Nepal Pursues Sacred Items Smuggled Abroad

KATHMANDU, Nepal — Nepal’s gods and goddess are returning home.

An unknown number of sacred statues of Hindu deities were stolen and smuggled abroad in the past. Now dozens are being repatriated to the Himalayan nation, part of a growing global effort to return such items to countries in Asia, Africa and elsewhere.

Last month, four idols and masks of Hindu gods were returned to Nepal from the United States by museums and a private collector.

Among them was a 16th century statue of Uma-Maheswora, an avatar of the gods Shiva and Parvati, that was stolen four decades ago. It was not clear who took it or how it ended up at the Brooklyn Museum in New York, which handed it over to the Manhattan District Attorney’s Office.

Devotees celebrated its return in Patan, south of the capital, Kathmandu. The stone-paved alleys were crowded with devotees offering money and flowers. Men in traditional attire played drums and cymbals and chanted prayers.

“I cannot say how extremely happy I am right now,” said Ram Maya Benjankar, a 52-year-old who said she had cried as a child after learning the statue had been stolen and waited years for its return.

The statue had simply disappeared from their neighborhood, she said.

The majority of Nepal’s 29 million people are Hindu, and every neighborhood has a temple that houses such items. They are rarely guarded, making it easy for thieves.

For Nepalese, the idols have religious significance but no monetary value. For smugglers, however, they can bring huge value abroad. For years, there was little attention given to the thefts or any effort made at recovery.

That has changed in recent years as the government, art lovers and campaigners pursue stolen heritage items. They have been successful in many cases.

A group representing the ethnic Newar community from Nepal in the U.S. heard about the reappearance of the Uma-Maheswora statue at the Brooklyn Museum and took the initiative to bring it home.

“We were very sad to see that our gods were locked in the basement. We were then determined that we need to take back the heritage,” said Bijaya Man Singh, a member of the group that carried the four idols and masks back to Nepal.

Now the temple in Patan is being prepared to reinstate the Uma-Maheswora statue. Following the welcome ceremony, it was placed on a chariot carried by devotees and taken to a museum, where it will be kept under security until its final move.

More than 20 other stolen artifacts are in the pipeline to be repatriated to Nepal in the near future, according to Jayaram Shrestha, director at the National Museum in Kathmandu. Most will return from the United States and Europe.

Shrestha has built a special room to exhibit repatriated items so the public can come and worship if they want. There are currently 62 statues on display.

“As we expect many to come soon, we are expanding the section of the museum,” Shrestha said. “I don’t want to store them in storage. They should be made available.”

It has become easier to locate stolen items as awareness grows among Nepalis at home and abroad. They can now track artifacts online when they are exhibited or put up for auction.

And more collectors and museums now believe they should be taken back to where they belong, Shrestha said.

“The Nepal government has been taking initiative to get them back with recovery campaigns and using diplomatic channels, embassies in foreign countries,” he said.

“We have made it clear that they need to be reinstated to their original place and security ensured to keep these thousands-of-years-old artifacts safe.”” said Nepal’s foreign minister, Narayan Prakash Saud.

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Some Creators Celebrate New AI-Video Tool; Others Worry About Abuse

paris — A new artificial intelligence tool that promises to create short videos from simple text commands has raised concerns along with questions from artists and media professionals. 

OpenAI, the creator of ChatGPT and image generator DALL-E, said Thursday it was testing a text-to-video model called “Sora” that can allow users to create realistic videos with simple prompts. 

The San Francisco-based startup says Sora can “generate complex scenes with multiple characters, specific types of motion, and accurate details of the subject and background,” but admits it still has limitations, such as possibly “mixing up left and right.” 

Here are early reactions from industries that could be affected by the new generative artificial intelligence (AI) tool:   

Examples of Sora-created clips on OpenAI’s website range widely in style and subject, from seemingly real drone footage above a crowded market to an animated bunny-like creature bouncing through a forest. 

Thomas Bellenger, founder and art director of Cutback Productions, has been carefully watching the evolution of generative AI image generation.   

“There were those who felt that it was an unstoppable groundswell that was progressing at an astonishing rate, and those who just didn’t want to see it,” said Bellenger, whose France-based company has created large scale visual effects for such touring musicians as Stromae and Justice. 

He said the development of generative AI has “created a lot of debate internally” at the company and “a lot of sometimes visceral reactions.” 

