Dinosaur National Monument is Hidden Gem of US National Parks

After visiting the diverse landscapes of Dinosaur National Monument once, national parks traveler Mikah Meyer knew he had to come back.

In addition to the site’s ancient land formations and dinosaur fossils, the massive park — which spreads across the states of Utah and Colorado — is also home to a river canyon made up of unique rock formations. 

During his first visit this past summer, Mikah hiked along “some of the most diverse and expansive views of my entire journey so far,” he said.

“It was incredible. I have never seen a river canyon this close to massive valleys that were shifted upward that looked like giant ski slopes of lush green grass that are also right next to white snowcapped mountains.” 

After a year, traveling to 160 national parks around the country, that landscape was just one of the reasons he found the site so compelling.

Wall of bones

Another reason was the area’s vast deposits of fossilized dinosaur bones, many of which are still visible, embedded in the rocks.

Through a series of exhibits, visitors like Mikah get to see — and feel — just how massive the giant animals were. Examining a huge dinosaur claw, Mikah noted how sharp it felt to the touch.

“That would not feel good if that ripped into you,” he said.

“They found tons and tons of dinosaur bones that are now in museums from New York to D.C. to my hometown of Lincoln, Nebraska,” he added.

A river runs through it

After his experiences on land, where he had a bird’s eye view of the panoramic vistas, Mikah returned to the park a couple of months later, to see it from a different angle… rafting on the Green River.

“What really struck me the first time I came to Dinosaur National Monument was these impressive unique rock features. And now to be able to see them up close from the water was incredible,” he said.

“You’ll be rafting along and suddenly you see these layers, and they’re vertical. It looks like something that nature couldn’t have created because it’s perpendicular to what we’re used to seeing the earth layers look like,” he described.

Over the course of several days, he discovered a wide variety of formations to explore. He describes the geology at the intersection of the Green and Yampa Rivers for example, as “particularly awesome.”

Waves of rock

“You can see these kind of pancake-like features where these large maroon and brown boulders are all smashed together,” he noted. But as he continued on his river journey he noticed “a lot more varied geology,” with lighter sandstone formations.

Mikah was particularly intrigued by a series of rock ripples that he saw along the shoreline. He described the sedimentary structures as “deposits of rock that were upturned and now make this curve shape that we see shooting up from the river to the sky.”

Loosey goosey

In addition to the park’s natural beauty and historic artifacts, there was a surprising highlight to Mikah’s river adventure. From the beginning of his journey, he and his tour group were joined by an unlikely fellow traveler… a wild goose that seemed to have appeared out of nowhere…

“I noticed there was this little goose that was hanging out on the beach… and then we got in the boat and we started floating down the river and this goose was swimming right up next to the boat,” Mikah explained.

“About five or 10 minutes later, the goose was still with us,” he said. “So my buddy Tom jokingly said, ‘I think he’s just going to come along for the journey. We should name him. Let’s call him George.’”

George continued to hang out with Mikah and his group for several days. He followed them on water, on hikes, and even settled in with them at their campsite overnight.

“It became very apparent that George the Goose had attached himself to us; thought he was either one of our group or we were his new flock,” Mikah noted. “Wherever we went, George the Goose was going.”

Right up until the very end.

“We loaded up in the van, and we start driving away, and poor George the Goose starts to run after us. And eventually I saw him stop and just kinda look around and I think at that point he realized we had left him.”

“Without a doubt, all of us were touched and moved by George the Goose,” he added.

Dinosaur National Monument is now among Mikah’s top five favorite parks. He wishes the site had an official national park designation so it would attract more visitors.

“It is a National Park Service site, but its official name is Dinosaur National Monument which I’m guessing people see the name and it doesn’t sound as incredible as Rocky Mountain National Park nearby, or Arches National Park that are those big 59 ones that are recognized,” he said.

“It really is a special place that seems to be a hidden gem that I hope other people will get a chance to explore.”

With, or without a goose.

Mikah invites you to follow him on his epic journey by visiting him on his website MikahMeyer.com, Facebook, Instagram, Twitter and YouTube.

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Country Star Jason Aldean Issues Rallying Cry for Unity

Country star Jason Aldean says he’s praying for the victims of the Las Vegas shootings, saying his “heart aches” and issuing a rallying cry for Americans to come together.

The singer writes something has “changed” in the world, making it “the kind of place I am afraid to raise my children in.”

“At the end of the day we aren’t Democrats or Republicans, whites or blacks, men or women. We are all humans and we are all Americans and it’s time to start acting like it and stand together as one!”

Aldean was onstage Sunday when a gunman shot at a crowded music festival.

“My heart aches for the victims and their families of this senseless act,” Aldean wrote on Instagram, adding: “Time to come together and stop the hate!”

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US Channel to Premiere Pistorius Movie; His Brother Objects

An American television channel plans to air a film about Oscar Pistorius and how he murdered girlfriend Reeva Steenkamp, drawing criticism from the family of the former South African track star.

 

Lifetime says “Oscar Pistorius: Blade Runner Killer,” which is to premiere on Nov. 11, is told from “the point of view” of Steenkamp and her mother and tells “what allegedly happened” in 2013 when Pistorius shot her.

 

Carl Pistorius, the double-amputee Olympian’s brother, said Tuesday that the film is a “gross misrepresentation of the truth” that reflects the arguments of prosecutors. He said the Pistorius family will take legal action.

 

South Africa’s top appeals court convenes Nov. 3 to hear prosecutors’ arguments that the six-year prison sentence for Pistorius, who was convicted of murder, should be increased.

 

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Legendary Rocker Tom Petty Dies at 66

U.S. rock legend Tom Petty has died after a cardiac arrest at his Malibu California home. He was 66-years-old.

Petty’s family said he was taken to the hospital early Monday, but could not be revived. They said he died Monday evening “surrounded by family, his bandmates and friends.”

The rock star wrapped his most recent tour last week at the Hollywood Bowl in Los Angeles. In December, Petty told Rolling Stone that he thought this would be the group’s last tour together. He said, “It’s very likely we’ll keep playing, but will we take on 50 shows in one tour? I don’t think so. I’d be lying if I didn’t say I was thinking this might be the last big one.”

“It’s shocking, crushing news,” Petty’s friend and Traveling Wilburys bandmate Bob Dylan told Rolling Stone magazine in a statement. “I thought the world of Tom. He was great performer, full of the light, a friend, and I’ll never forget him.”

