First Private All-Civilian Orbital Spaceflight Set for Wednesday 

Four people are set to become the world’s first all-civilian crew to fly into Earth orbit when they blast off from NASA’s Kennedy Space Center Wednesday as space tourism takes its biggest leap yet.  Weather conditions are 70% favorable for Wednesday night’s scheduled launch of Americans Jared Isaacman, Hayley Arceneaux, Chris Sembroski and Sian Proctor from the U.S. spaceport’s historic Launch Pad 39A, which was used for the Apollo moon missions during the 1960s and 70s.  The four-member crew will fly into space aboard the Crew Dragon spacecraft built by SpaceX, the privately-run company which has begun sending astronauts to the International Space Station. The fully automated Crew Dragon spacecraft will take the crew to an altitude of 575 kilometers above the Earth’s surface, just above the current positions of both the ISS and the Hubble Space Telescope.   SpaceX said the four space tourists will “conduct scientific research designed to advance human health on Earth and during future long-duration spaceflights” before splashing down in the Atlantic Ocean near the Florida coast three days later.   The mission, dubbed Inspiration4, will be led by the 38-year-old Isaacman, a billionaire technology entrepreneur and founder of an online payment-processing company who is said to have paid SpaceX several million dollars for the flight. The 29-year-old Arceneaux is a childhood bone cancer survivor who has a titanium rod in her leg, which makes her the first person to fly in space with a prosthesis. Sembroski is a 42-year-old retired U.S. Air Force ballistic missile maintenance engineer who now works in the aviation industry, while 51-year-old Proctor is a geoscientist and community college professor who was a NASA astronaut finalist in 2009.  Sembroski and Proctor were selected through a nationwide search contest, while Arceneaux is flying as a representative of St. Jude Children’s Research Hospital in Memphis, Tennessee, where she was treated during her battle with cancer and now works as a physician’s assistant. Isaacman is using the flight to raise $100 million for St. Jude, and has pledged $100 million of his own money to the hospital. Isaacman’s flight will far exceed those of fellow billionaires Richard Branson and Jeff Bezos, who each took brief non-orbital flights to the edge of space aboard their own self-financed vehicles — Virgin Galactic and Blue Origin, respectively — earlier this year.      Some information for this report came from the Associated Press, Reuters and Agence France Presse. 

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Billie Eilish, Amanda Gorman, Lil Nas X Dazzle at Met Gala

Billie Eilish went full glam in a huge peach ball gown at the pandemic-delayed Met Gala on Monday night, while fellow host of the evening Amanda Gorman was breathtaking in blue custom Vera Wang with a diamond laurel wreath in her hair.Co-host Timothée Chalamet raced onto Fifth Avenue to take selfies with fans before walking up the steps of the Metropolitan Museum of Art for his entrance after a marching band and gymnast kicked off the long-awaited evening. Last year’s gala was canceled due to the pandemic.This year’s official theme of the fundraiser for the museum’s Costume Institute was “American Independence,” leaving plenty of room for interpretation. Just ask Lil Nas X, who did a Lady Gaga-esque strip tease on the carpet in gold Versace, from cape to armor to embellished jumpsuit. 
Eilish, the belle of the ball, wore Oscar de la Renta. She told Vogue: “It was time for this. I feel like I’ve grown so much over the last few years.”Chalamet had sneakers on his feet but diamonds on his look. Chalamet called his look “a bit of everything,” just like America.Gorman’s dress, which included more than 3,000 hand-sewn crystals, was made to evoke a starry night sky. She told Vogue she felt like Lady Liberty, reimagined. Her crown, the star poet said, was a nod to publishing. Another of the hosts, Naomi Osaka, wanted to celebrate all her cultures — Japan, Haitian and the U.S. — and picked a Louis Vuitton gown designed in collaboration with her sister, Mari Osaka. It was a swirly blue, aqua and purple print with long black ruffle sleeves and a wide red sash.If this gala produced a trend, it’s huge statement sleeves, with some stars and stripes thrown in. There was a smattering of red, as in the red, white and blue of the American flag. Karlie Kloss wore red Carolina Herrera with huge ruffles at the neck and sleeves. Jennifer Hudson also chose red sans sleeves. Also in red: Ella Emhoff, the daughter of the country’s second gentleman, Doug Emhoff, and Vice President Kamala Harris. She wore a trouser look with a sheer top and a crystal design in all the right places.Dan Levy took the party’s theme to the extreme in a blue confection from Loewe. It had, according to the brand, “printed leg of mutton sleeves” on a polo shirt with an applique of two men kissing. Leon Bridges, meanwhile, honored his home state of Texas in a white cowboy hat and a blue suede fringe jacket. “It’s all about embodying the aesthetic of Texas,” said Bridges, with jewels in his hair.Yara Shahidi wore silver custom Dior complete with a head piece. She said she was inspired by Josephine Baker. Emma Chamberlain went for a gold mini with cutouts at the waist and chunky mirror and chain detail. Harris Reed put Iman in a huge golden hat.Gala overseer Anna Wintour arrived early with a wave to the crowd accompanied by her pregnant daughter, Bee, in a floral design with ruffles at the neck.Along with oh-so-many jumpsuits, there were plenty of classic red carpet looks and a wave of gold, the latter including a Peter Dundas look worn by Mary J. Blige. It plunged to the belly button and beyond at the front and back. Megan Fox, fresh from hear appearance at the MTV VMAs, also wore embellished Dundas, a red body hugger with crisscrossing at the front and sides. MJ Rodriguez, the “Pose” star and first transgender performer to pick up an Emmy nomination in a major acting category, wore an old glam, black-and-white corseted look from Thom Brown. The designer called it a modern-day twist on classic American sportswear. She attended the gala with purpose.”Not a lot of trans girls like myself get this opportunity,” she said. “The human condition is what I’m here for.”U.S. Rep. Alexandria Ocasio-Cortez showed up in an Aurora James gown of white with a message splashed in red across the back: “Tax the Rich.”The evening had its share of what-the-heck moments, like a couple of horse heads on dresses and a green-haired Frank Ocean carrying a fake baby with a green face to match. Thom Browne gave the walking fashion statement Erykah Badu an extra-tall top hat with a bulky black look, a bunch of crystals and chunky bling around her neck.Her purse was a black leather dachshund.Dundas also dressed Ciara, who honored Seahawks hubby Russell Wilson with his No. 3 emblazoned on her lime green sequined gown. She added a little something extra — a Super Bowl ring — and carried a bedazzled purse in the shape of a football.She said the designer was inspired by the sporty vibe of the late great Geoffrey Beene.
The gala, which raises money for the museum’s Costume Institute, was pushed last year from its traditional May berth and morphed this year into a two-part affair marking the institute’s 75th anniversary. It coincides with the opening of “In America: A Lexicon of Fashion,”  the first of a two-part exhibition at the Met’s Anna Wintour Costume Center. Organizers invited 400 guests, or about a third the number that usually attend.

