Russian- and Soviet-born coaches still shaping US figure skating’s future

The tragic deaths of Evgenia Shishkova and Vadim Naumov in a plane crash late last month in Washington have shone a spotlight on the role of Russian- or Soviet-born coaches in the world of competitive figure skating. Their influence has shaped a generation of American skaters, raising the question: Why have these coaches been so successful in the U.S.? Maxim Adams has the story. Video editor: Serge Sokolov, Anna Rice  

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Russian fashion designer’s skirts portray life struggles of immigrant women 

Russian-born fashion designer Dasha Pomeranz tells stories with the clothing she creates. Her latest collection is a tribute to women who were forced to leave their native countries and start new lives in the United States. Karina Bafradzhian has the story. (Videographer: Sergii Dogotar ; Produced by: Sergii Dogotar, Anna Rice   ) 

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Paul McCartney rocks the Bowery – Inside his surprise NYC concert  

New York — Paul McCartney’s previous New York-area performance took place three years ago at MetLife Stadium, capacity 82,500. His surprise show Tuesday night at the Bowery Ballroom fit, at most, 575.

It was probably less than that since McCartney’s sound board and gear — too much to fit backstage — occupied a portion of the floor space at the venerable downtown theater. The whole thing felt like, and was, a lark. McCartney announced the show just hours before taking the stage.

Like an echo of Beatlemania, the news swept through Manhattan and beyond earlier in the day, sending New Yorkers sprinting down Delancey Street for a chance to snag one of the few tickets at the Bowery. Most in attendance, including McCartney, himself, could hardly believe it was happening.

“So, here we are,” McCartney said, grinning. “Some little gig. New York. Why not?”

Later, before launching into “Let Me Roll It,” he added: “I can’t quite believe we’re here, doing this. But we are here, doing this.”

It was not McCartney’s first impromptu concert. The Beatles famously performed in 1969 atop the roof of their Apple Corps headquarters at 3 Savile Row in London. Since then, he’s made something of a habit of it on trips to New York.

In 2009, McCartney returned to the Ed Sullivan Theater, site of the Beatles’ famous U.S. debut, and performed above the marquee. In 2018, he popped up in Grand Central Terminal to promote the release of his “Egyptian Station.”

With temperatures in the low 30s on Tuesday, McCartney, 82, this time opted for an intimate, indoor show. Tickets were sold only physically at the venue, one per person. All were snapped up within about 30 minutes.

For those quick enough, it was like hitting the lottery.

Amy Jaffe, 69, was at home about 30 blocks north when she saw the announcement on Instagram. “I thought: I can do this,” Jaffe said before the show. “I put on jeans, grabbed a coat, called a Lyft.”

Jaffe has seen McCartney many times before, including with the Beatles in 1964 in Forrest Hills, Queens. But she was still incredulous, smiling and shaking her head: “I don’t actually believe it.”

Phil Sokoloff, 31, was on his way to work nearby when he saw the news. He ran in and told his co-worker, Mat Fuller, and they rushed over to the Bowery Ballroom.

“We just got lucky,” Sokoloff said. “I’m always learning about these things the day after.”

McCartney took the stage roughly on time at 6:30 p.m. with his regular band, along with a three-member horn section. They had only rehearsed once, the day before, McCartney said. Someone shouted: “You don’t need to rehearse!”

If the location was stripped down, the former Beatle didn’t come with a minimized show, packing in a blistering tour through his entire catalog, from Beatles classics to Wings hits. He began with “A Hard Day’s Night” and also performed “Got To Get You Into My Life,” “Maybe I’m Amazed,” “Lady Madonna,” “Jet,” “Get Back,” “Ob-La-Di, Ob-La-Da,” “Let it Be” and “Hey Jude.”

“Blackbird” was a solo number on acoustic guitar, and afterward McCartney reflected on how he wrote it for the Civil Rights Movement, a memory that brought back his first trips to the United States.

“We were just kids,” McCartney said. “I’ve got grandchildren older than that now.”

In the early days, he said, he and John Lennon were always writing for the audience, and the songs were all about reaching out: “I Want to Hold Your Hand,” “From Me to You.”

“It had everything to do with the fans, really,” McCartney said.

Before playing the Wings song “Mrs. Vanderbilt,” McCartney spoke of playing it in front of 350,000 people in Kyiv, when Ukraine was exuberant with a newfound freedom. “Let’s hope it gets back to that soon,” he said.

Conversation, mixed with shouts from the audience, peppered the set. After one particularly shrill scream, McCartney responded. “That was a Beatles scream.” Then he asked for more, saying, “OK, let’s get it out of the way. Girls, give me a Beatles scream.” All in attendance obliged.

McCartney also performed the so-called last Beatles song, “Now and Then,” a ballad penned by Lennon in the late ’70s but only released in 2023 with the help of the some of the technology used in Peter Jackson’s 2021 documentary, “The Beatles: Get Back.” The song made McCartney wistful for his songwriting partner, whom he noted loved New York.

“Let’s hear it for John,” he said.

McCartney, who was spotted Sunday at the Super Bowl in New Orleans chatting with Adam Sandler, was in New York for the upcoming “Saturday Night Live” 50th anniversary festivities. He’s to be a guest on the star-studded television special Sunday.

It was unclear if McCartney was playing a single show or preparing for something more. He wrapped the Got Back Tour in December and has said he’s hoping to finish a new album this year.

For now, though, it was a one-night-only event. One crowd member asked McCartney if it could go all night. “Some of us need to get some sleep, you know,” he replied.

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Despite the war, Ukrainian culture is booming

Ukrainian culture is booming amid the war with Russia. That’s despite the constant rocket attacks and damage to almost 500 heritage sites, according to UNESCO. Experts say Ukrainians have never been as interested in their own culture as they are now. As Lesia Bakalets reports from Kyiv, almost any event is sold out, especially in the capital. (Videographer: Vladyslav Smilianets )

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Despite the war, Ukrainian culture is booming

Ukrainian culture is booming amid the war with Russia. That’s despite the constant rocket attacks and damage to almost 500 heritage sites, according to UNESCO. Experts say Ukrainians have never been as interested in their own culture as they are now. As Lesia Bakalets reports from Kyiv, almost any event is sold out, especially in the capital. (Videographer: Vladyslav Smilianets )

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1714 Stradivarius violin could become most expensive instrument ever auctioned

NEW YORK — A violin made by the famed Antonio Stradivari in 1714 has the potential to become the most expensive musical instrument ever sold when it goes up for auction Friday at Sotheby’s in New York.

