Meta Faces Backlash Over Canada News Block as Wildfires Rage

Meta is being accused of endangering lives by blocking news links in Canada at a crucial moment, when thousands have fled their homes and are desperate for wildfire updates that once would have been shared widely on Facebook.

The situation “is dangerous,” said Kelsey Worth, 35, one of nearly 20,000 residents of Yellowknife and thousands more in small towns ordered to evacuate the Northwest Territories as wildfires advanced.

She described to AFP how “insanely difficult” it has been for herself and other evacuees to find verifiable information about the fires blazing across the near-Arctic territory and other parts of Canada.

“Nobody’s able to know what’s true or not,” she said.

“And when you’re in an emergency situation, time is of the essence,” she said, explaining that many Canadians until now have relied on social media for news.

Meta on Aug. 1 started blocking the distribution of news links and articles on its Facebook and Instagram platforms in response to a recent law requiring digital giants to pay publishers for news content.

The company has been in a virtual showdown with Ottawa over the bill passed in June, but which only takes effect next year.

Building on similar legislation introduced in Australia, the bill aims to support a struggling Canadian news sector that has seen a flight of advertising dollars and hundreds of publications closed in the last decade.

It requires companies like Meta and Google to make fair commercial deals with Canadian outlets for the news and information — estimated in a report to parliament to be worth US$250 million per year — that is shared on their platforms or face binding arbitration.

But Meta has said the bill is flawed and insisted that news outlets share content on its Facebook and Instagram platforms to attract readers, benefiting them and not the Silicon Valley firm.

Profits over safety

Canadian Prime Minister Justin Trudeau this week assailed Meta, telling reporters it was “inconceivable that a company like Facebook is choosing to put corporate profits ahead of (safety)… and keeping Canadians informed about things like wildfires.”

Almost 80% of all online advertising revenues in Canada go to Meta and Google, which has expressed its own reservations about the new law.

Ollie Williams, director of Cabin Radio in the far north, called Meta’s move to block news sharing “stupid and dangerous.”

He suggested in an interview with AFP that “Meta could lift the ban temporarily in the interests of preservation of life and suffer no financial penalty because the legislation has not taken effect yet.”

Nicolas Servel, over at Radio Taiga, a French-language station in Yellowknife, noted that some had found ways of circumventing Meta’s block.

They “found other ways to share” information, he said, such as taking screen shots of news articles and sharing them from personal — rather than corporate — social media accounts.

‘Life and death’

Several large newspapers in Canada such as The Globe and Mail and the Toronto Star have launched campaigns to try to attract readers directly to their sites.

But for many smaller news outlets, workarounds have proven challenging as social media platforms have become entrenched.

Public broadcaster CBC in a letter this week pressed Meta to reverse course.

“Time is of the essence,” wrote CBC president Catherine Tait. “I urge you to consider taking the much-needed humanitarian action and immediately lift your ban on vital Canadian news and information to communities dealing with this wildfire emergency.”

As more than 1,000 wildfires burn across Canada, she said, “The need for reliable, trusted, and up-to-date information can literally be the difference between life and death.”

Meta — which did not respond to AFP requests for comment — rejected CBC’s suggestion. Instead, it urged Canadians to use the “Safety Check” function on Facebook to let others know if they are safe or not.

Patrick White, a professor at the University of Quebec in Montreal, said Meta has shown itself to be a “bad corporate citizen.”

“It’s a matter of public safety,” he said, adding that he remains optimistic Ottawa will eventually reach a deal with Meta and other digital giants that addresses their concerns.

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Q&A: How Do Europe’s Sweeping Rules for Tech Giants Work?

Google, Facebook, TikTok and other Big Tech companies operating in Europe must comply with one of the most far-reaching efforts to clean up what people see online.

The European Union’s groundbreaking new digital rules took effect Friday for the biggest platforms. The Digital Services Act is part of a suite of tech-focused regulations crafted by the 27-nation bloc, long a global leader in cracking down on tech giants.

The DSA is designed to keep users safe online and stop the spread of harmful content that’s either illegal or violates a platform’s terms of service, such as promotion of genocide or anorexia. It also looks to protect Europeans’ fundamental rights like privacy and free speech.

Some online platforms, which could face billions in fines if they don’t comply, already have made changes.

Here’s a look at what has changed:

Which platforms are affected? 

So far, 19. They include eight social media platforms: Facebook; TikTok; X, formerly known as Twitter; YouTube; Instagram; LinkedIn; Pinterest; and Snapchat.

There are five online marketplaces: Amazon, Booking.com, China’s Alibaba and AliExpress, and Germany’s Zalando.

Mobile app stores Google Play and Apple’s App Store are subject to the new rules, as are Google’s Search and Microsoft’s Bing search engines.

Google Maps and Wikipedia round out the list. 

What about other online companies?

The EU’s list is based on numbers submitted by the platforms. Those with 45 million or more users — or 10% of the EU’s population — face the DSA’s highest level of regulation. 

Brussels insiders, however, have pointed to some notable omissions, like eBay, Airbnb, Netflix and even PornHub. The list isn’t definitive, and it’s possible other platforms may be added later. 

Any business providing digital services to Europeans will eventually have to comply with the DSA. They will face fewer obligations than the biggest platforms, however, and have another six months before they must fall in line.

What’s changing?

Platforms have rolled out new ways for European users to flag illegal online content and dodgy products, which companies will be obligated to take down quickly. 

The DSA “will have a significant impact on the experiences Europeans have when they open their phones or fire up their laptops,” Nick Clegg, Meta’s president for global affairs, said in a blog post. 

Facebook’s and Instagram’s existing tools to report content will be easier to access. Amazon opened a new channel for reporting suspect goods. 

TikTok gave users an extra option for flagging videos, such as for hate speech and harassment, or frauds and scams, which will be reviewed by an additional team of experts, according to the app from Chinese parent company ByteDance. 

Google is offering more “visibility” into content moderation decisions and different ways for users to contact the company. It didn’t offer specifics. Under the DSA, Google and other platforms have to provide more information behind why posts are taken down. 

