US ‘Disruptive Technology’ Strike Force to Target National Security Threats

A top U.S. law enforcement official on Thursday unveiled a new “disruptive technology strike force” tasked with safeguarding American technology from foreign adversaries and other national security threats.

Deputy Attorney General Lisa Monaco, the No. 2 U.S. Justice Department official, made the announcement at a speech in London at Chatham House. The initiative, Monaco said, will be a joint effort between her department and the U.S. Commerce Department, with a goal of blocking adversaries from “trying to siphon our best technology.”

Monaco also addressed concerns about Chinese-owned video sharing app TikTok.

The U.S. government’s Committee on Foreign Investment in the United States, a powerful national security body, in 2020 ordered Chinese company ByteDance to divest TikTok because of fears that user data could be passed on to China’s government. The divestment has not taken place.

The committee and TikTok have been in talks for more than two years aiming to reach a national security agreement.

“I will note I don’t use TikTok, and I would not advise anybody to do so because of these concerns. The bottom line is China has been quite clear that they are trying to mold and put forward the use and norms around technologies that advance their privileges, their interests,” Monaco said.

The Justice Department in recent years has increasingly focused its efforts on bringing criminal cases to protect corporate intellectual property, U.S. supply chains and private data about Americans from foreign adversaries, either through cyberattacks, theft or sanctions evasion.

U.S. law enforcement officials have said that China by far remains the biggest threat to America’s technological innovation and economic security, a view that Monaco reiterated on Thursday.

“China’s doctrine of ‘civil-military fusion’ means that any advance by a Chinese company with military application must be shared with the state,” Monaco said. “So if a company operating in China collects your data, it is a good bet that the Chinese government is accessing it.”

Under former President Donald Trump’s administration, the Justice Department created a China initiative tasked with combating Chinese espionage and intellectual property theft.

President Joe Biden’s Justice Department later scrapped the name and re-focused the initiative amid criticism it was fueling racism by targeting professors at U.S. universities over whether they disclosed financial ties to China.

The department did not back away from continuing to pursue national security cases involving China and its alleged efforts to steal intellectual property or other American data.

The Commerce Department last year imposed new export controls on advanced computing and semiconductor components in a maneuver designed to prevent China from acquiring certain chips.

Monaco said on Thursday that the United States “must also pay attention to how our adversaries can use private investments in their companies to develop the most sensitive technologies, to fuel their drive for a military and national security edge.”

She noted that the Biden administration is “exploring how to monitor the flow of private capital in critical sectors” to ensure it “doesn’t provide our adversaries with a national security advantage.”

A bipartisan group of U.S. lawmakers last year called on Biden to issue an executive order to boost oversight of investments by U.S. companies and individuals in China and other countries.

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Some Dogs and Cats Use Words to Express Their Needs and Wants

Imagine if your dog or cat could use words to let you know when they’re angry, lonely or in pain. Well now they can, thanks to an innovative communication tool that’s helping them express themselves more effectively. VOA’s Julie Taboh has more.

Camera: Adam Greenbaum           

Produced by: Julie Taboh, Adam Greenbaum  

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Berlin Film Fest to Beam in Zelenskyy for Opener with Sean Penn

Ukrainian President Volodymyr Zelenskyy will join Hollywood actor Sean Penn by video link on Thursday at the opening of the Berlinale, Europe’s first major film festival of the year, as it spotlights the fight for freedom in Ukraine and Iran.

The 73rd annual event, traditionally the most politically minded of the three big European cinema showcases, will mark the Russian invasion’s first anniversary as well as anti-regime protests in Iran with new feature films and documentaries.

U.S. actor Kristen Stewart (“Spencer”), head of the jury for the Golden and Silver Bear top prizes, told reporters it was “an enormous opportunity to have a hand in highlighting beautiful things” in the face of global turmoil.

“It’s the job of an artist to take a disgusting and ugly thing and sort of transmute it and put it through your body and pump out something more beautiful…in response to the world that’s falling apart around us,” she said.

Artistic director Carlo Chatrian said the festival stood with “the suffering population, the millions who left Ukraine and the artists (who) have remained defending the country and continue filming the war,” adding that it was a “special honour” to welcome Zelenskyy digitally.

Penn will appear on stage at the opening gala in the German capital and introduce Zelenskyy who will speak via video stream, organizers said.

The two-time Oscar winner, who was filming in Kyiv at the start of the Russian onslaught, will on Friday premiere “Superpower”, tracking Zelenskyy’s transformation from comedian to president to war hero.

“Zelenskyy was two completely different creatures from one day to the next,” Penn told entertainment industry magazine Variety this week about the impact of the invasion. “He was a spirit in waiting.”

Beyond movie screenings, the Berlinale plans panel discussions with embattled directors and red-carpet protests in a show of “solidarity” with the people of Iran and Ukraine.

Animation back in force

The Berlinale has barred filmmakers, companies and reporters with direct ties to the Russian or Iranian governments from taking part in the event, including its sprawling European Film Market, a key movie rights exchange for the industry.

Hollywood actors Peter Dinklage, Anne Hathaway and Marisa Tomei will later Thursday present romantic comedy “She Came to Me”, the first of nearly 300 new movies from around the world to screen during the 11-day event.

Nineteen films will vie for the main awards, including British-U.S. co-production “Manodrome” featuring Jesse Eisenberg and Adrien Brody in a thriller about an Uber driver who is lured into a cult while he is expecting his first child.

Two Asian animated pictures will also join the running, “Art College 1994” by China’s Liu Jian and Makoto Shinkai’s “Suzume”, the first Japanese anime to compete at the Berlinale since Hayao Miyazaki’s “Spirited Away” clinched the Golden Bear in 2002.

Gold for Spielberg

Three-time Academy Award winner Steven Spielberg is to collect an honorary Golden Bear for his life’s work, spotlighted in a retrospective.

British actor Helen Mirren will unveil the keenly awaited “Golda” in which she stars as Israel’s only female prime minister, Golda Meir.

And Vicky Krieps, the acclaimed Luxembourg-born actor from “Phantom Thread” and “Corsage”, will present her turn as renowned Austrian writer Ingeborg Bachmann in a biopic by veteran German director Margarethe von Trotta.

One-third of the films in competition are by women, who make up 40 percent of all directors represented at the festival.

