washington — Chinese artists walk a tightrope when trying to create content acceptable to Beijing’s standards while attempting to seek success among Western audiences. More than one artist who has gained recognition in the West has been punished by Chinese censors, with Chinese filmmaker Lou Ye being the most recent case.

The 2024 Cannes Film Festival featured Lou’s pseudodocumentary “An Unfinished Film” as an Official Selection, and it drew positive reviews. However, the film hardly has any chance to be publicly screened in China.

“An Unfinished Film” is about a film crew’s 2020 experience at the onset of the COVID-19 pandemic in Wuhan.

The fictional plot follows the members of a film crew as they attempt to reshoot a movie, then are forced indoors as the city goes on lockdown.

During this time, the wife of an actor, a member of the film crew, was about to give birth. She tried to rush out of the hotel but was beaten by the security guard.

In the movie version, the wife of Jiang Cheng, the main character, was about to give birth. Desperate to be at the hospital with his wife, Jiang tried to break through the blockade but ended up in a huge scuffle with the security guards. Jiang was beaten up and forced to stay in his hotel room until the lockdown ended in Wuhan.

In the end, the actor, the director and other members of the fictional crew had to stay in the Wuhan hotel and could contact each other only by mobile phone.

The film included many real-life video clips that went viral during the lockdown, including a child crying and chasing his mother who was put on a bus to a makeshift hospital, and residents singing in a locked-down community in Wuhan at night.

Reaction to the film

The film stirred strong emotions among some viewers at the Cannes Film Festival.

After the film’s screening, someone in the audience shouted, “Lou Ye, you are the greatest director in China!”

Another person who watched the film posted on the Chinese social media site Weibo under the name Wu Ke Feng Gao, “In the second half, sobbing was heard everywhere in the theater. The audience in the back row said that everyone was crying for themselves. … To me, this is the greatest Chinese film in the past decade.”

But Zhao Liang, a former Chinese film critic living in the United States who requested to use a pseudonym to avoid retaliation from the Chinese government, had a different reaction to Lou’s film.

“This is a suicidal movie,” he told VOA.

“Lou Ye can’t [work in China anymore]; he has killed himself in front of the Chinese government,” Zhao added.

He said, “He filmed the pandemic, which is very sensitive to the Chinese government and is a subject that cannot be touched. The Chinese government has destroyed all the files related to the pandemic in the hospitals, as if COVID-19 never happened. All the files on the lockdown and all the records at the time, whether in the government, hospitals or neighborhood committees, have been destroyed.”

Lou Ye, the West and Chinese censors

Over the course of Lou’s more than 20-year career, Chinese officials have banned and censored much of his work. Only four of his twelve films have made it to big screens in China.

In 2000, his film “Suzhou River” won the Golden Tiger Award at the Rotterdam Film Festival in the Netherlands. However, because Lou participated in the foreign film festival without official approval, the Chinese government banned the film in China and punished Lou with a two-year prohibition on filming.

In 2006, the Chinese government placed a five-year filming ban on Lou for entering the film “Summer Palace” in the Cannes Film Festival without approval.  The film was set during the taboo Tiananmen Square pro-democracy demonstrations and included explicit sexual content.

In 2019, Lou said in an interview about making the banned film, “A Cloud Made of Rain in the Wind,” “Directors should be able to make movies without being threatened by censorship and express themselves freely. This is a right granted by the Constitution. … The censorship system has made the Chinese domestic audience a second-tier audience, a second-rate audience, because they simply cannot see what they should see, what they have the right to see.”

The plight of Chinese artists

Kong Ming, a former Chinese art critic living in the United States who requested to use a pseudonym to avoid retaliation from the Chinese government, told VOA that in an already competitive industry, Chinese artists have very few options to exercise their creativity.

“Chinese artists actually have nowhere to escape,” Kong said. “Even if you give up the Chinese market, you will no longer have the soil for your creations.”

Other artists who have faced Chinese censors include internationally renowned Chinese artist Ai Weiwei, known for his often provocative art. He experienced detention and violence at the hands of Chinese police when living in China.

In 2019, music by contemporary Chinese folk singer Li Zhi disappeared from all music streaming platforms in China. His personal Weibo and other social media accounts were also shut down.

An official reason was never given for the disappearance of Li’s music. 

