Shifting Global Marketplace Leaves US Workers Behind

President Donald Trump insists his new trade agreement with Mexico and Canada will address the exporting of U.S. manufacturing jobs overseas. That pledge, however, comes on the heels of auto giant General Motors’ announcement of the layoff of 14,000 employees in five factories in the United States and Canada.

Despite the president’s optimistic pronouncements, the General Motors announcement indicates broader market shifts in the automotive industry that are unlikely to be reversed.

General Motors justified the decision as a result of shifting economic trends that have seen consumer preferences shift away from mid-sized vehicles and toward sport utility vehicles (SUVs) and electric cars. The company said the move “is transforming its global workforce to ensure the right skill sets for today and the future.”

Those moves toward increased efficiency also include a 25 percent cut of the executive workforce.

But in Lordstown, Ohio, workers whose livelihoods have depended on jobs in GM factories struggled to understand the move.

Mid-sized autos

The Lordstown plant manufactures the Chevy Cruze, one of the mid-sized cars auto manufacturers no longer see as profitable. Trump specifically addressed the impact on the Lordstown plant shortly after GM’s decision, saying, “They say the Chevy Cruze is not selling well. I say, ‘Well, get a car that is selling well and put it back in.'”

Workers are holding on to that hope with the Lordstown plant in an “unallocated status” that leaves open the possibility of GM moving in another product. Local union leader Dave Green acknowledged that issues with the Chevy Cruze were part of an overall industry trend away from smaller cars. 

“They’re not building cars, sedans anymore, but people are still buying cars,” Green told VOA. “Part of it is that they need to be priced right and they need to be priced fair. If I can go into a dealership and lease an SUV cheaper than a Chevy Cruze — you know, most Americans want more for less. So they’re going to get the bigger, the better, the more for less and it is what it is. I think the car was priced a little out of its range.”

The 6.2-million-square-foot Lordstown plant is well-placed in the center of the country, with easy access to major highway artery Interstate Highway 80 and an infrastructure of secondary plants.

Green said 80 percent of the plant’s production is sold within a 600-mile radius. “GM would be foolish to walk away from it,” he said.

The 1,600 workers anticipating a March 2019 layoff from the Lordstown plant certainly hope that’s the case. They earn $30-40 an hour compared to the next best option in the area, $10 an hour at the aluminum factory.

Lordstown is part of the broader Warren-Youngstown, Ohio, area that once thrived on the presence of steel mill manufacturing. When those plants shut down in the 1970s and ’80s, the auto industry became the lifeblood of the local economy.

“That’s is the largest plant that we have,” said Trish Williams, owner of the Ice House restaurant in Austintown, Ohio. She has several family members and friends who have worked at the GM plant in the past and present.

“That keeps this town going. Our steel mills are gone. Our factories are gone. [Hewlitt] Packard is closed. General Electric is gone. Chrysler is gone and GM was it. GM was what kept this here — it may turn into a ghost town,” Williams said.

‘Don’t sell your house’

Trump visited Youngstown in July 2017, telling workers, “Don’t sell your house. Don’t sell your house. Do not sell it. We’re going to get those values up. We’re going to get those jobs coming back. And we’re going to fill up those factories, or rip them down and build brand new ones.”

Many residents said they do not hold Trump responsible for GM’s decision, a move that could devastate the local economy.

“The president doesn’t own GM,” waitress Lisa Miller said. “Nor can he say you can’t do this, you can’t do that. We are a free country. I believe the president will push with all his might — as we’ve already seen him doing — to keep them here and to change things, but this was something that was out of his hands.”

Just days after the GM announcement, Miller said she was already noticing a drop in sales and an end to the usual lunch to-go orders from GM workers.

Some of those workers will be able to transfer to other plants around the country based on their seniority within GM. But many workers expressed concern to VOA about the number of temporary employees — who earn far lower rates per hour — working in those plants. They are also aware of GM’s plant in Mexico that builds the Chevy Blazer, an SUV.

“Why is our plant not getting the Blazer?” asked Rebecca Zak, an 18-year veteran of the Lordstown GM plant. “Why is it being built in Mexico? It’s mind-blowing. I heard in Ramos, Mexico, they get paid $2.65 an hour.”

Zak said she sees the decision as part of a trend toward corporations enriching themselves at the expense of the worker.

“We’re the ones that build this car, we are the ones that got this company this far and who are the ones who are suffering? The worker, not corporate America. Six billion dollars in the third-quarter and they can justify laying off 14,000 people,” she said.

GM workforce

Those 14,000 people represent just 7 percent of GM’s 180,000-person workforce, a strategic shift for a company in a competitive automotive market. What remains to be seen is whether that strategic shift will include places like Lordstown.

But as Lordstown employee Dan Smith said, “Any industry is cyclical. Gas could go up to $5 a gallon and then, poof, there goes the truck-SUV market. And they’re going to need small cars. It’s something we went through, my dad’s worked there.”

Smith said he was shocked by the decision but did not entirely fault GM for operating a plant in Mexico with lower-paid labor.

“Business-wise that makes sense, but then to sell it here in the United States doesn’t make much sense for American people to buy an American car that’s built in another country,” he told VOA.

For Williams, waiting to see how the decision impacts her community and her business, the equation seemed simple.

“Smaller cars, bigger cars — they all have four wheels,” she said. “They’ve made other cars off that line — why not bring another car back?”

Watch Related Video Story:

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Shifting Global Marketplace Leaves US Workers Behind

President Donald Trump insists his new trade agreement with Mexico and Canada will address the exporting of U.S. manufacturing jobs overseas. That pledge, however, comes on the heels of auto giant General Motors’ announcement of the layoff of 14,000 employees in five factories in the United States and Canada.

Despite the president’s optimistic pronouncements, the General Motors announcement indicates broader market shifts in the automotive industry that are unlikely to be reversed.

General Motors justified the decision as a result of shifting economic trends that have seen consumer preferences shift away from mid-sized vehicles and toward sport utility vehicles (SUVs) and electric cars. The company said the move “is transforming its global workforce to ensure the right skill sets for today and the future.”

Those moves toward increased efficiency also include a 25 percent cut of the executive workforce.

But in Lordstown, Ohio, workers whose livelihoods have depended on jobs in GM factories struggled to understand the move.

Mid-sized autos

The Lordstown plant manufactures the Chevy Cruze, one of the mid-sized cars auto manufacturers no longer see as profitable. Trump specifically addressed the impact on the Lordstown plant shortly after GM’s decision, saying, “They say the Chevy Cruze is not selling well. I say, ‘Well, get a car that is selling well and put it back in.'”

Workers are holding on to that hope with the Lordstown plant in an “unallocated status” that leaves open the possibility of GM moving in another product. Local union leader Dave Green acknowledged that issues with the Chevy Cruze were part of an overall industry trend away from smaller cars. 

“They’re not building cars, sedans anymore, but people are still buying cars,” Green told VOA. “Part of it is that they need to be priced right and they need to be priced fair. If I can go into a dealership and lease an SUV cheaper than a Chevy Cruze — you know, most Americans want more for less. So they’re going to get the bigger, the better, the more for less and it is what it is. I think the car was priced a little out of its range.”

The 6.2-million-square-foot Lordstown plant is well-placed in the center of the country, with easy access to major highway artery Interstate Highway 80 and an infrastructure of secondary plants.

Green said 80 percent of the plant’s production is sold within a 600-mile radius. “GM would be foolish to walk away from it,” he said.

The 1,600 workers anticipating a March 2019 layoff from the Lordstown plant certainly hope that’s the case. They earn $30-40 an hour compared to the next best option in the area, $10 an hour at the aluminum factory.

Lordstown is part of the broader Warren-Youngstown, Ohio, area that once thrived on the presence of steel mill manufacturing. When those plants shut down in the 1970s and ’80s, the auto industry became the lifeblood of the local economy.

“That’s is the largest plant that we have,” said Trish Williams, owner of the Ice House restaurant in Austintown, Ohio. She has several family members and friends who have worked at the GM plant in the past and present.

“That keeps this town going. Our steel mills are gone. Our factories are gone. [Hewlitt] Packard is closed. General Electric is gone. Chrysler is gone and GM was it. GM was what kept this here — it may turn into a ghost town,” Williams said.

‘Don’t sell your house’

Trump visited Youngstown in July 2017, telling workers, “Don’t sell your house. Don’t sell your house. Do not sell it. We’re going to get those values up. We’re going to get those jobs coming back. And we’re going to fill up those factories, or rip them down and build brand new ones.”

Many residents said they do not hold Trump responsible for GM’s decision, a move that could devastate the local economy.

“The president doesn’t own GM,” waitress Lisa Miller said. “Nor can he say you can’t do this, you can’t do that. We are a free country. I believe the president will push with all his might — as we’ve already seen him doing — to keep them here and to change things, but this was something that was out of his hands.”

Just days after the GM announcement, Miller said she was already noticing a drop in sales and an end to the usual lunch to-go orders from GM workers.

