Pop star Pink has been chosen to receive the 2017 Vanguard Award, MTV’s equivalent of a lifetime achievement honor for video music, the U.S. cable and satellite television channel said Tuesday.

Pink, 37, known for her powerhouse vocals and acrobatic live shows, is being recognized for her impact on music, pop culture, fashion and philanthropy over the course of her 17-year career, the Viacom Inc. unit said in a statement.

The Don’t Let Me Get Me Philadelphia-born singer has released six studio albums since her debut in 2000, and won three Grammys and six MTV Video Music Awards.

She is also a UNICEF ambassador for children’s nutrition worldwide and supports causes dealing with such subjects as autism and human rights.

Pink will receive the honor at the MTV Video Music Awards show in Los Angeles on August 27, where she will perform her latest single, What About Us.

Previous Vanguard recipients have included Rihanna, Kanye West, Beyonce and Michael Jackson.
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Immediately after a jury determined that Taylor Swift had been groped by a radio station host before a concert in Denver, the singer-songwriter turned to one of her closest allies – her mother – and later said she hoped the verdict would inspire other victims of sexual assault.

 

Swift hugged her crying mother after the six-woman, two-man jury said in U.S. District Court on Monday that former Denver DJ David Mueller had groped the pop star during a photo op four years ago. Per Swift’s request, jurors awarded her $1 in damages – a sum her attorney, Douglas Baldridge, called “a single symbolic dollar, the value of which is immeasurable to all women in this situation.”

 

Swift released a statement thanking her attorneys “for fighting for me and anyone who feels silenced by a sexual assault.”

 

“My hope is to help those whose voices should also be heard,” she said, promising to make unspecified donations to groups that help victims of sexual assault.

 

Nancy Leong, a law professor at the University of Denver, said the verdict is important because “we are getting to the point in society that women are believed in court. For many decades and centuries, that was not the case.”

 

Leong, who also teaches in the university’s gender studies program, said the verdict will inspire more victims of sexual assault to come forward.

 

“The fact that she was believed will allow women to understand that they will not automatically be disbelieved, and I think that’s a good thing,” Leong said.

 

Swift and her mother initially tried to keep the accusation quiet by reporting the incident to Mueller’s bosses and not the police.

 

But it inevitably became public when Mueller sued Swift for up to $3 million, claiming the allegation cost him his $150,000-a-year job at country station KYGO-FM, where he was a morning host.

 

“I’ve been trying to clear my name for four years,” he said after the verdict in explaining why he took Swift to court. “Civil court is the only option I had. This is the only way that I could be heard.”

 

On ABC’s “Good Morning America” on Tuesday, Mueller he might appeal and insisted he did nothing wrong “and I can pass a polygraph.”

 

After Mueller sued, Swift countersued for assault and battery, and during an hour of testimony blasted a low-key characterization by Mueller’s attorney, Gabriel McFarland, of what happened. While Mueller testified he never grabbed Swift, she insisted she was groped.

 

“He stayed attached to my bare ass-cheek as I lurched away from him,” Swift testified.

 

“It was a definite grab. A very long grab,” she added.

 

Mueller emphatically denied reaching under the pop star’s skirt or otherwise touching her inappropriately, insisting he touched only her ribs and may have brushed the outside of her skirt as they awkwardly posed for the picture.

 

That photo was virtually the only evidence besides the testimony.

 

In the image shown to jurors during opening statements but not publicly released, Mueller’s hand is behind Swift, just below her waist. Both are smiling. Mueller’s then-girlfriend is standing on the other side of Swift.

 

Swift testified that after she was groped, she numbly told Mueller and his girlfriend, “Thank you for coming,” and moved on to photos with others waiting in line because she did not want to disappoint them.

 

But she said she immediately went to her photographer after the meet-and-greet ended and found the photo of her with Mueller, telling the photographer what happened.

 

Swift’s mother, Andrea Swift, testified that she asked radio liaison Frank Bell to call Mueller’s employers. They did not call the police to avoid further traumatizing her daughter, she said.

 

“We absolutely wanted to keep it private. But we didn’t want him to get away with it,” Andrea Swift testified.

 

Bell said he emailed the photo to Robert Call, KYGO’s general manager, for use in Call’s investigation of Mueller. He said he didn’t ask that Mueller be fired but that “appropriate action be taken.”

 

Jurors rejected Mueller’s claims that Andrea Swift and Bell cost him his job.

 

On Friday, U.S. District Judge William Martinez dismissed similar claims against Taylor Swift, ruling Mueller’s team failed to offer evidence that the then-23-year-old superstar did anything more than report the incident to her team, including her mother.

 

 
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Young designers bring African-inspired color and ethical fashion to runways in London where fashionistas and industry professionals participated in this year’s Africa Fashion Week. Mariama Diallo reports.
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Taylor Swift won her trial against a Colorado radio personality on Monday after a jury found that the former DJ assaulted and battered the pop star by groping her bare bottom, and awarded her the symbolic $1 in damages she had sought.