Many of his works touched on the taboos of the Chinese government, including the suppression of the 1989 student movement at Tiananmen Square. During the COVID-19 White Paper Movement, he also posted photos of himself holding white paper.

In April, although Li toured major cities in Japan, attracting tens of thousands of Chinese fans, Kong said the tour in Japan was just a one-time phenomenon.

“China has tightened up its grip in all aspects. Li’s case has definitely alerted the government. In the future, any musician who wants to hold a concert abroad will need a permit,” said Kong.

It is tough for Chinese artists to find success both in China and the West, analysts said. One rare exception is Liu Cixin, the award-winning science fiction writer of The Three-Body Problem. The popularity of the trilogy has led to television adaptions in China and on Netflix about an alien race’s invasion.

“Some individuals may be able to break through the ban, but it is very rare. How many Chinese artists are there in New York? Whose career is actually growing? Almost none,” Zhao said.

In addition to the threat of censors in China, Chinese artists face challenges if they try to expand their careers overseas, Zhao said.

“First of all, the cultural gap is still severe,” he said. “Lou Ye can only shoot Chinese themes, which are also very limited. Overseas audiences care little about Chinese themes, and it is difficult to integrate. It is very difficult for Chinese artists to be truly recognized in the West.”

He said the creative soil overseas is extremely barren for individual Chinese artists, there is no support structure, and they lack funding.

“There are a few capable people, but they are all very depressed when they arrive in the United States. When they live in the U.S. they don’t interact with each other, and it’s impossible for them to come together,” he said.

Adrianna Zhang contributed to this report. 
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WASHINGTON — Marian Shields Robinson, the mother of Michelle Obama who moved with the first family to the White House when son-in-law Barack Obama was elected president, has died. She was 86.

Robinson’s death was announced by Michelle Obama and other family members in a statement that said, “There was and will be only one Marian Robinson. In our sadness, we are lifted up by the extraordinary gift of her life.”

She had been a widow and lifelong Chicago resident when she moved to the executive mansion in 2009 to help care for granddaughters Malia and Sasha. In her early 70s, Robinson initially resisted the idea of starting over in Washington, and Michelle Obama had to enlist her brother, Craig Robinson, to help persuade their mother to move.

“There were many good and valid reasons that Michelle raised with me, not the least of which was the opportunity to continue spending time with my granddaughters, Malia and Sasha, and to assist in giving them a sense of normalcy that is a priority for both of their parents, as has been from the time Barack began his political career,” Marian Robinson wrote in the foreword to A Game of Character, a memoir by her son, formerly the head men’s basketball coach at Oregon State University.

“My feeling, however, was that I could visit periodically without actually moving in and still be there for the girls,” she said.

Robinson wrote that her son understood why she wanted to stay in Chicago but still used a line of reasoning on her that she often used on him and his sister. He asked her to see the move as a chance to grow and try something new. As a compromise, she agreed to move, at least temporarily.

Her granddaughters Malia and Sasha were just 10 and 7, respectively, when the White House became home in 2009. In Chicago, Robinson had become almost a surrogate parent to the girls during the 2008 presidential campaign. She retired from her job as a bank secretary to help shuttle them around.

At the White House, Robinson provided a reassuring presence for the girls as their parents settled into their new roles, and her lack of Secret Service protection made it possible for her to accompany them to and from school daily without fanfare.

“I would not be who I am today without the steady hand and unconditional love of my mother, Marian Shields Robinson,” Michelle Obama wrote in her 2018 memoir, Becoming. “She has always been my rock, allowing me the freedom to be who I am, while never allowing my feet to get too far off the ground. Her boundless love for my girls, and her willingness to put our needs before her own, gave me the comfort and confidence to venture out into the world knowing they were safe and cherished at home.”

Robinson gave a few media interviews but never to the White House press. Aides guarded her privacy, and, as result, she enjoyed a level of anonymity openly envied by the president and first lady. It allowed her to come and go from the White House as often as she pleased on shopping runs around town, to the president’s box at the Kennedy Center, and for trips to Las Vegas or to visit her other grandchildren in Portland, Oregon.

She attended some White House events, including concerts, the annual Easter Egg Roll and National Christmas Tree lighting, and some state dinners.

White House residency also opened up the world to Robinson, who had been a widow for nearly 20 years when she moved to a room on the third floor of the White House, one floor above the first family. She had never traveled outside the U.S. until she moved to Washington.

