Month: October 2022

Many preparations go into the celebration of Diwali, the Hindu festival of lights, which starts Monday.

There’s cleaning and decorating the house, buying new clothes, visiting friends and family — and of course preparing and sharing food. And although the foods associated with Diwali vary from culture to culture, one central theme is snacks and sweets.

The holiday honors the goddess Lakshmi, goddess of prosperity. It celebrates light over darkness, new beginnings, and the triumph of good over evil.

Roni Mazumdar is the founder and CEO of Unapologetic Foods, a restaurant group that includes Dhamaka and Semma in New York City. He moved to the U.S. from Kolkata when he was 12 and misses the Diwali celebrations of his youth.

“In India, every single relative would be there, and that’s what made it Diwali to me,” he says.

The sweet that encapsulates the delight of the holiday for him is fresh rasgulla, a Bengali sweet with jaggery, a type of brown cane sugar.

“Imagine these little cheese dumplings that are dipped in a sweet jaggery syrup that you can just pop into your mouth all day long. It’s like a divine intervention of mankind,” he says.

The rasgulla he most associates with Diwali are made from nolen gur, a jaggery syrup made from the sap of date palms, which is harvested as Diwali approaches, when the weather gets cooler.

Milk is also a big part of the sweets from Kolkata and eastern India, he says. He loves kacha gulla, made from milk that has been curdled and has a loose texture “like ricotta cheese.” It’s used in many kinds of sweets.

Raghavan Iyer, a cookbook author and James Beard Award winner, has fond memories of Diwali celebrations in Mumbai, where he lived until age 21.

“The food itself is important, but it’s also about the exchange of foods with relatives and friends — that is the fun part of it,” he says. “Growing up, we always knew which neighbors to go to — the houses where the goodies would be really great.”

He remembers fondly a steamed-rice, flour-based dumpling called kozhukattai. His family made two versions: a sweet one made with fresh coconut and jaggery, and a savory one filled with lentils and chilies.

Iyer says Diwali always featured kaaju barfi, bars made from pureed cashews, ghee (clarified butter) and sugar. (Hint to his sister: He is hoping you send him some this year!)

And many desserts, he says, are finished by soaking them in a sweet syrup. One of his favorites is jalebi, which features chickpea flour. It’s dipped in sugar syrup laced with cardamom, saffron and lime.

Leela Mahase from Queens, New York, grew up in a Hindu family in Trinidad. Her Diwali sweets include ladoos, which she makes with a paste made from ground split peas and turmeric. It is fried in oil, then ground again, and combined with a syrup made from brown sugar, various spices and condensed milk. It’s formed into balls for eating.

Mahase also makes prasad, made by toasting flour in ghee, then adding cream of wheat. In a separate pot, she simmers evaporated milk with water, raisins, cinnamon and cardamom. This milk-based syrup is added to the cream of wheat mixture, and cooked until the liquid has evaporated. It has a texture she compares to mashed potatoes, and is eaten with the fingers.

Maneesha Sharma, a lawyer and mother of three in New York City, celebrates Diwali along the traditions of northern India, where her family is from.

“Diwali is celebrated with grandeur. You decorate the front door with lights, you put out your finery, and you eat delicacies you would not eat on a daily basis,” she says.

In India, she says, it is common to give others boxes and hampers with food and gold coins featuring images of gods, such as Ganesh and Lakshmi.

Sharma says that “as part of the prayer service when you light the flame, you make a food offering — always a sweet — to the gods.”

She says that including crushed nuts in desserts is a traditional way to both demonstrate wealth and offer respect. Pistachios and almonds are popular.

Here too, milk is featured in many desserts, she says, including phirni, a custard baked in a ramekin, sprinkled with pistachios and served cold. There’s also burfi, cut into small fudge-like squares.
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Joanna Simon, an acclaimed mezzo-soprano, Emmy-winning TV correspondent and one of the three singing Simon sisters who include pop star Carly, has died at age 85.

Simon, the eldest of four, died Wednesday, just a day before her sister Lucy died, according to Lucy’s daughter, Julie Simon. Their brother Peter, a photographer, died in 2018 at 71. All three had cancer.

