The University of the People, a tuition-free online university, was founded in 2009 and accredited in 2014. The game-changing goal of the U.S. nonprofit is to make education accessible to some 140,000 students from 200 countries. Maxim Adams has the story. Video: Dana Preobrazhenskaya.
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TOKYO — Seiji Ozawa, the Japanese conductor who amazed audiences with the lithe physicality of his performances during three decades at the helm of the Boston Symphony Orchestra, has died, his management office said Friday. He was 88.
The internationally acclaimed maestro, with his trademark mop of salt-and-pepper hair, led the BSO from 1973 to 2002, longer than any other conductor in the orchestra’s history. From 2002 to 2010, he was the music director of the Vienna State Opera.
He died of heart failure Tuesday at his home in Tokyo, according to his office, Veroza Japan.
He remained active in his later years, particularly in his native land. He was the artistic director and founder of the Seiji Ozawa Matsumoto Festival, a music and opera festival in Japan. He and the Saito Kinen Orchestra, which he co-founded in 1984, won the Grammy for best opera recording in 2016 for Ravel’s “L’Enfant et Les Sortileges” (“The Child and the Spells”).
In 2022, he conducted his Seiji Ozawa Matsumoto Festival for the first time in three years to mark its 30th anniversary. That turned out to be his last public performance.
Ozawa exerted enormous influence over the BSO during his tenure. He appointed 74 of its 104 musicians and his celebrity attracted famous performers including Yo-Yo Ma and Itzhak Perlman. He also helped the symphony become the biggest-budget orchestra in the world, with an endowment that grew from less than $10 million in the early 1970s to more than $200 million in 2002.
When Ozawa conducted the Boston orchestra in 2006 — four years after he had left — he received a hero’s welcome with a nearly six-minute ovation.
Ozawa was born Sept. 1, 1935, to Japanese parents in Manchuria, China, while it was under Japanese occupation.
After his family returned to Japan in 1944, he studied music under Hideo Saito, a cellist and conductor credited with popularizing Western music in Japan. Ozawa revered him and formed the Saito Kinen (Saito Memorial) Orchestra in 1984 and eight years later founded the Saito Kinen Festival — renamed the Seiji Ozawa Matsumoto Festival in 2015.
Ozawa first arrived in the United States in 1960 and was quickly hailed by critics as a brilliant young talent. He attended the Tanglewood Music Center and was noticed by Leonard Bernstein, who appointed him assistant conductor of the New York Philharmonic for the 1961-62 season. After his New York debut with the Philharmonic at age 25, The New York Times said “the music came brilliantly alive under his direction.”
He directed various ensembles including the San Francisco Orchestra and the Toronto Symphony Orchestra before beginning his tenure in Boston in 1970.
At the time there were few nonwhite musicians on the international scene. Ozawa embraced the challenge and it became his lifelong passion to help Japanese performers demonstrate they could be first-class musicians. In his 1967 book “The Great Conductors,” critic Harold C. Schonberg noted the changing ranks of younger conductors, writing that Ozawa and Indian-born Zubin Mehta were the first Asian conductors “to impress one as altogether major talents.”
Ozawa had considerable star quality and crossover appeal in Boston, where he was a well-known fan of the Red Sox and Patriots sports teams. In 2002, Catherine Peterson, executive director of Arts Boston, a nonprofit group that markets Boston’s arts, told The Associated Press that “for most people in this community, Seiji personifies the Boston Symphony.”
Ozawa is largely credited with elevating the Tanglewood Music Center, a music academy in Lenox, Massachusetts, to international prominence. In 1994, a 1,200-seat, $12 million music hall at the center was named for him.
His work at Tanglewood was not without controversy. In 1996, as music director of the orchestra and its ultimate authority, he decided to move the respected academy in new directions. Ozawa ousted Leon Fleisher, the longtime director of Tanglewood, and several prominent teachers quit in protest.
Despite glowing reviews for his performances in Europe and Japan, American critics were increasingly disappointed in the later years of his tenure with the BSO. In 2002, Anthony Tommasini of The New York Times wrote that Ozawa had become, after a bold start, “an embodiment of the entrenched music director who has lost touch.”
Many of the orchestra’s musicians agreed and even circulated an anti-Ozawa newsletter claiming he had worn out his welcome in Boston.
Ozawa won two Emmy awards for TV work with the Boston Symphony Orchestra — the first in 1976 for the BSO’s PBS series “Evening at Symphony” and the second in 1994, for Individual Achievement in Cultural Programming, for “Dvorak in Prague: A Celebration.”
Ozawa held honorary doctorates of music from the University of Massachusetts, the New England Conservatory of Music, and Wheaton College in Norton, Mass. He was one of five honorees at the annual Kennedy Center Honors in 2015 for contributing to American culture through the arts.
In later years, Ozawa’s health deteriorated. He was treated for cancer of the esophagus in 2010, and in 2015 and 2016 he canceled performances for various health problems.
Ozawa’s management office said his funeral was attended only by close relatives as his family wished to have a quiet farewell.
He cancelled some appearances in 2015-16 for health reasons, including what would have been his first return to the Tanglewood music festival — the summer home of the Boston symphony — in a decade.
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A test of ChatGPT’s capabilities to create false information finds the chatbot spreads more disinformation in Chinese, says media watchdog NewsGuard. VOA’s Robin Guess has more. VOA footage by Michael Eckels, Roy Kim.
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Two titans of space travel team up to study our planet’s health. Plus, a Russian cosmonaut breaks the record for the most time in space, and sky gazers in North America will get a treat in coming months. VOA’s Arash Arabasadi brings us The Week in Space.
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Four billion people worldwide have voted or are scheduled to do so in national elections through 2024. While the candidates and issues differ in each country, one common concern is the use of generative artificial intelligence in disinformation campaigns. VOA’s Valdya Baraputri has the story.