Facebook, Instagram, TikTok and Snapchat also are giving people the option to turn off automated systems that recommend videos and posts based on their profiles. Such systems have been blamed for leading social media users to increasingly extreme posts. 

The DSA also prohibits targeting vulnerable categories of people, including children, with ads. Platforms like Snapchat and TikTok will stop allowing teen users to be targeted by ads based on their online activities. 

Google will provide more information about targeted ads shown to people in the EU and give researchers more access to data on how its products work. 

Is there pushback?

Zalando, a German online fashion retailer, has filed a legal challenge over its inclusion on the DSA’s list of the largest online platforms, arguing it’s being treated unfairly. 

Nevertheless, Zalando is launching content-flagging systems for its website, even though there’s little risk of illegal material showing up among its highly curated collection of clothes, bags and shoes. 

Amazon has filed a similar case with a top EU court.

What if companies don’t follow the rules?

Officials have warned tech companies that violations could bring fines worth up to 6% of their global revenue — which could amount to billions — or even a ban from the EU. 

“The real test begins now,” said European Commissioner Thierry Breton, who oversees digital policy. He vowed to “thoroughly enforce the DSA and fully use our new powers to investigate and sanction platforms where warranted.” 

But don’t expect penalties to come right away for individual breaches, such as failing to take down a specific video promoting hate speech. 

Instead, the DSA is more about whether tech companies have the right processes in place to reduce the harm that their algorithm-based recommendation systems can inflict on users. Essentially, they’ll have to let the European Commission, the EU’s executive arm and top digital enforcer, look under the hood to see how their algorithms work. 

EU officials “are concerned with user behavior on the one hand, like bullying and spreading illegal content, but they’re also concerned about the way that platforms work and how they contribute to the negative effects,” said Sally Broughton Micova, an associate professor at the University of East Anglia. 

That includes looking at how the platforms work with digital advertising systems, which could be used to profile users for harmful material like disinformation, or how their livestreaming systems function, which could be used to instantly spread terrorist content, said Broughton Micova, who’s also academic co-director at the Centre on Regulation in Europe, a Brussels think tank. 

Big platforms have to identify and assess potential systemic risks and whether they’re doing enough to reduce them. These assessments are due by the end of August and then they will be independently audited. 

The audits are expected to be the main tool to verify compliance — though the EU’s plan has faced criticism for lacking details that leave it unclear how the process will work. 

What about the rest of the world? 

Europe’s changes could have global impact. Wikipedia is tweaking some policies and modifying its terms of use to provide more information on “problematic users and content.” Those alterations won’t be limited to Europe and “will be implemented globally,” said the nonprofit Wikimedia Foundation, which hosts the community-powered encyclopedia. 

Snapchat said its new reporting and appeal process for flagging illegal content or accounts that break its rules will be rolled out first in the EU and then globally in the coming months. 

It’s going to be hard for tech companies to limit DSA-related changes, said Broughton Micova, adding that digital ad networks aren’t isolated to Europe and that social media influencers can have global reach.

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Viral Singer Scoffs at Republicans Who ‘Act Like We’re Buddies’

Oliver Anthony, the previously unknown singer whose Rich Men North of Richmond went viral and topped the charts over the past week, hit out Friday at politicians, particularly on the right, for co-opting his message.

In a more than 10-minute clip posted on YouTube, the songwriter from Virginia reflected on his breakout success, and said that “the one thing that has bothered me is seeing people wrap politics up in this.”

“It’s aggravating seeing people on conservative news try to identify with me like I’m one of them,” he said. “It’s aggravating seeing certain musicians and politicians act like we’re buddies and act like we’re fighting the same struggle here, like we’re trying to present the same message.”

Rich Men North of Richmond overtook megastars Taylor Swift, Morgan Wallen and Olivia Rodrigo to snag the top spot on the Billboard Hot 100 singles chart, with 17.5 million streams and nearly 150,000 downloads in less than a week.

The track invokes the argument that Americans in the south and rural areas have been left behind by rich elites farther north.

In his lyrics Anthony leans into issues of long hours for little pay with high taxes.

He also picks up talking points that have persisted since the business-friendly, pro-austerity Ronald Reagan years, namely against the welfare state.

Anthony had previously insisted that his political views are down the middle.

In his clip posted Friday he scoffed that his song was used during the opening of this week’s debate between Republican presidential hopefuls.

“I wrote that song about those people. So for [the Republican candidates] to have to sit there and listen to that, that cracks me up,” he says.

“That song has nothing to do with Joe Biden. It’s a lot bigger than Joe Biden. That song was written about the people on that stage — and a lot more, not just them, but definitely them.”

Anthony also spoke to critics on the left who accused him of ridiculing welfare and the poor.

He said his stanza about the “obese milking welfare” spoke to an article he read about individual food subsidies going toward snack foods.

“If we can fuel a proxy war in a foreign land, but we can’t take care of our own, that’s all the song is trying to say,” Anthony said. “That the government takes people who are needy and dependent and makes them needy and dependent.”

In the video he choked up while saying he cares about connecting with people, not topping charts.

He also promised more music to come: “I’m going to write, produce and distribute authentic music that represents people and not politics.” 

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Electric Vehicle ‘Fast Chargers’ Seen as Game Changer

With White House funding to help get more electric cars on the road, some states are creating local rules to get top technologies into their charging stations. Deana Mitchell has the story.

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Far-right Israeli Security Minister Lashes out at Supermodel Bella Hadid over her Criticism of him

Israel’s far-right national security minister lashed out at supermodel Bella Hadid on Friday for criticizing his recent fiery televised remarks about Palestinians in the occupied West Bank.

In an interview earlier this week with Israel’s Channel 12 following two deadly Palestinian attacks against Israelis in the occupied territory, National Security Minister Itamar Ben-Gvir argued that his right to freedom of movement as a Jewish settler outweighs the same right for Palestinians.