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George Wein, Newport Jazz Festival Co-founder, Dies at 95

George Wein, an impresario of 20th century music who helped found the Newport Jazz and Folk festivals and set the template for gatherings everywhere from Woodstock to the south of France, died Monday. Wein, 95, died “peacefully in his sleep” in his New York City apartment, said Carolyn McClair, a family spokesperson. A former jazz club owner and aspiring pianist, Wein launched the Newport Jazz Festival in 1954 under pouring rain and with a lineup for the heavens — Billie Holiday and Dizzy Gillespie, Ella Fitzgerald and Lester Young. Louis Armstrong was there the following year and Duke Ellington made history in 1956, his band’s set featuring an extraordinary, 27-chorus solo from saxophonist Paul Gonsalves that almost single-handedly revived the middle-aged Ellington’s career. Wein led the festival for more than 50 years, and performers would include virtually every major jazz star, from Miles Davis and Thelonious Monk to Charles Mingus and Wynton Marsalis. Just in 1965, the bill featured Frank Sinatra, Count Basie, John Coltrane, Ellington, Gillespie, Davis and Monk.  FILE – Wynton Marsalis performs at the Newport Jazz Festival in Newport, Rhode Island, on August 6, 2011.The success of Newport inspired a wave of jazz festivals in the U.S., and Wein replicated his success worldwide, his other projects including the New Orleans Jazz & Heritage Festival and the Grande Parade du Jazz in Nice, France. His multiday, all-star gatherings were also a model for rock festivals, whether Woodstock in 1969 or the Lollapalooza tours of recent years.  Critic Gene Santoro observed in 2003 that without Wein, “everything from Woodstock to Jazz at Lincoln Center might have happened differently — if it happened at all.” Wein “can justifiably claim to have invented, developed and codified the contemporary popular music festival,” Santoro wrote. The idea for Newport came in part from locals Louis and Elaine Lorillard, who urged Wein to organize a jazz festival in their resort community in Rhode Island. Elaine Lorillard, a socialite, complained that the summer scene was “terribly boring.” Her tobacco-heir husband backed her up with a $20,000 donation. Wein had never known of a large-scale jazz festival, so, in the spirit of the music, he improvised — seeking to combine the energy and musicality of a Harlem jazz club with the ambience of a summer classical concert in Tanglewood. “What was a festival to me?” Wein later said. “I had no rulebook to go by. I knew it had to be something unique, that no jazz fan had ever been exposed to.” FILE – In this 1963 file photo, Joan Baez and Bob Dylan perform at the festival in Newport, Rhode Island.In 1959, Wein joined with Pete Seeger and began a companion folk festival that would feature early performances by Joan Baez and Jose Feliciano among others and track the evolution of Bob Dylan from earnest troubadour to rule-breaking rock star.  Dylan’s show in 1963 helped establish him as the so-called “voice of his generation,” but by 1965 he felt confined by the folk community and turned up at Newport with an electric band. The response was mostly positive, but there were enough boos from the crowd and conflicts backstage — Wein rejected the legend that Seeger tried to cut the power cables to Dylan’s amps — to make Dylan’s appearance a landmark in rock and folk history. In his memoir, “Myself Among Others,” Wein remembered confronting Dylan as he left the stage and insisted he return to play something acoustic. Years later, Wein remained moved by memories of hearing Dylan sing “It’s All Over Now, Baby Blue,” a farewell ballad in more ways than one. “It was a farewell to the idealism and purity of the folk revival,” Wein wrote. “There was no turning back — not for Dylan, not for anyone.” The Newport festivals have led to numerous films and concert albums, notably Murray Lerner’s Oscar-nominated 1967 documentary “Festival!” with Dylan, Johnny Cash and Howlin’ Wolf among the performers. Wein would later bring in Led Zeppelin, Sly and the Family Stone and James Brown and other rock and rhythm and blues acts. In 2020, when Newport went virtual because of the pandemic, Wein introduced Mavis Staples from his home in Manhattan.  Wein himself had been a pianist since childhood and he maintained an active music career, releasing “Wein, Women and Song,” “Swing That Music” and several other albums and making yearly appearances at the Newport festival with his Newport All-Stars band. He was named a “Jazz Master” in 2005 by the National Endowment for the Arts and received an honorary Grammy in 2014. Years earlier, President Bill Clinton brought his saxophone to the White House stage for a celebration of the Newport Jazz Festival. The Newport festival lasted despite ongoing conflicts, whether objections from the locals in Newport, the declining appeal of jazz, or the demands and resentments of the musicians. In the mid-1970s, he was struggling financially and became among the first popular music promoters to work with corporate sponsors, notably the makers of Kool cigarettes.  In 2005, he sold his company Festival Productions Inc. to Festival Network LLC and took on a more limited role at Newport. Six years later, he established the nonprofit Newport Festivals Foundation to oversee the summertime events. “I want the festivals to go on forever,” Wein told The Associated Press at the time. “With me it’s not a matter of business. This is my life.” 

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Cyber Arms Dealer Exploits New iPhone Software Vulnerability, Watchdog Says

A cyber surveillance company based in Israel developed a tool to break into Apple iPhones with a never-before-seen technique that has been in use since February, internet security watchdog group Citizen Lab said Monday. The discovery is important because of the critical nature of the vulnerability, which requires no user interaction and affects all versions of Apple’s iOS, OSX, and watchOS, except for those updated Monday. The vulnerability developed by the Israeli firm, named NSO Group, defeats security systems designed by Apple in recent years. Apple said it fixed the vulnerability in Monday’s software update, confirming Citizen Lab’s finding. An Apple spokesperson declined to comment regarding whether the hacking technique came from NSO Group. In a statement to Reuters, NSO did not confirm or deny that it was behind the technique, saying only that it would “continue to provide intelligence and law enforcement agencies around the world with life-saving technologies to fight terror and crime.” Citizen Lab said it found the malware on the phone of an unnamed Saudi activist and that the phone had been infected with spyware in February. It is unknown how many other users may have been infected. The intended targets would not have to click on anything for the attack to work. Researchers said they did not believe there would be any visible indication that a hack had occurred. The vulnerability lies in how iMessage automatically renders images. IMessage has been repeatedly targeted by NSO and other cyber arms dealers, prompting Apple to update its architecture. But that upgrade has not fully protected the system. “Popular chat apps are at risk of becoming the soft underbelly of device security. Securing them should be top priority,” said Citizen Lab researcher John Scott-Railton. The U.S. Cybersecurity and Infrastructure Security Agency had no immediate comment. Explosion in attacksCitizen Lab said multiple details in the malware overlapped with prior attacks by NSO, including some that were never publicly reported. One process within the hack’s code was named “setframed,” the same name given in a 2020 infection of a device used by journalists at Al Jazeera, the researchers found. “The security of devices is increasingly challenged by attackers,” said Citizen Lab researcher Bill Marczak. A record number of previously unknown attack methods, which can be sold for $1 million or more, have been revealed this year. The attacks are labeled “zero-day” because software companies had zero days’ notice of the problem. New cybersecurity focusAlong with a surge in ransomware attacks against critical infrastructure, the explosion in such attacks has stoked a new focus on cybersecurity in the White House as well as renewed calls for regulation and international agreements to rein in malicious hacking. As previously reported, the FBI has been investigating NSO, and Israel has set up a senior inter-ministerial team to assess allegations that its spyware has been abused on a global scale. Although NSO has said it vets the governments it sells to, its Pegasus spyware has been found on the phones of activists, journalists and opposition politicians in countries with poor human rights records. 
 

