Month: October 2024

WINTER PARK, Florida — Many Jews worldwide will mark Yom Kippur in fasting and prayer at their synagogues this weekend.

But for the faithful in Florida, destructive Hurricane Milton has disrupted plans for observing the Day of Atonement — the holiest day of the year in the Jewish faith — that begins Friday evening and caps off the High Holy Days that began with Rosh Hashana on October 2.

Across the storm-threatened areas, rabbis and their congregants spent part of the Days of Awe — the span between Rosh Hashana and Yom Kippur — protecting their homes and synagogues as Milton churned off the coast, spiraling into a Category 5 storm. Many — though not all — evacuated, heeding the voluntary and mandatory orders, and found safekeeping for their synagogues’ Torah scrolls and themselves.

Milton hit Florida’s Gulf Coast on Wednesday as a Category 3 cyclone, with damaging winds, heavy rains and tornadoes. By Thursday, the storm had moved eastward into the Atlantic Ocean.

Why this rabbi decided against evacuating before storm

Rabbi Yitzchok Minkowicz evacuated most of his family ahead of the storm, but chose to ride it out with his son, also a rabbi, at Chabad Lubavitch of Southwest Florida near Fort Myers. The center is hosting people displaced by the storm, including doctors, first responders and elderly who cannot evacuate.

It’s important to be “with the people and for the people,” and provide emotional and spiritual support, he said as the storm approached.

Near midnight Thursday, the Chabad center and the rest of the neighborhood lost power, said Minkowicz, making them among the millions without it. The center was spared from the storm surge, but homes and other buildings in the area were not, he said.

“Our pressing need is for Power so that we can help our community & hold Yom Kippur services,” Minkowicz told The Associated Press via email Thursday. “We’re praying for this to be resolved asap.”

The center planned to host Yom Kippur observances regardless of the storm. He said it was similar two years ago, when the holy day followed the major hurricane, Ian.

“Yom Kippur is a day that you open up your soul to God and you totally connect with God,” Minkowicz said. “When you go through a hurricane, anything materialistic is not important. They’re already in that zone where they’re totally focused on God.”

Congregation Beth Am in the Tampa Bay area also lost power and plans to hold Yom Kippur services online, said Rabbi Jason Rosenberg of the Reform synagogue.

“It’s important to keep perspective. Having a service online is not what anybody wants, but it could’ve been a lot worse,” he said. “This feels like a blessing.”

The storm underscored one of Yom Kippur’s annual reflections.

An implicit question, he said before Milton’s landfall, is “If this was going to be your last year on earth, how would you want to act differently? … When you’ve got a historical storm, a potentially life-threatening and life-altering storm bearing down on you, that message is really present.”

Milton disrupts Yom Kippur and October 7 commemoration

Like most of her congregants, Rabbi Nicole Luna had evacuated after helping secure Temple Beth El in Fort Myers, and entrusting several Torah scrolls to congregants should the threatened surge devastate the synagogue.

While the congregation braved Hurricanes Irma in 2017 and Ian in 2022, Milton’s timing hit especially hard, having already forced the postponement of community-wide commemoration of Hamas attacking Israel on October 7, 2023. The war that followed is ongoing.

“It just feels like too much for our hearts to carry right now,” Luna said from Miami ahead of the storm. “It’s all very heavy.”

After the storm passed through, Luna told her congregation that their synagogue had emerged undamaged, though it lost power.

She announced plans for a service via Zoom on Friday evening, and in-person services Saturday.

“We hope by Saturday more traffic lights will be restored but please only come if you can safely navigate the roads,” she said in her message.

Luna said she was grateful for the “big outpouring of support” she received from fellow rabbis across the East Coast of Florida, who were opening their temples for the holidays to evacuees and have emphasized they can come as they are since few grabbed “holiday-appropriate clothing” in the rush to escape Milton’s fury.

