US Plans Half Million EV Charging Stations Along Highways

Several senior members of President Joe Biden’s administration led the charge Thursday for a significant practical expansion of the nationwide use of electric vehicles.

The federal government is “teaming up with states and the private sector to build a nationwide network of EV chargers by 2030 to help create jobs, fight the climate change crisis, and ensure that this game-changing technology is affordable and accessible for every American,” said Transportation Secretary Pete Buttigieg outside the headquarters of the U.S. Department of Transportation.

In the largest investment of its kind, the Biden administration is to distribute $5 billion to begin building up to a half million roadside rapid charging stations across the country for electric cars and trucks.

To rid EV drivers of “range anxiety,” there will be a “seamless network” of charging stations along the nation’s highways, said Energy Secretary Jennifer Granholm.

“Most of them will have more than one [charging] port associated with them,” Granholm added.

“The future is electric, and this administration is moving toward it at lightning speed,” she said.

“Soon we’ll be rolling out an additional two and a half billion [dollars] for a new grant program with even more funding for chargers at the community level across the country,” Buttigieg announced.

Most EVs are hampered from driving long distances by the gap between charging stations and the time it takes to recharge their batteries, which have limited range. Most new electric cars can travel about 500 kilometers or less between charging stops, although some models with ranges beyond 800 kilometers are set to come on the market in the next several years.

The federal money being distributed will “help states create a network of EV charging stations along designated Alternative Fuel Corridors, particularly along the Interstate Highway System,” according to the Transportation Department.

It is estimated that nearly $40 billion will need to be spent to build public charging stations to reach the goal of 100% EV sales in the United States by 2035.

Some analysts see a bumpy road toward Biden’s clean energy destination.

“EVs do not necessarily generate lower carbon emissions than gasoline-powered vehicles,” said Jeff Miron, vice president of research at the Cato Institute, a public policy think tank. “The energy needed to charge batteries comes from somewhere, and in some parts of the country, that source tends to be coal, which generates even more carbon than gasoline,” he told VOA.

“Building charging stations will lower the cost of using EVs, which might encourage more driving,” added Miron, who is also a senior lecturer in economics at Harvard University. “More generally, unless an anti-carbon policy raises the price of using carbon-based fuels, it is unlikely to be the most efficient way to reduce carbon emissions.”

To tap the funds, the 50 states must submit an EV Infrastructure Deployment Plan by August 1, with approvals from the federal government to come by the end of the following month.

The federal guidance requests that states explain how they will deliver projects with at least 40% of the benefits going to disadvantaged communities.

The Biden White House has an initiative named “Justice40,” which calls for a minimum of 40% of the federal funds for climate mitigation and clean energy to go to disadvantaged areas.

The initial $5 billion in funds for the public charging stations comes from the $1 trillion infrastructure law. The investment is seen as a significant contribution toward the president’s stated goal of cutting carbon emissions caused by transportation and ensuring half of new cars are electric by 2030.

“We will have to expand both the transmission grid as well as the sources of clean energy that we add to it in order to get to the president’s goal,” acknowledged Granholm.

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Excitement Builds in Los Angeles Suburb Where Superbowl 2022 will be Played

Los Angeles is getting ready to host one of the biggest annual sporting events in the U.S. – the Superbowl. Angelina Bagdasaryan examines the preparations for Superbowl 2022 and also spoke with residents about this Sunday’s (2/13) playoff between the Los Angeles Rams and the Cincinnati Bengals. Anna Rice narrates her story. Camera: Vazgen Varzhabetian

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Sting Sells Entire Songwriting Catalog to Universal

Sting has sold his songwriting catalog — including solo works as well as hits with The Police like “Roxanne” — to Universal Music Group, the company said Thursday, the industry’s latest such blockbuster transaction.

The company did not disclose financial terms of the deal, but U.S. media estimated it was worth some $250 million. It covers Sting’s entire body of songwriting work, including songs written for The Police.

Sting’s sale reunites his publishing catalog with his recorded music rights, which are already controlled by Universal, according to the company’s statement.

Universal now stands to receive all future income related to Sting’s song copyrights and songwriter royalties, for hits including “Every Breath You Take” and “Fields of Gold.”

In a statement, the 70-year-old British-born artist said he is “delighted” for Universal’s publishing division to manage his catalog, saying “it is absolutely essential to me that my career’s body of work have a home where it is valued and respected — not only to connect with longtime fans in new ways but also to introduce my songs to new audiences, musicians and generations.”

It’s the latest high-profile deal of the recent music rights purchasing rush, which has seen artists including Bob Dylan and Bruce Springsteen sell off their catalogs for astronomical sums.

The trend is driven in large part by the anticipated stability of streaming growth combined with low interest rates and dependable earning projections for time-tested hits.

It’s also useful for artists focused on estate planning, and those whose touring income has been stymied by the pandemic.

Companies have acquired a number of major catalogs including from David Bowie’s estate, Stevie Nicks, Paul Simon, Motley Crue, The Red Hot Chili Peppers and Shakira.

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Satellite Losses Show Threat Solar Storms Pose to Tech

As if we didn’t have enough to worry about: Some scientists are warning about the inevitable catastrophic effects on modern life from a super-sized solar storm. 

These outbursts from the sun, which eject energy in the form of magnetic fields and billions of tons of plasma gas known as “flares,” are unpredictable and difficult to anticipate. 

The Earth suffers a devastating direct hit every century or two, according to recent analysis of scientific data and historic accounts. In the past, these were mainly celestial events with spectacular aurora light shows but scant impact on humanity. Modern technology, however, is vulnerable to the shocks from extreme solar storms.  

“It’s not as rare as an asteroid or a comet hitting the Earth, but it’s something that really needs to be dealt with by policymakers,” said Daniel Baker, distinguished professor of planetary and space physics at the University of Colorado. “Certainly, in the longer term, it’s not a question of if but when.”  

Astrophysicists estimate the likelihood of a solar storm capable of causing catastrophe to be as high as 12% in a decade.  

“It’s just a matter of time,” according to professor Raimund Muscheler, chair of quaternary sciences in the geology department of Lund University in Sweden. “One has to be aware of it and one has to calculate the risks and be prepared as much as possible.” 

A new study of ancient ice samples conducted by the Swedish scientist concludes that a previously unknown, huge solar storm about 9,200 years ago would have crippled communications if it had hit Earth in modern times. 