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On with the Show: Amid Pandemic, Broadway Prepares to Reopen

Broadway will welcome back musical lovers and playgoers this fall as theaters in New York City reopen at 100% capacity despite an ongoing threat of the spread of COVID-19. Tina Trinh reports.Camera: Tina Trinh, Janine Phakdeetham      Produced by: Tina Trinh   

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SpaceX to Launch Private, All-civilian Crew into Earth Orbit

SpaceX is set to launch four people into space Wednesday on a three-day mission that is the first to orbit the Earth with exclusively private citizens on board, as Elon Musk’s company enters the space tourism fray.    The “Inspiration4” mission caps a summer that saw billionaires Richard Branson and Jeff Bezos cross the final frontier, on Virgin Galactic and Blue Origin spaceships respectively, a few days apart in July. The SpaceX flight has been chartered by American billionaire Jared Isaacman, the 38-year-old founder and CEO of payment processing company Shift4 Payment. He is also a seasoned pilot. The exact price he paid SpaceX hasn’t been disclosed, but it runs into the tens of millions of dollars.   The mission itself is far more ambitious in scope than the few weightless minutes Virgin Galactic and Blue Origin customers can buy. The SpaceX Crew Dragon will be flying further than the orbit of the International Space Station.   “The risk is not zero,” said Isaacman in an episode of a Netflix documentary about the mission. “You’re riding a rocket at 17,500 miles (28,000 kilometers) per hour around the Earth. In that kind of environment there’s risks.” SpaceX has already given no fewer than ten astronauts rides to the ISS on behalf of NASA — but this will be the first time taking non-professional astronauts. Lift-off is scheduled for Wednesday from 8:00 pm Eastern Time (0000 GMT) from launch pad 39A, at NASA’s Kennedy Center in Florida, from where the Apollo missions to the Moon took off. ‘Are we going to the Moon?’In addition to Isaacman, who is the mission commander, three non-public figures were selected for the voyage via a process that was first advertised at the Super Bowl in February.    Each crew member was picked to represent a pillar of the mission.   The youngest, Hayley Arceneaux, is a childhood bone cancer survivor, who represents “hope.”  She will become the first person with a prosthetic to go to space. “Are we going to the Moon?” she asked, when she was offered her spot.   “Apparently people haven’t gone there in decades. I learned that,” she laughed, in the documentary.   The 29-year-old was picked because she works as a Physician Assistant in Memphis for St. Jude’s Hospital, the charitable beneficiary of Inspiration4.   One of the donors secured the seat of “generosity”: Chris Sembroski, 42, is a former US Air Force veteran who now works in the aviation industry.  The last seat represents “prosperity” and was offered to Sian Proctor, a 51-year-old earth science professor who, in 2009, narrowly missed out on becoming a NASA astronaut. She will be only the fourth African American woman to go to space. Months of trainingThe crew’s training has lasted months and has included experiencing high G force on a centrifuge — a giant arm that rotates rapidly.    They have also gone on parabolic flights to experience weightlessness for a few seconds and completed a high altitude, snowy trek on Mount Rainier in the northwestern United States. They spent time at the SpaceX base, though the flight itself will be fully autonomous.   Over the three days of orbit, their sleep, heart rate, blood and cognitive abilities will be analyzed.  Tests will be carried out before and after the flight to study the effect of the trip on their body.  The idea is to accumulate data for future missions with private passengers.     The stated goal of the mission is to make space accessible for more people, although space travel remains for the moment only partially open to a privileged few.   “In all of human history, fewer than 600 humans have reached space,” said Isaacman.  “We are proud that our flight will help influence all those who will travel after us.” 

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Medvedev Ends Djokovic’s Bid for Year Slam at US Open

Novak Djokovic’s bid for the first calendar-year Grand Slam in men’s tennis since 1969 ended one victory short with a 6-4, 6-4, 6-4 loss to Daniil Medvedev in the U.S. Open final on Sunday.  Medvedev’s surprisingly lopsided triumph gave him his first major championship and prevented Djokovic from winning what would have been the record 21st of his career.  The No. 1-ranked Djokovic entered this match 27-0 in 2021 at the sport’s four most important tournaments, enduring the burdens of expectations and pressure that came along with his two-track pursuit of history over the past seven months and, in New York, the past two weeks.  He beat Medvedev in the Australian Open final on a hard court in February, then added titles on clay at the French Open in June and Wimbledon on grass in July.  But Djokovic, a 34-year-old from Serbia, couldn’t get to 28-0. He simply was far from his best on this particular day.  He made mistakes, 38 unforced errors in all. He wasn’t able to convert a break chance until it was too little, too late. He showed frustration, too, destroying his racket by pounding it three times against the court after one point, drawing boos from the Arthur Ashe Stadium crowd and a code violation from the chair umpire.A lot of Djokovic’s issues had to do with the No. 2-ranked Medvedev, who used his 6-foot-6 (1.98-meter) frame to chase down everything and respond with seemingly effortless groundstrokes — much the way Djokovic wears down foes — and delivered pinpoint serving.Djokovic reached his record-equaling 31st Grand Slam final with six victories on the hard courts of Flushing Meadows. But he could not quite get the last one he wanted.  He remains tied with Roger Federer and Rafael Nadal with 20 major titles.And the last man to sweep a season’s singles trophies at the Slams remains Rod Laver, who did it twice — in 1962 and 1969 — and was in the stands Sunday. The last woman to accomplish the feat was Steffi Graf in 1988.Instead, Djokovic joins Jack Crawford in 1933 and Lew Hoad in 1956 as men who won a year’s first trio of Grand Slam tournaments and made it all the way to the U.S. Open final before losing. 

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Disney to Debut Rest of 2021 Films in Cinemas First

Disney announced Friday that all of its films slated for release by the end of the year will be exclusively screened in cinemas first, bringing relief to theaters anxious to reconnect with audiences after the coronavirus pandemic devastated their industry.The animated film Encanto will be released on the big screen Nov. 24 and will not appear on Disney’s on-demand video platform until Dec. 24, the company said in a statement.Other planned projects, including The Last Duel by Ridley Scott, Eternals by Marvel Studios and West Side Story by Steven Spielberg, will be screened in theaters for at least 45 days before they are released elsewhere.The decision was eagerly awaited by traditional cinemas after the entertainment giant recently chose to release a series of big productions such as Black Widow, Jungle Cruise and Cruella on its Disney+ platform, diverting part of their revenue.Black Widow actor Scarlett Johansson has sued Disney, accusing the company of breach of contract and costing her millions of dollars in box office revenue after it released the film on its video platform.Two years ago, Disney was producing content for both theaters and television channels, but it now has direct access to its audience via streaming, a trend accelerated by the pandemic.In mid-August, Disney boss Bob Chapek said he favored “flexibility” and the ability to “follow the consumer wherever he goes.”During a presentation of the company’s financial results, he said “when theaters reopened, there was immense reluctance from the public to return.”Warner Bros. studios has also been heavily criticized for its decision to release all of its new movies for the rest of the year on its HBO Max platform. 