“My right, the right of my wife and my children to move around Judea and Samaria, is more important than freedom of movement for the Arabs,” Ben-Gvir said on TV Wednesday, using the biblical name for the West Bank. “The right to life comes before freedom of movement.”

Addressing Mohammad Magadli, a well-known Israeli-Arab television host who was in the studio, Ben-Gvir added: “Sorry, Mohammad. But that’s the reality.”

His statement drew widespread criticism as commentators seized on it as proof of allegations that Israel was turning into an apartheid system that seeks to maintain Jewish hegemony from the Jordan River to the Mediterranean Sea. The catchphrase “Sorry, Mohammad” became meme fodder for social media as critics posted it alongside videos of Israeli violence against Palestinians.

Hadid, a world-famous supermodel and social media influencer whose father is Palestinian, shared an excerpt from Ben-Gvir’s interview with her 59.5 million followers on Instagram on Thursday, writing: “In no place, no time, especially in 2023 should one life be more valuable than another’s. Especially simply because of their ethnicity, culture or pure hatred.”

She also posted a video from leading Israeli rights group B’Tselem showing Israeli soldiers in the southern West Bank city of Hebron telling a resident that Palestinians are not permitted to walk on a certain street because it is reserved for Jews. “Does this remind anyone of anything?” she wrote.

Ben-Gvir responded angrily on Friday to Hadid’s post.

“I invite you to Kiryat Arba, to see how we live here, how every day, Jews who have done nothing wrong to anyone in their lives are murdered here,” he wrote on X, formerly known as Twitter. Ben-Gvir lives in the settlement of Kiryat Arba near Hebron, the largest Palestinian city.

Earlier this week, Palestinian gunmen opened fire on an Israeli car near Hebron, killing an Israeli woman and seriously wounding the driver. That attack came just days after a Palestinian shooting attack killed an Israeli father and son in the northern Palestinian town of Hawara.

Ben-Gvir acknowledged the backlash but doubled down on his original statement. “So yes, the right of me and my fellow Jews to travel and return home safely on the roads of Judea and Samaria outweighs the right of terrorists who throw stones at us and kill us,” he wrote.

Ben-Gvir has been convicted in the past of inciting racism and of supporting a terrorist organization. He was known as an admirer of rabbi Meir Kahane, who was banned from Parliament and whose Kach party was branded a terrorist group by the United States before he was assassinated in New York in 1990. Kach wanted to strip Arab Israelis of their citizenship, segregate Israeli public spaces, and ban marriages between Jews and non-Jews. Before joining politics, Ben-Gvir hung a portrait in his living room of a Jewish man who fatally shot 29 Palestinians in the West Bank in 1994.

A once-marginal far-right activist, Ben-Gvir now wields significant power as the national security minister overseeing the Israeli police force in Prime Minister Benjamin Netanyahu’s government.

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Spain Football Chief Will Resign for Kissing a Player, Reports Say

The president of the Spanish football federation faces an emergency meeting of its general assembly on Friday amid media reports that he will hand in his resignation following an uproar for kissing a Women’s World Cup champion.

Luis Rubiales is expected to stand before representatives of Spain’s regional federations, clubs, players, coaches and referees in Madrid at noon local time, and local media say he is stepping down.

The federation has refused to comment on repeated requests from The Associated Press for confirmation of Rubiales’ decision to go that was reported late Thursday.

Rubiales, 46, is under immense pressure to leave his post since he grabbed player Jenni Hermoso and kissed her on the lips without her consent during the awards ceremony following Spain’s 1-0 victory over England on Sunday in Sydney.

FIFA, football’s global governing body and organizer of the Women’s World Cup, opened a disciplinary case against him on Thursday. Its disciplinary committee was tasked with weighing whether Rubiales violated its code relating to “the basic rules of decent conduct” and “behaving in a way that brings the sport of football and/or FIFA into disrepute.”

That move by FIFA came after Spain’s acting Prime Minister Pedro Sánchez said that Rubiales’ attempt to apologize, which came after he initially insulted his critics, was unconvincing and that “he must continue taking further steps” to be held accountable.

Spain’s Higher Council of Sports, the nation’s governing sports body, pledged it would act quickly to consider various formal complaints filed against Rubiales to see if he had broken Spain’s sports law or the federation’s own code of conduct that sanction sexist acts. If so, Rubiales would face being declared unfit to hold his office by Spain’s Administrative Court for Sports.

As if the forced kiss was not enough, Rubiales had shortly before grabbed his crotch in a lewd victory gesture from the section of dignitaries with Spain’s Queen Letizia and the 16-year-old Princess Infanta Sofía nearby.

The combination of the gesture and the unsolicited kiss has made Rubiales a national embarrassment after his conduct was broadcast to a global audience, marring the enormous accomplishment of the women who played for Spain.

Hermoso, a 33-year-old forward and key contributor to Spain’s title, said on a social media stream “I did not like it, but what could I do?” about the kiss during a locker-room celebration immediately after the incident.

The first attempt to respond to the scandal was a statement it released in the name of Hermoso in which she downplayed the incident. Later, a local media report by sports website Relevo.com said that the federation had coerced her into making the statement. The federation has denied this to The AP.

On Wednesday, Hermoso issued a statement through her players’ union saying it would speak on her behalf. The union said it would do all it could to ensure that the kiss does “not go unpunished.”

Rubiales has received no public support from any major sports figure and united political parties from both the left and right are calling for him to resign.

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US Sues SpaceX for Discriminating Against Refugees, Asylum-Seekers

The U.S. Justice Department is suing Elon Musk’s SpaceX for refusing to hire refugees and asylum-seekers at the rocket company.

In a lawsuit filed on Thursday, the Justice Department said SpaceX routinely discriminated against these job applicants between 2018 and 2022, in violation of U.S. immigration laws.

The lawsuit says that Musk and other SpaceX officials falsely claimed the company was allowed to hire only U.S. citizens and permanent residents due to export control laws that regulate the transfer of sensitive technology.

“U.S. law requires at least a green card to be hired at SpaceX, as rockets are advanced weapons technology,” Musk wrote in a June 16, 2020, tweet cited in the lawsuit.