“In the last 2 days, I’ve been by the side of both my mother and my aunt, Joanna, and watched them pass into the next world. I can’t truly comprehend this,” Julie wrote on Facebook.

Joanna Simon, who died of thyroid cancer, rose to fame in the opera world and as a concert performer in the 1960s. She was a frequent guest on TV talk shows. After her retirement from singing, she became an arts correspondent for PBS’s MacNeil-Lehrer News Hour, where she won an Emmy in 1991 for a report on mental illness and creativity.

“I am filled with sorrow to speak about the passing of Joanna and Lucy Simon. Their loss will be long and haunting. As sad as this day is, it’s impossible to mourn them without celebrating their incredible lives that they lived,” Carly Simon said in a statement Saturday.

She added: “We were three sisters who not only took turns blazing trails and marking courses for one another. We were each other’s secret shares. The co-keepers of each other’s memories.”

Joanna Simon was married to novelist and journalist Gerald Walker from 1976 until his death in 2004. She was the companion of Walter Cronkite from 2005 until his death in 2009.

Onstage, she made her professional debut in 1962 as Cherubino in Mozart’s The Marriage of Figaro at New York City Opera. That year, she won the Marian Anderson Award for promising young singers. Simon took on a range of material. As a concert performer, she leaned into classic and contemporary songs of her time.

The siblings were born to publishing giant Richard Simon and his wife, Andrea. Carly and Lucy once performed as the Simon Sisters, opening for other acts in Greenwich Village folk clubs.

“I have no words to explain the feeling of suddenly being the only remaining direct offspring of Richard and Andrea Simon,” Carly Simon said. “They touched everyone they knew and those of us they’ve left behind will be lucky and honored to carry their memories forward.”
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Days after Iranian climber Elnaz Rekabi caused an international incident by not wearing her country’s mandatory headscarf while competing abroad, her fate is top of mind for the world’s best climbers.

“It has made me ill — nauseous,” said American Brooke Raboutou, speaking to The Associated Press on Friday at a World Cup climbing event in northern Japan.

“I support her 100% and I’d like to think I can speak on behalf of most of the athletes,” she added. “I’ve reached out to her, just asking if there is anything we can do to help, to support. I know that she’s fighting a really hard battle and doing what she can to represent the women in her country.”

Raboutou said she had not received a reply.

Rekabi, 33, competed Sunday without her headscarf, or hijab, in Seoul during the finals of the International Federation of Sport Climbing’s Asia Championship. She was immediately embraced by those supporting the weekslong demonstrations in her country over the hijab that increasingly include calls for the overthrow of the country’s theocracy.

She returned home to a crowd of cheering protesters, including women not wearing the required head covering. In an emotionless interview before leaving the airport terminal, she told state television that competing without her hair covered was “unintentional.”

Sports in Iran, from soccer leagues to Rekabi’s competitive climbing, broadly operate under a series of semi-governmental organizations. Women athletes competing at home or abroad, whether playing volleyball or running track, are expected to keep their hair covered as a sign of piety. Iran makes such head coverings mandatory for women, as does Taliban-controlled Afghanistan.

Rekabi’s act of what seemed to be open defiance has been described as a lightning-rod event in Iran. Activists say it lends support to the antigovernment protests sparked by the death of 22-year-old Mahsa Amini, who had been detained by the country’s morality police over what she was wearing.

In the tight-knit climbing community, she’s become an inspiration for many athletes who barely know her — or only know of her.

“I feel I cannot understand how it feels,” French climber Oriane Bertone said. “Athletes from that country (Iran) are obligated to wear something. I feel like this is something she did knowing perfectly that she was risking something. And that must have been really hard.

“We’re trying to be her voice because it’s not only concerning her, it’s concerning everyone in the country,” Bertone added.

Bertone was asked if she believes Rekabi is safe.

“She’s definitely not. She’s not safe right now,” Bertone said. “When we watched the (television) interview she did, she was trembling.”

Rekabi’s case has drawn comparisons to that of Chinese tennis player Peng Shuai.

