Month: August 2017

Four decades since his death, Elvis Presley still reigns as The King — for impersonators.

Few artists inspire people all over the world to dress up and perform passionately on stage like Presley. Impersonators from different generations and various countries paid tribute to their idol recently at a gathering in the Philippines. The Elvis Presley Friendship Club, Philippines International, is one of over 400 official fan clubs around the world honoring Presley on the 40th anniversary of his Aug. 16, 1977, death.

What was it about Elvis that inspires tribute artists around the globe to perform in his name after all this time? Those at the gathering in Manila speak about their motivations:

WHY DOES ELVIS RESONATE FOR YOU ALL THESE YEARS LATER?

Filipino Jun Espinosa, 44, business consultant:

“Everything for Elvis, that’s the only motivation. And for the fans. Up to now I’m having this in my thought and in my mind that maybe without Elvis in me, I could not have survived certain points of my life. … Maybe as long as I can shake, as long as I can do this, and as long as people will love Elvis, it will be there.”

Ramon Jacinto, 72, musician, TV host and founder of Philippine rock `n’ roll radio station DZRJ:

“He crossed over black music roots to you know, to all nationalities. Even the Beatles were influenced by Elvis. Everybody was influenced. He was the real example of an out-of-the-box showman. And he wiggled, he had a different style of singing from the time of Frank Sinatra. … He opened the door to carefree rock `n’ roll and the attitude.”

HOW DO YOU TAILOR YOUR ELVIS ACT FOR YOUR OWN CULTURE AND AUDIENCE?

Filipina Anjeanette Japor, 22, singer:

“I still incorporate my style, like, pop and something that’s modern. Definitely my songs, the arrangements are different from the original Elvis songs so that people, no matter what age you are, can still enjoy my music.”

Douglas Masuda of Japan, 73, retired lawyer:

“Well, I don’t really tailor anything. Just sing it the way you feel it. If you feel it, the audience feels it. It’s real simple. You’ve got to feel it. Because I don’t look like Elvis, I don’t really sound like Elvis, but when I sing, you feel it, you feel Elvis coming out.”

WHY IS ELVIS STILL RELEVANT 40 YEARS AFTER HIS DEATH?

Filipino Bam Angping, 21, college student:

“It’s really the fans. Michael Jackson was a big, big star. But they don’t have that kind of community, like, they celebrate every year impersonations. It’s really the fans that caused Elvis to live this long. He was great at his time. But if it were not for the fans, probably he would be, you know, like, `Yeah I remember him. But not really.”‘

Eddie Lombardo of Italy:

“So we try to keep the name of Elvis alive. …. we’re not trying to duplicate Elvis because nobody can “be” Elvis. There’s only one Elvis, you know? And what we’re trying to (do is) bring the memory of Elvis back to people, that’s basically what we’re doing.”

Japor:

“In the music industry, the songs of Elvis remain a classic. Like Bruno Mars, he has a lot of rock `n’ roll songs. Most of them originated from the legends, one of which is Elvis. So I think his songs still have a great impact to the music we have nowadays. There are a lot of songs actually that were sung by Elvis that are being covered right now. And that gives a modern twist to the song. So because of that, Elvis continues to live with the music.”
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In a small studio littered with empty cigarette packets in Egypt’s second city, Alexandria, Abdelrahman al-Habrouk sits hunched over a sheet of paper making portraits with tobacco.

The cigarettes fuel his art; he breaks them in half, painstakingly traces out monochrome images of celebrities or animals with the fine flakes of tobacco, then sprinkles his creations with gunpowder and sets them on fire.

The resulting scorch-marks on the white paper form the portrait.

Habrouk, now 23, started using unusual materials to make images a couple of years ago, experimenting with coffee, salt and sand before settling on the tobacco technique because it is more durable.

“The idea is that I’m trying to make the art live longer,” he told Reuters.

“I wanted to make something good out of something that is considered harmful,” he added.

