Russian-born fashion designer Dasha Pomeranz tells stories with the clothing she creates. Her latest collection is a tribute to women who were forced to leave their native countries and start new lives in the United States. Karina Bafradzhian has the story. (Videographer: Sergii Dogotar ; Produced by: Sergii Dogotar, Anna Rice )
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New York — Paul McCartney’s previous New York-area performance took place three years ago at MetLife Stadium, capacity 82,500. His surprise show Tuesday night at the Bowery Ballroom fit, at most, 575.
It was probably less than that since McCartney’s sound board and gear — too much to fit backstage — occupied a portion of the floor space at the venerable downtown theater. The whole thing felt like, and was, a lark. McCartney announced the show just hours before taking the stage.
Like an echo of Beatlemania, the news swept through Manhattan and beyond earlier in the day, sending New Yorkers sprinting down Delancey Street for a chance to snag one of the few tickets at the Bowery. Most in attendance, including McCartney, himself, could hardly believe it was happening.
“So, here we are,” McCartney said, grinning. “Some little gig. New York. Why not?”
Later, before launching into “Let Me Roll It,” he added: “I can’t quite believe we’re here, doing this. But we are here, doing this.”
It was not McCartney’s first impromptu concert. The Beatles famously performed in 1969 atop the roof of their Apple Corps headquarters at 3 Savile Row in London. Since then, he’s made something of a habit of it on trips to New York.
In 2009, McCartney returned to the Ed Sullivan Theater, site of the Beatles’ famous U.S. debut, and performed above the marquee. In 2018, he popped up in Grand Central Terminal to promote the release of his “Egyptian Station.”
With temperatures in the low 30s on Tuesday, McCartney, 82, this time opted for an intimate, indoor show. Tickets were sold only physically at the venue, one per person. All were snapped up within about 30 minutes.
For those quick enough, it was like hitting the lottery.
Amy Jaffe, 69, was at home about 30 blocks north when she saw the announcement on Instagram. “I thought: I can do this,” Jaffe said before the show. “I put on jeans, grabbed a coat, called a Lyft.”
Jaffe has seen McCartney many times before, including with the Beatles in 1964 in Forrest Hills, Queens. But she was still incredulous, smiling and shaking her head: “I don’t actually believe it.”
Phil Sokoloff, 31, was on his way to work nearby when he saw the news. He ran in and told his co-worker, Mat Fuller, and they rushed over to the Bowery Ballroom.
“We just got lucky,” Sokoloff said. “I’m always learning about these things the day after.”
McCartney took the stage roughly on time at 6:30 p.m. with his regular band, along with a three-member horn section. They had only rehearsed once, the day before, McCartney said. Someone shouted: “You don’t need to rehearse!”
If the location was stripped down, the former Beatle didn’t come with a minimized show, packing in a blistering tour through his entire catalog, from Beatles classics to Wings hits. He began with “A Hard Day’s Night” and also performed “Got To Get You Into My Life,” “Maybe I’m Amazed,” “Lady Madonna,” “Jet,” “Get Back,” “Ob-La-Di, Ob-La-Da,” “Let it Be” and “Hey Jude.”
“Blackbird” was a solo number on acoustic guitar, and afterward McCartney reflected on how he wrote it for the Civil Rights Movement, a memory that brought back his first trips to the United States.
“We were just kids,” McCartney said. “I’ve got grandchildren older than that now.”
In the early days, he said, he and John Lennon were always writing for the audience, and the songs were all about reaching out: “I Want to Hold Your Hand,” “From Me to You.”
“It had everything to do with the fans, really,” McCartney said.
Before playing the Wings song “Mrs. Vanderbilt,” McCartney spoke of playing it in front of 350,000 people in Kyiv, when Ukraine was exuberant with a newfound freedom. “Let’s hope it gets back to that soon,” he said.
Conversation, mixed with shouts from the audience, peppered the set. After one particularly shrill scream, McCartney responded. “That was a Beatles scream.” Then he asked for more, saying, “OK, let’s get it out of the way. Girls, give me a Beatles scream.” All in attendance obliged.