“A failure in one kind of sector can propagate through the system and affect a lot of other things, and I think that’s probably the thing that worries me most about storms is that they can be widespread and can have consequences in all kinds of systems that that we might not otherwise think about,” Baker said.   

A relatively minor solar storm, that caused a disturbance in the Earth’s magnetic field, is blamed for the loss of as many as 40 of the 49 Starlink internet-access satellites launched February 3 from the Kennedy Space Center in Florida.  

Phases of disturbance

When the sun shoots out energy, it affects Earth in phases. The first occurs here eight minutes after the solar event 150 million kilometers away, the time it takes light to travel from the sun. 

The initial trouble occurs on the daylight side of the planet from the early arriving X-rays, which dramatically disrupt the ionosphere — where the Earth’s atmosphere meets space — and radio communications. They also create additional drag on some satellites, degrading their orbits, which is what happened to the Starlink satellites. 

In subsequent minutes and hours, highly charged particles unleash a radioactive storm, posing a danger to astronauts in orbit.  

The third phase, known as the coronal mass ejection — gas and magnetic field explosions on the surface of the sun — disturbs the planet’s magnetosphere, lighting up the sky and inducing electrical currents on the surface, which can overload power grids and speed corrosion of pipelines. 

“The geomagnetic storm can actually cause transformers to burn through if they are not adequately protected,” said Muscheler of Lund University.  

The power industry in North America has taken steps in recent years to harden its infrastructure to protect from the dangerous surges. U.S. government agencies have a program to deploy emergency transformers to replace those that would fail. 

“Although the U.S. government has estimated the cost of a severe space weather event to be in the billions, this worst-case scenario is typically not considered by most policy planners,” said Sangeetha Abdu Jyothi, assistant professor in the computer science department at the University of California, Irvine. “In short, the risk is well-known, but not always considered during design and planning in most cases.” 

Long-distance fiber-optic and submarine telecommunications cables at higher latitudes, where the Earth is more exposed, can also suffer serious damage.   

“The U.S. is highly susceptible to disconnection from Europe,” Jyothi wrote in a recent research paper. “Europe is in a vulnerable location but is more resilient due to the presence of a larger number of shorter cables. Asia has relatively high resilience with Singapore acting as a hub with connections to several countries.”

The sun frequently hurls big flares at Earth, but most are not large enough to wreak havoc or don’t strike the planet directly. But, as SpaceX experienced this week, even some of the less severe flares can neutralize satellites.   

“The timing is unfortunate for SpaceX,” said Bill Murtagh, program coordinator for the Space Weather Prediction Center of the National Oceanic and Atmospheric Administration. He added that the 1,500 SpaceX satellites already in orbit were not affected.  

Any major solar storm poses a threat to Global Positioning System satellites, which provide accurate time signals and precise navigation, technology critical in modern life from agriculture to aviation.  

A big storm can also trigger ozone depletion, meaning there are possible effects on the terrestrial climate, according to atmospheric scientists.  

Previous disruptions

The societal reactions to the solar outbursts of past centuries now seem quaint, although they were sensational events at the time.  

When an intense geomagnetic storm hit the Earth in September 1859, known as the Carrington Event, telegraph systems across North America and Europe failed and some operators reported receiving electrical shocks.  

A solar storm in March 1989 caused power failures in Quebec, Canada.

The Halloween Storms of 2003 affected more than half of the orbiting satellites, and disrupted aviation for more than a day because planes could not be accurately tracked. Electrical service was also knocked out in parts of Europe for several hours, and transformers in South Africa were permanently damaged.  

Since the Carrington Event, state-of-the-art communication has gone from the telegraph to the internet.  

“Are we ready for a Carrington class event? No, we still have work to do,” Murtagh of NOAA told VOA.  

“While the frequency of climate disasters is increasing gradually, we will be caught by surprise by an extreme solar event that causes significant disruptions. Most people alive today have never experienced an extreme space weather event that has a global impact during our lifetime,” Jyothi of University of California-Irvine told VOA.  

She also warned that solar superstorms could cause large-scale internet outages covering the entire globe and lasting several months. 

The geomagnetic storms tend to happen more frequently when there are more sunspots (each such freckle on the sun being about the size of Earth). The sun is heading into a new cycle, meaning there is an increasing likelihood of disruptive events as this cycle ramps up to its predicted peak in July 2025. 

“We’re going to see more sunspots, more solar flares, more eruptions and consequently more effects on technology here on Earth,” Murtagh said.  

Intensity levels

One bit of good news: Solar scientists predict this cycle will be less intense than the most active cycles of past centuries. 

Society in the 21st century, however, seems unprepared for the consequences of cascading inter-connected technological failings likely to be caused by future major storms.  

“The sun is the giver of life, but it can be cruel too — especially on the technology we rely on for so much of what we do today,” Murtagh said.  

Congress passed a bill in 2020 directing the National Security Foundation, NASA and the Defense Department to continue supporting basic research related to space weather.  

Some other governments seem less focused on the issue.  

Baker recalls a letter he received from a concerned woman in France who contacted officials there for advice on how to prepare for a major geo-magnetic storm.   

“We suggest you buy a chocolate cake, eat it and wait for the end of the world,” she was told, according to Baker.       

 

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China Suspected of Cyberattacks Targeting US Organizations

Media giant News Corp is investigating a cyberattack that has accessed the email and documents of some of its employees and journalists.

On Friday, New York-based News Corp, whose entities include The Wall Street Journal and the New York Post, sent an internal email to staff, stating that it had been the target of “persistent nation-state attack activity.”

“On January 20th, News Corp discovered attack activity on a system used by several of our business units,” David Kline, News Corp chief technology officer, wrote in the email.

News Corp said that as soon as it discovered the attack, it notified law enforcement and launched an investigation with the help of Mandiant, a cybersecurity firm.

The cyberattack affected a “limited number of business email accounts and documents” from News Corp headquarters as well as its News Technology Services, Dow Jones, News UK and New York Post businesses.

“Our preliminary analysis indicates that foreign government involvement may be associated with this activity, and that some data was taken,” Kline wrote. “We will not tolerate attacks on our journalism, nor will we be deterred from our reporting.”

“Mandiant assesses that those behind this activity have a China nexus, and we believe they are likely involved in espionage activities to collect intelligence to benefit China’s interests,” Dave Wong, Mandiant vice president and incident responder, said in an email to VOA.

Wong’s suspicion echoed that of human rights groups, which have also faced an increase in cyberattacks thought to originate from a “foreign government” they also believe is China.