“Love to Love You”, a documentary about disco queen Donna Summer, who defined an era on the dance floor and helped inspire Beyonce’s latest album “Renaissance”, will have its world premiere.

The film was co-directed by Summer’s daughter, Brooklyn Sudano, and features never-before-seen home videos.

The Berlinale ranks with Cannes and Venice among Europe’s top film festivals. It will hand out the top prizes on February 25 before wrapping up the next day with screenings of popular movies from this year’s selection.

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Parthenon Marbles Could Be Seen Both in London and Athens, Museum Chair Says

The UK is working on a new arrangement with Greece through which the Parthenon Sculptures could be seen both in London and in Athens, British Museum chair George Osborne said on Thursday, describing it as a win-win situation.

Osborne, a former finance minister, reiterated that the museum was having constructive talks with the Greek government about the marbles which have been a source of dispute between the two European countries for centuries.

“It’s a very hard problem to solve,” Osborne told BBC Radio. “But I think there is a way forward where these sculptures, the Elgin Marbles, the Parthenon Sculptures, could be seen both in London and in Athens, and that will be a win-win for Greece and for us.”

When asked if that meant loans, he said: “we’re talking to the Greek government about that, about a new arrangement and what I didn’t want to do is force the Greeks to accept things that they find impossible, and equally they can’t force on us things that we would find impossible.” 

The Greek government has said it was in talks over repatriation of the sculptures, which were removed by British diplomat Lord Elgin from the imposing Parthenon temple in Athens in the early 19th century.

But Osborne ruled out a scenario where the sculptures could be handed over permanently, saying it would need a change of UK law.

“If we wanted to send all the Elgin Marbles back then that would require an act of parliament, and that would be beyond my authority,” he said. “But what the museum can do is try and form a new relationship with Greece.”

“I’m reasonably optimistic.”

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American Actress Raquel Welch Dies at 82

When Raquel Welch donned a deerskin bikini for a 1966 caveman screen epic, she became one of the hottest sex symbols of her time, a role she never felt able to escape.

The film was mediocre, but the poster for “One Million Years BC” went round the world, taking her with it and making both of them an indelible part of cinema history.

“With the release of that famous movie poster, in one fell swoop, everything in my life changed and everything about the real me was swept away,” Welch wrote in her 2010 autobiography Beyond the Cleavage.

“All else would be eclipsed by this bigger-than-life sex symbol.”

With an auburn mane and lauded for her famous figure, Welch took over from the late Marilyn Monroe to become the universal sex goddess of the 1960s and 1970s.

The New York Times described her in 1967 as “a marvelous breathing monument to womankind” while Playboy magazine said she was “the most desired woman of the 1970s.”

Walk-on parts

Welch, who died Wednesday after a brief illness, was born Jo Raquel Tejada on September 5, 1940, in Chicago to a Bolivian aeronautical engineer and his American wife.

Growing up in California, she took ballet lessons and won the first of several teen beauty titles at the age of 14.

She married her high school sweetheart, James Welch, before she was 20, having two children with him before moving to Dallas to take on jobs as a model and barmaid.

Seeking stardom, she returned to Los Angeles in 1963, where she met her agent and next husband Patrick Curtis.

Her never-illustrious acting career started with a string of walk-on parts in minor films, including the 1964 musical feature “Roustabout” starring Elvis Presley.

But a break came when she was picked by the 20th Century Fox studio to star in the 1966 science fiction film, “Fantastic Voyage.”

Typecast

The same year she had a leading role in “One Million Years BC,” a fantasy film forgettable except for its bikini-clad cavewoman.

In 1967 Welch married Curtis in Paris in a famously skimpy white crochet dress, living it up in a lavish Beverly Hills villa with black marble swimming pool and Rolls-Royce.

However, by then she was typecast, and struggled to prove herself as an actress.

“Americans have always had sex symbols. It’s a time-honored tradition and I’m flattered to have been one,” she once said.

“But it’s hard to have a long, fruitful career once you’ve been stereotyped that way.”

Welch clocked up a series of films in the late 1960s and 1970s but remained restricted by her status as a beauty.

Titles included the western “Bandolero!” (1968), detective movie “Lady in Cement” (1968) and comedy “Animal” (1977).

In 1969 she was in Hollywood’s first interracial sex scene with Jim Brown in “100 Rifles.” Then came her most controversial role — a transsexual heroine in the explicit “Myra Breckinridge” (1970).

The swashbuckling “The Three Musketeers” (1973), in which she played the queen’s dressmaker, won her the Golden Globe for best actress.

While filming “Cannery Row” in 1982, Welch was fired for insisting on doing her hair and make-up at home. She sued MGM studios for breach of contract, ultimately winning a $15 million settlement.

Later roles

A lover of yoga, Welch later launched herself into the business of wellbeing, publishing her “Total Beauty and Fitness” program in 1984.

Having long hidden her Latino origins, as an elegant 60-something she took on Hispanic roles in the “American Family” series on PBS in 2002 and “Tortilla Soup” in 2001.

In 2008 at age 68, she divorced her fourth husband, Richard Palmer, who was 14 years her junior.

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New York Fashion Week Features ’90s Look, Genderless Style

This year’s New York Fashion Week is wrapping up after featuring genderless style, throwback 1990s fashion and colorful knitwear to fight sadness. Nina Vishneva has the story, narrated by Anna Rice. Producer: Anna Rice. Camera: Vladimir Badikov.

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Report Says US Justice Department Escalates Apple Probe

The United States Justice Department has in recent months escalated its antitrust probe on Apple Inc., The Wall Street Journal reported on Wednesday citing people familiar with the matter.  

Reuters had previously reported the Justice Department opened an antitrust probe into Apple in 2019. 

The Wall Street Journal report said more litigators have now been assigned, while new requests for documents and consultations have been made with all the companies involved. 

The probe will also look at whether Apple’s mobile operating system, iOS, is anti-competitive, favoring its own products over those of outside developers, the report added. 

The Justice Department declined to comment, while Apple did not immediately respond to a request for comment. 

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Elon Musk Hopes to Have Twitter CEO Toward the End of Year 

Billionaire Elon Musk said Wednesday that he anticipates finding a CEO for Twitter “probably toward the end of this year.”

