing it once and asked her what it was. “Mind your business,” he recalls her telling him. While he didn’t name what episode this happened during, it would not be a surprise if she did it often. The writers used to rework jokes during the live tapings so much that the show became notorious for its tapings running extremely late. Their bar for quality was so high, they would finesse as much as they could based on the live audience’s reaction on Stage 24 on the Warner Bros. lot, which required the cast members to be quick on their feet to absorb the new material immediately. Cox ended up joining the group as they were reminiscing over her keeping scripts in the sink and she added, “I had so much of my dialog within these apples,” while messing with the bowl on the table.The one where they gambled on Jennifer Aniston
Don’t let Rachel herself know, but Crane referred to the character as “incredibly selfish, self-involved, spoiled.” He noted that, “In the wrong hands, you don’t like Rachel.” This is partially why she was the last character cast. When they found Aniston, they felt she was perfect but she was already committed to a show called “Muddling Through.” They hired her anyway and shot the pilot, as well as a few subsequent episodes, figuring they’d see what show won later. “If CBS would have picked [‘Muddling Through’] up,” Crane recalled, “we would have had to reshoot the first three episodes of ‘Friends.'” Aniston added that she loved “Friends” so much she actually went to her other producers and asked to be released from it. The response? “That show’s not going to make you a star,” she remembered being told.The one with Janice’s laugh
Maggie Wheeler, who played Chandler’s on-again-off-again girlfriend Janice, shared that she created Janice’s iconic laugh (second only to her delivery of, “Oh my god”) because she was acting opposite Perry, who was so funny she knew she would end up laughing in the scene and potentially ruining the take. So she worked a unique laugh into the scene as Janice’s response to Chandler, and the rest is history.The one with Matthew Perry’s confession
Perry revealed to his former cast mates that he often “felt like I was going to die if [the audience] didn’t laugh” at his jokes on tape night. “It’s not healthy, for sure, but I would sometimes say a line and they wouldn’t laugh and I would sweat and just go into convulsions. … I would freak out.” It was something he kept to himself while working on the show, but he said he felt like that “every single night.”The one with technology
Schwimmer, who directed 10 episodes of “Friends” (and two of its spinoff “Joey!”) marveled at the sitcom cameras on the stage today, compared to what they used on “Friends.” These, he noted, could be operated by one person, but back then, each one required three. “It was a huge crew,” he said. ” four cameras, the choreography was incredible.”The one with memory lapses
Much fun was to be had with the fading memories of cast members — but to be fair, they don’t binge their own show. In fact, a few of whom shared they never watch the show at all. “There are seasons I’ve never seen,” said Kudrow, which Perry seconded. Schwimmer said he only recently looked back at some episodes because his daughter has started watching the show. LeBlanc seemed to have the most details teed up and ready to be talked about (somehow he magically even correctly identified Joey’s hand twin just by looking at hands), but even he didn’t remember that the length of Rachel’s letter to Ross was 18 pages… front and back. Perry didn’t remember that by the end of the series, the foosball table had been destroyed; Aniston still thought Chandler’s job was a transponster; Schwimmer didn’t remember the titular plot in “The One With The Ball” (Season 5) even though his character started the challenge of not dropping the ball in the story. Nobody remembered Mr. Heckles’ name — though Kudrow knew the actor who played him was Larry Hankin (who made a surprise guest appearance, in costume) and no one could finish the lyrics to the barbershop quartet’s message from Ross in the third season episode, “The One With All The Jealousy.” Behind-the-scenes details fared better, though: Aniston even remembered what some of her fellow actors were wearing during the first table read.The one with real-life friends as character inspirations
Co-creators Marta Kauffman and Crane have always talked about being inspired by their own lives in New York City in their 20s when creating the show, but here Kauffman revealed that the character of Chandler was even named after one of her friends. (We hope he didn’t take offense when, in the fourth season, Joey listed multiple reasons Chandler is a terrible name when he was trying to get Phoebe to name one of the triplets Joey instead of Chandler.) In this same interview package, Crane shared the one-line pitch for the show as being “about that time in your life when your friends are your family,” which seems both like a perfectly universal show any network would want and also way too broad to be sold on that alone today.The one with the rough audition
The night before LeBlanc was set to audition for “Friends,” he told Corden, he was running lines with a friend who said that because the show was about a group of friends hanging out, they should go out drinking. They did, and LeBlanc crashed at his place after, where, after he “got up [to go to the bathroom] too fast, I kind of blacked out, as you do, and fell face-first into the toilet,” he said. “A huge chunk of meat came off my nose.” When he went in the next day, Kauffman asked what happened. “I told the truth and got the job,” he said. What made this story even more special was that executive producer Kevin Bright revealed in an interview package that the role of Joey, in the end, came down to LeBlanc and Louis Mandylor — who went on to play Carl, the guy Joey hired to pretend to be his twin brother to get into a medical science study in the sixth season.The one with an on set injury
Not to make this all about LeBlanc, but the reunion special also revealed how he dislocated his shoulder during the third season of “Friends,” which resulted in him wearing a sling for a few episodes. In “The One Where No One’s Ready,” he had to dive for the chair after Chandler came back into Monica’s apartment fully dressed and vying for the vacated seat. During one take, which the cast watched raw footage of together, LeBlanc landed wrong on his left arm, resulting in production being paused so he could go to the hospital. Although they wrote the sling into a few episodes so everybody could go back to work, they didn’t finish filming this particular episode until LeBlanc’s arm was healed. “What started out the simplest ‘Friends’ episode,” Bright said, “ended up taking the longest amount of time to shoot.” If you’re superstitious, you might say the reason this episode went so wrong was because the cast didn’t do their usual pre-show huddle that night. “It was sort of early on, but then after that we’d say, ‘Do we need to do the huddle?’ And he’d say, ‘Yeah,'” Kudrow said of LeBlanc. 