Liu Pengyu, spokesperson for the Chinese Embassy in the U.S., told VOA in an email Friday that rather than making allegations based on speculations, he hoped there could be “a professional, responsible and evidence-based approach” to identifying cyberattacks.

“China is a staunch defender of cybersecurity and has long been a main victim of cyberthefts and attacks,” Liu said. “China firmly opposes and combats cyberattacks and cybertheft in all forms.”

Rights groups targeted

Cyberattacks might be used to intimidate those who are critical of the Chinese government, according to Peter Irwin, senior program officer for advocacy and communications at Uyghur Human Rights Project (UHRP) in Washington.

“They might want journalists to think twice before they continue to do critical work uncovering issues in the country,” Irwin told VOA, adding that his organization had also seen a major spike in cyberattacks believed to be from China in recent weeks, targeting its website and staff email.

Uyghur rights groups such as UHRP have been calling for a boycott of the Beijing Winter Olympics on social media, using the hashtag #GenocideGames and citing allegations of human rights abuses of Uyghurs and other Turkic ethnic groups in Xinjiang, where China has been accused of arbitrarily detaining more than 1 million people in internment camps.

On Tuesday, The Wall Street Journal reported that pro-China accounts had flooded Twitter messages with the #GenocideGames hashtag. Hashtag flooding is the act of hijacking a hashtag on social media platforms to dilute or change its meaning.

In early December, the U.S. announced a diplomatic boycott of the Beijing Winter Olympics, citing China’s “ongoing genocide and crimes against humanity in Xinjiang and other human rights abuses.”

Beijing denies accusations of mass detention and says that all ethnic groups in Xinjiang “live in together in harmony” and experience “healthy and balanced development.”

Tahir Imin, a Uyghur activist and founder of the Washington-based Uyghur Times, says his news organization has long been the target of cyberattacks he believes are coming from China.

Volexity, a Washington-based cybersecurity firm, stated in a September 2019 blog post that “cyberspace has become a battleground for the Uyghur people. The level of surveillance occurring in China against Uyghurs extends well beyond their borders and has fully entered the digital realm.”

“Recently, especially starting from January 10, 2022, we have seen more cyberattacks by unknown hackers aimed at the main index of English and Chinese websites of Uyghur Times,” Imin told VOA, adding that his organization’s email server had also been the target of similar attacks.

 

FBI assessment

In a speech at the Ronald Reagan Presidential Library and Museum in California, FBI Director Christopher Wray said that in the U.S., Beijing had unleashed “a massive, sophisticated hacking program that is bigger than those of every other major nation combined.”

“They’re not just hacking on a huge scale but causing indiscriminate damage to get to what they want,” Wray said. “Like in the recent Microsoft Exchange hack, which compromised the networks of more than 10,000 American companies in a single campaign alone.”

According to Salih Hudayar, president and founder of the East Turkistan National Awakening Movement, a Washington-based Uyghur independence advocacy group, his group’s website has seen a “severe increase” in cyberattacks in recent weeks, especially since the beginning of the Beijing Winter Games.

“It seems, on average, in the past 24 hours (per hour), we had over 15 million attacks against our website,” Hudayar told VOA, adding that most of the attacks were originating from Singapore.

He said he believed Singapore was being used “to mask the true location” of the origin of the attacks. “We definitely think China is behind this attack,” Hudayar said.

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Kenyan Hockey Team Says Olympic Hopes Dashed by Lack of Support

Kenya will be sitting out the Winter Olympics in Beijing after the country’s hopefuls either failed to qualify or pulled out of The Games due to lack of financial support. The ice hockey team did not have a place to train. Brenda Mulinya reports from Nairobi. Videographer: Amos Wangwa 

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Latin America Nations Slam French Auction of Pre-Hispanic Artifacts

Ambassadors from six Latin American countries on Tuesday denounced an upcoming auction of pre-Hispanic artifacts in France, reviving a longstanding grievance of the region. 

The joint statement came a day after Mexico’s President Andres Manuel Lopez Obrador denounced the practice as immoral after a recent major auction. 

The Paris ambassadors of Ecuador, Guatemala, Mexico, Panama, Peru and the Dominican Republic condemned “in the strongest terms” the sale of pre-Hispanic artifacts organized by auction houses in the coming days. 

In their joint statement, they called for the auctions to be halted. 

They denounced what they said was the “continuation of practices linked to the illicit trade in cultural property, which damage the heritage, history and identity of our native peoples.” 

The ambassadors of Colombia, Guatemala, Honduras, Mexico and Peru made a similar appeal last November. 

On Monday, Mexico’s Lopez Obrador called on France to legislate on the issue, after the January 28 sale by the Millon auction house of 30 pre-Hispanic Mexican artifacts, despite protests from Mexico City. 

In recent years, Mexico has been trying to recover artifacts in the hands of private collectors around the world, with only partial success. 

As well as calling for artworks to be returned, Mexico has accused major European fashion houses of cultural appropriation for lifting native designs for their clothes. 

It is part of an ongoing debate over the ethics of cultural artifacts held by museums and private owners in former colonial powers, and questions about how they were acquired in the first place. 

 

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‘Power of the Dog’ Tops Oscar Nominations With 12; ‘Dune’ Nabs 10

Jane Campion’s gothic western “The Power of the Dog” led nominations to the 94th Academy Awards, where streaming services more than ever before swept over Hollywood’s top honors.

In nominations announced Tuesday, Campion’s film landed a leading 12 nominations, including nods for best picture, best director and all of its top actors: Benedict Cumberbatch, Kirsten Dunst, Jesse Plemons and Kodi Smit-McPhee.

Campion, a nominee for 1993′s “The Piano,” became the first woman to ever be nominated twice for best director. Last year, Chloé Zhao became just the second woman to ever win the award. Campion’s director of photography, Ari Wegner, also became the second woman ever nominated for best cinematography. The only previous woman to do so was Rachel Morrison for “Mudbound” in 2018.

Denis Villeneuve’s majestic sci-fi epic “Dune” followed closely behind with 10 nominations.

The nominees for best picture are: “Belfast”; “The Power of the Dog”; “Dune”; “Drive My Car”; “West Side Story”; “Don’t Look Up”; “Licorice Pizza”; “CODA”; “King Richard”; “Nightmare Alley.”

Nominations were announced Tuesday morning in Los Angeles by Leslie Jordan and Tracee Ellis Ross.