Peng wrote publicly a year ago about being sexually assaulted by a former high-ranking Chinese Communist Party official. She quickly disappeared from public view, tried to recant, and is reported to have come under crushing pressure as China was preparing to hold the 2022 Winter Olympics in Beijing. She is rarely seen in public and doesn’t leave China, although she took part in some orchestrated events around the Olympics.

Then there’s sprinter Krystsina Tsimanousksya. She criticized her Belarusian team officials, then was forced to flee to Poland during last year’s Tokyo Olympics. She feared returning home and now has Polish citizenship.

Iranian athletes did not compete at the climbing event in Japan. The field was made up of largely Europeans, Americans and Japanese. The only athletes from a Muslim-majority country were two brothers from Indonesia.

The International Federation of Sport Climbing, the government body, has echoed similar statements made by the International Olympic Committee, saying it has assurances that Rekabi “will not suffer any consequences and will continue to train and compete.”

Neither the IOC nor the climbing federation has said how it will track how Rekabi is treated in Iran.

The IOC and its President Thomas Bach have repeated similar messages in the cases of Peng and the Belarusian-Polish sprinter. Bach has been criticized for looking away from well-documented human-rights abuse in Olympic host countries like China and Russia. Both nations spent billions to host recent Winter Olympics — while other nations have backed out of bids because of high costs.

American Natalia Grossman said other climbers at the event in Japan were thinking of Rekabi, and trying to find ways to support her. She said she did not know Rekabi well and had “not talked to her too much. But everyone in the climbing community is close in one way or another.”

Grossman said she wasn’t certain if Rekabi intentionally competed without the hijab. But she has her suspicions.

“I can’t know because I’m not her and I haven’t spoken to her,” Grossman said. “But every day you wear it, and you just don’t forget one day.”

Like several other climbers, Grossman argued that sports and politics could not be separated — and shouldn’t be.

“I don’t really think you can keep them apart,” she said. “I don’t think we should have to keep them apart. You should be able to make whatever statement.”

Japanese climber Miho Nonaka, who won an Olympic silver medal a year ago in Tokyo, said she was trying to understand Rekabi’s plight.

“There is some physical distance, so in terms of actual support, I think the most immediate thing I can do is share it on (social media) as much as possible, or obtain the correct information and spread it to many people,” she said in Japanese.

Marco Vettoretti, a spokesperson for the climbing federation, described the climbers as “a young, cohesive and a diverse group.”

“We have Muslim athletes competing almost everywhere,” he said. “But it’s bigger than us sometimes. You try to respect everyone. Then sometimes it’s bigger than the athletes. It’s bigger than us when it comes to religion and politics.”

Vettoretti said the climbing federation expected Rekabi to be back competing in the northern hemisphere this spring.

Japanese climber Ai Mori seemed to have the same expectation, addressing her best wishes to the Iranian.

“You are not wrong,” she said in Japanese. “So do your best to come back to climbing to compete again. We’ll be waiting for you.”
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Works by Ukrainian artists will be the highlight of the world’s largest outdoor sculpture exhibition, starting Friday in Sydney.

The annual Sculpture by the Sea exhibition, near Bondi beach in Sydney, will raise money for the Australian-Ukrainian community’s humanitarian aid charity. The seaside gallery will show more than 100 exhibits from 16 countries from Oct. 21-Nov. 7.

Organizers of the event have said sculptures that are part of the Ukraine Showcase in Sydney are symbols of solidarity and resistance.

Colossus Holds Up the World by artist Egor Zigura is about the fragility of life and refers to Russian aggression in Ukraine in 2014. Another exhibit warns of the dangers of global warming.

The Ukrainian sculptures are curated by Viktoria Kulikova, the art director at the Abramovych Art Agency in Kyiv.

She told VOA the exhibition sends powerful messages of support to the people of Ukraine.

“It is very important for us because it is about a relationship with Ukraine and Australia also,” she said. “It is also about solidarity with Ukraine, about culture, about resistance, about our unity, also.”

Organizers of the exhibition on cliffs near Bondi beach say they want to remind Australians of the plight of Ukrainian refugees forced to flee Russia’s invasion.

About 400,000 visitors are expected to attend the exhibition, which has been held since 1997.