Swift cried and hugged her mother as the verdicts were read in U.S. District Court in Denver and mouthed an emphatic “thank you” to members of the jury as they left the courtroom.

The six-woman, two-man jury, which deliberated for less than four hours following a sensational week-long trial, also rejected claims by radio personality David Mueller that members of Swift’s management team – her mother and a radio station liaison – got him fired from his “dream job” as a DJ by making false accusations.

“I acknowledge the privilege that I benefit from in life, in society and in my ability to shoulder the enormous cost of defending myself in a trial like this,” the 27-year-old singer said in a statement released immediately following the verdicts.

“My hope is to help those whose voices should also be heard,” Swift said, adding that she would make donations to organizations that help sexual assault victims defend themselves.

Mueller, 55, showed no reaction as the verdicts were read.

The DJ had initiated the litigation after he was fired from his job after the groping claim was reported to the radio station. In his lawsuit he called the groping accusations false, and he sued Swift, her mother, Andrea, and radio station liaison Frank Bell over his termination.

During closing statements in the case, Mueller’s attorney, Gabriel McFarland, argued that his client was a respected industry veteran who would never have risked his $150,000-per-year radio job by grabbing a major celebrity’s rear end.

But Swift was firm on the witness stand, saying that there was no question in her mind that Mueller had intentionally slipped his hand under her skirt to clutch her bare bottom.

Her attorney, Douglas Baldridge, said during his closing remarks that Swift was seeking only $1 in damages because she had no desire to bankrupt Mueller, but only wanted to send a message.

“It means ‘no means no’ and it tells every woman they will decide what will be tolerated with their body,” Baldridge said of the principle Swift was trying to defend.

U.S. District Judge William Martinez on Friday dismissed Mueller’s accusation against Swift, saying there was no evidence that she had acted improperly. The judge left standing the entertainer’s assault and battery countersuit against Mueller.

He also left intact a single claim by Mueller accusing Swift’s mother and Bell of interfering with his contract and effectively ending his career at radio station KYGO-FM. The jury rejected that claim.

Before the trial, Martinez had tossed out Mueller’s defamation-of-character claim against Swift, ruling that he had waited too long to file a lawsuit on those grounds.
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 A shade of purple named for the late superstar Prince was announced Monday by the icon’s estate.

 

The “Purple Rain” hue created by the Pantone Color Institute was dubbed “Love Symbol (hash)2,” paying tribute to his custom Yamaha piano and the squiggly graphic Prince began using as his name in 1993 in a testy battle with Warner Bros. Records over ownership of some of his biggest hits.

The artist switched back to Prince as a name in 2000 after his Warner contract expired.

 

Prince died in April 2016 at age 57 of an opioid overdose, according to authorities.
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Grammy award-winner Petula Clark sang her global hit “Downtown” about as far from “where the neon signs are pretty” as she could at the weekend — to thousands in a field in rural England.

It was the 84-year-old’s first outdoor festival in a career spanning, well, eight decades.

“I’m always trying new things,” she told Reuters.

Clark’s set at the Fairport Cropredy Convention included some of her other ’60s hits, including “Color My World,” “I Know a Place” and “Don’t Sleep in the Subway,” but also new songs from her latest album “From Now On.”

“This is not an old ’60s thing by any means, I don’t do … looking back,” she said.

Indeed, she is working on a new album of French-Canadian songs ahead of a tour next May.

As might be expected, Clark closed her Cropredy show with her biggest hit, “Downtown”, leading the crowd as they sang along with the chorus.

“Downtown” topped the U.S. Billboard Hot 100 in 1964, reached number two in the U.K. chart, won Clark her first Grammy and was inducted into the Grammy Hall of Fame in 2003.

Clark, whose career stretches back to World War II, when she sang on BBC radio to entertain British troops aged nine, has never shied from breaking new ground.

In the 1950s, she moved to Paris and recorded numerous songs in French, working over the years with the likes of Jacques Brel, Serge Gainsbourg and Charles Aznavour. Her website lists 10 “gold record” singles that have sold a million copies, including one each in French and German.

She has appeared in numerous films, including singing and dancing with Fred Astaire in 1968’s “Finian’s Rainbow” directed by Francis Ford Coppola.

The same year, in a U.S. TV special, she sang a duet with African-American singer and civil rights activist Harry Belafonte. As they sang the anti-war song “On the Path of Glory” co-written by Clark, she touched his arm — to the dismay of the show’s sponsors.

A white woman touching a black man on television was taboo in 1960s America.

To head off the sponsors, Clark’s team destroyed all other takes.

“We were not going to be told what to do and what not to do,” she said. “Maybe I was naive. It seemed to me like a storm in a teacup but of course it was that particular time in that particular country.”

A U.S. tour in November and December takes Clark from California to New York. Then she plays eight dates in French Canada, where she will perform in French.

So no plans to slow down?

“Not at the moment. My voice is in great shape. I don’t really do anything to help it, I just go out and do it,” she said.
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The bongs will soon be gone.

Big Ben — the huge clock bell of Britain’s Parliament — will fall silent next week as a four-year restoration project gets underway.