Bellenger noted that Sora has yet to be released, so its capabilities have yet to be tested by the public. 

“What is certain is that no one expected such a technological leap forward in just a few weeks,” Bellenger said. “It’s unheard of.” 

He said whatever the future holds, they’ll “find ways to create differently.” 

Mixed reaction among creators

Video game creators are equally likely to be impacted by the new invention, with reaction among the sector divided between those open to embracing a new tool and those fearing it might replace them. 

French video game giant Ubisoft hailed the OpenAI announcement as a “quantum leap forward” with the potential to let players and development teams express their imaginations. 

“We’ve been exploring this potential for a long time,” a Ubisoft spokesperson told AFP. 

Alain Puget, chief of Nantes-based studio Alkemi, said he won’t replace any artists with AI tools, which “only reproduce things done by humans.” 

Nevertheless, Puget noted, this “visually impressive” tool could be used by small studios to produce more professionally rendered images. 

While video “cut scenes” that play out occasionally to advance game storylines are different from player-controlled action, Puget expects tools like Sora to eventually be able to replace “the way we do things.”   

‘A terrifying leap’

Basile Simon, a former journalist and current Stanford University researcher, thinks there has been “a terrifying leap forward in the last year” when it comes to generative AI allowing realistic-looking fabrications to be rapidly produced. 

He dreads the idea of how such tools will be abused during elections and fears the public will “no longer know what to believe”. 

Julien Pain of French TV channel France Info’s fact-checking program “Vrai ou Faux” (True or False) says he’s also worried about abuse of AI tools. 

“Until now, it was easy enough to spot fake images, for example by noticing the repetitive faces in the background,” Pain said. “What this new software does seems to be on another level.” 

While OpenAI and U.S. tech titans may promote safety tools, such as industry-wide watermarks that reveal AI-created imagery, “what about tomorrow’s competitors in China and Russia?” he posited. 

The Fred & Farid agency, which has collaborated with the Longchamp and Budweiser brands and where a studio dedicated to AI was opened in early January, anticipates that “80 percent of brand content will be generated by artificial intelligence.” 

“Creative genius” will no longer be limited by production skills thanks to generative AI tools, one enthusiast contended.   

Stephanie Laporte, chief executive and founder of the OTTA advertising and influencer agency, believes the technology will “force the industry to evolve.” 

She also anticipates ad companies with lean budgets will resort to AI tools to save money on workers. 

A possible exception, she believes, is the luxury segment, where brands are “very sensitive to authenticity” and “will probably use AI sparingly.” 

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London Fashion Week Celebrates Multiculturalism, Urban Life

LONDON — The cultural richness brought by migrations across the world, familial nostalgia and the frenetic pace of London life marked the second day of the city’s Fashion Week on Saturday as up-and-coming designers showed off their styles for the season ahead.

Some 60 designers, ranging from rising talents to renowned brands like Burberry, are exhibiting their new designs over five days, hoping to draw the interest of buyers and fashion influencers.

The 40th anniversary edition of the event is also introducing greater diversity and inclusivity in terms of body shapes, ages, and skin colors of the models, as well as in the designers’ collections.

Multiculturalism in spotlight

Sierra Leone-born designer Foday Dumbuya’s Labrum London brand closed the day with its “Journey Through Color” collection, celebrating the diversity of cultures brought by immigrants.

The winner of the 2023 Elizabeth II Award for British Design focused on texture plays, newspaper patterns or monogram patterns on more classic cuts.

There were as many tones of color — from royal blue to black, orange, brown, yellow and green — as there were “inspiring stories” from immigrants.

Some models wore suitcases as headgear, a reference to people fleeing conflict taking their belongings with them.

“People move for different reasons, and when they move, they move their culture with them. And we wanted to celebrate that tonight,” Dumbuya told AFP.

One of the models carried on his back a large frame with dozens of flags of “countries that have been involved in key migration throughout history,” including the Palestinian flag.

It was a political message and a call for tolerance, argued the creator.

“It’s just to showcase you got to support each other. Where we are does not matter. People’s life is what is important,” Dumbuya said. “Wherever you are … Palestinian, Jewish, whatever it is, that world belong to us. It’s just saying don’t just demonize these people.”

Old photographs

In her show, Dublin-born menswear designer Robyn Lynch drew inspiration from her sister’s career as a Gaelic dancer, using old photographs of high kicks, spangled costumes and passionate spectators for inspiration.

