Australian Laser Technology to Help Future NASA Missions to Mars

A new optical ground station has been built by the Australian National University to help the U.S. space agency, NASA, and others explore space and safely reach Mars.

The Australian team has developed a new type of space communication using lasers.

Researchers say the system will allow them to connect with satellites and NASA-crewed missions beyond low-Earth orbit.

The project is supported by the Australian Space Agency’s Moon to Mars initiative.

The Australian National University Quantum Optical Ground Station is based at the Mount Stromlo Observatory, near Canberra.

It is a powerful telescope that will support high-speed advanced communications with satellites orbiting at distances from low-Earth orbit to the moon.

Kate Ferguson, associate director for strategic projects at the Australian National University Institute for Space, told VOA current communication systems relying on radio frequencies can be slow and cumbersome.

“I am sure some of us remember the grainy pictures that we got of the moon landing that came from the Apollo era,” Ferguson said. “So, again the current radio frequency systems, they have these much slower data rates and especially over really long distances.  For space exploration those become very slow but with optical communications we will be able to increase the rate of that communication.”

She said the new system, based on powerful lasers that are invisible to the naked eye, will transform communications in space.

“What we are aiming to do is to be able to receive high-definition video from future crewed missions. Not only will that be great for us here on Earth, seeing what is happening with the astronauts on these types of missions, but it will improve the connectivity between those missions,” she said. “And what we are doing here is optical communication, which uses laser beams to communicate and these offer much higher speeds and increased security over the current systems and this is really important for us to be getting that data down and being able to use it here on Earth.”

Scientists say the Australian-developed systems will be compatible with NASA missions.

They say the laser-based technology will improve astronauts’ ability to connect with Earth from the moon and also allow high-definition video to be sent from the moon and Mars.

NASA has said previously that astronauts could be sent on a mission to the red planet by the mid-to-late 2030s.

 

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Meta Sued for Allegedly Failing to Shield Children From Predators

Facebook and Instagram fail to protect underage users from exposure to child sexual abuse material and let adults solicit pornographic imagery from them, New Mexico’s attorney general alleges in a lawsuit that follows an undercover online investigation.

“Our investigation into Meta’s social media platforms demonstrates that they are not safe spaces for children but rather prime locations for predators to trade child pornography and solicit minors for sex,” Attorney General Raul Torrez said in a statement Wednesday.

The civil lawsuit filed late Tuesday against Meta Platforms Inc. in state court also names its CEO, Mark Zuckerberg, as a defendant.

In addition, the suit claims Meta “harms children and teenagers through the addictive design of its platform, degrading users’ mental health, their sense of self-worth and their physical safety,” Torrez’s office said in a statement.

Those claims echo others in a lawsuit filed in late October by the attorneys general of 33 states, including California and New York, against Meta that alleges Instagram and Facebook include features deliberately designed to hook children, contributing to the youth mental health crisis and leading to depression, anxiety and eating disorders. New Mexico was not a party to that lawsuit.

Investigators in New Mexico created decoy accounts of children 14 years and younger that Torrez’s office said were served sexually explicit images even when the child expressed no interest in them. State prosecutors claim that Meta let dozens of adults find, contact and encourage children to provide sexually explicit and pornographic images.

The accounts also received recommendations to join unmoderated Facebook groups devoted to facilitating commercial sex, investigators said, adding that Meta also let its users find, share and sell “an enormous volume of child pornography.”

“Mr. Zuckerberg and other Meta executives are aware of the serious harm their products can pose to young users, and yet they have failed to make sufficient changes to their platforms that would prevent the sexual exploitation of children,” Torrez said, accusing Meta’s executives of prioritizing “engagement and ad revenue over the safety of the most vulnerable members of our society.”

Meta, based in Menlo Park, California, did not directly respond to the New Mexico lawsuit’s allegations, but said it works hard to protect young users with a serious commitment of resources.

“We use sophisticated technology, hire child safety experts, report content to the National Center for Missing and Exploited Children, and share information and tools with other companies and law enforcement, including state attorneys general, to help root out predators,” the company said. “In one month alone, we disabled more than half a million accounts for violating our child safety policies.”

Company spokesman Andy Stone pointed to a company report detailing the millions of tips Facebook and Instagram sent to the National Center in the third quarter of 2023 — including 48,000 involving inappropriate interactions that could include an adult soliciting child sexual abuse material directly from a minor or attempting to meet with one in person.

Critics, including former employees, have long complained that Meta’s largely automated content moderation systems are ill-equipped to identify and adequately eliminate abusive behavior on its platforms.

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Taylor Swift Named Time Magazine’s Person of the Year

Is the year of Taylor Swift over now? Not yet.

Time magazine named Swift its person of the year on Wednesday, a week after Spotify announced she was the most-played artist on the streaming platform.

Swift was picked from a group of nine finalists that included Barbie, King Charles III and OpenAI chief executive Sam Altman.

“While her popularity has grown across the decades, this is the year that Swift, 33, achieved a kind of nuclear fusion: shooting art and commerce together to release an energy of historic force,” Time said about her selection.

Her year included the wildly popular Eras Tour and concert movie, the release of her reimagined “1989” album, and her closely watched relationship with Kansas City Chiefs tight end Travis Kelce. She’s even the subject of college courses.

Ukrainian President Volodymyr Zelenskyy was Time’s 2022 person of the year.

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Emmy-Winning TV Producer-Writer Norman Lear Dead at Age 101

Television producer-writer Norman Lear, whose ground-breaking hit comedy shows such as “All in the Family” and “Maude” addressed social issues such as race and abortion that had rarely been seen on U.S. television, died on Tuesday at the age of 101, according to media reports. 

Lear, one of the most influential people in television, died at his Los Angeles home of natural causes, Variety reported on Wednesday, citing his publicist. 