Petty rose to fame in the 1970s with his band, Tom Petty and the Heartbreakers. They were known for hits such as “American Girl,” “Free Fallin” and “Listen to Her Heart.” The band was inducted into the Rock and Roll Hall of Fame in 2002.

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Erroneous Reports About Tom Petty’s Death Cause Confusion

For several hours Monday, music lovers believed Tom Petty was dead.

Courtney Love, Talib Kweli, Kid Rock, Cyndi Lauper, Paul Stanley and Lin-Manuel Miranda were among scores of fans posting remembrances on Twitter, where Petty was the top worldwide trending topic Monday afternoon. A memorial was scheduled for his star on the Hollywood Walk of Fame.

But the 66-year-old entertainer is still alive, and news outlets that announced his death Monday retracted their stories later Monday. The Walk of Fame tribute was canceled.

The confusion started with CBS News and the Los Angeles Police Department. CBS published Petty’s obituary after tweeting that the LAPD had confirmed his death. The trade paper Variety followed, citing an unnamed source confirming the rocker’s death.

Then the LAPD issued a statement saying it has no information on Petty’s condition and that “initial information was inadvertently provided to some media sources.”

“We apologize for any inconvenience in this reporting,” the department said.

CBS and Variety amended their stories. CBS News also released a statement maintaining that it “reported information obtained officially from the LAPD about Tom Petty.”

“The LAPD later said it was not in a position to confirm information about the singer,” the statement said.

Both CBS and Variety now cite TMZ reporting that says Petty is “clinging to life” after suffering cardiac arrest.

An LAPD spokesman said in an interview Monday that its spokespeople did not respond to any incident involving Petty. Officer Tony Im said he could not rule out that someone in the department spoke to reporters, but said the LAPD has no investigative role in the matter.

Coroner’s officials said Monday they have not received a report of Petty’s death. Fire officials have said they responded to an emergency call for a man experiencing cardiac arrest on the block where Petty lives in Malibu on Sunday night, but could not confirm it was the rocker who was taken to a local hospital.

Petty’s manager did not respond to emails and phone calls seeking comment Monday.

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Nobel Literature Prize: Honoring the Elusive ‘Ideal’

When Alfred Nobel established the literature prize in his name, he perhaps could have benefited from an editor. The terms of his will leave the prize’s exact intentions tantalizingly vague – making the literature award one of the most debated and entertaining of the Nobel Prizes.

The Swedish industrialist said he wanted the prize to recognize “the person who shall have produced in the field of literature the most outstanding work in an ideal direction.”

 

On Thursday, the Swedish Academy will announce whom it considers to have met the criterion of “ideal” for the 2017 laurels.

 

A look at some aspects of the Nobel Prize in Literature:

What is ‘Ideal Direction?’

 

The Swedish Academy hasn’t ever had a consistent view of this, but appears to cycle through concepts.

 

In an article on the Nobel Prize website, academy member Kjell Espmark traced at least seven distinct periods in the 20th century interpretations, ranging from the early years’ “conservative idealism” honoring church and family, through an Everyman period in the 1930s when Sinclair Lewis and Pearl Buck won, and more recently, a determination to award the prize to writers outside Western traditions.

 

Just five countries have accounted for nearly half the literature prizes since 1901: France, the United States, Britain, Germany and Sweden.

 

What counts as literature?

 

In 2015 and 2016, the award went to writers outside the conventional conception of “literature” as novels and poetry. Svetlana Alexievich’s books are artistic sociopolitical reportage, and Bob Dylan’s lyrics arguably have more power as song than on the page.

 

If the academy is determined to be adventurous, it could find other forms of art to consider as literature.

 

Graphic novels, for example, arguably have built up the moral weight and imaginative power to be considered literature that goes beyond entertainment.

 

A Nobel prize for graphic novels “doesn’t seem unreasonable at all,” Gabriel Winslow-Yost, an editor at the New York Review of Books, told The Associated Press.

 

Like Alexievich, “some of the best of the past couple of generations of American cartoonists have been especially concerned with the effects of large-scale political forces on particular individual lives; that’s true of Art Spielgelman, true of (Chris) Ware, true of Dan Clowes,” he said.

 

And if Dylan’s song lyrics count as literature, is there a case to be made for opera librettos?

 

Stephen Wadsworth, director of opera studies at the Juilliard School and author of one libretto, said he could envision the prize going to an author whose work had been adapted for opera, noting laureate Maurice Maeterlinck’s play, “Pelléas and Mélisande,” was the basis for Debussy’s famous opera.

 

Aside from that “there are probably a few librettists who would tell you that they should get Nobel prizes. But they would be wrong,” he said.

 

The presumed favorites

 

Kenyan novelist, playwright and essayist Ngugi wa Thiong’o leads the speculation at many bookmakers, with perennial favorite Haruki Murakami behind by a nose.

 

Another name that surfaces year after year may find her chances marred by popularity. “We’ve had to cut Margaret Atwood’s odds … following ‘The Handmaid’s Tale”s Emmy win last week,” Alex Apati, a spokesman for Britain’s Ladbroke’s betting house, said in an email.

 

In any case, setting Nobel odds appears to be less rigorous than assessing sports teams’ prospects, relying on the wisdom of the crowd rather than deep reading.

 

“While we don’t employ someone specifically to work on pricing up this market, between them the traders keep a close eye on things,” Apati said.

 

Amos Oz, Ismail Kadare, Adonis and Don de Lillo also are regarded as strong contenders, according to the odds.

Outliers: Trump?

Bookmakers are offering potentially lucrative bets upwards of 1000-to-1 on Kanye West and President Donald Trump. One might make a credible argument for West – metrical complexity and inventive rhymes constitute a kind of poetry.

 

But Trump’s prose rarely rises above the entertainingly pedestrian – and it’s unclear whether the books are his work or the production of ghostwriters.

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Ancient Rocks and Fossils Await Park Visitors

After visiting the diverse landscapes of Dinosaur National Monument once, national parks traveler Mikah Meyer knew he had to come back. In addition to the site’s ancient land formations and dinosaur fossils, the massive park — which stretches across two states — is also home to a river canyon made up of unique rock formations. Mikah experienced them all and shared with VOA’s Julie Taboh why the site is now among his top five favorites.

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US Rap Artist Latest Star to Enter Australian Same-sex Marriage Debate

American rap artist Macklemore will perform a gay anthem at a rugby league final in Sydney on Sunday, thanks to the sport’s officials rejecting pressure from opponents of same-sex marriage as Australia votes on liberalizing its marriage laws.