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Participants of the Extreme Chainsaw Carving Show have just a few hours to turn a cedar block of wood into a beautiful work of art. VOA’s Natasha Mozgovaya reports from Arlington, Washington, in the Pacific Northwest.
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LOS ANGELES — Las Vegas will be flooded with so many pre- Super Bowl events that Shaquille O’Neal lowered the prices to his popular carnival-themed “Shaq’s Fun House.”
Instead of raising the rate, O’Neal decided to offer potential attendees more bang for their buck to the NBA legend’s sixth annual event planned for Friday in Sin City. He made the decision to lower the rates after purchasing an expensive suite at the Formula One that cost nearly five times more than normal to watch the racing event in Las Vegas last year.
“We’re not going to do that to the people,” said O’Neal, who said the going rate for Fun House starts at $99 but will increase as the event nears. He’ll bring back Lil Wayne, Diplo and himself under his name DJ Diesel to perform during his over-the-top festival — which features several attractions including a Ferris wheel, circus performers and premium bar.
“We could’ve done $200, $250 or $300,” said O’Neal whose event will take place XS Nightclub at the Wynn — a hotel that will host Rob Gronkowski ‘s Gronk Beach in Encore on Saturday afternoon and Sports Illustrated’s The Party in XS Nightclub later that night. “But I don’t like taking advantage of people. We want to have the best party with the best rides, performers and just hanging out.”
Along with O’Neal’s event, the days leading up to the Super Bowl between the Kansas City Chiefs and San Francisco 49ers will include concerts from some of the biggest stars including Travis Scott, Green Day, Killer Mike, Kelly Clarkson, Ice Spice, Future and David Guetta. The week will include some comedy too.
Here’s a look at some of the invite-only and public events during a busy Super Bowl week:
Fanatics Party
Michael Rubin is known for his exclusive summer bashes in the Hamptons — which bring out stars like Beyoncé, Jay-Z, Leonardo DiCaprio, Jennifer Lopez, Ben Affleck and Kendall Jenner.
Now, Rubin, the founder and CEO of Fanatics, will host his invite-only daytime event at Marquee Dayclub at the Cosmopolitan the day before the Super Bowl. His event will feature performances by Travis Scott, The Chainsmokers, Ice Spice, A$AP Ferg, Meek Mill, Lil Baby, Fabolous, Ludacris, Ne-Yo and Kid Laroi.
Madden Bowl
After Killer Mike collected three Grammys during his arrest-shortened night, the Atlanta-based rapper is expected to be one of the performers at the EA Sports’ The Madden Bowl.
Rock group Green Day will headline the Friday night event at House of Blues. It will also feature Big Boi of OutKast and Breland.
“Las Vegas isn’t ready for the show we’re about to bring,” Big Boi said.
In addition to the music performances, the event will include the Madden NFL 24 Championship Series in front of a live audience — where two of the world’s best players will travel to Las Vegas for their share of the $1 million prize pool and title of Ultimate Madden Bowl champion.
Kevin Hart and O’Neal’s production companies will hold a star-studded, stand-up comedy showcase.
Actor Deon Cole will host the two-night show called the All Star Comedy Jam with performances by D.L. Hughley, Earthquake, Desi Banks and Aida Rodriguez. The event will be held inside the Resorts World Theatre’ 5,000-capacity venue on Friday and Saturday night.
Gospel Celebration
Cedric the Entertainer and Tichina Arnold will help bring the gospel to Sin City.
The stars of the CBS show The Neighborhood will host the Super Bowl Soulful Celebration at the Palms Casino Resort on Wednesday night. The lineup includes some of gospel’s best from Earth, Wind & Fire, Mary Mary, Kirk Franklin, Robin Thicke and the NFL Players Choir including Tully Banta-Cain and Bryan Scott, who played in the league.
“I want people to feel empowered walking away from this show,” Arnold said. “You should never walk way feeling drained. You should walk way feeling loved.”
CBS Mornings co-host Nate Burleson, a former NFL player, will receive the Lifetime of Inspiration award. He will be the sixth person to receive the honor the show’s 25-year history.
Previous recipients include Tony Dungy, Ray Lewis, Tim Brown, Troy Vincent and Deion Sanders.
Gronk Beach
Despite being retired, Rob Gronkowski keeps making his presence felt during the NFL’s championship week.
The four-time Super Bowl winner — who views himself the “MVP of Fun” — will host a music festival called “Gronk Beach” the day before the big game. The beach-themed party will feature a performance by DJ Afrojack.
“It’s all about going there and having a good time. Just losing your mind in a great and positive way,” Gronkowski said. “You can dance free, be yourself freely and just enjoy yourself with great company around you.”
Gronkowski placed his tickets starting at $74.
Billy Idol
Instead of riding his motorcycle on Super Bowl Sunday, Billy Idol will be strolling on stage a few hours before kick off to perform during a pre-game concert.
The legendary British rocker will perform Sunday just outside Allegiant Stadium, where the NFL’s two best teams face off. He’s expected to perform a 35-minute set on two different stages at On Location’s Club 67 and Touchdown Club in front of nearly 9,000 guests.
Idol said he’s stoked about the setup being arranged by One Location — a premium hospitality provider of the NFL. The hospitality company offers various packages including Idol’s performance, attendance at NFL Honors and postgame field access.
Maluma & SiriusXM
Colombian superstar Maluma will take his vibrant Latin music vibes into Las Vegas with the help of SiriusXM.
Maluma will headline a special concert at The Theater at Virgin Hotels on Thursday night for SiriusXM subscribers and Pandora listeners. He’s expected to perform songs from his latest album Don Juan including Según Quién and COCO LOCO along with other fan favorites such as Hawái.
Future and David Guetta are expected to perform at the invite-only h.wood Homecoming Weekend pop up bash on Friday followed by another show with Jack Harlow and Kaytranada performer the next night at a custom venue on the Las Vegas Strip across from the Wynn.
