Iraqis Track Abandoned Homes With Digital Tools

In camps across northern Iraq, people forced from their homes by Islamic State militants are using their phones to track what is happening to their properties, according to researchers who say returning home is crucial for building a safe future in the war-torn nation.

More than three million Iraqis have been driven from their homes, land and farms, according to the United Nations, many of them by armed groups like Islamic State (IS).

As pro-government forces intensify the fight against IS, clearing militants from much of Mosul and other cities they once held, displaced people are hoping to return home soon.

Before leaving the camps, they are keeping a close eye on Facebook and digital messaging services to better understand what they will be returning to or who might be occupying their homes, said Nadia Siddiqui from Social Inquiry, a research group based in northern Iraq.

With conflicting land claims and weak property rights in parts of Iraq due to years of violence, establishing who rightfully owns what is crucial for reducing violence and building social trust, Siddiqui said.

Digital tools are helping establish ownership by allowing them to build dossiers of what belongs to them with photographic evidence, title deeds and other data which could be used in court to prove their claims.

“In the long-term, land and property issues are some of the root causes (of strife),” Siddiqui told the Thomson Reuters Foundation from Erbil, Iraq.

Disputes over property exacerbate communal or religious tensions, she said, and lingering issues over unclear ownership can fester for generations, making it difficult to build the economy and move past a history of violence.

“People remember these kinds of things,” Siddiqui said of land disputes.

Clearing up ownership conflicts and creating arbitration processes for competing land claims can help ease social tensions, she said.

Evidence

More than 60 percent of displaced people use digital tools like Facebook, camera phones and messaging apps to actively monitor the status of their properties, according to a July survey in Erbil supported by Social Inquiry.

The average household of displaced people has three mobile phones, the small survey said, meaning tools to collect data on properties are accessible even to those who fled their lands in the dead of night.

Thirty-two percent of displaced people surveyed share information about the status of their properties on social media.

“What is so exciting about the process is that people have this evidence already on their phones or on their Facebook page,” said Emily Frank, an anthropologist turned marketing executive in Montreal, Canada, who has monitored property rights in countries facing conflict.

Many people, however, do not realize these digital documents and photos of the land where they once lived can be used as evidence in court or a property restitution process once it is safe enough to return home, said Frank.

Along with helping individuals claim their homes from armed groups or others who have been occupying them, photos, videos and other digital data become increasingly powerful as more displaced people collect them, she said.

“If more people can submit evidence, it becomes more widely corroborated,” Frank told the Thomson Reuters Foundation. “It will be a more just and transparent process.”

Domino effect

Jon Unruh, a professor at McGill University in Montreal who studies land rights, has watched the process happen in Iraq first hand.

Unruh interviewed a 76-year-old man in Erbil who, after fleeing an IS-controlled area, asked a relative still living near his home to walk around the property and take pictures to see who was living inside.

IS and its supporters had occupied homes in the area, and the militant group even issued its own property title deeds, so the displaced man used digital tools and family networks to try and gather information about his home to claim it upon return.

This kind of data could be presented before a government arbitration panel or via a transitional justice plan from the U.N. or a similar international agency when the man attempts to reclaim his property, Unruh said.

Iraqi government officials working on property restitution could not be reached for comment.

The International Organization for Migration (IOM) in Iraq, a U.N.-linked body working with the government on property restitution for refugees, was unavailable for comment.

Officials in Kurdistan, the northern semi-autonomous region of Iraq of which Erbil is the capital, are planning a referendum vote on independence for Sept. 25.

The move, opposed by Iraq’s central government, could complicate efforts for displaced people living in the region to claim properties in other parts of Iraq once it is safe enough to leave camps in the Kurdish region.

It is unclear what moves Iraq’s government will make on property rights in areas once controlled by IS based on digital data, Unruh said.

But officials in the capital Baghdad who he met recently understand the importance of property rights in reducing violence.

“The Iraqi government is most concerned people returning home to ISIS-held areas are going to default to armed kin to resolve their property disputes,” Unruh told the Thomson Reuters

Foundation.

“That returnee who finds their property destroyed moves into someone else’s house. When that person returns there is a conflict —It creates a domino effect.”

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Play Brings Syria’s Heartbreak to American Kitchens

Twenty strangers have gathered in the dining room of a New York City apartment as a woman with long dark curly hair putters around the kitchen, putting a package of meat in the fridge, sauteing pine nuts.  They settle into chairs, and she begins to speak.

“Since I came back,” she tells them, “I make kubah, again and again, as if I want to close a hole in my soul.”

Welcome to Off Off-Broadway, and the one-woman play “Oh My Sweet Land.”  It is a harrowing story of a Syrian-American woman who follows her Syrian lover to the Middle East, and actress Nadine Malouf whips up meat croquettes as she tells it.

An attack on a way of life

The play, written and directed by Amir Nazir Zuabi, was produced in London in 2014, and is now being performed in different kitchens all around New York. 

Zuabi, a Palestinian, got the idea for the play several years ago, when he traveled to Syrian refugee camps in Jordan.  He adapted several of the stories he heard and, since food and hospitality are a cornerstone of Arab culture, he included cooking.

“I didn’t want to do a horror show.  It’s important to remember that this is an attack on a culture; not just the political situation, it’s an attack on the way of life.  And the loss in Syria is also this – it’s the loss of normality, of just the ability to break bread together and meet.”

Malouf, an Australian actress of Middle Eastern and European descent, says it’s a challenge to deal with the emotions of the story while cooking.

She compares it to rubbing your belly and tapping your head at the same time, adding, “I have nicked myself a few times, I’ve burnt myself with oil.  You know, wounds.  War wounds.”

No safe space

Watching the play in this setting becomes almost painfully intimate, for both the audience and the actor.

“You tell immediately, you know, who doesn’t want you to look at them,” Malouf says.  “And I understand that because there’s, you know, a safety in the audience being in the dark and the actors on stage.  That’s very safe for both parties.  Here no one is safe,” she notes with a small laugh.

Watch: Nadine Malouf in a scene from Amir Nizar Zuabi’s play, Oh My Sweet Land at a home in Brooklyn. (By The Play Company)

After the show, audience members milled outside on the sidewalk to chat and enjoy some baklava.  Among them was Michael Yuen-Killick, the host for this evening’s performance.  He had to clean out his kitchen and dining room for the event, but was happy to open his personal space to 20 strangers.

