DALLAS, Texas — Nearly a century after Babe Ruth called his shot during the 1932 World Series, the jersey worn by the New York Yankees slugger when he hit the home run to center field could sell at auction for as much as $30 million.

Heritage Auctions is offering up the jersey Saturday night in Dallas.

Ruth’s famed, debated and often imitated “called shot” came as the Yankees and Chicago Cubs faced off in Game 3 of the World Series at Chicago’s Wrigley Field on October 1, 1932. In the fifth inning, Ruth made a pointing gesture while at bat and then hit a home run off Cubs pitcher Charlie Root.

The Yankees won the game 7-5 and swept the Cubs the next day to win the series.

That was Ruth’s last World Series, and the “called shot” was his last home run in a World Series, said Mike Provenzale, the production manager for Heritage’s sports department.

“When you can tie an item like that to an important figure and their most important moment, that’s what collectors are really looking for,” Provenzale said.

Heritage said Ruth gave the road jersey to one of his golfing buddies in Florida around 1940 and it remained in that family for decades. Then, in the early 1990s, that man’s daughter sold it to a collector. It was then sold at auction in 2005 for $940,000, and that buyer consigned it to Heritage this year.

In 2019, one of Ruth’s road jerseys dating to 1928-30 sold for $5.64 million in an auction conducted at Yankee Stadium. That jersey was part of a collection of items that Ruth’s family had put up for sale.
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SINTRA, Portugal — The doorbell to Martinho de Almada Pimentel’s house is hard to find, and he likes it that way. It’s a long rope that, when pulled, rings a literal bell on the roof that lets him know someone is outside the mountainside mansion that his great-grandfather built in 1914 as a monument to privacy.

There’s precious little of that for Pimentel during this summer of “overtourism.”

Travelers idling in standstill traffic outside the sunwashed walls of Casa do Cipreste in Cintra sometimes spot the bell and pull the string “because it’s funny,” he says. With the windows open, he can smell the car exhaust and hear the “tuk-tuk” of outsized scooters named for the sound they make. And he can sense the frustration of 5,000 visitors a day who are forced to queue around the house on the crawl up single-lane switchbacks to Pena Palace, the onetime retreat of King Ferdinand II.

“Now I’m more isolated than during COVID,” the soft-spoken Pimentel, who lives alone, said during an interview this month on the veranda. “Now I try to (not) go out. What I feel is: angry.”

This is a story of what it means to be visited in 2024, the first year in which global tourism is expected to set records since the coronavirus pandemic brought much of life on Earth to a halt. Wandering is surging, rather than leveling off, driven by lingering revenge travel, digital nomad campaigns and so-called golden visas blamed in part for skyrocketing housing prices.

Cue the violins, you might grouse, for people like Pimentel who are well-off enough to live in places worth visiting. But it’s more than a problem for rich people.

“Not to be able to get an ambulance or to not be able to get my groceries is a rich people problem?” said Matthew Bedell, another resident of Sintra, which has no pharmacy or grocery store in the center of the UNESCO-designated district. “Those don’t feel like rich people problems to me.”

Overtourism generally describes the tipping point at which visitors and their cash stop benefiting residents and instead cause harm by degrading historic sites, overwhelming infrastructure and making life markedly more difficult for those who live there.

Look a little deeper and you’ll find knottier issues for locals and their leaders, none more universal than housing prices driven up by short-term rentals like Airbnb, from Spain to South Africa.

The summer of 2023 was defined by the chaos of the journey itself — airports and airlines overwhelmed, passports a nightmare for travelers from the US. Yet by the end of the year, signs abounded that the COVID-19 rush of revenge travel was accelerating.

In January, the United Nations’ tourism agency predicted that worldwide tourism would exceed the records set in 2019 by 2%. By the end of March, the agency reported, more than 285 million tourists had travelled internationally, about 20% more than the first quarter of 2023. The World Travel & Tourism Council projected in April that 142 of 185 countries it analyzed would set records for tourism, set to generate $11.1 trillion globally and account for 330 million jobs.

Aside from the money, there’s been trouble in paradise this year, with Spain playing a starring role in everything from water management problems to skyrocketing housing prices and drunken tourist drama.

Protests erupted across the country as early as March, with thousands of people demonstrating in Spain’s Canary Islands against visitors and construction that was overwhelming water services and jacking up housing prices.

Japan set records for tourist arrivals. In Fujikawaguchiko, a town that offers some of the best views of Mount Fuji, leaders erected a large black screen in a parking lot to deter tourists from overcrowding the site. The tourists apparently struck back by cutting holes in the screen at eye level.

Air travel, meanwhile, only got more miserable, the U.S. government reported in July.

Tourism is surging and shifting so quickly, in fact, that some experts say the very term “overtourism” is outdated.

Michael O’Regan, a lecturer on tourism and events at Glasgow Caledonian University, argues that “overtourism” doesn’t reflect the fact that the experience depends largely on the success or failure of crowd management.

“There’s been backlash against the business models on which modern tourism has been built and the lack of response by politicians,” he said in an interview. Tourism “came back quicker than we expected,” he allows, but tourists aren’t the problem. “So what happens when we get too many tourists? Destinations need to do more research.”

Virpi Makela can describe exactly what happens in her corner of Sintra. Incoming guests at Casa do Valle, her hillside bed-and-breakfast near the village center, call Makela in anguish because they cannot figure out how to find her property amid Sintra’s “disorganized” traffic rules that seem to change without notice.

“There’s a pillar in the middle of the road that goes up and down and you can’t go forward because you ruin your car. So you have to somehow come down but you can’t turn around, so you have to back down the road,” says Makela, a resident of Portugal for 36 years. “And then people get so frustrated they come to our road, which also has a sign that says `authorized vehicles only.’ And they block everything.”

A 40-minute train ride to the west, Sintra’s municipality has invested in more parking lots outside town and youth housing at lower prices near the center, the mayor’s office said.

More than 3 million people every year visit the mountains and castles of Sintra, long one of Portugal’s wealthiest regions for its cool microclimate and scenery. Sintra City Hall also said via email that fewer tickets are now sold to the nearby historic sites. Pena Palace, for example, began this year to permit less than half the 12,000 tickets per day sold there in the past.