About 9,000 people displaced by the conflict have been granted visas in Australia. Australia is the largest non-NATO contributor of military aid to Ukraine.

It has sent missiles and armored personnel carriers as well as humanitarian supplies. The government has imposed sweeping sanctions on Russian institutions and its political and military leaders, including President Vladimir Putin.

Earlier this month, campaigners from the Australian Federation of Ukrainian Organizations again called on Australia to declare the Russian government, military and its Federal Security Service, the FSB, terrorist organizations under Australian law.
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The popular National Air and Space Museum in Washington on the National Mall has partially reopened, after being closed for almost seven months, with a new look and new exhibits.

Among them, a historical look at The Wright Brothers and the Invention of the Aerial Age, and Exploring the Planets.

Rather than an assortment of objects spread out across the museum, larger exhibitions tell in-depth stories on everything from commercial passenger flight in the past to today’s delivery drones.

“There’s a gallery that shows the importance of using drones and airplanes for the greater good,” said Jeremy Kinney, the museum’s associate director for research and curatorial affairs.

These include drones that deliver food packages to the Amazon, and a commercial airliner, converted into an eye-surgery hospital, that travels around the world to developing countries.

The National Air and Space Museum, which first opened its doors 46 years ago, was upgraded to include eight new exhibitions, hundreds of new artifacts, and 50 digital interactive exhibits – with the aim of making it more modern and engaging.

It’s an experience that reflects the 21st century, bringing people into the digital age,” Kinney said.

That includes an interactive tour of the solar system.

“The planets gallery is a fully immersive journey through our solar system, stopping at different locations, and seeing what that looks like on a large scale,” Kinney said. “You learn about the surface of different planets and asteroids. It almost feels like you’re walking on them.”

Visitor Taylor Brautigan, 18, looked at some of the artifacts in the gallery and then watched the seven-minute video on a huge screen.

“Wow, it was fantastic to see how different the planets are, and it made me want to find out more about them,” she said.

Kinney said that’s the kind of reaction the museum is hoping for.

“We want young people to connect with the artifacts and the stories we tell about them,” he said, “so when they get home, they will want to learn more about the history and importance of the objects.”

Visitors can see favorite artifacts in new settings that tell compelling stories past and present.

They include the 1903 Wright Flyer, the first powered and piloted mechanical aircraft.

Ahmed Chaudry, who had traveled from Pakistan to visit relatives in Washington, said he had looked forward to seeing the aircraft.

“The exhibit explains the background behind the Wright Brothers and what they went through to build the plane,” he said. “They only flew it for 12 seconds the first time, but it was incredible they were able to do that.”

The Destination Moon exhibit shows icons of space history, including the Apollo 11 command module, Columbia, and the spacesuit astronaut Neil Armstrong wore during the journey to the moon. Armstrong, who was first man to walk on the moon, uttered the famous line, “That’s one small step for man, one giant leap for mankind.”

Items used in film and video are also included in the museum, including the fictional X-Wing Starfighter used in a Star Wars movie, and the prosthetic ear tips made for Mr. Spock in the original Star Trek series.

More accomplishments by women and people of color are incorporated than were in the past.

Highlights include the air racer constructed by Neal Loving, the first African American to be licensed as a racing pilot, and a supersonic jet trainer flown by Jackie Cochran, the first woman to break the sound barrier.

The museum also shows the discrimination they faced, though.

“Our goal is to tell the whole history of air and space which also includes gender and race discrimination,” said Kinney.

That includes women who were qualified, but denied entry into the space program, and Black people who were allowed on commercial passenger planes but not in some airports because of the color of their skin.

A renovation of the National Museum of Air and Space in Washington began in 2018, with the rest of the museum set to open in 2025.

The museum, along with its companion facility in Chantilly, Virginia, the Steven F. Udvar-Hazy Center, contains the world’s largest collection of historic aircraft and spacecraft.
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A jury sided with Kevin Spacey on Thursday in one of the lawsuits that derailed the film star’s career, finding he did not sexually abuse Anthony Rapp, then 14, while both were relatively unknown actors in Broadway plays in 1980s.

