Month: September 2018

The first woman to win the Miss America crown without having to don a swimsuit says she’s glad she didn’t have to.

Nia Imani Franklin, who won the title Sunday night in Atlantic City while competing as Miss New York, said the changes in the 98-year-old are a welcome modernization.

Meeting reporters soon after winning the crown, Franklin said she’s glad there was no swimsuit competition because it enabled her to eat a little more.

“These changes, I think, will be great for our organization,” she said. “I’ve already seen so many young women reaching out to me personally as Miss New York asking how they can get involved because I think they feel more empowered that they don’t have to do things such as walk in a swimsuit for a scholarship.”

“And I’m happy that I didn’t have to do so to win this title tonight because I’m more than just that,” Franklin said. “And all these women onstage are more than just that.”

Her victory Sunday night resurrected a string of successes the Empire State has had in the pageant in recent years. Mallory Hagan, Nina Davuluri and Kira Kazantsev won the title from 2013 to 2015 competing as Miss New York.

A classical vocalist whose pageant platform is “advocating for the arts,” Franklin sang an operatic selection from the opera La Boheme on Sunday night.

She wrote her first song at age 5. It went “Love, love, love, love, is the only thing that matters to me, hey, hey, hey, hey, hey.” At the prompting of an Associated Press reporter, she sang the song at her post-victory press conference as audience members snapped their fingers.

Franklin won a $50,000 scholarship along with the crown in the first Miss America pageant to be held without a swimsuit competition.

She said during her onstage interview that she was one of only a small number of minority students in school growing up, but used her love for music and the arts to grow and fit in.

The fourth runner up was Miss Massachusetts Gabriela Taveras; third runner up was Miss Florida Taylor Tyson; second runner up was Miss Louisiana Holli’ Conway, and the first runner up was Miss Connecticut Bridget Oei.

The judges narrowed the field of 51 candidates during the pageant Sunday night from Jim Whelan Boardwalk Hall.

The decision to drop the swimsuit competition created a good deal of controversy and criticism of current Miss America leadership. Minutes before the nationally televised broadcast began, a comedian warming up the crowd mentioned that there would be no swimsuit competition this year, and was met with loud boos in the hall.

The swimsuits were replaced by onstage interviews, which have generated attention-grabbing remarks from contestants regarding President Trump, and NFL player protests, among other topics. 

Behind the scenes, a revolt is underway among most of the Miss America state organizations who demand that national chairwoman Gretchen Carlson and CEO Regina Hopper resign. 

The former Miss America, Cara Mund, says the two have bullied and silenced her, claims that the women deny. 

Upon taking over at the helm of the Miss America Organization last winter following an email scandal in which former top leaders denigrated the appearance, intellect and sex lives of former Miss Americas, Carlson and Hopper set out to transform the organization, dubbing it “Miss America 2.0.” 

Unhappy with how the swimsuit decision was reached, as well as with other aspects of Carlson and Hopper’s performance, 46 of the 51 state pageant organizations (the District of Columbia is included) have called on the two to resign. 

Mund only appeared at the very end of the pageant before the next winner was crowned. She was not allowed to speak live; instead a 30-second taped segment of her speaking was broadcast. 
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The U.S. Open final suddenly appeared to be slipping away from Novak Djokovic. He dropped three consecutive games. He was angered by a crowd roaring for his popular opponent, Juan Martin del Potro. He was, in short, out of sorts.

And then came Sunday’s pivotal game, a 20-minute, 22-point epic. Three times, del Potro was a point from breaking and earning the right to serve to make it a set apiece. Three times, Djokovic steeled himself. Eventually, he seized that game — and del Potro’s best chance to make a match of it.

A year after missing the U.S. Open because of an injured right elbow that would require surgery, Djokovic showed that he is unquestionably back at his best and back at the top of tennis. His returns and defense-to-offense skills as impeccable as ever, Djokovic collected his 14th Grand Slam title and second in a row by getting through every crucial moment for a 6-3, 7-6 (4), 6-3 victory over 2009 champion del Potro at Flushing Meadows.

Djokovic was better than del Potro on their many lengthy exchanges, using his trademark body-twisting, limb-splaying court coverage to get to nearly every ball, sneakers squeaking around the blue court in Arthur Ashe Stadium, where the roof was closed because of rain.