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Apple Must Loosen App Store Grip, Judge Says; What’s the Impact? 

Apple will be forced to loosen the grip it holds on its App Store payment system, a U.S. federal judge ruled Friday in a closely watched battle with Fortnite maker Epic Games.Though app makers will be able to take steps to skirt the up to 30% commission Apple takes on sales, the tech giant avoided being branded an illegal monopoly in the case.Here are some key questions on the App Store and the impact of the ruling:How does the App Store work?The App Store acts as the lone gateway for mobile applications of any kind onto iPhones or other Apple devices. Apple requires developers to adhere to its rules for what apps can or can’t do, and Apple makes them use the App Store payment system for all transactions there.Apple takes a commission of up to 30% of app purchases or transactions, contending it is a fair fee for providing a safe, global platform for developers to hawk their creations.Apple maintains that 85% of the estimated 1.8 million apps at the digital shop pay nothing to the Silicon Valley based tech giant.What was the ruling?The ruling by U.S. District Judge Yvonne Gonzalez-Rogers said that Apple’s control of the App Store did not amount to a monopoly, but that it must let developers include links to other online venues for buying content or services.App makers will be able to provide links that users can click on to take them to another website to buy content or otherwise interact. Apple can still require its payment system to be used for in-app purchases, meaning it should still get its share of transactions such as buying virtual gear in a game or a subscription.Gonzalez Rogers wrote that Apple violated California’s laws against unfair competition but that it was not “an anti-trust monopolist … for mobile gaming transactions.”Big change?The biggest change lovers of Apple mobile gadgets might notice is that apps should start showcasing links enticing them to leave the App Store to spend money.Apple representatives called the ruling a validation of the App Store business model.The judge did not order Apple to let Fortnite back into the App Store, and the studio’s CEO Tim Sweeney said on Twitter that the game would return only  “when and where Epic can offer in-app payment in fair competition with Apple.”Bite out of Apple’s revenue?It will be difficult to estimate what sort of bite the ruling will take from the company’s income.Most of the offerings at the App Store are created by small developers who haven’t built their own payment systems the way Epic Games runs its own online shop, analyst Carolina Milanesi said.Small developers likely see benefits to using Apple’s payment system and provided perks, such as promoting apps or handling refunds, the analyst added.App users might also feel more comfortable trusting transactions on Apple’s platform rather than entering credit card or other information in on third-party websites.”How many developers can do something else when it comes to payment systems and how many customers are interested in using something else?” Milanesi asked. “I don’t think this ruling is a problem for Apple from a revenue perspective.”And Apple may be planning to more than offset any lost revenue with its own advertising business, according to the analyst. 

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US Soccer Chief Vows to Equalize World Cup Payments in Gender Pay Dispute

United States Soccer Federation President Cindy Parlow Cone said Friday the body hopes to “equalize” World Cup prize money for its men’s and women’s national teams as part of efforts to settle ongoing litigation with its women footballers. In an open letter addressed to U.S. fans, Parlow Cone said the gulf in prize money paid out by FIFA in the men’s and women’s tournaments was “by far the most challenging issue” facing U.S. Soccer in pay negotiations with men’s and women’s teams. The question of World Cup prize money formed a prominent part of a lawsuit filed by the U.S. women’s soccer team in 2019, which accused the USSF of “stubbornly refusing” to pay its men and women players equally.  FILE – Cindy Parlow Cone of U.S. Soccer attends a meeting of the organization’s board of directors in Chicago, Dec. 6, 2019.A federal judge later rejected the claim of pay discrimination, but the U.S. women have appealed. The 2019 lawsuit cited the discrepancy in World Cup prize money payments paid to the two teams in 2014 and 2015.  The U.S. men received $5.375 million for reaching the round of 16 at the 2014 World Cup, while the women received $1.725 million for winning the 2015 tournament. The USSF has argued that its hands are tied because the prize money is set by FIFA, which awarded $38 million to France for winning the 2018 men’s World Cup in Russia, but only $4 million to the American women for winning the 2019 Women’s World Cup. “FIFA alone control those funds,” Parlow Cone said in her letter on Friday. “And U.S. Soccer is legally obligated to distribute those funds based on our current negotiated collective bargaining agreements with the men’s and women’s teams.” However, Parlow Cone said U.S. Soccer wants to bring the men’s and women’s national teams together to “rethink how we’ve done things in the past.” “To that end, we have invited the players and both Players Associations to join U.S. Soccer in negotiating a solution together that equalizes World Cup prize money between the USMNT and USWNT,” she wrote. “Until FIFA equalizes the prize money that it awards to the Men’s and Women’s World Cup participants, it is incumbent upon us to collectively find a solution. “U.S. Soccer is ready and willing to meet with both groups of players as soon as possible and as often as needed to determine that innovative solution.”  Parlow Cone said the USSF had wanted to negotiate a single collective bargaining agreement covering men’s and women’s teams but had met resistance. Accordingly, the USSF is negotiating separate agreements. U.S. Soccer said the body “will be offering the USMNT and the USWNT the exact same contract, just as we have in past negotiations.”  “That means offering CBAs that include equalized FIFA prize money, identical game bonuses and identical commercial and revenue sharing agreements.” A spokeswoman for the U.S. women’s team said Parlow Cone’s letter showed that the USSF “finally acknowledged that they pay women less than men and must correct this ongoing disparity by reaching an equal pay collective bargaining agreement and resolving the ongoing lawsuit.  “Letters to fans are not a substitute.” 
 

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Raducanu, Fernandez Set Up Battle of Teens in U.S. Open Final

It will be the Big Apple battle of teenagers in Saturday’s U.S. Open final after Britain’s Emma Raducanu became the first qualifier to reach the title clash at a major, joining Canadian Leylah Fernandez as the duo continued their giant-killing spree.The final under the lights at the colossal Arthur Ashe Stadium between Fernandez and Raducanu will be the first major final in the Open Era across both the men’s and women’s game to feature two unseeded players.It will also mark the first Grand Slam final to be contested by two teenagers since the 1999 U.S. Open between Serena Williams and Martina Hingis.Both Raducanu, 18, and Fernandez, who turned 19 this week, were yet to be born then.”We first encountered each other because I was born in Toronto and she was Canadian, so we kind of, like, made a little relationship back then,” said Raducanu, whose parents moved to England when she was two-years-old.”But, yeah, then I played her at junior Wimbledon. Obviously since then we’ve both come very far in our games and as people. Yeah, I’m sure it’s going to be extremely different to when we last encountered each other.”But we’re both playing good tennis so it will be a good match.”Fernandez was the first to book her spot with yet another upset on Thursday as she took down second seed Aryna Sabalenka 7-6(3) 4-6 6-4 in the first semi-final on Thursday night.Raducanu did not take much longer, wrapping up her contest against Greek Maria Sakkari 6-1 6-4 in 84 minutes to become the first British woman to reach a major final since Virginia Wade won Wimbledon in 1977.Playing in just her fourth tour-level tournament, Raducanu has not dropped a set in New York – the first woman to make the U.S. Open final without dropping a set since German Angelique Kerber in 2016.”Honestly I just can’t believe it. A shock. Crazy,” she said, beaming from her ubiquitous smile. “To be in a Grand Slam final at this stage of my career, yeah, I have no words.”Their fearless tennis has endeared both to the fans and the crowd will have a tough choice in deciding who they would want to back on Saturday.”They are both young. They play fearless. They have nothing to lose playing against us,” said Sakkari. “I have to give credit to both of them, both of the young girls, that they take their chances. They’re out there fighting for that title.”A win in the final would see Raducanu jump to 24th in the rankings, a massive climb after starting the hardcourt major ranked 150th in the world.Left-handed Fernandez, who can make her top-20 debut by climbing to number 19 with the U.S. Open title, has been no less impressive.The Canadian had shown en route to the semi-final that she can beat anyone, with victories over four-time major winner and defending champion Naomi Osaka, three-time Grand Slam winner Kerber in the fourth round and fifth-seeded Elina Svitolina in the quarter-finals.She looked at sea against the power of big-hitting Sabalenka at the start of the match, but soon found her groove as her Belarusian opponent squandered her chances.It was her third win in four matches against top-five players in the world.”Impossible is nothing,” she said. “Like my dad would tell me all the time there’s no limit to my potential to what I can do. Every day we just got to keep working hard, we got to keep going for it.”I think I’ve been doing some things incredible. I don’t know. It’s like I think one word that really stuck to me is ‘magical’ because not only is my run really good but also the way I’m playing right now.”