“It’s a fantastic opportunity,” he insisted.  “I mean, how often do you get to have a show performed in your house?  Not very often.”

One of those strangers, Allison Martin, a nurse practitioner, called the experience “incredibly visceral.”  “Being in the small space and the smell of the onions midway through … It really brings the far away to right here in front of us.”

And that’s the point of “Oh My Sweet Land” – to have the onions, spices and stories linger long after the final bow.

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Facebook to Release Russia Ads, Beef Up Election ‘Integrity’

Facebook is slowly acknowledging the outsized — if unintended 0151— role it played in the 2016 U.S. presidential elections.

 

Bowing to pressure from lawmakers and the public, the company said it will provide the contents of 3,000 ads bought by a Russian agency to congressional investigators, while also pledging to make political advertising on its platform more “transparent.”

 

“I don’t want anyone to use our tools to undermine democracy,” CEO Mark Zuckerberg said in a Facebook video and wrote in an accompanying post . “That’s not what we stand for.”

The moves Thursday come amid growing pressure on the social network from members of Congress, who pushed Facebook to release the ads after the company disclosed their existence in early September. Facebook has already handed over the ads to the special counsel investigating Russian interference in the 2016 U.S. presidential election.

 

Facebook’s reluctance to be more forthcoming with information that could shed light on possible election interference has prompted the chairman of the Senate intelligence committee to call for the company to testify in its election-meddling probe.

 

A More Transparent Facebook

 

In one of the first steps Facebook has ever taken to open up its secretive advertising system to observation, the company will now require political ads to disclose both who is paying for them and all ad campaigns those individuals or groups are running on Facebook.

 

That’s a key step that will allow outsiders to see how many different variants of a given ad are being targeted to various groups of individuals, a tactic designed to improve their effectiveness. At the moment, there’s no way for anyone but Facebook to track these political ads, or for recipients to tell who is sponsoring such messages.

 

Since average users “don’t know if you’re seeing the same messages as everyone else,” Zuckerberg said, Facebook will “make it so you can visit an advertiser’s page and see the ads they’re currently running to any audience on Facebook.”

 

The company will hire 250 more people in the next year to work on “election integrity,” Zuckerberg said.

The top Democrat on the Senate intelligence panel would go farther. Virginia Sen. Mark Warner is writing a bill that would require social media companies to disclose who funded political ads, similar to rules on television broadcasters. In an interview with The Associated Press, Warner said he hoped to work with social-media companies on the bill.

 

And Yet Still Secretive

 

Zuckerberg suggested that the company may not provide much information publicly, saying that the ongoing federal investigation will limit what he can reveal.

 

The leaders of the Senate Intelligence Committee have sought to bring Facebook executives before their committee for the past couple of weeks. But critics say Facebook should go further. They say the company should tell its users how they might have been influenced by outside meddlers.

 

The nonpartisan Campaign Legal Center, for instance, stressed again on Thursday that the company should make the ads public, “so that everyone can see the nature and extent of the use of Facebook accounts by Russia.”

 

Zuckerberg also warned that Facebook can’t catch all undesirable material before it hits its social network.

 

“I’m not going to sit here and tell you we’re going to catch all bad content in our system. We don’t check what people say before they say it, and frankly, I don’t think our society should want us to,” Zuckerberg said. But those who break the law or Facebook’s policies, he added, “are going to face consequences afterwards.”

 

Facebook won’t catch everyone immediately, he added, but it can “make it harder to try to interfere.”

 

Twitter Also Heads to Capitol Hill

 

Zuckerberg’s move came a day after Twitter confirmed that it will meet next week with staff of the Senate intelligence committee, which has been scrutinizing the spread of false news stories and propaganda on social media during the election.

Warner said the committee wanted to hear from Twitter to learn more about the use of fake accounts and bot networks to spread misinformation.

 

“Twitter deeply respects the integrity of the election process, a cornerstone of all democracies, and will continue to strengthen our platform against bots and other forms of manipulation that violate our Terms of Service,” the company said in a statement.

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Review: iTunes Video Upgrade Makes New Apple TV Worth It

It might seem odd to review the new Apple TV streaming device — one specifically designed to display super-sharp video known as 4K — without actually owning a 4K TV.

But in a way, that’s the point.

Most people still don’t have 4K TVs, so the new Apple TV model doesn’t offer them much. But if you’re an Apple fan and already have 4K, the choice is clear. The new Apple TV 4K is out Friday starting at $179, or $30 more than the regular model. It’s a small difference compared with the price of your TV.

It’s worth noting that alternatives to Apple TV are cheaper and equally capable at a basic level. All of the devices connect to a TV so you can stream most major video services on a big screen. Roku and Amazon have 4K models for less than $100 and non-4K versions for even less. Both are even ahead of Apple TV in being able to stream Amazon video now; it’s coming soon to Apple TV.

But none of the rivals will play movies or shows purchased from Apple’s iTunes, at least without clunky workarounds. To watch those on a big screen directly, you need an Apple TV. And Apple has just sweetened the deal on that front.

The future has arrived

Apple’s embrace of 4K is significant, despite the fact that Roku, Amazon and other rivals beat Apple to that milestone. Apple often waits until there’s broad enough appeal for new technologies. That time is now, given growth in sales of 4K TV and more movies and TV shows released in 4K formats.

Parallel to that is the rise of high-dynamic range technology in television sets. HDR increases color range and produces brighter whites and darker blacks. Better contrast means details in bright scenes aren’t washed out. Apple TV 4K supports HDR, too.

Path to upgrades

4K is coming, just as high definition earlier replaced standard definition. The consulting company Futuresource says a third of TVs sold worldwide this year will be 4K capable, up from 25 percent last year. But people tend to keep TVs for many years, unlike high-turnover phones.

In demos with tech companies and visits to Best Buy, I find superior picture quality in 4K. Your couch needs to close enough to the screen to see the difference. My next TV will likely have 4K, but my 4-year-old Vizio HD TV still works fine (though I’m sure I just jinxed it).

Upgrades to iTunes video – and yours

Many Hollywood blockbusters now have 4K versions of home video releases. Netflix and Amazon are also trying to make their original shows available in 4K. But many indie and older titles remain in HD; even older shows like “The Wonder Years” are still stuck in standard definition.

Fortunately, Apple isn’t making you choose now. If you buy something in HD through iTunes, you’ll automatically get the 4K version when it’s out. And if a 4K version is available now, it will cost the same as its HD counterpart. It’s never been clear why HD video is more expensive than SD when actors, directors and others behind the movies were paid the same.