On Saturday night, Zach Bryan will headline the Bud Light Backyard Tour.
Tiësto will headline a show at LIV at Fontainebleau on Saturday while 21 Savage and 50 Cent are expected to perform the same night.
Lil Wayne will hit the stage once again but this time with T-Pain as a co-headliner at the Alex Morgan and Dan Marino-hosted Michelob ULTRA Country Club at Topgolf on Saturday night. Bryan and Leon Bridges will perform at The Chelsea in The Cosmopolitan on Friday.
On Sunday, Guy Fieri will host his Guy’s Flavortown Tailgate, a free and family-friendly event that he expects will draw more than 10,000. Diplo will perform.
GQ will hold Super Bowl party Friday at the The Nomad Library and sports agent Leigh Steinberg will host an event Saturday morning at Ahern Luxury Boutique Hotel.
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CAMBRIDGE, Mass. — Annette Bening, a two-time Golden Globe winner who recently received her fifth Oscar nomination, was feted Tuesday with a raucous parade full of colorful costumes and drag performers as part of festivities honoring her as Harvard University’s Hasty Pudding Theatricals 2024 Woman of the Year.
A few hours later, Benning endured a celebrity roast before attending a performance of the Hasty Pudding Theatricals’ 175th production, “Heist Heist Baby.”
She joined a group of synchronized swimmers on stage doing swim strokes to the song “Pump Up the Jams,” a reference to her role in the swimming movie “Nyad.” Then, she cut the hair of a volunteer in an effort to give him her signature look. And then she donned a seagull costume and acted out the role of the sea bird, a reference her role in the movie version of Anton Chekhov’s “The Seagull,” squawking and waiving her arms.
“I did it all myself with no one’s help,” Benning joked, after accepting the traditional pudding pot and trying to start a speech by thanking her kindergarten teacher. Her husband, Warren Beatty, won the man of the year award in 1975.
The Pudding is the oldest theatrical organization in the nation and one of the oldest in the world. Since 1951, it has bestowed this award annually on women “who have made lasting and impressive contributions to the world of entertainment.” Other winners have included Meryl Streep, Julia Roberts, Scarlett Johansson and Jennifer Coolidge.
Festivities began with the parade at Harvard. Bening, wearing a brown coat, hat and sunglasses, blew kisses to the crowd, and at one point, was pecked on both cheeks by drag performers. As the parade ended, she launched into a can-can dance with several other people.
“We’re absolutely thrilled to honor Annette Bening in this milestone 175th anniversary year for the Hasty Pudding,” said Josh Hillers, the organization’s president. “Hot off her Oscars nomination for Best Actress, we’re excited to present her with the most prestigious award in the entertainment industry.”
Bening, who also has won a Screen Actors Guild Award and starred in “The Grifters” and “American Beauty,” earned her fifth Oscar nomination, this one for best actress, for playing the prickly long-distance swimmer Diana Nyad in the movie “Nyad.”
Barry Keoghan, best known for his roles in “Saltburn,” “Dunkirk,” “The Killing of a Sacred Deer,” “Eternals” and “The Banshees of Inisherin,” is the recipient of its 2024 Man of the Year Award. He will be honored Friday night.
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NEW YORK — An oversight board is criticizing Facebook owner Meta’s policies regarding manipulated media as “incoherent” and insufficient to address the flood of online disinformation that already has begun to target elections across the globe this year.
The quasi-independent board on Monday said its review of an altered video of President Joe Biden that spread on Facebook exposed gaps in the policy. The board said Meta should expand the policy to focus not only on videos generated with artificial intelligence, but on media regardless of how it was created. That includes fake audio recordings, which already have convincingly impersonated political candidates in the U.S. and elsewhere.
It also said Meta should clarify the harm it is trying to prevent and should label images, videos and audio clips as manipulated instead of removing the posts altogether.
The board’s feedback reflects the intense scrutiny that is facing many tech companies for their handling of election falsehoods in a year when voters in more than 50 countries will go to the polls. As both generative artificial intelligence deepfakes and lower-quality “cheap fakes” on social media threaten to mislead voters, the platforms are trying to catch up and respond to false posts while protecting users’ rights to free speech.
“As it stands, the policy makes little sense,” oversight board co-chair Michael McConnell said of Meta’s policy in a statement on Monday. He said the company should close gaps in the policy while ensuring political speech is “unwaveringly protected.”
Meta said it is reviewing the oversight board’s guidance and will respond publicly to the recommendations within 60 days.
Spokesperson Corey Chambliss said while audio deepfakes aren’t mentioned in the company’s manipulated media policy, they are eligible to be fact-checked and will be labeled or down-ranked if fact-checkers rate them as false or altered. The company also takes action against any type of content if it violates Facebook’s Community Standards, he said.
Facebook, which turned 20 this week, remains the most popular social media site for Americans to get their news, according to Pew. But other social media sites, among them Meta’s Instagram, WhatsApp and Threads, as well as X, YouTube and TikTok, also are potential hubs where deceptive media can spread and fool voters.
Meta created its oversight board in 2020 to serve as a referee for content on its platforms. Its current recommendations come after it reviewed an altered clip of Biden and his adult granddaughter that was misleading but didn’t violate the company’s policies because it didn’t misrepresent anything he said.
The original footage showed Biden placing an “I Voted” sticker high on his granddaughter’s chest, at her instruction, then kissing her on the cheek. The version that appeared on Facebook was altered to remove the important context, making it seem as if he touched her inappropriately.
The board’s ruling on Monday upheld Meta’s 2023 decision to leave the seven-second clip up on Facebook, since it didn’t violate the company’s existing manipulated media policy. Meta’s current policy says it will remove videos created using artificial intelligence tools that misrepresent someone’s speech.
“Since the video in this post was not altered using AI and it shows President Biden doing something he did not do (not something he didn’t say), it does not violate the existing policy,” the ruling read.