This was Djokovic’s third championship in New York, along with those in 2011 and 2015. Add in the trophies he has earned at six Australian Opens, one French Open and four Wimbledons, most recently in July, and the 31-year-old Serb pulled even with Pete Sampras for the third-most majors among men, trailing only Roger Federer’s 20 and Rafael Nadal’s 17.

Federer lost in the fourth round in New York, while Nadal retired from his semifinal against del Potro because of a bad right knee. That put the 29-year-old Argentine back in a Grand Slam final for the first time since his breakthrough nine years ago, a comeback for a guy who had four wrist operations in the interim.

Del Potro spoke this week about the low point, in 2015, when he considered quitting the sport. But supported by a dozen or so friends from back home, whose “Ole!” choruses rang around the arena, he climbed up the rankings to a career-high No. 3 by thundering his 100 mph (160 kph) forehands and 135 mph (215 kph) serves.

Those produce free points against so many foes. Not against Djokovic, who always seemed to have all the answers.

Never was that more apparent than the game that stood out on this evening: with Djokovic serving while down 4-3 in the second set. They went back and forth, through eight deuces and all those break opportunities for del Potro, until he slapped one forehand into the net, and another sailed wide.

The game went so long that when it ended, with Djokovic holding to 4-all, spectators began leaving their seats, perhaps thinking it was time for a changeover, even though it wasn’t. That prompted to chair umpire Alison Hughes to chastise them.

It was a brief request, though, unlike her many other pleas for quiet, mainly as fans were shouting and chanting and clapping in support of del Potro. It all bothered Djokovic, who started yelling and gesturing toward the seats. At one moment, he pressed his right index finger to his lips, as if to say, “Shhhhhhh!” Later, after winning a point, Djokovic put that finger to his ear, as if to say, “Who are you cheering for now?!”

When it ended, thanks to a three-game closing run by Djokovic, he flung his racket away and landed on his back, arms and legs spread wide. Moments later, del Potro was in his sideline seat, crying.
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The 2018 football season quietly kicked off across the U.S. Sunday without the widespread player protests over alleged police brutality against African-Americans.

Only two players  both on the Miami Dolphins  protested police violence by kneeling during the national anthem.

Another Dolphins player raised his fist in defiance while a member of the San Francisco 49rs did the same. Two players with the Jacksonville Jaguars chose to stay in the locker room.

A number of players knelt or held their fists in the air throughout last season, prompting President Donald Trump to demand team owners fire players who, in his words, “disrespect our flag.”

The players say the protests had nothing to do with the flag. They said they wanted to draw attention to what they say is the large number of young black males shot, beaten, arrested, or harassed by police, sometimes minor infractions or even when they hadn’t committed a crime.

In a tweet, Trump said the low television ratings of an early-season Thursday game last week was because of the protests.

NFL owners attempted to set a policy requiring players to stand for the anthem or stay off the field. But they dropped the rule after the players union objected.

Former San Francisco player Colin Kaepernick, who began the protests in 2016, is suing the NFL for alleged collusion. He claims owners have conspired to keep him off all the teams.

Kaepernick is now the subject of a new advertising campaign by sports clothing company Nike, whose slogan is “Just Do It.” The ads feature a picture of Kaepernick with a caption reading “Believe in something. Even if it costs you everything.”

Nike reports a large jump in sales since it started running the ads.
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The U.S. Tennis Association fined 2018 U.S. Open runner-up Serena Williams $17,000 Sunday for violations during the women’s final the day before.

Williams will pay for three violations made during the extremely controversial match with 20-year-old Naomi Osaka, who claimed her first grand slam title.

Williams’ first violation for allegedly receiving coaching during a game cost her a warning and $3,000. A second violation, slamming her racket and breaking it, led to a point penalty and a fine of $4,000. The third violation, what umpire Carlos Ramos called verbal abuse when Williams’ called him a “thief” for the point penalty, resulted in her losing a game to penalty and an additional fine of $10,000.

The penalties drew criticism from fans of Williams and many in the tennis world, where a game penalty is extremely rare.

“When a woman is emotional, she’s “hysterical” and she’s penalized for it. When a man does the same, he’s “outspoken” & and there are no repercussions,” Billie Jean King, former World No. 1 professional tennis player and a long-time advocate of women athlete’s rights and equality wrote on Twitter Saturday. “Thank you, @serenawilliams, for calling out this double standard. More voices are needed to do the same.”

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With her 6-2, 6-4 victory Sunday, Osaka won Japan’s first tennis Grand Slam title.