McCartney also performed the so-called last Beatles song, “Now and Then,” a ballad penned by Lennon in the late ’70s but only released in 2023 with the help of the some of the technology used in Peter Jackson’s 2021 documentary, “The Beatles: Get Back.” The song made McCartney wistful for his songwriting partner, whom he noted loved New York.
“Let’s hear it for John,” he said.
McCartney, who was spotted Sunday at the Super Bowl in New Orleans chatting with Adam Sandler, was in New York for the upcoming “Saturday Night Live” 50th anniversary festivities. He’s to be a guest on the star-studded television special Sunday.
It was unclear if McCartney was playing a single show or preparing for something more. He wrapped the Got Back Tour in December and has said he’s hoping to finish a new album this year.
For now, though, it was a one-night-only event. One crowd member asked McCartney if it could go all night. “Some of us need to get some sleep, you know,” he replied.
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U.S. prosecutors on Tuesday unveiled an expanded 14-count indictment accusing former Google software engineer Linwei Ding of stealing artificial intelligence trade secrets to benefit two Chinese companies he was secretly working for.
Ding, 38, a Chinese national, was charged by a federal grand jury in San Francisco with seven counts each of economic espionage and theft of trade secrets.
Each economic espionage charge carries a maximum 15-year prison term and $5 million fine, while each trade secrets charge carries a maximum 10-year term and $250,000 fine.
The defendant, also known as Leon Ding, was indicted last March on four counts of theft of trade secrets. He is free on bond. His lawyers did not immediately respond to requests for comment.
Ding’s case was coordinated through an interagency Disruptive Technology Strike Force created in 2023 by the Biden administration.
The initiative was designed to help stop advanced technology from being acquired by countries such as China and Russia or potentially threatening national security.
Prosecutors said Ding stole information about the hardware infrastructure and software platform that lets Google’s supercomputing data centers train large AI models.
Some of the allegedly stolen chip blueprints were meant to give Google an edge over cloud computing rivals Amazon and Microsoft, which design their own, and reduce Google’s reliance on chips from Nvidia.
Prosecutors said Ding joined Google in May 2019 and began his thefts three years later when he was being courted to join an early-stage Chinese technology company.
Ding allegedly uploaded more than 1,000 confidential files by May 2023 and later circulated a PowerPoint presentation to employees of a China startup he founded, saying that country’s policies encouraged development of a domestic AI industry.
Google was not charged and has said it cooperated with law enforcement.
According to court records describing a December 18 hearing, prosecutors and defense lawyers discussed a “potential resolution” to Ding’s case, “but anticipate the matter proceeding to trial.”
The case is U.S. v. Ding, U.S. District Court, Northern District of California, No. 24-cr-00141.
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Ukrainian culture is booming amid the war with Russia. That’s despite the constant rocket attacks and damage to almost 500 heritage sites, according to UNESCO. Experts say Ukrainians have never been as interested in their own culture as they are now. As Lesia Bakalets reports from Kyiv, almost any event is sold out, especially in the capital. (Videographer: Vladyslav Smilianets )
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PARIS — France hosts top tech players next week at an artificial intelligence summit meant as a “wake-up call” for Europe as it struggles with AI challenges from the United States and China.
Players from across the sector and representatives from 80 nations will gather in the French capital on February 10 and 11 in the sumptuous Grand Palais, built for the 1900 Universal Exhibition.
In the run-up, President Emmanuel Macron will on Feb. 4 visit research centers applying AI to science and health, before hosting scientists and Nobel Prize winners at his Elysee Palace residence on Wednesday.
A wider science conference will be held at the Polytechnique engineering school on Thursday and Friday.
“The summit comes at exactly the right time for this wake-up call for France and Europe, and to show we are in position” to take advantage of the technology, an official in Macron’s office told reporters.
In recent weeks, Washington’s announcement of $500 billion in investment to build up AI infrastructure and the release of a frugal but powerful generative AI model by Chinese firm DeepSeek have focused minds in Europe.
France must “not let this revolution pass it by,” Macron’s office said.
Attendees at the summit will include Sam Altman, head of OpenAI — the firm that brought generative models to public consciousness in 2022 with the launch of ChatGPT.