Lots of people were peeved at how the music industry tried to get them to repurchase the same songs on cassette tapes, CDs and then digital files. I have a collection of DVDs and don’t feel like paying again for higher-quality Blu-ray or digital versions.

So Apple’s decision to treat 4K and HD the same is a good one. That only applies to iTunes, though. Netflix is charging extra for a plan that includes 4K, even when viewed on Apple TVs.

A word of caution: While the new iPhone 8 and iPad Pros unveiled this past June will support HDR, they won’t display 4K. Even the upcoming iPhone X falls short in that respect.

Beyond video

The new Apple TV gets a faster processor, which should make high-end games better to play. A new remote offers more precise motion control and a raised menu button to make it easier to orient yourself without looking. These features alone aren’t enough to justify an Apple TV 4K unless you’re a gamer. The non-4K version is getting the new remote, too. Picture quality is the same for both versions on regular HD sets like mine.

In any case, Apple TV — with or without 4K — will be most useful if you’re already tied into Apple’s system with iDevices and iTunes. Given that rival devices are cheaper, what you’re buying isn’t the device, but an experience — integration and syncing with all your other Apple gadgets. For instance, 4K video taken on an iPhone will play easily on an Apple TV 4K.

If you’re in that camp and are thinking of buying a new TV in the next few years, there’s a good chance it will be 4K, so you might as well choose the 4K version of Apple TV now. But if it’s longer, a better Apple TV will likely be out by then. The non-4K version will do just fine for now.

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Passive Polygraph Takes Lie Detection into 21st Century

A ‘passive polygraph,’ developed by SilvertLogic Labs in Seattle, Washington, is a high-tech version of the lie-detector test. Faith Lapidus explains how it works.

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Google Bets Big on Hardware With HTC Buy

Google is biting off a big piece of device manufacturer HTC for $1.1 billion to expand its efforts to build phones, speakers and other gadgets equipped with its arsenal of digital services.

The deal announced Thursday underscores how serious Google is becoming about designing its own family of devices to compete against Apple and Amazon in a high-stakes battle to become the technological hub of people’s lives.

Over the past decade, Google had focused on giving away its Android operating system to an array of device makers, including Taiwan’s HTC, to ensure people would keep using its ubiquitous search engine, email, maps, YouTube video service and other software on smartphones and other pieces of hardware.

But that changed last year when Google stamped its brand on a smartphone and internet-connected speaker. HTC manufactured the Pixel phones that Google designed last year, perhaps paving the way for this deal to unfold.

Although Android powers about four out of every five smartphones and other mobile devices in the world, the software can be altered in ways that result in Google’s services being de-emphasized or left out completely from the pre-installed set of apps.

That fragmentation threatens to undercut Google’s ability to increase the ad sales that bring in most of the revenue to its corporate parent, Alphabet Inc., as people spend more and more time on smartphones and other devices instead of personal computers.

Apple’s iPhone and other hardware products are also particularly popular among affluent consumers prized by advertisers, giving Google another incentive to develop its own high-priced phone as a mobile platform for its products and ads.

Google also wants to build more internet-connected devices designed primarily for home usage, such as its voice-controlled speaker that’s trying to catch up with Amazon’s Echo. The Home speaker includes a digital concierge, called Google Assistant, that answers questions and helps manage people’s lives, much like the Alexa in Amazon’s Echo.

The purchase is a gamble on several fronts for Google and Alphabet.

Google’s previous forays into hardware haven’t panned out to be big winners so far. It paid $12.5 billion for smartphone maker Motorola Mobility five years ago only to sell it to Lenovo Group for less than $3 billion after struggling to make a dent in the market. And in 2014, Google paid more than $3 billion for home device maker Nest Labs, which is still struggling to make money under Alphabet’s ownership.

Expanding into hardware also threatens to alienate Samsung Electronics, Huawei and other device makers that Google relies on to distribute its Android software.

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At 82, Judi Dench’s Mission Remains the Same: ‘To Learn’

Judi Dench is not tired.

 

“I’ve had one of those pep-up drinks,” Dench, beaming as she sits down for a recent interview. “I feel rather sparky.”

 

Caffeinated or not, Dench, 82, remains fully energized. As Stephen Frears, the director of her latest film, “Victoria & Abdul,” marvels: “She’s the biggest female star in Britain” — a statement that takes a moment to realize how true it is. “It’s phenomenal at her age.”

 

Dench’s eyesight had deteriorated in recent years due to macular degeneration, so scripts need to be read to her. But that’s done little to slow her down or dim her ferocious, mischievous intelligence. On her right wrist is a tattoo of her personal motto, “Carpe Diem” (“Seize the Day”). She had it done for her 81st birthday.

 

“The process of learning is quite difficult,” she says of her eyes. “I can do it. I just have to adjust in a different way. You do what you can, don’t you?”

 

It’s a spirit of undaunted inquisitiveness that Dench shares with her latest character, Queen Victoria. In Frears’ film, which Focus Features will open in limited release Friday, Dench returns to the monarch she memorably played 20 years ago in her big-screen breakthrough, John Madden’s “Mrs. Brown.” Dench has credited that film — and the indie distributor who picked it up for nationwide release (Harvey Weinstein) — with birthing her film career.

 

“Victoria & Abdul” shares some DNA with “Mrs. Brown.” The latter chronicled Queen Victoria’s friendship with the Scottish servant John Brown (Billy Connolly) after the death of Victoria’s beloved husband, Prince Albert, in 1861. “Victoria & Abdul” takes place about 15 years later and concerns another unorthodox relationship Victoria struck up, one only relatively recently discovered.

Letters and diaries uncovered in Shrabani Basu’s 2010 book revealed the depth of the Queen’s friendship with Abdul Karim (Ali Fazal in the film), a 24-year-old Indian clerk when he arrived in 1887, four years after Brown’s death. Despite the staunch disapproval by the royal court of a Muslim being Victoria’s close confidant, he became her teacher, or munshi, and stayed close to her side up until her death in 1901.

 

Though Victoria was the Empress of India, she knew little of the colony Britain was busy ruthlessly exploiting. Karim taught her Urdu and Hindi, and exposed her to curry. Victoria even stipulated that Abdul was to be one of the principal mourners at her funeral.