Williams’ defeat cost her tying for Margaret Court’s record of 24 major titles.
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The swimsuits are gone, but there has been plenty of controversy surrounding this year’s Miss America competition that could keep viewers tuning in.

       The next Miss America will be crowned around 11 p.m. Sunday on a nationally televised broadcast on ABC from Atlantic City.

 

       This year marks the first time the broadcast will not include a swimsuit competition.

 

       It has been replaced by onstage interviews, which have generated attention-grabbing remarks from contestants regarding President Trump, and NFL player protests, among other topics.

 

       And behind the scenes, a revolt is underway among most of the Miss America state organizations who demand that national chairwoman Gretchen Carlson and CEO Regina Hopper resign.

 

       The outgoing Miss America, Cara Mund, says the two have bullied and silenced her, claims that the women deny.

 

       Through it all, the 51 young women vying for the crown and a $50,000 scholarship have tried to remain focused.

 

       “I am just having the time of my life,” said Miss Massachusetts Gabriela Taveras, who won Friday’s onstage interview preliminary with comments on how Americans traveling abroad should let people from other nation’s know that America supports and wants to help them. “I don’t know what will happen; I just really shared myself as much as I could.”

 

       The 98th Miss America competition will be held at Jim Whelan Boardwalk Hall in the city where it started nearly a century ago as a bathing beauty contest designed to extend the summer tourism season for another week after Labor Day.

 

       Upon taking over at the helm of the Miss America Organization last winter following an email scandal in which former top leaders denigrated the appearance, intellect and sex lives of former Miss Americas, Carlson and Hopper set out to transform the organization, dubbing it “Miss America 2.0.”

 

       The most consequential decision was to drop the swimsuit competition and give the candidates more time to talk onstage about themselves, their platforms and how they would do the job of Miss America. Supporters welcomed it as a long-overdue attempt to make Miss America more relevant to contemporary society, while others mourn the loss of what they consider an integral part of what made Miss America an enduring part of Americana.

 

       Unhappy with how the decision was reached, as well as with other aspects of Carlson and Hopper’s performance, 46 of the 51 state pageant organizations (the District of Columbia is included) have called on the two to resign.

 

       Adding to the intrigue was a remarkable letter released by Mund, the outgoing Miss America, who said Carlson and Hopper had bullied, silenced and marginalized her. They deny doing any of that, saying they have been working tirelessly to move the organization into the future. It remains unknown if Carlson will speak or appear during the broadcast finale.

 

       Onstage interview comments have raised some eyebrows during three nights of non-televised preliminary competition. On Friday, Miss West Virginia Madeline Collins was asked what she feels is the most serious issue facing the nation.

 

       She replied, “Donald Trump is the biggest issue our country faces. Unfortunately he has caused a lot of division in our country.”

 

       A day earlier, Miss Virginia Emili McPhail was asked what advice she would give to NFL players about whether to stand or kneel for the national anthem.

 

       She said not standing during the anthem “is a right you have. But it’s also not about kneeling; it is absolutely about police brutality.”

 

       Wednesday night’s preliminary winners were Miss Florida Taylor Tyson for talent, and Miss Wisconsin Tianna Vanderhei for onstage interview. Thursday night, McPhail won the interview preliminary and Miss Louisiana Holli’ Conway won for talent. Friday, Taveras won for onstage interview and Miss Indiana Lydia Tremaine won for talent. 
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Tiffany Haddish led an African-American sweep of Emmy Awards for TV series guest actors, a milestone in the entertainment industry’s effort to reflect a diverse society.

 

       Haddish was honored at Saturday’s creative arts Emmys for hosting “Saturday Night Live,” while Katt Williams won the guest comedy actor award for “Atlanta.”

 

       Ron Cephas Jones of “This Is Us” and Samira Wiley of “The Handmaid’s Tale” accepted guest acting honors in the drama series categories.

 

       Cephas, who plays a father who reconnects with his son (series star Sterling K. Brown) after a difficult life of drug addiction and loss, was asked backstage if his character would have been on TV in the past.

 

       “No. Not in this incarnation. … Not that the audience wasn’t ready for it. But maybe the executives, or people that have a say in the writing, probably wouldn’t have been ready for this kind of thing. But now we are. We’re moving forward and moving ahead.”

 

       In another step forward Saturday, Shauna Duggins became the first woman to win an Emmy for stunt coordination for a comedy or variety series for “GLOW,” about women’s wrestling in the 1980s.