 
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No American woman climber had sumitted the world’s second largest mountain called, K2, in Pakistan until July 28, 2017 when 52-year old Vanessa O’Brian led a team to the top of one the world’s most dangerous peaks. She described her adventurous trip to VOA’s Ayaz Gul upon her return to Islamabad this week from the northern town of Skardu. The K2 expedition footage was shot her teammate Dawa Gyalje Sherpa and was shared exclusively with VOA.
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City of Ghosts is a new documentary that follows an underground group of citizen journalists from IS occupied Raqqa, Syria, risking their lives and using social media to expose the atrocities of the militants against civilians.

The goal of the group, called Raqqa is Being Slaughtered Silently, is to broadcast information online about IS atrocities in Raqqa, Syria. 

Last year, the Committee to Protect Journalists awarded the group its International Press Freedom Award. In an interview with Voice of America, Abdul Aziz al-Hamza said that Raqqa is Being Slaughtered Silently (RBSS), was created to protest the activities of the Assad regime. Later, the group expanded its activities to include IS, when Islamic State turned Raqqa into its makeshift capital.

​Waging war on the internet 

Al-Hamza says his group is waging an online war against IS propaganda. 

“ISIS prevented all media organizations to go over there to cover what’s going on, and we ended up watching propaganda coming from our city. All of us have families, relatives, friends, so we decided that we needed to do something for them. The problem with ISIS is the ideology,” he said.

“Defeating ISIS as a group is not going to solve the problem,” he added. “We are fighting against ISIS ideology because it’s not just in Raqqa, Syria, and Iraq. We’ve seen ISIS in Europe, in the U.S., in Asia, so the main goal is to work against this ideology.” 

Al-Hamza said his organization has drawn the attention of international media and has lifted the veil of isolation for the besieged civilians in Raqqa; it has also roused the wrath of IS.

In his film City of Ghosts, Matthew Heineman, follows the underground group and its activities from safe houses in Turkey and Germany, posting videos, pictures and other news about IS-besieged Raqqa they receive from counterparts in Raqqa. He also looks into their private lives, as husbands, sons and friends, and also as refugees. 

“It became an immigrant story,” Heineman said. “It became a story of rising nationalism in Europe. It became a story of trauma and the cumulative effects of trauma. So, it became much more that I thought it originally would be.” 

Exposing the ‘crumbling’ ISIS regime

AL-Hamza says the goal of RBSS is to expose the crumbling IS regime in Raqqa. 

“Everything is getting expensive in the city,” he said. “People are missing medical equipment, there are only three or four pharmacies working, only one hospital working. There is almost no electricity, the water is coming for three or four hours daily.”

Watch: Citizen Journalists Wage Online War on ISIS

RBSS online resistance has galvanized Raqqa’s civilians, he said.

Many people internationally have the idea that most people living in Raqqa or IS territories support the group. But, for example, in Raqqa less than 1 percent of the people joined IS, which means that most people are against IS, he said.

“Most decided to stay civilians and not join ISIS despite the perks that if you joined ISIS you get salaries in dollars, cars for free, oil for free, they would get women, power, whatever they want,” he said. Today, he added, “there are thousands of people providing us with news, and what is happening in IS occupied territories.”

Al-Hamza was not trained to be a journalist. Before the Syrian revolution, he was studying biochemistry. Others like him were studying to be doctors or lawyers. 

“When the Syrian revolution started, I didn’t think I would end up in this situation or here talking with you,” he said. “But it was that kind of duty that all of us had to do, and we’ve decided that we will not stop. So, we’ve lost family members, friends, relatives doing this work,” he said. 

As for their newfound publicity through Heineman’s documentary City of Ghosts, al-Hamza said “it was important to show our faces, because especially when we started, many people started to say that we are a government group or a government organization, we wanted people to know that we are local. We are from the city.” 

How will end? “Either we will win or they will kill all of us,” he said.
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A new documentary follows an underground group of citizen journalists from ISIS occupied Raqqa Syria, risking their lives to expose the atrocities of the militants against civilians on social media. VOA’s Penelope Poulou spoke with Oscar-nominated filmmaker Matthew Heineman as well as Abdul-Aziz al-Hamza, the co-founder of the group called “Raqqa is Being Slaughtered Silently.”
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A statue of the Beatles in the Mongolian capital of Ulaanbaatar could be at risk in an alleged land grab, protesters say, as rapid development turns a city once famed for wide open spaces into a cluttered metropolis.