 

“I certainly never expected to be playing her again,” says Dench. “Suddenly all the work I had done on that all came back and filled up the character. You have a character and you have to find out the details of them, it’s like coloring them in. All that had been done, so that stood me a very good stead. I did feel I understood about her previous life.”

 

“I hope there’s something in the end of [‘Mrs. Brown’] that you can join up with this,” Dench adds.

 

It’s not hard to see a commonality between the Victoria of both films and Dench. It’s the queen’s “need for living” and “vital passion” that she most adores about her. “I want to learn something new every day,” says Dench. “I try to. I learn new words. I love it.”

 

“Victoria & Abdul” is Dench’s fifth film with Frears, who last directed her in 2013’s “Philomena,” which earned Dench her seventh Oscar nomination. (Her sole win was for her Queen Elizabeth I in 1999’s “Shakespeare in Love.”) She and Frears share an unfussy, workmanlike attitude.

 

“I love his monosyllabic quality,” she says, laughing. “Sometimes he says, ‘Would you like to go again?’ and you know that he means he would like to go again. Sometimes he just walks away and laughs. I love that.”

 

“She’s clocked that one,” Frears says of his subtle directions. “She’s a highly intelligent woman.”

 

Frears, the veteran director of “The Queen” and “Dangerous Liaisons,” said he would only make “Victoria & Abdul” if Dench agreed.

 

“I didn’t know if she would,” says Frears. “It’s possible she turned it down. We organized a reading, so we lured her into the trap.”

Dench was speaking shortly after the Toronto International Film Festival premiere of “Victoria & Abdul,” which may well return the highly decorated actress to the Academy Awards. Her last visit to Toronto, she remembers, was in 1958 on a six-month tour for the Old Vic, playing “Henry V” and “As You Like It.” Dench’s stage career — just as illustrious as her film one — has spanned just about every Shakespeare, Ibsen and Chekov play.

There is no Shakespeare role she’s still pining to play, but Dench does think time has given her a greater understanding of some of her classic roles.

 

“When I look back now I know I could play Lady Macbeth better now,” says Dench. “I know I could play Juliet better now, too. But it’s too late.”

 

Yet Dench is hardly backward looking. She’ll also co-star later this fall in Kenneth Branagh’s old-fashioned mystery, “Murder on the Orient Express.”

 

“It was glorious,” she says of the production. “We were on the train. It was just a lot of good jewelry to wear. A couple dogs to control.”

 

Dench planned to spend the afternoon at a gallery to “look at some pictures quietly.” She remains on the lookout.

 

“I look for work,” says Dench, matter-of-factly. “Something to keep me occupied. Learn. Learn. Learn.”

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Nevada Lab: Quake-resistant Bridge Design Tests Well

Scientists at a Nevada earthquake lab Wednesday tested new bridge designs with connectors they say are innovative and created to better withstand violent temblors and speed reconstruction efforts after major quake damage.

University of Nevada, Reno engineers performed the experiments on a giant “shake table” to simulate violent motions of an earthquake to rattle a 100-ton (91-metric ton), 70 foot (21-meter) bridge model to determine how well it would hold up.

The tests, conducted a day after a big quake struck Mexico, shook large concrete columns and beams back and forth for about 30 seconds at a time, displacing some nearly a foot before returning largely to their original spot.

Graduate students measured and marked indications of tiny fractures but no major structural damage was observed in the initial review of the experiments.

“The bridge has done better than we expected,” said Saiid Saiidi, a professor of civil and environmental engineering who served as the project leader. He’s done related research for more than 30 years.

Bridges are already designed not to collapse in earthquakes but often are unsafe for travel after big quakes. He said the designs that were tested employed special types of connectors to link prefabricated bridge parts, including ultra-high performance concrete.

“Earthquakes by themselves don’t kill people, it’s the structures,” Saiidi said.

The elements have been tested on their own but never before combined in a bridge model subjected to realistic earthquake motions, like the 1994 Northridge, California quake. Wednesday’s test inside the University of Nevada’s Earthquake Engineering Laboratory simulated activity of a quake as large as magnitude 7.5.

Some design work by the engineers has been incorporated into a highway off-ramp under construction in Seattle. It’s the first bridge in the world that uses flexible columns and reinforcement bars made out of a metal alloy with titanium that bends and then springs back into shape when quakes hit.

Among other things, the innovative connectors allow for prefabricated concrete and other materials to be attached to an existing bridge foundation so as to speed repair and reconstruction.

Part of the research centers on a so-called “pipe pin” connection developed by the California Department of Transportation’s bridge designers for use in connecting certain beam interfaces in bridge construction.

The pin consists of a steel pipe that is anchored in the column and extended into a steel can embedded in the beam. A gap between the steel pipe and the can enables the extended segment to freely rotate inside the steel can and prevents bending of the protruded segment inside the can.

The University of Nevada’s Earthquake Engineering Lab is the largest of its kind in the United States.

The latest project is funded by the California Department of Transportation, which currently is developing plans for 10 pilot projects based on the developing bridge connector technology.

“This study today is going to allow them to make observations of those designs,” Saiidi said.

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Emma Stone Honed Dance Skills to Play Tennis Great King

Emma Stone admits she’s never played sports, so when she was asked to play former world tennis No. 1 Billie Jean King in the movie Battle of the Sexes, the Oscar-winning actress approached it from a different direction: dancing.

King, by contrast, who pioneered the fight for equal pay in tennis more than 40 years ago, pictured herself in Stone’s position as she worked with the actress to portray her character.

“I tried to put myself in Emma’s shoes. That’s really taking a risk, portraying someone who is still alive. I’m like, ‘God, that’s a little pressure,’ ” King said.

Stone, 28, and the 73-year-old tennis legend became good friends while making the movie that tells the story behind King’s 1973 exhibition match against former men’s champion Bobby Riggs (portrayed by Steve Carell) to fight sexism in the sport and society at large. It opens in U.S. movie theaters on Friday.

Stone, who won an Oscar in February for song and dance musical La La Land, had never played tennis, so her early sessions with King focused on footwork and choreography.

“I danced, so footwork was good. [And] I had been on stage before, and when Billie Jean went out onto the tennis court, it felt like her stage, so she really keyed in on that,” Stone said.

Simplest things

Later came weeks of practice on serves and cross-court backhands, but for Stone, even the simplest things were tough.

“We went to the U.S. Open … and I was sitting next to Billie Jean, and Sloane Stephens was catching balls and tucking them in her skirt and bouncing them with the racquet.