It’s not enough, say local residents, who have organized into QSintra, an association that’s challenging City Hall to “put residents first” with better communication, to start. They also want to know the government’s plan for managing guests at a new hotel being constructed to increase the number of overnight stays, and more limits on the number of cars and visitors allowed.

“We’re not against tourists,” reads the group’s manifesto. “We’re against the pandemonium that (local leaders) cannot resolve.”
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Xolo Maridueña is currently starring in the sixth and final season of the hit karate series “Cobra Kai,” which premiered on Netflix in July. But he also made waves last year when he was cast as the first Latino superhero lead in “Blue Beetle.” The actor spoke with Veronica Villafañe about the impact of these roles in his career and the need for Latino representation in Hollywood.
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KATHMANDU, Nepal — Hundreds of LGBTQ+ people and their supporters rallied in Nepal’s capital Tuesday during the annual Pride parade, the first since gay couples were able to register same-sex marriages officially in the Himalayan nation.

The event brought together the sexual minority community and its supporters in Kathmandu during the Gai Jatra festival. A government minister, diplomats and officials participated in the rally, which began at the city’s tourist hub and went around its main streets.

“Gai Jatra festival is a festival that is a long tradition that has been carried for years, and we all are here to help preserve and continue the tradition, and as a sexual minority are doing our part to save the tradition. We also celebrate the day as a Pride parade,” said Bhumika Shrestha, a gay rights activist who was at the parade.

The Gai Jatra festival is celebrated to remember family members who have passed away during the year but has long had colorful parades that brought in sexual minorities.

After years of struggle, gay couples were able to register same-sex marriages for the first time in November 2023 following a Supreme Court order. Rights activists had long sought to amend laws and end provisions that limited marriage to heterosexual couples.

Nepal has undergone a transformation since a court decision in 2007 asked the government to make changes in favor of LGBTQ+ people. People who do not identify as female or male are now able to choose “third gender” on their passports and other government documents. The 2015 constitution also states that there can be no discrimination based on sexual orientation.
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NEW YORK — In 1974, Harlem’s deserted streets and tumbledown tenements told the story of a neighborhood left behind. Decades of disinvestment had culminated in a mass exodus known as urban flight and residents watched as their wealthier, more educated counterparts left the New York City neighborhood in droves.

But the tide turned when Percy Sutton, then the Manhattan borough president and New York City’s highest-ranking Black elected official, launched a campaign to bring back vitality to the historically African American neighborhood that had been known as a global Black mecca of arts, culture and entrepreneurship.

It became known as Harlem Week and would go on to draw back those who had departed. On Sunday, organizers celebrated Harlem Week’s 50th anniversary after 18 days of free programming that showcased all the iconic neighborhood has to offer.

Harlem Week stands as “the constant line through the last 50 years of America’s most historic Black neighborhood,” said the Rev. Al Sharpton, whose National Action Network is headquartered in the neighborhood. “The dream of Percy Sutton and his peers in government, arts, the church and other elements of Harlem lives on, stronger than ever.”

In the 1970s, Harlem demanded more than an ordinary festival, if it wanted a resurrection. Those who remained in Harlem during urban flight — mostly low-income, Black families — would turn on their televisions to constant despair: crime reports, bleak statistics and reporters who called their home a “sinking ship.”

Sutton knew Harlem was due for a revitalizing, uplifting moment.

That summer, Sutton rallied religious, political, civic and artistic leaders that included Tito Puente, Max Roach, Maya Angelou, James Baldwin, Harry Belafonte, Sidney Poitier, Ruby Dee and Lloyd Williams. Together, they devised an event that would pivot the spotlight from Harlem’s troubles to its vibrant legacy: Harlem Day.

Radio disc jockeys Hal Jackson and Frankie Crocker produced a concert at the plaza of the Harlem State Office Building, while actor Ossie Davis cut a ribbon at 138th street and 7th Avenue, announcing the start of the “Second Harlem Renaissance.”

The ribbon-cutting ceremony renamed 7th Avenue to Adam Clayton Powell Jr. Boulevard, named for the first African American elected to Congress from New York, marking the first time a New York City street took the name of a person of color.

“About two or three weeks later, Percy Sutton called us all and said it was such a successful day,” said Lloyd Williams, one of Harlem Day’s co-founders and the current president of the Greater Harlem Chamber of Commerce. “It meant so much to the other cities that were being deserted in Detroit and Baltimore, Washington and Chicago, that they asked if we would do it again on an annual basis.”

They did, and Harlem Day evolved into Harlem Weekend and eventually Harlem Week, which, before the pandemic, expanded to a full month of programming.

“Only in Harlem could a week be more than seven days,” said Williams, whose family has lived in Harlem since 1919.

This year’s celebration featured entertainment, including a headlining set by hip-hop artist Fabolous, a tribute to Harry Belafonte and Broadway performances. Other concerts showcased jazz, reggae, R&B and gospel traditions nurtured in Harlem, alongside hundreds of food and merchandise vendors.

Organizers also included empowerment initiatives, such as financial literacy workshops and health screenings, at Harlem Health Village and the Children’s Festival. Every child who attended received a back-to-school backpack.

Harlem Week always has been a living tribute to Harlem’s history of greats, such as W.E.B. Du Bois, Langston Hughes, Augusta Savage and Aaron Douglas. It recognizes the Harlem Renaissance and Black Arts Movement and honors landmarks like the Apollo Theater and Schomburg Center for Research in Black Culture.

Many historians consider the late 1960s and the 1970s to be Harlem’s darkest years.

The area had been battered by unrest, including a 1964 riot that killed an unarmed Black teenager, Malcolm X’s assassination in 1965 and the turmoil after the Rev. Martin Luther King Jr.’s assassination in 1968. Household incomes fell dramatically and infant mortality rates were high.

“The neighborhood was blighted,” recalled Malik Yoba, an actor born in the Bronx in 1967 who grew up in Harlem and spent days playing in the dirt of vacant lots. Yoba attended school in the Upper East Side with peers who had country homes upstate in the Hamptons.