Lear, who won six Emmy awards for his work in television, was known for his campaigning for liberal causes, including voting rights, and worked well into his 90s. 

In 2017, he rebooted his 1970s TV series “One Day at a Time” to focus on a Cuban American family, and in 2020 he earned his sixth Emmy for a live special broadcast of “All in the Family” and “Good Times.” 

In February 2021, Lear received the Carol Burnett Award, a lifetime achievement award, at the Golden Globe Awards ceremony for his contributions to television. 

In addition to “All in the Family” and “Maude,” Lear dominated American TV screens in the 1970s and ’80s with the situation-comedy shows “Sanford and Son,” “The Jeffersons,” and the soap-opera spoof “Mary Hartman, Mary Hartman.” At one point in the 1970s, Lear had eight shows on the air with an estimated 120 million viewers, Time magazine said. 

By drawing material from social themes of the time, Lear’s shows made network executives nervous because they had a depth and air of controversy. 

“For him to say that he didn’t have an impact on not only television, but society is … a little too humble,” said Rob Reiner, who had a co-starring role on “All in the Family” before becoming a film director. 

Lear and production partner Bud Yorkin put “All in the Family” on the air in January 1971 and the show would go on to win four Emmys for best comedy in its nine seasons. It was based on a British show, “Til Death Do Us Part,” and gave U.S. television one of its most memorable and controversial characters — Archie Bunker. 

Carroll O’Connor portrayed Archie as a crude, loud, blue-collar New Yorker who spouted racist, homophobic and antisemitic comments. He was cast against a scatter-brained wife he called “Dingbat,” a liberal daughter and an even more liberal son-in-law he referred to as “Meathead” and played by Reiner. 

“All in the Family” was the top-rated show on U.S. television for five straight years, according to CBS, and TV Guide ranked it fourth on its list of television’s all-time greatest shows.  

 

Born on July 27, 1922, in New Haven, Connecticut, Norman Milton Lear’s most lasting creation was partly based on fact. Many of the harsh words that came out of Archie’s mouth had first been spoken by Lear’s own father, Herman Lear, who went to prison for selling fake bonds, and frequently told his wife to “stifle” herself and called his son “the laziest white kid I ever saw.” 

“I grew up in a family that lived at the top of its lungs and the ends of its nerves,” Lear told Esquire magazine. Some critics said the Archie Bunker character put a laughing face on bigotry, but Lear said it only pointed to the complexity of humanity. 

A year after “All in the Family” started, Lear aired “Maude,” a spin-off that starred Bea Arthur as Archie’s acerbic sister-in-law and political opposite. 

As with Bunker, the character was like none previously seen on U.S. television. Maude was on her fourth husband, protested marijuana laws and had an abortion before the U.S. Supreme Court legalized the procedure nationwide. Her husband battled alcoholism, had two nervous breakdowns and attempted suicide. 

Black characters in U.S. television in the ’70s were mostly limited to minor roles until Lear made them the focus of some of his shows. 

“The Jeffersons” was another spin-off of “All in the Family” and featured an upwardly mobile Black couple who moved to Manhattan’s glitzy upper eastside neighborhood. The show’s lead character George was often rude and loud. Lear’s other hits included “Sanford and Son” a sitcom about a Black junkyard owner in a Los Angeles neighborhood, and “Good Times,” a portrayal of a working-class Black family in a Chicago housing project. 

Other Lear-produced hits included “Diff’rent Strokes,” “Fernwood 2 Night,” and the “All in the Family” spin-off “Archie Bunker’s Place.” But Lear also had flops such as “All That Glitters,”  “Sunday Dinner” and another “All in the Family” spin-off, “Gloria.” 

Lear, who grew up in Connecticut, dropped out of college in World War II to join the Army and flew 52 combat missions. He went to Los Angeles in 1950 with the intention of being a publicist but began writing for TV stars such as Danny Thomas, Jerry Lewis, Dean Martin and Andy Williams.

Lear shifted focus in 1981 and founded the liberal activist group People for the American Way to boost voting rights and fight right-wing extremism. He also established the Norman Lear Center at the University of Southern California’s Annenberg School of Communication.

In 2001, he and a partner purchased an original copy of the U.S. Declaration of Independence and sent it on a three-year tour of U.S. schools, libraries and events. Lear is survived by his third wife, Lyn, and his six children. 

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Russian Artist Explores Migration Caused by War

The plight of fugitives and refugees has been part of the artist Dima Alekseevs’ work since he left Russia in 2016. He now lives in the U.S. Nina Vishneva visited the artist and has this report narrated by Anna Rice. (Camera: Vladimir Badikov, Elena Matusovsky; Produced by Elena Matusovsky, Anna Rice)  

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Here Are Wikipedia’s Most Searched Topics in 2023

Millions around the world turn to Wikipedia when they want to better understand the world around them, and that apparently includes artificial intelligence — the most searched topic on the online encyclopedia in 2023.

“ChatGPT is one of the generative AI tools that is trained on Wikipedia data, pulling large amounts of content from Wikipedia projects to answer people’s questions,” says Anusha Alikhan, chief communications officer at the Wikimedia Foundation. “So, the fact that millions of people are going to Wikipedia to learn about ChatGPT is kind of an interesting twist.”

Wikipedia articles about ChatGPT garnered more than 79 million page views across all languages, according to the Wikimedia Foundation, the nonprofit that hosts and funds the site. The information found on Wikipedia is managed by volunteer editors around the world.

English-language Wikipedia drew more than 84 billion views in 2023, according to the nonprofit. The top five articles this year were ChatGPT; Deaths in 2023; 2023 World Cricket Cup; Indian Premier League; and the film “Oppenheimer.”

Cricket is a popular global sport, but this is the first time since Wikipedia started keeping track in 2015 that an article about the sport made the list.