The bongs of the iconic bell will be stopped after chiming noon on Aug. 21 to protect workers during a 29-million-pound ($38 million) repair project on the Queen Elizabeth Tower, which houses Big Ben and its clock. It isn’t due to resume regular service until 2021.

Steve Jaggs, keeper of the Great Clock, said Monday that the clock mechanism will be dismantled piece by piece and its four dials will be cleaned and repaired. The 13.5 British ton (15.1 U.S. ton, 13.7 metric tons) bell will be cleaned and checked for cracks.

Big Ben has been stopped several times since it first sounded in 1859, but the current restoration project will mark its longest period of silence.

Parliamentary officials say they will ensure that the bell still sounds on major occasions, such as New Year’s Eve and Remembrance Sunday.

The silence presents a problem for the BBC, which broadcasts the bongs every evening before the radio news through a microphone in the belfry.

After testing out the sound of substitute bells, the broadcaster said it will use a recording.
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Four decades since his death, Elvis Presley still reigns as The King — for impersonators.

Few artists inspire people all over the world to dress up and perform passionately on stage like Presley. Impersonators from different generations and various countries paid tribute to their idol recently at a gathering in the Philippines. The Elvis Presley Friendship Club, Philippines International, is one of over 400 official fan clubs around the world honoring Presley on the 40th anniversary of his Aug. 16, 1977, death.

What was it about Elvis that inspires tribute artists around the globe to perform in his name after all this time? Those at the gathering in Manila speak about their motivations:

WHY DOES ELVIS RESONATE FOR YOU ALL THESE YEARS LATER?

Filipino Jun Espinosa, 44, business consultant:

“Everything for Elvis, that’s the only motivation. And for the fans. Up to now I’m having this in my thought and in my mind that maybe without Elvis in me, I could not have survived certain points of my life. … Maybe as long as I can shake, as long as I can do this, and as long as people will love Elvis, it will be there.”

Ramon Jacinto, 72, musician, TV host and founder of Philippine rock `n’ roll radio station DZRJ:

“He crossed over black music roots to you know, to all nationalities. Even the Beatles were influenced by Elvis. Everybody was influenced. He was the real example of an out-of-the-box showman. And he wiggled, he had a different style of singing from the time of Frank Sinatra. … He opened the door to carefree rock `n’ roll and the attitude.”

HOW DO YOU TAILOR YOUR ELVIS ACT FOR YOUR OWN CULTURE AND AUDIENCE?

Filipina Anjeanette Japor, 22, singer:

“I still incorporate my style, like, pop and something that’s modern. Definitely my songs, the arrangements are different from the original Elvis songs so that people, no matter what age you are, can still enjoy my music.”

Douglas Masuda of Japan, 73, retired lawyer:

“Well, I don’t really tailor anything. Just sing it the way you feel it. If you feel it, the audience feels it. It’s real simple. You’ve got to feel it. Because I don’t look like Elvis, I don’t really sound like Elvis, but when I sing, you feel it, you feel Elvis coming out.”

WHY IS ELVIS STILL RELEVANT 40 YEARS AFTER HIS DEATH?

Filipino Bam Angping, 21, college student:

“It’s really the fans. Michael Jackson was a big, big star. But they don’t have that kind of community, like, they celebrate every year impersonations. It’s really the fans that caused Elvis to live this long. He was great at his time. But if it were not for the fans, probably he would be, you know, like, `Yeah I remember him. But not really.”‘

Eddie Lombardo of Italy:

“So we try to keep the name of Elvis alive. …. we’re not trying to duplicate Elvis because nobody can “be” Elvis. There’s only one Elvis, you know? And what we’re trying to (do is) bring the memory of Elvis back to people, that’s basically what we’re doing.”

Japor:

“In the music industry, the songs of Elvis remain a classic. Like Bruno Mars, he has a lot of rock `n’ roll songs. Most of them originated from the legends, one of which is Elvis. So I think his songs still have a great impact to the music we have nowadays. There are a lot of songs actually that were sung by Elvis that are being covered right now. And that gives a modern twist to the song. So because of that, Elvis continues to live with the music.”
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In a small studio littered with empty cigarette packets in Egypt’s second city, Alexandria, Abdelrahman al-Habrouk sits hunched over a sheet of paper making portraits with tobacco.

The cigarettes fuel his art; he breaks them in half, painstakingly traces out monochrome images of celebrities or animals with the fine flakes of tobacco, then sprinkles his creations with gunpowder and sets them on fire.

The resulting scorch-marks on the white paper form the portrait.

Habrouk, now 23, started using unusual materials to make images a couple of years ago, experimenting with coffee, salt and sand before settling on the tobacco technique because it is more durable.

“The idea is that I’m trying to make the art live longer,” he told Reuters.

“I wanted to make something good out of something that is considered harmful,” he added.