“I didn’t understand why where we lived looked so dramatically different than where they lived,” he said. “I knew something was wrong.”

But Harlemites are creatives and entrepreneurs, visionaries and leaders. Where others saw decline, they saw opportunity, and the determination to match Harlem with its potential ran high.

Yoba, now 56, built a career as an actor showcasing Harlem to audiences across the nation. His experiences with housing inequality also fueled his passion for real estate.

Yoba combats the effects of redlining through his company Yoba Development, which provides young people of color access to the industry and has active projects in Baltimore and New York City.

“When you grow up in disenfranchised and divested communities, you can’t see the forest through the trees,” Yoba said. “You can grow up believing that walking by burnt-down buildings is your birthright, as opposed to understanding that building is a business.”

Hazel Dukes, 92, a prominent New York civil rights activist and Harlem resident of 30 years, has spent her life fighting discrimination in housing and education. She lived in the same Harlem building as Sutton and organized alongside him, later becoming a national president of the NAACP in 1989.

“I know what it feels to be denied,” said Dukes, who was born and raised in Montgomery, Alabama, and endured Jim Crow segregation. She moved to New York City with her parents in the 1950s.

Today, property in Harlem is coveted, driven by gentrification and its enduring cultural appeal.

“There was a waiting list, because everybody wanted to live in Harlem,” Dukes said. “People want to come to Harlem before they transition from this world.”
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paris — French actor Alain Delon, who melted the hearts of millions of film fans whether playing a murderer, hoodlum or hitman in his postwar heyday, has died, French media reported on Sunday. He was 88.

Delon had been in poor health since suffering a stroke in 2019, rarely leaving his estate in Douchy, in France’s Val de Loire region.

With his striking blue eyes, Delon was sometimes referred to as the “French Frank Sinatra” for his handsome looks, a comparison Delon disliked. Unlike Sinatra, who always denied connections with the Mafia, Delon openly acknowledged his shady pals in the underworld.

In a 1970 interview with The New York Times, Delon was asked about such acquaintances, one of whom was among the last “Godfathers” of the underworld in the Mediterranean port of Marseille.

“Most of them, the gangsters I know … were my friends before I became an actor,” he said. “I don’t worry about what a friend does. Each is responsible for his own act. It doesn’t matter what he does.”

Delon shot to fame in two films by Italian director Luchino Visconti, Rocco and His Brothers in 1960 and The Leopard in 1963.

He starred alongside venerable French elder Jean Gabin in Henri Verneuil’s 1963 film Melodie en Sous-Sol (Any Number Can Win) and was a major hit in Jean-Pierre Melville’s 1967 Le Samourai (The Godson). The role of a philosophical contract killer involved minimal dialogue and frequent solo scenes, and Delon shone.

Delon became a star in France and was idolized by men and women in Japan, but never made it as big in Hollywood despite performing with American cinema giants, including Burt Lancaster when the Frenchman played apprentice-hitman Scorpio in the eponymous 1973 film.

In the 1970 film Borsalino, he starred with fellow French actor Jean-Paul Belmondo, playing gangsters who come to blows in an unforgettable, stylized fight over a woman.

Crowning moments also included 1969 erotic thriller La Piscine (The Swimming Pool), where Delon paired up with real-life lover Romy Schneider, in a sultry French Riviera saga of jealousy and seduction.

Troubled man

Born just outside Paris on November 8, 1935, Delon started life on the back foot: he was put in foster care at age 4 after his parents divorced.

He ran away from home at least once and was expelled several times from boarding schools before joining the marines at 17 and serving in then-French-ruled Indochina. There, too, he got into trouble over a stolen jeep.

Back in France in the mid-50s, he worked as a porter at the Paris wholesale food market Les Halles and spent time in the red-light Pigalle district before migrating to the cafes of the bohemian St. Germain des Pres area.

There he met French actor Jean-Claude Brialy, who took him to the Cannes Film Festival, where he attracted the attention of an American talent scout who arranged a screen test.

He made his film debut in 1957 in Quand la femme s’en mele (Send a Woman When the Devil Fails).

Sulphurous friends

Delon was a businessman as well as an actor, leveraging his looks to sell branded cosmetics and dabbling in racehorses with old underworld friends. He invested in a racehorse stable with Jacky “Le Mat” Imbert, a notorious figure in a thriving Marseille crime scene.

Delon’s more louche friendships exploded to the surface when a former bodyguard-cum-confidant, a young Yugoslav called Stefan Markovic, was found dead in a bag, with a bullet in his head, discarded in a rubbish dump near Paris.

The actor was interrogated and cleared by police but the “Markovic Affair” snowballed into a national scandal.

The man police charged with the Markovic murder — he was later acquitted — was Francois Marcantoni, a Corsican cafe owner and friend of Delon who thrived in the hustle and bustle of the Pigalle district in the aftermath of World War II.

Outspoken

Delon was outspoken offstage and courted controversy when he did so — notably when he said he regretted the abolition of the death penalty and spoke disparagingly of gay marriage, which was legalized in France in 2013.

He publicly defended the far-right National Front and telephoned its founder, Jean-Marie Le Pen, an old friend, to congratulate him when the party did well in local elections in 2014.

Delon’s lovers included Schneider and German model-turned-singer Nico, with whom he had a son. In 1964, he married Nathalie Barthelemy and fathered a second son before ending the marriage and embarking on a 15-year relationship with Mireille Darc. He had two more children with Dutch model Rosalie van Breemen.

In a January 2018 interview, Delon told Paris Match he was fed up with modern life and had a chapel and tomb ready for him on the grounds of his home near Geneva, and for his Belgian shepherd dog, called Loubo.

“If I die before him, I’ll ask the vet to let us go together. He will give the dog an injection so he can die in my arms.”

Delon’s last major public appearance was to receive an honorary Palme d’or at the Cannes film festival in May 2019.

In his last years, Delon was the center of a family feud over his care, which made headlines in French media.

In April 2024 a judge placed Delon under “reinforced curatorship,” meaning he no longer had full freedom to manage his assets. He was already under legal protection over concerns over his health and well-being.
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ULAANBAATAR, Mongolia — With its reindeer sleigh rides, camel racing and stunning landscapes with room to roam, Mongolia is hoping to woo visitors who are truly looking to get away from it all.