The rest of the most popular topics in Wikipedia’s Top 25 include a couple of Indian movies, as well as the U.S. megahit film, “Barbie.” Two celebrities who died this year —Matthew Perry and Lisa Marie Presley — are on the list, as are two well-known people: singer Taylor Swift and businessman Elon Musk, who made headlines a lot this year. Sports events, the United States, and India also made the Top 25 list.

“It gives the world, in our opinion, a real deep dive into the topics that people were most interested in for the entire year,” Alikhan says. “We often say also that Wikipedia reflects the world.”

According to Wikipedia data, the top five countries that accessed the English Wikipedia in 2023 are the United States (33 billion page views); the United Kingdom (9 billion page views); India (8.48 million page views); Canada (3.95 billion page views); and Australia (2.56 billion page views).

Historical subjects that make the list are often connected to a current event, including J. Robert Oppenheimer, the so-called father of the atomic bomb.

“The fact that number seven on the list is J. Robert Oppenheimer speaks to the fact that it was, of course, connected to the ‘Oppenheimer’ movie,” Alikhan says. “The article about him was also very highly trafficked, in addition to the film. So typically, if there’s a historical article in the Top 25, it’s because it was related to a current event.”

Top 25 English Wikipedia articles that received the most pageviews in 2023:

ChatGPT  49 million page views

Deaths in 2023  43 million

2023 Cricket World Cup  38 million

Indian Premier League   32 million

Oppenheimer (film)   28 million

Cricket World Cup 25.9 million

J. Robert Oppenheimer 25.6 million

Jawan (film) 22 million

2023 Indian Premier League 21 million

Pathaan (film) 19.9 million

The Last of Us (TV series) 19.7 million

Taylor Swift 19 million

Barbie (film) 18 million

Cristiano Ronaldo 17 million

Lionel Messi 16.62 million

Premier League 16.60 million

Matthew Perry 16.45 million

United States 16.24 million

Elon Musk 14.37 million

Avatar: The Way of Water (film) 14.30 million

India 13.8 million

Lisa Marie Presley 13.7 million

Guardians of the Galaxy Vol. 3 (film) 13.3 million

Russian invasion of Ukraine 12.79 million

Andrew Tate 12.72 million

 

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Netherlands Returns Colonial-Era Artifacts to Sri Lanka

The Netherlands returned six artifacts including a cannon, a ceremonial sword and two guns taken from Sri Lanka more than 250 years ago on Tuesday, as part of efforts by the former colonial power to redress historical wrongs, officials said.

Sri Lanka asked the Netherlands to return the artifacts after the Dutch government approved the restitution of historic objects in 2021.

The artifacts were taken in 1765 from Kandy, the last kingdom of ancient Sri Lanka, when the Dutch besieged the palace, a statement from the Netherlands embassy said.

“The objects were wrongfully brought to the Netherlands during the colonial period, acquired under duress or by looting,” it added.

Sri Lanka is grateful to the government and the people of the Netherlands for returning the artifacts, said Buddhasasana Religious and Cultural Affairs Minister Vidura Wickramanayake.

“There are more to come. Not only from the Netherlands but also from other countries like Great Britain. So we have already started negotiations and I hope they will be fruitful very soon,” he told reporters.

The artifacts will now be housed at the National Museum in Colombo and more are expected to follow.

“These objects represent an important cultural and historical value and they are back in Sri Lanka where they can be seen by the Sri Lankan public,” said Dewi Van de Weerd, Ambassador for International Cultural Cooperation.

“The value of returning these objects is important because it is about addressing historical injustices.”

The Netherlands returned over 300 artifacts to Indonesia earlier this year, according to its government.

Returning artifacts to former colonized countries is a long running and often sensitive issue.

A dispute between Britain and Greece over the ownership of the Parthenon Sculptures, known as the Elgin marbles, escalated last month, with both sides blaming the other for the cancellation of a planned meeting between their two leaders.

Greece has repeatedly called on the British Museum to permanently return the 2,500-year-old sculptures that British diplomat Lord Elgin removed from the Parthenon temple in Athens in 1806, during a period when Greece was under Ottoman Turkish rule.

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Spotify to Lay Off 1,500 Employees

Spotify says it is planning to lay off 17% of its global workforce, amounting to around 1,500 employees, following layoffs earlier this year of 600 people in January and an additional 200 in June.

The music streaming giant is continuing its effort to cut costs and work toward becoming profitable, said Spotify CEO Daniel Ek in a prepared statement.

“By most metrics, we were more productive but less efficient,” he said. “We need to be both.”

The layoffs come following a rare quarterly net profit of about $70.3 million in October. The company has never seen a full year net profit.

“I realize that for many, a reduction of this size will feel surprisingly large given the recent positive earnings report and our performance,” Ek said. “We debated making smaller reductions throughout 2024 and 2025. Yet, considering the gap between our financial goal … and our current operational costs, I decided that a substantial action to right size our costs was the best option to accomplish our objectives.”

With the new layoffs, the company now expects to see a fourth quarter loss between $100 million to $117 million after previously anticipating a $40 million profit.

A majority of the charges will go toward severance for laid off employees, who will get about five months’ pay, vacation pay and health care coverage for the severance period.

Spotify did not clearly state when the layoffs would become financially beneficial but said that they would “generate meaningful operating efficiencies going forward.”

Spotify is following many companies in the tech industry trying to cut costs after growth in the industry slowed following a surge during the COVID pandemic.

Tech giants including Meta, Microsoft, Amazon and Google parent company, Alphabet, all have plans to cut 10,000 or more people this year.

Spotify began informing affected employees on Monday.

Some information in this report came from Reuters, The Associated Press and Agence France-Presse.

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Queen Latifah, Billy Crystal, Dionne Warwick Among 2023 Kennedy Center Honorees

The newest group of Kennedy Center honorees, including comedian Billy Crystal and actor Queen Latifah, are being feted Sunday night at a star-studded event marking their lifetime achievement in arts and entertainment.