“It’s just little in-between stuff, but that took me months to learn!” Stone said.

Professional players were hired to reproduce the shots in the match against Riggs, which was watched by more than 50 million on television.

For her part, King worked for weeks with screenwriter Simon Beaufoy recalling her experience in the early 1970s, when she not only established the breakaway Women’s Tennis Association and took on Riggs but also was wrestling with her own sexual identity. She came out as gay in 1981.

More than 40 years after beating Riggs, women are still fighting for equal pay and rights on and off the tennis court, not that it comes as any surprise to King.

“If you read history, you realize how slow progress is and that it’s each generation’s job to try and move the ball forward.

“We’ve come further, but we’ve a lot further to go,” King said.

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Internet Firms Say Removing Extremist Content Within Hours Is Huge Challenge

Removing extremist content from the internet within a few hours of it appearing poses “an enormous technological and scientific challenge,” Google’s general counsel will say later Wednesday to European leaders who want it taken down quicker.

Kent Walker, general counsel for Alphabet’s Google, will speak on behalf of technology companies Facebook, Microsoft, Twitter and YouTube at an event on the sidelines of the annual gathering of world leaders at the United Nations.

The leaders of France, Britain and Italy want to push social media companies to remove “terrorist content” from the internet within one to two hours of it appearing because they say that is the period when most material is spread.

“We are making significant progress, but removing all of this content within a few hours — or, indeed, stopping it from appearing on the internet in the first place — poses an enormous technological and scientific challenge,” Walker will say in a speech on behalf of the Global Internet Forum to Counter Terrorism, a working group formed by the four companies to combine their efforts to remove extremist content.

Tech firms have come under increasing pressure from governments in the United States and Europe to do more to keep extremist content off their platforms after a spate of militant attacks, and the European Union is mulling legislation on the issue.

“There is no silver bullet when it comes to finding and removing this content, but we’re getting much better,” Walker will say.

“Of course, finding problematic material in the first place often requires not just thousands of human hours but, more fundamentally, continuing advances in engineering and computer science research. The haystacks are unimaginably large and the needles are both very small and constantly changing.”

Walker will say the companies need human reviewers to help distinguish legitimate material such as news coverage from the problematic material and train machine-learning tools against “ever-changing examples.”

The companies last year decided to set up a joint database to share unique digital fingerprints they automatically assign to videos or photos of extremist content, known as “hashes,” to help each other detect and remove similar content.

Facebook used a hash that contained a link to bomb-making instructions to find and remove almost 100 copies of that content.

Twitter said Tuesday that it had removed 299,649 accounts in the first half of this year for the “promotion of terrorism,” while Facebook has ramped up its use of artificial intelligence to map out pages and posts with terrorist material.

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Lillian Ross, Longtime New Yorker Writer, Dead at 99

Lillian Ross, the ever-watchful New Yorker reporter whose close, narrative style defined a memorable and influential 70-year career, including a revealing portrait of Ernest Hemingway, a classic Hollywood expose and a confession to an adulterous affair, has died at age 99.

Ross died early Wednesday at Lenox Hill Hospital after suffering a stroke, New Yorker articles editor Susan Morrison said Wednesday.

In an email statement to The Associated Press, New Yorker editor David Remnick called Ross a groundbreaking writer.

“Lillian would knock my block off for saying so, she’d find it pretentious, but she really was a pioneer, both as a woman writing at The New Yorker and as a truly innovative artist, someone who helped change and shape non-fiction writing in English,” Remnick said in a statement.

Hundreds of Ross’ “Talk of the Town” dispatches appeared in The New Yorker, starting in the 1940s when she wrote about Harry Truman’s years as a haberdasher, and continuing well into the 21st century, whether covering a book party at the Friars Club, or sitting with the daughters of Richard Rodgers and Oscar Hammerstein II as they watched a Broadway revival of “South Pacific.”

After the death of J.D. Salinger in 2010, Ross wrote a piece about her friendship with the reclusive novelist and former New Yorker contributor.

 

Her methods were as crystallized and instinctive as her writing. She hated tape recorders (”fast, easy and lazy”), trusted first impressions and believed in the “mystical force” that “makes the work seem delightfully easy and natural and supremely enjoyable.”

 

“It’s sort of like having sex,” she once wrote.

 

Ross’ approach, later made famous by the “New Journalists” of the 1960s, used dialogue, scene structure and other techniques associated with fiction writers. She regarded herself as a short story writer who worked with facts, or even as a director, trying to “build scenes into little story-films.” In 1999, her 1964 collection of articles, “Reporting,” was selected by a panel of experts as one of the 100 best examples of American journalism in the 20th century. The group, assembled by New York University, ranked it No. 66.

 

“She is the mistress of selective listening and viewing, of capturing the one moment that entirely illumines the scene, of fastening on the one quote that Tells All,” novelist Irving Wallace wrote in a 1966 New York Times review of her work.

 

Short and curly-haired, unimposing and patient, Ross tried her best to let the stories speak for themselves, but at times the writer interrupted.

 

In the late 1940s, Hemingway came to New York for shopping and socializing and Ross joined him as he drank champagne with Marlene Dietrich, bought a winter coat and visited the Metropolitan Museum of Art, flask in hand. She presented the author as a volatile bulk of bluster and insecurity, speaking in telegraphic shorthand (”You want to go with me to buy coat?”) and even punching himself in the stomach to prove his muscle.

Ross was friendly with Hemingway — she liked most of her subjects — but her article was criticized, and welcomed, as humanizing a legend. “Lillian Ross wrote a profile of me which I read, in proof, with some horror,” Hemingway later recalled. “But since she was a friend of mine and I knew that she was not writing in malice she had a right to make me seem that way if she wished.”

 

Not long after, Ross went to Hollywood to report on director John Huston as he worked on an adaptation of Stephen Crane’s Civil War novel “The Red Badge of Courage.” She soon realized that the movie was more interesting than any one person: She was witness to a disaster. Ross’ reports in The New Yorker, released in 1952 as the book “Picture,” were an unprecedented chronicle of studio meddling as MGM took control of the film and hacked it to 70 minutes.

 

Praised by Hemingway among others, “Picture” was a direct influence on such future Hollywood authors as John Gregory Dunne (”Studio”) and anticipated the nonfiction novel that Truman Capote perfected a decade later with “In Cold Blood.” Huston’s daughter, actress Anjelica Huston, became a lifelong friend.