A largely virtual awards season added some unpredictability to this year’s nominations, which are occurring later than usual. To make way for the Olympics, the Oscars will be held March 27 and will return to their usual venue, the Dolby Theatre.

The nominees for best actress are: Jessica Chastain, “The Eyes of Tammy Faye”; Olivia Colman, “The Lost Daughter”; Penélope Cruz, “Parallel Mothers”; Nicole Kidman, “Being the Ricardos”; Kristen Stewart, “Spencer.”

The nominees for best actor are: Will Smith, “King Richard”; Javier Bardem, “Being the Ricardos”; Benedict Cumberbatch, “The Power of the Dog” and Andrew Garfield, “Tick, Tick … Boom!” and Denzel Washington, “The Tragedy of Macbeth.”

The nominees for best supporting actress are: Jessie Buckley, “The Lost Daughter”; Ariana DeBose, “West Side Story”; Judi Dench, “Belfast”; Kirsten Dunst, “The Power of the Dog” and Aunjanue Ellis, “King Richard.”

The nominees for best supporting actor are: Ciarán Hinds, “Belfast”; Troy Kotsur, “CODA”; Kodi Smit-McPhee, “The Power of the Dog”; Jesse Plemons, “The Power of the Dog” and J.K. Simmons, “Being the Ricardos.”

The nominees for original song are: “Be Alive” from “King Richard”; “Dos Oruguitas” from “Encanto”; “Down To Joy” from “Belfast”; “No Time To Die” from “No Time to Die”; “Somehow You Do” from “Four Good Days.”

The nominees for best animated feature are: “Encanto”; “Flee”; “Luca”; “The Mitchells vs. the Machines” and “Raya and the Last Dragon.”

The nominees for documentary feature are: “Summer of Soul (Or, When The Revolution Could Not Be Televised)”; “Flee”; “Attica”; “Ascension” and “Writing With Fire.”

Nominees for best director are: Paul Thomas Anderson, “Licorice Pizza”; Kenneth Branagh, “Belfast”; Jane Campion, “The Power of the Dog”; Steven Spielberg, “West Side Story” and Ryûsuke Hamaguchi, “Drive My Car.”

The nominees for best original score are: “Don’t Look Up”; “Dune”; “Encanto”; “Parallel Mothers” and “The Power of the Dog.”

The nominees for costume design are: “Cruella”; “Cyrano”; “Dune”; “Nightmare Alley”; “West Side Story.”

The nominees for original screenplay are: “Belfast”; “Don’t Look Up”; “King Richard”; “Licorice Pizza” and “The Worst Person in the World.”

The nominees for adapted screenplay are: “CODA”; “Drive My Car”; “Dune”; “The Lost Daughter”; and “The Power of the Dog.”

In pulling from films released in myriad ways, these Oscar nominations reflect a tumultuous pandemic year for Hollywood that began with many theaters shuttered and ended with Sony Pictures’ “Spider-Man: No Way Home” smashing box-office records.

In between, much of the normal rhythm of the movie business was transformed, as studios pushed some of the biggest movies of the year to streaming services in a bid to lure subscribers. Films including “Dune” (despite the objections of its director), Pixar’s “Luca” and “King Richard” were among those that went straight to homes.

As COVID-19 cases surged in the last two months due to the omicron variant, much of Oscar season also turned virtual. Last year, the pandemic led the academy to host a delayed Oscars in a socially distanced ceremony at Los Angeles’ Union Station. Ratings plummeted to an all-time low of 9.85 million viewers.

This year, the academy has yet to map out plans for its show, except that it will include a host for the first time since 2018. For better or worse, the Academy Awards will also be without its usual lead-in. The Golden Globes in January were an untelevised non-event after NBC said it wouldn’t air them in 2022 while the beleaguered Hollywood Foreign Press reformed itself after ethics and diversity criticism.

Other changes were more subtle but potentially impactful. For the first time, the Academy of Motion Pictures Arts and Sciences ruled out hard-copy DVD screeners for its members, who instead could watch submissions on the academy’s streaming platform.

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Use of Technology at Beijing Olympics Adds Precautions, Raises Concerns

At the 2022 Beijing Winter Olympics, China is using technology to keep athletes and visitors safe as part of its pandemic precautions. But for visitors, the use of technology can come with security and privacy concerns. Michelle Quinn reports. Carolyn Presutti contributed.

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Take a Sad Song and Make It Better: ‘Hey Jude’ NFT Fetches $77,000 

 A virtual version of the handwritten notes for the song “Hey Jude” has been sold at auction in California for almost $77,000, the latest hammer price success for NFTs.   

Originally entitled “Hey Jules,” the Fab Four’s hit was written in 1968 by Paul McCartney to comfort a young Julian Lennon during father John’s separation from his mother, Cynthia.     

The NFT version of the notes was presented as an animation in which the words are progressively inscribed on the page and was accompanied by an audio commentary from Lennon junior.  

“For me, just looking at a picture is not enough if I was a buyer,” Lennon earlier told AFP in Los Angeles. “So I wanted to add something a little more personal. And for me, that was writing and narrating a little bit of story that would be behind the images.”

The sale, by Julien’s Auctions, also included an NFT of the Afghan coat worn by his father on the set of “Magical Mystery Tour,” which fetched $22,400 

NFTs, or non-fungible tokens, are unique digital objects that confer ownership.   

While their content may be copyable, the NFT is “the original,” in much the same way that there are innumerable prints of Leonardo da Vinci’s “Mona Lisa,” but only the Louvre Museum has the original.    

Investors and wealthy collectors have clamored in recent months to get involved in the latest digital craze, which relies on the same blockchain technology that powers cryptocurrencies and cannot be forged or otherwise manipulated.    

Recent auctions have seen eye-watering sums paid for NFTs, including a staggering $69.3 million for a digital work by artist Beeple at a sale at Christie’s. 

 

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What to Watch for When Oscar Nominations Are Announced Tuesday 

It’s time again to celebrate Hollywood’s grandest ambitions and most daring risk takers.

No, I’m not talking about Jackass Forever.

On Tuesday morning, nominations for the 94th annual Academy Awards will be announced. Nominations are occurring a little later than usual. To make way for the Olympics, the Oscars are to be held March 27.

And for the second straight year, the Oscars will unfold during the pandemic. The industrial complex of parties, galas and little gold statuettes known as “awards season” has again gone largely virtual, sapping the season of some of its usual buzz. The Oscars’ typical opening act — the Golden Globes — were much reduced and untelevised this year.