The auction house is estimating the value of the “Joachim-Ma Stradivarius” at $12 million to $18 million. If it sells at the top end of that range, it could best the $15.9 million paid in 2011 for another Stradivarius, the “Lady Blunt,” made in 1721 and named by Guinness World Records as the most expensive instrument ever sold at auction.

Mari-Claudia Jimenez, Sotheby’s Americas president and head of global business, said Stradivari made the violin during his “Golden Period,” which began around 1700 and was marked by an improvement in his craftmanship.

“So, this is the peak of his output,” Jimenez said. “This is the best violin of this era.”

Sotheby’s says the violin’s preservation is remarkable, and its ownership history extraordinary.

It’s named for two of its famed owners — violin virtuosos Joseph Joachim of Hungary, who lived from 1831 to 1907, and Si-Hon Ma, who was born in China in 1926, moved to the U.S. in 1948 and died 2009.

It is believed that legendary composer Johannes Brahms was influenced by the Joachim-Ma when he wrote his “Violin Concerto in D Major” because of its rich, resonant tone, and that Joachim played that violin during the concerto’s 1879 premiere, according to Sotheby’s.

Ma acquired the violin in 1969, and his estate gifted it to the New England Conservatory in Boston after his death. Ma attended the conservatory, where he earned a master’s degree in 1950. The conservatory is now putting the violin up for auction, with all the proceeds going to student scholarships.

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1714 Stradivarius violin could become most expensive instrument ever auctioned

NEW YORK — A violin made by the famed Antonio Stradivari in 1714 has the potential to become the most expensive musical instrument ever sold when it goes up for auction Friday at Sotheby’s in New York.

The auction house is estimating the value of the “Joachim-Ma Stradivarius” at $12 million to $18 million. If it sells at the top end of that range, it could best the $15.9 million paid in 2011 for another Stradivarius, the “Lady Blunt,” made in 1721 and named by Guinness World Records as the most expensive instrument ever sold at auction.

Mari-Claudia Jimenez, Sotheby’s Americas president and head of global business, said Stradivari made the violin during his “Golden Period,” which began around 1700 and was marked by an improvement in his craftmanship.

“So, this is the peak of his output,” Jimenez said. “This is the best violin of this era.”

Sotheby’s says the violin’s preservation is remarkable, and its ownership history extraordinary.

It’s named for two of its famed owners — violin virtuosos Joseph Joachim of Hungary, who lived from 1831 to 1907, and Si-Hon Ma, who was born in China in 1926, moved to the U.S. in 1948 and died 2009.

It is believed that legendary composer Johannes Brahms was influenced by the Joachim-Ma when he wrote his “Violin Concerto in D Major” because of its rich, resonant tone, and that Joachim played that violin during the concerto’s 1879 premiere, according to Sotheby’s.

Ma acquired the violin in 1969, and his estate gifted it to the New England Conservatory in Boston after his death. Ma attended the conservatory, where he earned a master’s degree in 1950. The conservatory is now putting the violin up for auction, with all the proceeds going to student scholarships.

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Dick Button, Olympic great and voice of skating, dies at 95

NEW YORK — Dick Button was more than the most accomplished men’s figure skater in history. He was one of his sport’s greatest innovators and promoters.

Button, winner of two Olympic gold medals and five consecutive world championships, died Thursday, said his son, Edward, who did not provide a cause. He was 95.

As an entrepreneur and broadcaster, Button promoted skating and its athletes, transforming a niche sport into the showpiece of every Winter Olympics.

“Dick was one of the most important figures in our sport,” Scott Hamilton said. “There wasn’t a skater after Dick who wasn’t helped by him in some way.”

Button’s impact began after World War II. He was the first U.S. men’s champion — and his country’s youngest at age 16 — when that competition returned in 1946. Two years later, he took the title at the St. Moritz Olympics, competing outdoors. He performed the first double axel in any competition and became the first American to win the men’s event.

“By the way, that jump had a cheat on it,” Button told the U.S. Olympic Committee website. “But listen, I did it and that was what counted.”

That began his dominance of international skating, and U.S. amateur sports. He was the first figure skater to win the prestigious Sullivan Award in 1949 — no other figure skater won it until Michelle Kwan in 2001.

In 1952, while a Harvard student, he won a second gold at the Oslo Games, making more history with the first triple jump (a loop) in competition. Soon after, he won a fifth world title, then gave up his eligibility as an amateur. All Olympic sports were subject to an amateur/professional division at the time.

“I had achieved everything I could have dreamed of doing as a skater,” said Button, who earned a law degree from Harvard in 1956. “I was able to enjoy the Ice Capades (show) and keep my hand in skating, and that was very important to me.”

With the Emmy Award-winning Button as the TV analyst, viewers got to learn not only the basics but the nuances of a sport foreign to many as he frankly broke down the performances. He became as much a fixture on ABC’s Wide World of Sports as Jim McKay and the hapless ski jumper tumbling down the slope.

“Dick Button is the custodian of the history of figure skating and its quintessential voice,” 1988 Olympic champion Brian Boitano said in Button’s autobiography. “He made the words ‘lutz’ and ‘salchow’ part of our everyday vocabulary.”

After a 1961 plane crash killed the entire U.S. figure skating team on the way to the world championships, which then were canceled, Button persuaded ABC Sports executive Roone Arledge to televise the 1962 event on Wide World. That’s when he joined the network as a commentator.

Button’s death coincided with another tragedy in the skating world, Wednesday night’s crash of an American Airlines flight that collided with an Army helicopter and plummeted into the Potomac River outside Washington, D.C., killing everyone on board. Two teenage figure skaters, their mothers, and two former world champions who were coaching at the Skating Club of Boston were among the 14 people killed from the skating community.