In fact, U.S. export control laws impose no such restrictions, according to the Justice Department.

Those laws limit the transfer of sensitive technology to foreign entities, but they do not prevent high-tech companies such as SpaceX from hiring job applicants who have been granted refugee or asylum status in the U.S. (Foreign nationals, however, need a special permit.)

“Under these laws, companies like SpaceX can hire asylees and refugees for the same positions they would hire U.S. citizens and lawful permanent residents,” the Department said in a statement. “And once hired, asylees and refugees can access export-controlled information and materials without additional government approval, just like U.S. citizens and lawful permanent residents.”

The company did not respond to a VOA request for comment on the lawsuit and whether it had changed its hiring policy.

Recruiters discouraged refugees, say investigators

The Justice Department’s civil rights division launched an investigation into SpaceX in 2020 after learning about the company’s alleged discriminatory hiring practices.

The inquiry discovered that SpaceX “failed to fairly consider or hire asylees and refugees because of their citizenship status and imposed what amounted to a ban on their hire regardless of their qualification, in violation of federal law,” Assistant Attorney General Kristen Clarke said in a statement.

“Our investigation also found that SpaceX recruiters and high-level officials took actions that actively discouraged asylees and refugees from seeking work opportunities at the company,” Clarke said.

According to data SpaceX provided to the Justice Department, out of more than 10,000 hires between September 2018 and May 2022, SpaceX hired only one person described as an asylee on his application.

The company hired the applicant about four months after the Justice Department notified it about its investigation, according to the lawsuit.

No refugees were hired during this period.

“Put differently, SpaceX’s own hiring records show that SpaceX repeatedly rejected applicants who identified as asylees or refugees because it believed that they were ineligible to be hired due to” export regulations, the lawsuit says.

On one occasion, a recruiter turned down an asylee “who had more than nine years of relevant engineering experience and had graduated from Georgia Tech University,” the lawsuit says.

Suit seeks penalties, change

SpaceX, based in Hawthorne, California, designs, manufactures and launches advanced rockets and spacecraft.

The Justice Department’s lawsuit asks an administrative judge to order SpaceX to “cease and desist” its alleged hiring practices and seeks civil penalties and policy changes.

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AI Firms Under Fire for Allegedly Infringing on Copyrights

New artificial intelligence tools that write human-like prose and create stunning images have taken the world by storm. But these awe-inspiring technologies are not creating something out of nothing; they’re trained on lots and lots of data, some of which come from works under copyright protection.

Now, the writers, artists and others who own the rights to the material used to teach ChatGPT and other generative AI tools want to stop what they see as blatant copyright infringement of mass proportions.

With billions of dollars at stake, U.S. courts will most likely have to sort out who owns what, using the 1976 Copyright Act, the same law that has determined who owns much of the content published on the internet.

U.S. copyright law seeks to strike a balance between protecting the rights of content creators and fostering creativity and innovation. Among other things, the law gives content creators the exclusive right to reproduce their original work and to prepare derivative works.

But it also provides for an exception. Known as “fair use,” it permits the use of copyrighted material without the copyright holder’s permission for content such as criticism, comment, news reporting, teaching and research.

On the one hand, “we want to allow people who have currently invested time, money, creativity to reap the rewards of what they have done,” said Sean O’Connor, a professor of law at George Mason University. “On the other hand, we don’t want to give them such strong rights that we inhibit the next generation of innovation.”

Is AI ‘scraping’ fair use?

The development of generative AI tools is testing the limits of “fair use,” pitting content creators against technology companies, with the outcome of the dispute promising wide-ranging implications for innovation and society at large.

In the 10 months since ChatGPT’s groundbreaking launch, AI companies have faced a rapidly increasing number of lawsuits over content used to train generative AI tools.  The plaintiffs are seeking damages and want the courts to end the alleged infringement.

In January, three visual artists filed a proposed class-action lawsuit against Stability AI Ltd. and two others in San Francisco, alleging that Stability “scraped” more than 5 billion images from the internet to train its popular image generator Stable Diffusion, without the consent of copyright holders.

Stable Diffusion is a “21st-century collage tool” that “remixes the copyrighted works of millions of artists whose work was used as training data,” according to the lawsuit.

In February, stock photo company Getty Images filed its own lawsuit against Stability AI in both the United States and Britain, saying the company copied more than 12 million photos from Getty’s collection without permission or compensation.

In June, two U.S.-based authors sued OpenAI, the creator of ChatGPT, claiming the company’s training data included nearly 300,000 books pulled from illegal “shadow library” websites that offer copyrighted books.

“A large language model’s output is entirely and uniquely reliant on the material in its training dataset,” the lawsuit says.

Last month, American comedian and author Sarah Silverman and two other writers sued OpenAI and Meta, the parent company of Facebook, over the same claims, saying their chatbots were trained on books that had been illegally acquired.

The lawsuit against OpenAI includes what it describes as “very accurate summaries” of the authors’ books generated by ChatGPT, suggesting the company illegally “copied” and then used them to train the chatbot.

The artificial intelligence companies have rejected the allegations and asked the courts to dismiss the lawsuits.

In a court filing in April, Stability AI, research lab Midjourney and online art gallery DeviantArt wrote that visual artists who sue “fail to identify a single allegedly infringing output image, let alone one that is substantially similar to any of their copyrighted works.”

For its part, OpenAI has defended its use of copyrighted material as “fair use,” saying it pulled the works from publicly available datasets on the internet.

The cases are slowly making their way through the courts. It is too early to say how judges will decide.

Last month, a federal judge in San Francisco said he was inclined to toss out most of a lawsuit brought by the three artists against Stability AI but indicated that the claim of direct infringement may continue.

“The big question is fair use,” said Robert Brauneis, a law professor and co-director of the Intellectual Property Program at George Washington University. “I would not be surprised if some of the courts came out in different ways, that some of the cases said, ‘Yes, fair use.’ And others said, ‘No.’”

If the courts are split, the question could eventually go to the Supreme Court, Brauneis said.