Some of those workers will be able to transfer to other plants around the country based on their seniority within GM. But many workers expressed concern to VOA about the number of temporary employees — who earn far lower rates per hour — working in those plants. They are also aware of GM’s plant in Mexico that builds the Chevy Blazer, an SUV.

“Why is our plant not getting the Blazer?” asked Rebecca Zak, an 18-year veteran of the Lordstown GM plant. “Why is it being built in Mexico? It’s mind-blowing. I heard in Ramos, Mexico, they get paid $2.65 an hour.”

Zak said she sees the decision as part of a trend toward corporations enriching themselves at the expense of the worker.

“We’re the ones that build this car, we are the ones that got this company this far and who are the ones who are suffering? The worker, not corporate America. Six billion dollars in the third-quarter and they can justify laying off 14,000 people,” she said.

GM workforce

Those 14,000 people represent just 7 percent of GM’s 180,000-person workforce, a strategic shift for a company in a competitive automotive market. What remains to be seen is whether that strategic shift will include places like Lordstown.

But as Lordstown employee Dan Smith said, “Any industry is cyclical. Gas could go up to $5 a gallon and then, poof, there goes the truck-SUV market. And they’re going to need small cars. It’s something we went through, my dad’s worked there.”

Smith said he was shocked by the decision but did not entirely fault GM for operating a plant in Mexico with lower-paid labor.

“Business-wise that makes sense, but then to sell it here in the United States doesn’t make much sense for American people to buy an American car that’s built in another country,” he told VOA.

For Williams, waiting to see how the decision impacts her community and her business, the equation seemed simple.

“Smaller cars, bigger cars — they all have four wheels,” she said. “They’ve made other cars off that line — why not bring another car back?”

Watch Related Video Story:

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Hugh Jackman Readies Massive Pop Star-like World Tour

Hugh Jackman is set to launch a pop star-like tour next year, but he’s done his research: He’s been to a Beyonce concert. A Justin Timberlake concert. AND A MICHAEL JACKSON CONCERT.

 

“I’ve seen some of the greats,” Jackman said in an interview with The Associated Press on Tuesday. “And the great performers for me are the ones who can connect with the person in the back and in the front. And I’ll sometimes sit in the back ’cause I wanna know am I feeling it back here? ‘Cause I’m from the theater, (so) for me everything I do has to connect to every single person.”

 

The regular concert attendee is hoping to make some strong connections with fans when he launches his first world tour — dubbed “The Man. The Music. The Show.” — next year. Accompanied by a live orchestra, he will perform songs from “The Greatest Showman,” “Les Miserables” and Broadway musicals, among other selections.

 

“I’ve always felt strangely at home on a stage, no matter how big the stage is — sometimes even more than in life,” said the actor, known for roles like Wolverine. “Never in my wildest dreams did I think when I turned 50 I would be playing Madison Square Garden or the Hollywood Bowl.”

 

Jackman, who was born in Australia, did an arena tour there three years ago, but he didn’t think he could replicate the success outside his native home.

 

“I had no idea really what the demand is for me. It’s not like I measure it or I ask. I always underplay it,” he said. “At that time three years ago I remember thinking, ‘I’d really love to do this around the world.’ And my agent in L.A. goes, ‘I’d leave it in Australia, dude.'”

 

But then came “The Greatest Showman” — a game changer for Jackman’s music career. The 2017 film was a box-office powerhouse, but so was — and still is — its soundtrack: The album has reached multi-platinum status and is one of the year’s top albums, matching the success of any major rap, pop or rock album. It came in fourth on Billboard’s list of top albums for the year and also made Apple Music’s year-end Top 10 list.

 

“The opportunity to go around the world … I probably wouldn’t have had it if it wasn’t for ‘The Greatest Showman.’ That tipped me over,” Jackman said.

 

“The Greatest Showman” has come a long way: Jackman remembers how the movie only earned $8.6 million in its first week around the time the soundtrack debuted at No. 71 on the Billboard charts.

 

“When we opened, when I saw I didn’t get an email, normally you’ll get a consolation email from your friends, the studios; it was like crickets, like nothing. That’s how bad it was,” he said. “We worked eight years on it … and I always want to remind people the studio took a big risk on it. It wasn’t cheap.”

 

Jackman will kick off his tour in Hamburg, Germany, on May 13. He will play two shows at The O2 Arena in London, where the album has had even more success than America: The album has spent 48 of 49 weeks in the Top 10 on the U.K. charts, including 21 weeks at No. 1. And it’s currently No. 4 on the charts, a year after its release.

 

The North American leg begins June 18 in Houston. Most tickets go on sale Friday; tickets for the MSG shows go on sale Dec. 10.

 

Jackman hopes to also perform original music on the tour, and he recalls working on an album when he was signed to a record label over a decade ago when he starred in Broadway’s “The Boy from Oz,”‘ for which he won a Tony in 2004.

 

“I had a deal at the time and I hated what I did. It had nothing to do with anyone involved, I had amazing people involved, but at that point I didn’t know what I wanted to say,” he said. “Whether you’re a recording artist or a writer or actor, you’ve got to feel like you have something to say.”

 

Now, he’s ready.

 

“I would love to do a couple of original songs. I do have some things I want to say,” he said.

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Hugh Jackman Readies Massive Pop Star-like World Tour

Hugh Jackman is set to launch a pop star-like tour next year, but he’s done his research: He’s been to a Beyonce concert. A Justin Timberlake concert. AND A MICHAEL JACKSON CONCERT.

 

“I’ve seen some of the greats,” Jackman said in an interview with The Associated Press on Tuesday. “And the great performers for me are the ones who can connect with the person in the back and in the front. And I’ll sometimes sit in the back ’cause I wanna know am I feeling it back here? ‘Cause I’m from the theater, (so) for me everything I do has to connect to every single person.”

 

The regular concert attendee is hoping to make some strong connections with fans when he launches his first world tour — dubbed “The Man. The Music. The Show.” — next year. Accompanied by a live orchestra, he will perform songs from “The Greatest Showman,” “Les Miserables” and Broadway musicals, among other selections.

 

“I’ve always felt strangely at home on a stage, no matter how big the stage is — sometimes even more than in life,” said the actor, known for roles like Wolverine. “Never in my wildest dreams did I think when I turned 50 I would be playing Madison Square Garden or the Hollywood Bowl.”

 

Jackman, who was born in Australia, did an arena tour there three years ago, but he didn’t think he could replicate the success outside his native home.

 

“I had no idea really what the demand is for me. It’s not like I measure it or I ask. I always underplay it,” he said. “At that time three years ago I remember thinking, ‘I’d really love to do this around the world.’ And my agent in L.A. goes, ‘I’d leave it in Australia, dude.'”

 

But then came “The Greatest Showman” — a game changer for Jackman’s music career. The 2017 film was a box-office powerhouse, but so was — and still is — its soundtrack: The album has reached multi-platinum status and is one of the year’s top albums, matching the success of any major rap, pop or rock album. It came in fourth on Billboard’s list of top albums for the year and also made Apple Music’s year-end Top 10 list.

 

“The opportunity to go around the world … I probably wouldn’t have had it if it wasn’t for ‘The Greatest Showman.’ That tipped me over,” Jackman said.

 

“The Greatest Showman” has come a long way: Jackman remembers how the movie only earned $8.6 million in its first week around the time the soundtrack debuted at No. 71 on the Billboard charts.

 

“When we opened, when I saw I didn’t get an email, normally you’ll get a consolation email from your friends, the studios; it was like crickets, like nothing. That’s how bad it was,” he said. “We worked eight years on it … and I always want to remind people the studio took a big risk on it. It wasn’t cheap.”

 

Jackman will kick off his tour in Hamburg, Germany, on May 13. He will play two shows at The O2 Arena in London, where the album has had even more success than America: The album has spent 48 of 49 weeks in the Top 10 on the U.K. charts, including 21 weeks at No. 1. And it’s currently No. 4 on the charts, a year after its release.

 

The North American leg begins June 18 in Houston. Most tickets go on sale Friday; tickets for the MSG shows go on sale Dec. 10.

 

Jackman hopes to also perform original music on the tour, and he recalls working on an album when he was signed to a record label over a decade ago when he starred in Broadway’s “The Boy from Oz,”‘ for which he won a Tony in 2004.

 

“I had a deal at the time and I hated what I did. It had nothing to do with anyone involved, I had amazing people involved, but at that point I didn’t know what I wanted to say,” he said. “Whether you’re a recording artist or a writer or actor, you’ve got to feel like you have something to say.”

 

Now, he’s ready.

 

“I would love to do a couple of original songs. I do have some things I want to say,” he said.

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Brazil’s Bolsonaro to Tackle Pension Overhaul Piecemeal

Right-wing President-elect Jair Bolsonaro said on Tuesday he plans to tackle the overhaul of Brazil’s fiscally burdensome pension system with piecemeal reforms that can pass Congress, starting with an increase in the minimum age of retirement.