Button skated for the Boston club and remained close to it for the rest of his life. The trophy room at the club is named in his honor.

He also provided opportunities for skaters to make money after their competitive careers. He ran professional events he created for TV for years, attracting many top names in the sport — Hamilton, Torvill and Dean, Kristi Yamaguchi, Kurt Browning and Katarina Witt.

Button’s Candid Productions, formed 1959, also produced such made-for-TV programs as Battle of the Network Stars. He also dabbled in acting, but the rink was his realm.

“Dick Button created an open and honest space in figure skating broadcasting where no topic or moment was off-limits,” said Johnny Weir, the three-time U.S. champion and current NBC Sports figure skating analyst. “He told it like it was, even when his opinion wasn’t a popular one. His zingers were always in my mind when I would perform for him, and I wanted to make him as happy and proud as I would my coaches.

“I think that is something very special about commentating figure skating. As an athlete, we rarely have an opportunity to speak, and we rely on the TV voices to tell our story for us. Nobody could do it like Mr. Button.” 

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Police say at least 30 died in stampede at India’s Maha Kumbh festival

PRAYAGRAJ, INDIA — At least 30 people were killed and many more injured in a stampede at the world’s largest religious gathering early Wednesday, police said, as millions of pilgrims rushed to dip in sacred waters during the Maha Kumbh festival in northern India.

Police officer Vaibhav Krishna in Prayagraj city said another 60 injured were rushed to hospitals.

Wednesday was a sacred day in the six-week Hindu festival, and authorities expected a record 100 million devotees to engage in a ritual bath at the confluence of the Ganges, the Yamuna and the mythical Saraswati rivers. Hindus believe that a dip at the holy site can cleanse them of past sins and end the process of reincarnation.

The stampede happened when pilgrims tried to jump barricades erected for a procession of holy men, Uttar Pradesh state’s top elected official, Yogi Adityanath, said in a televised statement.

The event’s main draw is the thousands of ash-smeared Hindu ascetics who make massive processions toward the confluence to bathe.

Indian authorities took more than 16 hours to release casualty figures, even as Prime Minister Narendra Modi acknowledged the loss of lives, calling the incident “extremely sad” and extending his condolences.

“Suddenly there was pushing in the crowd, and we got trapped. A lot of us fell down and the crowd went uncontrolled,” the Press Trust of India news agency quoted pilgrim Sarojini as saying. “There was no chance for escape, there was pushing from all sides,” she said.

Distressed families lined up outside a makeshift hospital, desperate for news of missing loved ones. Clothes, blankets and backpacks were strewn around the site of the stampede.

Millions continued to throng the 4,000-hectare pilgrimage site despite the stampede, even as police urged them over megaphones to avoid the confluence. Adityanath urged people to take baths at other riverbanks instead.

“The situation is now under control, but there is a massive crowd of pilgrims,” Adityanath said, adding that 90 million to 100 million pilgrims were at the site.

About 30 million people had taken the holy bath by 8 a.m. Wednesday, he said.

The Maha Kumbh festival, held every 12 years, started on Jan. 13. Authorities expect more than 400 million people to throng the pilgrimage site in total. Nearly 150 million people have already attended, including Defense Minister Rajnath Singh and Home Minister Amit Shah and celebrities like Coldplay’s Chris Martin.

A sprawling tent city has been built on the riverbanks to accommodate the millions of visitors, with roads, electricity and water, 3,000 kitchens and 11 hospitals.

About 50,000 security personnel are stationed in the city to maintain law and order and manage crowds, and more than 2,500 cameras monitor crowd movement and density so officials can try to prevent such crushes.

Several opposition leaders criticized the federal and the state government, both led by Modi’s Hindu nationalist Bharatiya Janata party, and blamed the stampede on “mismanagement” and “VIP culture” — the latter referring to what they say is preferential treatment for politicians and celebrities.

“The government should make better arrangements to meet the needs of common devotees,” Indian opposition leader Rahul Gandhi wrote on social platform X.

The 45-day festival is a significant cultural event for India’s Hindus, who make up nearly 80% of the country’s more than 1.4 billion people. It’s also a prestige event for Modi, whose ruling party boasts of promoting Hindu cultural symbols.

The Maha Kumbh festival has had stampedes in the past. In 2013, at least 40 pilgrims who were taking part in the festival were killed in a stampede at a train station in Prayagraj.

Deadly stampedes are relatively common around Indian religious festivals, where large crowds gather in small areas. In July at least 116 people died, most of them women and children, when thousands at a religious gathering in northern India stampeded at a tent camp in Hathras town. 

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Year of the Snake is underway with Lunar New Year festivities

BEIJING — Lunar New Year festivals and prayers marked the start of the Year of the Snake around Asia and farther afield on Wednesday — including in Moscow.

Hundreds of people lined up in the hours before midnight at the Wong Tai Sin Taoist temple in Hong Kong in a bid to be among the first to put incense sticks in the stands in front of the temple’s main hall.

“I wish my family will be blessed. I hope my business will run well. I pray for my country and wish people peace. I hope this coming year is a better year,” said Ming So, who visits the temple annually on the eve of the Lunar New Year.

The holiday — known as the Spring Festival in China, Tet in Vietnam and Seollal in Korea — is a major festival celebrated by diaspora communities around the world. The snake, one of 12 animals in the Chinese zodiac, follows the just-ended Year of the Dragon.

The pop-pop-pop of firecrackers greeted the new year outside Guan Di temple in Malaysia’s capital, Kuala Lumpur, followed by lion dances to the rhythmic beat of drums and small cymbals.

Ethnic Chinese holding incense sticks in front of them bowed several times inside the temple before sticking the incense into elaborate gold-colored pots, the smoke rising from the burning tips.

Many Chinese who work in bigger cities return home during the eight-day national holiday in what is described as the world’s biggest annual movement of humanity. Beijing, China’s capital, has turned into a bit of a ghost town, with many shops closed and normally crowded roads and subways empty.