 
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No American woman climber had sumitted the world’s second largest mountain called, K2, in Pakistan until July 28, 2017 when 52-year old Vanessa O’Brian led a team to the top of one the world’s most dangerous peaks. She described her adventurous trip to VOA’s Ayaz Gul upon her return to Islamabad this week from the northern town of Skardu. The K2 expedition footage was shot her teammate Dawa Gyalje Sherpa and was shared exclusively with VOA.
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City of Ghosts is a new documentary that follows an underground group of citizen journalists from IS occupied Raqqa, Syria, risking their lives and using social media to expose the atrocities of the militants against civilians.

The goal of the group, called Raqqa is Being Slaughtered Silently, is to broadcast information online about IS atrocities in Raqqa, Syria. 

Last year, the Committee to Protect Journalists awarded the group its International Press Freedom Award. In an interview with Voice of America, Abdul Aziz al-Hamza said that Raqqa is Being Slaughtered Silently (RBSS), was created to protest the activities of the Assad regime. Later, the group expanded its activities to include IS, when Islamic State turned Raqqa into its makeshift capital.

​Waging war on the internet 

Al-Hamza says his group is waging an online war against IS propaganda. 

“ISIS prevented all media organizations to go over there to cover what’s going on, and we ended up watching propaganda coming from our city. All of us have families, relatives, friends, so we decided that we needed to do something for them. The problem with ISIS is the ideology,” he said.

“Defeating ISIS as a group is not going to solve the problem,” he added. “We are fighting against ISIS ideology because it’s not just in Raqqa, Syria, and Iraq. We’ve seen ISIS in Europe, in the U.S., in Asia, so the main goal is to work against this ideology.” 

Al-Hamza said his organization has drawn the attention of international media and has lifted the veil of isolation for the besieged civilians in Raqqa; it has also roused the wrath of IS.

In his film City of Ghosts, Matthew Heineman, follows the underground group and its activities from safe houses in Turkey and Germany, posting videos, pictures and other news about IS-besieged Raqqa they receive from counterparts in Raqqa. He also looks into their private lives, as husbands, sons and friends, and also as refugees. 

“It became an immigrant story,” Heineman said. “It became a story of rising nationalism in Europe. It became a story of trauma and the cumulative effects of trauma. So, it became much more that I thought it originally would be.” 

Exposing the ‘crumbling’ ISIS regime

AL-Hamza says the goal of RBSS is to expose the crumbling IS regime in Raqqa. 

“Everything is getting expensive in the city,” he said. “People are missing medical equipment, there are only three or four pharmacies working, only one hospital working. There is almost no electricity, the water is coming for three or four hours daily.”

Watch: Citizen Journalists Wage Online War on ISIS

RBSS online resistance has galvanized Raqqa’s civilians, he said.

Many people internationally have the idea that most people living in Raqqa or IS territories support the group. But, for example, in Raqqa less than 1 percent of the people joined IS, which means that most people are against IS, he said.

“Most decided to stay civilians and not join ISIS despite the perks that if you joined ISIS you get salaries in dollars, cars for free, oil for free, they would get women, power, whatever they want,” he said. Today, he added, “there are thousands of people providing us with news, and what is happening in IS occupied territories.”

Al-Hamza was not trained to be a journalist. Before the Syrian revolution, he was studying biochemistry. Others like him were studying to be doctors or lawyers. 

“When the Syrian revolution started, I didn’t think I would end up in this situation or here talking with you,” he said. “But it was that kind of duty that all of us had to do, and we’ve decided that we will not stop. So, we’ve lost family members, friends, relatives doing this work,” he said. 

As for their newfound publicity through Heineman’s documentary City of Ghosts, al-Hamza said “it was important to show our faces, because especially when we started, many people started to say that we are a government group or a government organization, we wanted people to know that we are local. We are from the city.” 

How will end? “Either we will win or they will kill all of us,” he said.
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A new documentary follows an underground group of citizen journalists from ISIS occupied Raqqa Syria, risking their lives to expose the atrocities of the militants against civilians on social media. VOA’s Penelope Poulou spoke with Oscar-nominated filmmaker Matthew Heineman as well as Abdul-Aziz al-Hamza, the co-founder of the group called “Raqqa is Being Slaughtered Silently.”
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A statue of the Beatles in the Mongolian capital of Ulaanbaatar could be at risk in an alleged land grab, protesters say, as rapid development turns a city once famed for wide open spaces into a cluttered metropolis.

Residents are protesting plans to build commercial properties in an area known as Beatles Square, where a bronze bas-relief monument to the “Fab Four” commemorates the former Soviet satellite’s transition to democracy in 1990.

“For a long time there were stories about construction on the land, but nobody wanted to believe it,” said Tsoggerel Uyanga, a community organizer and senior partner at research group MAD Investment Solutions.

Rock and Roll Communist Revolution

The monument, erected in 2008 with donations from politicians, businessmen and artists, marks the site where Mongolians gathered to talk about banned Western pop music and soon became a quirky tourist attraction.

The music of the Beatles, Abba, and other Western pop groups helped launch the “Rock and Roll Communist Revolution” that inspired a generation to fight for Mongolian democracy 30 years ago.

The protests began after an Aug. 2 announcement that construction work would start, with residents calling the project a “land grab” and expressing fears the Beatles statue could be moved or even demolished.

