Deadline Looms on TV and Film Writers Contract Negotiations

The contract for television and film writers is nearing expiration and a costly strike looms that could send some popular televisions shows into reruns.

The writers contract expires at 12:01 a.m. PDT Tuesday and picketing could begin that morning. Representatives for the writers and producers are engaged in a media blackout, meaning it is unclear how far apart the sides remain or how likely a strike will be called.

 

The Writers Guild of America and the Alliance of Motion Picture and Television Producers have been negotiating off and on since March 13 but have been unable to reach an agreement on a new contract. The main sticking points are compensation and healthcare.

 

WGA’s members overwhelmingly approved a strike late last month. A strike would immediately end the jokes and witty banter on late-night talk shows, and could eventually impact everything from daytime soap operas to major motion pictures in development.

 

In a memo to WGA members Sunday, the writers’ negotiators warned to “be ready to strike Tuesday.”

 

“If you’ve got anything great in your office on a studio lot, consider packing it up on Monday — just in case,” it read.

 

The memo, though, also said negotiations could continue after the deadline.

 

A strike would be first work stoppage by writers in nearly a decade. In 2007 and early 2008, a 100 day writers strike halted productions on numerous shows, led to a shortened television season and even impacted major film releases.

 

The dispute is driven in large part by shifts in how television is consumed, with streaming platforms such as Netflix and Amazon joining broadcast and cable TV and garnering viewers, critical and audience love, and awards.

 

There are more television shows than ever, but the work for writers has changed. Most series run for fewer than the traditional 22 to 24 broadcast episode season.

 

The shorter seasons of eight to 12 episodes translate into less pay for writers, who are paid on a per-episode basis.

 

The film industry can better weather a shorter strike, but felt the impact of the 2007-08 strike. Several films, including “X-Men Origins: Wolverine” and “Transformers: Revenge of the Fallen” were affected and were met with poor reviews. Many of the filmmakers and stars involved later said the movies simply didn’t have the screenplay they needed.

 

That strike also affected numerous industries that support film and television production. A Milken Institute estimate found the strike cost the California economy $2.1 billion.

 

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5 Things to Know as Britain’s Princess Charlotte Turns 2

It’s nearly party time for Britain’s Princess Charlotte, who celebrates her 2nd birthday on Tuesday.

Her parents marked the occasion Monday by distributing a snapshot of Charlotte taken by her mother, the Duchess of Cambridge. Here are five things to know about the family as the landmark nears:

Why haven’t we seen more of Princess Charlotte?

 

Prince William and his wife, Kate, want to protect their daughter’s privacy. It’s not surprising that Kate took the official photo to mark Charlotte’s second birthday on the protected grounds of the family’s country estate. The royal couple has tried to keep Charlotte mostly out of the limelight and away from the paparazzi that often follow senior royals at events in London. An important exception was an official trip to Canada in the fall. William and Kate brought Charlotte and her older brother, Prince George, on the trip and Charlotte even attended a children’s party.

 

What does the photo show? What impact will it have?

 

Don’t be surprised if there’s a run on fluffy yellow cardigans with cute sheep decorations in British stores catering to kids – that’s what Charlotte is wearing in the official photo. It’s possible the outfit was chosen by the clothes-conscious Kate, who snapped the photo. Earlier outfits worn by Prince George in public have become extremely popular with British consumers charmed by the young royals.

 

Charlotte looks very proper and very British, with her hair styled by a clip and her blue-grey eyes looking directly at the camera at the outdoors photo session in April.

 

What is the birthday girl’s full name?

 

She is officially named Charlotte Elizabeth Diana, in tribute to her late grandmother Diana, Princess of Wales, and her great-grandmother, Queen Elizabeth II. She is also known as Princess Charlotte of Cambridge.

 

What’s next for Charlotte and her family ?

 

The family is expected to spend more time in London and less in the countryside as William takes up more royal duties and Prince George, 3, prepares to start school in the fall. Their London base is at Kensington Palace.

 

Will she ever be queen?

 

Charlotte is fourth in line for the throne, behind Prince Charles (her grandfather), Prince William and Prince George.

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John Legend Named 1st Recipient of New Social Justice Award

John Legend is expected on a Massachusetts college campus this week to receive a social justice award.

 

The singer-songwriter becomes the first recipient of the Salem Advocate for Social Justice award when he accepts the honor Tuesday at Salem State University.

 

Legend is to perform and also discuss his work on criminal justice, education and other issues.

 

The Salem Award Foundation for Human Rights and Social Justice bestows the award to recognize those who champion social justice issues and advocate for people who are underrepresented.

 

This is the first year the award will be given.

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Guy in Gorilla Costume Finishes London Marathon After 6 Days

An English policeman wearing a gorilla costume while crawling the London Marathon has finally finished the race, almost a week after starting.

 

Metropolitan Police officer Tom Harrison, who goes by the name “Mr. Gorilla,” raised a reported 26,000 pounds ($33,650) for the Gorilla Organization, which is dedicated to conserving gorillas in countries including Rwanda and Uganda.

 

The 41-year-old Londoner started the 26.2-mile (42.2-kilometer) route last Sunday and crossed the finish line on Saturday.

Harrison slept at friends’ houses in the evenings after completing around 10 to 12 hours and 4.5 miles per day. He has swapped between crawling on his hands and knees and up on his hands and feet to save his blistered knees.

He crossed the finish line in central London flanked by his two sons – and beating his chest.