Traditionally, Chinese have a family dinner at home on New Year’s Eve and visit “temple fairs” on the Lunar New Year to watch performances and buy snacks, toys and other trinkets from booths.

Many Chinese take advantage of the extended holiday to travel in the country and abroad. Ctrip, an online booking agency that operates Trip.com, said the most popular overseas destinations this year are Japan, Thailand, Hong Kong, Malaysia, Singapore, Australia, the United States, South Korea, Macao and Vietnam.

Russians cheered, waved and took smartphone photos of a colorful procession with drummers, costumed dancers and large dragon and snake figures held aloft that kicked off a 10-day Lunar New Year festival in Moscow on Tuesday night.

Visitors shouted “Happy New Year” in Russian and expressed delight at being able to experience Chinese food and culture in Moscow, including folk performances and booths selling snacks and artwork.

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China sees boom in feasts for pets on Lunar New Year’s Eve

TAIPEI, TAIWAN — As pet parents in China usher in the Year of the Snake and host Lunar New Year’s Eve dinners with their loved ones, some are also making sure that their fur babies, or “mao hai zi,” are not left out.

Over the past month, a growing number of consumers have been ordering pet-friendly versions of the traditional New Year’s Eve reunion dinner, ranging from freshly made meals to gift boxes of dried food.

A search for “dogs’ and cats’ Lunar New Year’s Eve dinner” on Douyin, the Chinese version of Tiktok and the most popular short-video app in China, lists dozens of choices.

‘Lucky’ dumplings

Some vendors even tout traditional Chinese delicacy dishes such as “Buddha jumps over the wall,” which includes seafood and meats, and “eight treasures duck rice” in addition to common ones such “lucky” dumplings and rice cake, adapted for dog palates.

The prices range from 19.9 to 168 yuan ($2.8 to $24) per set.

One vendor on Douyin, LAOTOU Pet Bakery, told VOA in a written reply Monday that it sold out of the special holiday pet meals more than a week before the Lunar New Year, which starts on Wednesday this year.

Lou Yu, vice president of Favor Pets Company in Beijing, also that the pet service firm has seen a boom year in holiday sales of pet food.

Business peaked during the Dragon Boat Festival in June, Mid-Autumn Festival in September and the Christmas holidays in December, when, respectively, rice dumplings, moon cakes and special Christmas treats were offered for pets, he said.

Booming holiday sales

“For [pets’] reunion dinner on Lunar New Year’s Eve, we’ve probably seen a 45% to 50% growth in sales this year, compared to a year ago, when sales were still tepid,” Lou told VOA by phone on Monday.

The company ran out of stock before the eight-day-long holiday began this week as a growing number of owners splurge on their pets.

Festive Fido and feline food have become an emerging and “under-supplied” niche market that is bucking the trend despite China’s economic slowdown. China’s “cat and dog parents” total more than 120 million, more than double from a decade ago, according to Lou.

Last year, there were some 9.54 million babies born in China. Pets are expected to outnumber children under 4 years of age by a ratio of 2 to 1 by 2030 — a shift that will likely create a substantial $12 billion market for pet food in China, U.S. investment bank Goldman Sachs forecasted in a report late last year.

Authorities in China ended the country’s one-child policy in 2016 and started encouraging young couples to have three children in 2021 as the country’s population ages and the number of newborns declines.

Pets over kids

By contrast, many couples who find it too expensive to raise children are instead choosing pets over kids.

On Saturday, 11 dogs were treated with plates of shredded chicken and lettuce — a special Lunar New Year meal — in a Shanghai restaurant. Their owners were all female.

“He’s my soulmate! He gives me a lot of emotional support … and he’s a good friend that I’d like to be with and enjoy the New Year atmosphere together,” attendee Momo Ni told Reuters news agency, referring to her border collie, Yakult.

Daisy Xu, another 28-year-old owner, said her dog, named Niu Niu, is already a beloved member of the family.

“We will make her another dog meal. … When it comes to New Year gifts, I think my parents will probably give their granddaughter a red envelope,” Xu told Reuters. Adults traditionally give red envelopes containing money to children during the Lunar New Year.

Rich people’s world

While some Chinese social media users share postings of their pets’ special holiday treats, some users were not as enthusiastic, with several complaining that “these dogs and cats are better fed than I am.”

A Guizhou province-based Weibo user named “magnolia0526” said, “The luxurious lifestyle of cats and dogs highlights the uneven distribution of resources in human society, which is not cute at all.” The post was in response to the hashtag “sales of reunion dinner and dumplings for pets has seen a 480% growth.”

Another Shandong province-based user mocked the trend, saying “this is the world of the rich people.”

Aside from pet food, Favor Pet’s Lou said China has experienced a booming pet economy in recent years with growing business opportunities from pet grooming and sitting services, especially during holiday seasons.

He said that a growing number of job seekers have signed up for the company’s training programs as they shift career paths to find opportunities in the pet service sector.

This article originated in VOA’s Mandarin Service.

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Chiefs, Eagles reach Super Bowl

The Kansas City Chiefs and Philadelphia Eagles are set to face off in the National Football League’s Super Bowl, with the Chiefs looking to become the first team to win three consecutive championships and the Eagles trying to avenge their loss from two years ago.

The Chiefs reached the Feb. 9 championship game in New Orleans with a 32-29 win on Sunday night over the Buffalo Bills.

Kansas City’s star quarterback Patrick Mahomes ran for two touchdowns and threw for another score to reach his fifth Super Bowl in six years. That included the 2023 Super Bowl in which the Chiefs defeated the Eagles 38-35.

The Eagles earned their Super Bowl spot with a resounding 55-23 win Sunday over the Washington Commanders.

Philadelphia outscored Washington 21-0 in the game’s final quarter to secure the victory.

Eagles quarterback Jalen Hurts ran for three touchdowns and added another through the air, while running back Saquon Barkley added three rushing touchdowns.

Oddsmakers made Kansas City the narrow early favorite for the game.