“I vividly remember spending all these weekends in sports halls at competitions seeing all the glitz and drama that happened on and off stage,” said the designer, who used Celtic knots and monograms in her designs.

Lynch’s designs featured diamante encrusted jorts (jean shorts), a long line of hoodies with elastic toggle belts and laser-etched jeans with a color palette of hickory brown, screen blue, matte black and oat milk white.

Life in the metropolis

Earlier, models paraded in London’s famous red double-decker buses in outfits inspired by traditional dance.

British designer Ricky Wesley Harriott kicked off his brand SRVC’s show with a collection named “Human Resource,” inspired by modern “professional women’s outfits.”

The designer had his models, all perched on vertiginous heels, parade on the iconic red double-decker buses of London to “celebrate life in the metropolis.”

The show featured rigid and structured jackets with pronounced shoulders, in dark colors with flashy accessories, from XXL silver hoop earrings to rings covering every finger.

Fairy tales

Designer Priya Ahluwalia, who draws inspiration from her Indian-Nigerian heritage, was cheered after her show, which featured male and female models in earthy reds, oranges and blues parading to thumping house music.

The designer used the Indian and West African fairy tales that she grew up with — like The Prince Who Wanted the Moon, The Magic Fiddle and How the Leopard Got His Spots — in her designs for the season, she told British Vogue.

“I was thinking about how stories have affected my life — why do we like the stories we like, and how do they get passed on,” she said.

Ahluwalia said the corset-like detailing in the knitwear of her designs was inspired by Netflix’s Queen Charlotte: A Bridgerton Story, which she watched while conducting research for her collection.

The designer, who launched her brand Ahluwalia in 2018, works with limited quantities of fabrics, often upcycling and using patchwork techniques to limit waste.

LFW comes at a tumultuous time for Britain’s fashion industry, amid post-Brexit trade barriers and the country’s cost-of-living crisis.

The difficult economic situation has even prompted some nascent designers to question the viability of investing in British fashion events.

Rising star Dilara Findikoglu made headlines last September after she cancelled her show days before the event for financial reasons.

The industry, which employs close to 900,000 people in the UK and contributes $26 billion to the British economy, is facing “incredibly challenging times,” LFW’s director Caroline Rush told AFP.

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What to Expect at Britain’s BAFTA Film Awards on Sunday

LONDON — Prepare for Poppenheimer.

Poor Things and Oppenheimer are the leading contenders for the British Academy Film Awards, which will be handed out Sunday in front of an audience of filmmakers, movie stars and the heir to the British throne.

Yorgos Lanthimos’ gothic fantasia is up for 11 trophies, while Christopher Nolan’s atom-bomb epic has 13 nominations for the British prizes, known as BAFTAs. That’s the same number Oppenheimer has for the Oscars, where it is also the frontrunner.

The ceremony at London’s Royal Festival Hall will be a glitzy, British-accented appetizer for Hollywood’s Academy Awards, closely watched for hints about who might win at the Oscars on March 10.

Nominees including Bradley Cooper, Carey Mulligan, Emily Blunt, Robert Downey Jr., Rosamund Pike, Ryan Gosling and Ayo Edebiri are expected on the red carpet beside the River Thames, along with presenters such as Andrew Scott, Cate Blanchett, Chiwetel Ejiofor and Idris Elba.

Guest of honor will be Prince William, in his role as president of the British Academy of Film and Television Arts. He’ll be without his wife, Kate, who is recovering after abdominal surgery last month.

The show will be hosted, with a dash of self-deprecating humor, by Doctor Who star David Tennant.

“People keep telling me I should be terribly nervous,” Tennant said about the notoriously pitfall-plagued role of awards show host. “But it’s not like I’m up for the award. I just get to hand them out.”

Historical epic Killers of the Flower Moon and Holocaust drama The Zone of Interest have nine nominations each for the prizes, officially called the EE BAFTA Film Awards.

French courtroom drama Anatomy of a Fall, boarding school comedy The Holdovers and Leonard Bernstein biopic Maestro each have seven, while grief-flecked love story All of Us Strangers is nominated in six categories and class-war dramedy Saltburn in five.

Barbie, one half of 2023’s Barbenheimer box office juggernaut, also has five nominations, but missed out on nods for best picture and best director. Many see the omission of Barbie director Greta Gerwig — for both BAFTAs and Oscars — as a major snub.