The Chabad of Southwest Broward near Fort Lauderdale is hosting several evacuees from areas most affected by the storm, ranging from a mother with her newborn to an elderly couple, said director Rabbi Pinny Andrusier. They are invited to spend Yom Kippur with the Cooper City-based group, including sharing kosher meals before and after the day of fasting.

“We were spared, thank God,” Andrusier said of the storm. “We’ve been able to open up our doors” for those in the hurricane zone.

Synagogue skips holding Yom Kippur services

Hundreds of Jewish families on Longboat Key, a barrier island off Sarasota Bay, won’t be able to observe Yom Kippur in their synagogue for the very first time in their 45-year history, said Shepard Englander, CEO of The Jewish Federation of Sarasota-Manatee.

Access to the island, specifically the John Ringling Causeway, was closed ahead of the storm. The congregation decided it wasn’t worth risking Milton’s might for Day of Atonement services. They had celebrated Rosh Hashana in their building despite a number of nearby homes being damaged by Hurricane Helene, which made landfall last month.

Englander said he and his family evacuated from their home on a riverbank outside Sarasota and were hunkered down at a friend’s home inland. From there, he was trying to make sure community members from Longboat Key and other temples that won’t have services can say their prayers and break their daylong Yom Kippur fast at a newly constructed conference center in Sarasota with food items like blintzes, bagels, cream cheese and smoked salmon.

Ahead of the storm, people were scattered in the region at emergency shelters or staying with family or friends, Englander said.

“It’s in difficult times that you really understand the power of community,” he said. “And this is a caring, tight-knit, generous Jewish community.”
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Taipei, Taiwan — Organizers of Taiwan’s premier film festival report a huge increase this year in entries from China, despite a ban imposed by Beijing six years ago on participation in the festival by Chinese filmmakers and actors.

As many as 100 Chinese entries had been submitted for Golden Horse Awards in recent years, in defiance of the ban and without apparent consequences. But this year organizers say the number of movies and documentaries submitted from China shot up to 276.

More than a dozen of the Chinese films are potential finalists, some in multiple categories. The winners will be announced on November 23.

Industry analysts and directors say many of the Chinese filmmakers may have turned to the Golden Horse Awards to earn exposure for their movies, fearing they would be banned at home. Others point to the festival’s reputation for hosting a diversity of films.

According to a list of finalists released on October 2, Chinese director Lou Ye’s pseudo-documentary, An Unfinished Film, and Geng Jun’s black-and-white gay film Bel Ami were shortlisted for multiple awards.

Wonder Weng, executive director of the Taiwan Film Critics Society in Taipei, said both movies are likely to be banned in China.

He said that Lou, a regular participant in the Golden Horse Awards, has never bowed to the Chinese system and that his An Unfinished Film deviates from Beijing’s favored narratives about the COVID-19 pandemic. Geng’s Bel Ami, Weng added, challenges the values of the Chinese Communist Party amid a heavy-handed crackdown on the LGBTQ community.

Among this year’s entrants is Zheng Yu, a 27-year-old independent director from Inner Mongolia who specializes in expressing thoughts and emotions through images and who has been involved in film and television production for eight years.

His entry, Her Dream in the Living Room is a short film that records how life for his family was changed by an elder’s chronic disease. Although he was not shortlisted in the end, he told VOA that he still dreams of standing on the stage of the Golden Horse Awards one day.

Zheng said there are three golden awards in the Chinese film industry: the Taiwan Golden Horse, the Hong Kong Golden Statue and the China Golden Rooster Awards.

Among the three, “The Golden Horse Awards are more welcoming to varieties of films, and it is also more supportive of young directors, so this is why I wanted to apply for the Golden Horse Awards,” he said.

In addition to the film entries from China, this year’s festival includes 277 entries from Taiwan, 72 from Hong Kong, 17 from Macau, 21 from Malaysia, 17 from Singapore and 67 from other countries.