 

       The creative arts Emmys set the table for NBC’s Sept. 17 main ceremony, which could also advance inclusivity on-screen and off. Donald Glover, the star and creator of “Atlanta,” won trophies last year for acting and directing and is a multiple nominee again, with his show a top contender for best comedy.

 

       Tracee Ellis Ross of “black-ish” and Issa Rae of “Insecure” are competing for comedy series acting honors. On the drama side, Brown could repeat as best actor for “This Is Us,” while “Killing Eve” star Sandra Oh could become the first actress of Asian descent to win the top award.

 

       Haddish, a hot property since her breakout performance in the movie “Girls Trip,” has been an Oscar presenter and MTV Movie & TV Awards host. She co-stars in the sitcom “The Last O.G.”

 

       She was a no-show at the Emmys, but presenter Tichina Arnold had fun accepting for her.

 

       “Tiffany couldn’t be here tonight. But, guess what, Tiffany! I’ve got your award, girl!” Arnold said, holding up the statuette triumphantly.

 

       “I think you’re going to have to give that back,” presenter Gerald McRaney (“This Is Us”) teased her.

 

       The “Star Trek” television franchise received the Governors Award. William Shatner, star of the original 1960s series, and Sonequa Martin-Green of 2018’s “Star Trek: Discovery” accepted the award, along with other actors with “Star Trek” credentials including Walter Koenig, Jeri Ryan and Levar Burton.

 

       'Star Trek' has endured because it represents an ideal that is greater than the sum of our parts," Shatner said. "The hope ofStar Trek’ is not just that it shows us what we can be tomorrow. But the real hope is how it’s been embraced and watched and reached to see the best version of ourselves.”

 

       An edited version of the two-part creative arts ceremony, held Saturday and Sunday, will be telecast on FXX at 8 p.m. EDT Saturday, Sept. 15.

 

       Among other awards presented Saturday:

       * Character voice-over performance: Alex Borstein, “Family Guy.”

 

       * Animated program: “Rick and Morty.”

 

       * Short-form animated program: “Robot Chicken.”

 

       * Short-form comedy or drama series: “James Corden’s Next James Corden.”

 

       * Actor in a short-form comedy or drama series: James Corden.

 

       * Actress in a short-form comedy or drama series: Christina Pickles, “Break A Hip.”

 

       * Television movie: “USS Callister (Black Mirror).”

 

       * Commercial: “The  Talk,” P&G.

 

       * Music composition for a series (original dramatic score): Ramin Djawadi, “Game of Thrones: The Dragon and the Wolf.”

 

       * Music composition for a limited series, movie or special (original dramatic score): Cyrille Aufort, “March Of The Penguins 2: The Next Step.”
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Naomi Osaka became Japan’s first Grand Slam singles champion after she thumped Serena Williams 6-2 6-4 in a controversial U.S. Open final on Saturday, with the American suffering a mesmerizing meltdown after being handed a code violation.

It was drama-filled conclusion to a final that was rich with story lines but will now go down as one of the most controversial Grand Slam finals of all time.

There was much riding on the match for both women, with Osaka bidding to become the first man or woman from Japan to win a Grand Slam singles title and Williams poised to equal Margaret Court’s record of 24 major titles.

In the end it was Osaka making history, but on a day of bizarre events her victory will be a only footnote to what is sure to go down as one of the most infamous matches ever played at Flushing Meadows.

The chaotic finish filled with screaming, tears and jeers cast a cloud over what should have been Osaka’s shining moment.

Standing on the podium, waiting to be handed her trophy and a winner’s check for $3.8 million, Osaka heard only boos as an angry crowd took out their frustration on Portuguese chair umpire Carlos Ramos, who stood to the side.

“I know everyone was cheering for her and I’m sorry it had to end like this,” said Osaka. “It was always my dream to play Serena in the U.S. Open finals. … I’m really grateful I was able to play with you.”

Coach’s signals

With Osaka in control of the match after taking the first set, Ramos sent Williams into a rage when he handed the 23-time Grand Slam champion a code violation in the second game of the second set after he spotted the American’s coach, Patrick Mouratoglou, making some hand signals from the player’s box.

A string of bad behavior followed from Williams and she went on to incur a point penalty for smashing her racket before being slapped with a game penalty after she launched into a verbal attack against Ramos, accusing him of being “a liar” and “a thief for stealing a point from me.”