Like most countries, its tourism industry was devastated by the COVID-19 pandemic, and it has launched a “Welcome to MonGOlia” campaign to win people back. The government has added flights and streamlined the visa process, offering visa-free visits for many countries.

At least 437,000 foreign tourists visited in the first seven months of this year, up 25% over the same period last year, including increasing numbers from Europe, the U.S. and Japan. Visitors from South Korea nearly doubled, thanks in part to the under-four-hour flight.

Despite the gains, Mongolia’s government is still short of its goal of 1 million visitors per year from 2023-25 to the land of Genghis Khan, which encompassed much of Eurasia in its 13th-century heyday and is now a landlocked nation located between Russia and China.

With a population of 3.3 million people, about half of them living in the capital, Ulaanbaatar, there’s plenty of open space for the adventure tourist to explore, said Egjimaa Battsooj, who works for a tour company. Its customized itineraries include horseback trips and camping excursions with the possibility of staying in gers, the felt-covered dwellings still used by Mongolia’s herders.

There’s little chance of running across private property, so few places are off-limits, she said.

“You don’t need to open a gate, you don’t need to have permission from anyone,” she said, sitting in front of a map of Mongolia with routes marked out with pins and strands of yarn.

“We are kind of like the last truly nomad culture on the whole planet,” she added.

Lonely Planet named Mongolia its top destination in its Best in Travel 2024 report. The pope’s visit to Mongolia last year also helped focus attention on the country. Its breakdancers became stars at last year’s Asian Games. And some local bands have developed a global following, like The Hu, a folk-metal band that incorporates traditional Mongolian instruments and throat singing with modern rock.

Still, many people know little about Mongolia. American tourist Michael John said he knew some of the history about Genghis Khan and had seen a documentary on eagles used by hunters before deciding to stop in Ulaanbaatar as part of a longer vacation.

“It was a great opportunity to learn more,” the 40-year-old said.

Tourism accounted for 7.2% of Mongolia’s gross domestic product and 7.6% of its employment in 2019 before collapsing due to the COVID-19 pandemic, according to the World Bank. But the organization noted “substantial growth potential” for Mongolia to exploit, with “diverse nature and stunning sceneries” and sports and adventure tourism possibilities.

Mongolia tourism ads focus on those themes, with beautiful views of frozen lakes in winter for skating and fishing, the Northern Lights and events like reindeer sledding and riding, camel racing and hiking.

Munkhjargal Dayan offers rides on two-humped Bactrian camels, traditional archery and the opportunity to have eagles trained for hunting perch on a visitor’s arm.

“We want to show tourists coming from other countries that we have such a way of life in Mongolia,” he said, waiting for customers by a giant statue of Genghis Kahn on the outskirts of Ulaanbaatar.

Outside the lively capital, getting around can be difficult in summer as the steppes become waterlogged, and there is limited infrastructure, a shortage of accommodation and a deficit of skilled labor in tourism destinations.

It is also easy for foreigners to get lost, with few signs in English, said Dutch tourist Jasper Koning. Nevertheless, he said he was thoroughly enjoying his trip.

“The weather is super, the scenery is more than super, it’s clean, the people are friendly,” he said.
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LONDON — A fire broke out Saturday at Somerset House, a large arts venue on the River Thames in central London.

Smoke billowed from the building and flames could be seen coming from the roof as firefighters on tall ladders showered it with water.

The cause of the fire was not yet known, the London Fire Brigade said. Fifteen engines and about 100 firefighters were deployed.

Somerset House said all staff and the public were safe and the site was closed. The venue had been scheduled to host a breakdancing event.

The neoclassical building, which is nearly 250 years old, houses the Courtauld Gallery that features works by Van Gogh, Manet and Cezanne.
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los angeles — A prosecutor says five people have been charged in connection with Matthew Perry’s death from a ketamine overdose last year, including the actor’s assistant and two doctors.

U.S. Attorney Martin Estrada announced the charges Thursday, saying the doctors supplied Perry with a large amount of ketamine and even wondered in a text message how much the former “Friends” star would be willing to pay.

“These defendants took advantage of Mr. Perry’s addiction issues to enrich themselves. They knew what they were doing was wrong,” Estrada said.

Perry died in October due to a ketamine overdose and received several injections of the drug on the day he died from his live-in personal assistant. The assistant, Kenneth Iwamasa, is the one who found Perry dead later that day.

The actor went to the two charged doctors in desperation after his regular doctors refused to give him ketamine in the amounts he wanted. DEA Administrator Anne Milgram said in one instance the actor paid $2,000 for a vial of ketamine that cost one of the physicians about $12.

Two of the people, including one of the doctors charged, were arrested Thursday, Estrada said. Two of the defendants, including Iwamasa, have pleaded guilty to charges already, and a third person has agreed to plead guilty.

Multiple messages left seeking comment from lawyers or offices for all the defendants have not yet been returned.

Among those arrested Thursday are Dr. Salvador Plasencia, who is charged with seven counts of distribution of ketamine and also two charges related to allegations he falsified records after Perry’s death.

The other person arrested Thursday is Jasveen Sangha, who prosecutors described as a drug dealer known as the “ketamine queen.”

Ketamine supplied by Sangha caused Perry’s death, authorities said.

Sangha and Plasencia could make their first court appearances later Thursday.

Records show Plascencia’s medical license has been in good standing with no records of complaints, though it is set to expire in October.

A San Diego physician, Dr. Mark Chavez, has agreed to plead guilty to conspiracy to distribute ketamine. Prosecutors allege Chavez funneled ketamine to Plasencia, securing some of the drug from a wholesale distributor through a fraudulent prescription.

The prosecutor said the defendants exchanged messages soon after Perry’s death referencing ketamine as the cause of death. Estrada said they tried to cover up their involvement in supplying Perry ketamine, a powerful anesthetic that is sometimes used to treat chronic pain and depression.