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Actor John Cena Faces Backlash in China over Taiwan Comment

Actor and professional wrestler John Cena has apologized to fans in China after he called Taiwan a country in a promotional interview for his upcoming film and became the latest celebrity to face the fury of Chinese nationalists.
In a short video posted Tuesday on Chinese social media site Weibo, Cena did not refer to Taiwan or go into much detail about the incident, which occurred earlier this month when he was doing a promotion for “Fast & Furious 9” with Taiwanese media.
“In one interview, I made a mistake,” he said in heavily accented Mandarin Chinese. “I need to say now that this is very, very, very, very, very important. I love and respect China and the Chinese people. I’m very, very sorry. As for my mistake, I really apologize for it.”FILE – Actor John Cena attends the Road to “Fast & Furious 9” Concert at Maurice A. Ferre Park in Miami Beach, Fla.In his interview with TVBS, a Taiwanese cable channel, Cena was also speaking in Mandarin when he said Taiwan would be the first “country” to be able to see the film. That led to an uproar in China, which considers the self-governing democracy its own territory to be taken back by force if necessary.
It was unclear if Cena’s apology worked, as many comments on Chinese social media in response to his video were negative. Likewise, Cena was also facing scorn back in the United States, where Sen. Tom Cotton called the apology “pathetic” and others lashed out at him on social media as a “coward.”
Global companies and celebrities seeking to maintain access to the lucrative Chinese market have to tread a fine line on many issues as online nationalistic outrage can spark boycotts.  
China has increasingly pressured foreign firms over their statements on Taiwan, Hong Kong, Xinjiang, Tibet, the South China Sea and other issues Beijing considers sensitive.  
Airlines and other multinational companies have been pushed to refer to Taiwan as a part of China on their websites or risk damage to their business in China.  
Chinese state broadcaster CCTV cut ties with the NBA for a year in response to a tweet by Houston Rockets general manager Daryl Morey backing pro-democracy protesters in Hong Kong, even though the post was quickly deleted.  
News about Chloe Zhao, a Chinese director, winning an Oscar was censored in April after old interviews surfaced where she said that she grew up in a place where there were “lies” everywhere.
Brands including Swedish retailer H&M, Adidas and Nike have been targeted for consumer boycotts after state media criticized them for expressing concern about reports of forced labor in China’s western region of Xinjiang.
Meanwhile, “Fast & Furious 9” — the latest in the Hollywood franchise — appeared to be doing well in China despite the uproar. The film has taken in $155 million at the box office in China since it opened on May 21, according to local media reports.