But the Oscar nominations, which will be announced Tuesday beginning at 8:18 a.m. EST by presenters Tracee Ellis Ross and Leslie Jordan, will try to again seize the spotlight after a year of profound change for the industry and a still-unfolding recovery for movie theaters. Nominations will be broadcast live on Oscar.com, Oscars.org, the academy’s social media accounts and on ABC’s Good Morning America.

But those are far from the only headwinds facing the Academy of Motion Pictures Arts and Sciences. Last year’s Oscars, held in late April at an audience-less Union Station rather than the Oscars’ usual home, the Dolby Theatre, plummeted to an all-time low of 9.85 million viewers.

Can Tuesday’s slate of nominees stem the tide? Among the films expected to do well are Denis Villeneuve’s sci-fi epic Dune, Kenneth Branagh’s autobiographical coming-of-age tale Belfast and Jane Campion’s gothic western The Power of the Dog. Alas, Jackass Forever, the current no. 1 movie at the box office, will have to wait until next year.

Here are five questions heading into nominations.

Just how much will streamers dominate?

Streaming services have for years made inroads into the Oscars, but they may overwhelm this year’s best-picture field. After academy rule changes, 10 films will be nominated for best picture, and it’s possible that only a few of them will have opened traditionally in theaters. Netflix, which is still pursuing its first best-picture trophy, has three contenders in The Power of the Dog, Adam McKay’s apocalyptic comedy Don’t Look Up and Lin-Manuel Miranda’s musical adaptation Tick, Tick … Boom!

Apple has the deaf family drama CODA and Joel Coen’s Shakespeare adaptation The Tragedy of Macbeth. Amazon is represented with Aaron Sorkin’s Being the Ricardos.

Two films that premiered simultaneously in theaters and on HBO Max — Dune and the Will Smith-led King Richard — are in the hunt. That has made contenders like Paul Thomas Anderson’s Licorice Pizza (MGM, Focus Features) and Belfast (Focus) stand out as theater-first throwbacks.

Will the biggest box-office hits crash the party?

Given the waning audience for the Oscars and a tumultuous year for theaters, some would like to see as many crowd-pleasers represented Tuesday as possible. Could Spider-Man: No Way Home, the biggest hit of the pandemic with $749 million in domestic ticket sales and $1.77 billion globally, or Daniel Craig’s 007 swan song No Time to Die ($774 million worldwide) score a best picture nomination?

As much as the Oscars’ populism could use some pop, don’t count on either to join the 10 nominees. The segment of the academy most supportive of big-budget box-office success — producers — passed up the chance to do so in their highly predictive guild nominations. That

would likely leave Dune ($399 million worldwide) as the category’s biggest ticket seller. But there are also other metrics to measure today’s most popular movies. Don’t Look Up is Netflix’s second-most popular movie ever with some 359,790,000 hours watched, according to the company.

How international will the nominees be?

Two years after Bong Joon Ho’s Korean thriller Parasite won best picture, a group of acclaimed international films could vie in several top categories. While no film has the broad support that made Parasite the first non-English language film to win Hollywood’s top honor, Ryusuke Hamaguchi’s masterful three-hour Japanese drama Drive My Car could squeeze into best picture, best director or best screenplay.

Other films with strong support outside of the academy’s best international film category including Pedro Almodovar’s Parallel Mothers (look for Penélope Cruz in the uber-competitive best actress category), Asghar Farhadi’s A Hero, Joachim Trier’s The Worst Person in the World, Paolo Sorrentino’s The Hand of God and Jonas Poher Rasmussen’s animated Flee.

In expanding and diversifying its membership in recent years, the academy has grown more international — and enlarged the sway of overseas voters.

Will Kristen Stewart get in?

Kristen Stewart had once been widely expected to land her first Oscar nomination for her performance as Princess Diana in Pablo Larrain’s Spencer. But that film has proved divisive among critics and moviegoers, and Stewart’s once sturdy Oscar bid now appears far from certain.

The 31-year-old actor was looked over by the Screen Actors Guild and the BAFTAs. She could mount a comeback with the academy, but best actress is brutal this year. Among the favorites: Olivia Colman (The Lost Daughter), Lady Gaga (House of Gucci), Jennifer Hudson (Respect), Nicole Kidman (Being the Ricardos), Cruz, Jessica Chastain (The Eyes of Tammy Faye) and Alana Haim (Licorice Pizza).

If Stewart isn’t snubbed, someone — several someones — will be.

Will enough people watch?

This is probably the biggest question facing the Oscars this year, and it hovers over everything. Ratings for award shows all around have been declining for years, but the pandemic and the growth of streaming has accelerated the dismantling of Hollywood tradition.

This year, the academy has signaled that everything is on the table. Should Spider-Man star Tom Holland be called upon to emcee?

No details have yet been announced about the show, but the academy has said there will be a host for the first time since 2018.

Maybe Johnny Knoxville has a few tricks up his sleeve?

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US Taking the Fight Against Terrorism to the App Store

More than a decade ago, technology giant Apple began telling its smartphone customers that if something was worth doing, “There’s an app for that.”

Starting now, the same can be said of fighting terrorism.

The U.S. National Counterterrorism Center (NCTC) Monday launched its aCTknowledge mobile app, ready for download from the Apple app store and from the NCTC website.

“The app is a one stop shop to get unclassified counterterrorism information,” a NCTC official said, speaking on the condition of anonymity in order to discuss the center’s foray into mobile apps.

Officials said a version should also be available in the coming months from Google Play, and that the information will also be available in a desktop version. 

But while the app is public, access to the full suite of features is limited to counterterrorism professionals.

NCTC officials say the initial rollout is limited to officials with the U.S. federal government and in the U.S. military.  State and local counterterrorism officials will also be getting access in the near future.

“This is a tremendous evolution of our information sharing efforts,” a NCTC expert who helped develop the aCTknowledge app told reporters.

“We’re moving from a weekly, regularized information sharing effort (via email) to a daily, near real time effort,” the expert said. “Our ability to send push notifications to partners using the app is really going to change the community, in general, because we’ll be able to immediately level-set everyone’s understanding of a counterterrorism event as it occurs.”

Like other apps, NCTC’s aCTknowledge will enable users to get notifications, search for information and follow for updates on specific terms or topics.

NCTC says the nature of the new mobile app will also allow it to see what type of information its various government partners are looking for, and make sure that data or training is made available.