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VOA Observes Jazz Appreciation Month

April 30 is International Jazz Day, with events and concerts being held throughout the world. It also marks the end of Jazz Appreciation Month in the United States. Sponsored by the National Museum of American History, it’s designed to stimulate and encourage people to participate, study and listen to a genre of music that is uniquely American. Jazz has a storied place in Voice of America’s 75-year history. For 40 years, millions of people worldwide listened to VOA’s Jazz Hour with Willis Conover. During the Cold War, Conover’s programs created a connection to the United States for millions of people living behind the Iron Curtain. Earlier this past week, Voice of America hosted The Frankie Addison Quintet to mark Jazz Appreciation Month and VOA’s part in keeping the free form music genre alive. Enjoy the music.

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Iranian Filmmaker Jailed Over His Work Released Early

An award-winning Iranian filmmaker imprisoned over his work has been released after serving about five months of his yearlong sentence, though he doesn’t know whether he’ll make movies again in the Islamic Republic.

 

Keywan Karimi told The Associated Press on Sunday that he credited international pressure for his early release, as well as escaping the 223 lashes that were part of his sentence. Others, however, remain imprisoned in the Islamic Republic as part of a hard-line crackdown amid President Hassan Rouhani’s outreach to the wider world through the nuclear deal.

 

Karimi said in an interview over Skype that he served his sentence in Tehran’s Evin prison, which holds political prisoners and dual nationals detained by the security services. He described spending his first month in solitary confinement, a place he described as “very dirty, very cold.”

 

He said he suffered pain in his stomach and leg, but ultimately recovered. He later was put into the general prison population, sharing a room with 20 other prisoners.

 

“You’re far away from freedom, far away from something you love,” Karimi said.

 

Karimi was convicted of “insulting sanctities” in Iran, whose government is ultimately overseen by Supreme Leader Ayatollah Ali Khamenei. The case involved footage from both a “video clip” and a film he directed called “Writing on the City,” which focuses on political graffiti in Iran from its 1979 Islamic Revolution to its contested 2009 election.

 

Karimi is perhaps best known by international film critics for his 2013 black-and-white minimalist film, “The Adventure of the Married Couple.” The short film, based on a story by Italian writer Italo Calvino, follows the grinding routine of a husband and wife working opposite shifts, she in a bottle factory and he at a mannequin store. Neither speaks, the only noise is the hum of the city they live in.

 

The film played in some 40 film festivals and won prizes in Spain and Colombia.

 

Karimi is one of several artists, poets, journalists, models and activists arrested in a crackdown on expression led by hard-liners who oppose Rouhani. His release comes ahead of Iran’s May presidential election, in which Rouhani is seeking re-election.

 

For now, Karimi said he was grateful to be out of prison, though he felt alienated from Iran and its people.

 

“I want to continue filmmaking, but I don’t know how and in which country,” Karimi said.

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‘The Godfather’ at 45: The Trials, Inspiration Behind the Film

Al Pacino was considered too short, Marlon Brando was required to do a screen test, and director Francis Ford Coppola was almost fired.

The director and cast of The Godfather reminisced Saturday in a 45th anniversary reunion in New York about the trials, perseverance and inspiration that resulted in the Oscar-winning Mafia movies.

Coppola, Pacino, Robert De Niro, Diane Keaton, James Caan, Talia Shire and Robert Duvall watched back-to-back screenings of The Godfather (1972) and The Godfather: Part II (1974) along with an audience of 6,000 on the closing night of the Tribeca film festival.

“I haven’t seen these movies for years,” Coppola said. “I found (watching) a very emotional experience. I forgot a lot about the making of it and thought about the story, and the story used a lot of family and my personal stuff.”

Brando too difficult

The two films won nine Oscars and their tale of how an orphan from Sicily emigrated to the United States at the turn of the 20th century and formed the Corleone crime family became movie classics.

But the film had a less than auspicious start. Coppola recalled that Hollywood studio Paramount wanted to set the movie in the 1970s and make something “cheap and quick.”

Coppola was almost fired several times and met stiff resistance to the casting of Pacino as Michael Corleone and Brando as the titular Godfather.

Brando, who died in 2004, had made several box-office flops after a stellar career in the 1950s and had a reputation for being difficult.

“I was told (by studio executives) that having Brando in the film would make it less commercial than having a total unknown,” Coppola said.

The studio later agreed “if Marlon will do a screen test and do it for nothing and put up a $1 million bond that he wouldn’t cause trouble during the production.”

Brando created the rasping voice, jowly cheeks and oiled hair for Corleone in the screen test. Yet three weeks into shooting, there was more trouble.

“They (the studio) hated Brando. They thought he mumbled and they hated the film. … It was very dark,” Coppola said. Brando went on to win an Oscar for his performance.

Pacino too short

Newcomer Pacino had to screen test “countless times” for the role of Michael, the college-educated son who takes charge of the Corleone business of casinos, gambling and racketeering.

Studio bosses though he was too short and wanted to cast Robert Redford or Ryan O’Neal.

Yet Coppola persevered because “every time I read the script, I always saw his (Pacino’s) face, especially in the scenes in Sicily.”

Pacino said he originally wanted the part of the hot-headed son, Sonny, and thought Coppola “was really nuts” about wanting him to play Michael.

“I thought this is either a dream or a joke … and then started the whole trial of them not wanting me and Francis wanting me,” Pacino recalled. The film launched his career as one of the most honored actors of his generation.

Then some luck

Luck played a part in the creation of some of the most memorable scenes in the two films. The revelation by Corleone’s wife Kay (Keaton) that she had aborted their baby because of horror over her husband’s criminal activities was suggested by Talia Shire (Connie).

And the cat Brando cradles in the opening scene of “The Godfather,” making for a stark contrast with his intimidating presence, was a last-minute addition.

“I put that cat in his hands. It was the studio cat. It was one take,” Coppola said. 