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Howard University Names College of Fine Arts for Chadwick Boseman

While studying at Howard University, young Chadwick Boseman helped lead a student protest against plans to merge his beloved College of Fine Arts into the College of Arts and Sciences.  
He failed in that goal, but 20 years later, the acclaimed actor is being posthumously honored as the namesake of Howard’s newly re-established Chadwick A. Boseman College of Fine Arts.  
Boseman, who graduated in 2000 with a bachelor’s degree in directing, died in August at 43 of colon cancer. He rose to prominence playing a succession of Black icons in biographical films: Jackie Robinson, singer James Brown and Thurgood Marshall.
The South Carolina native’s portrayal of African superhero Black Panther spawned a thousand memes and its cultural impact launched him to broader stardom. At the time of his death, Boseman’s character was poised to become an anchor of the Marvel Comics movie machine, with multiple sequels planned.  
Howard University President Wayne Frederick said he and Boseman discussed ways of reviving the College of Fine Arts multiple times.  
“It was always important to him,” Frederick told The Associated Press. “His commitment was very strong.”
The announcement comes a few weeks after fellow Howard alum Phylicia Rashad was announced as the fine arts college’s new dean. Boseman and Rashad met during his undergrad years, and Boseman publicly cited her as a mentor.  
Boseman declared his love for the school in a 2018 commencement speech, praising, “the magic of this place. Almost anything can happen here.”  
Boseman’s family said his student protest proved his passion for his alma mater.  
“Chad fought to preserve the College of Fine Arts during his matriculation at Howard and remained dedicated to the fight throughout his career, and he would be overjoyed by this development,” the Boseman family said in a statement.  
Boseman’s widow, Simone Ledward-Boseman, called him “a very proud Bison” and said the naming of the school “brings this part of his story full-circle and ensures that his legacy will continue to inspire young storytellers for years to come.”
Howard Fine Arts alumni include actors Taraji P. Henson, Oscar-nominated cinematographer Bradford Young, and singers Roberta Flack and Jessye Norman, as well as Rashad and her sister, Kennedy Center Honors recipient Debbie Allen.

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Russia, Iran Leading Disinformation Charge on Facebook