The board advised the company to update the policy and label similar videos as manipulated in the future. It argued that to protect users’ rights to freedom of expression, Meta should label content as manipulated rather than removing it from the platform if it doesn’t violate any other policies.
The board also noted that some forms of manipulated media are made for humor, parody or satire and should be protected. Instead of focusing on how a distorted image, video or audio clip was created, the company’s policy should focus on the harm manipulated posts can cause, such as disrupting the election process, the ruling said.
Meta said on its website that it welcomes the Oversight Board’s ruling on the Biden post and will update the post after reviewing the board’s recommendations.
Meta is required to heed the oversight board’s rulings on specific content decisions, though it’s under no obligation to follow the board’s broader recommendations. Still, the board has gotten the company to make some changes over the years, including making messages to users who violate its policies more specific to explain to them what they did wrong.
Jen Golbeck, a professor in the University of Maryland’s College of Information Studies, said Meta is big enough to be a leader in labeling manipulated content, but follow-through is just as important as changing policy.
“Will they implement those changes and then enforce them in the face of political pressure from the people who want to do bad things? That’s the real question,” she said. “If they do make those changes and don’t enforce them, it kind of further contributes to this destruction of trust that comes with misinformation.”
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LOS ANGELES — Taylor Swift won album of the year at the Grammy Awards for “Midnights,” breaking the record for most wins in the category with four.
She began her speech by thanking her producer and friend Jack Antonoff and added, “I would love to tell you this is the happiest moment of my life,” she told the crowd, but said she feels this happy when she creates music and plays shows.
Earlier in the night, Taylor Swift used her 13th Grammy win on Sunday to announce her new album, “Tortured Poets Department,” will arrive April 19.
“I know that the way that the Recording Academy voted is a direct reflection of the passion of the fans,” she said while accepting the best pop vocal album award. “So, I want to say thank you to the fans by telling you a secret that I’ve been keeping from you for the last two years which is that my brand-new album comes out April 19. It’s called ‘The Tortured Poets Department.’ I’m gonna go and post the cover right now backstage.”
One of the night’s biggest awards, record of the year, went to Miley Cyrus for “Flowers,” her second-ever Grammy and second of the night.
“This award is amazing. But I really hope that it doesn’t change anything because my life was beautiful yesterday,” she said in her speech.
Victoria Monét won best new artist.
“Thank you to the champagne-servers tonight,” Monét started her acceptance speech. “Thanks to my mom, a single mom raising this really bad girl.” Then she started to cry, telling the room that this award was “15 years in the making.”
Billie Eilish won song of the year for writing the “Barbie” hit, “What Was I Made For?”
“Thank you to Greta Gerwig for making the best movie of the year,” Eilish said during her acceptance speech.
It was just one of several standout moments from Sunday’s show, broadcast live from Cypto.com Arena in downtown Los Angeles.
Karol G made Grammy history Sunday by becoming the first female performer to win best música urbana album for her blockbuster “Mañana Será Bonito” record.
“This is my first time at the Grammys,” she told the audience in English. “And this is my first time holding my own Grammy.”
Performances were many. Olivia Rodrigo brought her bloodsucking ballad “vampire” – or in this case, bloodletting, as red liquid dripped from the walls behind her. Joni Mitchell, 80, made Grammy history by performing “Both Sides Now” from her 1969 album “Clouds”; Travis Scott did a medley of “My Eyes,” “I Know?,” and “Fein.” Burna Boy was joined by Brandy and 21 Savage and did “On Form,” “City Boys,” and “Sittin’ on Top of the World.”
A long and touching In Memoriam segment celebrated many of the musical greats lost in the year. Stevie Wonder performed “For Once in My Life” and “The Best Is Yet To Come” in honor of Tony Bennett; Annie Lennox delivered “Nothing Compares 2 U” for Sinéad O’Connor. “Artists for ceasefire, peace in the world,” Lennox said at the end of the song, her fist extended in the air.
Jon Batiste did a medley of “Ain’t No Sunshine,” “Lean On Me,” and finally “Optimistic” with Ann Nesby for the late great music exec Clarence Avant. Oprah introduced a fiery Tina Turner tribute of “Proud Mary” by Fantasia Barrino and Adam Blackstone.
SZA also took the stage – performing a medley of her larger-than-life hits “Snooze” and “Kill Bill,” joined by dancers wielding katanas.
Later, she’d take home the trophy for best R&B song — for “Snooze,” handed to her by Lizzo. SZA ran to the stage and gave a charming, out of breath speech because she was “changing, and then I took a shot,” before starting to tear up and saying, “Hi Taylor… I’m not an attractive crier. Have a good evening.”
Mariah Carey presented the night’s first award, for best pop solo performance, to Miley Cyrus for “Flowers.” It was also the singer’s first-ever Grammy.
Afterward, Luke Combs’ delivered a heartfelt rendition of “Fast Car” with Tracy Chapman – his cover of the Chapman classic has dominated country radio and won him song of the year at the 2023 CMAs. In 1989, Chapman won best pop vocal performance, female for the song.
Dua Lipa opened the show with a high-octane medley: first, a tease of her forthcoming single, “Training Season,” then, her most recent single, “Houdini,” and finally, her disco-pop “Barbie” hit “Dance the Night.”
Eilish and Finneas brought their “Barbie” ballad to the Grammys stage with live string accompaniment, the second of two songs from the blockbuster film in one hour. They were followed by Cyrus, who performed “Flowers” for the first time live on television – moments after receiving her first Grammy.
“Why are you acting like you don’t know this song?” she teased the crowd — John Legend and wife Chrissy Teigen were among those in the audience who got up to dance — and later cheered mid-song, “I just won my first Grammy!”
Four-time Grammy host — and two time nominee — Trevor Noah greeted an excited crowd, starting things off with a kiss on the cheek from Meryl Streep. “The Grammys are gonna win as Oscar,” he joked about the moment.