Macklemore will perform the hit song Same Love before more than 80,000 fans of a sport traditionally associated with macho values as the North Queensland Cowboys take on the Melbourne Storm in the National Rugby League Grand Final.

NRL bosses resisted pressure last week to stop the song despite a petition signed by just more than 7,000 people calling for the performance to be banned.

Song No. 1 on Australian iTunes

Instead, the song rose to No. 1 on the Australian iTunes chart where it remained ahead of the match Sunday.

Macklemore pledged Friday to donate proceeds from the Australian sales of the song to help the campaign to legalize same-sex marriage.

After becoming the third major American celebrity to weigh in on the debate, the singer from Seattle, Washington, said music had the power to help people talk about the issue.

“I want to donate my portion of the proceeds from Same Love that I get off of that record here in Australia to voting YES,” Macklemore said in a Channel Nine interview posted on his twitter feed Saturday.

Voting underway

Australians began voting last month in a non-binding poll, conducted by mail, to inform the government on whether to become the 25th nation to permit same-sex marriage. The results of the poll will be declared Nov. 15.

Oscar-winning actor Morgan Freeman said he was surprised Australia didn’t have marriage equality yet, in an interview with NewsLtd’s online service news.com.au published Saturday.

U.S. pop star Meghan Trainor entered the fray in August after her image was used without her permission to urge Australians to vote against legalizing same-sex marriage.

“I support marriage equality. Someone in Australia is illegally using my picture for a campaign against marriage equality. So wrong. Not okay,” Trainor tweeted.

The debate has divided the nation of 24 million people along religious and generational lines and at times has threatened to turn nasty, prompting parliament to strengthen laws preventing hate-speech.

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Prince Harry, Star-studded Ceremony Close Invictus Games

The Invictus Games for wounded veterans came to a close Saturday with a rousing ceremony featuring stars such as Bruce Springsteen and Bryan Adams, though some of the attention focused on Britain’s Prince Harry and his girlfriend, American actress Meghan Markle. 

The prince, a veteran of service in Afghanistan, created the Paralympic-style games as a way to inspire soldiers toward recovery. About 550 competitors from 17 countries competed in 12 sports over the last week.

Harry and Markle made their first public appearance together at the event earlier in the week.  

At the closing ceremony, Harry sat beside the wife of Canada’s prime minister in the stands while Markle sat in a luxury box with her mother. Harry later joined her in the luxury box as Springsteen performed. Harry gave a smiling Markle a kiss on the cheek at one point. The 36-year-old actress known for her portrayal of a paralegal in the television show Suits recently told Vanity Fair they’re in love. 

The seven days of inspirational athletic performances closed in spectacular fashion as Springsteen sang three songs, including his classic Dancing in the Dark, before joining Adams on Cuts Like a Knife.

Harry paid tribute to the athletes in his closing speech, saying, “Our world needs your dedication and passion like never before.”

“And you never know, this may just be the missing piece of the puzzle to help you regain that satisfaction of serving others once again,” he added.

About 550 competitors from 17 countries competed in 12 sports over the last week. This is the third Invictus Games. They are in Sydney next year. 

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Monty Hall, Host of ‘Let’s Make a Deal,’ dies 

Monty Hall, the genial TV game show host whose long-running “Let’s Make a Deal” traded on love of money and merchandise and the mystery of which door had the car behind it, has died. He was 96. 

 

Hall, who had been in poor health, died Saturday morning of heart failure at his home in Beverly Hills, said his daughter, Sharon Hall of Los Angeles.

 

“Let’s Make a Deal,” which Hall co-created, debuted as a daytime show on NBC in 1963 and became a TV staple. Through the next four decades, it also aired in prime time, in syndication and, in two brief outings, with hosts other than Hall at the helm.

 

Contestants were chosen from the studio audience — outlandishly dressed as animals, clowns or cartoon characters to attract the host’s attention — and would start the game by trading an item of their own for a prize. After that, it was matter of swapping the prize in hand for others hidden behind doors, curtains or in boxes, presided over by the leggy, smiling Carol Merrill. 

 

The query “Do you want Door No. 1, No. 2 or No. 3?” became a popular catch phrase, and the chance of winning a new car a matter of primal urgency. Prizes could be a car or a mink coat or a worthless item dubbed a “zonk.” 

‘Those are my people’

 

The energetic, quick-thinking Hall, a sight himself with his sideburns and colorful sports coats, was deemed the perfect host in Alex McNeil’s reference book, “Total Television.” 

 

“Monty kept the show moving while he treated the outrageously garbed and occasionally greedy contestants courteously; it is hard to imagine anyone else but Hall working the trading area as smoothly,” McNeil wrote.

 

For Hall, the interaction was easy. 

 

“I’m a people person,” he said on the PBS documentary series “Pioneers of Television.” “And so I don’t care if they jump on me, and I don’t care if they yell and they fainted — those are my people.” 

 

Hall also guest-starred in sitcoms and appeared in TV commercials. And with the wealth that the game show brought, he made philanthropy and fundraising his avocation. He spent 200 days a year at it, he said, estimating in the late 1990s that he had coaxed $700 million from donors. 

 

His daughter Sharon estimated that Hall managed to raise nearly $1 billion for charity over his lifetime.

 

Another daughter, Joanna Gleason, is a longtime Broadway and television actress. She won a Tony in 1988 for best actress in a musical for “Into the Woods” and was nominated for Tonys two other times.

Benefactor’s gift

 

Born Monty Halparin in Winnipeg, Manitoba, in Canada, Hall grew up during the Depression. In 1942, Hall was doing manual labor when a wealthy stranger offered to pay for his college education on condition that he repaid the money, got top grades, kept his benefactor’s name anonymous and agreed to help someone else.

 

Hall only revealed the name of the late Max Freed about 30 years later.

 

Hall earned a degree from the University of Manitoba with the goal of becoming a physician. He was denied entry to medical school, Hall later said, because he was Jewish and faced quotas limiting the admission of minority students.

 

“Every poor kid wants to get into some kind of profession, and in my case I wanted to get into medicine to become a doctor. … My dreams of medicine evaporated,” Hall said in a 2002 interview with The Canadian Press.

On to entertainment

 

Instead, he turned to entertainment. He first tested his skills on radio and, after moving to New York in 1955 and later to Los Angeles, began working on a variety of television shows. Among the programs he hosted were “Cowboy Theater” in 1957, “Keep Talking,” 1958, and “Video Village” in 1960.

 

He joined with writer-producer Stefan Hatos to create “Let’s Make a Deal.” 