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White House Press Corps Dinner More Sober, Less Glitz

The White House press corps gathered Saturday for its annual black-tie dinner, a toned-down affair this year after Donald Trump snubbed the event, becoming the first incumbent U.S. president to bow out in 36 years.

Without Trump, who scheduled a rally instead to mark his 100th day in office, the usually celebrity-filled soiree hosted by the White House Correspondents’ Association took a more sober turn, even as it pulled in top journalists and Washington insiders.

Most of Trump’s administration also skipped the event in solidarity with the president, who has repeatedly accused the press of mistreatment. The president used his campaign-style gathering to again lambaste the media.

“I could not possibly be more thrilled than to be more than 100 miles away,” he told a crowd in Harrisburg, Pennsylvania, calling out The New York Times, CNN and MSNBC by name.

‘Not fake news’

In Washington, WHCA President Jeff Mason defended press freedom even as he acknowledged this year’s dinner had a different feel, saying attempts to undermine the media was dangerous for democracy.

“We are not fake news, we are not failing news organizations and we are not the enemy of the American people,” said Mason, a Reuters correspondent.

Instead of the typical roasts — presidents of both parties have delivered their own zingers for years — the event returned to its traditional roots of recognizing reporters’ work and handing out student scholarships as famed journalists Bob Woodward and Carl Bernstein presented awards.

“That’s not Donald Trump’s style,” NBC News’ Andrea Mitchell told MSNBC, referring to the self-deprecating jokes presidents in the past have made despite tensions with the press.

Jokes for free speech

Instead, the humor fell to headline comedian Hasan Minhaj.

“We’ve got to address the elephant that’s not in the room,” Minhaj, who plays a correspondent on Comedy Central’s The Daily Show, told the crowd. “The leader of our country is not here. And that’s because he lives in Moscow. It’s a very long flight. As for the other guy, I think he’s in Pennsylvania because he can’t take a joke.”

He also joked about Trump, despite organizers’ wishes, saying he did so to honor U.S. constitutional protection of free speech: “Only in America can a first-generation, Indian-American Muslim kid get on this stage and make fun of the president.”

Trump in Pennsylvania

Trump was indeed in Pennsylvania, having scheduled a rally in Harrisburg to mark his 100th day in office. He began his remarks with a lengthy if familiar attack on the news media while dismissing the dinner and its participants.

 

“A large group of Hollywood actors and Washington media are consoling each other in a hotel ballroom in our nation’s capital right now,” Trump said. He added: “And I could not possibly be more thrilled than to be more than 100 miles away from Washington’s swamp, spending my evening with all of you and with a much, much larger crowd and much better people, right?”

Trump became the first president since Ronald Reagan in 1981 to skip the event — and Reagan was recovering from an assassination attempt. 

In a video message, actor Alec Baldwin, who has raised Trump’s ire playing him on NBC’s “Saturday Night Live” program also encouraged attendees.

Fewer celebrities

Few other celebrities graced the red carpet, although some well-known Washingtonians, such as former Secretary of State Madeleine Albright and Republican Representative Darrell Issa of California, appeared.

Trump attended in 2011, when then-President Barack Obama made jokes at the expense of the New York real estate developer and reality television show host.

In an interview with Reuters this week, Trump said he decided against attending as president because he felt he had been treated unfairly by the media, adding: “I would come next year, absolutely.”

In Pennsylvania, Trump told supporters the media dinner would be boring but was noncommittal on whether he would go in 2018 or hold another rally.

Late night television show host Samantha Bee also hosted a competing event — “Not the White House Correspondents’ Dinner” — that she said would honor journalists, rather than skewer Trump.

Journalists honored

The WHCA awards and this year’s recipients: 

Aldo Beckman Memorial Award winner: Greg Jaffe of The Washington Post for stories on President Barack Obama’s speeches and policies that contrasted the realities of 2016 with the hopes of 2008. 
Merriman Smith Award winner for outstanding White House coverage under deadline: Edward-Isaac Dovere of Politico for his coverage of the historic meeting between Obama and Cuban President Raul Castro.
Edgar A. Poe Award winner: David Fahrenthold of The Washington Post for stories on Donald Trump’s philanthropic claims.

The Associated Press contributed to this report.

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Late-night TV Host Samantha Bee’s Show Briefly Upstages Correspondents’ Dinner

Washington’s once-glitzy “nerd prom” was briefly upstaged Saturday as comedians and Hollywood stars gathered for jokes and jests about President Donald Trump for a tongue-in-cheek event to counter the annual White House Correspondents’ Dinner.

Late-night TV star Samantha Bee pulled in celebrities for the first “Not the White House Correspondents’ Dinner'”: Alysia Reiner of “Orange Is the New Black,” Retta of “Parks and Recreation” and Matt Walsh of “Veep.” Bee’s show, a comedic tribute to American news organizations, featured actor Will Ferrell and other guests roasting Trump and his allies.

The star power of the real correspondents’ dinner took a hit this year when Trump declined to attend, the first president since Ronald Reagan in 1981 to skip it. In Reagan’s case, he was recovering from an assassination attempt. Trump did his own counter-programming, scheduling a rally Saturday night in Harrisburg, Pennsylvania, to mark his 100th day in office.

The absence of the president himself at the WHCA dinner or even officials from the administration seemed to diminish attendance by big names in film, television and sports.

Barack Obama’s humorous remarks had become a highlight at the dinner. Last year, for Obama’s final appearance, the crowd included Will Smith, Emma Watson, Kerry Washington, Helen Mirren and model Kendall Jenner.

For years, the event offered Washington’s press corps an opportunity to wear black tie and stunning gowns while mixing with celebrities. With Trump out, organizers put the focus on the First Amendment and the role of the press in democracy.