He said reforms should start with the public social security system and advance gradually to make sure they pass Congress.

“The idea is to start with the (minimum) age, attack the privileges and take it forward,” Bolsonaro said at a news conference, warning that the problem with the cost of the pension system was growing every year.

“We cannot allow Brazil to reach the situation that Greece reached to do something about it,” he said.

Brazil’s next president said he planned to start by raising the minimum age of retirement for everyone by two years, but keeping the gender age gap, building on a proposal made by incumbent President Michel Temer. He gave few details.

Currently, Brazilian men can retire after 35 years of contributions and women after 30 years. Men can also retire by age 65 and women at 60 as long as they have contributed for at least 15 years.

Generous pensions are a major cause of Brazil’s gaping budget deficit and growing public debt, an unsustainable situation that is becoming more acute as the population ages and more people retire.

Investors and credit rating agencies are watching Bolsonaro’s commitment to pension reform closely as it is key to reducing the deficit and restoring confidence in Latin America’s largest economy as it recovers slowly from a two-year recession.

The pension reform proposal by Temer’s outgoing government never gained enough traction in Congress.

Bolsonaro, who takes office on Jan. 1, began meetings with political parties on Tuesday to see how he can build support for his agenda that includes tax reform and the easing of gun laws.

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Brazil’s Bolsonaro to Tackle Pension Overhaul Piecemeal

Right-wing President-elect Jair Bolsonaro said on Tuesday he plans to tackle the overhaul of Brazil’s fiscally burdensome pension system with piecemeal reforms that can pass Congress, starting with an increase in the minimum age of retirement.

He said reforms should start with the public social security system and advance gradually to make sure they pass Congress.

“The idea is to start with the (minimum) age, attack the privileges and take it forward,” Bolsonaro said at a news conference, warning that the problem with the cost of the pension system was growing every year.

“We cannot allow Brazil to reach the situation that Greece reached to do something about it,” he said.

Brazil’s next president said he planned to start by raising the minimum age of retirement for everyone by two years, but keeping the gender age gap, building on a proposal made by incumbent President Michel Temer. He gave few details.

Currently, Brazilian men can retire after 35 years of contributions and women after 30 years. Men can also retire by age 65 and women at 60 as long as they have contributed for at least 15 years.

Generous pensions are a major cause of Brazil’s gaping budget deficit and growing public debt, an unsustainable situation that is becoming more acute as the population ages and more people retire.

Investors and credit rating agencies are watching Bolsonaro’s commitment to pension reform closely as it is key to reducing the deficit and restoring confidence in Latin America’s largest economy as it recovers slowly from a two-year recession.

The pension reform proposal by Temer’s outgoing government never gained enough traction in Congress.

Bolsonaro, who takes office on Jan. 1, began meetings with political parties on Tuesday to see how he can build support for his agenda that includes tax reform and the easing of gun laws.

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‘Black Panther,’ ‘Star is Born’ Among AFI’s Top Films of 2018

Musical drama A Star is Born, superhero movie Black Panther and horror flick A Quiet Place were named as some of the 10 best films of 2018 by the American Film Institute on Tuesday.

The top movies also included coming-of-age tale Eighth Grade and family film Mary Poppins Returns, as well as historical dramas BlacKkKlansman, If Beale Street Could Talk, The Favourite, Green Book and First Reformed.

The honors are among the first to be handed out during Hollywood’s awards seasons, which continues with Golden Globe nominations Thursday through the Academy Awards in February.

The group also gave a special award to black-and-white family drama Roma, which did not meet criteria for the top 10 list of American films. Roma was shot in Mexico and the dialogue is in Spanish. The movie is being shown on Netflix and in a limited number of theaters around the world.

The AFI also named its top 10 TV series of the year. They were The Marvelous Mrs. Maisel, Succession, Atlanta, Pose, The Americans, The Assassination of Gianni Versace: American Crime Story, Barry, Better Call Saul, This is Us, and The Kominsky Method.

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Grande’s ‘Thank U, Next’ Bests Adele to Fastest 100 Million Views

Ariana Grande’s breakup anthem “Thank U, Next” has become the fastest music video to reach 100 million views, video hosting service Vevo said on Tuesday.

The single, released after the 25-year-old singer’s much publicized breakup with fiance Pete Davidson, has also topped the Billboard charts for three weeks, giving Grande the biggest hit of her seven-year career.

Vevo said the “Thank U, Next” video, in which Grande recreates scenes from popular women’s empowerment movies “Legally Blonde” and “Mean Girls,” reached 100 million views in under four days following its Nov. 30 release.

The previous record was held by British singer Adele’s “Hello” comeback music video in 2015, which took five days to reach 100 million views, Vevo said.

“100 mil already. sheesh … thank u, everybody. we love u n are so excited,” Grande tweeted on Tuesday.

The video also features cameo appearances from “Legally Blonde” actress Jennifer Coolidge, singer Troye Sivan and Kris Jenner, the matriarch of the Kardashian reality TV show family.

“Thank U, Next” was released just three weeks after Grande and Davidson, whose engagement in June after dating for less than two months became a celebrity media sensation, split up in October.

Grande, who has 137 million Instagram followers, sings with affection of Davidson and another ex-boyfriend, rapper Mac Mi

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Holocaust Survivors Gathering for Global Hanukkah Ceremonies

Hundreds of Holocaust survivors around the world marked the third night of Hanukkah on Tuesday, with menorah-lighting ceremonies paying tribute to them and the 6 million other Jews who were killed by the Nazis.

Initiated last year by the New York-based organization that handles claims on behalf of Jews persecuted by the Nazis, International Holocaust Survivors Night was expanded this year to include Moscow, a nod to the large number of survivors who live in Russia and other former Soviet countries.

“The sense of Hanukkah is in our dear veterans who are present here today,” Russia’s Chief Rabbi Berel Lazar said at the ceremony in the Jewish Community Center and Synagogue in Moscow. “These people have seen war, but never gave up.”

Other ceremonies were held in Berlin and Jerusalem, and planned later for South Orange, New Jersey, outside New York City.

Greg Schneider, executive vice president of the Conference on Jewish Material Claims Against Germany, said that more than seven decades after the end of World War II it is more critical than ever to keep the memory of the Holocaust alive.

“We owe it to you, to show you that we will not forget,” he told the group of several dozen survivors and relatives in Moscow. “The Hanukkah candles will serve as a reminder from here forward of the importance of preserving memory. We have rebuilt many times in the past; we will never forget those lessons.”

In Berlin, several hundred survivors and relatives packed the German capital’s biggest Jewish community center for a dinner of turkey and rice, washed down with Manischewitz red, before lighting a menorah on stage.

Sara Bialas-Tenenberg, a native of Czestochowa, Poland, who survived 4 ½ years in the Nazis’ Gross Rosen concentration camp, said even though it was good to be among people with whom she had so much in common, the event was “not easy” for her.

She told The Associated Press it brought back memories of her parents, killed in Treblinka, a sister who was shot by the Germans and another sister who simply vanished.

“I was just a child then, 13 years year old, I knew nothing of the world and I’d never been away from my parents,” said Bilas-Tenenberg, who turned 91 on Tuesday and has lived in Germany since 1961.

“I miss my mother always and even though I’m now old, I need my mother.”

At Jerusalem’s Western Wall, the holiest place where Jews can pray, more than 250 survivors from across Israel lit candles at sunset after feasting on sweet Hanukkah treats and dancing to traditional Hebrew folk songs.

Colette Avital, chair of the Center of Organizations of Holocaust Survivors in Israel, said her own trauma hiding from the Germans as her family members were killed inspired her to promote Holocaust commemoration, a task she said grows in urgency every year as survivors advance in age.

“The people here are old and ailing and getting sicker,” she said. “We have to celebrate them while we can.”

Shlomo Gewirtz, the vice president of the Claims Conference in Israel, said that in the wake of reports of rising anti-Semitism in Europe, the international nature of the ceremony has taken on increased importance.

“We need to make sure more and more people remember,” Gewirtz said. “This event gives us hope — it’s an expression of overcoming the tragedy, bringing people from darkness into light.”

In Berlin, Charlotte Knobloch, a survivor and former head of Germany’s Central Council of Jews, also condemned the increasing anti-Semitism, pledging to those who perished in the Holocaust: “We are here and we are staying.”

“Many of you will never see the light of Hanukkah again,” she said. “It is you who we remember.”

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Trump: Trade Talks With China Underway

U.S. President Donald Trump said in a series of tweets Tuesday that talks to secure a trade deal with China “have already started” and if a “fair deal” is reached, “I will happily sign it.”

 

Trump’s comments come after leaders of the world’s two biggest economies agreed Saturday in Argentina to not impose any new tariffs on each other’s exports for the next 90 days while they negotiate a detailed trade agreement.

Trump declared himself Tuesday “a Tariff Man” who wants “people or countries” with intentions to “raid the great wealth” of the U.S. “to pay for the privilege of doing so.”