Authorities have defended the development as part of a “car-free street” project to build an underground shopping complex complete with street gardens.

A lawyer for Mongolia’s National Construction Association said there were no plans to remove the Beatles statue, however.

“By implementing the project, there are a great deal of advantages, such as increasing jobs and reducing traffic congestion,” said D. Uuganbayar, the lawyer.

Congestion, pollution grow

Congestion and pollution have grown in the capital as its population has doubled over the last two decades, with thousands of impoverished herders flocking to settle in makeshift residential areas.

The strain on Ulaanbaatar’s infrastructure has forced the city to rethink its planning of urban spaces, and drawn criticism for the sale of public land to wealthy buyers.

Investors have failed in the past to deliver on promises to protect public spaces affected by development, Uyanga said, pointing to the Bogd Khan conservation area where the World Bank had raised concerns about overdevelopment.

“It became a black market for land authorities during the early democratic years,” said Uyanga.
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A judge on Friday threw out a Denver radio host’s case against Taylor Swift in a trial that delved into their dueling lawsuits over whether he groped her during a backstage meet-and-greet and whether she and her team ruined his career.

U.S. District Judge William Martinez determined that the pop star could not be held liable because David Mueller failed to prove that she personally set out to have him fired after the 2013 photo op before a concert. His identical allegations against Swift’s mother and her radio liaison will go to jurors for a verdict.

Mueller denies groping Swift and sued the singer, her mother, Andrea Swift, and their radio handler, Frank Bell, seeking up to $3 million as compensation for his ruined career.

The singer-songwriter said in her countersuit that she wanted a symbolic $1 and the chance to stand up for other women.

With jurors outside the courtroom Friday, attorneys on both sides argued over whether Mueller had presented enough evidence to send his full case to the jury. Those statements and the judge’s questions focused on whether Swift herself had done anything to get Mueller fired.

It comes after days of testimony from the singer and others. Swift spent an hour on the witness stand Thursday defiantly recounting what she called a “despicable and horrifying and shocking” encounter. 

“He stayed attached to my bare ass-cheek as I lurched away from him,” Swift testified.

“It was a definite grab. A very long grab,” she added in her testimony.

Swift’s testy exchange with Mueller’s attorney occasionally elicited chuckles — even from the six-woman, two-man jury. She got a laugh when she said Dent saw Mueller “lift my skirt” but someone would have had to have been underneath her to see the actual groping — “and we didn’t have anyone positioned there.”

Swift testified that after the photo was taken, she tried to get as far away Mueller as she could. She said she told him and his girlfriend, who was also in the photo, “thank you for coming” in a monotone voice before they left.

She also said she was stunned and did not say anything to Mueller or halt the event after he left because she did not want to disappoint several dozen people waiting in line for photos with her.

In the image, shown to jurors during opening statements but not publicly released, Mueller’s hand is behind Swift, just below her waist. Mueller’s then-girlfriend, Shannon Melcher, is on the other side of Swift. All three are smiling.

Melcher testified Friday that she saw nothing happen during the brief encounter and that she and Mueller were rudely confronted and escorted out of the arena that evening. Melcher said Mueller was devastated by the accusation.

She said she and Mueller started out as co-workers at country station KYGO-FM and became romantically involved in February 2013, a few months before the concert. They drifted apart late in 2013, but Melcher says they remained friends.
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You won’t find any pictures of dogs playing poker at dOGUMENTA (I) NYC.

A three-day art exhibition is attracting hundreds of canines to a marina in Lower Manhattan, where hounds and terriers are feasting their eyes, and in some cases their mouths, on nearly a dozen masterpieces created expressly for them.

The idea is the brainchild of former Washington Post art critic Jessica Dawson, who says she was inspired by her rescue dog, Rocky, a tiny morkie (Yorkie-Maltese mix), who regularly joins her at exhibits of the human variety.

“When Rocky accompanied me on my gallery visits, I noticed that he was having a much better time than I was,” said Dawson, who moved to New York four years ago. “He was not reading the New York Times reviews, he was not reading the artists’ resumes, and so I said he has something to teach me about looking, and all dogs have something to teach us about looking at contemporary art and being with it.”

The exhibit, which takes its name from Documenta, which takes place every five years in Kassel, Germany, was put on by Arts Brookfield. Organizers staggered the arrival times of the dogs to keep things orderly.

“I think she’s enjoying it,” said Lorraine Gates, who attended with her tiny Japanese Chin, Maltese and Papillon mix. “I love this idea; I think it’s really wonderful.”

The 10 works of art at the outdoor exhibit were all strategically placed at eye level for the canines. One featured an elaborate display of dog biscuits and other treats that attendees were invited to munch on.

At another exhibit, four-legged art critics were lifting their hind legs and “expressing” themselves on a work called “Fountain.” As the dogs left their marks, scribbles of blue streaks were left behind on the white blocks.

Dawson said Rocky had visited several times.