Speaking via a video call to the World Government Summit in Dubai, Musk said making sure the platform can function remained the most important thing for him.

“I think I need to stabilize the organization and just make sure it’s in a financial healthy place,” Musk said when asked about when he’d name a CEO. “I’m guessing probably toward the end of this year would be good timing to find someone else to run the company.”

Musk, 51, made his wealth initially on the finance website PayPal, then created the spacecraft company SpaceX and invested in the electric car company Tesla. In recent months, however, more attention has been focused on the chaos surrounding his $44 billion purchase of the microblogging site Twitter.

Meanwhile, the Ukrainian military’s use of Musk’s satellite internet service Starlink as it defends itself against Russia’s ongoing invasion has put Musk off and on at the center of the war.

Musk offered a wide-ranging 35-minute discussion that touched on the billionaire’s fears about artificial intelligence, the collapse of civilization and the possibility of space aliens. But questions about Twitter kept coming back up as Musk described both Tesla and SpaceX as able to function without his direct, day-to-day involvement.

“Twitter is still somewhat a startup in reverse,” he said. “There’s work required here to get Twitter to sort of a stable position and to really build the engine of software engineering.” 

Musk also sought to portray his takeover of San Francisco-based Twitter as a cultural correction. 

“I think that the general idea is just to reflect the values of the people as opposed to imposing the values of essentially San Francisco and Berkeley, which are so somewhat of a niche ideology as compared to the rest of the world,” he said. “And, you know, Twitter was, I think, doing a little too much to impose a niche.”

Musk’s takeover at Twitter has seen mass firings and other cost-cutting measures. Musk, who is on the hook for about $1 billion in yearly interest payments for his purchase, has been trying to find way to maximize profits at the company.

However, some of Musk’s decisions have conflicted with the reasons that journalists, governments and others rely on Twitter as an information-sharing platform.

Musk on Wednesday described the need for users to rely on Twitter for trusted information from verified accounts. However, a confused rollout to a paid verified account system saw some impersonate famous companies, leading to a further withdrawal of needed advertising cash to the site.

“Twitter is certainly quite the rollercoaster,” he acknowledged.

Forbes estimates Musk’s wealth at just under $200 billion. The Forbes analysis ranks Musk as the second-wealthiest person on Earth, just behind French luxury brand magnate Bernard Arnault. 

But Musk also has become a thought leader for some as well, albeit an oracle that is trying to get six hours of sleep a night despite the challenges at Twitter.

Musk described his children as being “programmed by Reddit and YouTube.” However, he criticized the Chinese-made social media app TikTok.

“TikTok has a lot of very high usage (but) I often hear people say, ‘Well, I spent two hours on TikTok, but I regret those two hours,’” Musk said. “We don’t want that to be the case with Twitter.”

TikTok, owned by Beijing-based ByteDance, did not immediately respond to a request for comment. 

Musk warned that artificial intelligence should be regulated “very carefully,” describing it as akin to the promise of nuclear power but the danger of atomic bombs. He also cautioned against having a single civilization or “too much cooperation” on Earth, saying it could “collapse” a society that’s like a “tiny candle in a vast darkness.”

And when asked about the existence of aliens, Musk had a firm response.

“The crazy thing is, I’ve seen no evidence of alien technology or alien life whatsoever. And I think I’d know because of SpaceX,” he said. “I don’t think anybody knows more about space, you know, than me.” 

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11 States Consider ‘Right to Repair’ for Farming Equipment

On Colorado’s northeastern plains, where the pencil-straight horizon divides golden fields and blue sky, a farmer named Danny Wood scrambles to plant and harvest proso millet, dryland corn and winter wheat in short, seasonal windows. That is until his high-tech Steiger 370 tractor conks out. 

The tractor’s manufacturer doesn’t allow Wood to make certain fixes himself, and last spring his fertilizing operations were stalled for three days before the servicer arrived to add a few lines of missing computer code for $950. 

“That’s where they have us over the barrel, it’s more like we are renting it than buying it,” said Wood, who spent $300,000 on the used tractor. 

Wood’s plight, echoed by farmers across the country, has pushed lawmakers in Colorado and 10 other states to introduce bills that would force manufacturers to provide the tools, software, parts and manuals needed for farmers to do their own repairs — thereby avoiding steep labor costs and delays that imperil profits. 

“The manufacturers and the dealers have a monopoly on that repair market because it’s lucrative,” said Rep. Brianna Titone, a Democrat and one of the bill’s sponsors. “[Farmers] just want to get their machine going again.” 

In Colorado, the legislation is largely being pushed by Democrats, while their Republican colleagues find themselves stuck in a tough spot: torn between right-leaning farming constituents asking to be able to repair their own machines and the manufacturing businesses that oppose the idea. 

The manufacturers argue that changing the current practice with this type of legislation would force companies to expose trade secrets. They also say it would make it easier for farmers to tinker with the software and illegally crank up the horsepower and bypass the emissions controller — risking operators’ safety and the environment. 

Similar arguments around intellectual property have been leveled against the broader campaign called ‘right to repair,’ which has picked up steam across the country — crusading for the right to fix everything from iPhones to hospital ventilators during the pandemic. 

In 2011, Congress tried passing a right to repair law for car owners and independent servicers. That bill did not pass, but a few years later, automotive industry groups agreed to a memorandum of understanding to give owners and independent mechanics — not just authorized dealerships — access to tools and information to fix problems. 

In 2021, the Federal Trade Commission pledged to beef up its right to repair enforcement at the direction of President Joe Biden. And just last year, Titone sponsored and passed Colorado’s first right to repair law, empowering people who use wheelchairs with the tools and information to fix them. 

For the right to repair farm equipment — from thin tractors used between grape vines to behemoth combines for harvesting grain that can cost over half a million dollars — Colorado is joined by 10 states including Florida, Maryland, Missouri, New Jersey, Texas and Vermont. 

Many of the bills are finding bipartisan support, said Nathan Proctor, who leads Public Interest Research Group’s national right to repair campaign. But in Colorado’s House committee on agriculture, Democrats pushed the bill forward in a 9-4 vote along party lines, with Republicans in opposition even though the bill’s second sponsor is Republican Representative Ron Weinberg. 

“That’s really surprising, and that upset me,” said the Republican farmer Wood. 