Britain’s film academy introduced changes to increase the awards’ diversity in 2020, when no women were nominated as best director for the seventh year running and all 20 nominees in the lead and supporting performer categories were white. But there is only one woman among the six best-director nominees: Justine Triet for Anatomy of a Fall. Emerald Fennell for Saltburn and Celine Song for Past Lives also failed to make the list.

The best film race pits Oppenheimer against Poor Things, Killers of the Flower Moon, Anatomy of a Fall and The Holdovers.

Poor Things is also on the 10-strong list for the separate category of best British film, an eclectic slate that includes class-war dramedy Saltburn, imperial epic Napoleon, south London romcom Rye Lane and chocolatier origin story Wonka, among others.

A woman of color could take the best actress BAFTA for the first time, with Fantasia Barrino for The Color Purple and Vivian Oparah for Rye Lane nominated alongside Sandra Hüller for Anatomy of a Fall, Mulligan for Maestro, Margot Robbie for Barbie and Emma Stone for Poor Things.

No British performers are nominated in the best-actor category, but Ireland is represented by Cillian Murphy for Oppenheimer and Barry Keoghan for Saltburn. They’re up against Cooper for Maestro, Colman Domingo for Rustin, Paul Giamatti for The Holdovers and Teo Yoo for Past Lives.

Harrowing Ukraine war documentary 20 Days in Mariupol, produced by The Associated Press and PBS Frontline, is nominated for best documentary and best film not in the English language.

The ceremony is set to include musical performances by Ted Lasso star Hannah Waddingham and Sophie Ellis-Bextor, the latter singing her 2001 hit Murder on the Dancefloor, which shot back up the charts after featuring in Saltburn.

Samantha Morton will receive the academy’s highest honor, the BAFTA Fellowship, and film curator June Givanni, founder of the June Givanni PanAfrican Cinema Archive, will be honored for outstanding British contribution to cinema.

Sunday’s ceremony will be broadcast on BBC One in the U.K. from 1900GMT, and on streaming service BritBox in the U.S., Canada, Australia and South Africa.

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Media Creators Worry About New AI-Video Tool by Maker of ChatGPT

paris — A new artificial intelligence tool that promises to create short videos from simple text commands has raised concerns along with questions from artists and media professionals. 

OpenAI, the creator of ChatGPT and image generator DALL-E, said Thursday it was testing a text-to-video model called “Sora” that can allow users to create realistic videos with simple prompts. 

The San Francisco-based startup says Sora can “generate complex scenes with multiple characters, specific types of motion, and accurate details of the subject and background,” but admits it still has limitations, such as possibly “mixing up left and right.” 

Here are early reactions from industries that could be affected by the new generative artificial intelligence (AI) tool:   

Examples of Sora-created clips on OpenAI’s website range widely in style and subject, from seemingly real drone footage above a crowded market to an animated bunny-like creature bouncing through a forest. 

Thomas Bellenger, founder and art director of Cutback Productions, has been carefully watching the evolution of generative AI image generation.   

“There were those who felt that it was an unstoppable groundswell that was progressing at an astonishing rate, and those who just didn’t want to see it,” said Bellenger, whose France-based company has created large scale visual effects for such touring musicians as Stromae and Justice. 

He said the development of generative AI has “created a lot of debate internally” at the company and “a lot of sometimes visceral reactions.” 

Bellenger noted that Sora has yet to be released, so its capabilities have yet to be tested by the public. 

“What is certain is that no one expected such a technological leap forward in just a few weeks,” Bellenger said. “It’s unheard of.” 

He said whatever the future holds, they’ll “find ways to create differently.” 

Mixed reaction among creators

Video game creators are equally likely to be impacted by the new invention, with reaction among the sector divided between those open to embracing a new tool and those fearing it might replace them. 

French video game giant Ubisoft hailed the OpenAI announcement as a “quantum leap forward” with the potential to let players and development teams express their imaginations. 

“We’ve been exploring this potential for a long time,” a Ubisoft spokesperson told AFP. 

Alain Puget, chief of Nantes-based studio Alkemi, said he won’t replace any artists with AI tools, which “only reproduce things done by humans.” 

Nevertheless, Puget noted, this “visually impressive” tool could be used by small studios to produce more professionally rendered images. 