Ng Kwok Kwan, an associate professor at the Academy of Film at Hong Kong Baptist University, said the Golden Horse Awards are the oldest Chinese film awards on either side of the Taiwan Strait.

Although entries from China, Hong Kong and Macao have been discouraged by politics, the Golden Horse Awards are still seen as major awards in the Chinese film industry, and being nominated for a festival award will greatly enhance a film’s visibility, he said.

Ng added that the festival has become the best channel for Chinese-speaking audiences to access excellent works, and it is also the ideal outlet for some non-mainstream Hong Kong and Chinese filmmakers.

He said Hong Kong-made films received a total of 18 nominations at last year’s Golden Horse Awards and finally won four awards: Best New Director, Best New Actor, Best Feature Short Film and Best Animated Short Film.

“In recent years, some of the Hong Kong films nominated have been very good. They belong to a relatively niche and non-mainstream, and [the festival] has a special [interest] in the themes of non-mainstream, social issues, and experimental films, and I think it really has a certain contribution [to Hong Kong films],” he said.

Seventy-two Hong Kong films participated in this year’s Golden Horse Awards. From Now On, which explores the situation of older lesbians, was shortlisted for the Best Feature Film, Best Director and Best Actress awards.

Among the five shortlisted films for Best Short Film, three are Hong Kong films, including Colour Ideology Sampling.mov, Something About Us and Letters from the Imprisoned: Chow Hang Tung.
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The vibrant world of yellow-skinned giants, surreal landscapes and a massive mechanical zoetrope have taken over the Hirshhorn Museum in the largest U.S. showcase of work by Brazilian twin brothers OSGEMEOS. It’s the most comprehensive display of the siblings’ art ever presented in the United States. Maxim Adams has the story. Camera: Sergii Dogotar.
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While online dating apps are as popular as ever, some singles prefer meeting in person. Karina Bafradzhian has a look at some services that offer face-to-face meetups for people who are looking for friends as often as dates. Camera: Sergii Dogotar
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BEIJING — Coco Gauff rallied Saturday from a set down for the third consecutive match as she beat Paula Badosa 4-6, 6-4, 6-2 to advance to the final of the China Open.

The sixth-ranked Gauff will play Karolina Muchova of the Czech Republic in Sunday’s final as the 20-year-old American bids for her second WTA-1000 level title.

Muchova defeated Olympic gold medalist Zheng Qinwen 6-3, 6-4 in the other semifinal.

Gauff, who has a 7-1 record in tour finals, has made a habit of slow starts in Beijing this week and the script played out again as the No. 19-ranked Badosa took a tight opening set in 59 minutes, saving 10 of 11 break points.

The Spaniard then built a 3-1 lead in the second set before the 2023 U.S. Open champion shifted the momentum by saving four break points and then breaking back to level at 4-4.

Gauff then held for 5-4 and broke Badosa again to force a deciding set.

“I felt like I was playing the right way the whole time, just a couple of unforced errors, she was playing well too,” Gauff said in her on-court interview. “I was trying to stay focused. Mentally, I just tried to reset. I got down a couple of times, and I tried to bounce back.”

With all the momentum, Gauff then broke Badosa three more times — for the loss of one of her own — as she clinched the match in 2 hours, 20 minutes.

Gauff had also lost the first set to Naomi Osaka in the fourth round before winning by walkover as the four-time major winner retired with a back injury at one set-all.

“I’ve had tough opponents the whole tournament,” Gauff said.

In the quarterfinals, Gauff trailed the No. 115-ranked Yuliia Starodubtseva before rallying to win in three.

Shanghai masters

Carlos Alcaraz and top-ranked Jannik Sinner showed no signs of fatigue from their China Open final earlier this week to advance with comfortable straight-set victories in their opening matches.

The second-ranked Alcaraz, who beat the Italian in Beijing on Wednesday for his fourth title of the year, recorded his 10th consecutive win with a 6-2, 6-2 result against 19-year-old Shang Juncheng of China.