Wood’s tractor, which flies an American flag reading “Farmers First,” isn’t his only machine to break down. His grain harvesting combine was dropping into idle, but the servicer took five days to arrive on Wood’s farm — a setback that could mean a hail storm decimates a wheat field or the soil temperature moves beyond the Goldilocks zone for planting. 

“Our crop is ready to harvest and we can’t wait five days, but there was nothing else to do,” said Wood. “When it’s broke down you just sit there and wait and that’s not acceptable. You can be losing $85,000 a day.” 

Representative Richard Holtorf, the Republican who represents Wood’s district and is a farmer himself, said he’s being pulled between his constituents and the dealerships in his district covering the largely rural northeast corner of the state. He voted against the measure because he believes it will financially hurt local dealerships in rural areas and could jeopardize trade secrets. 

“I do sympathize with my farmers,” Holtorf said, but he added, “I don’t think it’s the role of government to be forcing the sale of their intellectual property.”  

At the packed hearing last week that spilled into a second room in Colorado’s Capitol, the core concerns raised in testimony were farmers illegally slipping around the emissions control and cranking up the horsepower. 

“I know growers, if they can change horsepower and they can change emissions they are going to do it,” said Russ Ball, sales manager at 21st Century Equipment, a John Deere dealership in Western states. 

The bill’s proponents acknowledged that the legislation could make it easier for operators to modify horsepower and emissions controls but argued that farmers are already able to tinker with their machines and doing so would remain illegal. 

This January, the Farm Bureau and the farm equipment manufacturer John Deere did sign a memorandum of understanding — a right to repair agreement made in the free market and without government intervention. The agreement stipulates that John Deere will share some parts, diagnostic and repair codes and manuals to allow farmers to make their own fixes. 

The Colorado bill’s detractors laud that agreement as a strong middle ground while Titone said it wasn’t enough, evidenced by six of Colorado’s biggest farmworker associations that support the bill. 

Proctor, who is tracking 20 right to repair proposals in a number of industries across the country, said the memorandum of understanding has fallen far short. 

“Farmers are saying no,” Proctor said. “We want the real thing.” 

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Ethiopia’s Oromo, Amhara Actors Promote Traditional Conflict Resolution

Ethiopia has long struggled with problems of communal friction turning into violent, ethnic conflict. Members of the two largest ethnic groups, the Oromos and Amharas, have come together to showcase traditional conflict resolution through musical drama. Maya Misikir reports from Adama, Ethiopia. Camera: Vinicius Assis.

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China-Owned Parent Company of TikTok Among Top Spenders on Internet Lobbying

ByteDance, the Chinese parent company of social media platform TikTok, has dramatically upped its U.S. lobbying effort since 2020 as U.S.-China relations continue to sour and is now the fourth-largest Internet company in spending on federal lobbying as of last year, according to newly released data.

Publicly available information collected by OpenSecrets, a Washington nonprofit that tracks campaign finance and lobbying data, shows that ByteDance and its subsidiaries, including TikTok, the wildly popular short video app, have spent more than $13 million on U.S. lobbying since 2020. In 2022 alone, Fox News reported, the companies spent $5.4 million on lobbying.

Only Amazon.com ($19.7 million) and the parent companies of Google ($11 million) and Facebook ($19 million) spent more, according to OpenSecrets.

In the fourth quarter of 2022, ByteDance spent $1.2 million on lobbying, according to Fox News.

The lobbyists hired by ByteDance include former U.S. senators Trent Lott and John Breaux; David Urban, a former senior adviser to Donald Trump’s 2016 presidential campaign who was also a former chief of staff for the late Senator Arlen Specter; Layth Elhassani, special assistant to President Barack Obama in the White House Office of Legislative Affairs; and Samantha Clark, former deputy staff director of the U.S. Senate Armed Services Committee.

In November, TikTok hired Jamal Brown, a deputy press secretary at the Pentagon who was national press secretary for Joe Biden’s presidential campaign, to manage policy communications for the Americas, with a focus on the U.S., according to Politico.

“This is kind of the template for how modern tech lobbying goes,” Dan Auble, a senior researcher at Open Secrets, told Vox. “These companies come on the scene and suddenly start spending substantial amounts of money. And ByteDance has certainly done that.”

U.S. officials have criticized TikTok as a security risk due to ties between ByteDance and the Chinese government. The worry is that user data collected by TikTok could be passed to Beijing, so lawmakers have been trying to regulate or even ban the app in the U.S.

In 2019, TikTok paid a $5.7 million fine as part of a settlement with the Federal Trade Commission over violating children’s privacy rights. The Trump administration attempted unsuccessfully to ban downloads of TikTok from app stores and outlaw transactions between Americans and ByteDance.

As of late December, TikTok has been banned on federally managed devices, and 19 states had at least partially blocked the app from state-managed devices.

The number of federal bills that ByteDance has been lobbying on increased to 14 in 2022 from eight in 2020.

With TikTok CEO Shou Zi Chew scheduled to testify before the U.S. House of Representatives Energy and Commerce Committee on March 23, and a House of Representatives Foreign Affairs Committee vote in March on a bill that would ban the use of TikTok in the U.S., the company is expected to further expand its U.S. influence campaign.

Erich Andersen, general counsel and head of corporate affairs at ByteDance and TikTok, told the New York Times in January that “it was necessary for us to accelerate our own explanation of what we were prepared to do and the level of commitments on the national security process.”

TikTok has been met with a mixed response to its efforts to prove that its operations in the U.S. are outside of Beijing’s sphere of influence.

Michael Beckerman, who oversees public policy for the Americas at TikTok, met with Mike Gallagher, chairman of the U.S. House of Representatives Select Committee on China Affairs, on February 1 to explain the company’s U.S. data security plans.

According to Reuters, Gallagher’s spokesperson, Jordan Dunn, said after the meeting that the lawmaker “found their argument unpersuasive.”

Congressman Ken Buck and Senator Josh Hawley on January 25 introduced a bill, No TikTok on United States Devices Act, which will instruct President Joe Biden to use the International Emergency Economic Powers to prohibit downloads of TikTok and ban commercial activity with ByteDance.

Joel Thayer, president of the Digital Progress Institute and a telecom regulation lawyer, told VOA Mandarin that he doubted the Buck-Hawley bill would become law. He said that calls to ban TikTok began during the Trump administration, yet TikTok has remained a visible and influential presence in the U.S.