While video “cut scenes” that play out occasionally to advance game storylines are different from player-controlled action, Puget expects tools like Sora to eventually be able to replace “the way we do things.”   

‘A terrifying leap’

Basile Simon, a former journalist and current Stanford University researcher, thinks there has been “a terrifying leap forward in the last year” when it comes to generative AI allowing realistic-looking fabrications to be rapidly produced. 

He dreads the idea of how such tools will be abused during elections and fears the public will “no longer know what to believe”. 

Julien Pain of French TV channel France Info’s fact-checking program “Vrai ou Faux” (True or False) says he’s also worried about abuse of AI tools. 

“Until now, it was easy enough to spot fake images, for example by noticing the repetitive faces in the background,” Pain said. “What this new software does seems to be on another level.” 

While OpenAI and U.S. tech titans may promote safety tools, such as industry-wide watermarks that reveal AI-created imagery, “what about tomorrow’s competitors in China and Russia?” he posited. 

The Fred & Farid agency, which has collaborated with the Longchamp and Budweiser brands and where a studio dedicated to AI was opened in early January, anticipates that “80 percent of brand content will be generated by artificial intelligence.” 

“Creative genius” will no longer be limited by production skills thanks to generative AI tools, one enthusiast contended.   

Stephanie Laporte, chief executive and founder of the OTTA advertising and influencer agency, believes the technology will “force the industry to evolve.” 

She also anticipates ad companies with lean budgets will resort to AI tools to save money on workers. 

A possible exception, she believes, is the luxury segment, where brands are “very sensitive to authenticity” and “will probably use AI sparingly.” 

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Harrison Ford’s ‘Star Wars’ script fetches $13,600 at UK sale

London — An original draft “Star Wars” script left in a London apartment by actor Harrison Ford, who played Hans Solo in the movie, sold at a UK auction for $13,600 on Saturday. 

The script was used when Ford was filming the first installment of the epic saga, originally entitled “The Adventures of Luke Starkiller,” at Elstree Studios north of London. 

The fourth draft of the screenplay, dating from March 15, 1976, was snapped up by an Austrian collector when it went under the hammer at Excalibur Auctions in Hertfordshire, north of London.   

Ford left the script at the London flat he rented at the time along with shooting schedules — which sold for more than $6,000 — and a letter from an agent or friend — which sold for nearly $225.  

The landlords renting the property found the items and kept them for more than 50 years. 

The incomplete and unbound script contains revisions and introduces Hans Solo on page 56. 

The 1977 film catapulted Ford to international fame and he starred in sequels “The Empire Strikes Back” (1980) and “Return of the Jedi” (1983), before taking on the role again in “The Force Awakens” (2015). 

“Although other copies of this script have come to market previously, this sale saw a new record set for a Star Walker script, which shows how a personal link to the items is so enticing to Star Wars fans,” said Excalibur Auctions’ auctioneer Jonathan Torode. “The personal provenance makes them totally unique. We hope they will be as treasured by their new owners as much as they were by the previous ones.” 

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Japan’s New Flagship H3 Rocket Reaches Orbit in Key Test

TOKYO — Japan’s flagship H3 rocket reached orbit and released two small observation satellites in a key second test following a failed debut launch last year, buoying hope for the country in the global space race.

The H3 rocket blasted off from the Tanegashima Space Center on time Saturday morning, two days after its originally scheduled liftoff was delayed by bad weather.

The rocket successfully reached orbit at an altitude of about 670 kilometers (about 420 miles) and released two satellites, said the Japan Aerospace Exploration Agency, or JAXA.

“We feel so relieved to be able to announce the good results,” JAXA President Hiroshi Yamakawa told a news conference.

The H3’s main missions are to secure independent access to space and be competitive as international demand for satellite launches grows. “We made a big first step today toward achieving that goal,” Yamakawa said.

The launch is a boost for Japan’s space program following a recent streak of successes, including a historic precision touchdown on the moon of an unmanned spacecraft last month.

The liftoff was closely watched as a test for Japan’s space development after H3, in its debut flight last March, failed to ignite the second-stage engine. JAXA and its main contractor, Mitsubishi Heavy Industries, have been developing H3 as a successor to its current mainstay, H-2A, which is set to retire after two more flights.

JAXA H3 project manager Masashi Okada called the result “perfect,” saying H3 cleared all missions set for Saturday’s flight. “After a long wait, the newborn H3 finally had its first cry.”