The 21-year-old Spaniard won the first nine points of the match and four of seven break points as he rushed into a third-round meeting with another Chinese player, Wu Yibing.

“I’m not used to playing against players younger than me,” Alcaraz said. “He has been playing good tennis lately, lifting his first ATP (title in Chengdu), so I’m pretty sure he’s going to climb the rankings. I’m just happy to be able to win these kinds of matches.”

Sinner, who is dealing with an ongoing doping case, had a comfortable 6-1, 6-4 outing against Taro Daniel of Japan for his 250th career win.

The Italian, who won the U.S Open last month for his second major of the year, fired 12 aces and 38 winners.

“I felt quite comfortable today,” said the 23-year-old Sinner, who next plays Tomas Martin Etcheverry of Argentina. “I feel in good shape also physically, which is very important for me. Of course I will try to improve for tomorrow’s performance, but today I was serving really, really well, especially in important moments, and was moving well.”

No. 65-ranked Jakub Mensik of the Czech Republic broke sixth-ranked Andrey Rublev seven times on his way to an upset 6-7 (7), 6-4, 6-3 victory.

Yosuke Watanuki also had a surprise win, beating Number 35-ranked Brendan Nakashima 7-6 (4), 6-3. The Japanese qualifier plays either seventh-ranked Taylor Fritz of the U.S. or French qualifier Terence Atmane next.

Also, 24th-ranked Alexei Popyrin of Australia beat Miomir Kecmanovic of Serbia 6-3, 6-2.

Later Saturday, third-ranked Alexander Zverev began his campaign against Italian qualifier Mattia Bellucci, while fourth-ranked Novak Djokovic faced Alex Michelsen of the United States. 
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LIMA, Peru — Peru on Thursday celebrated two decades since the creation of a genetically modified breed of guinea pig, a rodent whose meat has formed a part of the diet of people in the Andean nation for thousands of years.

The genetically modified breed of guinea pig — known as cuy locally — is called “Peru.” It was created in 2004 at the National Institute of Agrarian Innovation, Juan Solórzano, a research zootechnician, said in the middle of one of the institute’s farms where thousands of guinea pigs are raised for study.

What characterizes the Peru breed is that grows faster, reaching a weight of 1 kilogram in 56 days, rather than the 160 days that was needed before, Solórzano said.

“It is a precocious breed,” said Solórzano.

Guinea pigs are native to the Andes Mountains and are raised in Peru, Bolivia, Ecuador and Colombia, areas where the Inca Empire spread almost 500 years ago.

There are more than 25 million guinea pigs in Peru, according to official figures. The rodent is so popular in the South American country that authorities have decreed the second Friday of October as National Guinea Pig Day to encourage its consumption.

Internal migration from Peru’s Andes in the 20th century brought the custom of eating guinea pigs to the country’s Pacific coast.

“It is eaten at sporting events or religious festivals. Guinea pig is a festive dish,” Solórzano said. It is also used in ritual healing practices by being rubbed over the body of a sick person.

Marina Isabel Briceño, an employee at an air conditioning supply company, said she has eaten guinea pigs since she was a child, calling them a delicacy served at “special events.”

Born in the Cajamarca region, Briceño said that at baptisms the parents often give the godfather and godmother a tray with more than a dozen guinea pigs that have been fried and are “crispy and ready to eat.”

“I know it is a rodent, a distant relative of rats, but those animals eat garbage, whereas guinea pigs eat something else, tender corn leaves which is why they are tasty,” she said.
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LOS ANGELES — American actor John Amos, who starred as the family patriarch on the hit 1970’s sitcom Good Times and earned an Emmy nomination for his role in the seminal 1977 miniseries Roots, has died. He was 84. 

Amos’ publicist, Belinda Foster, confirmed the news of his death Tuesday. No other details were immediately available. 