Best country album went to Lainey Wilson for “Bell Bottom Country,” — her very first Grammy — as presented by Kacey Musgraves. “I’m a fifth-generation farmer’s daughter,” she told the crowd, adding that she’s a “songwriting farmer,” and that’s where the musical magic came from.
Jay-Z was awarded the Dr. Dre Global Impact Award and used his speech to talk about the hip-hop greats that came before him – and heavily suggesting at the Grammys history of placing rap on the backburner – or at the very least, not in the televised version of the show. (This year, there were no rap categories on screen, but two pop, one Latin, one country and one R&B.)
“We want you all to get it right,” he said. “At least get it close to right,” before switching focus to Beyoncé. “Most Grammys, never won album of the year. How does that work?”
Bridgers took an early lead at the Grammys, quickly winning four trophies ahead of the main telecast, with her and her boygenius bandmates bringing an infectious energy to the Premiere Ceremony.
Songwriter Justin Tranter gave her the first award Sunday, best pop duo/group performance, which went to SZA and Bridgers for “Ghost in the Machine.”
Jack Antonoff took home producer of the year, non-classical for a third year in a row, tying Babyface as the only other producer to do so consecutively. “You need the door kicked open for you,” he said in his acceptance speech. “Taylor Swift kicked that (expletive) door open for me,” referencing their work together.
The first of three new categories in 2024, best pop dance recording, was given out shortly afterward and went to Kylie Minogue for “Padam Padam” — her first win in 18 years.
About 80 Grammys were handed out pre-broadcast. Regional Mexican star Peso Pluma won his first Grammy for his first and only nomination, for best música Mexicana album for his “Genesis.”
Karachi, Pakistan — There’s a scrum of people trying to get photos with the married couple at the Radiance banquet hall, and you can barely hear someone talk above the din of 400 guests tucking into biryani and chicken tikka, music and the drone whirring around the room. The bejeweled bride and her natty groom are beaming.
Outside, the street is jammed with cars heading to wedding parties in neighboring banquet halls, L’Amour, Candles and Hill Top. Hill Top, a multiplex, has three weddings going on at once.
It’s winter in Pakistan, and that means weddings. Lots of weddings. During the cooler weather between November and February, millions of people attend weddings every week. Pakistani diaspora come home from around the world for the season, packing airport arrival halls and five-star hotels.
People call it Decemberistan.
“December is when everybody has an excuse to put a pause on worrying, whatever income level you are,” said Karachi-based communications consultant Khizra Munir. “Everyone’s on the same page that we’re going to live in the moment. It’s a great time to have a reunion, a great excuse to dress up.”
Weddings are one of the few opportunities for people in the conservative Muslim country to socialize and party. So it’s no surprise that people draw them out a bit.
A typical Pakistani wedding means at least three events, and often more: there’s the engagement, the gathering when friends and family apply turmeric paste to the bride’s hands and face in a pre-glam ritual, another party for applying henna to the bride’s hands and feet — which, of course, means more music and dancing. The bride gets a procession. So does the groom.
In Karachi’s Cantonment area, Yamima Teresa Bhagtaney and Sharoon Arjumand John tied the knot at Holy Trinity Cathedral.
Guests thumbed through the order of service, which one Muslim guest in the pews said was “very helpful” for navigating the Christian ceremony.
The wedding had the hallmarks of a traditional Christian wedding — a white dress, hymns, choristers, an organist, the exchange of vows and rings — and a traditional Pakistani one, with multiple photographers and videographers capturing every detail.
They even accompanied the bride up the aisle but stopped short when the couple and their families received Holy Communion.
The groom’s father, Bishop of Karachi the Right Rev. Frederick John, said Christian weddings were celebrated the same way as any other wedding in Pakistan, including the mehndi – when the bride receives henna on her hands and feet – and a dholki, when guests gather at a family member’s house to sing and dance.
Pakistani weddings only seem to be getting more elaborate.
Munir said she went to 10 events for the wedding of one family friend this season, wearing a different outfit each time. She said weddings have become so big and “over the top” that it’s sometimes hard to build an emotional connection. “It’s all about outfits, what you’re wearing, who you’re wearing, have you posted a picture of your outfit.” The latest trend is guests hiring a choreographer to help them perfect a dance performance.
Then there’s the cost of all those parties. A wedding event in a banquet hall like Radiance can cost upwards of 1 million rupees ($3,576), a hefty price tag in a country whose annual GDP per capita is just over $1,500 and inflation is running high. A wealthier family could easily spend 10 to 20 million on one party.
Banks offer loans and other wedding financing of up to 3 million rupees. Welfare institutions, including a Pakistani government one, support people from disadvantaged backgrounds or low-income households to pay for weddings.
But people still look forward to the wedding season, in spite of its demands on the wallet and wardrobe. “Worrying about how all of this is going to be managed and the financial burden of it, that’s all year,” said Munir. “Decemberistan is the opposite of stressing about the finances.”
The bride at Radiance is called Dua — “like Dua Lipa,” said her husband, Asher — and she went to three other weddings this season. “It wasn’t really hard because I was prepared for everything,” said Dua. “I love the wedding season. It’s about people getting together to celebrate.”
Fizza Bangash expected to attend 10 to 12 events during the season. “In Islamabad, there are areas where you have lots of marriage halls in one place, so you can jump from one event to another quite easily.”
Bangash got married on Dec. 25 at The Pavilion, Islamabad’s oldest wedding hall, with 350 guests including people from Germany, Australia, the U.K. and the U.S. If she had her way, it would have been closer to 100.
But good manners requires inviting extended family, work colleagues of the couple and their parents and neighbors. Host families also need to consider whose weddings they have been invited to and reciprocate accordingly to avoid a social faux pas.
Bangash has fond memories of the homespun weddings she went to as a child. People set up a tent on the ground outside their home and invited close family and friends.