The scheduled headliners were Bob Woodward and Carl Bernstein, set to present journalism awards. Woodward told The Washington Post the two planned to speak about “the First Amendment and the importance of aggressive but fair reporting.”

The dinner still booked a master of ceremonies: Hasan Minhaj of The Daily Show. Broadcast coverage was to begin at 9:30 p.m. on C-SPAN, followed by Bee’s event airing on TBS at 10 p.m.

Jeff Mason, the WHCA president, said this year would have been different even if Trump had attended, “based on the tension that has existed in the relationship and some of the things he has said about the press. We were preparing for a different dinner either way.”

Trump has called the media “fake” and “dishonest” and even “the enemy of the people.” In an emailed fundraising appeal before leaving for Pennsylvania, Trump cited among the accomplishments over his first 100 days, “We fought back against the media’s lies.”

Mason promised that Minhaj would use his comedy chops, without “roasting the president in absentia.”

“People don’t want to come to a dinner and feel bored or preached at. Hopefully neither of those things will happen,” Mason said.

Bee, who hosts TBS’ weekly show Full Frontal, said she cared deeply about the press.

“For God’s sake, we could not do our show if things were more restricted. So, boy, nobody needs press freedom more than we do,” she told The Associated Press in an interview.

Bee’s taped show singled out the Committee to Protect Journalists, the nonprofit group that will receive proceeds from the show. The show humorously assailed topics like “alternative facts,” a remark once made by Trump adviser Kellyanne Conway that drew heavy criticism.

The official WHCA dinner began in 1921. Most people trace the development of the celebrity guests to 1987, when Baltimore Sun reporter Michael Kelly brought Fawn Hall, the secretary at the center of the Iran-Contra affair.

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Former Street Boy Jazzing Up Nairobi Streets with His Saxophone

If you’ve been walking through downtown Nairobi lately, you may have seen Moses Odhiambo. The 29-year-old self-taught saxophonist has been drawing crowds and inspiring a love of music in young people who, like himself, are growing up on the streets.

Moses Odhiambo plays his saxophone amid the usual buzz of evening rush hour in Nairobi’s central business district.

 

He performs here every Tuesday and Thursday.

 

A small crowd gathers. Today marks one year since he started performing like this. But he is no stranger to the streets.

At 10 years old, he left home with his three brothers. Their mother couldn’t afford to feed them. Odhiambo spent several homeless years in the slums of Nairobi’s Kayole Soweto area. Through sponsorship programs, he was able to complete high school, where he played trumpet.

He showed a knack for music.   

“So the director called me and told me, before we get a professional teacher come and try teaching these students,” said Odhiambo. “So when I went there. I saw the saxophone and fell in love with it and I picked it up, taught myself from scratch up to where I am today”.

When he is not performing in the streets, Odhiamdo is teaching music in two public primary schools or giving private lessons. But the streets remain his source of inspiration.

“I could choose to be in the house and do my practice in the house but I saw that being not so productive for me so I wanted to go out and make a difference,” said Odhiambo. “Because of my background having been a street child, I thought of coming out into the streets and make a difference.”

After his performances, Odhiambo sets aside time to talk with street kids he meets.

“They can make a difference in life if indeed they pursue their passion,” he said.

Rafael Mwangi sings a song he composed. The 14-year-old has lived on the streets for over six years now.

He says “when I saw Moses play, it gave me so much hope. I felt it was time to also start singing… I started writing music and when I showed Mose my writings, he told me he could see my future.”

On Thursdays, Odhiambo is joined by another young musician, Steven Muthama, on the guitar.

 

Muthama says performing on the street creates a powerful connection.

“People just take time to come and listen,” said Muthama. “Tired people from work taking time to just stop in the street, not knowing you, just seeing you there, listening and appreciating, maybe dropping a shilling or two but just the time and the effort to stand there and listen is really amazing.”

 

Music has been Odhiambo’s ticket to a better life. He hopes to pass that opportunity on to the next generation.

 

 

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Missions Help Tell Dramatic History of Lone Star State

San Antonio, Texas, is home to the greatest concentration of Catholic missions in North America, including The Alamo, the state’s first mission dating to 1718. The most visited historic landmark in Texas was also a fort and the site of a battle that played a pivotal role in the state’s dramatic history.

San Antonio Missions

In the 18th century, the government of Spain established Catholic missions in the American southwest, in an attempt to exert control and expand its influence in the region. The Spanish Crown looked upon the natives as potential subjects and saw the missions as a way to convert as many of them as possible to Catholicism.

But the native tribes in what is now east Texas showed little interest in what Spain had to offer. So in 1731, the missions there were relocated westward to the San Antonio River, where, according to the U.S. National Park Service, the hunter-gatherer tribes proved “more receptive” to the Spanish message. Upon entering a mission, tribal members were expected to give up their traditional life, accept a new religion and pledge loyalty to a distant and unseen king.

Most of the missions lasted as fully functional religious sites for six decades.

A perfect union

National parks traveler Mikah Meyer, who’s on a quest to visit all of the more than 400 sites within the U.S. National Park Service, described the relationship between the Spanish government and its Catholic priests as “a perfect marriage.”

“The Crown of Spain wanted to expand the territory and the Catholic priests wanted to help spread [Catholicism], so within that, it was kind of a magical partnership,” he said. “So these mission sites preserve a lot of that heritage.”

Today the National Park Service operates the San Antonio Missions National Historical Park, which helps preserve four of the five missions — San José, Concepción, San Juan and Espada. They were added to the list of national parks in 1978 under then-President Jimmy Carter.  