The verdict in the civil trial came with lightning speed. Jurors at a federal court in New York deliberated for a little more than an hour before deciding that Rapp hadn’t proved his allegations.

When the verdict was read, Spacey dropped his head. Then he hugged lawyers and others before leaving the courtroom.

During the trial, Rapp had testified that Spacey invited him to his apartment for a party, then approached him in a bedroom after the other guests left. He said the actor, then 26, picked him up and briefly laid on top of him on a bed.

Rapp testified that he wriggled away and fled as an inebriated Spacey asked if he was sure he wanted to leave.

In his sometimes-tearful testimony, Spacey told the jury it never happened, and he never would have been attracted to someone who was 14.

The lawsuit sought $40 million in damages.

In his closing arguments to the jury Thursday, Rapp’s lawyer, Richard Steigman, accused Spacey of lying on the witness stand.

“He lacks credibility,” Steigman said. “Sometimes the simple truth is the best. The simple truth is that this happened.”

Spacey’s lawyer, Jennifer Keller, told jurors that Rapp made up the encounter and said they should reject Rapp’s claims.

During her closing argument, she suggested reasons Rapp imagined the encounter with Spacey or made it up.

It was possible, she said, that Rapp invented it based on his experience performing in “Precious Sons,” a play in which actor Ed Harris picks up Rapp’s character and lies on top of him, mistaking him briefly for his wife before discovering it is his son.

She also suggested that Rapp later became jealous that Spacey became a megastar while Rapp had “smaller roles in small shows” after his breakthrough performance in the original cast of the Broadway musical “Rent.”

“So, here we are today, and Mr. Rapp is getting more attention from this trial than he has in his entire acting life,” Keller said.

Rapp, 50, and Spacey, 63, each testified over several days at the three-week trial.

Rapp’s claims, and those of others, abruptly interrupted what had been a soaring career for the two-time Academy Award-winning actor, who lost his job on the Netflix series “House of Cards” and saw other opportunities dry up. Rapp is a regular on TV’s “Star Trek: Discovery.”

After jurors were sent away to deliberate, Keller drew sympathy from U.S. District Judge Lewis A. Kaplan when she complained that Steigman had broken trial rules when he finished his summation by telling jurors that he hoped “you don’t let him get away with it this time.”

Kaplan had set rules that were meant to keep jurors from learning about sex abuse accusations made against Spacey that were not part of the trial evidence.

Keller called Steigman’s statement “another clear, premeditated attempt to let the jury know” about other claims against Spacey.

“I’m very concerned,” she added, saying it could affect the verdict.

Kaplan responded by saying Steigman’s statement “shouldn’t happen” and that if the jury ruled in Rapp’s favor, attorneys might need to make written arguments over the issue.

He also said that Rapp during his testimony should not have mentioned that there were other claims made against Spacey.
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Sri Lankan writer Shehan Karunatilaka won the Booker Prize on Monday for his second novel The Seven Moons of Maali Almeida, about a dead war photographer on a mission in the afterlife.

Karunatilaka received a trophy from Queen Consort Camilla at the English language literary award’s first in-person ceremony since 2019. He also gets a 50,000 pound ($56,810) prize.

Set in 1990 Sri Lanka during the country’s civil war, Karunatilaka’s story follows gay war photographer and gambler Maali Almeida, who wakes up dead.

Time is of essence for Maali, who has “seven moons” to reach out to loved ones and guide them to hidden photos he has taken depicting the brutality of his country’s conflict.

“My hope for Seven Moons is that in the not-too-distant future … it is read in a Sri Lanka that has understood that these ideas of corruption, race baiting and cronyism have not worked and will never work,” Karunatilaka said in his acceptance speech.

“I hope it is read in a Sri Lanka that learns from its stories and that ‘Seven Moons’ will be in the fantasy section of the bookshop and will … not be mistaken for realism or political satire.”

This year’s shortlist of Booker Prize contenders included British author Alan Garner’s Treacle Walker, Zimbabwean author NoViolet Bulawayo’s Glory, Small Things Like These by Irish writer Claire Keegan, U.S. author Percival Everett’s The Trees and Oh William! by U.S. author Elizabeth Strout.

