Raising Cattle a Risky Business for Venezuela Ranchers

Rotting hides on the road are all that is left of three butchered cows.

Such carnage is common in Venezuela’s cattle country, where thieves, squatters and government policy threaten a vital food resource.

Venezuela’s severe economic crisis is felt keenly in cities — where food sources are limited — but it’s also cutting a swath through what should be the country’s food basket.

Seeing the hides on the road — the handiwork of cattle poachers — Jose Labrador stops his truck and explodes with rage.

“It’s as if they were telling us: ‘We are killing your cattle, so what?'” the 46-year old rancher says, fuming that complaining is useless — police and local authorities will do nothing.

Labrador and other farmers in the cattle-rearing region of San Silvestre, in the western state of Barinas, say they are in a state of siege — from squatters, gunmen and government price controls that make their farms unprofitable.

“I can’t sleep on the farm anymore because I’m scared,” said Jose Antonio Espinoza, owner of a 600-head herd in San Silvestre. “They have come around here and tied people up, and then stolen everything — chainsaws, water pumps, cattle.”

He said as many as 74 bulls have been stolen over the past year from his family farm.

Cowboys on horseback herd his traditional Venezuelan Brahman and Carora breeds, as well as buffalos, to and from their fertile grazing land.

But they are powerless when the rustlers strike.

The wheeling of vultures overhead is a warning that the poachers have struck once again. When they arrive, only bones and skin remain, the meat cut up and taken away to feed a hungry black market.

Farm Policy Failures

In a 2016 survey, three-quarters of Venezuelans reported they had lost weight since the economic crisis began, by an average of 19 pounds (8.5 kilos).

Chronic shortages of protein in the cities should provide an opportunity for the country’s farmers, but farms are producing less and less.

Meat produced in Venezuela now barely accounts for 40 percent of  domestic consumption, less than half the 97 percent of two decades ago, according to the National Federation of Cattle Ranchers.

Per capita meat consumption went from 20 kilos per year in 1999 to only seven kilos at present, the federation says. Even then, farmers can’t fulfill demand.

“We are going backwards… even though those of us who remain on the land work tooth and nail,” federation president Armando Chacin told AFP.

Chacin warned that government policies, far from easing the problem, have served only to strangle growth.

Venezuela, a country of more than 30 million people, raises less than 10 million head of cattle, the federation says; in 1999, when the population was 20 million, there were 14 million cattle.

Dwindling resources makes meat more expensive in the capital Caracas, 560 kilometers (350 miles) away, where it costs the equivalent of the minimum monthly wage to buy two kilos of meat.

Land Expropriations

Since the arrival in power in 1999 of Hugo Chavez, the socialist government has expropriated five million hectares (12.4 million acres) of agricultural land, the cattle ranchers federation says.

At the same time, high oil prices meant Venezuela imported more of its food, to the detriment of its own agriculture industry.

Now, Chavez’s hand-picked successor Nicolas Maduro sets prices for basic foodstuffs, often below production costs, leading many farmers to bankruptcy.

Price controls mean farmers get little for the meat they produce.

After years of fattening, a big animal brings in about $250.

But with Venezuela’s staggering inflation set to top one million percent this year — according to the International Monetary Fund — it barely covers the cost of a truck tire.

Land invasions are another problem. Emboldened by government policy, armed squatters invaded a large maize farm in San Silvestre and ransacked it in the space of three days.

“They robbed nine tractors and three harvesters, they destroyed the house. We got tired of complaining about it and neither the national guard nor the police intervened,” said Marisela Febres, the owner.

The incident happened in 2016, but she was never able to recover her land. Arguing that the land was idle, the state-run National Land Institute awarded the farm to the squatters earlier this year.

In border areas, farmers can be even more exposed, regularly becoming the target of extortion by armed groups, engaged in running contraband or drug trafficking.

Late last month, the government took over the running of a score of slaughterhouses. Officials accused their owners of speculation and promptly slashed prices by two-thirds.

There have also been cases of pro-Maduro state governors demanding that farmers sell part of their production, setting the prices themselves, to distribute to their supporters at low cost.

Making matters worse on a local level is that the poachers don’t discriminate.

The animals killed include breeding bulls and dairy cows alike, animals that remain productive for up to 12 years. One cow alone can produce 4,000 liters of milk a year.

Labrador says he was a recent victim.