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Yankees Star Jeter, 3 Others Inducted Into Baseball Hall of Fame

Derek Jeter was simply Derek Jeter on his special day — smooth as silk. On a cloudy Wednesday afternoon, with fans chanting his name, the former New York Yankees star shortstop and captain was inducted into the Baseball Hall of Fame after a long wait necessitated by the pandemic.Greeted by raucous cheers in a crowd that included NBA luminaries Michael Jordan and Patrick Ewing, several of his former teammates, and Hall of Fame Yankees manager Joe Torre on the stage behind him, Jeter took the stage after fellow inductees from the Class of 2020 Ted Simmons, Larry Walker and the late Marvin Miller were honored. Jeter was touched by the moment and acknowledged how different the ceremony seemed in the wake of the recent deaths of 10 Hall of Famers.”I’m so honored to be inducted with you guys and linked to you forever,” he said. “The Hall of Fame is special because of those who are in it. We’ve lost way too many Hall of Famers over the last 20 months. These are all Hall of Famers who would have or could have been here, so for that reason it’s not the same.”What was the same was the adoration displayed by the fans, who always marveled at his consistency.Salute to fans”I had one goal in my career, and that was to win more than everyone else, and we did that, which brings me to the Yankee fans,” Jeter said as the fans erupted again. “Without question, you helped me get here today as much as any individual I’ve mentioned.”He gave much of the credit to his parents, who were in the audience with Jeter’s wife, Hannah, and their two young daughters.”Mom, you taught me any dream is attainable as long as you work harder than everyone else. You drilled that in my head over and over and over and you led me to believe it,” Jeter said. “You told me never to make excuses, you wouldn’t allow me to use the word ‘can’t.’ Dad, you’ve been the voice of reason. You taught me to be patient, to listen and think before I speak. You’ve always been there for advice and to this day you’re the first person I go to. I know when I retired you said you played every game with me and I know you recall from time to time telling me, ‘You keep building that resume.’ Look where it’s gotten us today.”The ceremony was delayed a year because of the coronavirus pandemic, but it didn’t matter much to Walker, the second Canadian elected to the Hall of Fame. He gave up hockey when he was 16 to focus on baseball. He was selected in his 10th and final year on the writers’ ballot after a stellar career with Montreal, Colorado and St. Louis that included 383 homers and three batting titles.’Go after those dreams'”It’s taken a little longer to reach this day [but] for all your support I’ve received throughout the years from my home country, I share this honor with every Canadian,” said Walker, who retired in 2005. “I hope that all you Canadian kids out there that have dreams of playing in the big leagues that see me here today gives you another reason to go after those dreams. To my adopted home, the United States, I thank you for allowing this Canadian kid to come into your country to live and play your great pastime. I think we’re all pretty fortunate to have two amazing countries side by side.”Simmons, 72, who starred in a 21-year career with the St. Louis Cardinals, Milwaukee Brewers and Atlanta Braves, punctuated his speech to thank four pioneers of free agency — Curt Flood, Catfish Hunter, Andy Messersmith and Marvin Miller — “who changed the lives of every player on this stage today by pushing the boundaries of player rights.””Marvin Miller made so much possible for every major league player from my era to the present and the future,” the former catcher said. “I could not be more proud to enter this great hall with this great man. Even though my path has been on the longer side, I wouldn’t change a thing. However we get here, none of us arrives alone. I’m no exception.”Transformed the gameMiller, who transformed baseball on the labor front by building a strong players union and led the charge for free agency in the mid-1970s, was honored posthumously. Four years before he died at 95 in 2012, Miller respectfully asked to be removed from consideration for the Hall of Fame after being passed over several times.”One thing a trade union leader learns to do is how to count votes in advance. Whenever I took one look at what I was faced with, it was obvious to me it was not gonna happen,” Miller, head of the Major League Baseball Players Association from 1966 to 1983, wrote in 2008. “If considered and elected, I will not appear for the induction if I’m alive. If they proceed to try to do this posthumously, my family is prepared to deal with that.”The family didn’t. Instead, Don Fehr, who was hired by Miller to be the union’s general counsel in 1977 and succeeded him eight years later, had the honor.”Of all the players I had the privilege to represent, I want to thank you, Marvin,” said Fehr, now the head of the National Hockey League Players Association. “Baseball was not the same after your tenure as it was before. It was and is much better for everyone. You brought out the best of us and you did us proud.”The virus forced the Hall of Fame to cancel last year’s ceremony and this year’s was moved from its customary slot on a Sunday in late July to a midweek date.

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‘Varsity Blues’ Trial Promises Fresh Insights in Old Scandal