Meyer traveled on the scenic Mission Hike and Bike Trail that follows the San Antonio River and links all five sites. “Each of these mission sites tells part of the story in a different way, depending on how much of the site has been preserved,” he remarked.

“The outlying walls and buildings showcase where the religious figures would have lived, where the students would have lived who were being taught by the missionaries, and a lot of what the daily life would have looked like for these early Spanish colonizers,” he added.

And what life must have been like for Native Americans under Spanish rule, he noted.

“Some people would say they stole their culture from them. Other people would say they provided a means for survival in a changing world that was no longer nomadic and that was becoming agricultural,” he said.

 

“What’s really incredible about these sites are how well intact and preserved the churches are,” he said. “Most at least have their chapel still maintained.” In fact, all four of the churches remain active parishes, which means services are held in them every week.

The heart of San Antonio

Mission San Antonio de Valero, more commonly known as The Alamo, was established by the Franciscans in 1718. It is not a unit of the National Park Service but owned by the state of Texas and is a National Historic Landmark. The 3-century-old compound was a mission from 1718-1793, a fort from 1803-1835 and a battlefield from 1835-1836.

Many consider The Alamo the most enduring symbol of independence in Texas.

Remember The Alamo!

The historic compound is best known as the site of a 1836 battle that marked a turning point in the state’s history. At the time, Texas was a province of Mexico, and colonists (primarily from the United States) grew resentful of increasingly centralized Mexican government. On October 2, 1835, they launched a revolution for independence.

On February 23 the next year, Mexican President Santa Anna’s army began a siege of the Alamo Mission and overran it 13 days later, killing all of the defenders — known at the time as Texians. Among the dead were well-known men such as garrison commander William Travis, American pioneer Jim Bowie and Tennessee Congressman Davy Crockett.

The deadly siege motivated many Texians to join the Texian Army. They defeated the Mexican forces the following month at the Battle of San Jacinto, on April 21, 1836, ending the revolution, and starting Texas’ decade-long status as an independent republic, until it joined the United States as the 28th state.

Mission accomplished

Today, the Alamo compound is the state’s most visited landmark — two centuries after Spain lost most of its influence throughout the Americas.

Meyer noted that considering the historic, life-altering events that took place at The Alamo compound, “it’s not that big of a building … but it’s impressive that it’s become such a well-known part of our culture.”

“It really seems like the town has embraced this part of their history and built a lot of their current day infrastructure around it,” he added.

All five missions were designated UNESCO World Heritage sites on July 5, 2015

As he prepared to depart Texas and head west, Meyer remarked how impressed he was by the Lone Star state’s vast landscape and diverse culture.

“It’s so huge that you got a very rich diversity of natural landscapes, and with that comes a rich diversity of history,” he said.

The national parks traveler invites you to join him as he continues his journey across the American southwest by visiting his website, Facebook and Instagram.

 

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Hacker Claims to Have Stolen Netflix Series, Seeks Ransom

A hacker claims to have stolen the upcoming season of Netflix’s hit series “Orange Is The New Black,” and is demanding that the video streaming service pay an unspecified ransom to prevent all the new episodes from being prematurely released online.

 

The hacker, operating under the name The Dark Overlord, has purportedly uploaded the first episode to an illegal file-sharing service. The Associated Press could not legally confirm the authenticity of that uploaded file.

 

New episodes of “Orange” are scheduled for official release June 9.

Vendor suffered breach 

Netflix said that a small production vendor that works with several major TV studios had suffered a breach. The Los Gatos, California, company described it as an “active situation” that’s being investigated by the FBI and other authorities.

 

Pirated copies of “Orange” could dent Netflix’s subscriber growth and the company’s stock price.

 

In the ransom note, The Dark Overlord claimed to have stolen series from other studios, too, by breaking into a single company. The purported hacker promised to also release those titles unless ransoms are paid.

Rumors for months

Rumors of a massive leak of Hollywood films and TV episodes have been circulating online for months, fed by purported screenshots of the footage and a copy of a proposed deal to delete the stolen material in return for tens of thousands of dollars in electronic currency.

 

When the AP contacted The Dark Overlord in February, the hacker said the purloined video wouldn’t be made publicly available after all, making the far-fetched claim that “no one really (cares) about unreleased movies and TV show episodes.”

 

It’s not clear what triggered The Dark Overload’s renewed ransom demands.

 

Netflix is counting on “Orange” to help it add 3.2 million subscribers from April through June. That’s substantially higher than the company’s average gain of 1.8 million subscribers in the same period over the past five years.

 

Whenever Netflix’s quarterly subscriber gains fall shy of management’s projections, the company’s stock usually plunges. 

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FIFA Audit Official Admits Bribery in US Probe

The sprawling American investigation of bribery and corruption in international soccer has reached into Asia and claimed the first guilty plea from a senior official in the new FIFA leadership.

A member of the FIFA Audit and Compliance Committee, Richard Lai of Guam, was provisionally suspended Friday by the FIFA ethics committee after admitting to taking about $1 million in bribes, including from a “faction” of Asian officials buying influence among voters.

The Asian Football Confederation, where he is a long-time executive committee member, also “provisionally suspended Richard Lai from football with immediate effect.”

Lai, a United States citizen and president of Guam’s soccer federation since 2001, plead guilty in Brooklyn federal court on Thursday. The FIFA ethics committee typically imposes life bans on officials who plead guilty.

The AFC official admitted to two counts of wire fraud conspiracy in connection with multiple schemes to accept and pay bribes to soccer officials.

Lai’s case marks a stunning step forward in the American federal investigation, which had indicted or taken guilty pleas from more than 40 people and marketing agencies linked to soccer in the Americas since 2015.