“This is a metaphysical thriller, an afterlife noir that dissolves the boundaries not just of different genres, but of life and death, body and spirit, east and west,” judges chair Neil MacGregor said of Karunatilaka’s book.

“It is an entirely serious philosophical romp that takes the reader to ‘the world’s dark heart’ — the murderous horrors of civil war Sri Lanka,” MacGregor added. “And once there, the reader also discovers the tenderness and beauty, the love and loyalty, and the pursuit of an ideal that justify every human life.”

Past winners of the Booker Prize, which was first awarded in 1969, include Margaret Atwood, Salman Rushdie and Yann Martel.
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Karim Benzema won the men’s Ballon d’Or for the first time on Monday after a brilliant season with Real Madrid capped by the Champions League and Spanish league titles.

The 34-year-old Benzema had his best season ever at Madrid, being the top scorer in both leagues. He scored 44 times with Madrid, including 15 in Europe’s top competition, and equaled Raúl González as the club’s second-highest scorer behind Cristiano Ronaldo.

Spanish player Alexia Putellas won the women’s trophy for the second straight year following another standout season with Barcelona.

Benzema won ahead of Liverpool’s Sadio Mané and Manchester City playmaker Kevin De Bruyne.

Benzema succeeded Lionel Messi, who won the award for a record-extending seventh time last year but was not among the nominees this time after his first season with Paris Saint-Germain.

For the first time this year, the Ballon d’Or was based on achievements from the past season. It had previously been awarded based on performances throughout calendar years.

Awarded by France Football magazine, the Ballon d’Or has been given out to men every year since 1956 when Stanley Matthews won. The women’s trophy was created in 2018, and both were canceled in 2020 because of the pandemic.

Benzema became the fifth Frenchman to win it after Raymond Kopa, Michel Platini, Jean-Pierre Papin and Zinedine Zidane, who was crowned in 1998, the year France won its first World Cup.

Benzema was not part of the France squad that triumphed at the 2018 World Cup in Russia but, barring an injury, will compete at the tournament in Qatar next month.

After nearly six years out following his involvement in a sex tape scandal, Benzema was recalled by France coach Didier Deschamps last year ahead of the European Championship and has played regularly since.

Leading an attack that also included Vinícius Júnior and Rodrygo, Benzema played a crucial role last season to drive Madrid to a record-extending 14th European title, and his fifth since he joined from Lyon in 2009. The Frenchman was the tournament’s top scorer and found the net when it really mattered, with 10 of his goals in the knockout stages.

Putellas scored 42 goals and delivered 22 assists last season. She became the first player to win the award twice.

With Barcelona, she won the Spanish League and reached the Champions League final. She has been sidelined since July after injuring her left knee and undergoing surgery on the eve of the Women’s European Championship.

Putellas beat out fellow forwards Beth Mead of Arsenal and England and Sam Kerr of Chelsea and Australia for the award at the ceremony in Paris. A panel of international journalists chose the winners.

In other awards, the Kopa Trophy for the best under-21 player went to 18-year-old Barcelona midfielder Gavi, while Robert Lewandowski won the Gerd Müller award for the best striker of the year.

The Lev Yashin award for best goalkeeper went to Real Madrid’s Thibaut Courtois.

Ballon d’Or organizers added a humanitarian prize named after the late Brazil midfielder Socrates. The trophy went to Liverpool’s Sadio Mané for his charity work in Senegal including building a hospital and school donations.
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The rapper formerly known as Kanye West is offering to buy right-wing friendly social network Parler shortly after being booted off Twitter and Instagram for antisemitic posts.

Parlement Technologies, which owns the platform, and West, legally known as Ye, said the acquisition should be completed in the fourth quarter, but details like price were not revealed. Parlement Technologies said the agreement includes the use of private cloud services via Parlement’s private cloud and data center infrastructure.

Ye, was locked out of Twitter and Instagram a week ago over antisemitic posts that the social networks said violated their policies. In one post on Twitter, Ye said he would soon go “death con 3 on JEWISH PEOPLE,” according to internet archive records, making an apparent reference to the U.S. defense readiness condition scale known as DEFCON.