Assessing copyright claims

Training generative AI tools to create new works raises two legal questions: Is the data use authorized? And is the new work it creates “derivative” or “transformative”?

The answer is not clear-cut, O’Connor said.

“On the one hand, what the supporters of the generative AI models are saying is that they are acting not much differently than we as humans would do,” he said. “When we read books, watch movies, listen to music, and if we are talented, then we use those to train ourselves as models.

“The counterargument is that … it is categorically different from what humans do when they learn how to become creative themselves.”

While artificial intelligence companies claim their use of the data is fair, O’Connor said they still have to prove that the use was authorized.

“I think that’s a very close call, and I think they may lose on that,” he said.

On the other hand, the AI models can probably avoid liability for generating content that “seems sort of the style of a current author” but is not the same.

“That claim is probably not going to succeed,” O’Connor said. “It will be seen as just a different work.”

But Brauneis said content creators have a strong claim: The AI-generated output will likely compete with the original work.

Imagine you’re a magazine editor who wants an illustration to accompany an article about a particular bird, Brauneis suggested. You could do one of two things: Commission an artist or ask a generative AI tool like Stable Diffusion to create it for you. After a few attempts with the latter, you’ll probably get an image that you can use.

“One of the most important questions to ask about in fair use is, ‘Is this use a substitute, or is it competing with the work of art that is being copied?’” Brauneis said. “And the answer here may be yes. And if it is [competing], that really weighs strongly against fair use.”

This is not the first time that technology companies have been sued over their use of copyrighted material.

In 2015, the Authors Guild filed a class-action lawsuit against Google and three university libraries over Google’s digital books project, alleging “massive copyright infringement.”

In 2014, an appeals court ruled that the project, by then renamed Google Books, was protected under the fair use doctrine.

In 2007, Viacom sued both Google and YouTube for allowing users to upload and view copyrighted material owned by Viacom, including complete episodes of TV shows. The case was later settled out of court.

For Brauneis, the current “Wild West era of creating AI models” recalls YouTube’s freewheeling early days.

“They just wanted to get viewers, and they were willing to take a legal risk to do that,” Brauneis said. “That’s not the way YouTube operates now. YouTube has all sorts of precautions to identify copyrighted content that has not been permitted to be placed on YouTube and then to take it down.”

Artificial intelligence companies may make a similar pivot.

They may have justified using copyrighted material to test out their technology. But now that their models are working, they “may be willing to sit down and think about how to license content,” Brauneis said.

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US Seeks to Extend Science, Tech Agreement With China for 6 Months

The U.S. State Department, in coordination with other agencies from President Joe Biden’s administration, is seeking a six-month extension of the U.S.-China Science and Technology Agreement (STA) that is due to expire on August 27.

The short-term extension comes as several Republican congressional members voiced concerns that China has previously leveraged the agreement to advance its military objectives and may continue to do so.

The State Department said the brief extension will keep the STA in force while the United States negotiates with China to amend and strengthen the agreement. It does not commit the U.S. to a longer-term extension.

“We are clear-eyed to the challenges posed by the PRC’s national strategies on science and technology, Beijing’s actions in this space, and the threat they pose to U.S. national security and intellectual property, and are dedicated to protecting the interests of the American people,” a State Department spokesperson said Wednesday.

But congressional critics worry that research partnerships organized under the STA could have developed technologies that could later be used against the United States.

“In 2018, the National Oceanic and Atmospheric Administration (NOAA) organized a project with China’s Meteorological Administration — under the STA — to launch instrumented balloons to study the atmosphere,” said Republican Representatives Mike Gallagher, Elise Stefanik and others in a June 27 letter to U.S. Secretary of State Antony Blinken.

“As you know, a few years later, the PRC used similar balloon technology to surveil U.S. military sites on U.S. territory — a clear violation of our sovereignty.”

The STA was originally signed in 1979 by then-U.S. President Jimmy Carter and then-PRC leader Deng Xiaoping. Under the agreement, the two countries cooperate in fields including agriculture, energy, space, health, environment, earth sciences and engineering, as well as educational and scholarly exchanges.

The agreement has been renewed roughly every five years since its inception. 

The most recent extension was in 2018. 

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How AI Can ‘Resurrect’ People

In 2023, a new way to use AI has come online. Some companies are using the tool to make lifelike avatars of people, even those who have died.  Maxim Moskalkov reports. Camera: Andrey Degtyarev.

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Renowned Iranian Writer, Filmmaker Ebrahim Golestan Dies

Ebrahim Golestan, a renowned Iranian writer and filmmaker, has died at his home in Britain at the age of 101.

His daughter Lili, the director of Tehran’s Golestan Gallery, confirmed news of his death this week. On Instagram, she wrote “Father, you have left us. Farewell.”  

Golestan was born in Shiraz and left Iran before the 1979 Revolution. 

His notable films include “The Hills of Marlik,” “Brick and Mirror,” “The Secrets Treasure of Jin Valley,” “Waves, Coral and Rock,” and “From One Drop to the Sea.”

Ebrahim Golestan also produced “The House is Black,” directed by Forough Farrokhzad. 

The Iranian Directors Guild described him as an intellectual who “infused a renewed vitality into Iranian cinema before the new wave.” 

The statement characterizes Golestan as a literary luminary and storyteller with a uniquely captivating manner of expression.

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India Lands Craft on Moon’s Unexplored South Pole

An Indian spacecraft has landed on the moon, becoming the first craft to touch down on the lunar surface’s south pole, the country’s space agency said.

India’s attempt to land on the moon Wednesday came days after Russia’s Luna-25 lander, also headed for the unexplored south pole, crashed into the moon.  

It was India’s second attempt to reach the south pole — four years ago, India’s lander crashed during its final approach.  

India has become the fourth country to achieve what is called a “soft-landing” on the moon – a feat accomplished by the United States, China and the former Soviet Union.  

However, none of those lunar missions landed at the south pole. 

The south side, where the terrain is rough and rugged, has never been explored.  

The current mission, called Chandrayaan-3, blasted into space on July 14.