The latest plea reaches deep into Asian soccer for the first time and involves an official who retained his position monitoring FIFA’s multi-billion dollar income and spending in the transition from former president Sepp Blatter to his successor Gianni Infantino.

Infantino praised U.S. law enforcement agencies Friday and promised cooperation from his Zurich-based organization.

“I would like to thank the American authorities for their continued efforts to stamp out corruption from football,” the FIFA president said in a statement. “I am happy to confirm once again, that FIFA will provide whatever assistance is needed by the U.S. and any other authorities around the world.”

FIFA, former senior officials including Blatter, and its hosting awards for World Cups from 2006 to 2022 are variously under investigation in the U.S., Switzerland, Germany and a French case which was confirmed Thursday.

Lai’s 90-day interim ban by the FIFA ethics committee prevents him taking part in the world soccer body’s audit panel meeting on May 8 in Manama, Bahrain. Also that day, Asian soccer federations meet in the city to elect delegates to the FIFA Council.

Lai also pleaded guilty to failing to disclose foreign bank accounts and agreed to pay more than $1.1 million in forfeiture and penalties. The plea was entered before U.S. District Judge Pamela K. Chen.

Bridget M. Rohde, an Acting U.S. Attorney, announced the guilty plea and said it “marks another important step in our ongoing effort to root out corruption in international soccer.”

“The defendant abused the trust placed in him as a soccer official in order to line his own pockets. The defendant’s breach of trust was particularly significant given his position as a member of the FIFA Audit and Compliance committee, which must play an important and independent role if corruption within FIFA is to be eliminated.”

According to the criminal information to which Lai pleaded guilty, he received more than $850,000 in bribes between 2009 and 2014 from a faction of soccer officials in the Asian region in exchange for using his influence as a soccer official. The cash was intended to advance the interests of the faction that bribed him, including by helping officials in that faction identify other officials to offer bribes.

A U.S. Department of Justice news release did not identify details of the faction buying influence.

Lai also received $100,000 in bribes in 2011 from an official of the AFC who was then running for the FIFA presidency, in exchange for Lai’s vote and support in the then-upcoming FIFA presidential election.

Mohamed bin Hammam, the AFC president who was running against Blatter in that FIFA election, was later banned for life from soccer by FIFA.

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Washington’s International Film Festival Celebrates 31st Anniversary

Films focusing on America’s broken education system, the power of independent journalism, and the Syrian refugee crisis are just some of the highlights of this year’s Filmfest DC. 

For more than 30 years, the annual event has been showcasing thought-provoking movies from around the world to a discerning audience in the U.S. capital, promoting discussion and debate. This spring, April 20-30, the festival celebrates its 31st anniversary with 80 selected films.

Tony Gittens, founder and head of the Washington, DC International film Festival, came to VOA to talk about this year’s offerings. 

Heightened issues

“These are films that look at issues that have been heightened with the new presidential administration [in the U.S.,]” he said.

He cites as examples films that examine the U.S. educational system, which according to the documentary Backpack Full of Cash, is suffering. Gittens says the film looks at the importance of public schools and throws light on the commercialization of education.

Another film that focuses on the United States is the documentary All Governments Lie, by Canadian filmmaker Fred Peabody. The film traces the history of “free, independent journalism and its significance to the pursuit of truth and preservation of democracy.”

Broad range

Throughout the year, Gittens visits international festivals like Cannes and Toronto to select films that reflect political, social and economic topics across the world. He says one of the advantages of an international film festival is that it also brings a foreign perspective to an American audience.

“We have a film from Bulgaria called The Good Postman, looking at immigration from a European perspective.” The documentary by Bulgarian filmmaker Tonislav Hristov, looks at people who live in an economically depressed village and have to decide, as Syrians enter their small community, how to deal with illegal migration. Is it going to help them and their economy, or is it going to hurt them in some way?

Gittens says the festival attracts 16,000 people into local movie theaters, as well as embassies and museums, which host films every spring. Many of these people work for think tanks, are political decision-makers, and generally are a politically involved audience.

Influencing the influencers

“Washingtonians spend a lot of time looking at TV news, reading the newspaper, and when we gather for social events after a while, a few pleasantries, politics come up. It is really hard to avoid that here,” he said. 

So when a harrowing documentary, such as Last Men in Aleppo by Firas Fayyad is screening in town, it may not only influence how people see the war in Syria, but it might effect change, based on what people of influence may sit through [during] this two-hour experience of human rights violations on Syrian civilians by the Assad regime.

The festival also offers a variety of films that look at social and cultural displacement from the viewpoint of the ethnic communities that exist as islands within other cultures. One example is A Wedding by Stephan Streker. This French-Pakistani production deals with the values of a Pakistani family living in France and ends in tragedy when one of the daughters chooses a new way of life over tradition.

One of the most visually impressive films in this year’s festival is Human. Photographer and filmmaker Yann Arthus-Bertrand uses breathtaking cinematography to deliver a film about humanity, weaving a picture of vast landscapes, the world as seen from up high with mankind dwarfed in it.

Arthus-Bertrand interviews people from all walks of life. 

“It’s about the world, the whole planet, the environment, people’s social needs, economic needs and interests showing how in a way we are different, but in fundamental ways we are very similar,” Gittens said.

Economic engine 

Filmfest DC’s leader says that on average, he watches 350 films a year to select the final 80 to bring to Washingtonians. He says throughout the 31 years he’s been doing this, it is a very rewarding process and the films are appreciated. 

The festival also has become an economic engine for the city, Gittens added. Thousands of people from the metro area and the U.S. come to the nation’s capital to attend the festival, filling up Washington restaurants, creating seasonal jobs, and providing a good time.