He played James Evans Sr. on Good Times, which featured one of television’s first Black two-parent families. Produced by Norman Lear and co-created by actor Mike Evans, who co-starred on All in the Family and The Jeffersons, it ran from 1974-79 on CBS. 

“That show was the closest depiction in reality to life as an African American family living in those circumstances as it could be,” Amos told Time magazine in 2021. 

His character, along with wife Florida, played by Esther Rolle, originated on another Lear show, Maude. James Evans often worked two manual labor jobs to support his family that included three children, with Jimmie Walker becoming a breakout star as oldest son J.J. 

Such was the show’s impact that Alicia Keys, Rick Ross, the Wu-Tang Clan are among the musicians who name-checked Amos or his character in their lyrics. 

Amos and Rolle were eager to portray a positive image of a Black family, struggling against the odds in a public housing project in Chicago. But they grew frustrated at seeing Walker’s character being made foolish and his role expanded. 

“The fact is that Esther’s criticism, and also that of John and others — some of it very pointed and personal — seriously damaged my appeal in the Black community,” Walker wrote in his 2012 memoir Dyn-O-Mite! Good Times, Bad Times, Our Times. 

After three seasons of critical acclaim and high ratings, Amos was fired. He had become critical of the show’s white writing staff creating storylines that he felt were inauthentic to the Black characters. 

“There were several examples where I said, ‘No, you don’t do these things. It’s anathema to Black society. I’ll be the expert on that, if you don’t mind,'” he told Time magazine. “And it got confrontational and heated enough that ultimately my being killed off the show was the best solution for everybody concerned, myself included.” 

Amos’ character was killed in a car accident. Walker lamented the situation. “If the decision had been up to me, I would have preferred that John stay and the show remain more of an ensemble,” he wrote in his memoir. “Nobody wanted me up front all the time, including me.” 

Amos and Lear later reconciled and they shared a hug at a Good Times live TV reunion special in 2019. 

Amos quickly bounced back, landing the role of an adult Kunta Kinte, the centerpiece of Roots, based on Alex Haley’s novel set during and after the era of slavery in the U.S. The miniseries was a critical and ratings blockbuster, and Amos earned one of its 37 Emmy nominations. 

“I knew that it was a life-changing role for me, as an actor and just from a humanistic standpoint,” he told Time magazine. “It was the culmination of all of the misconceptions and stereotypical roles that I had lived and seen being offered to me. It was like a reward for having suffered those indignities.” 

Early years

Born John Allen Amos Jr. on Dec. 27, 1939, in Newark, New Jersey, he was the son of an auto mechanic. He graduated from Colorado State University with a sociology degree and played on the school’s football team. 

Before pursuing acting, he moved to New York and was a social worker at the Vera Institute of Justice, working with defendants at the Brooklyn House of Detention. 

He had a brief professional football career, playing in various minor leagues. He signed a free-agent contract in 1967 with the Kansas City Chiefs, but coach Hank Stram encouraged Amos to pursue his interest in writing instead. He had jobs as an advertising and comedy writer before moving in front of the camera. 

Amos’ first major TV role was as Gordy Howard, the weatherman on The Mary Tyler Moore Show from 1970-73. As the show’s only Black character, he played straight man to bombastic anchor Ted Baxter. 

Among Amos’ film credits were Let’s Do It Again with Bill Cosby and Sidney Poitier, Coming to America with Eddie Murphy and its 2021 sequel, Die Hard 2, Madea’s Witness Protection and Uncut Gems with Adam Sandler. He was in Ice Cube and Dr. Dre’s 1994 video “Natural Born Killaz.” 

He was a frequent guest star on The West Wing, and his other TV appearances included Hunter, The District, Men in Trees, All About the Andersons, Two and a Half Men, and The Ranch. 

In 2020, Amos was inducted into the New Jersey Hall of Fame. He served in the New Jersey National Guard.
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