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Kenyan Court Gives Meta and Sacked Moderators 21 Days to Pursue Settlement  

A Kenyan court has given Facebook’s parent company, Meta, and the content moderators who are suing it for unfair dismissal 21 days to resolve their dispute out of court, a court order showed on Wednesday.

The 184 content moderators are suing Meta and two subcontractors after they say they lost their jobs with one of the firms, Sama, for organizing a union.

The plaintiffs say they were then blacklisted from applying for the same roles at the second firm, Luxembourg-based Majorel, after Facebook switched contractors.

“The parties shall pursue an out of court settlement of this petition through mediation,” said the order by the Employment and Labour Relations Court, which was signed by lawyers for the plaintiffs, Meta, Sama and Majorel.

Kenya’s former chief justice, Willy Mutunga, and Hellen Apiyo, the acting commissioner for labor, will serve as mediators, the order said. If the parties fail to resolve the case within 21 days, the case will proceed before the court, it said.

Meta, Sama and Majorel did not immediately respond to requests for comment.

A judge ruled in April that Meta could be sued by the moderators in Kenya, even though it has no official presence in the east African country.

The case could have implications for how Meta works with content moderators globally. The U.S. social media giant works with thousands of moderators around the world, who review graphic content posted on its platform.

Meta has also been sued in Kenya by a former moderator over accusations of poor working conditions at Sama, and by two Ethiopian researchers and a rights institute, which accuse it of letting violent and hateful posts from Ethiopia flourish on Facebook.

Those cases are ongoing.

Meta said in May 2022, in response to the first case, that it required partners to provide industry-leading conditions. On the Ethiopia case, it said in December that hate speech and incitement to violence were against the rules of Facebook and Instagram.

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Meta Rolls Out Web Version of Threads 

Meta Platforms on Tuesday launched the web version of its new text-first social media platform Threads, in a bid to retain professional users and gain an edge over rival X, formerly Twitter.

Threads’ users will now be able to access the microblogging platform by logging-in to its website from their computers, the Facebook and Instagram owner said.

The widely anticipated roll out could help Threads gain broader acceptance among power users like brands, company accounts, advertisers and journalists, who can now take advantage of the platform by using it on a bigger screen.

Threads, which crossed 100 million sign-ups for the app within five days of its launch on July 5, saw a decline in its popularity as users returned to the more familiar platform X after the initial rush.

In just over a month, daily active users on Android version of Threads app dropped to 10.3 million from the peak of 49.3 million, according to a report, dated August 10, by analytics platform Similarweb.

The company will be adding more functionality to the web experience in the coming weeks, Meta said.

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Europe’s Sweeping Rules for Tech Giants Are About to Kick In

Google, Facebook, TikTok and other Big Tech companies operating in Europe are facing one of the most far-reaching efforts to clean up what people encounter online.

The first phase of the European Union’s groundbreaking new digital rules will take effect this week. The Digital Services Act is part of a suite of tech-focused regulations crafted by the 27-nation bloc — long a global leader in cracking down on tech giants.

The DSA, which the biggest platforms must start following Friday, is designed to keep users safe online and stop the spread of harmful content that’s either illegal or violates a platform’s terms of service, such as promotion of genocide or anorexia. It also looks to protect Europeans’ fundamental rights like privacy and free speech.

Some online platforms, which could face billions in fines if they don’t comply, have already started making changes.

Here’s a look at what’s happening this week:

Which platforms are affected?

So far, 19. They include eight social media platforms: Facebook, TikTok, Twitter, YouTube, Instagram, LinkedIn, Pinterest and Snapchat.

There are five online marketplaces: Amazon, Booking.com, China’s Alibaba AliExpress and Germany’s Zalando.

Mobile app stores Google Play and Apple’s App Store are subject, as are Google’s Search and Microsoft’s Bing search engine.

Google Maps and Wikipedia round out the list.

What about other online companies?

The EU’s list is based on numbers submitted by the platforms. Those with 45 million or more users — or 10% of the EU’s population — will face the DSA’s highest level of regulation.

Brussels insiders, however, have pointed to some notable omissions from the EU’s list, like eBay, Airbnb, Netflix and even PornHub. The list isn’t definitive, and it’s possible other platforms may be added later on.

Any business providing digital services to Europeans will eventually have to comply with the DSA. They will face fewer obligations than the biggest platforms, however, and have another six months before they must fall in line.

Citing uncertainty over the new rules, Meta Platforms has held off launching its Twitter rival, Threads, in the EU.

What’s changing?

Platforms have started rolling out new ways for European users to flag illegal online content and dodgy products, which companies will be obligated to take down quickly and objectively.

Amazon opened a new channel for reporting suspected illegal products and is providing more information about third-party merchants.

TikTok gave users an “additional reporting option” for content, including advertising, that they believe is illegal. Categories such as hate speech and harassment, suicide and self-harm, misinformation or frauds and scams, will help them pinpoint the problem.

Then, a “new dedicated team of moderators and legal specialists” will determine whether flagged content either violates its policies or is unlawful and should be taken down, according to the app from Chinese parent company ByteDance.

TikTok says the reason for a takedown will be explained to the person who posted the material and the one who flagged it, and decisions can be appealed.

TikTok users can turn off systems that recommend videos based on what a user has previously viewed. Such systems have been blamed for leading social media users to increasingly extreme posts. If personalized recommendations are turned off, TikTok’s feeds will instead suggest videos to European users based on what’s popular in their area and around the world.

The DSA prohibits targeting vulnerable categories of people, including children, with ads.

Snapchat said advertisers won’t be able to use personalization and optimization tools for teens in the EU and U.K. Snapchat users who are 18 and older also would get more transparency and control over ads they see, including “details and insight” on why they’re shown specific ads.

TikTok made similar changes, stopping users 13 to 17 from getting personalized ads “based on their activities on or off TikTok.”

Is there pushback?

Zalando, a German online fashion retailer, has filed a legal challenge over its inclusion on the DSA’s list of the largest online platforms, arguing that it’s being treated unfairly.