White House economic adviser Larry Kudlow said earlier this week the U.S. won Chinese commitments to buy more than $1 trillion in American products.

The U.S. had a $335.4 billion trade deficit with China in 2017. Trump said on Monday, however, “We are dealing from great strength, but China likewise has much to gain if and when a deal is completed.  Level the field!”

The U.S. leader said U.S. farmers “will be a very BIG and FAST beneficiary of our deal with China. They intend to start purchasing agricultural product immediately. We make the finest and cleanest product in the World, and that is what China wants. Farmers, I LOVE YOU!” 

Late Sunday, Trump tweeted that “China has agreed to reduce and remove tariffs on cars coming into China from the U.S.  Currently the tariff is 40 percent.

On Monday, Kudlow said there was an “assumption” that China would eliminate auto tariffs, not a specific agreement.

China’s ministry of foreign affairs said Monday the Chinese and U.S. president had agreed to work toward removing all tariffs.

Trump said he and Xi “are the only two people that can bring about massive and very positive change, on trade and far beyond, between our two great Nations.  A solution for North Korea is a great thing for China and ALL!” 

At his political rallies and news conferences, Trump often praises the increase in U.S. military spending during his nearly two years in the White House.

But he tweeted that “at some time in the future,” Xi, Russian President Vladimir Putin and he “will start talking about a meaningful halt to what has become a major and uncontrollable Arms Race.  The U.S. spent 716 Billion Dollars this year. Crazy!”

The 90-day truce in the escalating trade war between the U.S. and China came during a dinner meeting between the two presidents following the G-20 summit of the world’s biggest economies in Buenos Aires.  For months, the two countries have engaged in tit-for-tat increases in tariffs on hundreds of billions of dollars of exports flowing between the two countries.

Trump, speaking to reporters on Air Force One after the plane departed Argentina, said his agreement with Xi, will go down “as one of the largest deals ever made. … And it’ll have an incredibly positive impact on farming, meaning agriculture, industrial products, computers — every type of product.”

Trump agreed he will leave the tariffs on $200 billion worth of Chinese products at 10 percent, and not raise it to 25 percent as he has threatened to do Jan. 1, according to a White House statement. 

“China will agree to purchase a not yet agreed upon, but very substantial, amount of agricultural, energy, industrial and other product from the United States to reduce the trade imbalance between our two countries,” said White House Press Secretary Sarah Sanders. “China has agreed to start purchasing agricultural product from our farmers immediately.”

Trump and Xi also agreed to immediately begin negotiations on structural changes with respect to forced technology transfer, intellectual property protection, non-tariff barriers, cyber intrusions and cyber theft, services and agriculture, according to the White House statement.

“Both parties agree that they will endeavor to have this transaction completed within the next 90 days. If at the end of this period of time, the parties are unable to reach an agreement, the 10 percent tariffs will be raised to 25 percent,” the statement said.

 

 

 

 

 

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Uber Announces New Minibus Service in Traffic-mad Egypt

Uber launched a new minibus service on Tuesday in traffic-mad Cairo, Egypt’s capital and one of the U.S. ride-sharing giant’s fastest-growing markets.

A part of an aggressive push into emerging countries, the company hopes to draw millions of Egyptians into ride-sharing from chronically congested, pollution-filled urban landscapes and replace personal automobiles. It is already investing $100 million into a Mideast and North Africa customer support center in Cairo.

At a news conference with the famed Pyramids at Giza in the background, CEO Dara Khosrowshahi said the company wants to grow its global number of users from 100 million to 1 billion, and that the new Uber Bus service was part of this plan.

“This is a product that we built for Cairo. It will now be the most affordable way to use Uber technology to get around the city,” he said. “I’m especially proud to add that Cairo is the first city globally to be rolling out Uber Bus.”

Microbuses — such as the ones Uber plans to use — are notorious in Cairo.

Often over-packed, speeding and veering across traffic lanes with little concern for safety and other drivers, the vehicles are the only affordable method of travel for millions of people in Egypt, where public transport is massively overloaded.

The company hopes that its safety features and feedback model will improve the popular mini-bus form of transport, allowing users to select the closest, quickest routes from convenient pick up spots. It also is introducing a smaller version of its application to run on less advanced mobile phones.

Uber’s regional rival, the Dubai-based Careem, said it also launched a microbus service in Cairo similar to Uber’s and that it is planning to offer similar services in Saudi Arabia and Pakistan in the future.

Uber drivers have come into conflict with taxis in Egypt, as in other countries. But many in this country of 100 million people say the service provides cleaner vehicles and driver accountability.

Egypt’s government also welcomes the company as it helps generate tax revenue by bringing in drivers from the informal economy. Uber says previous regulatory issues have been overcome, as have questions over data privacy raised by reports of Egypt’s infamous intelligence agencies seeking continuous access to user information and locations.

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Rockers Hootie & the Blowfish Return with New Album, Tour

Twenty-five years after “Cracked Rear View” launched their careers, Grammy-winning rock band Hootie & the Blowfish will release a new album and launch an official tour next year after a decade-long break.

 

The Southern pop-rockers, featuring lead singer Darius Rucker, Mark Bryan, Jim Sonefeld and Dean Felber, broke out with their major label debut in 1994, which has been certified 21-times platinum and made the Recording Industry Association of America’s list of the top-10 most popular albums of all-time.

 

With Top 10 hits like “Hold My Hand,” “Let Her Cry” and “Only Wanna Be With You,” the South Carolina-based band went from playing college bars to selling out arenas and winning best new artist at the Grammy Awards in 1996. The band put out five studio albums and other live albums, never coming close to the popularity of the first, with the last one in 2006. Their last official tour was in 2007.

 

But with a big anniversary approaching in 2019, the four musicians who still play together a couple times a year for annual charity events decided it was time to go out on the road and bring with them some new music.

 

“Nothing has changed,” insists Rucker, who is now a major country star in his own right with several country radio hits like “Wagon Wheel.” “When the four of us get back together, we fall into the same dynamic of the band that’s always there. We’ve been a band for pretty much 30 years now. We’re just older now. There’s a lot less alcohol.”

 

Rucker said they hope to have a single out in the spring with a full album next summer. The Group Therapy Tour starts May 30, 2019, in Virginia Beach, Virginia, and will hit 44 cities, including the Hollywood Bowl in Los Angeles, T-Mobile Arena in Las Vegas, Madison Square Garden in New York and Bridgestone Arena in Nashville, Tennessee. The tour ends in Columbia, South Carolina on Sept. 13.

 

The band talked to The Associated Press from Columbia, where they all met as students at the University of South Carolina, to discuss why their album was so successful, deciding to go dormant as Rucker explored his solo career and returning to their hometown on tour. The answers have been edited for brevity.

 

AP: How different does the campus look now from when you went there?

 

Felber: The university has changed a lot. The dorm where we actually met is now in the dump (the university demolished the dorm several years ago). It’s improved and grown massively.

 

Bryan: One interesting fact is we’re going to be doing our first Columbia, South Carolina, show in probably 20 years. The town that we came out of, that we played a million shows in when we were young, we haven’t played here in 20 years or almost.

 

AP: Are you expecting a lot of old college friends to start texting you again?

 

Rucker: We’re changing our phone numbers.

 

AP: Looking back at “Cracked Rear View,” the crazy amount of success and attention must have been a big change for you?

 

Rucker: We probably toured seven years before we got a record deal.

 

Felber: We did two cassettes and a CD before we got signed and did “Cracked Rear View,” and had been on the road for four years pretty solid. By the time we got there, we were pretty ready and pretty busy.

 

Bryan: But we also jumped to the big stages really quick, which we weren’t used to. So, it was kind of interesting trying to take our set from like a club show to these big arenas and that sort of thing. So, there was definitely a period of transition there.

 

AP: That album came out when the dominant sound in rock was grunge. Did that set you apart?

 

Sonefeld: Our music was going against the grain of what was popular on radio at the time. It was more of the angst-driven, harder-edged rock and I think we brought back melody and brought back some of the harmony sounds that weren’t really in the middle of rock radio at the time.

 

AP: Was there a conscious decision to put the band on hold?

 

Sonefeld: The idea of going dormant for an unknown period of time can be daunting or scary. But we felt like going away for a while, getting back to our families and a little bit more of a sedentary lifestyle might be a good experiment. We didn’t say we were going away for six months or six years. We just said, ‘Let’s go dormant.’ And Darius was releasing his first (country) single at the same time. So, he really got the opportunity to put a great effort, a full effort into country music. And when that blew up, it helped in some ways to secure that we would be dormant for more than six months.

 

AP: Where are you in the recording process?

 

Felber: We have a bunch of songs, and so now we are just working on it and getting them together and deciding which ones are going to be good and which ones aren’t going to be good. And then just kind of playing and writing in the studio.

 

AP: Beyond Columbia, are there certain venues or cities you’re excited about playing again?