Google boss Sundar Pichai and Nobel Prize winner Demis Hassabis, who leads the company’s DeepMind AI research unit, will also come, alongside Arthur Mensch, founder of French AI developer Mistral.
The Elysee has said there are “talks” on hosting DeepSeek founder Liang Wenfeng, and has yet to clarify whether X owner Elon Musk — who has his own generative initiative, xAI — has accepted an invitation.
Nor is it clear who will attend from the United States and China, with the French presidency saying only “very high level” representatives will come.
Confirmed guests from Europe include European Commission chief Ursula von der Leyen and German Chancellor Olaf Scholz.
‘Stoke confidence’
The tone of the AI summit will be “neither catastrophizing, nor naive,” Macron’s AI envoy Anne Bouverot told AFP.
Hosting the conference is also an opportunity for Paris to show off its own AI ecosystem, which numbers around 750 companies.
Macron’s office has said the summit would see the announcement of “massive” investments along the lines of his annual “Choose France” business conference, at which $15.4 billion of inward investment were pledged in 2024.
Beyond the economic opportunities, AI’s impact on culture including artistic creativity and news production will be discussed in a side-event over the weekend.
Debates open to the public, such as that one, are aimed at showing off “positive use cases for AI” to “stoke confidence and speed up adoption” of the technology, said France’s digital minister Clara Chappaz.
For now, the French public is skeptical of AI, with 79 percent of respondents telling pollsters Ifop they were “concerned” about the technology in a recent survey.
More ‘inclusive’ AI?
Paris says it also hopes the summit can help kick off its vision of a more ethical and accessible and less resource-intensive AI.
At present, “the AI under development is pushed by a few large players from a few countries,” Bouverot said, whereas France wants “to promote more inclusive development.”
Indian Prime Minister Narendra Modi has been invited to co-host the Paris summit, in a push to bring governments on board.
One of the summit’s aims is the establishment of a public-interest foundation for which Paris aims to raise $2.5 billion over five years.
The effort would be “a public-private partnership between various governments, businesses and philanthropic foundations from different countries,” Macron’s office said.
Paris hopes at the summit to chart different efforts at AI governance around the world and gather commitments for environmentally sustainable AI — although no binding mechanism is planned for now.
“There are lots of big principles emerging around responsible, trustworthy AI, but it’s not clear or easy to implement for the engineers in technical terms,” said Laure de Roucy-Rochegonde, director of the geopolitical technology center at the French Institute for International Relations.
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NEW YORK — A violin made by the famed Antonio Stradivari in 1714 has the potential to become the most expensive musical instrument ever sold when it goes up for auction Friday at Sotheby’s in New York.
The auction house is estimating the value of the “Joachim-Ma Stradivarius” at $12 million to $18 million. If it sells at the top end of that range, it could best the $15.9 million paid in 2011 for another Stradivarius, the “Lady Blunt,” made in 1721 and named by Guinness World Records as the most expensive instrument ever sold at auction.
Mari-Claudia Jimenez, Sotheby’s Americas president and head of global business, said Stradivari made the violin during his “Golden Period,” which began around 1700 and was marked by an improvement in his craftmanship.
“So, this is the peak of his output,” Jimenez said. “This is the best violin of this era.”
Sotheby’s says the violin’s preservation is remarkable, and its ownership history extraordinary.
It’s named for two of its famed owners — violin virtuosos Joseph Joachim of Hungary, who lived from 1831 to 1907, and Si-Hon Ma, who was born in China in 1926, moved to the U.S. in 1948 and died 2009.
It is believed that legendary composer Johannes Brahms was influenced by the Joachim-Ma when he wrote his “Violin Concerto in D Major” because of its rich, resonant tone, and that Joachim played that violin during the concerto’s 1879 premiere, according to Sotheby’s.
Ma acquired the violin in 1969, and his estate gifted it to the New England Conservatory in Boston after his death. Ma attended the conservatory, where he earned a master’s degree in 1950. The conservatory is now putting the violin up for auction, with all the proceeds going to student scholarships.
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