James Lewis, director of the CSIS Technology and Public Policy Program, told VOA Mandarin, “An outright ban will be difficult because TikTok is speech, which is protected speech. But it [the U.S. government] can ban financial transactions, that’s possible.”

Senators Marco Rubio and Angus King reintroduced bipartisan legislation on February 10 to ban TikTok and other similar apps from operating in the U.S. by “blocking and prohibiting all transactions from any social media company in, or under the influence of, China, Russia, and several other foreign countries of concern unless they fully divest of dangerous foreign ownership.”

The Committee on Foreign Investment in the United States (CFIUS), an interagency group that reviews transactions involving foreign parties for possible national security threats, ordered ByteDance to divest TikTok in 2020. The two parties have yet to reach an agreement after two years of talks.

Chuck Flint, vice president of strategic relationships at Breitbart News who is also the former chief of staff for Senator Marsha Blackburn, told VOA Mandarin, “I expect that CFIUS will be hesitant to ban TikTok. Anything short of an outright ban will leave China’s TikTok data pipeline in place.”

China experts believe that TikTok wants to reach an agreement with CFIUS rather than being banned from the U.S. or being forced to sell TikTok’s U.S. business to an American company.

Lewis of CSIS said, “Every month that we don’t do CFIUS is a step closer towards some kind of ban.”

Julian Ku, professor of law and faculty director of international programs at Hofstra University, told VOA Mandarin, “The problem is that no matter what they offer, there’s no way to completely shield the data from the Chinese government … as long as there continues to be a shared entity.”

Adrianna Zhang contributed to this report.

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German Ballet Director Suspended Over Feces Attack on Critic

A German newspaper critic had animal feces smeared on her face in the city of Hannover by a ballet director who apparently took offense at a review she wrote.

The Hannover state opera house apologized for the incident and said Monday that it was immediately suspending ballet director Marco Goecke.

The daily Frankfurter Allgemeine Zeitung reported that a furious Goecke approached its dance critic, Wiebke Huester, during the interval of a premiere at Hannover’s opera house on Saturday and asked what she was doing there. It said that the two didn’t know each other personally.

The newspaper said that Goecke, who apparently felt provoked by a recent review she wrote of a production he staged in the Dutch seat of government, The Hague, threatened to ban her from the ballet and accused her of being responsible for people canceling season tickets in Hannover.

He then pulled out a paper bag with animal feces and smeared her face with the contents before making off through a packed theater foyer, the newspaper said. Huester identified the substance as dog feces and said she had filed a criminal complaint, German news agency dpa reported.

In a statement on its website, the opera house said Huester’s “personal integrity” was violated “in an unspeakable way.” It said that it contacted her immediately after the incident to apologize.

The opera house said that Goecke’s “impulsive reaction” violated the ground rules of the theater and that “he caused massive damage to the Hannover State Opera and State Ballet.” As a result, it said, he is being suspended and banned from the opera house until further notice.

Goecke has been given the next few days to apologize “comprehensively” and explain himself to theater management “before further steps are announced,” it added.

The ballet director appeared at least partly unrepentant, however. In an interview with public broadcaster NDR, Goecke acknowledged that his “choice of means wasn’t super, absolutely.”

“Of course, socially that is also certainly not recognized or respected, if one resorts to such means,” he said of the attack, adding that he had never done anything like that before and was “a bit shocked at myself.”

Goecke said that while having his work “soiled for years” was a price he had been told he had to pay for being in the public eye, there was a limit.

“Once a certain point has been reached, I disagree,” he said.

The German journalists’ association DJV denounced the attack.

“An artist must tolerate criticism, even if it seems exaggerated,” the union’s regional head in Lower Saxony state, Frank Rieger, said. “Whoever reacts violently to criticism is unacceptable. The attack on the … journalist is also an attack on press freedom.”

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Rihanna Performs Hits at Super Bowl — With a Very Special Guest

Rihanna made her long-awaited return to the stage at the Super Bowl with a career-spanning medley of pop bangers, but it was her baby bump that dominated the conversation.   

The megastar appeared in the stadium midair on a floating stage, donning a clingy, all-red ensemble featuring a molded bustier — and a belt below what many viewers deduced was another mini RiRi in the making.   

Representatives for the singer confirmed the speculation to trade magazines Rolling Stone and The Hollywood Reporter: Rihanna is pregnant with her second child.   

The 34-year-old welcomed her first child, a son, with rapper A$AP Rocky in May.   

Musically speaking, fans who hoped for some fresh tracks were disappointed: Rihanna’s night on the world’s biggest stage offered a nostalgia tour of hits from the past. 

She delivered her club smashes including “Where Have You Been” to “Only Girl (In the World)” and the time-tested “We Found Love.”   

“Rude Boy,” “Work” and “All of the Lights” were also on the setlist, as a sea of dancers performed stunning acrobatics.   

“Wild Thoughts,” “Run This Town” and, of course, “Umbrella” and “Diamonds” rounded out the show.   

She did not, as many stars do, bring out any guest artists, commanding the stage all on her own.   

The evening marked a reversal after Rihanna had previously turned down the gig in protest of the National Football League’s handling of race issues.   

But in accepting the coveted slot this time around, the Barbados-born singer said it was “important for representation.”   

“It’s important for my son to see this,” she said.   

Since releasing “Anti” in early 2016, Robyn Rihanna Fenty has taken a break from recording but has by no means taken it easy: she’s become a billionaire, parlaying her music achievements into successful makeup, lingerie and high-fashion brands.   

Since her last album Rihanna has performed occasional features and more recently recorded music for the “Black Panther: Wakanda Forever” soundtrack. 

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Google to Expand Misinformation ‘Prebunking’ in Europe

After seeing promising results in Eastern Europe, Google will initiate a new campaign in Germany that aims to make people more resilient to the corrosive effects of online misinformation.

The tech giant plans to release a series of short videos highlighting the techniques common to many misleading claims. The videos will appear as advertisements on platforms like Facebook, YouTube or TikTok in Germany. A similar campaign in India is also in the works.

It’s an approach called prebunking, which involves teaching people how to spot false claims before they encounter them. The strategy is gaining support among researchers and tech companies. 