 

Rucker: The Garden. The last time we played Madison Square Garden we played two nights and it was awesome. I haven’t been in there since to play a show. That’s exciting to know that we cannot play for 10 years and get to play those places again.

 

AP: Darius, are you ready to rock again after a decade in country music?

 

Rucker: I am looking forward to rocking again. Gonna be fun.

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Rockers Hootie & the Blowfish Return with New Album, Tour

Twenty-five years after “Cracked Rear View” launched their careers, Grammy-winning rock band Hootie & the Blowfish will release a new album and launch an official tour next year after a decade-long break.

 

The Southern pop-rockers, featuring lead singer Darius Rucker, Mark Bryan, Jim Sonefeld and Dean Felber, broke out with their major label debut in 1994, which has been certified 21-times platinum and made the Recording Industry Association of America’s list of the top-10 most popular albums of all-time.

 

With Top 10 hits like “Hold My Hand,” “Let Her Cry” and “Only Wanna Be With You,” the South Carolina-based band went from playing college bars to selling out arenas and winning best new artist at the Grammy Awards in 1996. The band put out five studio albums and other live albums, never coming close to the popularity of the first, with the last one in 2006. Their last official tour was in 2007.

 

But with a big anniversary approaching in 2019, the four musicians who still play together a couple times a year for annual charity events decided it was time to go out on the road and bring with them some new music.

 

“Nothing has changed,” insists Rucker, who is now a major country star in his own right with several country radio hits like “Wagon Wheel.” “When the four of us get back together, we fall into the same dynamic of the band that’s always there. We’ve been a band for pretty much 30 years now. We’re just older now. There’s a lot less alcohol.”

 

Rucker said they hope to have a single out in the spring with a full album next summer. The Group Therapy Tour starts May 30, 2019, in Virginia Beach, Virginia, and will hit 44 cities, including the Hollywood Bowl in Los Angeles, T-Mobile Arena in Las Vegas, Madison Square Garden in New York and Bridgestone Arena in Nashville, Tennessee. The tour ends in Columbia, South Carolina on Sept. 13.

 

The band talked to The Associated Press from Columbia, where they all met as students at the University of South Carolina, to discuss why their album was so successful, deciding to go dormant as Rucker explored his solo career and returning to their hometown on tour. The answers have been edited for brevity.

 

AP: How different does the campus look now from when you went there?

 

Felber: The university has changed a lot. The dorm where we actually met is now in the dump (the university demolished the dorm several years ago). It’s improved and grown massively.

 

Bryan: One interesting fact is we’re going to be doing our first Columbia, South Carolina, show in probably 20 years. The town that we came out of, that we played a million shows in when we were young, we haven’t played here in 20 years or almost.

 

AP: Are you expecting a lot of old college friends to start texting you again?

 

Rucker: We’re changing our phone numbers.

 

AP: Looking back at “Cracked Rear View,” the crazy amount of success and attention must have been a big change for you?

 

Rucker: We probably toured seven years before we got a record deal.

 

Felber: We did two cassettes and a CD before we got signed and did “Cracked Rear View,” and had been on the road for four years pretty solid. By the time we got there, we were pretty ready and pretty busy.

 

Bryan: But we also jumped to the big stages really quick, which we weren’t used to. So, it was kind of interesting trying to take our set from like a club show to these big arenas and that sort of thing. So, there was definitely a period of transition there.

 

AP: That album came out when the dominant sound in rock was grunge. Did that set you apart?

 

Sonefeld: Our music was going against the grain of what was popular on radio at the time. It was more of the angst-driven, harder-edged rock and I think we brought back melody and brought back some of the harmony sounds that weren’t really in the middle of rock radio at the time.

 

AP: Was there a conscious decision to put the band on hold?

 

Sonefeld: The idea of going dormant for an unknown period of time can be daunting or scary. But we felt like going away for a while, getting back to our families and a little bit more of a sedentary lifestyle might be a good experiment. We didn’t say we were going away for six months or six years. We just said, ‘Let’s go dormant.’ And Darius was releasing his first (country) single at the same time. So, he really got the opportunity to put a great effort, a full effort into country music. And when that blew up, it helped in some ways to secure that we would be dormant for more than six months.

 

AP: Where are you in the recording process?

 

Felber: We have a bunch of songs, and so now we are just working on it and getting them together and deciding which ones are going to be good and which ones aren’t going to be good. And then just kind of playing and writing in the studio.

 

AP: Beyond Columbia, are there certain venues or cities you’re excited about playing again?

 

Rucker: The Garden. The last time we played Madison Square Garden we played two nights and it was awesome. I haven’t been in there since to play a show. That’s exciting to know that we cannot play for 10 years and get to play those places again.

 

AP: Darius, are you ready to rock again after a decade in country music?

 

Rucker: I am looking forward to rocking again. Gonna be fun.

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Brian Tyree Henry: ‘I Feel Everything’

When Brian Tyree Henry filmed his scenes in “If Beale Street Could Talk,” he wept. When he saw the finished film, he wept again. 

In Barry Jenkin’s lyrical adaptation of James Baldwin’s celebrated novel, Henry plays Daniel Carty, the just-out-of-jail friend of Fonny (Stephan James). When Fonny and Tish (KiKi Layne) run into Daniel on the street, they retreat to Fonny and Tisch’s apartment to catch up. The intimate conversation aches with the pain of incarceration: Daniel’s past, Fonny’s future. It’s a devastating but beautiful crescendo: two vulnerable black men, contemplating a world pitted against them. 

“I was sobbing. I was like: Why am I crying at myself? Is that weird that I’m crying at myself?” says Henry. “It really, really, really sat with me. That could be me talking to my friend, me talking to my nephews, me talking to my brothers.”

It’s no surprise that one of the most moving and profound scenes of the year happens to be one with Henry in it. On stage and screen, in big parts and small, the 36-year-old actor’s soulful sensitivity and vast range has been on display with remarkably regularity.

There is, of course, his aspiring, oft-irritated rapper Alfred Miles, aka Paper Boi, on “Atlanta”: the stony, eye-rolling face to the series’ surrounding absurdity. Its second season earned Henry his second Emmy nomination in two years. (His first was for a guest appearance on “This Is Us.”) The Broadway revival of Kenneth Lonergan’s “Lobby Hero,” in which he played a conflicted security guard, won Henry is first Tony nod. And a few weeks before “Beale Street” hits theaters, Henry made an equally potent, if far more menacing impression as a politician in Steve McQueen’s “Widows.” 

“I just don’t want to lie on them,” Henry says during a recent interview. “These characters need a voice and I don’t want to be a person to lie on them. It’s sounding all deep but it’s true. I have a special connection to every single character that I’ve been blessed to touch and I just want to make sure that I don’t lie on their journey, that I don’t lie on who they are, that I don’t lie on their hearts.”

Henry has a deep reservoir of emotion that never feels very far from the surface, and he speaks volubly, sometimes nearing tears, about the fictional lives that people his brain. Henry simply feels a lot — maybe too much so. 

“I feel everything,” he grants with a knowing grin. “These past two years have been a topsy-turvy thing for me. I never in a million years could have imagined something so fantastic happening in my career. But I need to let ’em go, these guys.”

“That’s been kind of a problem as of late,” Henry sighs. “I tend to wear them as badges of honor, which they are.” 

Henry grew up the baby in a Fayetteville, North Carolina, family; his sisters were already adults. His parents divorced when he was young and after graduating sixth grade, he was sent to live his father, then in his 70s, in Washington D.C. After attending Morehouse College in Atlanta, he got his masters from the Yale School of Drama. Acting, he says, saved his life because he allowed him to express what he observed.

“Most of my life, at a very young age, I got to see what it was like to be surrounded by the lack of care – to see that people are human, that no one is impervious to pain, that pain hurts, that it takes time for things to heal,” says Henry. “I spent most of my life constantly trying to hold on to the things that mattered.”

His Broadway debut came in the original cast in “The Book of Mormon,” but it’s been “Atlanta” that catapulted Henry’s career. Along with lending his voice to the upcoming “Spider-Man: Into the Spider-Verse,” he’s already shot four films due out next year (including an action comedy alongside Melissa McCarthy). At the moment, he’s shooting the Brooklyn-set indie “The Outside Story.” 

Henry’s ascendance has partly paralleled Alfred’s more humbling, fitful rise on “Atlanta” — a comparison not lost on Henry. 

“Alfred, this season, I had a time. I was like: This prom date sucks right now. But I had to confront it,” says Henry. “It is imitating my life, in a way. That’s why I’m glad that Alfred found me.”

“Atlanta,” particularly in episodes like “Barbershop” and “Woods” (which was a tribute for Henry to his deceased mother), has given the broadest platform for his talent. But films like “If Beale Street Could Talk” have showed how much Henry can do with just a handful of scenes. His presence instantly adds depth and gravity. 

“He came onto set, maybe he was there for a day and a half,” marvels James. “He was already a huge Baldwin fan, but what he was able to bring to that moment … You talk about black love; that’s another form of it. Black love between brothers. That brotherly bond where we’re sharing our deepest, most intimate fears, the things that have broken us, how do we maintain our strength through these moments.” 