The first trial in the “Operation Varsity Blues” college admissions bribery scandal will begin this week, with the potential to shed light on investigators’ tactics and brighten the spotlight on a secretive school selection process many have long complained is rigged to favor the rich.Jury selection is beginning Wednesday in federal court in Boston in the case against two parents — former casino executive Gamal Abdelaziz and former Staples and Gap Inc. executive John Wilson — who are accused of paying hundreds of thousands of dollars to help get their kids into the University of Southern California by falsely presenting them as athletic recruits.Though they were among dozens of prominent parents, athletic coaches and others arrested across the country when the case exploded into the headlines over two years ago, theirs is the first to go to trial. Defense attorneys are expected to argue that their clients believed their payments were legitimate donations and that USC’s treatment of their children was routine for parents with deep pockets.”The government appears to want to present its one-sided evidence that the ‘school wasn’t okay’ with granting preferential admissions treatment for donations while at the same time blocking the defendants’ evidence that, in fact, the school was okay with this arrangement,” the two executives’ lawyers wrote in a court filing.Prosecutors say the defense is merely trying to muddy the waters in a clear-cut case of lying and fraud.Since March 2019, a parade of wealthy parents has pleaded guilty to paying heavily to help get their children into elite schools with rigged test scores or bogus athletic credentials. The group — including TV actresses Felicity Huffman and Lori Loughlin and Loughlin’s fashion designer husband, Mossimo Giannulli — have received punishments ranging from probation to nine months behind bars. Now, prosecutors face the challenge of convincing a jury that two of the few remaining parents still fighting are guilty. Abdelaziz, of Las Vegas, is accused of paying $300,000 to the sham charity run by the scheme’s mastermind — admissions consultant Rick Singer — to get his daughter into USC as a basketball recruit. Prosecutors say Abdelaziz signed off on an athletic profile that touted the girl as a star, even though she didn’t even make the cut for her high school varsity team. Wilson, who heads a Massachusetts private equity firm, is charged with paying $220,000 to have his son designated as a USC water polo recruit and an additional $1 million to help get his twin daughters into Harvard and Stanford. Prosecutors say Singer told Wilson he couldn’t secure spots for both girls on Stanford’s sailing team because – according to Singer — the coach “has to actually recruit some real sailors so that Stanford doesn’t … catch on.” An attorney for Abdelaziz declined to comment ahead of the trial, and a lawyer for Wilson didn’t respond to messages seeking comment. Defense attorneys have argued in court documents that their clients had no knowledge of any false information submitted about their children. They say USC can’t be a victim of fraud because the school regularly rewarded donors by giving their kids special treatment in admissions.Prosecutors have accused the defense of trying to turn the case into a trial on USC’s admissions policies instead of whether the parents agreed to lie and trump up their children’s athletic credentials. USC has said it wasn’t aware of Singer’s scheme until 2018 when it began cooperating with investigators.The judge told the defense at a recent hearing that “USC is not on trial.” The parents’ attorneys would be allowed to introduce evidence that the school admitted other unqualified students whose parents donated, the judge said, only if the defendants were aware of it at the time they paid the alleged bribes.Opening statements are expected on Monday. Among issues likely to influence jury selection is the wealth of the defendants.Defense attorneys had sought to block prosecutors from introducing evidence about their incomes, wealth, spending or lifestyles, saying it would do nothing other than “unfairly prejudice the jury.” But U.S. District Judge Nathaniel Gorton said such evidence could show the parents were motivated “to have their children admitted to elite universities so they could maintain or improve their status in the community.” Singer, the admissions consultant who began cooperating with the FBI in 2018 and recorded his phone calls with parents, has pleaded guilty and was long expected to be a key witness for the government. But prosecutors have not yet said whether they intend to call him to the stand.Defense attorneys have seized on notes revealed in court documents last year in which Singer claimed investigators told him to lie to get parents to make incriminating statements. In the notes Singer took on his phone in 2018, Singer said the agents instructed him to say he told the parents the payments were bribes. The agents have denied pressuring Singer to lie, but putting Singer on the stand could present the defense with an opportunity to attack his credibility. “He can be directly confronted on statements suggesting that he may have in fact been pressured in saying certain things … which could be devastating to the prosecution if the jury believes that,” said Brad Bailey, a former federal prosecutor in Massachusetts who isn’t involved in the case.But at the same time, not calling Singer could be even more problematic for prosecutors by allowing the defense “to raise more questions that really could result in reasonable doubt,” said Bailey, now a defense attorney. Wilson is also fighting another legal battle after filing a defamation lawsuit against Netflix in April over its portrayal of him in its “Operation Varsity Blues” documentary. Wilson’s lawyers wrote that Singer deceived him and insist that his son was not a fake athlete, but “an invited member of the United States Olympic water polo development program” with grades and test scores that “were more than sufficient to gain admission to USC.” Another parent who was supposed to go on trial with Abdelaziz and Wilson pleaded guilty last month to paying $500,000 to get her son into USC as a football recruit though he wouldn’t really play on the team. Marci Palatella, the chief executive officer of a California liquor distribution company, was the 33rd parent to plead guilty in the case.Three other parents are scheduled to go to trial in January. The sprawling Varsity Blues case has been prosecuted out of Boston because authorities there began investigating the scheme years ago thanks to a tip from an executive targeted in a securities fraud probe.

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College, Pro Football Great Sam Cunningham Dies at 71

U.S. (gridiron) football great Sam “Bam” Cunningham, whose performance against Alabama in a 1970 game is credited for prompting major college football programs in the southern United States to integrate their teams with Black players, has died at the age of 71.   The University of Southern California, where Cunningham played his collegiate years, said he died Tuesday at his home near Los Angeles.   Cunningham was a sophomore (second-year student) running back when he rushed for 135 yards and two touchdowns to lead USC to a 42-21 rout of Alabama, one of college football’s most dominant programs both in the southern U.S. as well as nationally. His performance led Paul “Bear” Bryant, Alabama’s legendary head coach, to begin recruiting Black players to his then-predominantly White team, with other college coaches in the south doing the same. The late Jerry Claiborne, a longtime college football coach who was one of Bryant’s assistants, said Cunningham “did more for integration in 60 minutes (the length of a football game) than Martin Luther King did in 20 years.” Cunningham later said the game did not change how White people felt about Blacks, but that Black players “were accepted because they could help their program win football games.” Cunningham became an All-American standout for USC during his three years on the team, capping his collegiate career by scoring four touchdowns in a 42-17 win over Ohio State in the 1973 Rose Bowl, securing the Trojans the national championship for the 1972 season. Cunningham, who earned his nickname for his powerful head-on running style, went on to play nine seasons with the National Football League’s New England Patriots, becoming the franchise’s all-time leading runner with 5,453 yards.  He helped lead the Patriots to a record-setting 3,165 single-season rushing yards in 1978, which stood until it was broken in 2019 by the Baltimore Ravens.   Patriots owner Robert Kraft praised Cunningham as a player who “made a tremendous impact, both on and off the field.” Cunningham was elected into the College Football Hall of Fame in 2010, the same year he was inducted in the Patriots Hall of Fame. His younger brother Randall, was a standout NFL quarterback for 16 seasons. Some information for this report came from the Associated Press and Reuters. 

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Britney Spears’ Father Files To End Court Conservatorship