Her first flight out of the country was aboard Air Force One in 2009, when the Obamas visited France. She joined the Obamas on a trip to Russia, Italy and Ghana later that year, during which she got to meet Pope Benedict, tour Rome’s ancient Colosseum and view a former slave-holding compound on the African coast. She also accompanied her daughter and granddaughters on two overseas trips without the president: to South Africa and Botswana in 2011, and China in 2014.

Craig Robinson wrote in the memoir that he and his parents doubted whether his sister’s relationship with Barack Obama would last, though Fraser Robinson III and his wife thought the young lawyer was a worthy suitor for their daughter, also a lawyer. Without explanation, Craig Robinson said his mother gave the relationship six months.

Barack and Michelle Obama were married on October 3, 1992.

One of seven children, Marian Lois Shields Robinson was born in Chicago on July 30, 1937. She attended two years of teaching college, married in 1960 and, as a stay-at-home mom, stressed the importance of education to her children. Both were educated at Ivy League schools, each with a bachelor’s degree from Princeton. Michelle Obama also has a law degree from Harvard.

Fraser Robinson was a pump operator for the Chicago Water Department who had multiple sclerosis. He died in 1991.
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A new Netflix series has turned attention to a historic red-light district in Pakistan. Set in Lahore, “Heeramandi: The Diamond Bazaar” is one of the most popular non-English series on the streaming platform. But as VOA’s Pakistan bureau chief Sarah Zaman reports, not everyone is happy with the attention. Videographer: Wajid Asad; video editor: Malik Waqar Ahmed.
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ACCRA, Ghana — Meet Ace-Liam Ankrah, a Ghana toddler who has set the record as the world’s youngest male artist.

His mother, Chantelle Kukua Eghan, says it all started by accident when her son, who at the time was 6 months old, discovered her acrylic paints.

Eghan, an artist and founder of Arts and Cocktails Studio, a bar that that offers painting lessons in Ghana’s capital, Accra, said she was looking for a way to keep her son busy while working on her own paintings.

“I spread out a canvas on the floor and added paint to it, and then in the process of crawling he ended up spreading all the colors on the canvas,” she said.

And that’s how his first artwork, “The Crawl,” was born, Eghan, 25, told The Associated Press.

After that and with his mother’s prodding, Ace-Liam kept on painting.

Eghan decided to apply for the record last June. In November, Guinness World Records told her that to break a previous record, her son needed to exhibit and sell paintings.

She arranged for Ace-Liam’s first exhibition at the Museum of Science and Technology in Accra in January, where nine out of 10 of his pieces listed were sold. She declined to say for how much the paintings sold.

They were on their way.

Then, Guinness World Records confirmed the record in a statement and last week declared that “at the age of 1 year 152 days, little Ace-Liam Nana Sam Ankrah from Ghana is the world’s youngest male artist.”

Guinness World Records did not immediately respond to an Associated Press query about the previous youngest male artist record holder.

The overall record for the world’s youngest artist is currently held by India’s Arushi Bhatnagar. She had her first exhibition at the age of 11 months and sold her first painting for 5,000 rupees ($60) in 2003.

These days, Ace-Liam, who will be 2 years old in July, still loves painting and eagerly accompanies his mom to her studio, where a corner has been set off just for him. He sometimes paints in just five-minute sessions, returning to the same canvas over days of weeks, Eghan says.

On a recent day, he ran excitedly around the studio, with bursts of energy typical for boys his age. But he was also very focused and concentrated for almost an hour while painting — choosing green, yellow and blue for his latest work-in-progress and rubbing the oil colors into the canvas with his tiny fingers.

Eghan says becoming a world record holder has not changed their lives. She won’t sell “The Crawl” but plans on keeping it in the family.

She added that she hopes the media attention around her boy could encourage and inspire other parents to discover and nurture their children’s talents.

“He is painting and growing and playing in the whole process,” she says.
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The artists from South Africa’s Mzansi Gay Choir are known not just for their music, but also for their role in LGBTQI advocacy. Ihsaan Haffejee brings us this story from a rehearsal studio in Johannesburg, where the musicians gather for a practice session.
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America’s oldest Chinatown sustains traditions even as members of the Chinese diaspora continue to spread out and evolve. Matt Dibble has the story from San Francisco, California.
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Los Angeles’ Chinatown has undergone many changes, as immigrants from mainland China join those from Hong Kong, Taiwan and other parts of Southeast Asia. As Mike O’Sullivan reports, the growing community has also expanded to the suburbs, where recent arrivals find much that is familiar. Mo Yu contributed.
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MADISON, Wis. — Schuylar Jones, a globe-trotting American adventurer whose exploits drew comparisons to iconic movie character Indiana Jones, has died. He was 94.