“My parents loved and respected her, and trusted her. She was, they would say, different from other reporters,” Huston wrote in the foreword to the book’s 50th anniversary edition.

Deeply private even around her New Yorker colleagues, Ross did step out in 1998 when she published “Here But Not Here,” a surprising and explicit memoir of her long-rumored, 40-year liaison with New Yorker editor William Shawn, a mating of secret souls allegedly consummated in a bedroom once used by Dietrich as a clothes closet.

 

“We were drawn to each other from the first by all the elusive forces that people have been trying to pin down from the beginning of time,” Ross wrote.

 

William Shawn had died six years earlier, but his widow was still alive when the book was published, leading New York Times writer (and former New Yorker deputy editor) Charles McGrath to call it “a cruel betrayal of the Shawns’ much-valued privacy — a tactless example of the current avidity for tell-all confessions.”

 

While involved with Shawn, Ross adopted a son, Erik, who in later years would accompany his mother on assignments. Her New Yorker work was compiled in several books, most recently “Reporting Always.”

 

She was born in Syracuse, New York, and was always more comfortable as an observer and played hooky just to hang around professional newspaper offices. She graduated from Hunter College, worked at the liberal New York City daily PM, then was hired by The New Yorker in the mid-1940s, when the magazine was looking for women writers because so many men were serving in World War II.

 

“We have sent her on stories ranging from in subject matter from politics to uplift brassieres, and she’s done splendidly by both,” PM editor Peggy Wright Weidman wrote to Shawn. “Another baffler is that she likes to work and does so, at any hour of the day, night, or weekend, with concentration and no nonsense.”

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Review: Apple Watch Goes Solo, But Don’t Dump Your Phone Yet

A chief gripe with Apple Watch is that it requires you to keep an iPhone with you for most tasks. The inclusion of GPS last year helped on runs and bike rides, but you’re still missing calls and messages without the phone nearby.

A new model with its own cellular-network connection is Apple’s next step toward an untethered world. Now you can make and receive calls and messages on the watch while leaving your phone at home.

But the watch still needs regular contact with an iPhone, and for most tasks, the phone needs to be on and connected, even if it’s nowhere nearby. So, you can’t get away with ditching the iPhone altogether. (Android users have their own wristwear options, including Samsung Gear and Android Wear watches, some of which can already manage their own network connections.)

The new Apple Watch Series 3, distinguished by a red crown, comes out Friday starting at about $400. You can forgo cellular, and the red crown, for $70 less. Or get a first-generation model, without GPS, for about $250.

Where it helps

You might not want to bring your phone on a short jog; the watch can still keep you in touch. Or you can leave the phone home while walking the dog or performing a quick errand.

You need a data add-on from the same wireless provider as your phone. It typically costs $5 or $10 a month and uses the phone’s data allotment.

While the watch technically has its own phone number, the major carriers have worked out number syncing. Calls to your phone will go to the watch, and calls from the watch will appear on caller ID with your regular number. Same goes for texts and iMessage chats.

Calls use the watch’s speaker and microphone, or wireless earphones. Colleagues say call quality was fine. It came in handy for sneaking in runs during conference calls (though if you’re my boss, just kidding! Now, about that raise …).

Phone calls and iMessage chats work on the watch even if your phone is off, as do turn-by-turn maps and queries to the Siri voice assistant. For texts, the phone needs to be on — somewhere. With the phone on, you can perform a variety of other tasks, including checking weather apps, Yelp recommendations and notifications that go to the phone.

Coming soon: the ability to stream Apple Music, even with the phone off. Unfortunately, this doesn’t apply to rival music services or Apple’s podcast app.

Limitations

Because the watch screen is small, many apps offer only a sliver of information and refer you back to the phone to view more. That was little more than an annoyance when the phone was in the same room. If you’ve left the phone behind, though, you’ll be left hanging.

You can also run into trouble while roaming, particularly internationally. For one thing, engineers weren’t able to squeeze in support for cellular frequencies around the world. And outside the U.S., only a handful of carriers are supporting the cellular watch. In any case, don’t forget to switch to airplane mode on flights.

Cellular data also drains the battery quicker. Apple’s promised 18 hours of battery life includes about four hours of such use. An hour of phone calls over LTE will drain the battery completely.

I got dropped from two conference calls because the battery was low to begin with. Plan ahead. A spare watch charger at your desk helps for those days you’re dumb enough to leave your phone on the kitchen counter.

Embracing the tether

It can be handy to untether the watch at times, but it’s not always necessary. Even when tied to the phone, Series 3 offers improvement such as tracking elevation, so you get credit for climbing stairs or jogging up a hill. And you can now hear Siri responses on the watch speaker, something enabled by the new version’s faster processor.

Software update

For owners of past models, a software update out this week, watchOS 4, will bring easier access to music playback controls when exercising — just swipe left. There are more prompts when reaching or nearing daily goals, and options for multiple sports in a single workout.

A new heart rate app now shows heart rate at rest and averages when walking or recovering from exercise. These can help you gauge your overall fitness.

And if your heart rate is high without any signs of exercise, you’ll get an alert. You enable this when you first open the heart rate app. It can signal health problems, though Apple is stopping short of telling you to see a doctor or visit the emergency room, as the watch isn’t marketed — or certified — as a medical device.

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Native American Journalists Debate Future of Media in Indian Country

The collapse of a prominent Native American media network has triggered debate over how Native media can best serve the interests of communities across Indian Country and counter stereotypes and misinformation in the mainstream press.

Native American journalism dates back to the Cherokee Phoenix, founded in 1828 to advocate against the U.S. government policy of assimilation and forced removal. Many newspapers have since come and gone, victims of high costs and low revenue.

The most recent casualty was Indian Country Today Media Network (ICTMN), whose publisher, Ray Halbritter of the Oneida Indian Nation, this month announced that after 36 years in business, the network would take a break to explore “alternative business models.”

The news disappointed many, who surmised that the venture was too costly to support.

“This is a really tough environment for anyone that’s in the advertising side, and Indian Country Today was selling advertising,” said independent journalist and blogger Mark Trahant.

Others suggest ICTMN failed because it lost touch with the audience it intended to serve.

Humble beginnings

ICTMN began as the Lakota Times, founded in 1981 by Oglala Lakota journalist and editor Tim Giago, serving South Dakota’s Pine Ridge Indian Reservation. A weekly community newspaper, independently owned, it gradually expanded its coverage to national issues and was renamed Indian Country Today.