Susan Godwin and her morkie, Tasha, were soaking up the art vibes. “This is a once-in-a-lifetime opportunity,” Godwin gushed. “You can go to museums all over New York and you can never bring your dog.”
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So close to death was blues rocker Gregg Allman when he was making his final album, the cover photographer did not get to his Savannah, Georgia, house in time.

Instead, “Southern Blood,” Allman’s posthumous paean to his life and music to be released in September, is adorned with a sepia shot of the grounds, a wooden boardwalk heading away under the shade of Spanish Moss.

There probably could not be a more appropriate symbol for Allman, who died from cancer in May, aged 69. From the early days with his late brother Duane onwards, Tennessee-born Allman was the epitome of Southern rock and blues.

“Southern Blood” is not about the South per se — for that, skip back an album to the 2011 Grammy-nominated “Low Country Blues.” This one is about Allman.

“[Gregg] was acutely aware that his time was limited,” Allman’s manager and friend Michael Lehman told Reuters when asked about the recording session.

“These compositions, they are all poignant and meaningful and talk about his life’s journey. Everyone of them had meaning [for him].”

For his last hurrah, Allman chose a number of songs written by friends and favorite artists including Jackson Browne, Willie Dixon, Jerry Garcia and Lowell George.

Each song, including those written by Allman himself, touch on something of the man — who led a difficult life with the early death of his brother, six divorces including from his celebrity marriage to Cher, drug addiction, hepatitis C, a liver transplant and, ultimately, cancer.

George’s “Willin,'” for example, is the tale of a hard-times Southwestern truck driver who keeps on the road against all the odds, a hint at Allman’s near continual touring.

Another song — written by Mississippi bluesman Wilie Dixon — needs no explanation: “I Love The Life I Live, I Live The Life I Love.”

In a similar vein a lot of the songs are basically goodbyes.

One such is Allman’s sweet rendition of Bob Dylan’s “Going, Going, Gone” with it’s starting lyrics: “I’ve just reached a place/Where the willow don’t bend/There’s not much more to be said/It’s the top of the end.”

Perhaps most poignant of all is the opening track, Allman’s own “My Only True Friend” in which he calls on the people who have followed his music since before 1969, the year the Allman Brothers hit the road, to remember him.

“You and I both know this river must surely flow to an end Keep me in your heart, keep your soul on the mend I hope you’re haunted by the music of my soul, when I’m gone Please don’t fly away to find a new love.”
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The International Olympic Committee said Thursday that it was closely monitoring rising tensions on the Korean Peninsula, less than 200 days before the 2018 Winter Olympics are set to begin in South Korea’s Pyeongchang.

The games return to the country next year for the first time since the 1988 Summer Olympics in Seoul. But what would be the first Winter Games in Asia outside Japan and the first of three consecutive Olympics on the continent risk being overshadowed by the mounting crisis involving North Korea.

The reclusive North’s apparent progress in developing nuclear weapons and missiles capable of hitting the U.S. mainland led to a war of words this week between the two countries, unnerving regional powers.

President Donald Trump said the United States would respond with “fire and fury” if North Korea threatened it. North Korea dismissed the warnings and outlined detailed plans for a missile strike near the U.S. Pacific territory of Guam.

Experts in South Korea said the plans for an attack around Guam ratcheted up risks significantly, since Washington was likely to view any missile aimed at its territory as a provocation, even if it were launched as a test.

Games on track

“We are monitoring the situation on the Korean Peninsula and the region very closely,” an IOC spokesperson said. “The IOC is keeping itself informed about the developments. We continue working with the organizing committee on the preparations of these games, which continue to be on track.”

South Korea failed to land the Winter Olympics of 2010 and 2014 but succeeded in getting the nod in 2011 for the 2018 edition, which is scheduled for February 9-25.

South Korean President Moon Jae-in said last month that the North would be given until the last minute to decide whether it will take part in the Olympics. He wants to get North Korea involved, even though none of its athletes have met the qualification standards.

His proposal for a unified team has already been turned down by a top North Korean sports official as unrealistic in the current political climate.
…

A historical film about the last Russian czar’s affair with a ballerina has been cleared for release, the Culture Ministry said Thursday, despite passionate calls for its ban.

“Matilda,” which describes Nicholas II’s relationship with Matilda Kshesinskaya has drawn virulent criticism from some Orthodox believers and hard-line nationalists, who see it as blasphemy against the emperor, glorified as a saint by the Russian Orthodox Church.

Russian lawmaker Natalya Poklonskaya, who previously had served as the chief regional prosecutor in Crimea following its 2014 annexation by Moscow, spearheaded the campaign for banning the film. She even asked the Prosecutor General’s office to carry out an inquiry into “Matilda,” which is set to be released on the centennial of the 1917 Bolshevik revolution.

The lavish production, filmed in historic imperial palaces and featuring sumptuous costumes, loosely follows the story of Nicholas II’s infatuation with Kshesinskaya that began when he was heir-apparent and ended at his marriage in 1894.

The czar and his family were executed by a Bolshevik firing squad in July 1918. The Russian Orthodox Church made them saints in 2000.