“Now there are so many expectations about the food, decor, sound system and marquee,” she said.
There are a dozen venues around The Pavilion, boxy on the outside and blingy on the inside, and several more are under construction.
At Pacific Mansion, bookings are smaller than last year because of inflation and competition from the new venues, while the newest arrival – Zircon – is still accepting relatively tiny 100-person bookings to drum up custom.
The Manor hosted 35 events in December, and 28 in January. “We’ve only been open seven or eight months and this is our first season. It’s gone better than we could have dreamt of,” said the hall’s general manager, Syed Hassan Mahdi.
“The trend at the moment for weddings is for live cooking stations — steak, pasta. It’s impossible for people to do this at home,” he said.
Of course, some families still do it the old way.
In Karachi’s Lines neighborhood, a marquee sat on open ground in a residential area. There was no fancy decoration, expensive furniture or valet parking. In fact, there wasn’t a bathroom. Guests arrived on motorbikes or in brightly colored buses.
In a makeshift outdoor kitchen, the wedding caterers were preparing kebabs and flatbread by flashlight because of an hours-long power cut.
The groom’s family had rented a generator, but it broke down, leaving everyone in the dark just as the newlyweds began posing for photographs. The groom, Abdul Rehman, looked annoyed; the bride, Mehmoona, looked resigned. Guests whipped out their phones, using them as torches until the electricity came back.
The groom’s uncle, Mehmood Anwar, said the family invited around 400 people, and event cost less than 400,000 rupees. “There’s no point in spending so much money on a wedding,” Anwar said. “You can give that money to your daughter or son-in-law.
“We did everything ourselves. It took a full day to set this up,” said Anwar, pride in his voice.
By the time March rolls around, Pakistanis will go back to dealing with the warmer weather and everyday woes, including the bills for all those parties. But for now, it’s still Decemberistan.
“The whole objective is, for that pocket of time, forget about everything that’s dragging us down,” Munir said. “We’ve got political unrest. We’ve got insane inflation like we’ve never seen before… Every year we’re just like, it can’t get worse, but it does get worse. But, suddenly, December arrives.”
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A new documentary called “Vishniac” tells the story of 20th century Jewish photographer Roman Vishniac, who was born in Russia, escaped the Holocaust, and eventually settled in America. His iconic photographs later helped inform the movie “Schindler’s List.” Anna Nelson has this report, narrated by Anna Rice. VOA footage by: Elena Matusovsky, Natalia Latukhina.
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Hong Kong — Scammers tricked a multinational firm out of some $26 million by impersonating senior executives using deepfake technology, Hong Kong police said Sunday, in one of the first cases of its kind in the city.
Law enforcement agencies are scrambling to keep up with generative artificial intelligence, which experts say holds potential for disinformation and misuse — such as deepfake images showing people mouthing things they never said.
A company employee in the Chinese finance hub received “video conference calls from someone posing as senior officers of the company requesting to transfer money to designated bank accounts,” police told AFP.
Police received a report of the incident on January 29, at which point some HK$200 million ($26 million) had already been lost via 15 transfers.
“Investigations are still ongoing and no arrest has been made so far,” police said, without disclosing the company’s name.
The victim was working in the finance department, and the scammers pretended to be the firm’s U.K.-based chief financial officer, according to Hong Kong media reports.
Acting Senior Superintendent Baron Chan said the video conference call involved multiple participants, but all except the victim were impersonated.
“Scammers found publicly available video and audio of the impersonation targets via YouTube, then used deepfake technology to emulate their voices… to lure the victim to follow their instructions,” Chan told reporters.
The deepfake videos were pre-recorded and did not involve dialogue or interaction with the victim, he added.
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New York — Apple has had its first box office flop.
“Argylle,” the $200-million star-studded spy thriller from Apple Studios, debuted with $18 million in ticket sales, according to studio estimates Sunday. The film, directed by Matthew Vaughn, managed to lead the weekend box office, but still found little interest from moviegoers.
Although Apple has been in the original film business since 2019 and won the Oscar for best picture with 2021’s “CODA,” the company has only recently produced its own lineup of big-budget releases. The first two — Martin Scorsese’s “Killers of the Flower Moon” and Ridley Scott’s “Napoleon” — could be called successful.
“Killers of the Flower Moon,” though not profitable with $156 million in global sales, was one of the most celebrated films of 2023 and is nominated for 10 Academy Awards. “Napoleon,” released in November, has raked in $219 million worldwide — also not enough to turn a profit. But both films raised Apple’s reputation as a home to top directors and prestige filmmaking.
The same can’t be said for “Argylle,” a twisty thriller starring Bryce Dallas Howard, Sam Rockwell and Henry Cavill. The movie was badly dinged by critics, who gave it a Rotten Tomatoes score of 35% “fresh.” Ticket buyers also gave it a thumbs down, with a C+ CinemaScore.
Apple has paired with traditional studios for each of those releases. Universal Pictures handled the rollout of “Argylle,” which opened in 3,605 North American venues and took in an additional $17.3 million in 78 international markets. Paramount handled “Killers of the Flower Moon,” while Sony steered “Napoleon.”
“Argylle,” with “Kingsman” director Vaughn at the helm, was made with aspirations of starting a new franchise. But one of its biggest talking points ahead of its release was conjecture that Taylor Swift might have been involved with the movie thanks to the prominent presence of argyle patterns and a cat in the promotional materials. Despite plenty of online discussion, Swift had no involvement in the film.
Second place on the weekend went to the Christian drama series “The Chosen.” The first three episodes of the fourth season of the series, which dramatizes the life of Jesus, played in 2,263 theaters. The Angel Studios release grossed $6 million Friday through Sunday.
On another quiet weekend in cinemas, the rest of ticket sales went mainly to holdovers and awards contenders.