Although the information being shared on the app is unclassified, officials are taking precautions to protect the systems from hackers and others who might try to misuse it.

“You’re required to use your official government email address to register,” a second NCTC expert said, speaking like the other on the condition of anonymity. “And then we have an established vetting criteria to make sure that applicants have a validated need to know.”

Officials say many of the app’s features were designed with the help of state and local first responders, including police and fire departments from across the United States.

“With the release of aCTknowledge, NCTC is delivering on our mission to innovate how we share intelligence products with our partners,” NCTC Director Christy Abizaid said in a statement late Monday. “The app empowers its users with the information they need to protect their communities from potential threats.” 

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Spotify CEO Says Canceling Joe Rogan Isn’t ‘The Answer’ 

Joe Rogan has put Spotify in a tough spot, but the streaming giant is not ready to part ways with the popular podcast host despite intense criticism over his anti-coronavirus vaccine comments and use of racial slurs.

Spotify CEO Daniel Ek also said in a message to employees Sunday that Rogan’s racist language was “incredibly hurtful” and that the host was behind the removal of dozens of episodes of “The Joe Rogan Experience.”

“While I strongly condemn what Joe has said and I agree with his decision to remove past episodes from our platform, I realize some will want more,” Ek said in the note. “And I want to make one point very clear — I do not believe that silencing Joe is the answer.”

The letter is the clearest indication yet of where Spotify stands on Rogan’s fate with the company as some musicians, including Neil Young and India.Arie, have pulled their work from the streaming service in protest and others could follow. Spotify reportedly paid $100 million to exclusively host Rogan’s podcast, which now threatens the bottom line but is also a key part of the company’s strategy to be a one-stop shop for audio.

“We should have clear lines around content and take action when they are crossed, but canceling voices is a slippery slope. Looking at the issue more broadly, it’s critical thinking and open debate that powers real and necessary progress,” Ek wrote.

He said he was “deeply sorry” for the impact the controversy was having on Spotify’s employees. Rogan apologized Saturday for his use of the N-word on some past episodes.

Spotify’s move likely won’t sit well with one side of an increasingly polarized country where there are heightened sensitivities on race and vaccine misinformation, experts say.

“If Spotify says, ‘We can’t drop him. He has the right to say what he wants,’ that continues on the line where there is this implicit support to say racist things on these platforms,” Adia Harvey Wingfield, a sociology professor at Washington University in St. Louis, said before Ek’s letter was released.

The streaming site also has to decide whether offensive words are allowable elsewhere on its app, where songs with racist, homophobic and anti-immigrant messages are available, said John Wihbey, a Northeastern University professor and specialist in emerging technologies.

“There’s some real self-examination to be doing beyond Joe,” Wihbey said Sunday. “This is a big moment of reckoning for entertainment and streaming platforms to see where the window is, what’s over the line.”

In his letter, Ek announced an investment of $100 million to license, develop and market “music and audio content from historically marginalized groups,” without giving more details.

Rogan’s public troubles started on Jan. 24 when Young asked to have his music removed over concerns Rogan was promoting skepticism about the COVID-19 vaccines. Other artists followed suit, including Joni Mitchell and Roxane Gay.

Spotify said it would soon add a warning to all podcasts that discuss COVID-19, directing listeners to factual, up-to-date information from scientists and public health experts.

The scrutiny intensified when a video compilation emerged last week showing Rogan repeatedly using the N-word. Arie posted it on her Instagram account, using the hashtag #DeleteSpotify.

“They take this money that’s built from streaming, and they pay this guy $100 million, but they pay us like .003% of a penny,” the Grammy winner wrote. “I don’t want to generate money that pays that.”

Rogan apologized in an Instagram video Saturday, saying that the slurs were the “most regretful and shameful thing” he has ever had to address and that he hasn’t used the N-word in years.

Ek told The Wall Street Journal last week that he took responsibility for being “too slow to respond” to the criticism over vaccine misinformation. It took the company five days to respond publicly to Young.

“It’s become clear to me that we have an obligation to do more to provide balance and access to widely accepted information from the medical and scientific communities guiding us through this unprecedented time,” Ek continued in a statement.

Rogan is an odd mix of shock jock and host who leads discussions of public policy, arts and culture, Wihbey said, describing his brand as conservative “bro America.”

His comments were clearly racist, Wihbey said, but he hopes that Rogan will see this as a chance to substantively discuss race and vaccine issues in future episodes. His audience may not hear the discussions otherwise, Wihbey said.

“I do think that assembling this kind of audience is important,” he said. “He can say things that I think can move the needle.”

Wingfield said the controversy could be positive if it starts a shift to discussions of racial stereotypes.

“I think that if Joe Rogan kind of learns from this experience and becomes a driving voice for that conversation, that could be really valuable,” she said. “But I want to stress again that that’s a pretty big if, and I don’t know if it will come to that.”

Spotify reports having 406 million active monthly users, up nearly 20% from last year, and advertising has grown largely because of podcasts. Musicians still generate the bulk of Spotify’s profits, experts say. The company had 31% of the 524 million music streaming subscriptions worldwide in the second quarter of 2021, more than double that of second-place Apple Music, according to Midia Research.

Spotify Technology’s share price fell 0.5% early Monday in after-hours trading. It jumped 9.2% on Friday.

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Senegal’s Cup of Nations Triumph Sees Potential Fulfilled at Last

After final against Egypt finished 0-0 in extra time, Sengal won shoot-out 4-2

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Chinese Tennis Star Again Denies Accusing Government Official of Sexual Assault on Social Media

Chinese tennis player Peng Shuai is again denying that she had accused a former Communist Party official of sexually assaulting her in a social media post late last year.  

L’Equipe, a French daily sports newspaper, published an interview it conducted with Peng in its Monday edition.  

“I never said anyone had sexually assaulted me in any way,” Peng is quoted in the interview after she is asked directly if she actually wrote the post on her account on China’s Weibo social media platform.

In the November 2 post, Peng, a former Olympian who won titles at Wimbledon and the French Open, said former Vice Premier Zhang Gaoli coerced her into sex before it evolved into an on-off consensual relationship. Her post was quickly deleted and she vanished from public view for several days.  She eventually appeared at a tennis event and spoke by video with Thomas Bach, president of the International Olympic Committee president, during which she said she was safe.  