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Washington’s International Film Festival Celebrates 31st Anniversary

For over 30 years, Filmfest DC has been bringing thought-provoking movies from all over the world to a discerning audience in the U.S. capital, promoting discussion and debate. This spring, the festival is celebrating its 31st anniversary with 80 selected films. VOA’s Penelope Poulou has more.

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Top 5 Songs for Week Ending April 29

This is the Top Five Countdown! We’re hangin’ with the five most popular songs in the Billboard Hot 100 Pop Singles chart, for the week ending April 29, 2017.

It turns out that lighting does strike twice in the same place, because we get a Top Five debut for the second consecutive week.

Number 5: The Chainsmokers & Coldplay “Something Just Like This”

Let’s start in fifth place, where The Chainsmokers and Coldplay hold with “Something Just Like This.”

Coldplay just grabbed two nominations for this year’s Ivor Novello Awards. Chris Martin & Company are nominated twice in the PRS For Most Performed Work category – they earned it for “Adventure Of A Lifetime” and “Hymn For The Weekend.” They’ll square off against Adele, with “When We Were Young.” Named for the famous Welsh composer and actor, the Ivor Novello awards will be handed out on May 18 in London.

 

Number 4: Harry Styles “Sign of The Times”

Let’s keep it in the U.K. for this week’s big debut: Harry Styles opens in fourth place with “Sign Of The Times” – the lead single from Harry’s first solo album, dropping on May 12.

Harry co-wrote this song with Jeff Bhasker, who won the 2016 Grammy for Non-Classical Producer of the Year. He’s worked with everyone from Jay Z to the Rolling Stones. Harry’s album has a lot of buzz behind it, and he says he will go on tour.

Number 3: Kendrick Lamar “Humble”

Kendrick Lamar steps back a slot to number three with “Humble,” from his smash hit album Damn.

Kendrick headlined for two successive weekends at the Coachella festival, and now fans can await his North American headlining tour. It starts July 12 in Glendale, Arizona. Travis Scott and D.R.A.M. will be the opening acts.

Number 2: Bruno Mars “That’s What I Like”

Bruno, Bruno…make up your mind. He’s sold more than 26 million albums, but Bruno Mars just can’t make that last jump: “That’s What I Like” this week returns to its chart high of second place.

Bruno’s currently on tour in the United Kingdom, and last week stopped by the Beatles’ old stomping ground, Abbey Road Studios in London. He says he didn’t use that famous zebra crossing, but it was a temptation.

Number 1: Ed Sheeran “Shape of You”

If you’re tempted to think we have a new singles champ, think again: Ed Sheeran remains your countdown king with “Shape Of You.”

As of April 6, this was the best-selling song of 2017 in the U.S., moving 1.7 million copies. It’s also the only song to have surpassed the million-seller mark so far this year.

We get a whole new lineup next week, so be sure and drop by.

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Oscar-Winning Director Jonathan Demme Dies

Oscar-winning U.S. film director Jonathan Demme, who terrified audiences and also made them laugh, died Wednesday in New York at 73.

His family said Demme suffered from cancer of the esophagus.

Demme may be considered one of the most eclectic directors in Hollywood history — directing rousing comedies, horror, concert films and emotional dramas.

His 1991 thriller Silence of the Lambs featured Anthony Hopkins as a cannibalistic murderer with a terrifying mask who is restrained in a cage.

The film and Demme’s close-ups of the criminal haunted audiences and won five Oscars, including one for Demme.

He followed it in 1993 with Philadelphia, starring Tom Hanks as a lawyer dying from AIDS. The film is considered to be a landmark in the way gays are portrayed and the seriousness of the AIDS epidemic.

Critics called Demme’s 1984 concert film starring the Talking Heads, Stop Making Sense, one of the greatest rock films ever made, using techniques that have set the standard for rock documentaries.

Demme also was heavily involved in the Florida-based charity Americans for Immigrant Justice, and his family has requested that fans honor Demme by making contributions to the fund.

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Are the Arts a Good Government Investment?

Musician David Byrne, known for his work with the 1980s pop band Talking Heads, wrote an urgent blog post this month. “I just got back from a rally at City Hall,” he said, referring to a New York City rally to support arts funding. “I spoke very briefly, making the economic and social argument that arts funding benefits the economy and creates jobs way in excess of the amount invested.”

Byrne and others at the rally were protesting a budget request by the White House for Congress to eliminate funding for the National Endowment for the Arts, as well as the National Endowment for the Humanities and the Corporation for Public Broadcasting.

While the Trump administration has said little beyond the budget proposal itself, conservative commentator George Will and others have made the case. Will wrote in The Washington Post last month that the arts mainly benefit the wealthy, and that the wealthy will support the arts regardless of federal help.

In addition, he said NEA funding, which goes to all 435 congressional districts in the United States, supports projects he does not consider art. The NEA, he said, “defines art democratically and circularly. Art is anything done by anyone calling himself or herself an artist, and an artist is anyone who produces art.”

 

The prospect of losing their funding is forcing arts organizations to pull out all the stops to show what good the arts do, beyond the fancy doors of museums and music auditoriums. And they question what good it would do to eliminate agencies whose spending combined makes up less than 1 percent of the national budget.

Byrne, the pop musician, said in his blog post: “Investment in the arts doesn’t cost us money — it MAKES us money!”

Attracting funds

The NEA says its budget appropriation for 2016 was $147.9 million, about .004 percent of the federal budget. It says its contributions to local arts institutions resulted in the leveraging of up to $9 million in private and other public funds.

 

Brad Erickson of Theatre Bay Area, a group representing 300 theater companies in the San Francisco area, clarified the issue in comments to The San Francisco Chronicle last month: “Nobody is getting enough from the NEA to keep the lights on and the rent paid. An NEA grant attracts other money. A dollar from the NEA attracts another $8 in private and local funding.”