Los Angeles police said in May that they were working with the U.S. Drug Enforcement Administration and the U.S. Postal Inspection Service with a probe into why the 54-year-old had so much of the surgical anesthetic in his system.

Iwamasa found the actor face down in his hot tub on Oct. 28, and paramedics who were called immediately declared him dead.

The assistant received the ketamine from Eric Fleming, who has pleaded guilty to obtaining the drug from Sangha and delivering it to Iwamasa. In all, he delivered 50 vials of ketamine for Perry’s use, including 25 handed over four days before the actor’s death.

Perry’s autopsy, released in December, found that the amount of ketamine in his blood was in the range used for general anesthesia during surgery.

Ketamine has seen a huge surge in use in recent years as a treatment for depression, anxiety and pain. People close to Perry told coroner’s investigators that he was undergoing ketamine infusion therapy.

But the medical examiner said Perry’s last treatment 1½ weeks earlier wouldn’t explain the levels of ketamine in his blood. The drug is typically metabolized in a matter of hours. At least two doctors were treating Perry, a psychiatrist and an anesthesiologist who served as his primary care physician, the medical examiner’s report said. No illicit drugs or paraphernalia were found at his house.

Ketamine was listed as the primary cause of death, which was ruled an accident with no foul play suspected, the report said. Drowning and other medical issues were contributing factors, the coroner said.

Drug-related celebrity deaths have in other cases led authorities to prosecute the people who supplied them.

After rapper Mac Miller died from an overdose of cocaine, alcohol and counterfeit oxycodone that contained fentanyl, two of the men who provided him the fentanyl were convicted of distributing the drug. One was sentenced to more than 17 years in federal prison, the other to 10 years.

And after Michael Jackson died in 2009 from a lethal dose of propofol, a drug intended for use only during surgery and other medical procedures and not for the insomnia the singer sought it for, his doctor, Conrad Murray, was convicted of involuntary manslaughter in 2011. Murray has maintained his innocence.
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WASHINGTON — The ancient ritual meaning of Stonehenge is still a mystery, but researchers are one step closer to understanding how the famous stone circle was created.

The unique stone lying flat at the center of the monument was brought to the site in southern England from near the tip of northeast Scotland, researchers reported Wednesday in the journal Nature. It’s not clear whether the 5-meter (16-foot) stone was carried by boat or over land — a journey of more than 740 kilometers (460 miles).

“It’s a surprise that it’s come from so far away,” said University of Exeter archaeologist Susan Greaney, who was not involved in the study.

For more than a hundred years, scientists believed that Stonehenge’s central sandstone slab — long called the “altar stone” — came from much-closer Wales. But a study last year by some of the same researchers showed that the stone didn’t match the geology of Wales’ sandstone formations. The actual source of the stone remained unknown until now.

For the study, the team was not permitted to chip away rocks at the site, but instead analyzed minerals in bits of rock that had been collected in previous digs, some dating back to the 1840s. They found a match in the sandstone formations of Orcadian Basin in northeast Scotland, a region that includes parts of the tip of the Scottish peninsula as well as the Orkney Islands.

“That geological ‘fingerprint’ isn’t repeated in any other area of sediment in the U.K.,” said Aberystwyth University geologist Nick Pearce, a study co-author.

Greaney said the difficult logistics of moving the stone such a long distance show a high level of coordination and cultural connection between these two regions of ancient Britain.

Stonehenge was constructed around 5,000 years ago, with stones forming different circles brought to the site at different times. The placement of stones allows for the sun to rise through a stone “window” during summer solstice. The ancient purpose of the altar stone — which lies flat at the heart of Stonehenge, now beneath other rocks — remains a mystery.

“Stonehenge isn’t a settlement site, but a place of ceremony or ritual,” said Heather Sebire, senior curator at English Heritage, who was not involved in the study. She said that past archaeological excavations had not uncovered evidence of feasting or daily living at the site.

Previous research has shown cultural connections — such as similarities in pottery styles — between the area around Stonehenge and Scotland’s Orkney Islands. Other stones at Stonehenge came from western Wales.

While Britain is dotted with other Neolithic stone circles, “the thing that’s unique about Stonehenge is the distance from which the stones have been sourced,” said Aberystwyth University’s Richard Bevins, a study co-author.
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london — Street artist Banksy on Monday unveiled a new mural of a rhinoceros that looks like it is climbing on top of a car in London — the eighth animal-themed artwork he has posted in the past week in a collection that includes elephants, a goat, a wolf, pelicans and more.

The elusive graffiti artist, who has never confirmed his full identity, has been posting the new work on his Instagram account every day since last Monday. The latest piece in Charlton, southeast London, features a rhino on a wall and gives the impression the animal is mounting a broken-down car parked in front of the building.

On Sunday, the artist claimed another artwork depicting piranhas that appeared on a police box near the Central Criminal Court, known as the Old Bailey, in London.

A small crowd of people flocked to the fish tank-themed artwork Monday, taking photos and selfies as workmen placed barriers around it. A spokesperson for the City of London Corporation said it was looking at options to preserve it.

Other pieces unveiled last week included pelicans that appeared on the side of a fish shop in Walthamstow, east London, and a silhouette of a howling wolf that was painted on a satellite dish on a garage roof in south London.

The wolf design was seen being taken down by men who carried it off on the same day it was revealed. It was not immediately clear who removed the satellite dish. 

Banksy began his career spray-painting buildings in Bristol, England, and has become one of the world’s best-known artists. His work has sold for millions of dollars at auction, and past murals on outdoor sites have often been stolen or removed by building owners soon after going up. 
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New York — In the Ryan Reynolds-Blake Lively box-office showdown, both husband and wife came out as winners. 

Reynolds’ Marvel Studios smash “Deadpool & Wolverine” remained the top movie in North American theaters for the third straight week with $54.2 million in ticket sales according to studio estimates Sunday. Worldwide, it’s now surpassed $1 billion.

“Deadpool & Wolverine,” though, was closely followed by “It Ends With Us,” the romance drama starring Lively, which surpassed expectations with a stellar $50 million debut. 