Nevertheless, Zalando is launching content flagging systems for its website even though there’s little risk of illegal material showing up among its highly curated collection of clothes, bags and shoes.

The company has supported the DSA, said Aurelie Caulier, Zalando’s head of public affairs for the EU.

“It will bring loads of positive changes” for consumers, she said. But “generally, Zalando doesn’t have systemic risk [that other platforms pose]. So that’s why we don’t think we fit in that category.”

Amazon has filed a similar case with a top EU court.

What happens if companies don’t follow the rules?

Officials have warned tech companies that violations could bring fines worth up to 6% of their global revenue — which could amount to billions — or even a ban from the EU. But don’t expect penalties to come right away for individual breaches, such as failing to take down a specific video promoting hate speech.

Instead, the DSA is more about whether tech companies have the right processes in place to reduce the harm that their algorithm-based recommendation systems can inflict on users. Essentially, they’ll have to let the European Commission, the EU’s executive arm and top digital enforcer, look under the hood to see how their algorithms work.

EU officials “are concerned with user behavior on the one hand, like bullying and spreading illegal content, but they’re also concerned about the way that platforms work and how they contribute to the negative effects,” said Sally Broughton Micova, an associate professor at the University of East Anglia.

That includes looking at how the platforms work with digital advertising systems, which could be used to profile users for harmful material like disinformation, or how their livestreaming systems function, which could be used to instantly spread terrorist content, said Broughton Micova, who’s also academic co-director at the Centre on Regulation in Europe, a Brussels-based think tank.

Under the rules, the biggest platforms will have to identify and assess potential systemic risks and whether they’re doing enough to reduce them. These risk assessments are due by the end of August and then they will be independently audited.

The audits are expected to be the main tool to verify compliance — though the EU’s plan has faced criticism for lacking details that leave it unclear how the process will work.

What about the rest of the world?

Europe’s changes could have global impact. Wikipedia is tweaking some policies and modifying its terms of service to provide more information on “problematic users and content.” Those alterations won’t be limited to Europe, said the nonprofit Wikimedia Foundation, which hosts the community-powered encyclopedia.

“The rules and processes that govern Wikimedia projects worldwide, including any changes in response to the DSA, are as universal as possible. This means that changes to our Terms of Use and Office Actions Policy will be implemented globally,” it said in a statement.

It’s going to be hard for tech companies to limit DSA-related changes, said Broughton Micova, adding that digital ad networks aren’t isolated to Europe and that social media influencers can have global reach.

The regulations are “dealing with multichannel networks that operate globally. So there is going to be a ripple effect once you have kind of mitigations that get taken into place,” she said.

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Meta to Soon Launch Web Version of Threads in Race with X for Users

Meta Platforms is set to roll out the web version on its new text-first social media platform Threads, hoping to gain an edge over X, formerly Twitter, as the initial surge in users waned.

The widely anticipated web version will make Threads more useful for power users like brands, company accounts, advertisers and journalists.

Meta did not give a date for the launch, but Instagram head Adam Mosseri said it could happen soon.

“We are close on web…,” Mosseri said in a post on Threads on Friday. The launch could happen as early as this week, according to a report in the Wall Street Journal.

Threads, which launched as an Android and iOS app on July 5 and gained 100 million users in just five days, saw its popularity drop as users returned to the more familiar platform X after the initial rush to try Meta’s new offering. 

But in just over a month, its daily active users on Android app dropped to 10.3 million from the peak of 49.3 million, according to a report by analytics platform Similarweb dated Aug. 10. 

Meanwhile, the management is moving quickly to launch new features. Threads now offers the ability to set post notifications for accounts and view them in a type of chronological feed. 

It will soon roll out an improved search that could allow users to search for specific posts and not just accounts. 

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Biden Administration Announces More New Funding for Rural Broadband Infrastructure

The Biden administration on Monday continued its push toward internet-for-all by 2030, announcing about $667 million in new grants and loans to build more broadband infrastructure in the rural U.S.

“With this investment, we’re getting funding to communities in every corner of the country because we believe that no kid should have to sit in the back of a mama’s car in a McDonald’s parking lot in order to do homework,” said Mitch Landrieu, the White House’s infrastructure coordinator, in a call with reporters.

The 37 new recipients represent the fourth round of funding under the program, dubbed ReConnect by the U.S. Department of Agriculture. Another 37 projects received $771.4 million in grants and loans announced in April and June.

The money flowing through federal broadband programs, including what was announced Monday and the $42.5 billion infrastructure program detailed earlier this summer, will lead to a new variation on “the electrification of rural America,” Landrieu said, repeating a common Biden administration refrain.

The largest award went to the Ponderosa Telephone Co. in California, which received more than $42 million to deploy fiber networks in Fresno County. In total, more than 1,200 people, 12 farms and 26 other businesses will benefit from that effort alone, according to USDA.

The telephone cooperatives, counties and telecommunications companies that won the new awards are based in 22 states and the Marshall Islands.

At least half of the households in areas receiving the new funding lack access to internet speeds of 100 megabits per second download and 20 Mbps upload — what the federal government considers “underserved” in broadband terminology. The recipients’ mandate is to build networks that raise those levels to at least 100 Mbps upload and 100 Mbps download speeds for every household, business and farm in their service areas.

Agriculture Secretary Tom Vilsack said the investments could bring new economic opportunities to farmers, allow people without close access to medical care to see specialist doctors through telemedicine and increase academic offerings, including Advanced Placement courses in high schools.

“The fact that this administration understands and appreciates the need for continued investment in rural America to create more opportunity is something that I’m really excited about,” Vilsack said on the media call.  

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‘Blue Beetle’ Unseats ‘Barbie’ at Box Office, Ending Its 4-Week Reign

The DC superhero film “Blue Beetle” led weekend ticket sales with a modest $25.4 million opening, according to studio estimates Sunday, dethroning “Barbie” from the top spot after a record-setting run that left movie theaters colored pink for a month.