Some information for this story was provided by The Associated Press

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Percival Everett’s ‘James’ awarded Carnegie Medal for fiction

NEW YORK — For author Percival Everett, libraries have long been a source of knowledge and discovery and pleasure, even of the forbidden kind.

“I remember making friends at age 13 with the librarian at the University of South Carolina, and she used to let me go through the stacks when I wasn’t supposed to,” Everett, who spent part of his childhood in Columbia, said during a telephone interview Sunday.

“One of the wonderful things about libraries is that when you’re looking for one book, it’s surrounded by other books that may not be connected to it. That’s what you get (online) with links, but (in libraries) no one’s decided what the links are.”

Everett’s latest honor comes from the country’s public libraries. On Sunday, the American Library Association announced that Everett’s “James” was this year’s winner of the Carnegie Medal for Excellence in Fiction, which includes a $5,000 cash award. Kevin Fedarko’s “A Walk in the Park: The True Story of a Spectacular Misadventure in the Grand Canyon” was chosen for nonfiction.

Everett’s acclaimed reworking of Mark Twain’s “The Adventures of Huckleberry Finn” from the perspective of Jim, Huck Finn’s enslaved companion, has already received the National Book Award and the Kirkus Prize and is a finalist for a National Book Critics Circle award. “James” has even topped The New York Times fiction hardcover list, a rare feat in recent years for a literary work that wasn’t a major book club pick or movie tie-in.

“Percival Everett has written a modern masterpiece, a beautiful and important work that offers a fresh perspective from the eyes of a classic character,” Allison Escoto, chair of the award’s selection committee, said in a statement. “Kevin Fedarko’s unforgettable journey through the otherworldly depths of the Grand Canyon shows us the triumphs and pitfalls of exploration and illuminates the many vital lessons we can all learn from our precious natural world.”

Fedarko is a former Time magazine correspondent whose work also has appeared in The New York Times and Esquire. A Pittsburgh native fascinated by distant places, Fedarko has a long history with libraries — Carnegie libraries. He remembers visiting two while growing up, notably one in the suburb of Oakmont near the hairdressing salon his parents ran. He would read biographies of historical figures from George Washington to Daniel Boone, and otherwise think of libraries as “important threads running through his life,” windows to a “wider world.”

Now a resident of Flagstaff, Arizona, Fedarko says that he relied in part on the library at the nearby Northern Arizona University campus for both “A Walk in the Park” and its predecessor, also about the Grand Canyon, “The Emerald Mile.”

“The library has an important and unique collection about the Grand Canyon, and it’s the backbone of the kind of history that helps form the framework of both books,” he says. “Neither of them could have been done without the library.”

Previous winners of the medals, established in 2012 with a grant from the Carnegie Corporation of New York, includes Donna Tartt’s “The Goldfinch,” Colson Whitehead’s “The Underground Railroad” and Doris Kearns Goodwin’s “The Bully Pulpit.”

This year’s finalists besides “James” in the fiction category were Jiaming Tang’s “Cinema Love” and Kavin Akbar’s “Martyr!”

Adam Higginbotham’s “Challenger: A True Story of Heroism and Disaster on the Edge of Space” and Emily Nussbaum’s “Cue the Sun! The Invention of Reality TV” were the nonfiction runners-up.

All three fiction nominees were published by Penguin Random House and all three nonfiction finalists by Simon & Schuster.

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Mel Gibson’s ‘Flight Risk’ is No. 1 at box office, ‘The Brutalist’ expands 

New York — Critics lambasted it and audiences didn’t grade it much better. But despite the turbulence, Mel Gibson’s “Flight Risk” managed to open No. 1 at the box office with a modest $12 million, according to studio estimates Sunday. 

On a quiet weekend, even for the typically frigid movie-going month of January, the top spot went to the Lionsgate thriller starring Mark Wahlberg as a pilot flying an Air Marshal (Michelle Dockery) and fugitive (Topher Grace) across Alaska. But it wasn’t a particularly triumphant result for Gibson’s directorial follow-up to 2016’s “Hacksaw Ridge.” Reviews (21% fresh on Rotten Tomatoes) and audience scores (a “C” CinemaScore) were terrible. 

President Donald Trump recently named Gibson a “special ambassador” to Hollywood, along with Jon Voight and Sylvester Stallone. 

Going into the weekend, Hollywood’s attention was more focused on the Sundance Film Festival and on Thursday’s Oscar nominations, which were twice postponed by the wildfires in the Los Angeles region. 

The weekend was also a small test as to whether the once more common Oscar “bump” that can sometimes follow nominations still exists. Most contenders have by now completed the bulk of their theatrical runs and are more likely to see an uptick on VOD or streaming. 

But the weekend’s most daring gambit was A24 pushing Brady Corbet’s “The Brutalist” a three–and-a-half-hour epic nominated for 10 Academy Awards, into wide release. Though some executives initially greeted “The Brutalist,” which is running with an intermission, as “un-distributable,” Corbet has said, A24 acquired the film out of the Venice Film Festival and it’s managed solid business, collecting $6 million in limited release. 

In wide release, it earned $2.9 million — a far from blockbuster sum but the best weekend yet for “The Brutalist.” 

The audience was downright miniscule for another best-picture nominee: RaMell Ross’ “Nickel Boys.” Innovatively shot almost entirely in first-person POV, the Amazon MGM Studios release gathered just $340,171 in 540 locations after expanding by 300 theaters. 

Coming off one of the lowest Martin Luther King Jr. weekends in years, no new releases made a major impact. 

Steven Soderbergh’s “Presence,” a well-reviewed horror film shot from the perspective of a ghost inside a suburban home, debuted with $3.4 million in 1,750 locations. The film, released by Neon and acquired out of last year’s Sundance, was made for just $2 million. 

The top spots otherwise went to holdovers. The Walt Disney Co.’s “Mufasa: The Lion King,” in its sixth weekend of release, scored $8.7 million to hold second place. After starting slowly, the Barry Jenkins-directed film has amassed $626.7 million globally. 

“One of Them Days,” the Keke Palmer and SZA-led comedy from Sony Pictures, held well in its second weekend, dropping just 32% with $8 million in ticket sales. In recent years, few comedies have found success on the big screen, but “One of Them Days” has proven an exception. 