 

The show’s roots could be found in “The Auctioneer,” a game show Hall hosted in Toronto in the 1950s. “The Auctioneer” was a “pretty pedestrian” program until the concluding 10 minutes, when he would barter with audience members, Hall told the Daily Herald of suburban Chicago in 2000. 

 

“It was much more exciting than the first 20 minutes of the show,” he recalled. 

 

Besides Hall, the hosts of “Let’s Make a Deal” were Bob Hilton (1990) and Billy Bush (2003). But it was Hall who was lastingly identified as “TV’s big dealer,” as the show put it, something he found at least mildly disconcerting. 

 

When a People magazine interviewer suggested in 1996 that “Let’s Make a Deal” would be his epitaph, Hall replied, with a wince: “You put that on my tombstone, and I’ll kill you.” 

 

However, Sharon Hall said Hall never refused an autograph and used his fame to help others.

His family’s financial circumstances and a childhood accident stirred that charitable desire, Hall said. 

Childhood injury

 

At age 7, he was severely burned by a pot of boiling water and endured a lengthy recovery. 

 

“When you’ve been that sick, spent a year out of school, you identify with people who have these ailments and sicknesses,” he told the Palm Beach (Fla.) Post in a 2003 interview. “And when you grow up poor, you identify with people in need.” 

 

Hall was repeatedly honored for his charity efforts, with awards including the Order of Canada, Order of Manitoba and Variety Clubs International’s Humanitarian Award. Wards were named in his honor at Mount Sinai Hospital in Toronto, Hahnemann University Hospital in Philadelphia and other medical centers. 

 

Hall and his wife, Marilyn Plottel, married in 1947. She died earlier this year.

 

In addition to his daughters, Hall is survived by his son, Richard; a brother, Robert Hall of Toronto, Canada, and five grandchildren.

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Victoria & Abdul, American Made Based on Incredible True Stories

Two films on our radar this week are Stephen Frears’ heartwarming drama “Victoria & Abdul” and Doug Liman’s “American Made.” Both features offer intelligent, entertaining stories and a superb cast. VOA’s Penelope Poulou takes a look.

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In films ‘Victoria & Abdul’ and ‘American Made,’ Life is Stranger than Fiction

Two films on our radar this week are Stephen Frears’ heartwarming drama Victoria & Abdul about the deep friendship between Queen Victoria and her Indian servant Abdul Karim between 1887 and 1901, and Doug Liman’s American Made about Barry Seal, a 1970s audacious American pilot, who, during the Nicaraguan Crisis worked for the CIA, the DEA and the Colombian cartel. 

As different as these two films are, they are both based on true stories, proving yet again that often life is stranger than fiction. Both films feature intelligent plots and superb acting.

WATCH: Victoria & Abdul, American Made Based on Incredible True Stories

Victoria & Abdul

Stephen Frears’ film Victoria and Abdul, opens in 1887, with the festivities for Queen Victoria’s Golden Jubilee, celebrating her 50-year reign. 

Abdul Karim, a young Muslim clerk from Agra, India, is sent to the banquet all the way from India to present the queen with a gift from India, a ceremonial coin. To the dismay of Queen Victoria’s courtiers, the Indian servant strikes a deep friendship with the octogenarian Queen Victoria, defying class and racial boundaries.

According to the movie, Abdul Karim impressed the British sovereign with his depth of spirit and good looks. Soon the unlikely friends became inseparable, discussing philosophy, literature, even Indian cuisine. In a span of 14 years, Abdul Karm became the queen’s confidant and munshi, her teacher, in Urdu.

But the queen’s courtesans and her family, sidelined by Abdul, questioned her sanity and considered her removal.

Historian and author Shrabani Basu based her book of the same title on the queen’s journals in Urdu and on Karim’s private diary. Basu discovered Abdul Karim’s personal diary in possession of Karim’s surviving nephew Abdul Rashid in 2010, over a century after the queen’s death. 

This was the only document on the relationship between royal and servant that survived the wrath of Queen Victoria’s children. Immediately after her death in 1901, the royals evicted Queen Victoria’s munshi, burned everything he had received from the queen and swiftly shipped him and his family to India. In 1909 Abdul Karim died in Agra leaving his diary as his only testimonial of his deep friendship with the empress.

Director Frears offers captivating cinematography while Dame Judi Dench portrays a free-spirited Queen Victoria and Indian actor Ali Fazal embodies a charming and loyal Adbul Karim. 

Though the film does not depict a romantic relationship between the two, it does hint to it. Dench describes the queen’s reaction to Karim: 

“She had a ready eye for somebody good-looking, which he is very, so it was easy to imagine a kind of tired, poor person suddenly looking up and seeing this wonderful good-looking young man. How lovely somebody at last beautiful to look at,” Dench said.

But, author Basu says, “At the heart of this book is a story of friendship, a friendship of two different people from two different specters of this world, one is the Empress of India, one is a clerk from Agra jail, and somewhere they have a bond they find this link and a common space.”

​American Made

American Made, by Bourne Identity filmmaker Doug Liman, offers a satirical look at the political crisis in Nicaragua. 

It shows the involvement of the United States in the revolution during the late 1970s and 1980s through the perspective of pilot Barry Seal, who, for the right price, delivers guns to Nicaragua on behalf of the CIA, and cocaine into the U.S. on behalf of the Colombian cartel. Somewhere in between, Seal also works for the DEA.

Tom Cruise offers an engaging interpretation as Barry Seal, piloting the plane and doing all the stunts throughout the film. Cruise explains what drew him to the character:

“He just couldn’t help himself,” Cruise said. “He just had to live this life. He literally when you are talking about someone living on the edge, he didn’t even realize he was on the edge. He was just living life and not really thinking of necessary ramifications and what’s going to happen.”

As in most of his action film projects, Cruise pushes his boundaries. 

“I don’t make a movie just to make a movie,” he said. “It’s not what interests me. What interests me is the passion of cinema, the passion of storytelling. That’s when it gets very exciting, not just a job. I love this too much.”

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Top 5 Songs for Week Ending Sept. 30

We’re liberating the five most popular songs in the Billboard Hot 100 Pop Singles chart, for the week ending September 30, 2017.

Last week featured a rare treat: a Hot Shot Debut single in the Top Five. We’re happy to announce that this week, history repeats itself.

Number 5: Sam Smith “Too Good At Goodbyes”

It happens in fifth place, where Sam Smith re-surfaces.