Jones’ stepdaughter, Cassandra Da’Luz Vieira-Manion, posted on her Facebook page that Jones died on May 17. She said she had been taking care of him for the last six years and “truly thought he might live forever.”

“He was a fascinating man who lived a lot of life around the world,” she wrote.

Da’Luz Vieira-Manion didn’t immediately respond to messages from The Associated Press on Saturday.

Jones grew up around Wichita, Kansas. His younger sister, Sharon Jones Laverentz, told the Wichita Eagle that her brother had visited every U.S. state before he was in first grade thanks to their father’s job supplying Army bases with boots.

He wrote in an autobiography posted on Edinburgh University’s website that he moved to Paris after World War II, where he worked as a photographer. He also spent four years in Africa as a freelance photographer. In his 1956 book “Under the African Sun,” he tells of surviving a helicopter crash in a marketplace in In Salah, Algeria, the Wichita Eagle reported. After the helicopter crashed he discovered he was on fire; gale-force winds had reignited the ashes in his pipe.

“Camels bawled and ran, scattering loads of firewood in all directions,” Jones wrote. “Children, Arabs and veiled women either fled or fell full length in the dust. Goats and donkeys went wild as the whirling, roaring monster landed in their mist … weak with relief, the pilot and I sat in the wreckage of In Salah’s market place and roared with laughter.”

He later moved to Greece, where he supported himself by translating books from German and French to English. He decided to drive through India and Nepal in 1958. He said he fell in love with Afghanistan during the trip and later enrolled at Edinburgh to study anthropology.

“He was more interested in the people and cultures he was finding than he was in photography and selling those,” his son, archeologist Peter Jones, told the Wichita Eagle.

After graduating he returned to Afghanistan and began study natives living in the country’s remote eastern valleys. He parlayed that research into a doctorate at Oxford University and went on to become a curator and later director at that university’s Pitt Rivers Museum. Upon retirement, he was awarded the Commander of the Order of the British Empire award, one step below knighthood.

Similarities between Jones and George Lucas’ Henry “Indiana” Jones Jr. character are striking. Aside from the name and the family business — Indy’s father, Henry Sr., was an archaeologist, just like Schuyler Jones’ son, Peter, are archeologists — they were both adept at foreign languages and wore brown fedoras.

And like Indy, Schuylar Jones believed artifacts belonged in museums, Da’Luz Vieiria-Manion told the Wichita Eagle. Eric Cale, executive director of the Wichita-Sedgwick County Historical Museum, told the newspaper that Jones permanently donated his grandfather’s artifacts to the museum. Jones wrote in his 2007 book “A Stranger Abroad” that he wanted to find the Ark of Covenant and donate it to a museum, which is exactly what Indy accomplished in “Raiders of the Lost Ark” — at least until the U.S. government seized the relic and hid it away again at the end of the movie.

Pat O’Connor, a publisher who worked with Jones, told the newspaper that Jones had a “low tolerance” for slow-witted and pretentious people.

“I’ve never met a man so talented and capable and at the same time approachable,” O’Connor said. “But if you transgressed . . . by trying to present yourself as somewhat above your station intellectually, then that is the end.”

Jones wrote in “A Stranger Abroad” that he first heard of Indy in the 1980s when a museum director in Madras asked him if he was the real-life version. He wrote that he had no idea what she was talking about, but later thought the comparison was driving more students to attend his lectures at Oxford.

Jones was married twice, first to Lis Margot Sondergaard Rasmussen, and then to Da’Luz Vieria-Manion’s mother, Lorraine, who died in 2011. He later began a relationship with actress Karla Burns, who died in 2021, the Wichita Eagle reported.

He is survived by his son, three daughters, a sister, six grandchildren, six great-grandchildren and one great-great-grandchild, the newspaper reported.
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NEW YORK — Three years ago, Erin Decker was a middle school librarian in Kissimmee, Florida, increasingly frustrated by the state’s book bans and worried that she couldn’t make a difference remaining in her job.