Jenkins has said those scenes solidified the whole project. For Henry, they capture the duality of life as a black man. 

“There’s always a constant audition process, I call it, of having to prove to people that you belong where you are,” says Henry, burly and broad-shouldered, remembering when Yale students would assume he wasn’t a classmate. “I’ve been very fortunate to come to this point in my life where I’m done doing that.”

Henry lives in Harlem, just a few blocks from where “Beale Street” was filmed. It’s almost as if his characters are encroaching, ever closer, on the actor, despite his best efforts to leave them at the door. But he’s learning to live with his hypersensitivity. 

“I wouldn’t change that because it means I’m present. It means that I see you,” says Henry. “But then at the same time I need to figure out how to flip it so I see myself too.” 

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Brian Tyree Henry: ‘I Feel Everything’

When Brian Tyree Henry filmed his scenes in “If Beale Street Could Talk,” he wept. When he saw the finished film, he wept again. 

In Barry Jenkin’s lyrical adaptation of James Baldwin’s celebrated novel, Henry plays Daniel Carty, the just-out-of-jail friend of Fonny (Stephan James). When Fonny and Tish (KiKi Layne) run into Daniel on the street, they retreat to Fonny and Tisch’s apartment to catch up. The intimate conversation aches with the pain of incarceration: Daniel’s past, Fonny’s future. It’s a devastating but beautiful crescendo: two vulnerable black men, contemplating a world pitted against them. 

“I was sobbing. I was like: Why am I crying at myself? Is that weird that I’m crying at myself?” says Henry. “It really, really, really sat with me. That could be me talking to my friend, me talking to my nephews, me talking to my brothers.”

It’s no surprise that one of the most moving and profound scenes of the year happens to be one with Henry in it. On stage and screen, in big parts and small, the 36-year-old actor’s soulful sensitivity and vast range has been on display with remarkably regularity.

There is, of course, his aspiring, oft-irritated rapper Alfred Miles, aka Paper Boi, on “Atlanta”: the stony, eye-rolling face to the series’ surrounding absurdity. Its second season earned Henry his second Emmy nomination in two years. (His first was for a guest appearance on “This Is Us.”) The Broadway revival of Kenneth Lonergan’s “Lobby Hero,” in which he played a conflicted security guard, won Henry is first Tony nod. And a few weeks before “Beale Street” hits theaters, Henry made an equally potent, if far more menacing impression as a politician in Steve McQueen’s “Widows.” 

“I just don’t want to lie on them,” Henry says during a recent interview. “These characters need a voice and I don’t want to be a person to lie on them. It’s sounding all deep but it’s true. I have a special connection to every single character that I’ve been blessed to touch and I just want to make sure that I don’t lie on their journey, that I don’t lie on who they are, that I don’t lie on their hearts.”

Henry has a deep reservoir of emotion that never feels very far from the surface, and he speaks volubly, sometimes nearing tears, about the fictional lives that people his brain. Henry simply feels a lot — maybe too much so. 

“I feel everything,” he grants with a knowing grin. “These past two years have been a topsy-turvy thing for me. I never in a million years could have imagined something so fantastic happening in my career. But I need to let ’em go, these guys.”

“That’s been kind of a problem as of late,” Henry sighs. “I tend to wear them as badges of honor, which they are.” 

Henry grew up the baby in a Fayetteville, North Carolina, family; his sisters were already adults. His parents divorced when he was young and after graduating sixth grade, he was sent to live his father, then in his 70s, in Washington D.C. After attending Morehouse College in Atlanta, he got his masters from the Yale School of Drama. Acting, he says, saved his life because he allowed him to express what he observed.

“Most of my life, at a very young age, I got to see what it was like to be surrounded by the lack of care – to see that people are human, that no one is impervious to pain, that pain hurts, that it takes time for things to heal,” says Henry. “I spent most of my life constantly trying to hold on to the things that mattered.”

His Broadway debut came in the original cast in “The Book of Mormon,” but it’s been “Atlanta” that catapulted Henry’s career. Along with lending his voice to the upcoming “Spider-Man: Into the Spider-Verse,” he’s already shot four films due out next year (including an action comedy alongside Melissa McCarthy). At the moment, he’s shooting the Brooklyn-set indie “The Outside Story.” 

Henry’s ascendance has partly paralleled Alfred’s more humbling, fitful rise on “Atlanta” — a comparison not lost on Henry. 

“Alfred, this season, I had a time. I was like: This prom date sucks right now. But I had to confront it,” says Henry. “It is imitating my life, in a way. That’s why I’m glad that Alfred found me.”

“Atlanta,” particularly in episodes like “Barbershop” and “Woods” (which was a tribute for Henry to his deceased mother), has given the broadest platform for his talent. But films like “If Beale Street Could Talk” have showed how much Henry can do with just a handful of scenes. His presence instantly adds depth and gravity. 

“He came onto set, maybe he was there for a day and a half,” marvels James. “He was already a huge Baldwin fan, but what he was able to bring to that moment … You talk about black love; that’s another form of it. Black love between brothers. That brotherly bond where we’re sharing our deepest, most intimate fears, the things that have broken us, how do we maintain our strength through these moments.” 

Jenkins has said those scenes solidified the whole project. For Henry, they capture the duality of life as a black man. 

“There’s always a constant audition process, I call it, of having to prove to people that you belong where you are,” says Henry, burly and broad-shouldered, remembering when Yale students would assume he wasn’t a classmate. “I’ve been very fortunate to come to this point in my life where I’m done doing that.”

Henry lives in Harlem, just a few blocks from where “Beale Street” was filmed. It’s almost as if his characters are encroaching, ever closer, on the actor, despite his best efforts to leave them at the door. But he’s learning to live with his hypersensitivity. 

“I wouldn’t change that because it means I’m present. It means that I see you,” says Henry. “But then at the same time I need to figure out how to flip it so I see myself too.” 

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World Bank Ups Funds to Tackle ‘Existential Threat’ of Climate Change

The World Bank will give equal weight to curbing emissions and helping poor countries deal with the “disastrous effects” of a warming world as it steps up investments to tackle climate change in the first half of the 2020s, it said on Monday.

The bank and its two sister organizations plan to double their investments in climate action to about $200 billion from 2021-2025, with a boost in support for efforts to adapt to higher temperatures, wilder weather and rising seas.

The latest figures on international climate funding for developing nations show barely a quarter has been going to adaptation, with the bulk backing clean energy adoption and more efficient energy use, aimed at cutting planet-warming emissions.

“We live in a new normal in which disasters are more severe and more frequent,” World Bank CEO Kristalina Georgieva told the Thomson Reuters Foundation at U.N. climate talks in Poland.

“We have to prioritize adaptation everywhere, but especially in the most vulnerable parts of the world,” she said, pointing to the Horn of Africa and the Sahel, coastal regions and small island states.

Of the $100 billion the World Bank plans to make available in the five years from mid-2020, half would go to adaptation measures, it said.

Those include building more robust homes, schools and infrastructure, preparing farmers for climate shifts, managing water wisely and protecting people’s incomes through social safety nets, Georgieva added.

The World Bank said the money would also improve weather forecasts, and provide early warning and climate information services for 250 million people in 30 developing countries.

“Climate change is an existential threat to the world’s poorest and most vulnerable. These new targets demonstrate how seriously we are taking this issue,” World Bank Group President Jim Yong Kim said in a statement.

From 2014-2018, the World Bank spent nearly $21 billion on adaptation, which accounted for just over 40 percent of the climate benefits generated by the institution’s funding overall.

Former U.N. Secretary-General Ban Ki-moon said the bank’s pledge to use half its climate finance to find solutions to deal with changing weather patterns was “important.”

“Climate change is already having a disastrous impact on people right around the world and we are nearing the point of no return,” said Ban. “So we must take bold action to adapt to the reality of the threat facing us all.”

A recently launched Global Commission on Adaptation, which Ban chairs with Georgieva and Microsoft co-founder Bill Gates, aims to put political muscle behind efforts to keep people safer in a hotter world.

The remaining $100 billion in promised World Bank Group funding will come from the International Finance Corporation (IFC), which works with the private sector, and the Multilateral Investment Guarantee Agency, as well as private capital the group raises.

“There are literally trillions of dollars of opportunities for the private sector to invest in projects that will help save the planet,” said IFC chief Philippe Le Houérou.

The IFC will identify opportunities, use tools to make investments less risky, and attract private-sector cash in areas including renewable energy, green buildings, clean transport in cities and urban waste management, he added.

Marshall Islands President Hilda Heine said her low-lying Pacific island state was struggling with fiercer storms and increasing seawater flooding that is contaminating fresh water with salt.

The new World Bank funds would “help to build resilience, make us safer, and improve lives,” she said.

“Global action needs to accelerate before it is too late,” she added.