Ye is no stranger to controversy, once suggesting slavery was a choice and calling the COVID-19 vaccine “the mark of the beast.” Earlier this month, he was criticized for wearing a “White Lives Matter” T-shirt to his collection at Paris Fashion Week.

The potential purchase of Parler would give Ye control of a social media platform and a new outlet for his opinions with no gatekeeper.

“In a world where conservative opinions are considered to be controversial we have to make sure we have the right to freely express ourselves,” Ye said in a prepared statement.

The acquisition could also breathe new life into Parler, which has struggled amid competition from other conservative-friendly platforms like Truth Social. Parler, which launched in August 2018, didn’t start picking up steam until 2020. But it was kicked offline following the Jan. 6, 2021 attack on the U.S. Capitol. A month after the attack, Parler announced a relaunch. It returned to Google Play last month.

“This deal will change the world, and change the way the world thinks about free speech,” Parlement Technologies CEO George Farmer said in a prepared statement.
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The members of K-pop band BTS will serve their mandatory military duties under South Korean law, their management company said Monday, effectively ending a debate on exempting them because of their artistic accomplishments.

Big Hit Music said the band’s oldest member, Jin, will revoke his request to delay his conscription at the end of the month and undertake the required conscription steps. The six other members also plan to serve in the military, according to the company’s notice to financial regulators, which it described as management-related information that could possibly affect investment decisions.

Big Hit issued another statement on Twitter, saying the company and BTS members are “looking forward to reconvening as a group again around 2025 following their service commitment.”

No further information on the timing of their service was given. The band members performed together in Busan over the weekend in support of the city’s EXPO bid, which will be their last concert as a group until they finish serving in the military, according to their label.

“Each BTS member for the time being will focus on their individual activities based on their plans to serve in the military,” Hybe Corp., the parent company of Big Hit, said in an email to The Associated Press.

The announcement came after Lee Ki Sik, commissioner of the Military Manpower Administration, told lawmakers this month that it would be “desirable” for BTS members to fulfil their military duties to ensure fairness in the country’s military service.

After enlisting, Jin and other BTS members will receive five weeks of combat training before being assigned to specific units and duties, according to officials at the Military Manpower Administration, who stressed that the singers would go under the same process as other South Korean men.

While South Korea’s military for years had assigned enlisted entertainers to duties related to producing radio and TV material promoting the military, the “entertainment soldier” system was retired in 2013 following complaints over fairness.

Defense Minister Lee Jong-sup had said in August that if BTS members join the military, they would likely be allowed to continue practicing and to join back with the group for tours overseas.

Whether the BTS members must serve in the army had been a hotly debated issue in South Korea as Jin faced possible enlistment early next year. Jin turns 30 in December, the age at which men can no longer delay enlistment. Other members are currently between 25 and 29 years old, with Suga turning 30 in March.

Under South Korean law, most able-bodied men are required to perform 18-21 months of military service, but special exemptions had been granted for athletes and artists who excel in certain international competitions that have been tied with national prestige.

The band — its other members being J-Hope, RM, Jungkook, V and Jimin — launched in 2013 and has a legion of global supporters who call themselves the “Army.”

After building a huge following in Asia, BTS expanded its popularity in the West with its 2020 megahit “Dynamite,” the band’s first all-English song that made it the first K-pop act to top Billboard’s Hot 100. The band has performed in sold-out arenas around the world and was even invited to speak at United Nations meetings.

Since South Korea’s draft interrupts young males in their professional careers or studies, the dodging of military duties or creation of exemptions is a highly sensitive issue. Opinion surveys in recent weeks showed that the public was split over whether the BTS members should serve in the military.
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Basketball Hall of Famer Dikembe Mutombo is undergoing treatment in Atlanta for a brain tumor, the NBA announced Saturday. 

Mutombo has been one of the NBA’s global ambassadors for years, and recently appeared at Hall of Fame enshrinement events in Springfield, Massachusetts, and a pair of preseason games in Saitama, Japan. 

He also appeared with U.S. Secretary of State Antony Blinken at an event in the Congo, Mutombo’s native country, in August. 