Her public absence sparked concern among some of the world’s top tennis players, including Naomi Osaka, Serena Williams, Billie Jean King and Novak Djokovic, and the Women’s Tennis Association suspended all of its sponsored tournaments in mainland China and Hong Kong.   

Peng told L’Equipe the initial post had caused a huge “misunderstanding” and that she did not want it to attract any more attention, and insisted that she had deleted it herself “because I wanted to.”  She also explained that her “disappearance” was simply due to her being unable to respond “to so many messages.” Peng said her personal life since the controversy surfaced had been uneventful, and stressed that her private life and personal problems should not be mixed with sports and politics.  

Peng also told the newspaper she was retiring from tennis.

She also said she had dinner with IOC President Bach Saturday, which the IOC confirmed in a separate statement Monday.  

Bach told the Reuters news agency when asked about Peng’s interview that any communication “is up to her, it is her life, it is her story.”

The newspaper said it submitted the questions to Peng in advance and conducted the interview in Chinese.  Wang Kang, the chief of staff of the Chinese Olympic Committee,  accompanied Peng during the interview and translated her answers for the reporter.  

WTA Chairman and CEO Steve Simon called for an open investigation into Peng’s initial accusations after a Chinese state-run media outlet released a statement it said was an email Peng had sent to Simon in which she denied the allegations and insisted she was not missing or unsafe, but just “resting at home.”

Peng issued a similar denial back in December during a virtual interview that was posted on the website of the Singapore-based Chinese-language newspaper Lianhe Zaobao.  

Some information for this report came from the Associated Press, Reuters and Agence France-Presse.

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Iconic Tapestry of Picasso’s `Guernica’ Back at UN 

 The iconic tapestry of Pablo Picasso’s “Guernica,” which is considered by numerous art critics as perhaps the most powerful anti-war painting in history, returned to its place of honor at the United Nations on Saturday after a year-long absence that angered and dismayed many U.N. diplomats and staff.

The tapestry of the painting, woven by Atelier J. de la Baume-Durrbach, was re-hung Saturday outside the Security Council, the U.N.’s most powerful body charged with ensuring international peace and security. Since February 2021, the yellow wall where it had hung had been empty.

The tapestry was commissioned in 1955 by former U.S. vice president and New York governor Nelson Rockefeller and offered to the U.N. on loan in 1984.

The Rockefeller family donated the land to build the U.N. complex after the world body was founded on the ashes of World War II, in the words of the U.N. Charter, “to save succeeding generations from the scourge of war.”

When the United Nations headquarters was undergoing a major renovation starting in 2009, the tapestry was returned to the Rockefeller Foundation for safekeeping. It was reinstalled in September 2013 when the renovations were completed.

Early last year, Nelson A. Rockefeller, Jr., the son of the late vice president and governor who owns the “Guernica” tapestry, notified the United Nations of his intention to retrieve it. The U.N. returned it to him in February 2021.

Rockefeller said in a statement Saturday that the tapestry was being returned on loan to the United Nations, and he intends to donate the work to the National Trust for Historic Preservation in the future.

“The Guernica tapestry with its probing symbolism — its depiction of horrific aspects of human nature — wrestles with the cruelty, darkness, and also a seed of hope within humanity.” Rockefeller said in a statement. “The Guernica tapestry is meant to be experienced and interpreted, with Picasso refusing to share its message when asked.”

Rockefeller said he was “delighted and deeply grateful, along with my family for the careful stewardship” of the tapestry by the United Nations and Secretary-General Antonio Guterres.

“I am grateful that the tapestry will be able to continue to reach a broader segment of the world’s population and magnify its ability to touch lives and educate,” he said.

In a Dec. 1, 2021, letter to Rockefeller, the U.N. said Guterres wrote: “This is most welcome news as we end a difficult year of global hardship and strife.”

“The Guernica tapestry speaks to the world about the urgent need to advance international peace and security,” the U.N. chief wrote. “We are honored to serve as careful stewards of this one-of-a-kind iconic work – as we draw inspiration from its message.”

The original painting, Picasso’s protest of the bombing of the Basque capital of Guernica during the Spanish civil war, is in Spain.

 

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Lata Mangeshkar ‘Nightingale of India’ Dies at 92

Bollywood superstar Lata Mangeshkar, known to millions as the “Nightingale of India” and a regular fixture of the country’s airwaves for decades, died Sunday morning at the age of 92.

Mangeshkar was born in 1929 and started her musical training early under the tutelage of her father, Deenanath, singing in his theatrical productions when she was just 5.

Her father’s death when she was 13 forced her to take on the role of breadwinner to support four younger siblings, and the family eventually moved to Mumbai in 1945.

There she pursued a career as a playback singer, recording tracks to be mimed by actors, and her high-pitched voice soon became a staple of Bollywood blockbusters.

In a move reflecting her huge following, she was invited by the government to sing a patriotic tribute to the soldiers killed in the 1962 Indo-China war at India’s Republic Day commemorations in January 1963.

Her rendition of Oh the People of my Country reportedly moved then-Prime Minister Jawaharlal Nehru to tears.

In the following decades, composers and film producers alike vied to sign the prolific Mangeshkar for their movies.

“I composed keeping Lata Mangeshkar’s range and voice quality in mind,” composer Anil Biswas said of her in an interview published in the Encyclopedia of Hindi Cinema.

“She had a wide range, and one could think of more complicated melodies than with the earlier untrained singers,” he added.

‘Stalwart of Indian culture’

Together with her younger sister Asha Bhonsle — a superstar in her own right — Mangeshkar dominated Bollywood music for more than half a century and is considered by many to be the Indian film industry’s greatest-ever playback singer.

Mangeshkar was not shy about taking a stand when it came to raising her prices or asking for a share of the royalties earned on her songs.

Her longevity and discipline saw her lend her voice to teenage actresses who were 50 years her junior.

Critics complained that her dominance left little room for newer singers to thrive, but her audience remained loyal, ensuring that her songs ruled the charts.

She was also known for her quirks, such as never singing with her shoes on and always writing out each song by hand before recording it.

Mangeshkar was in 2001 awarded the Bharat Ratna, India’s highest civilian honor, and received France’s Legion d’Honneur in 2009 in recognition of her contribution to Indian music and cinema.

“Coming generations will remember her as a stalwart of Indian culture, whose melodious voice had an unparalleled ability to mesmerize people,” Prime Minister Narendra Modi said.

She died in a Mumbai hospital on Sunday after being admitted to its intensive care unit Jan. 11 with COVID-19 symptoms.