The “Big Shift Global” coalition of aid agencies and climate justice campaigners said the World Bank Group’s new commitment signaled that developing countries should receive far more support to tackle climate change.

But it overlooked “the desperate need to radically scale up financing for off-grid renewable energy” to help the poorest gain access to electricity, they added.

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Where Are Drones? Amazon’s Customers Still Waiting

Jeff Bezos boldly predicted five years ago that drones would be carrying Amazon packages to people’s doorsteps by now.

Amazon customers are still waiting. And it’s unclear when, if ever, this particular order by the company’s founder and CEO will arrive.

Bezos made billions of dollars by transforming the retail sector. But overcoming the regulatory hurdles and safety issues posed by drones appears to be a challenge even for the world’s wealthiest man. The result is a blown deadline on his claim to CBS’ “60 Minutes” in December 2013 that drones would be making deliveries within five years.

The day may not be far off when drones will carry medicine to people in rural or remote areas, but the marketing hype around instant delivery of consumer goods looks more and more like just that — hype. Drones have a short battery life, and privacy concerns can be a hindrance, too.

“I don’t think you will see delivery of burritos or diapers in the suburbs,” says drone analyst Colin Snow.

Drone usage has grown rapidly in some industries, but mostly outside the retail sector and direct interaction with consumers.

The government estimates that about 110,000 commercial drones are operating in U.S. airspace, and the number is expected to soar to about 450,000 in 2022. They are being used in rural areas for mining and agriculture, for inspecting power lines and pipelines, and for surveying.

Amazon says it is still pushing ahead with plans to use drones for quick deliveries, though the company is staying away from fixed timelines.

“We are committed to making our goal of delivering packages by drones in 30 minutes or less a reality,” says Amazon spokeswoman Kristen Kish. The Seattle-based online retail giant says it has drone development centers in the United States, Austria, France, Israel and the United Kingdom.

Delivery companies have been testing the use of drones to deliver emergency supplies and to cover ground quickly in less populated areas. By contrast, package deliveries would be concentrated in office parks and neighborhoods where there are bigger issues around safety and privacy.

In May, the Trump administration approved a three-year program for private companies and local government agencies to test drones for deliveries, inspections and other tasks.

But pilot programs by major delivery companies suggest few Americans will be greeted by package-bearing drones any time soon. United Parcel Service tested launching a drone from a delivery truck that was covering a rural route in Florida. DHL Express, the German delivery company, tested the use of drones to deliver medicine from Tanzania to an island in Lake Victoria.

Frank Appel, the CEO of DHL’s parent company, Deutsche Post AG, said “over the next couple of years” drones will remain a niche vehicle and not widely used. He said a big obstacle is battery life.

“If you have to recharge them every other hour, then you need so many drones and you have to orchestrate that. So good luck with that,” he told The Associated Press.

Appel said human couriers have another big advantage over drones: They know where customers live and which doorbell to ring. “To program that in IT is not that easy and not cheap,” he said.

Analysts say it will take years for the Federal Aviation Administration to write all the rules to allow widespread drone deliveries.

Snow, the CEO of Skylogic Research, says a rule permitting operators to fly drones beyond their line of sight — so critical to deliveries — is at least 10 years away. A method will be needed to let law enforcement identify drones flying over people — federal officials are worried about their use by terrorists.

While the rules are being written, companies will rely on waivers from the FAA to keep experimenting and running small-scale pilot programs.

“People like DHL and the rest of them (will say), ‘Hey, we can deliver via drone this parcel package to this island,’ but that’s not the original vision that Amazon presented,” Snow says.

There is a long list of FAA rules governing drone flights. They generally can’t fly higher than 400 feet, over many federal facilities, or within five miles of an airport. Night flights are forbidden. For the delivery business, the most biggest holdup is that the machines must remain within sight of the operator at all times.

In June, the National Academies of Sciences, Engineering, and Medicine said the FAA’s was being overly conservative in its safety standards for drones. The group said FAA’s risk-averse attitude was holding back beneficial uses, such as drones helping firefighters who are battling a fierce blaze.

Even before the criticism by the scientific panel, the FAA had begun to respond more quickly to operators’ requests for waivers from some rules, says Alan Perlman, founder of the Drone Pilot Ground School in Nashville, Tennessee. He said it is also getting easier and cheaper to buy liability insurance.

Bezos was mindful of the safety issues, telling “60 Minutes” back in 2013, “This thing can’t land on somebody’s head while they’re walking around their neighborhood.”

That didn’t stop him from predicting that drones fed with GPS coordinates would be taking off and making deliveries in “four, five years. I think so. It will work, and it will happen.”

To Perlman, the billionaire’s optimism made perfect sense.

“When you’re in his world you think more about technology than regulations, and the (drone) technology is there,” Perlman said.

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Where Are Drones? Amazon’s Customers Still Waiting

Jeff Bezos boldly predicted five years ago that drones would be carrying Amazon packages to people’s doorsteps by now.

Amazon customers are still waiting. And it’s unclear when, if ever, this particular order by the company’s founder and CEO will arrive.

Bezos made billions of dollars by transforming the retail sector. But overcoming the regulatory hurdles and safety issues posed by drones appears to be a challenge even for the world’s wealthiest man. The result is a blown deadline on his claim to CBS’ “60 Minutes” in December 2013 that drones would be making deliveries within five years.

The day may not be far off when drones will carry medicine to people in rural or remote areas, but the marketing hype around instant delivery of consumer goods looks more and more like just that — hype. Drones have a short battery life, and privacy concerns can be a hindrance, too.

“I don’t think you will see delivery of burritos or diapers in the suburbs,” says drone analyst Colin Snow.

Drone usage has grown rapidly in some industries, but mostly outside the retail sector and direct interaction with consumers.

The government estimates that about 110,000 commercial drones are operating in U.S. airspace, and the number is expected to soar to about 450,000 in 2022. They are being used in rural areas for mining and agriculture, for inspecting power lines and pipelines, and for surveying.

Amazon says it is still pushing ahead with plans to use drones for quick deliveries, though the company is staying away from fixed timelines.

“We are committed to making our goal of delivering packages by drones in 30 minutes or less a reality,” says Amazon spokeswoman Kristen Kish. The Seattle-based online retail giant says it has drone development centers in the United States, Austria, France, Israel and the United Kingdom.

Delivery companies have been testing the use of drones to deliver emergency supplies and to cover ground quickly in less populated areas. By contrast, package deliveries would be concentrated in office parks and neighborhoods where there are bigger issues around safety and privacy.

In May, the Trump administration approved a three-year program for private companies and local government agencies to test drones for deliveries, inspections and other tasks.

But pilot programs by major delivery companies suggest few Americans will be greeted by package-bearing drones any time soon. United Parcel Service tested launching a drone from a delivery truck that was covering a rural route in Florida. DHL Express, the German delivery company, tested the use of drones to deliver medicine from Tanzania to an island in Lake Victoria.

Frank Appel, the CEO of DHL’s parent company, Deutsche Post AG, said “over the next couple of years” drones will remain a niche vehicle and not widely used. He said a big obstacle is battery life.

“If you have to recharge them every other hour, then you need so many drones and you have to orchestrate that. So good luck with that,” he told The Associated Press.

Appel said human couriers have another big advantage over drones: They know where customers live and which doorbell to ring. “To program that in IT is not that easy and not cheap,” he said.

Analysts say it will take years for the Federal Aviation Administration to write all the rules to allow widespread drone deliveries.

Snow, the CEO of Skylogic Research, says a rule permitting operators to fly drones beyond their line of sight — so critical to deliveries — is at least 10 years away. A method will be needed to let law enforcement identify drones flying over people — federal officials are worried about their use by terrorists.

While the rules are being written, companies will rely on waivers from the FAA to keep experimenting and running small-scale pilot programs.

“People like DHL and the rest of them (will say), ‘Hey, we can deliver via drone this parcel package to this island,’ but that’s not the original vision that Amazon presented,” Snow says.

There is a long list of FAA rules governing drone flights. They generally can’t fly higher than 400 feet, over many federal facilities, or within five miles of an airport. Night flights are forbidden. For the delivery business, the most biggest holdup is that the machines must remain within sight of the operator at all times.

In June, the National Academies of Sciences, Engineering, and Medicine said the FAA’s was being overly conservative in its safety standards for drones. The group said FAA’s risk-averse attitude was holding back beneficial uses, such as drones helping firefighters who are battling a fierce blaze.

Even before the criticism by the scientific panel, the FAA had begun to respond more quickly to operators’ requests for waivers from some rules, says Alan Perlman, founder of the Drone Pilot Ground School in Nashville, Tennessee. He said it is also getting easier and cheaper to buy liability insurance.

Bezos was mindful of the safety issues, telling “60 Minutes” back in 2013, “This thing can’t land on somebody’s head while they’re walking around their neighborhood.”

That didn’t stop him from predicting that drones fed with GPS coordinates would be taking off and making deliveries in “four, five years. I think so. It will work, and it will happen.”