The “Barbie” phenomenon is far from over. Greta Gerwig’s film, which earlier this week became the highest grossing Warner Bros. release ever domestically, nearly managed to stay No. 1 again with $21.5 million in its fifth weekend. It’s up to $567.3 million in North America and an eye-popping $1.28 billion globally.

The other half of “Barbenheimer” also continues to perform remarkably well for a movie so far into its run.

Christopher Nolan’s “Oppenheimer” took in $10.6 million in its fifth week. With a $285.2 million domestic total, “Oppenheimer” now owns the distinction of being the biggest box-office hit never to land No. 1 at the weekend box office. The previous record-holder for that unlikely stat is 2016’s “Sing,” which grossed $270.3 million in the shadow of “Rogue One: A Star Wars Story” and “Hidden Figures.”

Universal Pictures’ “Oppenheimer” has done even better overseas. Its global gross stands at an estimated $717.8 million through Sunday.

“Blue Beetle,” starring Xolo Maridueña, came in on the lower side of expectations and notched one of the lower debuts for a DC Comics movie. Though earlier planned as a streaming-only release, Warner Bros. elected to put “Blue Beetle,” the first DC movie to star a Latino superhero, into theaters in the late summer, a typically quiet period at the box office.

The production price tag of about $105 million was lower for “Blue Beetle” than the average superhero film. It’s one of the last releases produced under an earlier regime at DC Studios, which James Gunn and Peter Safran took the reins of last year.

The film, directed by Ángel Manuel Soto and written by Gareth Dunnet-Alcocer, drew solid reviews – certainly better than the three previous DC releases this year (“The Flash,” “Black Adam” and “Shazam! Fury of the Gods”). “Blue Beetle” (76% fresh on Rotten Tomatoes) is the rare comic-book film to put a Hispanic cast front and center.

But it also faced some tough luck, and not just in the unexpected staying power of “Barbie” and “Oppenheimer.” Southern California was bracing Sunday for Hurricane Hilary — potentially dampening ticket sales in the region. (Los Angeles was still its top market.) And like recent releases, “Blue Beetle,” which added $18 million internationally, didn’t have its cast available to promote the movie due to the ongoing actors strike.

Universal’s raunchy R-rated canine comedy “Strays” showed even less bite. The film, with a voice cast including Will Ferrell and Jamie Foxx, landed in fifth place with $8.4 million. Comedies have generally struggled in theaters in recent years, but “Strays” had it particularly rough given that its starry cast was unavailable.

“Strays” was very narrowly bested by “Teenage Mutant Ninja Turtles: Mutant Mayhem.” The Paramount Pictures animated release earned $8.4 million in its third weekend, bringing its domestic total to $88.1 million.

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. Final domestic figures will be released Monday.

  1. “Blue Beetle,” $25.4 million.

  2. “Barbie,” $21.5 million.

  3. “Oppenheimer,” $10.6 million.

  4. “Teenage Mutant Ninja Turtles: Mutant Mayhem,” $8.4 million.

  5. “Strays,” $8.3 million.

  6. “Meg 2: The Trench,” $6.7 million.

  7. “Talk to Me,” $3.2 million.

  8. “Haunted Mansion,” $3 million.

  9. “Mission: Impossible — Dead Reckoning Part One,” $2.7 million.

  10. “The Last Voyage of the Demeter,” $2.5 million.

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Russia’s Luna-25 Crashes Into Moon 

Russia’s Luna-25 spacecraft has crashed into the moon.

“The apparatus moved into an unpredictable orbit and ceased to exist as a result of a collision with the surface of the moon,” Roscosmos, the Russian space agency, said Sunday.

On Saturday, the agency said it had a problem with the craft and lost contact with it.

The unmanned robot lander was set to land on the moon’s south pole Monday, ahead of an Indian craft scheduled to land on the south pole later this week.

Scientists are eager to explore the south pole because they believe water may be there and that the water could be transformed by future astronauts into air and rocket fuel.

Russia’s last moon launch was in 1976, during the Soviet era.

Some information in this report came from The Associated Press and Reuters.

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General Heading Notre Dame Cathedral Restoration Dies at 74

The decorated French general in charge of the ambitious, big-budget restoration of fire-ravaged Notre Dame Cathedral in Paris, Jean-Louis Georgelin, has died. He was 74. 

President Emmanuel Macron paid tribute Saturday to one of France’s “greatest soldiers, greatest servants,” who “stone by stone, was restoring the wounded beauty” of Notre Dame. Before being pulled from retirement to oversee the cathedral reconstruction, Georgelin previously served as chief of France’s military general staff, overseeing operations in Afghanistan, the Balkans and beyond.  

Citing the regional prosecutor, local news reports said Georgelin died while hiking in the Pyrenees, likely in an accident. The mountain rescue service in the Ariege region said a body was found Friday near the village of Bordes-Uchentein. 

Macron said in a statement that Georgelin died in the mountains, reflecting “a life always turned toward the summits.” The statement did not provide details. 

‘A way to be faithful’

Born Aug. 30, 1948, Georgelin attended the prestigious Saint-Cyr military high school before serving in infantry and parachute regiments and in military intelligence. He studied at the U.S. Army’s Command and General Staff College at Fort Leavenworth in Kansas — and went on to become personal military chief to late President Jacques Chirac — and then chief of staff of the French military from 2006-2010. 

Soon after the 2019 fire that toppled the spire of Notre Dame and consumed its timber-and-lead roof, Macron named Georgelin to lead the restoration work. Artisans around France are using medieval materials and methods to rebuild the Gothic landmark. 

“It is a way to be faithful to the (handiwork) of all the people who built all the extraordinary monuments in France,” Georgelin said earlier this year in an interview with The Associated Press. 

‘Winning the battle of Notre Dame’

The spire is being hoisted atop the cathedral piece by piece this year, a development that Georgelin called “the symbol that we are winning the battle of Notre Dame.” 

Macron lamented that “Gen. Georgelin will never see the reopening of Notre Dame with his own eyes,” but added that when it reopens on Dec. 8, 2024, “he will be present with us.” 

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