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. Final domestic figures will be released Monday. 

  1. “Flight Risk,” $12 million. 

  2. “Mufasa: The Lion King,” $8.7 million. 

  3. “One of Them Days,” $8 million. 

  4. “Sonic the Hedgehog 3,” $5.5 million. 

  5. “Moana 2,” $4.3 million. 

  6. “Presence,” $3.4 million. 

  7. “Wolf Man,” $3.4 million. 

  8. “A Complete Unknown,” $3.1 million. 

  9. “Den of Thieves 2: Pantera,” $3 million. 

  10. “The Brutalist,” $2.9 million. 

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Taipei pet shop strives to break down anti-snake prejudice

TAIPEI, TAIWAN — As the Year of the Snake approaches, a pet store in Taipei is offering adventurous customers an opportunity to enjoy the company of snakes while sipping coffee, hoping to break down some of the prejudice against the animal.

Taiwan has been plastered with images of the reptile ahead of the start of the Lunar New Year, which starts on Wednesday and whose zodiac animal this year is the snake.

The snake has a mixed reputation in traditional Taiwanese and Chinese culture as a symbol of either good or bad.

Some of Taiwan’s Indigenous peoples venerate snakes as guardian spirits, and while the island is home to species potentially deadly to humans, including vipers and cobras, deaths are rare given the wide availability of anti-venom.

Luo Chih-yu, 42, the owner of the Taipei pet shop Pythonism which opened in 2017, is offering potential snake owners the chance to interact with snakes over a cup of coffee.

“I provide a space for people to try and experience, finding out whether they like them without any prejudice,” he said.

Liu Ting-chih took his daughter to the shop, who looked curiously at the animals in their cages.

“Through this activity she can learn how to take care of small animals and cherish them,” Liu said.

Sub-tropical and mountainous Taiwan is home to some 60 native snake species. 

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Indonesia showcases returned artifacts it had sought for decades from Netherlands

JAKARTA, INDONESIA — Centuries-old stone Buddha statues and precious jewelry repatriated by the Dutch government to its former colony are on display at Indonesia’s National Museum, providing a glimpse into the country’s rich heritage that the government had struggled to retrieve.

The collection is part of more than 800 artifacts that were returned under a Repatriation Agreement signed in 2022 between Indonesia and the Netherlands, said Gunawan, the museum’s head of cultural heritage. The objects are not just those looted in conflict but also those seized by scientists and missionaries or smuggled by mercenaries during the four centuries of colonial rule. 

“I was so amazed that we have all of these artifacts,” said Shaloom Azura, a visitor to the museum in Jakarta. She hoped other historical objects can be repatriated too, “so we don’t have to go to the Netherlands just to see our own cultural heritage.”

The agreement to return cultural objects was inspired by the new era of global restitution and repatriation efforts.

In 2021, France said it was returning statues, royal thrones and sacred altars taken from the West African nation of Benin. Belgium returned a gold-capped tooth belonging to the slain Congolese independence hero Patrice Lumumba.

Cambodia in 2023 welcomed the return of priceless stolen artifacts that had been seized during periods of war and instability. Many of the items returned so far have come from the United States. And the Berlin museum authority said it would return hundreds of human skulls from the former German colony of East Africa.

The Dutch government announced the same year the return of the Indonesian treasures and looted artifacts from Sri Lanka.

Few objects made it back before deal was struck

The repatriation “is not something out of the blue” but followed a lengthy process, said I Gusti Agung Wesaka Puja, former Indonesian ambassador to the Netherlands who also headed the government’s team tasked to recover the objects.

He said negotiations with the Dutch government have been ongoing since Indonesia’s independence in August 1945, but it was only in July 2022 that Indonesia formally requested the return of its cultural objects with a list of specific items.

“This repatriation is important for us to reconstruct history that may be lost or obscured or manipulated,” Puja said. “And we can fill the gap of the historical vacuum that has existed so far.”

The Dutch government in 1978 returned the famous 13th-century statue of Princess Pradnya Paramita from the Javanese Singhasari Kingdom. During the same visit to Indonesia, then-Queen Juliana also returned a saddle and spear seized from Prince Diponegoro, a Javanese nobleman considered a national hero for his struggle against colonial rule in the 19th century.

The prince’s scepter was returned in 2015. In 2020, Dutch King Willem-Alexander handed over Diponegoro’s gold-plated kris dagger in his first state visit to Indonesia.

Also pending is the return of the “Java Man” — the first known example of homo erectus that was collected by Dutch paleoanthropologist Eugene Dubois in the 19th century.

“The importance of the most recent repatriation is knowledge creation, that will give society a more complete knowledge of our past history,” said Puja.

He said the recent repatriation efforts seem to also be motivated by practical considerations, such as when the Delf city administration sent back 1,500 objects in 2019. They were part of the bankrupted Nusantara Museum collection.

Focus on protection of repatriated artifacts

However, Marc Gerritsen, the Dutch ambassador to Indonesia, said the repatriation would only focus on cultural objects that are requested, rather than emptying out European museums.

“There is a huge interest from the Dutch public in Indonesian history and Indonesian culture, so we do know that if Dutch museums put these objects on display, there will be an interest,” Gerritsen said, “But again, the heart of the matter is that the colonial collections artifacts that were stolen during the colonial period are returned on the basis of this process that was established.”

He said the Netherlands, the largest investor from the European Union in Indonesia, has a unique relationship with Southeast Asia’s biggest economy.

“Of course, we have elements of which we are not proud, but we are really grateful for the fact that Indonesia is so much attached to preserving that history,” Gerritsen said.

To support its former colony in safeguarding its repatriated cultural heritage, the Dutch government has offered to assist in improving museum storage conditions and staff expertise.

Some researchers have criticized Indonesia, the world’s largest archipelago nation of 17,000 islands, for a lack of legal framework to protect its rich cultural heritage and natural conservation.

At least 11 cases of museum theft were reported between 2010 and 2020, according to a 2023 report by Rucitarahma Ristiawan, a lecturer of cultural science at Gajah Mada University, and two other researchers.