Residents are protesting plans to build commercial properties in an area known as Beatles Square, where a bronze bas-relief monument to the “Fab Four” commemorates the former Soviet satellite’s transition to democracy in 1990.

“For a long time there were stories about construction on the land, but nobody wanted to believe it,” said Tsoggerel Uyanga, a community organizer and senior partner at research group MAD Investment Solutions.

Rock and Roll Communist Revolution

The monument, erected in 2008 with donations from politicians, businessmen and artists, marks the site where Mongolians gathered to talk about banned Western pop music and soon became a quirky tourist attraction.

The music of the Beatles, Abba, and other Western pop groups helped launch the “Rock and Roll Communist Revolution” that inspired a generation to fight for Mongolian democracy 30 years ago.

The protests began after an Aug. 2 announcement that construction work would start, with residents calling the project a “land grab” and expressing fears the Beatles statue could be moved or even demolished.

Authorities have defended the development as part of a “car-free street” project to build an underground shopping complex complete with street gardens.

A lawyer for Mongolia’s National Construction Association said there were no plans to remove the Beatles statue, however.

“By implementing the project, there are a great deal of advantages, such as increasing jobs and reducing traffic congestion,” said D. Uuganbayar, the lawyer.

Congestion, pollution grow

Congestion and pollution have grown in the capital as its population has doubled over the last two decades, with thousands of impoverished herders flocking to settle in makeshift residential areas.

The strain on Ulaanbaatar’s infrastructure has forced the city to rethink its planning of urban spaces, and drawn criticism for the sale of public land to wealthy buyers.

Investors have failed in the past to deliver on promises to protect public spaces affected by development, Uyanga said, pointing to the Bogd Khan conservation area where the World Bank had raised concerns about overdevelopment.

“It became a black market for land authorities during the early democratic years,” said Uyanga.
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A judge on Friday threw out a Denver radio host’s case against Taylor Swift in a trial that delved into their dueling lawsuits over whether he groped her during a backstage meet-and-greet and whether she and her team ruined his career.

U.S. District Judge William Martinez determined that the pop star could not be held liable because David Mueller failed to prove that she personally set out to have him fired after the 2013 photo op before a concert. His identical allegations against Swift’s mother and her radio liaison will go to jurors for a verdict.

Mueller denies groping Swift and sued the singer, her mother, Andrea Swift, and their radio handler, Frank Bell, seeking up to $3 million as compensation for his ruined career.

The singer-songwriter said in her countersuit that she wanted a symbolic $1 and the chance to stand up for other women.

With jurors outside the courtroom Friday, attorneys on both sides argued over whether Mueller had presented enough evidence to send his full case to the jury. Those statements and the judge’s questions focused on whether Swift herself had done anything to get Mueller fired.

It comes after days of testimony from the singer and others. Swift spent an hour on the witness stand Thursday defiantly recounting what she called a “despicable and horrifying and shocking” encounter. 

“He stayed attached to my bare ass-cheek as I lurched away from him,” Swift testified.

“It was a definite grab. A very long grab,” she added in her testimony.

Swift’s testy exchange with Mueller’s attorney occasionally elicited chuckles — even from the six-woman, two-man jury. She got a laugh when she said Dent saw Mueller “lift my skirt” but someone would have had to have been underneath her to see the actual groping — “and we didn’t have anyone positioned there.”

Swift testified that after the photo was taken, she tried to get as far away Mueller as she could. She said she told him and his girlfriend, who was also in the photo, “thank you for coming” in a monotone voice before they left.

She also said she was stunned and did not say anything to Mueller or halt the event after he left because she did not want to disappoint several dozen people waiting in line for photos with her.

In the image, shown to jurors during opening statements but not publicly released, Mueller’s hand is behind Swift, just below her waist. Mueller’s then-girlfriend, Shannon Melcher, is on the other side of Swift. All three are smiling.

Melcher testified Friday that she saw nothing happen during the brief encounter and that she and Mueller were rudely confronted and escorted out of the arena that evening. Melcher said Mueller was devastated by the accusation.