“Matilda” opponents have gathered signatures against the film, and earlier this month several hundred people gathered to pray outside a Moscow church for the movie to be banned.

The film’s critics were recently joined by Ramzan Kadyrov, the Kremlin-backed regional leader of Chechnya, and authorities in the neighboring province of Dagestan, who argued that “Matilda” should be barred from theaters in the mostly Muslim regions in Russia’s North Caucasus.

Director Alexei Uchitel has rejected the accusations and prominent Russian filmmakers have come to his defense. The film’s critics and its defenders both have appealed to the Kremlin, but it has refrained from publicly entering the fray.

On Thursday, the Russian Culture Ministry finally announced that the film has received official clearance.

Vyasheslav Telnov, the head of the ministry’s film department, said it checked “Matilda” and found it in full compliance with legal norms.

Asked to comment on statements from Chechnya and Dagestan, Telnov said that the film has been cleared for release nationwide, but the law allows regional authorities to make their own decisions.

“There is no censorship in Russia, and the Ministry of Culture stays away from any ideological views of beliefs,” he said. “A feature film can’t be banned for political or ideological motives.”

Disputes over the movie reflect the rising influence of the Russian Orthodox Church and the increasing assertiveness of radical religious activists.

Russia’s growing conservative streak has worried many in the country’s artistic community. A Moscow art gallery recently shut down an exhibition of nude photos by an American photographer after a raid by vigilantes, and a theater in the Siberian city of Omsk canceled a performance of the musical “Jesus Christ Superstar” following a petition by devout Orthodox believers.
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The Japanese summer delicacy of roasted eel, braised with a tangy sauce and sprinkled with prickly mountain pepper, is in question as the creatures with their mysterious migrations become increasingly endangered. 

 

Soaring demand for Japanese eel, or Anguilla japonica, helped put the creatures on the International Union of Conservation of Nature’s “Red List” of endangered species in 2014. It’s spurring poaching of similar species off the U.S. East Coast. 

 

But Katsumi Tsukamoto, “Dr. Eel” of the only “Eel Science Laboratory” at Nihon University in Japan, thinks he’s unlocked the secrets to eventually farming the eels, known as unagi, sustainably and profitably. Tsukamoto found out where the eels are spawning, and that helped researchers study conditions needed to raise them from the egg stage to adulthood. 

​Secret life of unagi

The possibility of extinction, and soaring prices for grilled eel believed to help build stamina for enduring sweltering summer days, have dismayed many Japanese gourmands and the restaurants that specialize in the dish.

 

Despite their important role in Japanese food culture, until recently very little was known about the life cycles of eels, such as where they spawned and how tiny, nearly transparent glass eels manage to travel back to their freshwater habitats in Asia and elsewhere. 

 

Supplies depend on wild-catching the juveniles and farm raising them until adulthood, a practice that has spread from Japan to Taiwan and mainland China as demand has surged. 

 

Tsukamoto says his discovery of Japanese eel larvae and spawning adults west of the Mariana Ridge, near Guam, in 2009 has enabled him and other researchers to figure out the right diet and environmental conditions for spawning eels and their offspring. 

 

Eel farming

Despite skepticism about the potential for such farming to work, Tsukamoto says three Japanese state-owned laboratories are able to raise the eels from the larval stage and get them to spawn, completing their life cycle. But for now each lab can raise only about 3,000-4,000 a year. A lack of funds is hindering construction of the infrastructure needed to make such operations commercially viable by producing tens of thousands of eels a year.

 

The complete farming of eels and some other endangered species as a way to help them survive by relieving the pressure from soaring demand.

Depending on the restaurant, Yuta Maruyama, an intermediate wholesaler who handles wild blue eel at Tokyo’s famous Tsukiji Fish market, says a multi-course menu including grilled blue eel can cost up to 30,000 yen ($270) per person at exclusive restaurants, mainly in the flashy Ginza shopping and dining district. 

 

The choice eels are often served in different styles to the traditional “kabayaki” eels, which are grilled in a coating of dark soy sauce marinade. Restaurants that specialize in kabayaki, often handed down generation to generation, may offer both wild and farmed eels — with supply depending on what is available that day at the market. 

​Wild-caught, farm-raised

At Hashimoto, a Michelin one-star kabayaki restaurant in Tokyo that first opened in 1835, the eels are all farm-raised the conventional way on the southern island of Kyushu, after being caught as glass eels. 

 

Like farmed salmon, the farmed eels raised from wild-caught glass eels tend to be fattier. “They have a flavor that is preferred by most customers,” said Shinji Hashimoto, the sixth-generation owner.

 

Hashimoto said his kabayaki sauce is “light,” to allow the eel’s flavor to come through. 

 

“The Tokyo palette has traditionally disliked sweet flavors,” he said.

 

To manage with fewer catches and higher prices, Hashimoto tries to get two servings out of larger eels. 

 

After cleaning and slicing them open, the cooks skewer them to ensure they will stay together while cooking. They are grilled directly over hot charcoal, then steamed to soften the flesh. Afterward they are coated in a sauce of soy sauce boiled with sweet rice wine, or mirin and then returned to the grill and basted three times before being served as “unajyu,” steaming hot over rice in a neat lacquer box. 