Russia and Iran are leading the way when it comes to pushing bad information on one of the world’s most popular social media platforms, and new analysis finds they are getting savvier at evading detection. Facebook issued a report Wednesday looking at so-called coordinated inauthentic behavior over the past four years, warning that despite ongoing efforts to identify and remove disinformation networks, there is no let-up in attempts to exploit or weaponize conflict and crisis. “Threat actors have adapted their behavior and sought cover in the gray spaces between authentic and inauthentic engagement and political activity,” according to the Facebook report, which looked at the more than 150 networks from more than 50 countries that its security teams took down from 2017 to 2020. “We know they will continue to look for new ways to circumvent our defenses,” the report added, noting disinformation efforts were evenly split between foreign and domestic efforts. “Domestic IO also continues to push the boundaries of acceptable online behavior worldwide” per @Facebook “About half of the influence operations we’ve removed since 2017–including in #Moldova, #Honduras, #Romania, #UK, US, #Brazil & #India–were conducted by locals…” pic.twitter.com/e2pLpgLNaJ— Jeff Seldin (@jseldin) May 26, 2021 Russia, Iran influence efforts Overall, Russia was the biggest purveyor of disinformation, according to the analysis, with 27 identified influence operations during the four-year timeframe. Of those, 15 were connected to the St. Petersburg-based Internet Research Agency (IRA) or other entities linked to Yevgeny Prigozhin, a Russian oligarch with close ties to Russian President Vladimir Putin. US Hits Back at Russian Election Disinformation Ring New sanctions target the ‘inner circle’ of Ukrainian politician Andrii Derkach, previously outed by U.S. officials as a long-time Russian agent Another four Russian networks were traced to the Kremlin’s intelligence services and two more originated with Russian media sites. Iran was second on the list, with 23 inauthentic networks, nine of which were connected to the government or Iranian state broadcasters. Myanmar ranked third, with nine disinformation networks, followed by the United States and Ukraine. NEW: #Russia, #Iran#Myanmar top @Facebook’s list of sources for influence ops/ Coordinated Inauthentic Behavior in new report covering 2017-2020US is 4th, #Ukraine is 5th pic.twitter.com/X2Z45AqUO2— Jeff Seldin (@jseldin) May 26, 2021Facebook said the culprits in the United States and Ukraine included public relations firms, fringe political actors, and in the case of Ukraine, two political parties. China’s ‘strategic communication’ China, accused by U.S. intelligence officials for running multiple, intensive influence operations, did not make Facebook’s list of illicit disinformation networks, but not because Beijing was not active. Outgoing US Intel Chief Warns China Seeking Global Domination Director of National Intelligence John Ratcliffe has repeatedly sounded alarms about Beijing’s efforts, but now says China is prepared for an ‘open-ended period of confrontation’ with US “The China-origin activity on our platform manifested very differently than IO [influence operations] from other foreign actors, and the vast majority of it did not constitute CIB [Coordinated Inauthentic Behavior],” the Facebook report said. “Much of it was strategic communication using overt state-affiliated channels [e.g. state-controlled media, official diplomatic accounts] or large-scale spam activity that included primarily lifestyle or celebrity clickbait and also some news and political content.” #Election2020: “In the year leading up to the US 2020 election, we exposed over a dozen CIB operations targeting US audiences, including an equal number of networks originating from #Russia, #Iran, & the #UnitedStates itself” per @Facebookpic.twitter.com/MISQHnJigc— Jeff Seldin (@jseldin) May 26, 2021The Facebook report warned, however, that catching sophisticated disinformation actors like China and Russia is getting more difficult. “They are showing more discipline to avoid careless mistakes,” the report said. “Some are also getting better at avoiding language discrepancies.” Amplifying, outsourcing disinformation Facebook further warned that countries like Russia and China “are getting better at blurring the lines between foreign and domestic activity by co-opting unwitting [but sympathetic] domestic groups to amplify their narratives.” Another concerning trend identified in the Facebook report: outsourcing. “Over the past four years, we have investigated and removed influence operations conducted by commercial actors—media, marketing and public relations companies, including in Myanmar, the U.S., the Philippines, Ukraine, the UAE [United Arab Emirates] & Egypt,” according to the report. The report said despite a growing number of influence operations and their growing sophistication, many of them are being identified and taken down more quickly than in the past. But Nathaniel Gleicher, the head of Facebook security policy, said the social media platform can only do so much by itself. “Countering IO is a whole-of-society challenge. Defenders are most effective when gov’ts, industry, and civil society work together,” Gleicher wrote on Twitter. “We know threat actors are continuing to innovate, so we can’t take our foot off the gas now,” he added. “We have to keep pressing to stay ahead of adversarial innovation in 2021 and beyond.” 
 

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WhatsApp Files Lawsuit in India over New Laws That Impact User Privacy