“They killed a bull of mine with incredible genes, one that was going to be a very productive stud,” he said.

Farmers have difficulty buying seeds and fertilizers, even vaccines for livestock, he says.

“If there are no medicines for people, imagine what it is like for the animals.”

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One Million Lights Shine Brightly at Chinese Festival Near Washington

Imagine a magical place where lights are designed in the shape of the Statue of Liberty, the Eiffel Tower and dragons. It’s a place where children can enjoy a maze made of Chinese lanterns or see death-defying acts by gymnasts. VOA’s Carolyn Presutti takes us to Light-Up…a Christmas festival near Washington designed, built, and managed by Chinese workers visiting the U.S.

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Global Tech Show to Celebrate Innovation Amid Mounting Concerns

Amid trade wars, geopolitical tensions and a decline in public trust, the technology sector is seeking to put its problems aside with the Consumer Electronics Show, the annual extravaganza showcasing futuristic innovations.

The Jan. 8-11 Las Vegas trade event offers a glimpse into new products and services designed to make people’s lives easier, fun and more productive, reaching across diverse sectors such as entertainment, health, transportation, agriculture and sports.

“Smart” devices using various forms of artificial intelligence will again be a major focus at CES.

Visitors are likely to see more dazzling TV screens, intuitive robots, a range of voice-activated devices, and folding or roll-up smartphone displays. Also on display will be refinements to autonomous transportation and gadgets taking advantage of 5G, or fifth-generation wireless networks.

But the celebration of innovation will be mixed with concerns about public trust in new technology and other factors that could cool the growth of a sizzling economic sector.

“I think 2019 will be a year of trust-related challenges for the tech industry,” said Bob O’Donnell of Technalysis Research.

CES features 4,500 exhibitors across 2.75 million square feet (250,000 square meters) of exhibit space showcasing artificial intelligence, augmented and virtual reality, smart homes, smart cities, sports gadgets and other cutting-edge devices. Some 182,000 trade professionals are expected.

Much ado about data

There will be a focus on artificial intelligence that can “personalize” a user’s experience with a device or a car, or even predict what someone is seeking — whether it’s music or medical care.

But because this ecosystem is built around data, confidence has been eroded by scandals involving Facebook, Google and other guardians of private information.

“The public is wary because of recent events,” said Roger Kay, analyst and consultant with Endpoint Technologies Associates. “I think the industry will be slowed by this skepticism.”

Carolina Milanesi, an analyst with Creative Strategies, said, “You’ll definitely hear people talk about security more, and really looking at how you secure the data,” at CES.

Trade frictions

The Consumer Technology Association, which operates the show, acknowledges that the sector is being hurt by tariffs and trade frictions between the two largest economic players, the United States and China.

Tariffs on tech products jumped to $1.3 billion in October, according to CTA, raising fears about growth.

“It’s almost inevitable that an economic slowdown will occur if these tariffs continue,” said Sage Chandler, CTA vice president for international trade.

The U.S.-China trade issues and the arrest of a top executive of Chinese giant Huawei in Canada have thrown into question the “supply chain,” the system in which U.S. designs are manufactured in China for the global market.

“This does cast a shadow over CES,” O’Donnell said.

AI and personalization

The auto sector will again have a major presence at CES with most major manufacturers on hand, some with prototypes of self-driving vehicles.

Japanese carmaker Honda will be showing an “autonomous work vehicle” which can be configured for search and rescue operations, firefighting and other uses.

Other exhibitors will be showing technology designed to serve as the “brains” of self-driving vehicles, not only for navigation but to create a better, more personalized “user experience” for travelers.

The show includes startups offering “predictive” health care solutions designed to anticipate the kind of care senior citizens may need.

Facial recognition, which is already being used on many smartphones, will be incorporated into vehicles, doorbells and security systems as part of efforts to increase personalization and improve security.

And consumer products group Procter & Gamble, making its first appearance at CES, will demonstrate ways to use facial recognition and AI for improved skin care and beauty recommendations.

The new applications raise questions on whether consumers are ready for technologies that evoke the notion of Big Brother and a surveillance state.

Brenda Leong, senior counsel at the Future of Privacy Forum, a Washington think-tank, said consumers should be mindful about whether data from facial recognition is kept only on the devices, such as in the iPhone, or held in a database.