Warner Bros.’ “Wonka,” in its eighth week, crossed $200 million domestically. After four weeks in theaters, Paramount’s “Mean Girls” crossed $100 million. “The Beekeeper,” from the Amazon MGM, neared $50 million in its fourth week.
Although many Oscar contenders hit theaters months ago, the top choices of those in theaters remain Cord Jefferson’s “American Fiction” ($15 million thus far for MGM), starring Jeffrey Wright, and Yorgos Lanthimos’ “Poor Things” ($28.2 million, plus $40.1 million overseas), starring Emma Stone.
Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. Final domestic figures will be released Monday.
“Argylle,” $18 million.
“The Chosen,” $6 million.
“The Beekeeper,” $5.3 million.
“Wonka,” $4.8 million.
“Migration,” $4.1 million.
“Mean Girls,” $4 million.
“Anyone But You,” $3.5 million.
“American Fiction,” $2.3 million.
“Poor Things,” $2.1 million.
“Aquaman and the Lost Kingdom,” $2 million.
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New York — A collection of sneakers that superstar Michael Jordan wore as he and the Chicago Bulls won six NBA championships has fetched $8 million at auction, setting a record for game-worn sneakers, Sotheby’s said.
The six Air Jordan shoes — one apiece from the last games of the 1991, 1992, 1993, 1996, 1997 and 1998 championship series — sold Friday. Sotheby’s dubbed it the “Dynasty Collection.”
“Serving as both a reminder of Michael Jordan’s lasting impact on the world and a tangible expression of his recognized legendary status, its significance is further validated by this monumental result,” Brahm Wachter of Sotheby’s said in a statement. Wachter oversees modern collectables for the auction house.
Sotheby’s didn’t identify the buyer and described the seller only as “a private American collector” who obtained them from a longtime Bulls executive.
Jordan first gave a sneaker to the executive after the championship-winning game in 1991 and continued the tradition afterward, according to Sotheby’s. The auction lot included photos of Jordan wearing a single shoe as he celebrated the 1992, 1993, 1996 and 1998 wins.
A five-time league MVP and two-time Olympic gold medalist, Jordan was so singular a
player that then-NBA Commissioner David Stern in 1992 called him “the standard by
which basketball excellence is measured.” The NBA renamed its MVP trophy for Jordan in 2022.
He also helped shake up the athletic shoe industry and supercharge sneaker culture by teaming up with Nike to create Air Jordans in the mid-1980s.
The pair he wore in the second game of the 1998 NBA Finals was sold through Sotheby’s last April for $2.2 million, a record for a pair of sneakers. The highest auction price for any Jordan memorabilia was $10.1 million for his jersey from the first game at that series, according to Sotheby’s, which sold in 2022.
An unused ticket to Jordan’s 1984 debut with the Bulls was sold through Heritage Auctions in 2022 for $468,000 — over 55,000 times the face value.
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LOS ANGELES — Luminaries of the music business gather to hand out the annual Grammy awards on Sunday at a red-carpet ceremony that may culminate with another record for Taylor Swift.
The 34-year-old pop superstar in the middle of the world’s highest-grossing tour is competing for an unprecedented fourth album of the year trophy with “Midnights.”
No other artist in the 66-year Grammys history has claimed the coveted honor four times. Music legends Frank Sinatra, Paul Simon and Stevie Wonder won three each.
The awards will be broadcast live on CBS and streamed on Paramount+ PARA.O starting at 5 p.m. PT (0100 GMT). Comedian Trevor Noah returns for a fourth stint to host the ceremony at Crypto.com Arena in downtown Los Angeles.
Heavy rain is forecast to hit southern California on Sunday. Grammy organizers said the pre-ceremony red carpet would be held under tents to protect nominees from the weather.
Swift is not a lock for the album award. Industry pundits said it could go to “SOS” from R&B artist SZA, who would be the first Black woman since Lauryn Hill 25 years ago to win the category as a lead artist. SZA, singer of dark ballad “Kill Bill,” leads all Grammy nominees this year with nine nods.
“It’s very tight between SZA for ‘SOS’ and Taylor for ‘Midnights,'” said Billboard awards editor Paul Grein, who gave the edge to SZA. “They are overdue for an R&B/hip-hop winner.”
Women figure prominently in the 2024 Grammys field. Just one man, Jon Batiste, made the cut among eight nominees for the album prize. Other contenders include Olivia Rodrigo, Lana Del Rey and boygenius, the band featuring Phoebe Bridgers, Julien Baker and Lucy Dacus.
Swift also is vying for song of the year, a writing honor that she has never won despite widespread accolades for her lyrics. “Anti-Hero,” her examination of self-doubt, faces competition from Miley Cyrus empowerment anthem “Flowers” and others.
Music from the blockbuster “Barbie” movie received 12 nominations, including record of the year for Billie Eilish’s ballad “What Was I Made For?”
Contenders in the best new artist field include rapper Ice Spice, country singer Jelly Roll, R&B and pop singer Victoria Monet, singer-songwriter Coco Jones and folk-pop singer Noah Kahan.
Scheduled performers on the Grammys stage include SZA, Billy Joel, Joni Mitchell, Dua Lipa, Luke Combs and Burna Boy. U2 will perform live from the Sphere in Las Vegas.
Winners were chosen by the musicians, producers, engineers and others who make up the Recording Academy. The group has worked to diversify its membership in recent years by inviting more women and people of color to its ranks.
Organizers also added a handful of new categories this year, including best African music performance.
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LOS ANGELES — When the biggest names in music gather Sunday for the industry’s top honors at the Grammy Awards, they will hand out a new trophy for best African music performance.
The prize reflects the growing popularity of Afrobeats, and other music from the continent, which is gaining a global audience with help from social media platforms such as short-form video app TikTok.
Afrobeats originated in West Africa, primarily Ghana and Nigeria, though the term is often used as a catch-all for various music styles coming from Africa. It features percussion rhythms mixed with various genres from rap to jazz, R&B and others.