Together, the films created a kind of family edition of “Barbenheimer,” in which a pair of very different movies thrived in part due to counterprogramming. Only this time, the opposite movies were fronted by one of Hollywood’s most famous couples. The films’ one-two punch wasn’t entirely unprecedented. In 1990, Bruce Willis’ “Die Hard 2” led the box office while Demi Moore’s “Ghost” came in second. 

The weekend also featured a high-priced flop. “Borderlands,” the long-delayed $120-million videogame adaptation directed by Eli Roth, launched with a paltry $8.8 million for Lionsgate. The film, starring Cate Blanchett, Kevin Hart and Jack Black, was shot all the way back in 2021. After delays and reshoots, it finally landed in theaters effectively dead-on-arrival; it scored just 10% fresh on Rotten Tomatoes and seems likely to contend for one of the worst movies of the year. 

Meanwhile, “Deadpool & Wolverine,” which co-stars Hugh Jackman, continued its march through box-office records. The film, directed by Shawn Levy, is only the second R-rated movie to reach $1 billion, following 2019’s “Joker.” In three weeks, it’s already one of the most lucrative Marvel releases and trails only Disney’s other 2024 smash, “Inside Out” ($1.6 billion worldwide) among movies released this year. 

Lively makes a cameo in “Deadpool & Wolverine” but she both stars in and produced “It Ends With Us.” Adapted from the bestselling romance novel by Colleen Hoover, Lively stars as Lily Bloom, a Boston florist torn between two men, one from her present life (Justin Baldoni, who also directed the film) and another who was her first love (Brandon Sklenar).

“It Ends With Us” cost a modest $25 million to produce, so it will turn a significant profit for co-financers Columbia Pictures and Wayfarer Studios. Like another female-skewing summer-release book adaptation from Sony, “Where the Crawdads Sing,” “It Ends With Us” could hold well through the typically slower August box-office period. Audiences gave it an A- CinemaScore. 

Reynolds and Lively occasionally played up the convergence of their movies. Earlier this week, Reynolds posted a video of himself posing junket questions to Sklenar. The timing paid off especially for Lively, whose film doubled earlier opening-weekend forecasts. 

Neon’s “Cuckoo,” a German Alps-set horror film by filmmaker Tilman Singer, opened with $3 million on 1,503 screen. It stars Hunter Schafer and Dan Stevens.

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. Final domestic figures will be released Monday. 

 

1. “Deadpool & Wolverine,” $54.2 million. 

2. “It Ends With Us,” $50 million. 

3. “Twisters,” $15 million. 

4. “Borderlands,” $8.8 million. 

5. “Despicable Me 4,” $8 million. 

6. “Trap,” $6.7 million. 

7. “Inside Out 2,” $5 million. 

8. “Harold and the Purple Crayon,” $3.1 million. 

9. “Cuckoo,” $3 million. 

10. “Longlegs,” $2 million. 
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NEW YORK — Visitors to corn mazes across the country are finding a familiar and joyous figure in the winding labyrinth of tall stalks. Snoopy.

More than 80 farms in the U.S. and Canada have teamed up with Peanuts Worldwide to create “Peanuts”-themed mazes to celebrate the beloved strip’s 75th birthday this summer and fall.

A massive Snoopy rests on top of his doghouse in a maze at Dull’s Tree Farm in Thorntown, Indiana, and he’s depicted gleefully atop a pumpkin at Downey’s Farm in Caledon, Ontario.

“All of these events helps keep my dad’s legacy alive,” says Jill Schulz, an actor and daughter of “Peanuts” creator Charles M. Schulz.

“As someone who can’t even keep houseplants alive, the fact that they can do that with a corn maze and get the artwork right and create a fun experience for all ages is pretty incredible,” she adds, laughing.

The mazes — which span 35 states and provinces, from California to New York, Ontario to Texas — are expected to attract more than 2 million visitors. Farmers are signing up for the free service because the mazes are part of the customer lure, in addition to things like hay rides, fresh produce and pumpkin carvings.

Each maze is designed for the size of the farm — from 1.5 acres to 20 acres — and are mostly corn but also sunflowers. They’re custom created by the world’s largest corn maze consulting company, The MAiZE Inc.

The Utah-based Brett Herbst, who leads the company and who launched his first corn maze in 1996, says technology has only somewhat changed the way corn mazes are made.

“The first year we did it, we just used a weed whacker with a saw blade on it when the corn was fully grown,” he says. “Now we do it when it’s short and we go in and either mow it or rototill it. We design it all on a computer, but most of it we actually just go draw it out on the ground by hand.”

He and his team have over the years designed mazes with everything from the faces of presidential candidates, Oprah Winfrey, zombies, John Wayne and Chris LeDoux. Charlie Brown and Co. just work well, he says.

“It’s very nostalgic and just seemed like a very natural fit from the get-go to embrace that with ‘Peanuts,'” he says. “It’s harvest time. It’s kind of become this iconic thing.”

There’s an art and a science to maze building, a balance between maintaining the integrity of the image, but also making it a true maze where people can actually get lost in. “That’s definitely a challenge there,” says Herbst. “You want to accomplish both as much as possible.”

“Peanuts” made its debut Oct. 2, 1950. The travails of the “little round-headed kid” Charlie Brown and his pals eventually ran in more than 2,600 newspapers, reaching millions of readers in 75 countries.

The strip offers enduring images of kites in trees, Charlie Brown trying to kick a football, tart-tongued Lucy handing out advice for a nickel and Snoopy taking the occasional flight of fancy to the skies. Phrases such as “security blanket” and “good grief” are a part of the global vernacular. Schulz died in 2000.

There’s something timeless about corn mazes, and that’s what excites Jill Schulz so much. They offer kids a chance to disconnect from their online life and celebrate something their parents did.

“It’s great to have an opportunity to just bring kids to events that are old school, because it’s also important for parents and grandparents to introduce something they loved to do as a child,” she says.

“I think we all need a little innocence for our children right now with all the technology out there. We need a little ‘put down your phone and go out and have some good old fashioned, old school family time.’ I think that’s important.”
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PARIS — Paris is getting a colorful splash of Olympic creative spirit with nearly 30 vibrant street art pieces that have popped up on bustling metro station walls, a large billboard at the airport and in front of City Hall.