She said she and Mueller started out as co-workers at country station KYGO-FM and became romantically involved in February 2013, a few months before the concert. They drifted apart late in 2013, but Melcher says they remained friends.
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You won’t find any pictures of dogs playing poker at dOGUMENTA (I) NYC.

A three-day art exhibition is attracting hundreds of canines to a marina in Lower Manhattan, where hounds and terriers are feasting their eyes, and in some cases their mouths, on nearly a dozen masterpieces created expressly for them.

The idea is the brainchild of former Washington Post art critic Jessica Dawson, who says she was inspired by her rescue dog, Rocky, a tiny morkie (Yorkie-Maltese mix), who regularly joins her at exhibits of the human variety.

“When Rocky accompanied me on my gallery visits, I noticed that he was having a much better time than I was,” said Dawson, who moved to New York four years ago. “He was not reading the New York Times reviews, he was not reading the artists’ resumes, and so I said he has something to teach me about looking, and all dogs have something to teach us about looking at contemporary art and being with it.”

The exhibit, which takes its name from Documenta, which takes place every five years in Kassel, Germany, was put on by Arts Brookfield. Organizers staggered the arrival times of the dogs to keep things orderly.

“I think she’s enjoying it,” said Lorraine Gates, who attended with her tiny Japanese Chin, Maltese and Papillon mix. “I love this idea; I think it’s really wonderful.”

The 10 works of art at the outdoor exhibit were all strategically placed at eye level for the canines. One featured an elaborate display of dog biscuits and other treats that attendees were invited to munch on.

At another exhibit, four-legged art critics were lifting their hind legs and “expressing” themselves on a work called “Fountain.” As the dogs left their marks, scribbles of blue streaks were left behind on the white blocks.

Dawson said Rocky had visited several times.

Susan Godwin and her morkie, Tasha, were soaking up the art vibes. “This is a once-in-a-lifetime opportunity,” Godwin gushed. “You can go to museums all over New York and you can never bring your dog.”
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So close to death was blues rocker Gregg Allman when he was making his final album, the cover photographer did not get to his Savannah, Georgia, house in time.

Instead, “Southern Blood,” Allman’s posthumous paean to his life and music to be released in September, is adorned with a sepia shot of the grounds, a wooden boardwalk heading away under the shade of Spanish Moss.

There probably could not be a more appropriate symbol for Allman, who died from cancer in May, aged 69. From the early days with his late brother Duane onwards, Tennessee-born Allman was the epitome of Southern rock and blues.

“Southern Blood” is not about the South per se — for that, skip back an album to the 2011 Grammy-nominated “Low Country Blues.” This one is about Allman.

“[Gregg] was acutely aware that his time was limited,” Allman’s manager and friend Michael Lehman told Reuters when asked about the recording session.

“These compositions, they are all poignant and meaningful and talk about his life’s journey. Everyone of them had meaning [for him].”

For his last hurrah, Allman chose a number of songs written by friends and favorite artists including Jackson Browne, Willie Dixon, Jerry Garcia and Lowell George.

Each song, including those written by Allman himself, touch on something of the man — who led a difficult life with the early death of his brother, six divorces including from his celebrity marriage to Cher, drug addiction, hepatitis C, a liver transplant and, ultimately, cancer.

George’s “Willin,'” for example, is the tale of a hard-times Southwestern truck driver who keeps on the road against all the odds, a hint at Allman’s near continual touring.

Another song — written by Mississippi bluesman Wilie Dixon — needs no explanation: “I Love The Life I Live, I Live The Life I Love.”

In a similar vein a lot of the songs are basically goodbyes.

One such is Allman’s sweet rendition of Bob Dylan’s “Going, Going, Gone” with it’s starting lyrics: “I’ve just reached a place/Where the willow don’t bend/There’s not much more to be said/It’s the top of the end.”

Perhaps most poignant of all is the opening track, Allman’s own “My Only True Friend” in which he calls on the people who have followed his music since before 1969, the year the Allman Brothers hit the road, to remember him.

“You and I both know this river must surely flow to an end Keep me in your heart, keep your soul on the mend I hope you’re haunted by the music of my soul, when I’m gone Please don’t fly away to find a new love.”
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The International Olympic Committee said Thursday that it was closely monitoring rising tensions on the Korean Peninsula, less than 200 days before the 2018 Winter Olympics are set to begin in South Korea’s Pyeongchang.