WhatsApp has filed a lawsuit challenging the Indian government’s new rules that require the Facebook-owned messaging platform to make people’s messages traceable, a move it says would undermine the privacy of users.The lawsuit was filed as India brought sweeping new regulations into force on Wednesday to make social media and technology companies, that have tens of millions of users in the country, more accountable for content on their platform.One of the new rules would require messaging platforms to identify the “first originator of information” when authorities demand it. WhatsApp wants that regulation blocked saying that it undermines citizens’ fundamental right to privacy.In a statement issued after the lawsuit was filed, the government said it respects the right to privacy as a fundamental right but “no Fundamental Right, including the Right to Privacy, is absolute and it is subject to reasonable restrictions.”The statement by the Ministry of Electronics and Information Technology said the requirement to disclose the origin of a particular message will only arise in the case of “prevention, investigation or punishment” of very serious offences.With over 40 million users, India is one of the biggest markets for the messaging platform. It has said that it is committed to protecting the privacy of people’s personal messages.“Technology and privacy experts have determined that traceability breaks end-to-end encryption and would severely undermine the privacy of billions of people who communicate digitally,” WhatsApp says in a blog post on its website. It said that a government “that chooses to mandate traceability is effectively mandating a new form of mass surveillance.”Technology experts in New Delhi called the lawsuit by WhatsApp significant.“This is one of the most significant lawsuits for privacy and it has implications not just for Indian users but globally. What will be debated in court is — can privacy of all users be compromised because there might be a legitimate demand from law enforcement agencies for information on one user or one message,” said Nikhil Pahwa, a digital rights activist and founder of technology publication Medianama. “Basically many governments around the world don’t want these kind of encrypted platforms because these platforms are blind to them and do not allow mass surveillance.”FILE – Rohitash Repswal, a digital marketer, shows a software tool that appears to automate the process of sending messages to WhatsApp users, on a screen inside his office in New Delhi, India, May 8, 2019.The sweeping new rules that were announced in February give the government more power to order social media companies, digital media and streaming platforms to remove content that it considers unlawful and require them to help with police investigations in identifying people who post “misinformation.” The employees of the companies in India can be held criminally liable for failing to comply with the government’s requests.Social media companies in India have been facing a tougher environment as the government seeks to regulate content posted online, which has become one of the most important spaces to express dissenting views.A spokesman for the opposition Congress Party, Abhishek Manu Singhvi, said the new rules were “extremely dangerous” for free speech and creativity, “unless extreme restraint is exercised” in implementing them.Critics accuse the government of trying to stifle online criticism and point to its requests to Twitter last month to remove several tweets including some that were critical of the government’s handling of the pandemic ravaging India. The government had said the messages could incite panic and were misinformation.Police also turned up at the local offices of Twitter in New Delhi on Monday to serve notice to the company concerning an investigation into the tagging of some government official’s tweets as “manipulated media.” 

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Amazon to Buy MGM, Studio Behind James Bond and ‘Shark Tank’

Amazon is going Hollywood.
The online shopping giant is buying MGM, the movie and TV studio behind James Bond, “Legally Blonde” and “Shark Tank,” with the hopes of filling its video streaming service with more stuff to watch.
Amazon is paying $8.45 billion for MGM, making it the company’s second-largest acquisition after it bought grocer Whole Foods for nearly $14 billion in 2017.  
The deal is the latest in the media industry that’s aimed at boosting streaming services to compete against Netflix and Disney+. AT&T and Discovery announced on May 17 that they would combine media companies, creating a powerhouse that includes HGTV, CNN, Food Network and HBO.  
Amazon doesn’t say how many people watch its Prime Video service. But more than 200 million have access to it because they’re signed up for its Prime membership, which gives them faster shipping and other perks. Besides Prime Video, Amazon also has a free streaming service called IMDb TV, where Amazon makes money by playing ads during movies and shows.
Buying MGM would give Amazon access to more films, shows and famous characters, including Rocky, RoboCop and Pink Panther. Amazon will also get a cable channel: Epix, which MGM owns.  
Known for its roaring lion logo, MGM is one of the oldest Hollywood studios, founded in 1924 when films were silent. It has a long list of classics in its library, including “Singin’ in the Rain.”
More recent productions include reality TV staples “Shark Tank” and “The Real Housewives of Beverly Hills,” as well as the upcoming James Bond movie “No Time to Die” and an Aretha Franklin biopic called “Respect.”  
Amazon already has its own studio but has had mixed results. Two of its shows, “The Marvelous Mrs. Maisel” and “Fleabag,” won best comedy series Emmys. But many of its films have failed to click with audiences at the box office. Recently, Amazon has been spending on sports and splashy shows. It will stream “Thursday Night Football” next year and is producing a “Lord of the Rings” show, which reportedly cost $450 million for its first season alone.
The deal, which is subject to customary approvals, will make Amazon, already one of the most powerful and valuable companies in the world, even bigger. Regulators around the world are scrutinizing Amazon’s business practices, specifically the way it looks at information from businesses that sell goods on its site and uses it to create its own Amazon-branded products.  
A report by the House Judiciary Committee in October called for a possible breakup of Amazon and others, making it harder for them to buy other businesses and imposing new rules to safeguard competition.
Amazon, founded in 1995 as an online bookstore, has become a $1.6 trillion behemoth that does a little bit of everything. It has a delivery business network that gets orders to people in two days or sooner; sells inhalers and insulin; has a cloud-computing business that powers the apps of Netflix and McDonald’s; and has plans to send more than 3,200 satellites into space to beam internet service to Earth.

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