One shows a drawing of French fencer Ysaora Thibus in action. Another has canoers paddling down the Seine River. Some others include people enjoying themselves in a busy district. The original art was spread throughout Paris and other nearby host cities around the Olympic and Paralympic sites.

“During this time of the Olympics, it’s a lot of energy and people coming from all over the world,” said New York native JonOne, who has lived in Paris for the past three decades and is viewed in the street art world as a graffiti pioneer. He’s one of six renowned street artists from four continents whose work is currently on display at train stations, airports, taxis, digital screens and billboards.

The artists were selected through a campaign spearheaded by Visa to help support small businesses. They hail from France (Marko 93 and Olivia De Bona), Brazil (Alex Senna), Australia (Vexta) and the United States (Swoon).

“Why not use street art?” said JonOne, 60, whose artwork can be found in several places in Paris including the Palais Royal–Musee du Louvre station. It took two months with five collaborators to finish the blue, white and red abstract expressionist-style graffiti, which covers 250 square meters of the wall at the busy station.

“It projects a lot of energies and youth culture,” he said. “It’s a good moment to show our artwork.”

The campaign was designed as an open-air exhibition curated by Nicolas Laugero Lasserre, an expert in urban art. The 28 pieces of original artwork will remain on display until September 8.

“Just like high-level athletes, artists share values of tolerance, open-mindedness, questioning and self-surpassing,” said Lasserre, who has organized over 50 exhibitions with public and private institutions, including an exhibition at the Paris City Hall. “Associating art and sport is one of the cornerstones of Olympism.”

Each creation highlights the spirit of the neighborhoods — such as Saint-Denis, Montmartre and Rue Montorgueil — capturing the vibrancy of cafes, bookstores and shops that have become an essential fabric of Paris and the wider Ile-de-France region. They can also be found at the airports of Lille, Lyon and Marseille, hosts of some Olympic events.

“We asked the artists to show us their version of Paris in the most authentic way,” said Juan Arturo Herrera, a business administrator and marketing executive at Visa International. Last month, he carried the Olympic flame over a 200-meter course in eastern France.

“Street art is the most accessible of arts,” he said. “It’s universal. We’ve seen it for decades now in cities. It has made its way through museums and we wanted to bring it back out. We see this as the biggest exhibition of open-air art in the public space.”

De Bona, a Parisian, feels proud to bring her artwork to her hometown, family and visitors from around the world.

“It was so moving,” she said. “I see how the art makes my city so beautiful. It’s a privilege to represent France for all these people who are coming to Paris from all over the world.”

De Bona, 39, remembered when street art and graffiti were not widely accepted by the masses. But now, she’s witnessed a positive shift in the perception and within the industry, which was once male-dominated.

“People need pictures in the streets,” she said. “It needs to be welcoming the arts. We are the bridge between people who don’t think it fits in the museum. We bring art to the people. This is our way to express ourselves and exist.”

Marko 93 said his passion for street art kept him pushing through the words of skeptics. At a young age, he was intrigued by watching the evolution of graffiti during the 1980s hip-hop era in New York, which he called the “promised land” of graffiti.

“It’s all about perseverance,” said the 51-year-old during his live performance, painting a fencer along the Seine. “Art is also about perseverance. This passion pushes us to move forward and beyond our limits.”

One day, JonOne would like to see arts reintroduced as competition at the Olympics.

Art competitions first came into fruition at the 1912 Olympics in Stockholm ,with medals awarded in five categories: architecture, literature, music, painting and sculpture. The International Olympic Committee ended the competitions in the 1948 Games, and an attempt to bring it back was denied four years later.

“Artists are like athletes, too,” JonOne said. “I respect athletes in basketball and runners. Art is not really a sport, but it should be included in the Olympics. Just surviving as an artist is an Olympic sport.”
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PARIS — Women’s boxing at the Paris Olympics has highlighted the complexity of drafting and enforcing sex eligibility rules for women’s sports and how athletes like Imane Khelif of Algeria and Lin Yu-ting of Taiwan are left vulnerable in the fallout.

When eligibility for women’s events has come into question, it often has been a legally difficult process for sports bodies that has risked exposing athletes to humiliation and abuse. In the 1960s, the Olympics used degrading visual tests intended to verify the sex of athletes.

The modern era of eligibility rules are widely known to have started in 2009, after South African 800-meter runner Caster Semenya surged to stardom on the track as an 18-year-old gold medalist at the world championships.

Semenya, the Olympic champion in the 800 meters in 2012 and 2016, is not competing in Paris because she effectively is banned from doing so unless she medically reduces her testosterone. She is, however, still involved in a legal challenge to track’s rules, now into its seventh year.

Here’s a look at sex tests in sports and the complexity they create amid changing attitudes toward gender identity:

What is the criteria for female participation?

Testosterone levels — not XY chromosomes, which is the pattern typically seen in men — are the key criterion of eligibility in Olympic events where the sport’s governing body has framed and approved rules.

That’s because some women, assigned female at birth and identifying as women, have conditions called differences of sex development, or DSD, that involves an XY chromosome pattern or natural testosterone higher than the typical female range. Some sports officials say that gives them an unfair advantage over other women in sports, but the science is inconclusive.

Semenya, whose medical data proved impossible to keep private during her legal cases — has a DSD condition. She was legally identified as female at birth and has identified as female her whole life.

Testosterone is a natural hormone that increases the mass and strength of bone and muscle after puberty. The normal adult male range rises to multiple times higher than for females, up to about 30 nanomoles per liter of blood compared with less than 2 nmol/L for women.

In 2019, at a Court of Arbitration for Sport hearing, track’s governing body argued athletes with DSD conditions were “biologically male.” Semenya said that was “deeply hurtful.”

Semenya’s case played out very publicly before 2021, when gender identity was a big story at the Tokyo Olympics and in society and sports in general. She took oral contraceptives from 2010-15 to reduce her testosterone levels and said they caused a myriad of unwanted side effects: weight gain, fevers, a constant feeling of nausea and abdominal pain, all of which she experienced while running at the 2011 world championships and 2012 Olympics.