Opera singer Renee Fleming, music star Barry Gibb and prolific hitmaker Dionne Warwick also are being honored at the black-tie gala. Each will receive personalized tributes that typically include appearances and performances that are kept secret from the honorees themselves.

In announcing the recipients earlier this year, the Kennedy Center’s president, Deborah F. Rutter, called this year’s group of inductees “an extraordinary mix of individuals who have redefined their art forms.”

Crystal, 75, came to national prominence in the 1970s playing Jodie Dallas, one of the first openly gay characters on American network television, on the sitcom “Soap.” He went on to a brief but memorable one-year stint on “Saturday Night Live” before starring in a string of movies, including hits such as “When Harry Met Sally…” “The Princess Bride” and “City Slickers.”

Crystal, who also received the Kennedy Center’s Mark Twain Prize for lifetime achievement in comedy in 2007, joins an elite group of comedians cited for both: David Letterman, Steve Martin, Lorne Michaels, Lily Tomlin, Carol Burnett and Neil Simon. Bill Cosby received both honors, but they were rescinded in 2018 following his sexual assault conviction, which later was overturned.

Warwick, 82, shot to stardom in the 1960s as the muse for the superstar songwriting team of Burt Bacharach and Hal David. Her discography includes a multidecade string of hits, both with and without Bacharach, that includes “I Say a Little Prayer,” “I’ll Never Love This Way Again” and “That’s What Friends Are For.”

Fleming, 64, is one of the leading sopranos of her era, with a string of accolades that includes a National Medal of Arts bestowed by President Barack Obama, a Cross of the Order of Merit from the German government and honorary membership in England’s Royal Academy of Music.

Gibb, 76, achieved global fame as part of one of the most successful bands in the history of modern music, the Bee Gees. Along with his late brothers Robin and Maurice, the trio launched a nearly unmatched string of hits that defined a generation of music.

Latifah, 53, has been a star since age 19 when her debut album and hit single “Ladies First” made her the first female crossover rap star. She has gone on to a diverse career that has included seven studio albums, starring roles in multiple television shows and movies and an Oscar nomination for best supporting actress for her role in the movie musical “Chicago.”

Fleming and Latifah, real name Dana Owens, also share an obscure bit of Kennedy Center Honors historical trivia. They both performed at the 2014 Super Bowl. Fleming sang the national anthem while Latifah performed “America the Beautiful.”

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Solar Grid Brings Light, Progress to Rural Nigerian Community

In early November, Nigeria launched its first interconnected solar hybrid mini grid in Nasarawa State to make electricity more reliable, renewable and accessible. Gibson Emeka has this story from Abuja, Nigeria, Grace Oyenubi narrates.

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Beyoncé’s ‘Renaissance’ Tops Box Office With $21 Million Debut

Beyoncé ruled the box office this weekend. Her concert picture, “Renaissance: A Film by Beyoncé,” opened in first place with $21 million in North American ticket sales, according to estimates from AMC Theatres Sunday.

The post-Thanksgiving, early December box office is notoriously slow, but “Renaissance” defied the odds. Not accounting for inflation, it’s the first time a film has opened over $20 million on this weekend in 20 years (since “The Last Samurai”).

Beyoncé wrote, directed and produced “Renaissance,” which is focused on the tour for her Grammy-winning album. It debuted in 2,539 theaters in the U.S. and Canada, as well as 94 international territories, where it earned $6.4 million from 2,621 theaters.

“On behalf of AMC Theaters Distribution and the entire theatrical industry, we thank Beyoncé for bringing this incredible film directly to her fans,” said Elizabeth Frank, AMC Theaters executive vice president of worldwide programming, in a statement. “To see it resonate with fans and with film critics on a weekend that many in the industry typically neglect is a testament to her immense talent, not just as a performer, but as a producer and director.”

Despite several other new releases including “Godzilla Minus One,” the Hindi-language “Animal,” Angel Studios’ sci-fi thriller “The Shift,” and Lionsgate’s John Woo-directed revenge pic “Silent Night,” it was a slow weekend overall. Films in the top 10 are expected to gross only $85 million in total. But it was in this traditional “lull” that AMC Theaters found a good opportunity for “Renaissance” to shine.

“They chose a great weekend,” said Paul Dergarabedian, the senior media analyst for Comscore. “There was competition, but it was from very different kinds of movies.”

Though “Renaissance” did not come close to matching the $92.8 million debut of “Taylor Swift: The Eras Tour” in October, it’s still a very good start for a concert film. No one expected “Renaissance” to match “The Eras Tour,” which is wrapping up its theatrical run soon with over $250 million globally. Prior to Swift, the biggest concert film debuts (titles held by Miley Cyrus and Justin Bieber for their 2008 and 2011 films) had not surpassed the unadjusted sum of $32 million.

The 39-city, 56-show “Renaissance” tour, which kicked off in Stockholm, Sweden in May and ended in Kansas City, Missouri in the fall, made over $500 million and attracted over 2.7 million concertgoers. Swift’s ongoing “Eras Tour,” with 151 dates, is expected to gross some $1.4 billion.

Both Beyoncé and Swift chose to partner with AMC Theaters to distribute their films, as opposed to a traditional studio. Both superstars have been supportive of one another, making splashy appearances at the other’s premieres. Both had previously released films on Netflix (“Miss Americana” and “Homecoming”). And both are reported to be receiving at least 50% of ticket sales.

Movie tickets to the show were more expensive than average, around $23.32 versus Swift’s $20.78, according to data firm EntTelligence.

Critics and audiences gave “Renaissance” glowing reviews – it’s sitting at 100% on Rotten Tomatoes and got a coveted A+ CinemaScore from opening weekend audiences who were polled. EntTelligence also estimates that the audience, around 900,000 strong, skewed a little older than Swift’s.