New York State’s Oneida Nation, a tribe which has profited through the gaming industry, bought the paper in 1998. They later renamed it ICTMN and moved operations to New York City. In 2013, they ended the print edition and shifted online. Last April, ICTMN launched a glossy, bimonthly magazine, Indian Country, at considerable expense.

“One of the things I think they forgot was all these folks here in Pine Ridge, Rosebud, Cheyenne River, Crow Creek or Standing Rock reservations,” said Giago, now publisher of Native Sun News Today. “They live way out in the middle of nowhere. A lot of them don’t have money to buy computers, least of all to hook up to the internet.”

Giago and others have also criticized ICTMN for hiring non-Native American writers and editors.

“Most of the other Native publications over the past couple of generations were written and edited by people who were deeply involved in their respective communities,” said Mohawk journalist Doug George-Kanentiio, vice president of the Hiawatha Institute for Indigenous Knowledge and a former editor of the now-defunct newspaper Akwesasne Notes.

He also questioned whether a network owned and funded by a tribal government could guarantee editorial independence.

“Whoever is writing the checks by and large determines the content,” he said.

‘Crabs in a bucket’

ICTMN op/ed editor Raymond Cook bristles at the criticisms.

“People always poke at success,” he said, citing the analogy of crabs in a bucket, “where one crab is trying to get out of the bucket, and then the others pull him down.”

First, he explained why ICTMN shut down.

“The state of New York recently handed out several gaming licenses, and now these non-tribal entities are trying to creep into the casino market,” he said. “So, the Oneida had to readjust its revenue projections. And reluctantly, with tears in their eyes, they put us on hiatus.”

He denies ICTMN lost touch with tribes.

“New York City has a larger Native American population than any other U.S. city,” he said. “So we never moved out of Indian Country. If we had stayed in South Dakota, we’d still be waiting for internet connection.”

He defends ICTMN for hiring non-native writers, whom he calls ‘indigenous identifiers,’ as well as targeting non-Native audiences.

“’Cause we can’t talk to ourselves only,” he said.

The paper regularly interviewed prominent U.S. politicians, including President Barack Obama.

“We not only educated our readers on the views of these politicians on Indian-focused issues, but we also helped ensure that Native America was on the radar of many of the top power brokers in our country and beyond,” said ICTMN’s Washington bureau chief Rob Capriccioso, a member of the Sault Tribe of Chippewa Indians.

Looking forward

At their recent annual meeting, members of the Native American Journalists Association discussed setting up a national Native American wire service to serve both tribal and mainstream media.

“Instead of trying to create a new vehicle, we’d just create a new driver,” journalist Trahant said.

In the meantime, ICTMN’s Cook said his network is looking for a qualified party to take over operations, something that would require an annual investment of $2.5 million to $3 million until 2021.

“Basically, we’d sell it to them for $10, and they can take over operations, as long as they can guarantee our journalistic standards,” he said. “It could be a tribe, a business, a government — anything, as long as it’s based in Indian Country and it’s run by Natives.”

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Security Firm Links Iranian Hackers to Malware Attacks

A private U.S.-based security firm is linking an Iranian government-sponsored hacking group to cyber-attacks targeted at organizations across the world.

The security firm FireEye said Wednesday the Iranian hackers used malware to attack aerospace and petrochemical firms in the United States, Saudi Arabia and South Korea.

The hacking group, dubbed APT33 (advanced persistent threat) by the FireEye researchers, used phishing emails and fake domain names to gain access to computer systems of the targeted companies.

The report suggests the hackers target the companies in an effort to “enhance Iran’s domestic aviation capabilities or to support Iran’s military and strategic decision making vis-a-vis Saudi Arabia.”

“We believe the targeting of the Saudi organization may have been an attempt to gain insight into regional rivals, while the targeting of South Korean companies may be due to South Korea’s recent partnerships with Iran’s petrochemical industry as well as South Korea’s relationships with Saudi petrochemical companies,” the report reads.

The FireEye report says the hackers retained access to the companies’ computers for between four and six months at a time, during which the hackers were able to steal data and drop off malware that could potentially be used to destroy the infected computers.

It is difficult to accurately attribute cyber-attacks, but FireEye says it linked the hackers to Iran in part by tracking an online handle, “xman_1365_x,” that was accidentally left in the malware coding.

The report also notes references to the Farsi language in the malware code and that the hackers’ workdays appear to correspond with the Iranian time zone, and the Saturday to Wednesday workweek used in the country.

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Clinton Book Has Sold More Than 300,000 Copies

Hillary Clinton’s What Happened had a big debut.

Clinton’s book about her stunning loss in 2016 to Donald Trump sold more than 300,000 copies in the combined formats of hardcover, e-book and audio, Simon & Schuster told The Associated Press on Wednesday.

The book’s hardcover sales of 168,000 was the highest opening for any nonfiction release in five years, according to NPD BookScan, which tracks around 85 percent of retail print sales. Mark Owen’s No Easy Day, a 2012 memoir about the killing of Osama bin Laden, sold more than 250,000 copies in its first week.

Sales for What Happened far exceeded the first week numbers of more than 100,000 copies for Clinton’s book about her years as secretary of state, Hard Choices, which came out in 2014 as she was preparing to launch her run for president.

What Happened has been at or near the top of the Amazon.com best-seller list since its publication Sept. 12 despite a suspicious early wave of negative reader reviews (later pulled by Amazon), likely posted by commentators who had not yet read the book.

“The remarkable response to What Happened indicates that, notwithstanding all that has been written and discussed over the last year, there is clearly an overwhelming desire among readers to learn about and experience, from Hillary Clinton’s singular perspective, the historic events of the 2016 election,” Simon & Schuster CEO Carolyn Reidy said in a statement. “In its candor and immediacy, What Happened is satisfying that demand.”

Clinton’s all-time opening was for her memoir, Living History, a 2003 release that included her first extended comments on the affair between her husband, President Bill Clinton, and White House intern Monica Lewinsky. Living History sold more than 600,000 copies in its first week and came out before the fall of the Borders superstore chain and struggles of Barnes & Noble weakened the hardcover market.

Clinton had promised to let her “guard down” for her first book to come out when she was neither in government nor seeking office.

Responses to What Happened, as with so much of Clinton’s political career, have varied widely. What Happened has been called everything from boring and self-serving to revelatory and poignant.