Female athletes of color have historically faced disproportionate scrutiny and discrimination when it comes to sex testing and false accusations that they are male or transgender.

Why does sex verification testing differ between sports?

Each governing body of an Olympic sport is responsible for drafting its own rules, from the field of play to who is eligible to play.

Women’s boxing came to the Paris Games with effectively the same eligibility criterion — an athlete is female in her passport — as at the Rio de Janeiro Olympics in 2016 after the International Boxing Association was permanently banned from the Games following decades of troubled governance and longstanding accusations of a thorough lack of normal transparency. Much has happened in the science and debate in those eight years.

Since the Tokyo Games in 2021, track’s World Athletics tightened the eligibility rules for female athletes with DSD conditions. Starting in March 2023, it required them to suppress their testosterone levels below 2.5 nmol/L for six months, commonly through hormone-suppressing treatment, to be eligible to compete.

That was half the level of 5 nmol/L proposed in 2015 for athletes competing at distances from 400 meters to 1 mile (1.6 kilometers).

World Athletics followed another major sport — World Aquatics — in prohibiting transgender women from competing in women’s races if they had undergone male puberty. The International Cycling Union also took this step last year.

The swim body’s world-leading rules additionally require transgender women athletes who did not benefit from male puberty to maintain testosterone levels below 2.5 nmol/L.

World Aquatics is not actively testing junior athletes. The first step for athletes is that national swim federations “certify their chromosomal sex.”

Similarly, soccer’s world body FIFA defers to its national member federations to verify and register the sex of players.

“No mandatory or routine gender testing verification examinations will take place at FIFA competitions,” it said in a 2011 advisory that is still in force and has been under a lengthy review.

Why do governing bodies care about who identifies as female?

Many sports bodies try to balance inclusion for all athletes and fairness to all on the field of play. They also argue that in contact and combat sports, like boxing, physical safety is a key consideration.

In the Semenya case, the judges at the Court of Arbitration for Sport acknowledged in a 2-1 ruling against her that discrimination against some women was “a necessary, reasonable and proportionate means” to preserve fairness.

Male athletes are not required to regulate their natural levels of testosterone, and female athletes who do not have DSD conditions also can benefit.

“The idea that a testosterone test is some kind of magic bullet is actually not true,” International Olympic Committee spokesperson Mark Adams said in Paris as the women’s boxing debate has raged.

What does the IOC require?

The IOC is at times very powerful and at others not at all.

The Switzerland-based organization manages the “Olympic Charter” book of rules, owns the Olympics brand, picks the hosts and helps fund them through the billions of dollars it earns selling the broadcasting and sponsor rights.

The Olympic sports events, however, are run by the individual governing bodies, like FIFA and World Athletics. They codify and enforce their own athlete eligibility and field-of-play rules as well as disciplinary codes.

So when Olympics sports reviewed and updated how they handled sex eligibility issues, including with transgender athletes, the IOC published advice in 2021, not binding rules.

That was the organization’s framework on gender and sex inclusion that recognized the need for a “safe, harassment-free environment” honoring athletes’ identities while ensuring competitions are fair.

Boxing, however, was different, and the consequences have hit hard in Paris.

The IOC has been in a yearslong and increasingly bitter feud with the International Boxing Association, which is now Russian-led, culminating in a permanent ban from the Olympics last year.

For the second straight Summer Games, the Olympic boxing tournaments have been run by an IOC-appointed administrative committee and not a functioning governing body.

In this dysfunction, boxing eligibility rules have not kept pace with other sports, and the issues weren’t addressed ahead of the Paris Games.

At the 2023 world championships, Khelif and Lin were disqualified and denied medals by the IBA, which said they failed eligibility tests for the women’s competition but has given little information about them. The governing body has contradicted itself repeatedly about whether the tests measured testosterone.

In a chaotic press conference Monday in Paris, IBA officials said they did blood tests on only four of the hundreds of fighters at the 2022 world championships and that it tested Khelif and Lin in response to complaints from other teams, apparently acknowledging an uneven standard of profiling that is considered widely unacceptable in sports.

Who is challenging established rules in some sports?

Before Semenya, there was sprinter Dutee Chand of India who went to the Court of Arbitration for Sport. She challenged track and field’s initial testosterone rules passed in 2011 as a reaction to Semenya.

A first CAS ruling for Chand in 2015 froze the rules and led to an update in 2018, which was then challenged by Semenya. Her career in the 800 stalled because she refused to take medication to artificially suppress her testosterone levels and was barred from competing at elite events.

Semenya lost at CAS in 2019 but went through Switzerland’s supreme court to the European Court of Human Rights, where she scored a landmark, but not total, win last year.

In May, another ECHR hearing in Semenya’s case was held, and a ruling likely will come next year.

The case could be sent back to Switzerland, maybe even back to CAS in the Olympic home city of Lausanne, Switzerland. Other sports are watching and waiting.
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NEW YORK — Renowned French high-wire artist Philippe Petit marked the 50th anniversary of his famous walk between New York’s Twin Towers with a performance in a Manhattan cathedral, accompanied by live music from Sting.

Petit walked between the spires of the World Trade Center skyscrapers, 1,350 feet up, on August 7, 1974.

A photographer captured the feat with the New York skyline in the background as Petit — without a harness — made the crossing.

Now 74 years old, Petit partly re-created his gravity-defying stunt Thursday in the Cathedral of St. John the Divine, about seven miles north of the former Twin Towers, which were destroyed in the attacks of September 11, 2001.

“Of course, my illegal walk between the towers was the most important moment of my life at the time, and now I look back and I have done something like 100 high wire walks all over the world,” Petit told AFP.

In the reconstruction, Petit was met by a police officer as he completed his walk.

The New York Times, which called Petit’s Twin Towers walk the “art crime of the century,” reported that in 1974 after 45 minutes of “knee bends and other stunts,” Petit turned himself over to waiting police.

He was charged with disorderly conduct and trespass, but the charges were dropped in return for a free aerial performance in a city park.

The feature film The Walk, starring Joseph Gordon-Levitt, and the Oscar-winning documentary Man on Wire tell the story of the famous stunt. 
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