Month: January 2018

More than 300 top women in Hollywood — from Meryl Streep and Jennifer Lawrence to Emma Thompson and Cate Blanchett — unveiled an initiative Monday to tackle pervasive sexual harassment in workplaces, calling special attention to their “sisters” in less than glamorous blue-collar jobs.

The initiative, dubbed Time’s Up, caps a year in which the Harvey Weinstein sexual misconduct scandal touched off a deluge of allegations that brought down powerful men in entertainment, politics and the media, prompting companies, government agencies and even the U.S. federal court system to re-examine harassment policies.

But in an open letter printed in The New York Times, the new initiative lends the star power of its A-list members to the cause of women in less prominent fields, urging support and respect for farm workers and others whose humble positions leave them vulnerable and voiceless.

“We fervently urge the media covering the disclosures by people in Hollywood to spend equal time on the myriad experiences of individuals working in less glamorized and valorized trades,” the group says in its full-page ad.

“To every woman employed in agriculture who has had to fend off unwanted sexual advances from her boss, every housekeeper who has tried to escape an assaultive guest, every janitor trapped nightly in a building with a predatory supervisor, every waitress grabbed by a customer and expected to take it with a smile … we stand with you. We support you.”

 $15 million goal

Last month, the head of Ford Motor Company apologized to employees at two factories in Chicago and promised changes, after a scathing expose by the Times detailed pervasive harassment and mistreatment of women at the plants dating back to the 1990s. It was one of the first major media investigations into sexual harassment in blue-collar workplaces.

Among the specific steps it announced, Time’s Up has established a legal defense fund that, in just 12 days, has raised $13.4 million toward a $15 million goal aimed at providing legal aid for women and men who were sexually harassed, assaulted or abused in the workplace.

It has vowed to push for legislation to strengthen laws on workplace harassment and discrimination.

The group insists that more women must be brought into positions of power and leadership, while every woman should have equal benefits, opportunities, pay and representation.

As for Hollywood, it wants “swift and effective change to make the entertainment industry a safe and equitable place for everyone.”

And it called on women to wear black at Sunday’s Golden Globes as a statement against gender and racial inequality, and to raise awareness about the group’s efforts.

‘Dear Sisters’

The open letter in the Times, which also appears in the Spanish-language La Opinion, opens with the words “Dear Sisters” in large, bold type, and closes with the words “in solidarity,” followed by the names of the 300 women.

Several of Weinstein’s accusers signed the open letter. They include Ashley Judd, Gwyneth Paltrow and Kate Beckinsale, as well as Salma Hayek, whose lengthy account of mistreatment by Weinstein — “my monster,” she called him — was widely circulated on social media after appearing last month in The New York Times.

Weinstein has denied some of the allegations, including Hayek’s assertion that he pressured her to do a nude sex scene in one movie.

Other prominent women lending their names to the Time’s Up cause are actresses Natalie Portman, America Ferrera, Amy Schumer, Halle Berry, Julianne Moore, Keira Knightley, Nicole Kidman, Penelope Cruz, Reese Witherspoon, Scarlett Johansson, Susan Sarandon, Uma Thurman and Viola Davis; producer Shonda Rhimes; Universal Pictures chair Donna Langley; feminist activist Gloria Steinem; lawyer and ex-Michelle Obama chief of staff Tina Tchen and Nike Foundation co-chair Maria Eitel.
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(Variety.com)  In a battle of box office heavyweights, Luke Skywalker just managed to hold off Dwayne “The Rock” Johnson as the world rang in another year.

Disney and LucasFilm’s “”Star Wars: The Last Jedi” retained first place for the four-day New Year’s holiday weekend despite steep competition from Sony’s “Jumanji: Welcome to the Jungle.” “Last Jedi” picked up an estimated $68.4 million, bringing its domestic haul to $533.1 million.

Don’t weep for “Jumanji,” however. The fantasy reboot, which finds Johnson, Jack Black, and Kevin Hart transported into a video game world, has outperformed expectations, picking up a lordly $66.5 million over the holiday weekend. It now has a hefty $185.7 million domestic gross and should continue to draw crowds in 2018. The “Jumanji” sequel has also done well internationally, racking up $350 million worldwide, and has provided a much-needed hit for a studio that has struggled to keep pace with the Disney’s and Warner Bros.’s of the world.

Sony claims the film has a $90 million budget. Those alleged production costs have raised eyebrows around town as to their veracity given the film’s Hawaii location and starry cast, but regardless of creative accounting and aggressive spinning, the result is impressive. A sequel seems preordained.

“Star Wars: The Last Jedi” closed 2017 as the year’s highest-grossing release and the seventh highest-grossing domestic movie of all time with $517.1 million. It will bypass its fellow franchisee “Rogue One” at some point on New Year’s Day to take the seventh spot on the stateside charts and has already blown past the $1 billion mark globally. The film carries a $200 million price tag, and has generated controversy for a series of creative decisions by director and writer Rian Johnson that have, depending on your perspective, either infused new energy into decades-old series or deviated dangerously from the Jedi canon.