The game penalty put Osaka 5-3 up and the 20-year-old Japanese kept her cool to pull off the win.

Mouratoglou later admitted he had been coaching, but in another strange twist an unrepentant Williams continued to deny she had received any advice and was instead a victim of sexism.

“He [Ramos] alleged that I was cheating, and I wasn’t cheating,” said Williams. “I’ve seen other men call other umpires several things.

“I’m here fighting for women’s rights and for women’s equality and for all kinds of stuff.

“For me to say ‘thief’ and for him to take a game, it made me feel like it was a sexist remark.”

Almost lost in the chaos was a fearless and cool display from Osaka.

Before Williams’ meltdown, Osaka had already put the 36-year-old under rarely seen pressure.

Osaka had given Williams plenty of respect but no other concessions as she grabbed the early break on a double fault by her idol for a 2-1 first set lead she would not let go.

Playing on tennis’ biggest stage in her first Grand Slam final, the significance of the moment did not faze Osaka, while Williams, contesting her 31st major final, looked unsteady.

Previous incident

Williams’ implosion was not a totally unfamiliar sight for tennis fans, who watched a similar meltdown nine years earlier at Arthur Ashe Stadium.

Playing the semifinals against Kim Clijsters, Williams flew into a rage after a line judge called her for a foot fault, leaving a match point down to the Belgian.

Williams launched into an expletive-laced rant at the official. She waved her racket in the lineswoman’s direction and then shook a ball in her clenched fist as she threatened to “shove it down” her throat.

Organizers fined her $10,500 at the end of the tournament for her unsportsmanlike behavior, and she was later fined an additional $175,000 and put on probation for two years by the Grand Slam Committee.

Williams could face further sanctions for her actions on Saturday against Osaka; the Women’s Tennis Association said in a statement that it would be looking into the incident.

“There are matters that need to be looked into that took place during the match,” said the WTA. “For tonight, it is time to celebrate these two amazing players, both of whom have great integrity.”
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Oscar-winning director Alfonso Cuaron’s Roma won the Golden Lion at the Venice Film Festival on Saturday, bringing Netflix its first major festival victory to seal the online streaming company’s reputation as a big name in arthouse movies.

Roma, named after the neighborhood in Mexico City where writer-director-cinematographer Cuaron grew up, is a Spanish-language drama that critics almost unanimously described as “shimmering” because of its luscious black-and-white cinematography.

At a festival where only one of the 21 films selected to compete for the Golden Lion was directed by a woman, Roma was one of several that focused almost exclusively on female characters — in this case, Cuaron’s mother and the two maids who helped bring him up.

Hollywood Reporter’s Todd McCarthy called it “an immersive bath in some of the most luxuriantly beautiful black-and-white images you’ve ever seen” and a huge change from the Sandra Bullock adventure Gravity which won Cuaron his Oscar in 2014.

The win is important for Netflix as it seeks to position itself as a major force in film, after it boycotted the Cannes festival in May because of French rules that ban simultaneous streaming of films shown in cinemas.

Another one of its movies, The Ballad of Buster Scruggs, a comedy-western written and directed by the Coen brothers, won best screenplay.

Runner-up

The Favourite, which, like Roma has a strong female focus, won the runner-up Grand Jury Prize, and its star, Olivia Colman, received the Volpi Cup for best actress for her uproarious portrayal of England’s Queen Anne.

Willem Dafoe won the award for best actor for his portrayal of Vincent Van Gogh in the biopic At Eternity’s Gate.

Jennifer Kent, the only female director in the main competition, won the Special Jury Prize for The Nightingale, a revenge thriller set in 1825 in Australia whose male lead, Baykali Ganambarr, won for best up-and-coming actor/actress.

Dedicating the award to the indigenous people of Tasmania, whose brutal treatment by the British is explicitly played out in the film, Kent said in her acceptance speech: “The feminine force is the most powerful and healing force on the planet so I hope and I’m confident that next year, and the year after, and the year after, we’ll see more and more women inhabiting this

space.”
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On the 30th anniversary of Nike’s ‘Just Do It’ slogan, the apparel and footwear company announced a new endorsement deal and ad starring former NFL player Colin Kaepernick. Kaepernick’s decision to kneel in protest of police brutality during the national anthem at NFL games has sparked controversy across the country, with the fallout further blurring the line between sports and politics in the United States. VOA’s Elizabeth Cherneff has more.
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