“To have two concert films topping the chart in a single year is pretty unprecedented,” Dergarabedian said. But to compare them too closely would be a mistake.

“Taylor Swift was a total outlier and the result of a very specific set of circumstances,” he said. “These two films are similar in genre only.”

Lionsgate’s “The Hunger Games: The Ballad of Songbirds & Snakes” fell to second place in its third weekend with an estimated $14.5 million. The prequel has now earned over $121 million domestically.

“Godzilla Minus One” took third place on the North American charts with $11 million from 2,308 locations — the biggest opening for a foreign film in the U.S. this year. The well-reviewed Japanese blockbuster distributed by Toho International cost only $15 million to produce and has already earned $23 million in Japan.

“This year, we made a concentrated effort to answer the demand of the marketplace and make Godzilla globally accessible across many different platforms,” said Koji Ueda, President of Toho Global, in a statement.

“Trolls Band Together” landed in fourth place in its third weekend with $7.6 million, bringing its domestic total to $74.8 million.

Fifth place went to Disney’s “Wish,” which fell 62% from its underwhelming first weekend, with $7.4 million from 3,900 locations. Globally, it’s now made $81.6 million.

The studio’s other major film in theaters, “The Marvels” is winding down in its fourth weekend with a disastrous global tally of $197 million against the reported $300 million it cost to make and market the superhero film.

In its second weekend, Ridley Scott’s “Napoleon” earned an estimated $7.1 million from 3,500 locations. Produced by Apple Original Films and distributed by Sony Pictures, the film starring Joaquin Phoenix has now made $45.7 million domestically against a $200 million budget.

Things should pick up in the final weeks of 2023, with films like “Wonka” and “The Color Purple” yet to come. The industry is looking at a $9 billion year — still trailing the $11 billion pre-pandemic norm, but a marked improvement from the last few years. And there are still many solid options for moviegoers, as the industry’s awards season gets into full swing.

“We had a slow Thanksgiving and we’re having a pretty slow weekend this weekend, but it’s a great weekend to be a moviegoer in terms of the breadth and depth of the movies out there,” Dergarabedian said.

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. Final domestic figures will be released Monday.

  1. “Renaissance: A Film by Beyoncé,” $21 million.

  2. “The Hunger Games: The Ballad of Songbirds & Snakes,” $14.5 million.

  3. “Godzilla Minus One,” $11 million.

  4. “Trolls Band Together,” $7.6 million.

  5. “Wish,” $7.4 million.

  6. “Napoleon,” $7.1 million.

  7. “Animal,” $6.1 million.

  8. “The Shift,” $4.4 million.

  9. “Silent Night,” $3 million.

  10. “Thanksgiving,” $2.6 million.

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Kiss Say Farewell to Live Touring, Become First US Band To Go Virtual and Become Digital Avatars 

On Saturday night, Kiss closed out the final performance of their “The End of the Road” farewell tour at New York City’s famed Madison Square Garden.  

But as dedicated fans surely know — they were never going to call it quits. Not really.  

During their encore, the band’s current lineup — founders Paul Stanley and Gene Simmons as well as guitarist Tommy Thayer and drummer Eric Singer — left the stage to reveal digital avatars of themselves. After the transformation, the virtual Kiss launched into a performance of “God Gave Rock and Roll to You.”  

The cutting-edge technology was used to tease a new chapter of the rock band: after 50 years of Kiss, the band is now interested in a kind of digital immortality.  

The avatars were created by George Lucas’ special-effects company, Industrial Light & Magic, in partnership with Pophouse Entertainment Group, the latter of which was co-founded by ABBA’s Björn Ulvaeus. The two companies recently teamed up for the “ABBA Voyage” show in London, in which fans could attend a full concert by the Swedish band — as performed by their digital avatars.  

Per Sundin, CEO of Pophouse Entertainment, says this new technology allows Kiss to continue their legacy for “eternity.” He says the band wasn’t on stage during virtual performance because “that’s the key thing,” of the future-seeking technology. “Kiss could have a concert in three cities in the same night across three different continents. That’s what you could do with this.”  

In order to create their digital avatars, who are depicted as a kind of superhero version of the band, Kiss performed in motion capture suits.  

Experimentation with this kind of technology has become increasingly common in certain sections of the music industry. In October K-pop star Mark Tuan partnered with Soul Machines to create an autonomously automated “digital twin” called “Digital Mark.” In doing so, Tuan became the first celebrity to attach their likeness to OpenAI’s GPT integration, artificial intelligence technology that allows fans to engage in one-on-one conversations with Tuan’s avatar.  

Aespa, the K-pop girl group, frequently perform alongside their digital avatars — the quartet is meant to be viewed as an octet with digital twins. Another girl group, Eternity, is made up entirely of virtual characters — no humans necessary.  

“What we’ve accomplished has been amazing, but it’s not enough. The band deserves to live on because the band is bigger than we are,” Kiss frontman Paul Stanley said in a roundtable interview. “It’s exciting for us to go the next step and see Kiss immortalized.”  

“We can be forever young and forever iconic by taking us to places we’ve never dreamed of before,” Kiss bassist Gene Simmons added. “The technology is going to make Paul jump higher than he’s ever done before.”  

And for those who couldn’t make the Madison Square Garden show — stay tuned, because a Kiss avatar concert may very well be on the way. 

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Breaches by Iran-Affiliated Hackers Span US States, Federal Agencies Say

A small western Pennsylvania water authority was just one of many organizations breached in the United States by Iran-affiliated hackers who targeted a specific industrial control device because it is Israeli-made, U.S. and Israeli authorities say.

“The victims span multiple U.S. states,” the FBI, the Environmental Protection Agency, the Cybersecurity and Infrastructure Security Agency, known as CISA, as well as Israel’s National Cyber Directorate said in an advisory emailed to The Associated Press late Friday.