“Even if commercial institutions are collecting the data, everybody is worried about government access,” she said.

Patrick Moorhead of Moor Insights & Strategy said consumers have shown a willingness to adopt these new technologies if they offer convenience.

“If they are balanced from a benefit point of view, those worries are going to go away,” he said.

Moorhead noted that as facial recognition has become a standard feature for many smartphones, “those fears have faded.”

O’Donnell said consumers are starting to understand more about data and become more discerning about which companies and devices they trust.

“Personalization is something people want, and they are willing to give up some privacy to get it,” he said.

“But if they can get personalization on the device without sending it to the cloud, they get the benefits without giving up privacy.”

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Kenya Struggles to Give Life to Futuristic ‘Silicon Savannah’ City

Laborers milled around an unfinished eight-story building in an expansive field in Konza dotted with zebra and antelope — the only visible sign of progress in a decade-old plan to make Kenya into Africa’s leading technology hub by 2030.

Grandiose plans, red tape and a lack of funding have left Konza Technopolis — the $14.5 billion new city to be built some 60 km (37 miles) southeast of Nairobi — way behind schedule on its goal of having 20,000 people on site by 2020.

“It has taken too long and I think people have moved on,” said tech entrepreneur Josiah Mugambi, founder of Alba.one, a Nairobi-based software company, who was initially excited by the government’s ambitious project.

Dubbed the Silicon Savannah, Konza aims to become a smart city — using tech to manage water and electricity efficiently and reduce commuting time — and a solution to the rapid, unplanned urbanization which has plagued existing cities.

About 40 percent of Africa’s 1 billion people live in towns and cities and the World Bank predicts the urban population will double over the next 25 years, adding pressure to already stretched infrastructure.

Konza’s dream is to become a top business process outsourcing hub by 2030, with on-site universities training locals to feed into a 200,000-strong tech-savvy workforce providing IT support and call center services remotely.

But the first building has yet to be completed on the 5,000-acre former cattle ranch, three years after breaking ground, and business has shifted its focus to other African countries, like Rwanda, with competing visions to become modern tech hubs.

“Nobody can wait that long for a city to be built. For a tech entrepreneur, they think about where their startup will be two to three years down the line,” said Mugambi.

Other smart cities planned across Africa include Nigeria’s Eko Atlantic City near Lagos that will house 250,000 people on land reclaimed from the sea, Ghana’s Hope City and an Ethiopian city styled as the real Wakanda after the film “Black Panther.”

Utopian

Bringing such utopian schemes to life is no easy task for African governments that are struggling to provide adequate roads, power, water and security to their existing cities.

“Upgrading infrastructure in places like Kibera (slum) in Nairobi to provide water and a better sewerage system is equally as important as building a new city such as Konza,” said Abdu Muwonge, a senior urban specialist with the World Bank in Kenya.

Some critics say Konza was ill-conceived from the start.

“The vision is wrong; the vision is too big,” said Aly-Khan Satchu, a Nairobi-based independent financial analyst.

“This is miles from anywhere. There are not leveraging the existing infrastructure … It is assuming that you can bring in academia, you can bring in venture capital, you can bring in corporates.”

The first serious hurdle arose in 2012 when the National Land Commission (NLC), which manages public land, introduced a cumbersome land acquisition procedure, said Bitange Ndemo, who led a team that conceived Konza Technopolis in 2008.

“The NLC was saying we should follow the processes of acquiring public land, which would take years to complete,” Ndemo, now an associate professor of business at the University of Nairobi, told the Thomson Reuters Foundation.

The delays caused at least one deal with a German university to fall through, he said, as the process was much slower than the old one where investors signed deals directly with government ministries which took care of land leases.

To resolve this, the government transferred ownership of the site to the Konza Technopolis Development Authority (KoTDA), set up in 2012 to co-ordinate development of the new city, which now allocates land to investors on 50-year renewable leases.

Cold Feet

Financing has also proven a major issue.

In its strategic plan, the government promised to fund 10 percent of Konza, laying the infrastructure, while the private sector would come in with the rest of the money to build universities, offices, housing and hotels.

But the government was slow to contribute its share and has yet to pass a law to create KoTDA as a legal entity which would make it easier to sign contracts with external lenders, said Lawrence Esho, one of Konza’s project planners until 2013.

“They are way behind schedule partly because the government took time to give Konza money,” he said, adding that no money came in until 2013.