So, she and fellow librarian Tania Galiñanes thought of a way to fight back.

“We just put our heads together and decided a bookstore would help make sure students could get to books that were being pulled from shelves,” says Decker, whose White Rose Books & More opened last fall in Kissimmee. The store is named for a resistance group in Nazi Germany and features a section — ringed by yellow “caution” tape — dedicated to such banned works as Maia Kabobe’s Gender Queer, Jonathan Evison’s Lawn Boy and John Green’s Looking for Alaska.

White Rose Books is part of the ever-expanding and diversifying world of independent bookstores. Even as industry sales were slow in 2023, membership in the American Booksellers Association continued its years-long revival. It now stands at 2,433, more than 200 over the previous year and nearly double since 2016. Around 190 more stores are in the process of opening over the next two years, according to the ABA.

“Our numbers are really strong, and we have a solid, diverse pipeline of new stores to come,” says Allison Hill, the book association’s CEO. She cites a range of reasons for people opening stores, from opposing bans to championing diversity to pursuing new careers after the pandemic.

“Some are opening to give back to their community. And some still just love books,” she said during a phone interview this week.

Recent members include everyone from the romance-oriented That’s What She Read in Mount Ayr, Iowa; to Seven Stories in Shawnee, Kansas, managed by 15-year-old Halley Vincent; to more than 20 Black-owned shops.

In Pasadena, California, Octavia’s Bookshelf is named for the late Black science fiction author Octavia Butler and bills itself as “a space to find community, enjoy a cup of coffee, read, relax, find unique and specially curated products from artisans from around the world and in our neighborhood.” Leah Johnson, author of the prize-winning young adult novel You Should See Me In a Crown, was troubled by the surge in book bans and by what she saw as a shortage of outlets for diverse voices. Last year, she founded Loudmouth Books, one of several independent sellers to open in Indianapolis.

“I’m not a person who dreamed of opening a bookstore. I didn’t want to be anybody’s boss,” Johnson says. “But I saw a need and I had to fill it.”

Most of the new businesses are traditional “brick and mortar” retailers. But a “bookstore” can also mean a “pop-up” business like Loc’d & Lit, which has a mission to bring “the joy of reading to the Bronx,” the New York City borough that had been viewed by the industry as a “desert” for its scarcity of bookstores. Other new stores are online only, among them the Be More Literature Children’s Bookshop and the used books seller Liberation Is Lit. Nick Pavlidis, a publisher, ghost writer and trainer of ghost writers, launched the online Beantown Books in 2023 and has since opened a small physical store in suburban Boston.

“My goal is to move into a larger space and create a friendly place for authors to host events,” he says, adding that he’d like to eventually own several stores.

Independent bookselling has never been dependably profitable, and Hill notes various concerns — rising costs, dwindling aid from the pandemic and the ongoing force of Amazon.com, which remains the industry’s dominate retailer even after the e-book market stalled a decade ago. Last month, the booksellers association filed a motion with the Federal Trade Commission, seeking to join the antitrust suit against Amazon that the FTC announced in 2023. The motion states in part that Amazon is able to offer prices “that ABA members cannot match except by forgoing a sustainable margin, or incurring a loss.”

Just opening a store requires initiative and a willingness to take risks. Decker says that she and Galiñanes had to use retirement money because lenders wouldn’t provide credit until they were actually in business. The owner of Octavia’s Bookshelf, Nikki High, is a former communications director for Trader Joe’s who relied on crowdfunding and her own savings to get her store started.

“Even with tons of planning, and asking questions and running numbers, it’s been very difficult,” High says. “I don’t know that I could have prepared myself for what a shrewd business person you have to be to making a living out of this.”

High cites a variety of challenges and adjustments — convincing customers they don’t have to order items from Amazon.com, supplementing sales by offering tote bags and journals and other non-book items. Knowing which books to stock has also proved an education.

“I would read a book and think it’s the best thing ever and order a bunch of copies, and everybody else is like, ‘No, I don’t want that book,'” she explains. “And when we started, I wanted to be everything for everybody. We had a ton of different categories. But I found out that short stories and poetry almost never sell for us. People want general fiction, bestsellers, children’s books. Classics sell very well, books by James Baldwin and Toni Morrison and bell hooks and June Jordan.”

“It’s incredibly important to listen to your customers.”
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