They did not say how many organizations were hacked or otherwise describe them.

Matthew Mottes, the chairman of the Municipal Water Authority of Aliquippa, which discovered it had been hacked on Nov. 25, said Thursday that federal officials had told him the same group also breached four other utilities and an aquarium.

Cybersecurity experts say that while there is no evidence of Iranian involvement in the Oct. 7 attack into Israel by Hamas that triggered the war in Gaza, they expected state-backed Iranian hackers and pro-Palestinian hacktivists to step up cyberattacks on Israeli and its allies in its aftermath. And that has happened.

The multiagency advisory explained what CISA had not when it confirmed the Pennsylvania hack Wednesday — that other industries outside water and water-treatment facilities use the same equipment — Vision Series programmable logic controllers made by Unitronics — and were also potentially vulnerable.

Those industries include “energy, food and beverage manufacturing and healthcare,” the advisory says. The devices regulate processes including pressure, temperature and fluid flow.

The Aliquippa hack promoted workers to temporarily halt pumping in a remote station that regulates water pressure for two nearby towns, leading crews to switch to manual operation. The hackers left a digital calling card on the compromised device saying all Israeli-made equipment is “a legal target.”

The multiagency advisory said it was not known if the hackers had tried to penetrate deeper into breached networks.

The advisory says the hackers, who call themselves “Cyber Av3ngers,” are affiliated with Iran’s Islamic Revolutionary Guards Corps, which the U.S. designated as a foreign terrorist organization in 2019.

The group targeted the Unitronics devices at least since Nov. 22, it said.

An online search Saturday with the Shodan service identified more than 200 such internet-connected devices in the U.S. and more than 1,700 globally.

The advisory notes that Unitronics devices ship with a default password, a practice experts discourage as it makes them more vulnerable to hacking. Best practices call for devices to require a unique password to be created out of the box. It says the hackers likely accessed affected devices by “exploiting cybersecurity weaknesses, including poor password security and exposure to the internet.”

In response to the Aliquippa hack, three Pennsylvania congressmen asked the U.S. Justice Department in a letter to investigate. Americans must know their drinking water and other basic infrastructure is safe from “nation-state adversaries and terrorist organizations,” U.S. Sens. John Fetterman and Bob Casey and U.S. Rep. Chris Deluzio said.

Cyber Av3ngers claimed in an Oct. 30 social media post to have hacked 10 water treatment stations in Israel, though it is not clear if they shut down any equipment.

Unitronics has not responded to the AP queries about the hacks.

The attack came less than a month after a federal appeals court decision prompted the EPA to rescind a rule that would have obliged U.S public water systems to include cybersecurity testing in their regular federally mandated audits. The rollback was triggered by a federal appeals court decision in a case brought by Missouri, Arkansas and Iowa, and joined by a water utility trade group.

The Biden administration has been trying to shore up cybersecurity of critical infrastructure — more than 80% of which is privately owned — and has imposed regulations on sectors including electric utilities, gas pipelines and nuclear facilities. But many experts complain that too many vital industries are permitted to self-regulate.

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Rules Would Bar EV Tax Credits if Batteries, Minerals Linked to China

The U.S. proposed new guidelines Friday spelling out which electric vehicles will be eligible for tax credits, ruling out those that contain batteries or minerals sourced from China and other nations that have fallen out of favor with the U.S.

The restrictions dictate which clean energy vehicles will qualify for a subsidy of up to $7,500 under President Joe Biden’s Inflation Reduction Act, a federal law promoting sustainable, domestic energy production.

Only about 20 out of the more than 100 electric vehicles on the U.S. market qualify for a tax credit as it is. That number may be further reduced when this regulation goes into effect.

If a clean energy battery went through an assembly line owned by any “foreign entity of concern,” the car it will go into would be immediately disqualified from earning its owner any tax breaks from the U.S. government, starting in 2024.

The new rules target firms incorporated or headquartered in China, Russia, North Korea and Iran, among others, as well as companies where 25% or more of the equity interest or board seats are controlled by those countries.

From 2025 onward, electric vehicles made with critical minerals, such as lithium, nickel and cobalt, mined or processed by any “foreign entity of concern” will also be ineligible for subsidies.

The rules will be open to public feedback from automotive leaders for several weeks and are subject to change depending on industry recommendations.

Some information for this report came from Agence France-Presse. 

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Virtual Reality Holograms Could Transform Learning, Arts

Developers at the University of Maryland are using a holographic camera to capture people’s movements in three dimensions for what could be high-impact training, education and entertainment. It is technology with the power to transform how we learn and entertain ourselves. VOA’s Julie Taboh has more. VOA footage by Adam Greenbaum.

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US Lawmakers Say Chinese Disinformation Operations a Growing Threat

US lawmakers warned Thursday that the Chinese Communist Party’s efforts to spread disinformation will only increase ahead of the 2024 elections in the United States. As VOA’s Congressional Correspondent Katherine Gypson reports, social media giant TikTok is lawmakers’ top concern.
Camera: Saqib Ui Islam

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Tattoo Campaign Seeks to Help Displaced in Myanmar

A new campaign for Myanmar led by the son of imprisoned democratic leader Aung San Suu Kyi, Kim Aris, is using tattoos as a publicity tool to raise humanitarian aid for the millions displaced following the 2021 military coup.

People in Myanmar’s diaspora are getting tattoos of a Burmese water dragon as a symbol of solidarity with the ongoing resistance movement inside Myanmar. And they are sharing pictures and videos of their tattoos and the associated live fundraising events on social media to create a buzz around the symbolic tattoo, and drive participants to its GoFundMe page.

A military junta overturned Myanmar’s election in February 2021 and arrested the leaders of the democratically elected government, including longtime democracy activist Suu Kyi. Thousands have been killed in the ensuing violence.