“This stopped any work from starting at the site and investors may have developed cold feet as they waited.”

KoTDA’s chief executive, John Tanui, said the government has committed to invest more than 80 billion shillings ($780 million).

“When I say committed does not mean we have absorbed. Our absorption is less than 10 percent of that figure,” he said, without elaborating.

The government has stepped up funding since 2017, said Abraham Odeng, deputy secretary at Kenya’s Information Communications and Technology ministry, without giving figures.

Odeng pointed to a 40 billion shilling contract signed in 2017 with an Italian firm to build roads, water and sewerage infrastructure by 2021, funded by the Italian government.

“That is a concessional loan, which is a long-term loan that the Kenyan government will pay,” he said.

Drop in the Ocean

But Kenya’s growing reliance on loans is causing jitters, with the International Monetary Fund warning of an increased risk of default.

The Washington-based lender forecast Kenya’s total public debt will reach 63 percent of economic output or GDP for 2018, up from 53 percent in 2016, citing the government’s public investment drive and revenue shortfalls.

The World Bank’s Muwonge said the issue is eliminating challenges for the private sector to do business.

“Getting Konza city off the ground will require that we pull in private capital with concessions for them to deliver certain kinds of infrastructure for which the government may not have resources,” he said.

Five local investors, including Nairobi-based software developer Craft Silicon and the state-run Kenya Electricity Transmission Company, are expected to build offices, residential buildings and hotels by 2020, KoTDA head Tanui said.

But critics say it is not enough.

“What (investors) have allocated so far is still a drop in the ocean,” said Ndemo, the former government technocrat.

And international interest is shifting elsewhere.

Rwanda — widely regarded as the least corrupt country in East Africa — launched its Kigali Innovation City in 2015, designed to host 50,000 people in universities and tech companies on a 70-hectare site outside the capital.

The $2 billion plan, due for completion by 2020, is seven times cheaper than Konza.

“All these other (cities) have better proximity, have better density and have better collaborative feedback loops,” said financial analyst Satchu. “We are now at a serious disadvantage vis-a-vis these other countries.”

($1 = 102.5000 Kenyan shillings)

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Concert Asks Composers to Create Works About War, Intolerance

The works of 32 composers from countries affected by war and other conflicts will be featured in a concert Jan. 24 at the Music Center at Strathmore in North Bethesda, Maryland — a suburb of Washington, D.C.

Award-winning Israeli-American pianist Yael Weiss curated the concert, “32 Bright Clouds,” which she said was inspired by 32 sonatas by famed composer Ludwig van Beethoven.

She asked the 32 composers to write new piano pieces, inspired by one of the sonatas, that reflect on a key event or figure from their respective countries.

The countries showcased include Ghana, Syria, Bhutan, the Philippines, Iran, Venezuela, Turkey, Jordan and Indonesia.

Indonesian pianist Ananda Sukarlan wrote a composition about religious intolerance based on the guilty verdict against former Jakarta Governor Basuki Tjahaja Purnama, known as Ahok, who was accused of blasphemy last year.

“I connect my composition with Beethoven’s ‘Moonlight Sonata’ since the governor’s name is Purnama, or moonlight in English,” Ananda told VOA. “I was so devastated when Ahok was sentenced to two years in prison after being found guilty of blasphemy. This case was a test to our religious tolerance, and I think it was the darkest moment in Indonesia history.

“The title of my composition is ‘No More Moonlight Over Jakarta,'” he said.

Ahok was put on trial in December 2016 over accusations that he insulted Islam while campaigning in the Seribu Islands near the capital of Jakarta.

During the campaign event, Ahok quoted a verse in the Quran to prove to his supporters that there were no restrictions on Muslims voting for non-Muslim politicians. His statement was edited and widely spread on social media, triggering charges of blasphemy, as well as protests and threats against him.

The previously popular Chinese-Christian governor lost the election and was later jailed. He will be released from prison on Jan. 24 — the day of the concert.

Among the other composers are Malek Jandali of Syria, whose piece, “The Hunt for Peace,” is dedicated to Syrian children, and Ghanaian composer George Mensah Essilfie, who wrote “Hope for the Shackled,” dedicated to the people who are physically chained and held at alleged faith-based camps in Ghana and are not being treated for their psychotic disorders.