In 2023, dozens of ships dredged the bottom of the Batanghari River in Jambi province, and the crews looted archaeological objects including porcelain, coins, metal and gold artifacts, which are believed to have been sold abroad, the report said.

“I think there is a lot to be reviewed from our historical works that are still kept in other countries,” said Frengky Simanjuntak, who marveled at the Repatriation Exhibition at the National Museum, on display since October. “So it’s not just about bringing them back home, but how to protect them.”

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How the oldest known Hebrew book landed in a Washington museum

In 2016, Herschel Hepler was browsing Google Images to practice his paleography — the study of historical writing systems — when he stumbled upon an eerily familiar photo that would lead to a groundbreaking discovery.

“I recognized it immediately and said, ‘That’s a manuscript in our collection,’” Hepler, a curator at the Museum of the Bible in Washington, recalls.

The museum had recently acquired the manuscript — a rare Jewish prayer book — believing it to be part of the famous Cairo Geniza, a trove of ancient Jewish documents uncovered in a Cairo synagogue in the late 19th century.

But the black and white picture in Tablet magazine described the manuscript as a “16th to 17th century Hebrew book of Psalms, said to be from the Bamiyan area” of central Afghanistan.

Stunned by the revelation, Hepler set out to verify it. Tracking down the author of the Tablet article, British historian and archaeologist Jonathan Lee, Hepler confirmed that Lee had in fact found the book in an Afghan warlord’s possession in 1998 and photographed the cover and two inside pages.

“Without Jonathan’s documentation from his trip to Bamiyan in 1998, we would still be assuming this is probably from the Cairo Geniza,” Hepler said.

But if Hepler was surprised to learn about the book’s origin in the remote mountains of Afghanistan, Lee was equally stunned when Hepler revealed that the manuscript had been carbon-dated to at least the 9th century.

“At that point, I realized that the discovery was of major importance,” Lee said via email.

Recognizing their combined expertise — Hepler in Hebrew manuscripts and Lee in Afghan history — the duo joined forces and invited in other experts.

Their yearslong research not only established the manuscript as the oldest-known Hebrew book but also unearthed evidence that Jews had lived in Afghanistan — and along the ancient Silk Roads — for longer than historians previously believed.

But the thrill of discovery was dampened by the realization that the manuscript had probably been smuggled out of war-torn Afghanistan and bought on the antiquities market.

At the time, the museum, founded by the Green family, owners of the Hobby Lobby arts and craft company, was still reeling from its acquisition of artifacts smuggled from Iraq and Egypt.

The museum faced a significant challenge: Before it could showcase it to the world, it needed to legitimize its ownership of the manuscript. This required years of delicate negotiations with New York’s small Afghan Jewish community and an Afghan government teetering on the brink of collapse. The stakes were high, and the path to secure the manuscript’s rightful place in the museum would prove be too complex and demanding.

Lee’s discovery

Lee, who has spent the better part of the last five decades researching and writing about Afghan history and archaeology, discovered the book by chance.

In April 1998, he was guiding a Japanese TV crew in Bamiyan and was on the lookout for a Bactrian language inscription and gold coins looted from an ancient Buddhist shrine.

At the time, the Bamiyan Valley, with its famed Buddha statues still standing, was controlled by a local Shiite insurgent group, while the Taliban ruled most of the rest of the country.

The anti-Taliban group’s leader, Karim Khalili, kept a collection of antiquities, among them the cache of gold coins Lee had been looking for. Lee photographed them.

“Then, his [Khalili’s] advisers brought in a miscellaneous collection of other antiquities that included the ALQ,” Lee said, using the acronym for the “Afghan Liturgical Quire,” the Hebrew book in the Bible Museum’s collection.

A local man affiliated with the Shiite insurgent group had found the book under a collapsed roof in a cave the prior year and given it to Khalili.

Unversed in Hebrew, Khalili apparently showed the book to other foreigners visiting Bamiyan, trying to figure out what it was.

“I was told it had been found in Bamiyan, but then everything is found in Bamiyan,” Lee said.

As Lee recalls, the pocket-size book looked remarkably well-preserved for its age.

“The cover was somewhat bent, damaged and watermarked, but the folios were relatively well-preserved, and most of the texts readable,” he said.

To Lee, that suggested the manuscript was “not that old.” He left Afghanistan and for years didn’t give it much thought.

How and when the manuscript left Afghanistan remains unknown.

The 1990s were a dark period for Afghanistan’s rich cultural heritage. As armed groups fought over territory, their men — often directed by their commanders and guided by traffickers — plundered the country’s vast archaeological sites and ransacked its museums. Seventy percent of the national museum’s treasures vanished, according to one estimate, many ending up in private collections and some reputable institutions.

“There is a long history of illicit export of antiquities from the country that goes back for decades but ultimately back to colonial times,” said Cecilia Palombo, a University of Chicago professor who has researched the plunder of Afghan antiquities.

A leading researcher with extensive experience in Afghanistan said the manuscript was likely taken out of the country after the Taliban overran Bamiyan in late 1998. The researcher spoke on condition of anonymity.

Research by the Bible museum found that an unnamed Khalili deputy made multiple sales attempts in the United States and Europe between 1998 and 2001 before “apparently” offloading it to a private collector in London in fall 2001. The collector kept it for a decade or more before Hobby Lobby bought it in 2013 and donated it to the museum.

The office of Khalili, who later served as a vice president, declined a VOA interview request.

The Tablet article

Although Lee had found the book in Afghanistan, he didn’t know how significant it was. On returning to England, he showed his photographs to a Hebrew specialist, who thought it was from the 16th or 17th century.

Then, after a cache of ancient documents dubbed the “Afghan Geniza” surfaced on the international art market, Lee decided to publish his photograph, along with an article about Afghan Jewish history. Citing the book as an example of “Jewish material [turning up] occasionally” in Afghanistan, he wrote that the “whereabouts of this manuscript is now unknown.”