Aris, who himself just got a tattoo of the Burmese water dragon and shared a video of the procedure on the campaign’s Facebook page, told VOA that the dragon motif is a traditional symbol from Burmese culture and was inspired by the tattoo worn by famous Burmese kickboxer Too Too, who lost his life in prison along with many other political prisoners arrested during anti-coup protests.

“He represents a great deal of what has happened to many people in Burma,” Aris told VOA. “His body was never returned to his family, and it’s said he was tortured before he died. This has happened to many people in Burma.

“My mother has spoken often about freedom — freedom from fear — and the fact that nobody will be free until everybody is free,” Aris said. “There’s a long way to go until that happens, but I hope it can be sooner rather than later, and that this campaign can help it happen.”

The campaign, called “Freedom Tattoo for Burma Aid,” has taken off internationally since its launch October 30.

According to Aris, it has raised nearly $126,000 in donations from around the world, including donations from the United Kingdom, Australia, Malaysia, Thailand and the United States. Those who do not get the dragon tattoo are urged by campaign organizers to make donations through their GoFundMe page. From there, the funds are distributed to charities inside the country.

“We’re working with trusted charities who are actually on the ground in Burma, who can get the aid to where it’s needed. We can’t name them as it makes their work very difficult,” Aris told VOA.

Organizers of a November 22 campaign event in Thailand shut it down early, citing in a statement “unforeseen circumstances involving pressure from the Myanmar military on Thai authorities.”

Aris expressed his disappointment in the shutdown. “It’s very sad to hear about the Thais stopping an event like this, which is purely for humanitarian aid,” he said.

Aris said he recognizes that a major challenge of his campaign is getting international attention.

“It’s very hard to get the attention of the international media at present,” he said. “The way things are in the world, Burma gets pushed further and further back.”

Despite the challenges, Aris said he still has hope that his campaign can bring more awareness of what is happening in Myanmar to the wider world.

“I thought a tattoo would be something interesting,” he said.

“It’s not like someone going for a marathon or a walk, it’s something different. I thought it might get a bit more attention outside the Burmese community.”  

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VOA Exclusive: US, S Korea, Japan to Sign Pact to Counter Disinformation  

The United States plans to sign a memorandum of understanding to cooperate with South Korea and Japan in the fight against false propaganda and disinformation.

It will be the first such agreement that Washington signs with its Asian allies, and it comes as U.S. officials and lawmakers accuse the People’s Republic of China of conducting “deceptive online campaigns” targeting the United States and other countries. Chinese officials have rejected the accusation.

Liz Allen, the U.S. undersecretary of state for public diplomacy and public affairs, is traveling to Asia this week. Allen will be sealing the agreement with South Korea and Japan on countering disinformation, according to U.S. and diplomatic sources.

U.S. President Joe Biden, South Korean President Yoon Suk Yeol and Japanese Prime Minister Fumio Kishida have agreed to find ways to coordinate efforts to counter disinformation, after the three leaders held talks during their first trilateral summit at Camp David in August.

“President Yoon mentioned the threat from false propaganda and disinformation in his address to the joint session of U.S. Congress in April. In this regard, we are now discussing the possible follow-up measures with the U.S.,” an official from the South Korean Embassy told Voice of America on Thursday.

In a statement on Thursday, House Foreign Affairs Committee Chairman Michael McCaul condemned the “increasingly deceptive online campaigns targeting the U.S. and other countries” by the Chinese Communist Party.

“The CCP has made clear it will use every tactic to spread its malign intent,” the Republican congressman said.

The South Korean government has identified 38 suspected fake Korean-language news websites that it believes are operated by Chinese companies. For example, in November, South Korea’s National Intelligence Service said two Chinese public relations companies, Haimai and Haixun, were allegedly creating such websites, according to Seoul-based Yonhap News Agency.

The State Department said Allen, while in Tokyo, will hold bilateral discussions with Japanese Ministry of Foreign Affairs officials that include a focus on countering malign foreign influence.

In a report issued in September, the State Department’s Global Engagement Center accused the Chinese government of using a combination of tactics in a bid to create a world in which Beijing, either explicitly or implicitly, controls the flow of critical information. The U.S. has warned that China is pouring billions of dollars into efforts to reshape the global information environment and, eventually, bend the will of multiple nations to Beijing’s advantage.

The Chinese Ministry of Foreign Affairs has pushed back, saying the report by U.S. State Department’s Global Engagement Center “misrepresents facts and truth.” A spokesperson from the Chinese Foreign Ministry called GEC the command center of “perception warfare.”

James Rubin, special envoy for the State Department’s Global Engagement Center, has said that Washington is working with allies to detect and counter misinformation and disinformation around the world.

In May, the U.S. signed a memorandum of understanding with North Macedonia, and in September, another with Bulgaria, both aimed at enhancing cooperation in countering foreign information manipulation.

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Shane MacGowan, Lead Singer of The Pogues, Dies at 65

Shane MacGowan, the boozy, rabble-rousing singer and chief songwriter of The Pogues, who infused traditional Irish music with the energy and spirit of punk, died Thursday, his family said. He was 65.

MacGowan’s songwriting and persona made him an iconic figure in contemporary Irish culture, and some of his compositions have become classics — most notably the bittersweet Christmas ballad “Fairytale of New York,” which Irish President Michael D. Higgins said “will be listened to every Christmas for the next century or more.”

“It is with the deepest sorrow and heaviest of hearts that we announce the passing of our most beautiful, darling and dearly beloved Shane MacGowan,” his wife Victoria Clarke, his sister Siobhan and father Maurice said in a statement.

The singer died peacefully with his family by his side, the statement added.

The musician had been hospitalized in Dublin for several months after being diagnosed with viral encephalitis in late 2022. He was discharged last week, ahead of his upcoming birthday on Christmas Day.