 

The busiest days tend to be the Day of the Ox in the lunar calendar, the first of which in 2017 was Tuesday, July 25th. Hashimoto served about 150 customers that day. 

 

“Even if the price rose to 10,000 yen (about $90) for one box of unajyu, Japanese people would still eat it once a year,” Tsukamoto said. “Why do Japanese people like unagi? Because we like soy sauce. The salty-sweet sauce, made from a mixture of soy sauce and mirin, is brushed on, is singed and grilled on the eel over charcoal — and that smell makes it irresistible.”
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“Despacito” is easily the song of the summer with the success of the hit stretching beyond Spanish-speaking audiences to make it the year’s most recognized song in the U.S. and elsewhere.

Luis Fonsi and Daddy Yankee’s song, which has topped the Billboard Hot 100 chart for 13 weeks and counting, set a record as the most streamed song on Spotify and is the first YouTube video to reach 3 billion views. The song also has opened the door for other Spanish tracks to get airplay on American radio.

“The beauty behind (‘Despacito’) is that it was never meant to be a crossover song. When I sat down with my guitar to write this song, I just wanted to write a great song that people would automatically connect to, and dance to, and really enjoy, so it was so nice to see how — in a very organic way — the whole world just connected to it,” Fonsi said in an interview from Spain, where he was set to perform the worldwide hit.

 

“It wasn’t really forced, it wasn’t gimmicky … it’s sort of an accident if you will,” he said. “There’s something magical in that melody and in the beat and in the production … and people in Russia and Australia and U.K. and France and U.S. and South America — everyone’s just dancing.”

Song about falling in love

“Despacito” is the first mostly Spanish song to top the Hot 100 since Los del Rio’s “Macarena” in 1996. The smooth jam about slowly falling in love has become a pop culture phenomenon since its release in January, selling more than 7.7 million tracks — based on digital sales, audio streaming and video streaming — according to Nielsen Music. It has spent 27 weeks at No. 1 on Billboard’s Latin songs charts, and while some believe Justin Bieber helped make the song a hit when he jumped on its remix, it’s quite the opposite.

“Technically, the reason why Justin Bieber discovered the song was because it was so popular already,” said Rocio Guerra, Spotify’s head of Latin culture.

“Despacito” had reached the Top 40 on the Hot 100, and following the Bieber remix — which includes the pop star singing in Spanish —the song reached No. 1. The remix spent 14 weeks on top of Spotify’s global chart until last week when it was supplanted by J. Balvin’s “Mi Gente” — another Spanish song finding success on U.S. radio and the pop charts.

‘Mi Gente’ the next big hit? 

“Mi Gente,” a collaboration with Willy Williams, is No. 30 on the Hot 100 after just a month on the chart.

“I don’t think this is just something that happened overnight … it’s something the Latin music industry and creative community, we’ve been working so long toward this direction, and I don’t think specifically only in the U.S., it’s a global momentum,” Guerra said. “Platforms like Spotify are giving access to the same songs at the same time everywhere, so that’s allowing us to have more (Latin) artists on the (global) chart.”

“There has been a domino effect,” added Guerra, who said there are currently eight Latin songs on Spotify’s global chart, which includes 50 songs. “The more songs that we put on the global chart, people are getting more used to listening to songs in a different language.”

She said that Spotify has spent the last two years pushing Latin music in regions outside Latin America: “We’re proactively trying to push its consumption in countries like Germany, Italy, Switzerland, the U.K. (and) obviously the U.S.”

And there’s proof it is working. Daddy Yankee became the first Latin artist to reach No. 1 on Spotify in June, taking the spot from Ed Sheeran, and the Latin genre is third overall globally on Spotify, just behind pop and hip-hop.

Latin beat on English hits

The Latin beat can be heard on current English-language hits as well, including DJ Khaled and Rihanna’s “Wild Thoughts,” which samples Carlos Santana’s 1999 megahit “Maria, Maria,” and French Montana’s “Unforgettable,” which has a reggaeton vibe (J. Balvin appears on its Latin remix).

Fonsi said he doesn’t want to take credit for the success of Latin music on pop radio, but knows “Despacito” has helped set the mood.

“I hope that it’s a door that will stay open for a long time. I think it’s bigger than just this summer. I think it was (over)due for Latin music to get this attention and I love the fact that we’re all collaborating in different languages,” he said. “It’s not about where you’re from or what language you’re singing in, it’s about bringing cultures together and different styles, and it’s good for music in general.”

‘I think this is a hit’

Erika Ender, who co-wrote “Despacito” with Fonsi at his home in September 2015, said the song felt special when they created it.

“There are some songs that come with a special spark, and I think it’s got it. … We looked at each other and said, ‘I think this is a hit,’” she recalled.

Ender also credits the song’s success with Fonsi’s decision to get out of his comfort zone.

“People used to see him like a (balladeer) or a pop singer, and he went out of his way to bring something new to the audience,” she said.

 
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