He would find out four years later. That’s when, “out of the blue,” Hepler contacted him via LinkedIn and told him the manuscript was not the Book of Psalms but a prayer book, comprising Sabbath prayers, poetry and a partial Haggadah, the Jewish text recited at the Passover seder.

The Green family bought the book from an Israeli antiquities dealer in 2013 during a buying spree of ancient artifacts. Some of these items were later returned after it was discovered they had been illegally taken out of Iraq and Egypt.

The Afghan Liturgical Quire came with a forged provenance of its own, tracing the manuscript to collectors in London in the 1950s, masking any ties to Afghanistan. With Lee’s documentation, the museum was able to correct its provenance.

The museum had initially thought the book was from the 9th century, but a second carbon-dating test performed in 2019 showed it dates to the 8th century, making it two centuries older than the previous oldest-known Hebrew book in the world.

The discovery electrified experts.

For Hebrew scholars, the discovery offered the earliest evidence of a bound Hebrew book.

For Afghanistan specialists, it highlighted “how significant this region was in respect of the history of the Middle East, Inner Asia and Northern India, and Afghanistan’s ancient connectivity with cultures and religious traditions,” Lee said.

Yet the realization that it had been smuggled out of Afghanistan cast a cloud over its legitimacy.

Afghan laws and the 1970 UNESCO Convention make it illegal to export cultural artifacts and heritage items without government approval.

To legitimize its custody of the manuscript, the museum adopted what it calls a “human rights-based approach” to cultural heritage.

Invoking the Universal Declaration of Human Rights, the museum argued that the Afghan people and Afghan Jews living in New York have a right to access the manuscript.

“One of the things this project is focused on is on access — so, access to the Afghan Jewish community, access to the people of Afghanistan,” Hepler said.

To get the backing of both stakeholders, the museum initiated discussions with officials of the former Afghan government and members of the Jewish community in New York.

These efforts culminated in the signing of a memorandum of understanding in 2021 with the Afghan embassy in Washington before the Taliban takeover, ensuring the document would be held in custodianship.

The Afghan ambassador at the time, Roya Rahmani, did not respond to a request for an interview. Another former Afghan ambassador wrote a letter of support for the project.

Jack Abraham, head of the Afghan Jewish Federation who was born in Afghanistan, said his group offered its full support for keeping the manuscript in the United States.

“I told [Hepler], ‘What you have in your hands is our heritage. It belongs to us. It could be any of our forefathers,’” Abraham said.

But some Afghans see it as equally part of their heritage.

“This is the property of Afghanistan and must be returned to Afghanistan,” a senior former government official said, speaking on condition of anonymity.

Barnett Rubin, a leading Afghanistan scholar and an advisor on the ALQ project, said both communities can legitimately lay claim to the book.

“The museum wanted to have the approval of any one of the two main entities that might have a claim on it to their custody of it,” Rubin said.

With a custodianship agreement secured, the museum launched an exhibit in September, celebrating the project as an interfaith collaboration among Jews, Christians and Muslims.

A second exhibit is planned for New York starting this month.

While the Bible Museum technically owns the manuscript, Hepler said Afghanistan and the Afghan Jewish community “have a lot of agency in this custodianship.” To that end, the museum plans to provide one high-quality replica to the Jewish community and three to major cultural institutions in Afghanistan.

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Lunar New Year travel offers boost to China’s economic woes

China’s annual mass migration ahead of the Lunar New Year will peak with billions of trips anticipated during this year’s holiday, which begins Tuesday.

An estimated 9 billion trips are expected. This year’s holiday lasts from Jan. 28 through Feb. 4 and marks the arrival of the Year of the Snake. Authorities in China extended the annual break an extra day, so the public holiday will last eight days this year.

During the holiday, travel is expected to pick up domestically and internationally. The government said it expects trips by train to surpass 510 million, with 90 million more traveling by air. Inside the country, most will travel by car.

For trips overseas, travel to Southeast Asia has surged, with ticket volumes to Vietnam, Singapore and Indonesia rising by more than 50%, according to data from the World Travel and Tourism Council. Additionally, demand for travel to Hong Kong has nearly doubled, and Japan is seeing a 58% increase in airline ticket purchases.

While the Lunar New Year is known as a festive time characterized by colorful lanterns, parades and lion dances, it holds more than just cultural significance to Chinese authorities who see the period as an opportunity to boost a sluggish economy.

That is one key reason authorities increased the holiday to eight days. They also launched several efforts to help revive weak consumer spending, such as promoting winter-themed holiday destinations and ensuring affordable airfares, according to officials at a State Council press conference in Beijing.

Despite the efforts, Reuters reported businesses and consumers appear to be spending less than usual during the holiday season, citing concerns over a prolonged property slump and worries over job security.

Throughout the past year, China has implemented a series of measures aimed at addressing those concerns, including stimulus measures such as cutting interest rates, increasing pensions and widening trade-in programs for consumer goods.

One industry that appears to have gotten a boost from the festival season is cinema.

The film industry in China had struggled recently, seeing a 22.6% decrease in total box office revenue in 2024. However, according to data from Maoyan, a Chinese ticketing platform, movie tickets exceeded $55 million by Jan. 23, the fastest presales for the Lunar New Year season.

A large part of that increased demand has been from the film “Legends of the Condor Heroes,” starring Xiao Zhan, an actor and singer who is also a brand ambassador for luxury goods companies such as Gucci and Tod’s.

Shops and restaurants also hope to see an increase in spending that mirrors the film industry over the course of the holiday.

Some information in this report came from Reuters and The Associated Press.

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Young rodeo riders compete in mutton bustin’

In the Rocky Mountain state of Colorado, the National Western Stock Show hosts nearly 30 professional rodeo events. VOA Correspondent Scott Stearns takes us to a stock show competition for younger riders. And sheep.

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VOA Mandarin: Chinese actor Hu Ge enters politics

Hu Ge, a Chinese actor who is well-known in China for dramas including Flowers, was recently confirmed to serve as the deputy director of the Central Propaganda Committee of the China Democratic League. He was invited to Taiwan in June 2024 to participate in a film exchange activity.

Click here for the full story in Mandarin.

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