Sam tallies his sixth Top 20 – and his third Top Five – hit, “Too Good At Goodbyes”. Back home in the U.K., the news is even better, where it becomes Sam’s sixth number one. This is the opening single from his upcoming second album. It’s been three years since he dropped “In The Lonely Hour.” Sam says he wants the album to update us on his love life… which according to him is still terrible.

Number 4: Luis Fonsi & Daddy Yankee Featuring Justin Bieber “Despacito”

Luis Fonsi, Daddy Yankee, and Justin Bieber aren’t suffering too terribly with “Despacito”: the former 16-week champ weakens a slot in fourth place.

Fans of Daddy Yankee are helping him aid victims of natural disasters. Last week, he went on social media to elicit donations for those devastated by Hurricane Maria in the Caribbean, and the massive earthquake in Mexico. Working with several charities, he collected donations of diapers, batteries, bottled water and other essentials. Daddy Yankee also joined forces with Feeding America, which will bring food donations to 78 municipalities in Puerto Rico.

Number 3: Logic Featuring Alessia Cara & Khalid  “1-800-273-8255”

Logic bumps it up two slots to third place with “1-800-273-8255” featuring Alessia Cara and Khalid.

This is now the highest-charting single in Hot 100 history with a telephone number as its title. Back in 1982, the rock band Tommy Tutone peaked at number four with “867-5309/Jenny.” Actually, no fewer than seven songs bearing phone number titles have made it into the Hot 100.

Number 2: Cardi B “Bodak Yellow (Money Moves)”

Cardi B remains a strong contender at number two with “Bodak Yellow (Money Moves).” 

Cardi recently said she was going to push back her album, originally slated for an October release. Posting on Twitter, rapper J Cole advised her not to pressure herself to release an album…just keep dropping strong singles.

Number 1: Taylor Swift “Look What You Made Me Do”

Taylor Swift stays strong atop the Hot 100 for a third week with “Look What You Made Me Do.”

Did you know Taylor threw a Halloween party last year? Naturally, it drew top celebs: model Gigi Hadid was there along with Camila Cabello, who dressed as a “Grandma Who Couldn’t Find Her Cat Because She Sat On It.”

We’ll find our way to number one next week and we hope you’ll join us.

 

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Actress Louis-Dreyfus Says She’s Battling Breast Cancer

Emmy-winning comedic actress Julia Louis-Dreyfus said Thursday that she was battling breast cancer, and she highlighted the case for universal health care in the United States.

Louis-Dreyfus, 56, who plays foul-mouthed fictitious former U.S. President Selina Meyer on HBO’s Veep, said, “1 in 8 women get breast cancer. Today, I’m the one,” in a short post on her social media platforms.

“The good news is that I have the most glorious group of supportive and caring family and friends, and fantastic insurance through my union. The bad news is that not all women are so lucky, so let’s fight all cancers and make universal health care a reality,” she wrote.

She did not give any further details of her health status.

Time Warner’s HBO network said Louis-Dreyfus received the diagnosis a day after the Emmy Awards this month, where she won a record sixth consecutive Emmy for comedy actress for her role as Meyer. The Emmys are U.S. television’s highest honor.

HBO added that her diagnosis played no part in its decision to end Veep after next season, and that writers would keep working on the final season while production would be adjusted around the actress’ schedule.

“Our love and support go out to Julia and her family at this time. We have every confidence she will get through this with her usual tenacity and undaunted spirit, and look forward to her return to health and to HBO for the final season of Veep,” HBO said in a statement.

Louis-Dreyfus achieved fame in the 1990s for her role as Elaine Benes on NBC’s Seinfeld, which also won her an Emmy.

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Was Hefner Oppressor or Liberator? Women Debate His Legacy

Oppressor or liberator? Feminist in a silk robe, or pipe-smoking exploiter? Opinions were flying a day after Hugh Hefner’s death over just what he did — and didn’t do — for women.

On one side, there were those who saw Hefner’s dressing women in bunny costumes with cottontails on their rears, or displaying them nude in his magazine with a staple in their navels, as simple subjugation of females, no matter how slick and smooth the packaging. On the other were those who felt the Playboy founder was actually at the forefront of the sexual revolution, bringing sexuality into the mainstream and advancing the cause of feminism with his stand on social issues, especially abortion rights.

“I think it’s disgusting,” said feminist author Susan Brownmiller, of the praise she’d been seeing on social media since Hefner’s death Wednesday at age 91. “Even some of my Facebook friends are hewing to the notion that, gee whiz, he supported abortion, he supported civil rights. … Yes he was for abortion, [because] if you convince your girlfriend to get an abortion because she got pregnant, you don’t have to think about marrying her! I mean, that was his point.”

Most offensive to Brownmiller was what she called Hefner’s equating the word “feminist” with “anti-sex.”

“It wasn’t that we were opposed to a liberation of sexual morality,” she said, “but the idea that he would make women into little bunnies, rabbits, with those ears. … That was the horror of it.”

It was Brownmiller, in fact, who confronted Hefner nearly a half-century ago on Dick Cavett’s talk show, saying to his face, “Hugh Hefner is my enemy.” As a startled Hefner fiddled with his pipe, she added: “The day that you are willing to come out here with a cottontail attached to YOUR rear end …” The audience roared.

Brownmiller attributed some of the glowing tributes to Hefner in part to “an American tradition of saying nice things about the departed.”

For Kathy Spillar, executive editor of Ms. Magazine, the accolades were a result of something deeper: a decades-long public relations strategy of Playboy to sanitize what she called an empire devoted to the subjugation of women.

“From the beginning, they tried to sell it as women’s liberation,” said Spillar, who also directs the Feminist Majority Foundation. “And so they made huge outreach efforts over the years to women’s rights groups.” But there was nothing liberating about it, Spillar said: “Those photographs of women certainly aren’t empowering of those women. They’re there for the pleasure of men.”

“He was right about one thing,” Spillar added. “Sex sells. But it sells to men. And to put women in those horrible costumes that Gloria Steinem wrote about! Talk about sexual harassment, talk a hostile work environment.” She was referring to the famous magazine expose that a young Steinem went undercover to write, training as a Playboy bunny in a New York club — bunny suit and all.

Hefner himself, obviously, saw it very differently.  “The truth of the matter is the bunnies were the pre-feminist feminists,” Hefner told the Associated Press in 2011. “They were the beginning, really, of independent women. The bunnies were earning more money than, in many cases, their fathers and their husbands. That was a revolution.”