Britney Spears’ father filed Tuesday to end the court conservatorship that has controlled the singer’s life and money for 13 years. James Spears filed his petition to terminate the conservatorship in Los Angeles Superior Court. “As Mr. Spears has said again and again, all he wants is what is best for his daughter,” the document says. “If Ms. Spears wants to terminate the conservatorship and believes that she can handle her own life, Mr. Spears believes that she should get that chance.” Judge Brenda Penny, who oversees the case, will need to approve the move. Britney Spears’ attorney, Matthew Rosengart, said in an email the filing “represents another legal victory for Britney Spears — a massive one — as well as vindication for Ms. Spears.” James Spears had been the target of much of the anger surrounding the conservatorship from both his daughter and the public. A petition from Britney Spears’ attorney to remove him was to be heard at the next hearing in the case on September 29. James Spears said in a filing on August 12 that he was planning to step down as the conservator of her finances but offered no timetable. He gave up his control over her life decisions in 2019, keeping only his role overseeing her money.  He has repeatedly said there is no justification for his removal, and he has acted only in his daughter’s best interest. The conservatorship was established in 2008 when Britney Spears began to have very public mental struggles as media outlets obsessed over each moment, hordes of paparazzi aggressively followed her everywhere, and she lost custody of her children.  Tuesday’s filing cites how Britney Spears’ “impassioned plea” to end the legal arrangement in a June 23 speech in court gave a jolt to those who wanted to see her freed from it, quoting from the transcript of that afternoon.  “I just want my life back,” Britney Spears said. “And it’s been 13 years and it’s enough. It’s been a long time since I’ve owned my money. And it’s my wish and my dream for all of this to end without being tested.” Tuesday’s filing notes that Britney Spears said she did not know she could file a petition to end the conservatorship, which she has yet to do. It says that Penny’s decision to allow her to select Rosengart as her attorney demonstrates that the court trusts her with major choices. And it says evidence shows she has apparently “demonstrated a level of independence” by doing things like driving herself around Southern California. It also cites her desire to make her own decisions on therapy and other medical care. Spears had said in her June 23 speech that she was being compelled under the conservatorship to take certain medications and to use an intrauterine device for birth control against her will. James Spears called for a court investigation of these and other allegations, saying they were issues that were beyond his control because he had stepped down as conservator of his daughter’s person, handing the role to court-appointed professional Jodi Montgomery. Rosengart said when he was hired in July that he intended to help end the conservatorship, and questioned whether it needed to be established in the first place, though he had not yet filed to terminate it. He said instead that his first priority was getting rid of James Spears, whom he challenged to resign on the spot in his first appearance before the court. In his email responding to the request to terminate, Rosengart indicated that his tactics wouldn’t change. “It appears that Mr. Spears believes he can try to avoid accountability and justice,” Rosengart said, “including sitting for a sworn deposition and answering other discovery under oath, but as we assess his filing (which was inappropriately sent to the media before it was served on counsel) we will also continue to explore all options.” Britney Spears gave the conservatorship’s initial existence credit for keeping her career afloat, though she has now put her work entirely on hold for more than two years. Fans objecting to her circumstances and seeing what they believed were pleas for help in the pop star’s Instagram posts began calling online to #FreeBritney, and began appearing outside her court hearings to protest. Famous names from Miley Cyrus to Britney Spears’ former boyfriend, Justin Timberlake, have joined the outcry in recent months, especially after Britney Spears made a pair of passionate speeches to the court in June and July. Penny, the judge with the ultimate power over the conservatorship, has not appeared inclined to end it before, but she has also never been presented with such a clear opportunity. 

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Qatar Awards Scholarship to Afghan Girls’ Robotics Team

Qatar has granted academic scholarships to members of a girls’ robotics team from Afghanistan dubbed the “Afghan Dreamers,” the Persian Gulf nation’s education and science foundation said on Tuesday.   Qatar has been instrumental in efforts to evacuate at-risk Afghans and foreigners from Kabul airport, including members of the team who are being housed in Doha’s Education City campus of schools and universities.   “They will receive scholarships that enable them to keep pursuing their studies through a partnership between Qatar Foundation (QF) and Qatar Fund for Development,” QF said in a statement. The team of high-achieving high school girls has about 20 members, mostly still in their teens, and are now dotted around the world with some in Qatar as well as Mexico.  The girls made headlines in 2017 after being denied visas to take part in a robotics competition in Washington — before then-President Donald Trump intervened and they were allowed to travel.   Last year, they worked to build a low-cost medical ventilator from car parts hoping to boost hospital equipment during the coronavirus pandemic.    “These talented, creative students have been living through a time of uncertainty and upheaval, and at Qatar Foundation we want to do whatever we can,” said Sheikha Hind bint Hamad Al-Thani, vice-chairwoman and chief executive of QF. “By providing them with scholarships to study at Education City, their education can now continue uninterrupted.” The girls’ needs were being assessed to determine which schools or pre-university programs they should be placed in, she added.   The Taliban’s seizure of power a little over one week ago has furled a chaotic mass exodus as many Afghans fear a repeat of the brutal interpretation of Islamic law implemented during the militants’ 1996-2001 rule.    U.S. Secretary of State Antony Blinken met with several members of the team on Tuesday during a whirlwind tour of the emirate.   “You’re famous around the world and a source of inspiration,” he told them. “The story you’ve already told about the importance about women engaging in science… sends an important message around the world, well beyond Afghanistan.” Roya Mahboob, the founder of the Digital Citizen Fund, parent organization of the team, said the girls were “excited and grateful for this opportunity to study abroad.” She also questioned Blinken on what the future would hold for Afghan women.   Several other members of the robotics team, none of whom were identified for security reasons, have relocated to Mexico. 

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In a First, Disabled Malawi Fashion Designers Show Off Their Creations

Disabled fashion designers have long struggled against discrimination, especially in developing countries such as Malawi. To combat the problem, Malawian fashion brand House of Xandria on Saturday organized the country’s first fashion show featuring creations by designers with disabilities.  Lameck Masina reports from Blantyre.
Camera: Dan Kumwenda

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Pele Recovering After Removal of Tumor

Brazil soccer great Pele said on Monday that he was recovering in a hospital from surgery to remove a tumor from his colon. Pele, the only player to win three World Cups, did not say whether the tumor was malignant, but the 80-year-old former Santos and New York Cosmos player said he was feeling good. “Last Saturday I underwent surgery to remove a suspicious lesion in the right colon,” he wrote in a social media post. “The tumor was identified during the tests I mentioned last week.” The Albert Einstein hospital in Sao Paulo said in a statement that it was keeping Pele in intensive care but expected to transfer him to a room on Tuesday. The tumor has been sent for tests, it added. “Luckily, I am used to celebrating big victories with you,” Pele wrote. “I am facing up to this match with a smile on my face, a lot of optimism and happiness for being surrounded by the love of my family and friends.” The news came just hours after a Brazilian news outlet said Pele had spent six days in hospital after going in for his annual medical. It also came days after Pele refuted reports he had fainted and 18 months after his son Edinho said his father was depressed, something the star quickly denied. As a player, Pele was famous for rarely getting injured, but he has suffered from hip problems for years and cannot walk unaided. His public appearances were already being cut before the COVID-19 pandemic, and since then, he has made few unnecessary forays outside his house near Santos.  
 