According to Simon & Schuster, the book set a company record for weekly digital audio sales and sold more e-book editions in a single week than any nonfiction release from the publisher since Walter Isaacson’s biography of Steve Jobs in 2011.

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Boxer Jake LaMotta, Immortalized in ‘Raging Bull,’ Dies at 95

Jake LaMotta, the former middleweight champion whose life in and out of the ring was depicted in the film “Raging Bull,” for which Robert De Niro won an Academy Award, has died, his fiancee said Wednesday. He was 95.

 

LaMotta died Tuesday at a Miami-area hospital from complications of pneumonia, according to fiancee Denise Baker.

 

“Rest in Peace, Champ,” De Niro said in a statement.

 

The Bronx Bull, as he was known in his fighting days, compiled an 83-19-4 record with 30 knockouts, in a career that began in 1941 and ended in 1954.

 

LaMotta fought the great Sugar Ray Robinson six times, handing Robinson the first defeat of his career and losing the middleweight title to him in a storied match.

 

In the fight before he lost the title, LaMotta saved the championship in movie-script fashion against Laurent Dauthuille. Trailing badly on all three scorecards, LaMotta knocked out the challenger with 13 seconds left in the fight.

 

LaMotta threw a fight against Billy Fox, which he admitted in testimony before the Kefauver Committee, a U.S. Senate committee investigating organized crime in 1960.

 

“I purposely lost a fight to Billy Fox because they promised me that I would get a shot to fight for the title if I did,” LaMotta said in 1970 interview printed in Peter Heller’s 1973 book “In This Corner: 40 World Champions Tell Their Stories.”

LaMotta was “stopped” by Fox in the fourth round on November 14, 1947, in Madison Square Garden. He didn’t get a title shot until 10 fights later.

 

On June 16, 1949, in Detroit, he became middleweight champion when the Frenchman Marcel Cerdan couldn’t continue after the 10th round.

 

Of the claim that Cerdan had to quit because of a shoulder injury, LaMotta said in 1970: “Something’s bound to happen to you in a tough fight, cut eye, broken nose or broken hand or something like that. So you could make excuses out of anything, you know, but you got to keep on going if you’re a champ or you’re a contender.”

 

Renowned for his strong chin, and the punishment he could take, and dish out, LaMotta was knocked down only once – in a 1952 loss to light-heavyweight Danny Nardico – in his 106 fights.

 

LaMotta’s first defense was supposed to be a rematch with Cerdan, but the Frenchman was killed when a plane en route to the United States crashed in the Azores in 1949.

 

So in his first defense, LaMotta outpointed Tiberio Mitri on July 12, 1950, in New York, then on September 13, he rallied to knock out Dauthuille at Detroit.

LaMotta’s title reign ended on February 14, 1951, when Robinson stopped him in the 13th round in Chicago. In a fight that became known as the St. Valentine’s Day Massacre, LaMotta gave as good as he got in the early rounds, then took tremendous punishment. He would not go down.

 

In their second match, on February 5, 1943, in New York, LaMotta won a 10-round decision, giving Robinson his first defeat in the 41st fight of his illustrious career.

 

LaMotta was born July 10, 1922, on New York City’s Lower East Side but was raised in the Bronx. After retiring from boxing in 1954, he owned a nightclub for a time in Miami, then dabbled in show business and commercials. He also made personal appearances and for a while in the 1970s he was a host at a topless nightclub in New York.

 

The 1980 film “Raging Bull,” based on LaMotta’s memoir written 10 years earlier, was nominated for eight Academy Awards. Though director Martin Scorsese was passed over, De Niro, who gained 50 pounds to portray the older, heavier LaMotta, won the best actor award.

 

In 1998, LaMotta, who had four daughters, lost both of his sons. Jake LaMotta Jr., 51, died from cancer in February. Joe LaMotta, 49, was killed in plane crash off Nova Scotia in September.

 

A funeral in Miami and a memorial service in New York City are being planned, Baker said.

 

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Alexa, What Do You See? Amazon Said to Be Working on Glasses

Amazon is attempting to develop glasses that pair with Alexa and would allow users to access the voice-activated assistant outside the home, according to a newspaper report.

The Financial Times, citing anonymous sources, says the glasses could be released before the end of the year.

 

Amazon.com Inc., based in Seattle, did not immediately respond to a request for comment Wednesday.

 

Wearable technology, glasses specifically, is already in limited use. Snapchat sells $130 glasses that take a short video and post it on the social media app. And Alphabet Inc. sells Google Glass to employers, so that doctors or factory workers can search information or talk to co-workers hands free.  

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Billy Bush Separating from Wife After Nearly 20 Years

Former “Access Hollywood” and “Today” show personality Billy Bush has separated from wife Sydney Davis after nearly 20 years of marriage.

 

Jill Fritzo, Bush’s publicist, says in a statement that the couple has “separated for the moment to evaluate their life together.” She adds, “they love each other and their children deeply and are committed to a bright future.”

 

The separation comes nearly a year after a 2005 recording surfaced of a lewd conversation between Bush and then “Apprentice” host Donald Trump during an “Access Hollywood” shoot. The video rocked Trump’s presidential campaign and led to Bush’s ouster from his “Today” post.

 

Bush is a cousin of former President George W. Bush and a nephew to former President George H.W. Bush.

 

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New Mom Serena Williams Thanks Mother for Being A Role Model

New mom Serena Williams is thanking her own mother for being the role model she says she needed.

In an open letter to her mother posted to Reddit , Williams calls mom Oracene Price “one of the strongest women I know.” Williams mentions some of the criticisms she’s endured about her muscular body, before telling Price she’s proud that “we were able to show them what some women look like.” She adds “we are curvy, strong, muscular, tall, small, just to name a few, and all the same: we are women and proud!”

 

Williams says she hopes to “have the same fortitude” in raising her own daughter, Alexis Olympia, who was born on Sept. 1. She signed the letter: “your youngest of five.”

 

Williams is engaged to Reddit co-founder Alexis Ohanian.

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Drones May Soon Deliver Life Saving Defibrillators to Rural Areas

A cardiac arrest happens when the heart stops beating regularly, due to mixed up electrical signals. According to the American Heart Association, when cardiac arrest occurs, every minute that passes before help arrives lowers a person’s chance of surviving by seven to 10 percent. However, as we hear from VOA’s Kevin Enochs, in a crisis when every minute counts, drones may be able to quickly get help to people who live in rural areas.

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