The Pogues melded Irish folk and rock ‘n’ roll into a unique, intoxicating blend, though MacGowan became as famous for his sozzled, slurred performances as for his powerful songwriting.

His songs blended the scabrous and the sentimental, ranging from carousing anthems to snapshots of life in the gutter to unexpectedly tender love songs. The Pogues’ most famous song, “Fairytale of New York” is a tale of down-on-their-luck immigrant lovers that opens with the decidedly unfestive words: “It was Christmas Eve, babe, in the drunk tank.” The duet between the raspy-voiced MacGowan and the velvet tones of the late Kirsty MacColl is by far the most beloved Pogues song in both Ireland and the U.K.

Singer-songwriter Nick Cave called Shane MacGowan “a true friend and the greatest songwriter of his generation.”

Higgins, the Irish president, said “his songs capture within them, as Shane would put it, the measure of our dreams.”

“His words have connected Irish people all over the globe to their culture and history, encompassing so many human emotions in the most poetic of ways,” Higgins said.

Irish Prime Minister Leo Varadkar said MacGowan’s songs “beautifully captured the Irish experience, especially the experience of being Irish abroad.”

Sinn Fein President Mary Lou McDonald said: “Nobody told the Irish story like Shane — stories of emigration, heartache, dislocation, redemption, love and joy.”

Born on Christmas Day 1957 in England to Irish parents, MacGowan spent his early years in rural Ireland before the family moved back to London. Ireland remained the lifelong center of his imagination and his yearning. He grew up steeped in Irish music absorbed from family and neighbors, along with the sounds of rock, Motown, reggae and jazz.

He attended the elite Westminster School in London, from which he was expelled, and spent time in a psychiatric hospital after a breakdown in his teens.

MacGowan embraced the punk scene that exploded in Britain in the mid-1970s. He joined a band called the Nipple Erectors, performing under the name Shane O’Hooligan, before forming The Pogues alongside musicians including Jem Finer and Spider Stacey.

The Pogues — shortened from the original name Pogue Mahone, a rude Irish phrase — fused punk’s furious energy with traditional Irish melodies and instruments including banjo, tin whistle and accordion.

“It never occurred to me that you could play Irish music to a rock audience,” MacGowan recalled in “A Drink with Shane MacGowan,” a 2001 memoir co-authored with Clarke. “Then it finally clicked. Start a London Irish band playing Irish music with a rock and roll beat. The original idea was just to rock up old ones but then I started writing.”

The band’s first album, “Red Roses for Me,” was released in 1984 and featured raucous versions of Irish folk songs alongside originals including “Boys from the County Hell,” “Dark Streets of London” and “Streams of Whisky.”

Playing pubs and clubs in London and beyond, the band earned a loyal following and praise from music critics and fellow musicians from Bono to Bob Dylan.

MacGowan wrote many of the songs on the next two albums, “Rum, Sodomy and the Lash” (1985) and “If I Should Fall from Grace with God” (1988), ranging from rollicking rousers like the latter album’s title track to ballads like “A Pair of Brown Eyes” and “The Broad Majestic Shannon.”

The band also released a 1986 EP, “Poguetry in Motion,” which contained two of MacGowan’s finest songs, “A Rainy Night in Soho” and “The Body of an American.” The latter featured prominently in early-2000s TV series “The Wire,” sung at the wakes of Baltimore police officers.

“I wanted to make pure music that could be from any time, to make time irrelevant, to make generations and decades irrelevant,” he recalled in his memoir.

The Pogues were briefly on top of the world, with sold-out tours and appearances on U.S. television, but the band’s output and appearances grew more erratic, due in part to MacGowan’s struggles with alcohol and drugs. He was fired by the other band members in 1991 after they became fed up with a string of no-shows, including when The Pogues were opening for Dylan. The band briefly replaced MacGowan with Clash frontman Joe Strummer before breaking up.

MacGowan performed with a new band, Shane MacGowan and the Popes, with whom he put out two albums: “The Snake” in 1995 and “The Crock Of Gold” in 1997. He reunited with The Pogues in 2001 for a series of concerts and tours, despite his well-documented problems with drinking and performances that regularly included slurred lyrics and at least one fall on stage.

MacGowan had years of health problems and used a wheelchair after breaking his pelvis a decade ago. He was long famous for his broken, rotten teeth until receiving a full set of implants in 2015 from a dental surgeon who described the procedure as “the Everest of dentistry.”

MacGowan received a lifetime achievement award from the Irish president on his 60th birthday. The occasion was marked with a celebratory concert at the National Concert Hall in Dublin with performers including Bono, Nick Cave, Sinead O’Connor and Johnny Depp.

Clarke wrote on Instagram that “there’s no way to describe the loss that I am feeling and the longing for just one more of his smiles that lit up my world.”

“I am blessed beyond words to have met him and to have loved him and to have been so endlessly and unconditionally loved by him and to have had so many years of life and love and joy and fun and laughter and so many adventures,” she wrote.

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Iranian Rapper Toomaj Salehi Arrested Again

Iranian rapper Toomaj Salehi, who had been previously detained for showing support to anti-government protests and was released on bail earlier this month, was arrested again, Iran’s state media reported on Thursday.

“Salehi has been arrested for publishing false information and disturbing public opinion, after being released upon an order by Iran’s supreme court to revise his case,” the judiciary news agency said.

Following the death in custody of 22-year-old Iranian-Kurdish woman Mahsa Amini in September 2022, Iran has seen months of nationwide protests that represented one of the fiercest challenges to the Islamic Republic since its establishment in 1979.

Salehi, who wrote songs about the protests, was initially sentenced to six years in prison on multiple charges, including “corruption on earth,” a ruling that was then rejected by Iran’s supreme court.

The 33-year-old rapper spent one year and 21 days in prison, including 252 days in solitary confinement, during which he sustained physical injuries, according to his official page on the social media website X, formerly known as Twitter.

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