“He is receiving the best care possible from a collaborative team of specialists in Atlanta and is in great spirits as he begins treatment,” Mutombo’s family said in a statement distributed by the NBA. “Dikembe and his family ask for privacy during this time so they can focus on his care. They are grateful for your prayers and good wishes.” 

The family did not release any other details, including what prompted the discovery of the tumor. 

“We know he will approach this challenge with the same determination and grit that have made him a legend on and off the court,” Atlanta Hawks principal owner Tony Ressler said. 

The 56-year-old Mutombo spent 18 seasons in the NBA, playing for Denver, Atlanta, Houston, Philadelphia, New York and the then-New Jersey Nets. The 7-foot-2 center out of Georgetown was an eight-time All-Star, four-time defensive player of the year, three-time All-NBA selection and went into the Hall of Fame in 2015 after averaging 9.8 points and 10.3 rebounds per game for his career. 

Mutombo last played during the 2008-09 season and has worked extensively for charitable and humanitarian causes since. Blinken lauded him when the pair were together in the Congo, telling Mutombo, “You’ve done so much to bring the world together.” 

Mutombo speaks nine languages and founded the Dikembe Mutombo Foundation in 1997, concentrating on improving health, education and quality of life for the people in the Congo. His foundation led the building of a 170-bed hospital in Kinshasa, the capital city, and that facility has treated nearly a half-million people regardless of their ability to pay for care. 

He also has served on the boards of many organizations, including Special Olympics International, the CDC Foundation and the National Board for the U.S. Fund for UNICEF. 
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An Iranian filmmaker said the Islamic republic barred him from travelling to the London Film Festival over his support for the protest movement sparked by the death of Mahsa Amini that he called a “great moment in history.”

“I was prevented by the Iranian authorities from boarding my flight to London on Friday,” Mani Haghighi said in a video message to festival-goers tweeted by the British Film Institute (BFI).

“They gave me no reasonable explanation for this actually rude behavior.”

Outrage over Amini’s death on Sept. 16, three days after she was arrested by Iran’s notorious morality police, has fueled the biggest wave of street protests and violence seen in the country for years.

In response, the clerical state’s security forces have waged a brutal crackdown that has claimed the lives of dozens of protesters as well as a campaign of mass arrests of artists, dissidents, journalists and sports stars.

The BFI said Haghighi had been due to attend the London Film Festival for his latest film Subtraction, but the Iranian authorities “confiscated his passport and he could not leave.”

In the video message, the 53-year-old Iranian director, writer and actor said he believed the authorities had prevented him from going abroad over his support for the Amini protest movement.

“A couple of weeks ago I recorded an Instagram video in which I criticized Iran’s mandatory hijab laws and the crackdown on the youth who are protesting it and so many other instances of injustice in their lives.

“Perhaps the authorities thought by keeping me here they could keep a closer eye on me, perhaps to threaten me and shut me up.

“Well, the very fact that I’m talking to you now in this video kind of undermines that plan,” he said.

Haghighi said, however, that he had no regrets about being forced to stay in Iran as a “prisoner” in his own country.

“Let me tell you that being here in Tehran right now is one of the greatest joys of my life.

“I cannot put into words the joy and the honor of being able to witness first-hand this great moment in history and I would rather be here than anywhere else right now.

“So if this is a punishment for what I’ve done, then by all means, bring it on.” 
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Two women have been charged with criminal damage after climate change protesters threw soup on Vincent van Gogh’s painting “Sunflowers” at London’s National Gallery, British police said Saturday.

A video posted by the Just Stop Oil campaign group, which has been holding protests for the last two weeks in the British capital, showed two of its activists on Friday throwing tins of Heinz tomato soup over the painting, one of five versions on display in museums and galleries around the world.

The gallery said the incident had caused minor damage to the frame, but the painting was unharmed. It later went back on display.

Police said two women, aged 21 and 20, would appear later at Westminster Magistrates’ Court charged with “criminal damage to the frame of van Gogh’s Sunflowers painting”.

Another activist will also appear in court, accused of damaging the sign outside the New Scotland Yard police headquarters in central London.

Police said in total 28 people had been arrested during protests on Friday.
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