To Perlman, the billionaire’s optimism made perfect sense.

“When you’re in his world you think more about technology than regulations, and the (drone) technology is there,” Perlman said.

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Bush Gets Tributes at Kennedy Center Honors Program

Last year’s Kennedy Center Honors ceremony was almost overshadowed by controversy surrounding the sitting president. This year’s event took place in the shadow of the death of a former commander in chief.

Sunday night’s ceremony honoring lifetime artistic achievement featured multiple tributes to former President George H.W. Bush, who died Friday night at age 94.

The night kicked off with an extended standing ovation in Bush’s memory at the request of hostess Gloria Estefan. 

“I think it’s appropriate to recognize the passing of a wonderful man who dedicated his life to service and who graciously attended this event many times during his administration, laughing, applauding, singing along and even shedding a tear from right up there in the presidential box,” said Estefan, who recalled being invited to the White House and how Bush “literally spent 45 minutes patiently talking to my eight-year-old son” about how the government worked.

Within days of that White House visit, Estefan’s tour bus was in a serious accident that left her nearly paralyzed, and Bush called her in the hospital, she said.

For the second straight year, President Donald Trump and first lady Melania Trump declined an invitation to the awards, which will be televised Dec. 26. They returned to Washington before dawn Sunday from the Group of 20 summit in Argentina.

The Trumps skipped last year’s ceremony after several of the honorees, most notably television producer Norman Lear, threatened to boycott if he attended. This year, nobody issued that kind of overt threat, but the Trumps still announced three weeks ago that they wouldn’t attend.

David Rubenstein, the chairman of the board for the Kennedy Center, said after intermission that he often thinks about the values Bush brought to public service.

“I never met a more decent man, a more philanthropic person, a more genuine person,” Rubenstein said.

Trump critics

Bush attended the Kennedy Center Honors for most years during his presidency — and even afterward, during his son’s presidency — but like other leaders, he was pulled away by major issues that demanded his time. Bush didn’t attend in 1989 because he was at a summit in Malta. Jimmy Carter missed the 1979 awards because of the Iran hostage crisis. Bill Clinton was on his way to a conference during the 1994 Kennedy Center awards.

Trump, however, is the first president to miss them twice.

Had he gone to the Kennedy Center, he might have faced opposition from at least some of the honorees, including Cher and Lin-Manuel Miranda.

Trump and his administration have put unprecedented distance between themselves and the arts and science communities. No arts or humanities medals have been announced or handed out since September 2016, when Barack Obama was president, the longest gap by months since the awards were established in the mid-1980s.

Honorees

This year’s honorees for lifetime achievements in the arts were Cher, composer Philip Glass, country music legend Reba McEntire and jazz icon Wayne Shorter. An unprecedented special award went to the co-creators of Hamilton for their genre-bending musical.

McEntire was introduced by music star Kelly Clarkson, who performed McEntire’s hit song Fa​ncy.

“Sometimes when we meet our heroes, it doesn’t always pan out,” Clarkson told McEntire, “but my friendship with you became one of the highlights of my life.”

Shorter was hailed by the Kennedy Center for a six-decade career that included collaborations with Art Blakey, Miles Davis, Carlos Santana and Joni Mitchell.

Jason Moran, the Kennedy Center’s artistic director for jazz, described Shorter’s music in celestial terms.

“His sound holds a special place in the galaxy,” Moran said. “I can safely say that somewhere in the galaxy right now, a band is playing one of his pieces.”

Glass received his tribute from a fellow Kennedy Center Honors recipient: singer-songwriter Paul Simon.

“He can rightfully be described as one of our greatest modern composers,” Simon said.

Simon praised Glass for his eclectic body of work, “never settling into one particular style, always developing and exploring.”

This year’s event contained a break from tradition by honoring an actual contemporary work of art, the blockbuster musical Hamilton, in addition to lifetime achievement awards for late-career artists. Writer and actor Miranda, director Thomas Kail, choreographer Andy Blankenbuehler and music director Alex Lacamoire were honored as “trailblazing creators of a transformative work that defies category.”

Comedian Whoopi Goldberg kicked off a tribute to Cher in a flowing sparkly gown that she joked came from the pop music icon’s closet.

“She is the true original,” Goldberg said. “She not only marched to the beat of her own drum — honey, she is a one-woman band!”

The evening ended with Cyndi Lauper, a longtime friend of Cher’s, performing If I Could Turn Back Time.

The Honors tribute performers are always kept secret from the recipients, and this was no exception. When Lauper appeared, Cher yelled from her seat, “You told me you were going to Los Angeles!”

Lauper shrugged onstage and said, “I lied.”

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Bush Gets Tributes at Kennedy Center Honors Program

Last year’s Kennedy Center Honors ceremony was almost overshadowed by controversy surrounding the sitting president. This year’s event took place in the shadow of the death of a former commander in chief.

Sunday night’s ceremony honoring lifetime artistic achievement featured multiple tributes to former President George H.W. Bush, who died Friday night at age 94.

The night kicked off with an extended standing ovation in Bush’s memory at the request of hostess Gloria Estefan. 

“I think it’s appropriate to recognize the passing of a wonderful man who dedicated his life to service and who graciously attended this event many times during his administration, laughing, applauding, singing along and even shedding a tear from right up there in the presidential box,” said Estefan, who recalled being invited to the White House and how Bush “literally spent 45 minutes patiently talking to my eight-year-old son” about how the government worked.

Within days of that White House visit, Estefan’s tour bus was in a serious accident that left her nearly paralyzed, and Bush called her in the hospital, she said.

For the second straight year, President Donald Trump and first lady Melania Trump declined an invitation to the awards, which will be televised Dec. 26. They returned to Washington before dawn Sunday from the Group of 20 summit in Argentina.

The Trumps skipped last year’s ceremony after several of the honorees, most notably television producer Norman Lear, threatened to boycott if he attended. This year, nobody issued that kind of overt threat, but the Trumps still announced three weeks ago that they wouldn’t attend.

David Rubenstein, the chairman of the board for the Kennedy Center, said after intermission that he often thinks about the values Bush brought to public service.

“I never met a more decent man, a more philanthropic person, a more genuine person,” Rubenstein said.

Trump critics

Bush attended the Kennedy Center Honors for most years during his presidency — and even afterward, during his son’s presidency — but like other leaders, he was pulled away by major issues that demanded his time. Bush didn’t attend in 1989 because he was at a summit in Malta. Jimmy Carter missed the 1979 awards because of the Iran hostage crisis. Bill Clinton was on his way to a conference during the 1994 Kennedy Center awards.

Trump, however, is the first president to miss them twice.

Had he gone to the Kennedy Center, he might have faced opposition from at least some of the honorees, including Cher and Lin-Manuel Miranda.

Trump and his administration have put unprecedented distance between themselves and the arts and science communities. No arts or humanities medals have been announced or handed out since September 2016, when Barack Obama was president, the longest gap by months since the awards were established in the mid-1980s.

Honorees

This year’s honorees for lifetime achievements in the arts were Cher, composer Philip Glass, country music legend Reba McEntire and jazz icon Wayne Shorter. An unprecedented special award went to the co-creators of Hamilton for their genre-bending musical.

McEntire was introduced by music star Kelly Clarkson, who performed McEntire’s hit song Fa​ncy.

“Sometimes when we meet our heroes, it doesn’t always pan out,” Clarkson told McEntire, “but my friendship with you became one of the highlights of my life.”

Shorter was hailed by the Kennedy Center for a six-decade career that included collaborations with Art Blakey, Miles Davis, Carlos Santana and Joni Mitchell.

Jason Moran, the Kennedy Center’s artistic director for jazz, described Shorter’s music in celestial terms.

“His sound holds a special place in the galaxy,” Moran said. “I can safely say that somewhere in the galaxy right now, a band is playing one of his pieces.”

Glass received his tribute from a fellow Kennedy Center Honors recipient: singer-songwriter Paul Simon.

“He can rightfully be described as one of our greatest modern composers,” Simon said.

Simon praised Glass for his eclectic body of work, “never settling into one particular style, always developing and exploring.”

This year’s event contained a break from tradition by honoring an actual contemporary work of art, the blockbuster musical Hamilton, in addition to lifetime achievement awards for late-career artists. Writer and actor Miranda, director Thomas Kail, choreographer Andy Blankenbuehler and music director Alex Lacamoire were honored as “trailblazing creators of a transformative work that defies category.”

Comedian Whoopi Goldberg kicked off a tribute to Cher in a flowing sparkly gown that she joked came from the pop music icon’s closet.

“She is the true original,” Goldberg said. “She not only marched to the beat of her own drum — honey, she is a one-woman band!”

The evening ended with Cyndi Lauper, a longtime friend of Cher’s, performing If I Could Turn Back Time.

The Honors tribute performers are always kept secret from the recipients, and this was no exception. When Lauper appeared, Cher yelled from her seat, “You told me you were going to Los Angeles!”

Lauper shrugged onstage and said, “I lied.”

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