At 57 meters (187 feet) long, the H3 is designed to carry larger payloads than H-2A at much lower costs of about 50 billion yen ($330 million).

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China to Show Off Airliner at Singapore Show Amid Supply Crunch

SINGAPORE — Singapore will play host to Asia’s biggest air show next week for the first time since the end of COVID border restrictions, with regional travel rebounding and the military side of the show bristling with defensive systems and nervous arms buyers.

An expected full return of civil demand in Asia is being tested by an industry-wide supply crunch and macroeconomic headwinds, however — especially in the world’s second-largest aviation market, China — while geopolitical tensions have put weapons in the spotlight.

“Supply chain issues are limiting the ability of many airlines to upgrade their fleets and service their aircraft,” said Association of Asia Pacific Airlines head Subhas Menon.

The biennial show will feature the first trip outside Chinese territory for China’s first homegrown passenger jet, COMAC’s narrow-body C919.

With the dominant two plane manufacturers, Airbus and Boeing, struggling to ramp up production and meet demand for new planes, and Boeing struggling with a string of crises, air show attendees will be watching how the Commercial Aircraft Corporation of China, or COMAC, positions itself as a viable alternative.

Many inside the industry caution that only four C919s are in service in China; the plane is only certified by Chinese regulators; and the C919 relies on international supply chains.

Nevertheless, China’s aviation authority has said it would promote the plane internationally this year and pursue European Union Aviation Safety Agency certification.

“We have also seen a growing trend where clients are including the C919 option in their fleet evaluation,” said Adam Cowburn of Alton Aviation Consultancy.

COMAC will be one of two commercial plane makers flying their planes alongside Airbus. Boeing will not send a commercial aircraft to the show this year.

It is the first major international industry event since last month’s blowout of a door plug on a 737 MAX 9 pushed Boeing into its second safety crisis in five years and sent images of a fuselage with a gaping hole whizzing across the globe.

Analyst Sash Tusa of U.K.-based Agency Partners said that in the past, the industry rarely discussed aviation safety in public, on the assumption that any mention would undermine confidence.

“But this omerta no longer seems to apply,” he added in a note.

Environmental impact

Singapore will invite industry delegates to discuss aviation’s environmental impact and will reveal a plan for making Singapore’s aviation sector sustainable. In November, the global aviation industry agreed to lower fuel carbon emissions 5% by 2030, toward a goal of “net zero” carbon emissions by 2050.

“For the industry to meet its Fly Net Zero ambitions by 2050, Asia will be a key driver given that it will continue to remain the largest aviation market,” Cowburn said.

A massive ramp-up in sustainable aviation fuel, or SAF, production is the current hope for meeting these targets, but it costs three to five times more than traditional jet fuel and there are concerns about how to sustainably meet demand.

“That awareness of aviation’s climate impact has been rising, and the questions about this industry’s license to operate have been increasingly raised — without there being a credible path of tackling that problem,” said Sami Jauhiainen of refiner Neste, which started refining SAF in Singapore last year.

Defense needs

Some new freighters are also in demand, delegates said. Amid spiraling tensions over Taiwan, disputes over South China Sea sovereignty and a spike in North Korean missile tests, regional defense budgets are rising. Systems from small drones to complex sub-hunting aircraft will be on display.

The war in Ukraine, which has seen extensive use of high-end air defenses, and repeated attacks on Red Sea shipping, may also spur interest in systems that can intercept missiles and drones, as well as intelligence, surveillance and reconnaissance platforms used to keep tabs on adversaries. No Russian companies are listed among the exhibitors at the air show.

Six air forces will stage flying demonstrations, including the United States and India.

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Private US Spaceflight Company’s Moonshot Underway

Can the United States make a return to the surface of the moon? NASA and a private U.S. spaceflight company hope so. VOA’s Arash Arabasadi brings us The Week in Space.

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US Justice Department Says It Disrupted Russian Intelligence Hacking Network

Washington — The U.S. Justice Department said on Thursday it disrupted a Russian intelligence hacking network.

“For the second time in two months, we’ve disrupted state-sponsored hackers from launching cyber-attacks behind the cover of compromised U.S. routers,” U.S. Deputy Attorney General Lisa Monaco said in a statement.