“There’s a real appetite for solutions,” said Beth Goldberg, head of research and development at Jigsaw, an incubator division of Google that studies emerging social challenges. “Using ads as a vehicle to counter a disinformation technique is pretty novel. And we’re excited about the results.”

While belief in falsehoods and conspiracy theories isn’t new, the speed and reach of the internet has given them a heightened power. When catalyzed by algorithms, misleading claims can discourage people from getting vaccines, spread authoritarian propaganda, foment distrust in democratic institutions and spur violence.

It’s a challenge with few easy solutions. Journalistic fact checks are effective, but they’re labor intensive, aren’t read by everyone, and won’t convince those already distrustful of traditional journalism. Content moderation by tech companies is another response, but it only drives misinformation elsewhere, while prompting cries of censorship and bias.

Prebunking videos, by contrast, are relatively cheap and easy to produce and can be seen by millions when placed on popular platforms. They also avoid the political challenge altogether by focusing not on the topics of false claims, which are often cultural lightning rods, but on the techniques that make viral misinformation so infectious.

Those techniques include fear-mongering, scapegoating, false comparisons, exaggeration and missing context. Whether the subject is COVID-19, mass shootings, immigration, climate change or elections, misleading claims often rely on one or more of these tricks to exploit emotions and short-circuit critical thinking.

Last fall, Google launched the largest test of the theory so far with a prebunking video campaign in Poland, the Czech Republic and Slovakia. The videos dissected different techniques seen in false claims about Ukrainian refugees. Many of those claims relied on alarming and unfounded stories about refugees committing crimes or taking jobs away from residents.

The videos were seen 38 million times on Facebook, TikTok, YouTube and Twitter — a number that equates to a majority of the population in the three nations. Researchers found that compared to people who hadn’t seen the videos, those who did watch were more likely to be able to identify misinformation techniques, and less likely to spread false claims to others.

The pilot project was the largest test of prebunking so far and adds to a growing consensus in support of the theory.

“This is a good news story in what has essentially been a bad news business when it comes to misinformation,” said Alex Mahadevan, director of MediaWise, a media literacy initiative of the Poynter Institute that has incorporated prebunking into its own programs in countries including Brazil, Spain, France and the U.S.

Mahadevan called the strategy a “pretty efficient way to address misinformation at scale, because you can reach a lot of people while at the same time address a wide range of misinformation.”

Google’s new campaign in Germany will include a focus on photos and videos, and the ease with which they can be presented of evidence of something false. One example: Last week, following the earthquake in Turkey, some social media users shared video of the massive explosion in Beirut in 2020, claiming it was actually footage of a nuclear explosion triggered by the earthquake. It was not the first time the 2020 explosion had been the subject of misinformation.

Google will announce its new German campaign Monday ahead of next week’s Munich Security Conference. The timing of the announcement, coming before that annual gathering of international security officials, reflects heightened concerns about the impact of misinformation among both tech companies and government officials.

Tech companies like prebunking because it avoids touchy topics that are easily politicized, said Sander van der Linden, a University of Cambridge professor considered a leading expert on the theory. Van der Linden worked with Google on its campaign and is now advising Meta, the owner of Facebook and Instagram, as well.

Meta has incorporated prebunking into many different media literacy and anti-misinformation campaigns in recent years, the company told The Associated Press in an emailed statement.

They include a 2021 program in the U.S. that offered media literacy training about COVID-19 to Black, Latino and Asian American communities. Participants who took the training were later tested and found to be far more resistant to misleading COVID-19 claims.

Prebunking comes with its own challenges. The effects of the videos eventually wears off, requiring the use of periodic “booster” videos. Also, the videos must be crafted well enough to hold the viewer’s attention, and tailored for different languages, cultures and demographics. And like a vaccine, it’s not 100% effective for everyone.

Google found that its campaign in Eastern Europe varied from country to country. While the effect of the videos was highest in Poland, in Slovakia they had “little to no discernible effect,” researchers found. One possible explanation: The videos were dubbed into the Slovak language, and not created specifically for the local audience.

But together with traditional journalism, content moderation and other methods of combating misinformation, prebunking could help communities reach a kind of herd immunity when it comes to misinformation, limiting its spread and impact.

“You can think of misinformation as a virus. It spreads. It lingers. It can make people act in certain ways,” Van der Linden told the AP. “Some people develop symptoms, some do not. So: if it spreads and acts like a virus, then maybe we can figure out how to inoculate people.”

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Houthi-Run Court in Yemen Upholds Prison Term Against Actress

A court run by Yemen’s Iran-backed rebels on Sunday upheld a five-year sentence against a female actor and one of her companions who were convicted of committing an indecent act and having drugs in her possession, her lawyer said.

The arrest of Intisar al-Hammadi and the three other women in February 2021 — as well as the court proceedings against them — have been widely criticized by international rights groups. The case has mirrored widespread Houthi repression and crackdown on women in areas they control in war-torn Yemen.

Al-Hammadi and one of the women were first sentenced in November 2021 to five years. The other two were handed one and three years in prison, respectively.

The Court of Appeals in the Houthi-held capital of Sanaa upheld the sentences against al-Hammadi and Yousra al-Nashri, who was also handed a five-year sentence, according to lawyer Khalid al-Kamal, who represents all four women.

Al-Hammadi, who is also a model, was born to a Yemeni father and an Ethiopian mother. She has worked as a model for four years and acted in two Yemeni soap drama series in 2020. She was the sole breadwinner for her four-member family, including her blind father and a disabled brother.

Human Rights Watch has previously criticized the court proceedings as “marred with irregularities and abuse.” It said the Houthis confiscated al-Hammadi’s phone and “her modeling photos were treated like an act of indecency.”

Yemen has been convulsed by civil war since 2014 when Iran-backed Houthi rebels seized the capital of Sanaa, forcing the internationally recognized government to flee to the south, then to Saudi Arabia. A Saudi-led coalition entered the war in March 2015 to try to restore the government to power.

In the Houthi-held areas, women who dare dissent, or even enter the public sphere, have become targets in an escalating crackdown by the Iran-backed rebels.

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Richard E. Grant Brings Enthusiasm as BAFTA Film Awards Host

There is no bigger cheerleader of awards season than Richard E. Grant. 