The games return to the country next year for the first time since the 1988 Summer Olympics in Seoul. But what would be the first Winter Games in Asia outside Japan and the first of three consecutive Olympics on the continent risk being overshadowed by the mounting crisis involving North Korea.

The reclusive North’s apparent progress in developing nuclear weapons and missiles capable of hitting the U.S. mainland led to a war of words this week between the two countries, unnerving regional powers.

President Donald Trump said the United States would respond with “fire and fury” if North Korea threatened it. North Korea dismissed the warnings and outlined detailed plans for a missile strike near the U.S. Pacific territory of Guam.

Experts in South Korea said the plans for an attack around Guam ratcheted up risks significantly, since Washington was likely to view any missile aimed at its territory as a provocation, even if it were launched as a test.

Games on track

“We are monitoring the situation on the Korean Peninsula and the region very closely,” an IOC spokesperson said. “The IOC is keeping itself informed about the developments. We continue working with the organizing committee on the preparations of these games, which continue to be on track.”

South Korea failed to land the Winter Olympics of 2010 and 2014 but succeeded in getting the nod in 2011 for the 2018 edition, which is scheduled for February 9-25.

South Korean President Moon Jae-in said last month that the North would be given until the last minute to decide whether it will take part in the Olympics. He wants to get North Korea involved, even though none of its athletes have met the qualification standards.

His proposal for a unified team has already been turned down by a top North Korean sports official as unrealistic in the current political climate.
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A historical film about the last Russian czar’s affair with a ballerina has been cleared for release, the Culture Ministry said Thursday, despite passionate calls for its ban.

“Matilda,” which describes Nicholas II’s relationship with Matilda Kshesinskaya has drawn virulent criticism from some Orthodox believers and hard-line nationalists, who see it as blasphemy against the emperor, glorified as a saint by the Russian Orthodox Church.

Russian lawmaker Natalya Poklonskaya, who previously had served as the chief regional prosecutor in Crimea following its 2014 annexation by Moscow, spearheaded the campaign for banning the film. She even asked the Prosecutor General’s office to carry out an inquiry into “Matilda,” which is set to be released on the centennial of the 1917 Bolshevik revolution.

The lavish production, filmed in historic imperial palaces and featuring sumptuous costumes, loosely follows the story of Nicholas II’s infatuation with Kshesinskaya that began when he was heir-apparent and ended at his marriage in 1894.

The czar and his family were executed by a Bolshevik firing squad in July 1918. The Russian Orthodox Church made them saints in 2000.

“Matilda” opponents have gathered signatures against the film, and earlier this month several hundred people gathered to pray outside a Moscow church for the movie to be banned.

The film’s critics were recently joined by Ramzan Kadyrov, the Kremlin-backed regional leader of Chechnya, and authorities in the neighboring province of Dagestan, who argued that “Matilda” should be barred from theaters in the mostly Muslim regions in Russia’s North Caucasus.

Director Alexei Uchitel has rejected the accusations and prominent Russian filmmakers have come to his defense. The film’s critics and its defenders both have appealed to the Kremlin, but it has refrained from publicly entering the fray.

On Thursday, the Russian Culture Ministry finally announced that the film has received official clearance.

Vyasheslav Telnov, the head of the ministry’s film department, said it checked “Matilda” and found it in full compliance with legal norms.

Asked to comment on statements from Chechnya and Dagestan, Telnov said that the film has been cleared for release nationwide, but the law allows regional authorities to make their own decisions.

“There is no censorship in Russia, and the Ministry of Culture stays away from any ideological views of beliefs,” he said. “A feature film can’t be banned for political or ideological motives.”

Disputes over the movie reflect the rising influence of the Russian Orthodox Church and the increasing assertiveness of radical religious activists.

Russia’s growing conservative streak has worried many in the country’s artistic community. A Moscow art gallery recently shut down an exhibition of nude photos by an American photographer after a raid by vigilantes, and a theater in the Siberian city of Omsk canceled a performance of the musical “Jesus Christ Superstar” following a petition by devout Orthodox believers.
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