The Justice Department said that a January 2024 court-authorized operation neutralized the network of hundreds of small office/home office (SOHO) routers controlled by Russian intelligence and used “to conceal and otherwise enable a variety of crimes.”  

“In this case, Russian intelligence services turned to criminal groups to help them target home and office routers, but the Justice Department disabled their scheme,” Attorney General Merrick Garland added.

Garland said the Justice Department was accelerating efforts to disrupt the Russian government’s cyber campaigns against the United States and its partners, including Ukraine.

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China’s VPN Usage Nearly Doubles Amid Internet Censorship

WASHINGTON — Last year, VPN usage in China nearly doubled, according to data from IT education news outlet Techopedia, this despite the country’s strict regime of internet controls of everything from overseas websites to online games.

China’s “Great Firewall” is one of the world’s most comprehensive internet censorship regimes, preventing citizens from accessing websites like Instagram, Wikipedia and YouTube, as well most major news organizations including VOA.

VPNs are outlawed in China because they allow users to jump the “Great Firewall” and securely connect to the internet outside the country while blocking their IP address.

Rob Binns, a journalist with Techopedia, said China’s increasingly strict censorship policies may explain the rise in VPN usage there.

“Looking at VPN usage versus what it’s combating, which is online censorship, we are seeing online censorship in a range of countries, particularly China, becoming more strategic and more surgical,” Binns told VOA in an interview. 

In 2021, Chinese regulators limited teenagers’ access to video games to three hours per week — from 8 to 9 p.m. on Fridays, Saturdays and Sundays — before unveiling more severe restrictions last December which set spending limits on video game platforms and banned incentives for daily logins.

Binns said these regulations on minors may particularly motivate Chinese usage of VPNs.

“With that younger demographic, which is traditionally, extremely, highly tech-literate demographic, they’re always going to be looking for ways to kind of circumvent that top-down pressure from governments and find ways to get around that,” Binns said. “And if that means turning to VPNs to circumvent that, then that’s certainly what we’re seeing.”

Analysts say VPNs empower Chinese internet users to discuss major political issues on the internet without facing governmental blowback.

“Circumvention tools like VPNs can enable people in China to access the global internet, including spaces where they can express themselves freely without fear of censorship,” Kian Vesteinsson, a senior research analyst for technology and democracy at the nonprofit Freedom House, which advocates for political freedom, told VOA in an emailed response. “During unprecedented nationwide protests in late 2022, many Chinese people used VPNs to sidestep the Great Firewall and share their views on otherwise-inaccessible social media platforms.”

Vesteinsson said access to a free, open internet potentially threatens the ruling Chinese Communist Party — hence the government’s crackdowns on internet usage.

“Circumvention technology helped produce one of the most open challenges to CCP rule in decades,” Vesteinsson told VOA. “CCP authorities responded to the 2022 protests in part by scrubbing references to VPNs from the Chinese internet.”

“People face severe consequences for using prohibited VPNs, particularly if they belong to a marginalized ethnic or religious minority or try to access content censored by the authorities,” Vesteinsson added. “The government even removes discussion of VPNs from China-based social media platforms, preventing people from learning about circumvention technology.”

Analysts expect further crackdowns could lead either to additional upticks in VPN usage or a reluctance to use VPNs, depending on how China chooses to further enhance its censorship regime.

“The exact nature of the crackdown, as well as accompanying measures are what decides which effects it is likely to have,” Antonia Hmaidi, a senior analyst at the Berlin-based think tank Mercator Institute for China Studies, told VOA in an email. “China has been so successful in managing its internet partly through making the Great Firewall work not only with fear, but also friction and flooding.”

Hmaidi adds that instead of cracking down, China could also slow the speed of all connections outside the country, which would make it more inconvenient to use VPNs, and maintain an approved list of fast connections for companies.

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Pope Urges Catholics to Swap Social Media for Reflection as Lent Begins

ROME — Pope Francis urged Catholics to forgo worldly trappings and focus on essentials as he opened the season of Lent with a traditional Ash Wednesday Mass on one of Rome’s historic seven hills.

He criticized people’s tendency to lay bare their lives on social media, deploring “a world in which everything, including our emotions and deepest feelings, has to become ‘social.'”

Instead, the faithful should enter their “inner chamber” to find time for quiet reflection and prayer, the 87-year-old pontiff said in a homily.

Lent is a 40-day period of penance that leads to Easter, the most important Christian festival, which celebrates the day on which Christians believe Jesus rose from the dead.