The concert is also a precursor to global events that will be staged around the 250th anniversary of Beethoven’s birth in 2020.

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Boxing on a Bridge? Tbilisi Reinvents its Public Spaces

Think of public spaces in big cities, and formal parks, bustling markets and grand squares come to mind.

Think again.

In the Georgian capital of Tbilisi, residents have redrawn the map and come up with innovative ways for locals to congregate in their ancient and fast-changing city.

A boxing ring was built on a bridge. Next to it — architects installed art to amuse commuters as they hurried over the river.

The grimy gaps between garages were turned into a ‘stadium’ where locals could face off over dominoes. Inside the disused garages, bakeries, barbers and beauty salons plied their trade.

It is not how most cities do public spaces, but Tbilisi — which stands at the crossroads of Europe and Asia — has a long history shaped by diverse masters, all of whom left their architectural imprint on the Caucasus.

As the city shakes off decades of Soviet rule and reinvents itself again, developers have bent once-tight planning rules and a building boom is underway — one that is changing the face of the city and jeopardizing the open areas where Georgians meet.

“Left behind … (in) the construction boom, public spaces are still important and constitute a resource, a big treasure to be preserved,” says Nano Zazanashvili, head of the urban policy and research division at Tbilsi’s Department of Urban Development, a city office. “The main challenge of the City Hall is to protect these areas.”

Boxing Bridge

The DKD bridge — which connects two Soviet-era residential districts — is a perfect example of how locals adapted centrally-imposed urban design to fit their own suburban needs.

Flat dwellers in this northeastern sprawl live in the sort of anonymous, concrete blocks typical of any Soviet city.

Beauty is not their selling point, so in the 1990s architects installed informal shops, a hotel and a boxing gym on the bridge, which connects two identikit micro-districts.

The bridge building was part of an outdoor exhibition created for the Tbilisi Architecture Biennial earlier this year.

The event – the first since Georgia regained independence in 1991 – brought together experts to study the city’s rapid transformation and to involve locals in the debate.

“It is the very beginning, not even a first step,” Tinatin Gurgenidze, co-founder of the Biennial, told the Thomson Reuters Foundation. “The local community needs to understand what is the necessity of working on these issues.”

Rich Mix

Downtown, the cityscape makes for an eclectic backdrop.

Deco mansions jostle with Soviet constructivism. Ancient sulphur baths and tiny churches squat at the feet of futuristic skyscrapers, while rickety wooden houses lean into the hills, their gaily painted balconies perched in thin air.

Much of this history is fading into oblivion, sagging walls propped up with outsize beams to stop whole ghost streets crashing to dust.

Other parts of town are bulldozed and built over.

The city center is a decade into a frenetic construction boom, but the drab Gldani suburb mostly cleaves to its 1970s integrity, an era when uniform blocks were built to accommodate workers relocated from older, central neighborhoods.

This dormitory suburb became the area of the city with the highest density of population – and as communism and central control began to crumble, residents stole the chance to tack on ad-hoc balconies, garages and makeshift gardens.

With Georgian independence came a headlong rush to architectural deregulation, free of any supervision or control, changing the look, feel and use of once sacred public spaces.

“People came up with their own solutions to the problems,” said Gurgenidze, who trained in Georgia as an architect. “The informal structures need to be taken into consideration when decision makers and architects plan the future of these areas.”

Informal and Changed

Take the garages — erected in front of flats to park cars in the 1990s, they were later transformed into basic fruit and vegetable shops, bakeries, barbers and beauty salons.

Rented for 40-100 lari ($15 to £38) a month, the self-declared shops generate extra income for the residents and many were legalized after the fact into formal commercial spaces.

Now they face a possible next life.

The mayor of Tbilisi, former soccer star Kakha Kaladze, this year launched an initiative with local backing to replace the ‘garages’ with playgrounds or gardens.

So far, the plan has had limited success.

But according to architect Nikoloz Lekveishvili, locals are regaining the tiny spaces in between to play dominoes, soak up the greenery and relax with neighbors.

“People see this public space as an opportunity,” he said.

Lali Pertenavi, an artist who grew up in Gldani, temporarily turned Block 76 — a local residential building — into an exhibition space in October as part of the biennial. Residents opened their homes to artists, who in turn transformed them into social spaces recalling the best of Soviet-era collectivism.