Modern Afrobeats “has a feel-good groove to it,” said Heran Mamo, R&B and hip-hop reporter at Billboard magazine, which created a U.S. Afrobeats chart in 2022. “It’s bound to reach a wider audience because it already contains a little bit of everything for everyone.”
On Spotify, Afrobeats music was streamed 13.5 billion times in 2022, up from 2 billion in 2017.
In another milestone, Nigerian singer Burna Boy became the first African artist to sell out a U.S. stadium when he played New York’s Citi Field last summer.
Musicians in the running for the new Grammy on Sunday include Tyla, a 22-year-old South African singer. She hit the top 10 on Billboard’s Hot 100 chart with the danceable Water, an example of a genre known as amapiano, a jazz- and piano-infused sound.
A TikTok executive in South Africa had noticed Tyla gaining attention in her local market back in 2020, and reached out to her with tips on how to maximize her presence on the app.
Water was released in July 2023, after Tyla signed with Sony Music Entertainment’s 6758.T Epic Records.
By September, TikTok users were replicating Tyla’s dance moves in the #WaterChallenge. To date, 1.5 million videos have been created using the song, and the #WaterChallenge hashtag has been viewed 1.8 billion times, according to TikTok.
“I think that TikTok has played the role of incubator, but also the distributor to the billion-plus global users and it’s just really landed,” said Ole Obermann, global head of music at TikTok.
Tyla’s success illustrates the power of TikTok and YouTube to help artists find fan bases around the world, a role once reserved for music labels.
“The proliferation of streaming along with new social media platforms (e.g. TikTok) has accelerated artist discovery, and have provided new mediums for artists to grow their fan bases globally,” Bank of America Securities analyst Jessica Reif Cohen said in a research note predicting media trends for 2024.
TikTok remains controversial in the United States because of its ownership by Chinese company ByteDance, which critics view as a security risk. The Biden administration has banned the app on U.S. government devices. TikTok officials say they have rigorous safeguards in place and they reject allegations of spying on user data.
The app also is in a dispute with Universal Music GroupUMG.AS over how much it pays for use of songs from Taylor Swift, Billie Eilish and others. Music from many Universal artists was unavailable on TikTok as of Friday.
For U.S. teenagers, TikTok ranks as the second-most common music discovery source behind YouTube, according to a recent MIDiA Research survey that showed 45% of 16- to 19-year-olds found new music through the platform.
Other Afrobeats artists who found audiences on TikTok include Nigerian rapper Rema. He collaborated with Selena Gomez for a remix of his song Calm Down, which hit No. 3 on the Billboard Hot 100 and won an award for best Afrobeats at MTV’s Video Music Awards last September.
TikTok is helping to forge new connections between U.S. and African artists. Obermann said he played a short clip of a song called Ojapiano from Nigerian musician KCee for Ryan Tedder, a songwriter and lead singer for the band OneRepublic.
Tedder liked the sound so much that he immediately reached out to KCee, who jumped on a plane from Lagos to Los Angeles two days later so the pair could make a remix of the song.
Obermann hopes the soon-to-be-released remix will give new life to Ojapiano, a combination of amapiano and a Nigerian flute called Oja, and keep fueling the Afrobeats craze.
“This is going to be a big, growing genre,” Obermann said.
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Hong Kong — Frustrated Hong Kong residents say they have been unable to watch the online TV series Expats, starring Hollywood star Nicole Kidman, which was launched globally on Amazon Prime Video late last week and focuses on the former British colony.
The six-part show, directed by Chinese-born American filmmaker Lulu Wang, is based on a novel by Korean American author Janice Y. K. Lee.
The plot revolves around the lives of three women in Hong Kong in 2014, and the scenes include numerous Hong Kong elements. In addition to settings in familiar tourist sites such as Victoria Harbor, it reproduces scenes of the 2014 Hong Kong protests, also known as the Umbrella Movement, when protesters took to the streets holding umbrellas, demanding the right to choose the city’s chief executive.
It is still unclear whether the decision to block the program in Hong Kong was a business decision or whether it was due to interference from authorities there. Analysts suspect that local Amazon Prime users are unable to watch the program because of those reproduced scenes of the 2014 protests.
Some also worry it may be another sign of Beijing’s broader crackdown on the arts.
A Hong Kong government spokesperson told RFA: “We have no comment on the operational arrangements of individual businesses.”
A spokesperson for the Hong Kong government issued a statement late last month saying that the current Film Censorship Ordinance only regulates films and does not apply to streaming or Internet platforms.
VOA reached out to Amazon Prime Video’s Hong Kong office for comment on why the show is not available in the city but did not receive any response by the time of publication.
“Since this movie was shot in Hong Kong, the director of the movie is of Chinese origin, and the content has a lot to do with the true events, ordinary Hong Kong citizens will definitely want to see a show that truly reflects Hong Kong society,” said Guo Zhenming, a Chinese independent film director.
Guo told VOA he believes self-censorship by Amazon may have kept the show from airing in Hong Kong.
Kenny Ng, a film censorship expert at Hong Kong Baptist University, believes that the matter is not directly related to the Hong Kong government.
“So many new shows are created on earth every day,” Ng said. “I don’t believe that the officials of the Hong Kong government have the ability to know that such a series is about to be released. The current Hong Kong censorship regulations govern films shown in theaters, not streaming platforms. … A series not being shown is often the result of a compromise made after negotiations.”
He believes Amazon may have made a business decision to abandon the Hong Kong market for this show based on the territory’s political situation and social atmosphere.
Ng believes that no matter whose decision it was, Hong Kong people’s freedom to watch the show has certainly been violated. He said many Hong Kong people are going to movie and TV show websites in China to look for the show.
“If the public had a choice, they might not be so eager to see this show. But now they suddenly cannot see it, everyone is doing everything possible to go and see it,” he said.
He said there will always be a market for banned shows.
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