He brings joy to the red carpet, snapping selfies with stars and posting congratulations to nominees on social media. 

Now this enthusiasm has been tapped to host the EE BAFTA Film Awards on February 19 at the Royal Festival Hall. 

“I’m an unabashed fan of movies and of talent and always have been. I’ve never been disingenuous or, you know, blasé about that,” he says. “I probably have to restrain myself from permanently taking selfies with every nominee and winner coming up on the stage.” 

“From that point of view, I am the right fit for the job, hopefully,” he says. 

Grant also knows how it feels to participate in awards season and sit, nervously, waiting for that career changing envelope to be opened. He was nominated as supporting actor at both the BAFTAs and Oscars in 2019 for “Can You Ever Forgive Me?” 

And he’s aware that, as a working actor, hosting has its challenges. 

“Traditionally if you’re a comedian, your role is very clear to roast the audience. Whereas I’m an actor and, you know, even though I’m the vast vintage that I am now, I still want to work and collaborate with directors and actors and writers for the remainder of my breathing days. So roasting them is not really an option and not something that I want to do.” 

When asked if there will be any humor in the ceremony — Grant has jokes. 

“No, it’s going to be very, very serious. There’ll be no jokes and it will be … it’ll be brutally earnest,” he says, laughing. 

Rebel Wilson got mixed reviews for her joke heavy turn as the BAFTA ceremony emcee last March, which at one point involved a cake of Benedict Cumberbatch’s face. 

This year, “All Quiet on the Western Front” leads the nominees with 14. “The Banshees of Inisherin” and “Everything Everywhere All at Once” both have 10 nominations. 

As you’d expect, Grant knows quite a few of the nominees, having worked with EE Rising Star nominees Naomi Ackie and Daryl McCormack, plus Bill Nighy, Cate Blanchett and most of the “Banshees” cast. 

But there will be big changes at the BAFTA Film Awards ceremony this year. 

After six years of walking up the red carpeted steps into the Royal Albert Hall, nominees will be attending an event held beside the River Thames on London’s Southbank at the Royal Festival Hall. 

Also, for the first time, the last 30 minutes of the show will be broadcast live on BBC One, as BAFTA moves towards the idea of a fully live ceremony. 

“In an age where everything can be paused or fast forwarded or, you know, watched on at a later time, the thing of it being live gives it a kind of frisson and excitement and also the possibility that something can go fantastically well or really badly. And that’s always a good thing,” Grant says. 

British rapper Lil Simz will be performing at the ceremony and both the prince and princess of Wales will be in the audience, as he is president of the British Academy of Film and Television Arts. 

Grant, currently working with script writers on what he’ll be saying on stage, claims he’s more excited than nervous, adding he’ll probably be “levitating” on the big day. 

“It is absolutely genuine,” he says of his boundless enthusiasm, “and it’s to the annoyance of some people.” 

“Just surviving in show-business because it is, you know — for what it looks like from the outside — it is a profession that is has an enormous amount of rejection in built into it. So when people are recognized or succeed at what they’re doing and do it so brilliantly — I’m a great champion of that,” Grant said. 

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Rihanna, Trio of Anthems Highlight Super Bowl’s Star Power 

A halftime show that Rihanna promises will be “jam-packed” will sit at the center of the celebrity supplements to Super Bowl 57. 

But the 13-minute mini-extravaganza, her first live event in seven years, is only one part of the entertainment sideshow surrounding Sunday’s big game between the Philadelphia Eagles and Kansas City Chiefs at State Farm Stadium in Glendale, Arizona. 

Chris Stapleton, who has dominated country music awards in recent years, will take on the challenge, and scrutiny, of singing the national anthem. 

“The national anthem’s not an easy song for singers. It’s one that can go horribly wrong as we’ve seen many times in the past,” Stapleton said at a media event during the leadup to the game. “But if you’re gonna do it, this is the place to do it. I’m gonna go out there and play. And play it like I play it.” 

The length of the anthem has become one of the countless game elements up for betting. Oddsmakers have put the over-under on Stapleton’s “Star Spangled Banner” at 2 minutes, 5 seconds. 

This being the Super Bowl, one anthem is not enough. R&B legend Babyface will perform “America the Beautiful.” 

And “Abbot Elementary” star Sheryl Lee Ralph will sing what’s been dubbed the Black national anthem, “Lift Every Voice and Sing.” 

Famous faces are bound to be seen throughout the stands. Some will care more about the outcome than others. The Eagles count Kevin Hart and “It’s Always Sunny in Philadelphia” star Rob McElhenney among their biggest fans. Paul Rudd and Jason Sudeikis pull hard for the Chiefs. 

Many stars have made the scene at Super Bowl week parties. 

And many others, including John Travolta and Alicia Silverstone, will show up in the big game’s big commercials. 

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Visitors Can See Famed Florence Baptistry’s Mosaics Up Close

Visitors to one of Florence’s most iconic monuments — the Baptistry of San Giovanni, opposite the city’s Duomo — are getting a once-in-a-lifetime chance to see its ceiling mosaics up close thanks to an innovative approach to a planned restoration effort.

Rather than limit the public’s access during the six-year cleaning of the vault, officials built a scaffolding platform for the art restorers that will also allow small numbers of visitors to see the ceiling mosaics at eye level.

“We had to turn this occasion into an opportunity to make it even more accessible and usable by the public through special routes that would bring visitors into direct contact with the mosaics,” Samuele Caciagli, the architect in charge of the restoration site, said.

In an interview with The Associated Press, Caciagli called the new scaffolding tour of the baptistry vault “a unique opportunity that is unlikely to be repeated in the coming decades.”

The scaffolding platform sprouts like a mushroom from the floor of the baptistry and reaches a height of 32 meters (105 feet) from the ground. Visits are set to start Feb. 24 and must be reserved in advance.

The octagonal-shaped baptistry is one of the most visible monuments of Florence. Its exterior features an alternating geometric pattern of white Carrara and green Prato marble and three great bronze doors depicting biblical scenes.

Inside, however, are spectacular mosaic scenes of The Last Judgment and John the Baptist dating from the 13th century and created using some 10 million pieces of stone and glass over 1,000 square meters of dome and wall.