While a master plan for the whole city is under discussion at municipal level, public spaces for ordinary people are low in the pecking order of priorities.

“Public spaces and green areas are a hot topic in the local debate but people don’t have enough time to fight for it,” said Anano Tsintsabadze, a lawyer and activist managing the Initiative for a Pubic Space, an NGO that focuses on urban planning and supports residents fighting for public spaces.

In parts of the city, such as Saburtalo and Didi Digomi, the community is slowly mobilizing against the privatization of public spaces amid a drive to keep them free and accessible.

“The social tissue has grown more than the local government.

People know what happens in Europe and are asking for more organised, clean urban spaces,” said architect Nikoloz Lekveishvili, co-founder of Timm Architecture, an international network stretching from Milan to Moscow, Istanbul to Tbilisi.

($1 = 2.6550 laris)

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130th Rose Parade Boasts Floral Floats, Singer Chaka Khan

Floral floats and marching bands took to the streets under a sunny California sky as the 130th Rose Parade drew hundreds of thousands of spectators on New Year’s Day and millions more watched on TV.

Among the fanciful floats was an award-winning entry from the UPS Store that featured a book-reading, ballet-practicing ostrich named Olive decked out with more than 30,000 pale pink carnations.

The annual extravaganza in Pasadena kicked off with a performance by singer Chaka Khan, the grand marshal of the parade, and featured 40 floats decorated with countless flowers and waving celebrities. The theme was “The Melody of Life.”

There was plenty of sunshine and calm breezes, with temperatures reaching about 60 degrees (16 degrees Celsius) after a chilly and windy night. Dozens of people staked out prime viewing spots on Monday and slept bundled up along the route, where overnight temperatures dipped into the 30s (about 3 degrees Celsius).

The parade was briefly interrupted when a float celebrating U.S. railroad heritage broke down and erupted in smoke. Marching bands were able to move around the Chinese American Heritage Foundation’s “Harmony Through Union” entry, but other floats couldn’t, causing a brief backup.

“We’ve had a bit of a malfunction,” Leeza Gibbons told KTLA-TV viewers. “They’re scrambling right now.”

The disabled float was eventually towed from the route, and the parade resumed. The interruption caused long gaps, and some people began leaving until a monitor came along yelling, “The parade’s not over!”

Spectators shouted, “Thank you,” to U.S. Forest Service firefighters marching behind a float with Smoky Bear and traded “alohas” with horseback riders from Hawaii.

California Polytechnic State Universities’ entry, “Far Out Frequencies,” was awarded for its use of statice, marigolds and strawflowers grown on the San Luis Obispo campus. It featured a pair of astronauts playing music to communicate with aliens they encountered on a distant planet.

Along with the many floats, the parade featured 18 equestrian groups and 21 marching bands. Among them are bands from Ohio State University and the University of Washington, whose teams will compete in Tuesday’s Rose Bowl.

Local high school senior Louise Deser Siskel was crowned the 101st Rose Queen. She wrote in an op-ed in the Los Angeles Times about how she would use the platform to advocate for science education, the importance of science informing public policy and the value of inclusion.

“Personally, I am happy to be the first Rose Queen to wear glasses on the float (even though they clash with the crown), and the first Rose Queen to talk about being Jewish. I feel an additional responsibility to myself and to this tradition, to share that I am bisexual,” she wrote.

 

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After Blockbusters in 2018, Are Black Films Entering Hollywood Mainstream?

The year 2018 was one of box office successes and awards of artistic recognition for black films, from Marvel Comic’s action flick Black Panther to the fact-based drama Blackkklansman.

Ryan Coogler’s Black Panther, about a fictional African king with superhero powers and his technologically advanced country, Wakanda, has received dozens of awards, including three Golden Globe nominations. The American Film Institute recognized it as one of the year’s ten best movies for its social and artistic significance celebrating African and African-American cultures.

Musing about the film’s power, producer Nate Moore told VOA, “I think that for African-American audiences there is a lot to pull from. And hopefully there is some inspiration again learning about the roots where African-Americans came from.”

Black Panther, with the first black Superhero lead actor, grossed over a billion dollars domestically and internationally, making it the third highest grossing film ever in the U.S. It has been projected as an Oscar winner. But does its critical and financial success mean that Black films are becoming a Hollywood staple?

A turning point for black films?