It represents the 40 days Jesus is said in the Bible to have spent fasting in the desert. During the season, Catholics are asked to fast, remember the needy and reflect on mortality.

“Life is not a play: Lent invites us to come down from the stage and return to the heart, to the reality of who we are,” Francis said.

“Let us not be afraid to strip ourselves of worldly trappings and return to the heart, to what is essential.”

He spoke at a service held in the Basilica of Santa Sabina on Rome’s Aventine Hill, preceded by prayers in a nearby church and a procession of cardinals and bishops.

Mass goers, including the pope, had ashes sprinkled on their heads in the Ash Wednesday ritual that, for the world’s more than 1.35 billion Catholics, serves as a reminder of mortality.

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Biden is on TikTok Despite Security Concerns

In an effort to connect to younger voters, the Biden campaign has joined TikTok. But while many users have welcomed the move, security experts and even legislators have expressed disapproval amid long-standing privacy concerns surrounding the use of the Chinese-owned app. VOA’s Veronica Balderas Iglesias has details from Washington. (Produced by: Veronica Balderas Iglesias)

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Microsoft Says It Caught Hackers From China, Russia and Iran Using Its AI Tools

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State Production Unit Making Cheaper Labs for Schools in Kenya

A Kenyan government agency is helping students from low-income families access laboratories for science classes. The producer is making solar-powered mobile laboratories that are cheaper than building permanent facilities. Victoria Amunga reports from Nairobi. Camera: Jimmy Makhulo

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Silicon Valley Startup Discovers Huge Copper Deposits

A California-based company backed by tech billionaires says it has discovered major copper deposits in Zambia using artificial intelligence. The discovery comes as demand for the metal is especially high for the global transition to cleaner energy sources. Kathy Short reports from Lusaka, Zambia. (Camera and produced by: Richard Kille)

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How COVID-19 Changed US Office Fashion

Hybrid work relaxed office fashion, but formal attire might be making a comeback

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Oscar Nominees From Films ‘Oppenheimer,’ ‘Barbie’ Gather for Luncheon

LOS ANGELES — The casts of “Barbie” and “Oppenheimer” gathered Monday for the annual Academy Award nominees’ luncheon along with other Oscar hopefuls coming together for photos, hugs and congratulations. 

The luncheon is a warm, feel-good, egalitarian affair where little-known first-time nominees in categories like best animated short get to rub shoulders and share tables with acting nominees like Ryan Gosling and Emma Stone. 

Greta Gerwig and Margot Robbie, whose snubs for best director and best actress, respectively, for “Barbie” caused a major stir, were both present for the nominations they did get and were all smiles before lunch. 

Gerwig, nominated for adapted screenplay, was surrounded by selfie-seekers as soon as she entered the ballroom. 

Robbie, up for best picture as a “Barbie” producer, beamed nearby as she hugged and chatted with a woman who got one of the best actress spots, Sandra Hüller of “Anatomy of a Fall.” 

The centerpiece of the event in Beverly Hills, California, is a class photo of the entire group of nominees. Nearly all of them usually attend, both as part of the Oscars experience and as part of their unspoken campaigns for votes. 

Before the luncheon began, nominees including Cillian Murphy, a favorite for best actor for “Oppenheimer,” and Da’Vine Joy Randolph, a favorite for best supporting actress for “The Holdovers,” made the rounds of media outlets whose reporters are set up in cabanas around the Beverly Hilton pool. 

Steven Spielberg, nominated for best picture as a producer of “Maestro,” chatted with a small group on the patio. 

Less famous nominees packed into the ballroom and posed for group pictures.

They’ll later be seated for a vegetarian menu of king oyster mushrooms and wild mushroom risotto.

The event is also a chance for the leadership of the Academy, including President Janet Yang to give speeches and address their prominent members in person.

She used last year’s luncheon to address what she called the Academy’s “inadequate” response to Will Smith slapping Chris Rock at the previous year’s ceremony. 

Yang’s remarks this year had a much lighter tone, and dealt with more banal matters, like the timing of the Oscars ceremony.

“In case any of you have been in a nominations haze, we are starting an hour earlier this year,” she said.

When she saw surprise around the room she said, “Ooh, some people didn’t know! I’m glad I reminded you!”

She drew groans when she added that the Oscars come on the first day of daylight-saving time. 

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