Public broadcaster Doordarshan announced a state funeral and two days of national mourning for the singer after news of her death broke.

A school dropout in her hometown of Indore, who said she only attended classes for one day, Mangeshkar was fluent in several languages.

She sang in more than 1,000 films, in addition to recording devotional and classical albums. Her oeuvre spanned around 27,000 songs in dozens of languages including English, Russian, Dutch and Swahili. 

  

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News Corp Suspects China Behind Cyberattack on Its System

News Corp disclosed on Friday it was the target of a cyberattack that accessed data of some employees, with its internet security adviser saying the hack was likely aimed at gathering “intelligence to benefit China’s interests.”

The publisher of the Wall Street Journal said the breach, discovered in late January, accessed emails and documents of a limited number of employees, including journalists, but added that cybersecurity firm Mandiant had contained the attack.

“Mandiant assesses that those behind this activity have a China nexus, and we believe they are likely involved in espionage activities to collect intelligence to benefit China’s interests,” David Wong, vice president of consulting at Mandiant, told Reuters.

The Chinese Embassy in the United States did not immediately respond to a request for comment.

“Although we are in the early stages of our investigation, we believe the activity affected a limited number of business email accounts and documents from News Corp headquarters, News Technology Services, Dow Jones, News UK, and New York Post,” company executives wrote in a letter to employees, seen by Reuters.

“Our preliminary analysis indicates that foreign government involvement may be associated with this activity, and that some data was taken.”

The company added that its other business units, including HarperCollins Publishers, Move, News Corp Australia, Foxtel, REA, and Storyful, were not targeted in the attack.

The Wall Street Journal, which reported the news first, competes with Reuters, the news division of Thomson Reuters Corp , in supplying news to media outlets.

 

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Facebook Share Price Plummets, Leading Broad Rout of US Tech Stocks 

The same technology companies that helped drag the U.S. stock market back from the depths of the pandemic recession in 2021 led the market into a sharp plunge on Thursday after Meta Platforms, the company that owns Facebook, revealed that user growth on its marquee product has hit a plateau, and revenue from advertising has fallen off sharply.

Meta was not the only U.S. tech company to suffer on Thursday. Snap Inc., the owner of Snapchat; Pinterest, Twitter, PayPal, Spotify and Amazon all suffered sharp sell-offs during trading.

U.S. tech stocks are facing a variety of major challenges right now, including a possible economic slowdown, changes to privacy rules, increased regulatory pressure and competitive challenges that have pushed users — especially young people — to new platforms such as TikTok.

Every major U.S. stock index was down significantly on Thursday, with the Dow Jones Industrial Average falling by 1.45%, the S&P 500 down 2.44%, and the tech-heavy Nasdaq down 3.74%.

Meta’s Facebook struggles

Although the pain was spread broadly across the tech sector Thursday, it was the travails of Facebook that captured much of the public’s attention. The company’s shares, which were trading at $323 when the markets closed Wednesday, opened on Thursday at $242.48 and never recovered, closing at $237.76.

The 27% decline in the company’s share value translated into a loss of more than $230 billion in market value, an utterly unprecedented one-day loss for a single firm.

The share price began its tumble after the company announced for the first time ever that its total number of monthly users had not risen in the fourth quarter of 2021. Additionally, in its key North American market, Facebook saw monthly users decline slightly.

The stagnant user figures raised concerns about the company’s ability to grow even as more bad news poured in from its advertising business, which generates the overwhelming majority of the company’s profits.

Last year, Apple changed the privacy setting on its iPhones and other devices, requiring apps, including Facebook, to get each user’s explicit permission to track their activity on the internet. Prior to that change, Facebook had made extensive use of tracking software to deliver targeted advertising to its users — something its advertising clients were willing to pay a significant premium for.

Since Apple instituted the change, the majority of users have declined to allow Facebook to track their browsing, greatly diminishing the company’s ability to target advertisements. On Thursday, Meta Chief Financial Officer David Wehner told investors the company expects the changes to cost it $10 billion in advertising revenue in 2022.

Trouble with young users

Facebook has long struggled to attract younger users to its platform, and on Thursday, company officials admitted that the firm is finding it difficult to compete with TikTok, an app created by the Chinese firm ByteDance, which allows users to share brief videos.

In a call with investors, Meta CEO Mark Zuckerberg said the company’s answer to TikTok, a service called Reels, is still being developed.

“Over time, we think that there is potential for a tremendous amount of overall engagement growth” he said. “We think it’s definitely the right thing to lean into this and push as hard to grow Reels as quickly as possible and not hold on the brakes at all, even though it may create some near-term slower growth than we would have wanted.”

Zuckerberg, who holds 55% of the voting shares of Meta, giving him de facto control of the company, saw his personal wealth fall by an estimated $24 billion as a result of Thursday’s market rout.

Economic headwinds

Over the past year, investors have consistently pushed the share prices of U.S. tech firms higher. Now, though, with the Federal Reserve preparing a series of interest rate increases meant to cool the U.S. economy and slow price inflation, investors appear to be reconsidering the prices they are willing to pay.

Investors typically judge the value of a stock based on its price-to-earnings (P/E) ratio, which is determined by dividing the share price by the fraction of the company’s earnings represented by an individual share of stock.

When a company’s shares trade at a high P/E ratio that is usually because investors expect the underlying business to continue growing. However, that growth can be hampered by a slowdown in the broader economy, something many investors expect to see in the coming m

Political challenges

In addition to concerns about economic headwinds, the tech sector is facing a distinctly unfriendly regulatory environment in the U.S. Lawmakers in both parties have expressed their concern that big technology companies enjoy too much influence over areas like popular culture and political discourse but face too little accountability.

Facebook and its subsidiary, Instagram, were subjected to hostile congressional hearings last year, after a whistleblower revealed internal documents that showed the companies understood that their products could be harmful to some users but took little action to address the issue.

During the hearings, high-profile lawmakers, including Democratic Senator Elizabeth Warren, called for Facebook to be broken up into multiple, smaller companies.

 

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A New York Law Could Change the Fashion Industry If Enacted

The fashion industry has always had a relationship with some forms of social activism. But all too often the industry is also seen as one of excess and consumerism gone wild. That could change if New York’s Fashion Sustainability and Social Accountability Act – or FSSAA – becomes law. Nina Vishneva has the story, narrated by Anna Rice. Camera – Vladimir Badikov.

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