To Kathryn Leigh Scott, a former bunny at the New York club, much of what Hefner said then rings true. Scott trained at the club in January 1963, at age 19, she says, with six other bunnies, one of them Steinem. She said she had fun, and made good money. She later wrote a book, The Bunny Years, to counter the view that Steinem portrayed in her article.

“I did not feel exploited,” Scott says now. “As a matter of fact, I felt that I was exploiting Playboy — because I was earning very good money in a very safe environment, certainly safer than that many of my friends were working in at the time.”

Did Hefner advance or exploit women? Scott says she can see both sides. “But when you think of what he did to support Roe v. Wade for example, and civil rights, and what I know from his treatment of me, he did a lot to help women,” she said.

In the wake of Hefner’s death, many celebrities tweeted affectionate messages. “Thank you for being a revolutionary and changing so many people’s lives, especially mine,” wrote television personality and former Playboy model Jenny McCarthy. “We’ve lost a true explorer, a man who had a keen sense of the future,” wrote writer-producer Norman Lear. “We learned a lot from you Mr. Hefner.”

For feminist author and blogger Andi Zeisler, the main question was why Hefner was getting so much credit.

“He’s getting a disproportionate amount of credit for the sexual revolution,” said Zeisler, founder of the nonprofit Bitch Media. “It was a confluence of factors. He had nothing to do with the development of oral contraception, which I could argue was really the main driver of the sexual revolution where women were concerned.

“I think it’s safe to say that anything progressive that Hugh Hefner was for, he was for because it also benefited white men,” Zeisler said.

As for Steinem, who briefly wore that bunny suit in the early `60s, she preferred not to comment so close to Hefner’s death.

“Obit time,” she wrote in an email, “is not the time for truth-telling. People will now be free to tell it, but later.”

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Hugh Hefner, Playboy Publisher, Dead at 91

Hugh Hefner, the publisher of Playboy Magazine has died at the age of 91. Famous for his smoking jacket, his magazine and his lifestyle Hefner singlehandedly changed the publishing industry, and maybe the world. VOA’s Kevin Enochs reports.

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‘Loving Vincent’ Brings Van Gogh’s Art Alive

You have seen his “Sunflowers” in a museum, sung along with Don McLean to “Vincent (Starry Starry Night)” and gawped at the tens of million of dollars his works have fetched at auction.

But you have never seen Vincent Van Gogh’s art quite like it is shown in the film “Loving Vincent.”

Seven years in the making and billed as the world’s first fully-painted feature film, “Loving Vincent” uses more than 130 of the Dutch artist’s own paintings to tell his own story.

Each of the 65,000 frames of the animated independent film, created by Polish artist and animator Dorota Kobiela, is an oil painting hand painted by 125 professional artists who traveled from around the world to be a part of the project.

“It looks like something completely different, and that doesn’t happen very often in our media-saturated world,” said Hugh Welchman, who co-wrote and directed the film with Kobiela.

“Loving Vincent,” showing in limited release in New York and Los Angeles and arriving in Europe in October, was first filmed with actors playing some of the people Van Gogh captured on canvas.

They include Saiorse Ronan as doctor’s daughter Marguerite Gachet and Chris O’Dowd as postman Joseph Roulin, who walk through and inhabit his paintings as his story unfolds.

Then came the hard part. Finding and training the painters to reproduce Van Gogh’s work.

More than 4,000 artists from around the world applied for the job and 125 were chosen and put through three weeks training.

“Even though we were hiring the very best oil painters, Vincent’s style look like it should be very easy but actually it’s difficult to do well,” said Welchman.

“Even after training there were still quite a few painters who really found it impossible to get to grips with his style,” Welchman said.

The $5.5 million production focuses on the last weeks of Van Gogh’s life before his death in 1890 in France at age 37 from a self-inflicted gunshot wound.

Welchman said the film has triggered some unusual responses.

“We’ve had a lot of people in tears at screenings. People are sending poems or making cakes with intricate Vincent paintings on the cake,” he said.

He and Kobiela hope the film encourages audiences to discover more about Van Gogh.

“I’d like them to think there is more to his story than he went mad, cut off his ears, was a genius and did these incredibly colorful paintings that sell for lots of money.”

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Senegalese Music Start-ups Race to Be West Africa’s Spotify

Senegalese start-ups are testing a fledgling market for online music platforms in French-speaking West Africa, where interest in digital entertainment is growing but a lack of credit cards has prevented big players from making inroads.

Long celebrated in Europe for their contribution to “world” music – with Mali’s Salif Keita, Senegal’s Youssou N’Dour and Benin’s Angelique Kidjo household names in trendy bars – West African musicians have struggled to make money back home, where poverty is widespread and music piracy rampant.

Online music providers such as Apple’s download store iTunes and streaming service Spotify are either unavailable – no one can sign up for Spotify in Africa yet – or require a credit card or bank account, which most West Africans lack.

But smartphone use is surging and entrepreneurs say there is latent demand for platforms tailored to Francophone West Africa, whose Malian “desert blues,” Ivorian “zouglou” and Senegalese “mbalax” cross African borders but are only profitable in Europe, via download and streaming services.

“We started by saying, look, there is a void. Because digital distribution products are made in Europe or the U.S., for Europeans and Americans.” said Moustapha Diop, the founder and CEO of MusikBi, “The Music” in the local Wolof language, a download store launched in 2016.

MusikBi, like its rivals, is small and cash strapped, but with more than 10,000 users, Diop sees potential.

The company received a boost in May when Senegalese-American singer Akon bought 50 percent of it, which Diop says will allow the company to start a new marketing campaign.

MusikBi and rival JokkoText allow users to purchase songs by text message and pay with phone credit, mobile money or cash transfers. Both want to expand throughout West Africa.

Many of the new industry entrants like MusikBi and JokkoText are based in Dakar, which is an emerging tech start-up hub for Francophone West Africa, partly thanks to the fact it has enjoyed relative political and economic stability compared with most of its neighbors.

On the streaming front, Deedo, created by a Senegalese national in France and backed by French bank BPI, will launch in Senegal, Mali, Ivory Coast and France next month, and will offer similar payment options. Senegalese hip-hop group Daara J plans o start a streaming platform next year.

There is scant industry presence elsewhere in the region except in Anglophone Nigeria, Africa’s most populous nation.

Pirates to Payers

Every evening young people jog down Dakar’s streets with headphones in their ears. Most download music illegally online or buy pirated CDs and USB memory sticks in street markets.

Convincing them to pay for content is a challenge, but not an insurmountable one, analysts say.

“Experience shows that people are willing to pay for convenience,” said David Price, director of insight and analysis at London-based industry federation IFPI.