The six-year restoration project is the first in over a century. It initially involves conducting studies on the current state of the mosaics to determine what needs to be done. The expected work includes addressing any water damage to the mortar , removing decades of grime and reaffixing the stones to prevent them from detaching.

“(This first phase) is a bit like the diagnosis of a patient: a whole series of diagnostic investigations are carried out to understand what pathologies of degradation are present on the mosaic material but also on the whole attachment package that holds this mosaic material to the structure behind it,” Beatrice Agostini, who is in charge of the restoration work, said.

The Baptistry of San Giovanni and its mosaics have undergone previous restorations over the centuries, many of them inefficient or even damaging to the structure. During one botched effort in 1819, an entire section of mosaics detached. Persistent water damage from roof leaks did not get resolved until 2014-2015.

Roberto Nardi, director of the Archaeological Conservation Center, the private company managing the restoration, said the planned work wouldn’t introduce any material that is foreign to the original types of stone and mortar used centuries ago.

“It is a mix of science, technology, experience and tradition,” he said.

The origins of the baptistry are something of a mystery. Some believe it was once a pagan temple, though the current structure dates from the 4th or 5th centuries.

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Super Bowl Bets Surging in US as States Legalize Gambling

As legal sports gambling proliferates, the number of Americans betting on the Super Bowl and the total amount they’re wagering is surging — although most of the action is still off the books. 

An estimated 1 in 5 American adults will make some sort of bet, laying out a whopping $16 billion, or twice as much as last year, according to an industry trade group. 

Even as legal gambling has spread to two-thirds of U.S. states, independent analysts say only about $1 billion of the total being wagered on Sunday’s game will happen through casinos, racetracks or companies such as FanDuel and DraftKings, whose ads have become ubiquitous during sporting events. 

The vast majority of people, in other words, are still betting with friends and family, participating in office pools or taking their chances with a bookie. 

More than 50 million American adults are expected to bet on the national championship game between the Philadelphia Eagles and the Kansas City Chiefs, according to the American Gaming Association, whose estimates are based on a nationwide online survey of 2,199 adults. That’s an increase of 61% from last year. 

Experts in addiction say aggressive advertising is contributing to a rise in problem gambling. 

“As sports betting expands, the risk of gambling problems expands,” said Keith Whyte, executive director of the National Council on Problem Gambling. 

Thirty-three states, plus Washington, D.C., now offer legal sports betting, and more than half of all American adults live in one of those markets. 

“Every year, the Super Bowl serves to highlight the benefits of legal sports betting,” said Bill Miller, the gambling association’s president and CEO. “Bettors are transitioning to the protections of the regulated market … and legal operators are driving needed tax revenue to states across the country.” 

But legal sports betting still represents just a small piece of the pie. 

Eilers & Krejcik Gaming Research, an independent analytics firm in California, estimates that just over $1 billion of this year’s Super Bowl bets will be made legally. The leading states are: Nevada ($155 million); New York ($111 million); Pennsylvania ($91 million); Ohio ($85 million) and New Jersey ($84 million). 

The research firm estimates 10% to 15% of that total would be wagered live after the game begins. Another 15% to 20% would come in the form of same-game parlays, or a combination of bets involving the same game, such as betting on the winner, the total points scored and how many passing yards Eagles quarterback Jalen Hurts will accumulate. 

As legal sports betting grows, so too has concern about its effect on people with gambling problems.

The National Council on Problem Gambling has conducted nationwide surveys since 2018, when New Jersey won a U.S. Supreme Court case clearing the way for all 50 states to offer legal sports betting. They ask questions like, “Do you ever borrow money to gamble?”

Between 2018 and 2021, the number of people whose answers indicated they were at risk of a gambling problem increased by 30%, said Whyte, the council’s executive director. 

He added that the Super Bowl presents an opportunity to see how well responsible gambling messaging and campaigns by sports books and professional sports leagues are working. 

On Tuesday, New Jersey gambling regulators unveiled new requirements for sports books to analyze the data they collect about their customers to look for evidence of problem gambling, and to take various steps to intervene with these customers when warranted. 

“It is no coincidence that our announcement comes just a week ahead of one of the biggest days in sports wagering, serving as a reminder of how devastating a gambling addiction can be,” New Jersey Attorney General Matthew Platkin said.

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Russian Spacecraft Loses Pressure; ISS Crew Safe

An uncrewed Russian supply ship docked at the International Space Station has lost cabin pressure, the Russian space corporation reported Saturday, saying the incident doesn’t pose any danger to the station’s crew.

Roscosmos said the hatch between the station and the Progress MS-21 had been locked so the loss of pressure didn’t affect the orbiting outpost.

“The temperature and pressure on board the station are within norms and there is no danger to health and safety of the crew,” it said in a statement.

The space corporation didn’t say what may have caused the cargo ship to lose pressure.

Roscosmos noted that the cargo ship had already been loaded with waste before its scheduled disposal. The craft is set to be undocked from the station and deorbit to burn in the atmosphere Feb. 18.

The announcement came shortly after a new Russian cargo ship docked smoothly at the station Saturday. The Progress MS-22 delivered almost 3 tons of food, water and fuel along with scientific equipment for the crew.

Roscosmos said that the loss of pressure in the Progress MS-21 didn’t affect the docking of the new cargo ship and “will have no impact on the future station program.”

The depressurization of the cargo craft follows an incident in December with the Soyuz crew capsule, which was hit by a tiny meteoroid that left a small hole in the exterior radiator and sent coolant spewing into space.

Russian cosmonauts Sergey Prokopyev and Dmitri Petelin, and NASA astronaut Frank Rubio were supposed to use the capsule to return to Earth in March, but Russian space officials decided that higher temperatures resulting from the coolant leak could make it dangerous to use.

They decided to launch a new Soyuz capsule February 20 so the crew would have a lifeboat in the event of an emergency. But since it will travel in automatic mode to expedite the launch, a replacement crew will now have to wait until late summer or fall when another capsule is ready. It means that Prokopyev, Petelin and Rubio will have to stay several extra months at the station, possibly pushing their mission to close to a year.

NASA took part in all the discussions and agreed with the plan.

Besides Prokopyev, Petelin and Rubio, the space station is home to NASA astronauts Nicole Mann and Josh Cassada, Russian Anna Kikina, and Japan’s Koichi Wakata. The four rode up on a SpaceX capsule last October.

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