The advocacy group Americans for the Arts studies the economic growth that the arts foster in the communities they serve. The group reported that in 2014, arts and culture represented 4.2 percent of the nation’s gross domestic product — a larger share, according to the U.S. Bureau of Economic Analysis, than transportation, tourism or construction.

Further, the NEA says 40 percent of the funding it doles out goes to organizations and activities in high-poverty neighborhoods, where arts education can matter the most.

 

Wolford McCue, president and CEO of the Arts Community Alliance in Dallas, told VOA that studies have found how important arts activities can be to an individual education.

“Young adults who have been engaged with the arts graduate from high school, junior college and college at a significantly higher rate than those not engaged in the arts,” he said. “Significantly more are gainfully employed, pay taxes, vote and volunteer in their community.”

Controversial content

One argument against arts funding persists from the 1980s, when NEA funding went to a venue hosting an art show of provocative photographs by Robert Mapplethorpe — an artist whose name is now synonymous with controversy. His sexually charged work set off a nationwide debate about obscenity and the role of public funding.

Those who defended Mapplethorpe’s work said he was entitled to free speech. Critics said federal dollars should not be used to support work that some people find obscene.

And that, some arts activists say, may be at the root of the issue. While the arts may look like an extravagance to some, others say shutting off arts funding amounts to stifling speech.

PEN, a writers organization focused on free speech, is circulating an online petition advocating for the NEA and its sister organizations. “Eliminating these vital agencies would lessen America’s stature as a haven for free thinkers and a global leader in humanity’s shared quest for knowledge,” it says.

Support in France

A group of French filmmakers also has rallied in support of keeping U.S. federal arts funding alive, saying defunding the NEA is “muffling diversity” because art enables people on the margins of society to tell their stories.

And in an op-ed piece in The New York Times last month, Eve Ewing, a sociologist at the University of Chicago, said, “Artists play a distinctive role in challenging authoritarianism. Art creates pathways for subversion, for political understanding and solidarity among coalition builders.

“Art teaches us that lives other than our own have value.”

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Arts Program in Poor Performing Schools Boosts Learning

In some of the lowest performing elementary and middle schools in the U.S., students are learning in an unconventional way. 

 

“I like to act and I like to sing and I like to dance,” said 10-year-old Kayla Driakare, whose teachers at Florence Griffith Joyner Elementary School are incorporating much of what she loves doing into the everyday curriculum.

 

Her school is a part of a national program called Turnaround Arts, and is an initiative started by former first lady Michelle Obama.It aims to help improve low performing schools through the arts.

 

For Driakare and her classmates, their school is a safe haven from life outside its walls.The students at Florence Griffith Joyner Elementary are from Watts, a neighborhood in Los Angeles known for its gang violence.

 

“High crime, high poverty, very multigenerational families in public housing. There’s gun violence. We see a lot of helicopters and we have lockdowns regularly and so, the thing is, all associated with poverty – that really traumatized students, so many of our students come to school with symptoms of post-traumatic stress,” explained school principal Akida Kissane Long.

 

She remembers when she first started at the school five years ago, there was “willful disobedience, primarily fighting (and) destruction of school property.”

 

Long said the suspension rate was “267 suspensions on record and (there were) 1,167 classroom suspensions.“

 

The school performed in the lowest 5% of the state and qualified for the Turnaround Arts program, a public-private partnership led by the President’s Committee on the Arts and the Humanities and managed by the D.C.-based John F. Kennedy Center for the Performing Arts.

 

It is one of 68 schools in the U.S. participating in the program.Teachers receive special training, and the arts are incorporated into all the subjects.Turnaround Arts schools also partner with professional musicians and actors who work with the students. Among the names are Yo-Yo Ma, Sarah Jessica Parker, Elton John and Cameron Diaz. 

 

“The children were so excited and have been so excited because it’s not just about – “Go to the board. Do the problem. Turn the page. Read the book.’It’s about acting and impersonating artists and historic figures, and acting out the water cycle and becoming a butterfly that goes from caterpillar through the cocoon to an expansive beautiful winged insect,” said Long.

 

On Thursdays, dedicated teachers in music and art give lessons. 

 

 “Art is fun. You get to draw what you draw and you get to draw something that you really like,” said an excited Driakare.

 

Only in the first year of a 3-year program, Long is already seeing results.

 

 “We’ve probably suspended one kid this year. That’s amazing. Parents are getting phone calls to come to family portraiture night and come to family arts night, and it’s not just the naughty calls home. It’s for them to come and learn more about what their children are learning.So our parent engagement goes up,” Long said.

 

Decreased disciplinary actions, increased attendance and improved academic achievement are occurring nationwide in a 3-year program evaluation of pilot schools.From 2011 to 2014, the study found a 22.55% improvement in math proficiency and 12.62% improvement in reading proficiency in the Turnaround Arts pilot schools.The study also found Turnaround Arts schools performed better than comparable schools that received special grants for school improvement.

 

At a time when President Donald Trump is proposing cutting the budget for the arts, and arts education is being deemphasized as policy makers push for more focus on math and science in U.S. education, Long is making a case for a more holistic approach.

 

 “Art speaks to everyone. Arts isn’t a set aside. It is part of what makes the curriculum rich and exciting and motivating.” Long added, “Because the arts is so universal and speaks across every culture and every language, every kid has an opportunity to access the highest levels of the curriculum because they had it delivered in a way that they could understand.”

 

At the end of the 3-year program, Long is asking the school district to turn this school into a visual and performing arts magnet school so it can get funding from the district to continue its focus on the arts, and allow more students to experience learning through a more creative approach.

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