It’s been a dismal year for the domestic box office, which ends 2017 with $11.12 billion in sales, down 2.3 percent from last year’s $11.38 billion and off slightly from 2015’s $11.14 billion, according to comScore. After a bruising summer, when revenues plummeted more than 6 percent in the wake of costly flops such as “The Mummy” and “Transformer: The Last Knight,” the gap did narrow. Fall and winter hits such as “It,” “Thor: Ragnarok,” “Coco,” and “Murder on the Orient Express,” helped make up the difference. The industry was also aided by record ticket prices.

Empirically, fewer people made it to the multiplexes. Attendance is expected to hit a 27-year low when official numbers are tallied.

Universal’s “Pitch Perfect 3” took third place on the stateside charts, grossing $22.7 million for the four-day period and pushing its domestic total to just under $70 million. The a Cappella comedy carries a $45 million production budget and has been billed as the final installment in the franchise.

Hugh Jackman’s musical drama “The Greatest Showman” is finishing a close fourth with $20.7 million. The Fox-Chernin Entertainment production chronicles the rise of circus impresario P.T. Barnum. It got a boost from the holidays, and showed the biggest gain in the top 10 movies from the Christmas Eve weekend with an impressive 73 percent surge. The domestic total should hit $54.3 million through Monday. It’s a pricey movie, though. All that singing and dancing didn’t come cheap and “The Greatest Showman” cost $84 million to make.

Fox’s second weekend of “Ferdinand” rounded out the top five with $14.6 million, giving the animated comedy $56.8 million domestically.

Not every film was feeling the holiday spirit. Paramount’s “Downsizing” is a costly bomb. The comedy about a man (Matt Damon) who shrinks to the size of thimble in order to live in a materialistic utopia collapsed at the box office, eking out $6.1 million over the long weekend. Its total stands at $18.5 million

— a paltry result given its $65 million budget. It also prolongs a box office losing streak for Damon. The actor also struck out with “Suburbicon” and “The Great Wall,” both of which opened during and flopped in 2017.

Warner Bros. and Alcon’s comedy “Father Figures” was another casualty of the Christmas crunch. The story of two twin brothers (Ed Helms and Owen Wilson) on a quest to find their biological father netted $5.1 million over the four-day weekend. Its total tops out at $14.1 million, making it unlikely that it will recoup its $25 million production budget as well its marketing costs.

And Sony’s “All the Money in the World” struggled to appeal to older audiences. The drama about the kidnapping of John Paul Getty III attracted lots of attention for the filmmakers’ last minute decision to re-cast a key role played by disgraced actor Kevin Spacey. The breakneck reshoots took place in a matter of weeks, with Christopher Plummer assuming the Spacey part as

parsimonious billionaire J. Paul Getty, and added $10 million to the film’s $40 million budget. Alas, audiences failed to show up. The movie grossed $7.5 million over the holiday weekend, bringing its domestic total to $14.7 million.

Foreign audiences picked up the slack as domestic attendance sputtered in 2017. The global box office is projected to hit $40 billion for the first time in history, propelled by the return of China. Total ticket sales in the Middle Kingdom grew by 22.3 percent, ending the year with $8.6 billion in revenues. That, at least, gives a beleaguered movie business some cause for celebration.
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China’s total domestic movie ticket sales rose 13.5 percent in 2017 to 55.9 billion yuan ($8.6 billion), a state news agency said Monday.

The top-grossing title was the mainland-made action picture “Wolf Warrior 2,” which took in 5.7 billion yuan ($875 million), the Xinhua News Agency said, citing data from the State Administration of Press, Publication, Radio, Film and Television.

China is the second-largest global film market and is narrowing the gap with the United States, where last year’s domestic box office is estimated to have declined 2.6 percent from 2016 to $11.1 billion.

Mainland-made movies accounted for 54 percent of 2017 ticket sales, or 30.1 billion yuan ($4.6 billion), according to Xinhua.

The No. 2-grossing title was the Hollywood action movie “The Fate of the Furious,” which earned 2.7 billion yuan.
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When you think about America’s national parks, what probably comes to mind first is Yellowstone — America’s very first national park. That was Mikah Meyer’s next stop as he neared the half-way point in his quest to visit every one of the 417 national park sites. He shared highlights of his visit there with VOA’s Faith Lapidus.
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The roses are ready, and the skies will be blue in Southern California on New Year’s Day.

Only a few clouds are expected in Pasadena as the city celebrates the 129th Rose Parade, and temperatures are expected to reach a high of the mid-70s.

Hundreds of thousands of people are expected to line a street to watch floats decked out with hundreds of thousands of flowers.

It has rained on the Rose Parade only once in the past 67 years — that was in 2006 — and it has never been canceled because of weather.

Actor Gary Sinise is this year’s grand marshal.

Spectators started lining the 3.5-mile (5.6-kilometer) route on Sunday, many of them camping overnight to watch the floats that will start drifting by in the morning.
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