It may be too soon to tell, says media expert Richard Craig, an associate professor of communication at George Mason University. “I think Hollywood is processing that as the way that Hollywood processes most things, and that’s looking at the bottom line, the profit margin. If a film does well in the box office and beyond the box office — because we have the opportunity of the merchandise, spinoffs in terms of shows, field games etc. Hollywood is going to say, ‘you know what? Maybe we can do another one, maybe we can do another two.’”

As long as audiences pay to see films with minorities as leads, Hollywood will keep on making them, Craig says, but adds that the industry still has a long way to go before it is willing to invest in high-budget film franchises such as James Bond or Spiderman with black actors as leads.

He points to the newly-released animated Spider-Man into the Spider-Verse, which includes a black Spiderman. He said while he and his 12-year-old daughter enjoyed this new rendition of Spiderman, he felt a bit ambivalent about its animated form. “You are given this cartoon version of Spiderman to accept this black face as Spiderman as opposed to having a real time, real place actor.”

However, Craig says, smaller, independent black movies with a political or cultural message that feature real-live actors have a greater chance of making it to production.

Two such films this year are Spike Lee’s Blackkklansman, a dark satire based on a true story about an African-American cop infiltrating the Ku Klux Klan and If Beale Street Could Talk, a romantic drama about social injustice against blacks and incarceration of African-American men in 1970s America, by Oscar-winning filmmaker Barry Jenkins.  Both films have been mentioned as Oscar contenders and share the spotlight in AFI’s list of best films of the year.

 

Room for smaller films

But small black films by lesser-known filmmakers get little promotion and financial backing. Just a few years after the beginning of the #BlackLivesMatter, musician and activist Boots Riley released his first film, Sorry to Bother You. It advocates activism against the economic exploitation of “Corporate America.”

“When art and organizing are married, then the art becomes a way for people to ruminate on what they can do and then they have a place to plug in,” Riley told VOA. “And then I think what happens is more artists are created from those movements.” He says he doubts his film would have made it to production if he relied on Hollywood to get it funded.  “Making your art is one thing and trying to get a job in what “they” [the Hollywood Industry] want to happen is another. The reason I was able to make a film like I made was because I wasn’t trying to get a job.”

He advises young filmmakers without financial backing to use digital platforms to get their films out.

It took Boots Riley four years to get his film made. But Sorry to Bother You is a success story. The film cost a little bit over three million dollars to make and has grossed over twenty million dollars.

The Hate U Give, by filmmaker George Tillman, about a police shooting of an African-American teen in a black community, also went viral, despite the fact that it had gotten little promotion. Tillman said that was because the film offered an authentic depiction of African-Americans killed by police and its message of standing up for justice resonated with audiences all over the country.

Boots Riley agrees that the overwhelmingly positive audience response towards thought-provoking African-American movies signals that black filmmakers can take charge of their narrative and film production.

“We have things to bring to the world that are not just changing the actors or changing the director,” he says, “and I think that black film can really start having its own stories.”

 

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After Some Blockbusters, Have Black Films Entered Hollywood Mainstream?

2018 was a year of box office successes and awards of artistic recognition for black films. Marvel’s action flick “Black Panther” introduced the first black superhero lead actor and grossed over a billion dollars domestically and internationally. Other films with black leading characters also did well with audiences and critics. Do these distinctions signal that black films are finally part of the Hollywood mainstream? VOA’s Penelope Poulou has more.

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The Digital Revolution’s Double-Edged Sword

Digital developments that have upended businesses throughout the global economy, from music to manufacturing, are also changing what the world trades and how manufacturers and merchants move and sell their goods. Experts tell VOA’s Jim Randle, the digital revolution presents significant opportunities, but also serious problems, for countries.

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Volunteers Prepare Flower-Decked Floats for Rose Parade

The Rose Parade has been a New Year’s Day tradition since 1890.  Every inch of every float is covered with flowers or other natural materials, such as leaves, seeds or bark. The most delicate flowers, including roses, are placed in individual vials of water, which are set into the float one by one. The parade of dozens of floats, marching bands and equestrian units is watched by thousands along the 9 kilometer route through Pasadena, California, and by millions more on TV around the world. The colorful spectacle kicks off the “Rose Bowl” – an American college football final that is also a New Year tradition. Mike O’Sullivan reports, volunteers have been working day and night on displays to prepare for the parade early Tuesday.

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