“If you give them something attractive and affordable, they stop pirating,” he said, adding that local platforms have gained followings in Latin America and India.

France’s Deezer has also targeted the region in partnership with mobile operator Tigo, but has not gained a large following. Deedo meanwhile plans to launch a version of its site in Pulaar, one of West Africa’s most widely spoken a languages, founder Awa Girard told Reuters.

Senegalese singer Sahad Sarr told Reuters he had sold some songs on MusikBi and was excited about Deedo, but added: “The culture here is not to buy music online. Change will be slow.”

Most of his listeners on Spotify and other platforms are Senegalese people living in Europe or North America, he said.

At Dakar’s main university, students showed Reuters the many websites they use to download music illegally.

Some said they would pay for a good service, but others were less convinced, like 22-year-old Macodou Loum. “Between two choices, free and not free, we will choose the free one,” he said.

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Hugh Hefner, Founder of Playboy, Dies at 91

Playboy founder Hugh M. Hefner, the pipe-smoking hedonist who revved up the sexual revolution in the 1950s and built a multimedia empire of clubs, mansions, movies and television, symbolized by bow-tied women in bunny costumes, has died at age 91. 

Hefner died of natural causes at his home surrounded by family Wednesday night, Playboy said in a statement. 

 

As much as anyone, Hefner helped slip sex out of the confines of plain brown wrappers and into mainstream conversation. 

Culture change

In 1953, a time when states could legally ban contraceptives, when the word “pregnant” was not allowed on I Love Lucy, Hefner published the first issue of Playboy, featuring naked photos of Marilyn Monroe (taken years earlier) and an editorial promise of “humor, sophistication and spice.” The Great Depression and World War II were over, and America was ready to get undressed. 

 

Playboy soon became forbidden fruit for teenagers and a bible for men with time and money, primed for the magazine’s prescribed evenings of dimmed lights, hard drinks, soft jazz, deep thoughts and deeper desires. Within a year, circulation neared 200,000. Within five years, it had topped 1 million.

 

By the 1970s, the magazine had more than 7 million readers and had inspired such raunchier imitations as Penthouse and Hustler. Competition and the internet reduced circulation to less than 3 million by the 21st century, and the number of issues published annually was cut from 12 to 11. In 2015, Playboy ceased publishing images of naked women, citing the proliferation of nudity on the internet.

 

But Hefner and Playboy remained brand names worldwide.

 

Asked by The New York Times in 1992 of what he was proudest, Hefner responded: “That I changed attitudes toward sex. That nice people can live together now. That I decontaminated the notion of premarital sex. That gives me great satisfaction.”

Flamboyant symbol

 

Hefner ran Playboy from his elaborate mansions, first in Chicago and then in Los Angeles, and became the flamboyant symbol of the lifestyle he espoused. For decades he was the pipe-smoking, silk-pajama-wearing center of a constant party with celebrities and Playboy models. By his own account, Hefner had sex with more than a thousand women, including many pictured in his magazine. One of rock ’n’ roll’s most decadent tours, the Rolling Stones shows of 1972, featured a stop at the Hefner mansion.

 

Throughout the 1960s, Hefner left Chicago only a few times. In the early 1970s, he bought the second mansion in Los Angeles, flying between his homes on a private DC-9 dubbed “The Big Bunny,” which boasted a giant Playboy bunny emblazoned on the tail.

Hefner was host of a television show, Playboy After Dark, and in 1960 opened a string of clubs around the world where waitresses wore revealing costumes with bunny ears and fluffy white bunny tails. In the 21st century, he was back on television in a cable reality show, The Girls Next Door, with three live-in girlfriends in the Los Angeles Playboy mansion. Network television briefly embraced Hefner’s empire in 2011 with the NBC drama The Playboy Club, which failed to lure viewers and was canceled after three episodes.

 

Censorship and Cosby charges

Censorship was inevitable, starting in the 1950s, when Hefner successfully sued to prevent the U.S. Postal Service from denying him second-class mailing status. Playboy has been banned in China, India, Saudi Arabia and Ireland, and 7-Eleven stores for years did not sell the magazine. Stores that did offer Playboy made sure to stock it on a higher shelf.

 

Women were warned from the first issue: “If you’re somebody’s sister, wife, or mother-in-law,” the magazine declared, “and picked us up by mistake, please pass us along to the man in your life and get back to Ladies Home Companion.”

 

Playboy proved a scourge, and a temptation. Drew Barrymore, Farrah Fawcett and Linda Evans are among those who have posed for the magazine. Several bunnies became celebrities, too, including singer Deborah Harry and model Lauren Hutton, both of whom had fond memories of their time with Playboy.

Other bunnies had traumatic experiences, with several alleging they had been raped by Hefner’s close friend Bill Cosby, who faced dozens of such allegations. Hefner issued a statement in late 2014 he “would never tolerate this behavior.” But two years later, former bunny Chloe Goins sued Cosby and Hefner for sexual battery, gender violence and other charges over an alleged 2008 rape.

Steinem article

One bunny turned out to be a journalist: Feminist Gloria Steinem got hired in the early 1960s and turned her brief employment into an article for Show magazine that described the clubs as pleasure havens for men only. The bunnies, Steinem wrote, tended to be poorly educated, overworked and underpaid. Steinem regarded the magazine and clubs not as erotic, but “pornographic.”

 

“I think Hefner himself wants to go down in history as a person of sophistication and glamour. But the last person I would want to go down in history as is Hugh Hefner,” Steinem later said.

 

“Women are the major beneficiaries of getting rid of the hypocritical old notions about sex,” Hefner responded. “Now some people are acting as if the sexual revolution was a male plot to get laid. One of the unintended by-products of the women’s movement is the association of the erotic impulse with wanting to hurt somebody.”

 

The Playboy interview

Hefner added that he was a strong advocate of First Amendment, civil rights and reproductive rights and that the magazine contained far more than centerfolds. Playboy serialized Ray Bradbury’s Fahrenheit 451 and later published fiction by John Updike, Doris Lessing and Vladimir Nabokov. Playboy also specialized in long and candid interviews, from Fidel Castro and Frank Sinatra to Marlon Brando and then-presidential candidate Jimmy Carter, who confided that he had “committed adultery” in his heart. John Lennon spoke to Playboy in 1980, not long before he was murdered.

 

The line that people read Playboy for the prose, not the pictures, was only partly a joke.