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Actor Jean-Paul Belmondo, Star of ‘Breathless,’ Dies at 88

Jean-Paul Belmondo, star of the iconic French New Wave film “Breathless,” whose crooked boxer’s nose and rakish grin went on to make him one of the country’s most recognizable leading men, has died at 88.  His death was confirmed Monday by the office of his lawyer, Michel Godest. No cause of death was given. Belmondo’s career spanned half a century. In the 1960s, he embodied a new type of male movie star, one characterized by pure virility rather than classic good looks. He went on to appear in more than 80 films and worked with a variety of major French directors, from Francois Truffaut to Claude Lelouch and Jean-Luc Godard, whose 1960 movie “Breathless” (“Au Bout de Souffle” in its original French title) brought both men lasting acclaim. Belmondo’s career choices were equally varied, from acclaimed art house films to critically lukewarm action and comedy films later in his career. His unconventional looks — flattened nose, full lips and muscular frame — allowed him to play roles from thug to police officer, thief to priest, Cyrano de Bergerac to an unshakable secret agent. Belmondo was also a gifted athlete who often did his own stunts. Reaction from celebritiesFrench President Emmanuel Macron called the actor a “national treasure” in an homage on Twitter and Instagram, recalling the actor’s panache, his laugh and his versatility. Belmondo was at once a “sublime hero” and “a familiar figure,” Macron wrote. “In him, we all recognize ourselves.” FILE – French actor Jean-Paul Belmondo and Italian actress Claudia Cardinale attend a cocktail party in the Foreign Press Association in Rome, Nov. 3, 1960.France bounded into Belmondo mode at news of his death, with praise from politicians of all stripes pouring in. The media played old movie clips that caught the athletic Belmondo in the heart-stopping acrobatics he was known to love, from sliding down a rooftop to climbing up a rope ladder from a moving convertible. “I’m devastated,” an emotional Alain Delon, another top cinema star, said of the death of his longtime friend on CNews.  Even Paris police headquarters offered its condolences for Belmondo, who played a police officer in numerous films, tweeting that “a great movie cop has left us.”  Early lifeBelmondo, affectionately known as Bebel, was born on April 9, 1933, in the Paris suburb of Neuilly-sur-Seine into an artistic family. His father was renowned sculptor Paul Belmondo and his mother, Sarah Rainaud-Richard, was a painter. Belmondo played soccer and trained as a boxer before quitting school at 16. He took up acting in the 1950s at the Paris Conservatory, where one of his teachers, Pierre Dux, famously told him that his career as a leading man was doomed because of his looks. People would burst into laughter if they saw an actress in Belmondo’s arms, Dux said, according to biographer Bertrand Tessier. French theater critic Jean-Jacques Gautier wasn’t impressed either, once saying, “Mr. Belmondo will never enjoy success with his ruffian’s mug.” At his final conservatory competition, the jury failed to give him the recognition he thought he deserved — so he gave the judges an obscene parting gesture. The star began acting in small provincial theaters and caught the eye of aspiring filmmaker Godard in Paris in 1958, who asked him to appear in a short film. At first, Belmondo didn’t take Godard seriously. “I spoke to my wife about it, and she said, ‘Go ahead. If (Godard) hassles you, punch him,'” Belmondo told the Liberation newspaper in 1999. Belmondo was given his first important role by director Claude Sautet in “Classe tous risques” (Consider All Risks), in which he starred alongside Lino Ventura in 1960. The same year, Godard called Belmondo back to appear in “Breathless” — which became one of the breakthrough films of the French New Wave. The movement, which included Truffaut, grouped filmmakers of the late 1950s and 1960s who abandoned traditional narrative techniques and were known for their mood of youthful iconoclasm. FILE – French actor Jean-Paul Belmondo, center, is congratulated by actors on stage during the ceremony of the 42nd Cesar Film Awards, at the Salle Pleyel, in Paris, Feb. 24, 2017.Belmondo played opposite American actress Jean Seberg, who appeared as the street-smart aspiring reporter who, in the film’s key moment, sold the International Herald Tribune on the Champs-Elysees in Paris. Belmondo sometimes said he acted in Godard’s first film and would act in his last. But he didn’t link his name exclusively with one director and worked with most of France’s top filmmakers — and many of Europe’s well-known actresses, including Jeanne Moreau and Sophia Loren. Following the huge success of “Breathless,” Belmondo showed the vast array of his talent and his versatility in dramas (“Leon Morin, pretre”), arthouse movies (“Moderato Cantabile”) and blockbusters (“Cartouche”). In “Un Singe en hiver,” a French classic directed by Henri Verneuil in 1962, Belmondo impressed the legendary Jean Gabin. “You won’t tell me anymore: ‘If only I had a young Gabin.’ You have him!” Gabin told the director about Belmondo.  In Truffaut’s 1969 “Mississippi Mermaid,” Belmondo played a tobacco farmer and starred opposite Catherine Deneuve. Belmondo and Danish-born Anna Karina played a couple on the run in Godard’s 1965 “Pierrot le Fou.” Belmondo also won a Cesar — the French equivalent of an Oscar — for his role in Lelouch’s 1988 film “Itinerary of a Spoiled Child,” his final big success. Later rolesDuring the second half of his career, Belmondo opted for high-paying roles in commercially successful action films. He played a tough detective in “Cop or Hooligan,” and a World War II ace in “Champion of Champions.” In the 1980s, Belmondo returned to the stage, his first love, and won back the doubting critics. His comeback role was in a 1987 Paris production of “Kean,” about an actor famous for his uncontrollable temper and genius. Belmondo, who had recovered from a stroke in 2001, is survived by three children, Florence, Paul, and Stella Eva Angelina. Another daughter, Patricia, died in 1994. Funeral arrangements weren’t immediately known. 
 

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Brazil-Argentina World Cup Qualifier Halted by COVID-19 Controversy

Brazil’s World Cup qualifying match against Argentina was dramatically suspended shortly after it began Sunday as controversy over COVID-19 protocols erupted.The match at Sao Paulo’s Neo Quimica Arena between the two giants of South American football came to a halt when a group of Brazilian public health officials came onto the pitch, triggering a melee involving team staff and players.Argentina’s players trudged off the pitch to the locker room as the furor raged. Argentina captain Lionel Messi later re-emerged from the tunnel without his team shirt on as confusion swept around the stadium.The stunning intervention came just hours after Brazil’s health authorities said four players in Argentina’s squad based in England should be placed in “immediate quarantine” for breaching COVID-19 protocols.According to Brazil’s National Health Surveillance Agency (ANVISA), Premier League players Giovani Lo Celso (Tottenham), Emiliano Martinez (Aston Villa), Emiliano Buendia (Aston Villa) and Cristian Romero (Tottenham) provided “false information” upon their entry to Brazil.Romero, Lo Celso and Martinez were all in the Argentina starting lineup that kicked off Sunday’s game, triggering the intervention onto the field of officials wearing ANVISA shirts.The four Premier League players were accused of failing to disclose that they had spent time in the United Kingdom in the 14 days prior to their arrival.”We got to this point because everything that ANVISA directed, from the first moment, was not fulfilled,” ANVISA director Antonio Barra Torres said on Brazilian television.”(The four players) were directed to remain isolated while awaiting deportation, but they did not comply. They went to the stadium and they entered the field, in a series of breaches,” the official added.A government order dating from June 23 prohibits the entry into Brazilian territory of any foreign person from the United Kingdom, India or South Africa, to prevent the spread of variants of the coronavirus.”ANVISA considers that this situation represents a serious health risk and recommends that the local health authorities (of Sao Paulo) order the immediate quarantine of the players, who are prohibited from taking part in any activity and from remaining on Brazilian territory,” the agency said in a statement earlier Sunday.ANVISA said Brazil’s Federal Police had been notified so that “the necessary measures are taken immediately.”Brazilian website Globoesporte said the Argentina Football Association (AFA) could request an exceptional authorization from authorities in Sao Paulo to allow the players to take the field against Brazil.The controversy comes after nine Brazilians based in the Premier League failed to travel to South America following objections from their clubs.

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