 

Playboy’s clubs also influenced the culture, giving early breaks to such entertainers as George Carlin, Rich Little, Mark Russell, Dick Gregory and Redd Foxx. The last of the clubs closed in 1988, when Hefner deemed them passe and “too tame for the times.” 

 

By then Hefner had built a $200 million company by expanding Playboy to include international editions of the magazine, casinos, a cable network and a film production company. In 2006, he got back into the club business with his Playboy Club at the Palms Casino in Las Vegas. A new enterprise in London followed, along with fresh response from women’s groups, who protested the opening with cries of “Eff off Hef!”

Playmate murder

Hefner liked to say he was untroubled by criticism, but in 1985 he suffered a mild stroke that he blamed on the book The Killing of the Unicorn: Dorothy Stratten 1960-1980, by filmmaker Peter Bogdanovich. Stratten was a Playmate killed by her husband, Paul Snider, who then killed himself. Bogdanovich, Stratton’s boyfriend at the time, wrote that Hefner helped bring about her murder and was unable to deal with “what he and his magazine do to women.”

 

After the stroke, Hefner handed control of his empire to his feminist daughter, Christie, although he owned 70 percent of Playboy stock and continued to choose every month’s Playmate and cover shot. Christie Hefner continued as CEO until 2009.

 

He also stopped using recreational drugs and tried less to always be the life of the party. He tearfully noted in a 1992 New York Times interview: “I’ve spent so much of my life looking for love in all the wrong places.”

 

Married life

Not surprisingly, Hefner’s marriage life was also a bit of a show. In 1949, he married Mildred Williams, with whom he had two children. They divorced in 1958. In July 1989, Hefner married Kimberley Conrad, the 1989 Playmate of the Year, who was then 27. The couple also had two children.

 

On the eve of his marriage, Hefner was asked if he would have a bachelor party. “I’ve had a bachelor party for 30 years,” he said. “Why do I need one now?”

 

They separated in 1998 but she continued living next door to the Playboy mansion with their two sons. The couple divorced in 2010 and he proposed in 2011 to 24-year-old Crystal Harris, a former Playmate. Harris called off the wedding days before the ceremony, but changed her mind and they married at the end of 2012.

 

“Maybe I should be single,” he said a few months later. “But I do know that I need an ongoing romantic relationship. In other words, I am essentially a very romantic person, and all I really was looking for, quite frankly, with the notion of marriage was continuity and something to let the girl know that I really cared.”

 

He acknowledged, at age 85, that “I never really found my soulmate.”

 

Strict childhood

Hefner was born in Chicago on April 9, 1926, to devout Methodist parents who he said never showed “love in a physical or emotional way.”

 

“At a very early age, I began questioning a lot of that religious foolishness about man’s spirit and body being in conflict, with God primarily with the spirit of man and the Devil dwelling in the flesh,” Hefner said in a Playboy interview in 1974.

 

“Part of the reason that I am who I am is my Puritan roots run deep,” he told the AP in 2011. “My folks are Puritan. My folks are prohibitionists. There was no drinking in my home. No discussion of sex. And I think I saw the hurtful and hypocritical side of that from very early on. “

 

Hefner loved movies throughout his life, calling them “my other family.” He screened classic films and new releases at the mansion every week. Every year on his April 9 birthday, he’d run his favorite film, Casablanca, and invite guests to dress in the fashions of the 1940s.

Magazine’s beginnings

 

He was a playboy before Playboy, even during his first marriage, when he enjoyed stag films, strip poker and group sex. His bunny obsession began with the figures that decorated a childhood blanket. Years later, a real-life subspecies of rabbit on the endangered species list, in the Florida Keys, would be named for him: Sylvilagus palustris hefneri.

 

When Hefner was 9, he began publishing a neighborhood newspaper, which he sold for a penny a copy. He spent much of his time writing and drawing cartoons, and in middle school began reading Esquire, a magazine of sex and substance Hefner wanted Playboy to emulate.

 

He and Playboy co-founder Eldon Sellers launched their magazine from Hefner’s kitchen in Chicago, although the first issue was undated because Hefner doubted there would be a second. The magazine was supposed to be called Stag Party, until an outdoor magazine named Stag threatened legal action.

 

Hefner recalled that he first reinvented himself in high school in Chicago at 16, when he was rejected by a girl he had a crush on. He began referring to himself as Hef instead of Hugh, learned the jitterbug and began drawing a comic book, “a kind of autobiography that put myself center stage in a life I created for myself,” he said in a 2006 interview with the AP.

 

Those comics evolved into a detailed scrapbook that Hefner would keep throughout his life. It spanned more than 2,500 volumes in 2011, a Guinness World Record for a personal scrapbook collection.

 

“It was probably just a way of creating a world of my own to share with my friends,” Hefner said, seated amid the archives of his life during a 2011 interview. “And in retrospect, in thinking about it, it’s not a whole lot different than creating the magazine.” 

 

He did it again in 1960, when he began hosting the TV show, bought a fancy car, started smoking a pipe and bought the first Playboy mansion.

 

“Well, if we hadn’t had the Wright brothers, there would still be airplanes,” Hefner said in 1974. “If there hadn’t been an Edison, there would still be electric lights. And if there hadn’t been a Hefner, we’d still have sex. But maybe we wouldn’t be enjoying it as much. So the world would be a little poorer. Come to think of it, so would some of my relatives.”

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What Intimidates Steven Spielberg? Being Subject of a Documentary

Steven Spielberg has directed dozens of award-winning movies in a 40-year career, but when it came to turning the cameras on himself he found the attention pretty uncomfortable.

The double Oscar winner, who has directed films like “Schindler’s List,” “Jaws” and “Saving Private Ryan,” is the subject of a documentary for HBO television based on more than 30 hours of interviews with Spielberg, his family and friends.

“It’s a very interesting experience being the subject of a film when I have spent my entire career seeking subjects for my films. And to be suddenly be in that hot seat – for me it was both intimidating and daunting,” Spielberg told reporters at the documentary’s Los Angeles premiere on Tuesday.

Spielberg, 70, said director Susan Lacy got him to open up about what inspires his films, although it’s not a subject he spends much energy on himself.

“I don’t spend a lot of time in any kind of self-analysis.

In a way, I let the films do that. And I let you figure out me through those films.

“I just spend time looking for good stories and just going out and telling them,” he added.

The documentary also features interviews with many of those who have worked with Spielberg or been influenced by his work, including Tom Hanks, Oprah Winfrey, Harrison Ford, Leonardo DiCaprio, Martin Scorsese and Cate Blanchett.

“Spielberg” will be shown on HBO on October 7.

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