Las Vegas never needs an excuse to party, and as an entertainment oasis a short trip from Mexico, the city will roll out the red, white and green carpet starting Friday to celebrate Mexican Independence Day.

A premier boxing match, a bell-ringing ceremony and more than a dozen performances by Latin megastars, including Ricky Martin and Alejandro Fernandez, were expected to attract tens of thousands of visitors, making the weekend once again one of Sin City’s busiest.

The holiday, often mistaken in the U.S. for Cinco de Mayo, over time has become a star-studded celebration of Hispanic culture.

“It has developed over two decades or more to become a staple. Las Vegas has the ‘ambiente’ — the fun, the excitement — all year long, and then you bring in Alejandro Fernandez, Pepe Aguilar and the ones who have the residencies like Ricky Martin and Jennifer Lopez,” said Rafael Villanueva, senior director of international business sales for the Las Vegas Convention and Visitors Authority.

Celebration goes beyond Mexico

The celebration is so much wider it includes those superstars who aren’t Mexican, including Martin and Lopez, who both have Puerto Rican roots.

“If you talk to many people in Mexico, they’ll say if we are not going to the Ciudad de Mexico, we are coming to Las Vegas because of all the fun and all the entertainment,” he said.

The Sept. 16 holiday marks Father Miguel Hidalgo y Costilla’s call to arms that sparked the Mexican uprising against Spanish rulers in 1810. The rebel priest was killed the next year, but his words, known as the “Cry of Dolores” or “Grito de Dolores,” eventually led to independence from Spain in 1821.

What started as private entertainment shows for high rollers from Latin America has evolved into one of the city’s busiest weekends, with companies booking performers a year in advance and airlines adding direct flights from Mexico.

Concerts, boxing match

The concert lineup aims to appeal to a range of musical tastes and generations and includes Marc Anthony, Ricardo Arjona, Emmanuel, Enrique Iglesias, Carlos Santana, Mana, Marco Antonio Solis, Jesse and Joy, Gloria Trevi and Alejandra Guzman.

“Probably over the past 15-20 years, we have really embraced the holiday, bringing top-level, A-level acts and fights,” said Sid Greenfeig, vice president of entertainment and booking for MGM Resorts International, which is hosting seven shows and a megaboxing match across its properties. “We look definitely at diversity within the artists, and having arenas and large venues, we also look at acts that can fill these rooms.”

The city’s signature offering is a boxing match. So much so, Floyd Mayweather Jr., before he retired, made Mexican Independence Day his own holiday, fighting multiple times over the years. Promoters have traditionally offered fights featuring Mexican boxers on the El Grito and Cinco de Mayo weekends.

Mexico’s popular Saul “Canelo” Alvarez squares off Saturday against Gennady Golovkin in a long-anticipated middleweight bout at the sold-out T-Mobile Arena.

For the past three years, the tourist bureau’s occupancy rate records show hotels reached above 96 percent capacity during the three-day period associated with the holiday. In 2016, 98.4 percent of the city’s 149,000 hotel and motel rooms were booked, making it the year’s fourth busiest weekend.

On Friday, San Diego resident Esthela Pedrin will see Fernandez’ yearly Mexican Independence Day concert in Las Vegas for the tenth time. With so many options to choose from, she said she’s having a difficult time picking a Saturday concert to attend.

“I love celebrating it in Las Vegas, especially because so many people from all over our country of Mexico gather there,” Pedrin, a dual citizen of Mexico and the U.S., said. “(Fernandez) brings out the flag. We all sing.”

The festivities begin Friday night with a celebratory ringing of a bell by Mexican Consul Alejandro Madrigal Becerra at The Forum Shops at Caesars Palace. Hidalgo, the rebel priest, rang a bell when he gave his famous speech, and Mexico’s president does it in Mexico City every year.
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CIA Director Mike Pompeo scrapped his appearance Thursday at Harvard University over the school’s decision to make Chelsea Manning, who was convicted of leaking classified information, a visiting fellow.

Pompeo called Manning an “American traitor.” He said he agreed with military and intelligence officials who believe Manning’s leak endangered the lives of CIA personnel.

Pompeo was scheduled to appear at Harvard’s Kennedy School of Government to discuss allegations of Russian involvement in last year’s presidential election, the nuclear standoff with North Korea and other global security concerns.

Pompeo letter released

Minutes after the event was to begin, Douglas Elmendorf, dean of the John F. Kennedy School of Government, took the stage and told the audience Pompeo was not there and would not speak.

“We will try to reschedule it as soon as we can, but the CIA director, is obviously, in charge of his schedule,” Elmendorf said. “We are not in charge of his schedule and he gets to decide when and where he speaks, of course.”

Several hours later, the CIA released a letter that Pompeo wrote to a Harvard official.

Pompeo, who has a law degree from Harvard, said he didn’t make the decision lightly. He wrote that he would betray the trust of CIA employees if he appeared.

 

Manning was released from a military prison in Fort Leavenworth, Kansas, on May 17 after serving seven years of a 35-year sentence, which was commuted by former President Barack Obama in his final days in office. Obama said in January he felt justice had been served.

Manning, a 29-year-old transgender woman, formerly known as Bradley Manning, told ABC’s “Good Morning America” in a recent interview that she was prompted to give the 700,000 military and State Department documents to WikiLeaks because of the human toll of the “death, destruction and mayhem” she saw as an Army intelligence analyst in Iraq.

Morell resigns position

 

In his letter, Pompeo reiterated his earlier claim that WikiLeaks is a U.S. adversary “akin to a hostile foreign intelligence service.” He stressed that his decision had nothing to do with Manning’s transgender identity.

 

“It has everything to do with her identity as a traitor to the United States of America and my loyalty to the officers of the CIA,” Pompeo said.

 

“Harvard’s actions implicitly tell its students that you too can be a fellow at Harvard and a felon under United States law,” he wrote.

 

Earlier in the day, Mike Morell, former deputy director and acting director of the CIA, sent a resignation letter to Elmendorf. Morell told Elmendorf he was resigning immediately over the school’s decision to invite Manning to be a visiting fellow at the Kennedy School’s Institute of Politics.

Morell said he could not be part of an organization that “honors a convicted felon and leaker of classified information.” Pompeo said Morell’s exit was “Harvard’s loss.”

Harvard also has invited former White House press secretary Sean Spicer, former Trump campaign manager Corey Lewandowski and MSNBC hosts Joe Scarborough and Mika Brzezinski. Harvard says Manning will be among fellows who will visit the campus for a “limited” number of events meant to spark campus discussion.

 
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Darren Aronofsky does not just want audiences to watch his new film mother! He wants to shake them up and leave them thinking about his genre-defying, surreal apocalyptic thriller.

“It’s very much a scary film. It’s very much a film that we want to shake audiences,” Aronofsky told Reuters.

“This is definitely a film that we want people to be talking about and giggling about and analyzing and thinking about for times to come,” he added.

An allegorical tale

Aronofsky, 48, mined the depths and descent of the human psyche in films such as Requiem for a Dream and Black Swan.

With mother!, released in U.S. theaters Friday, Aronofsky channels his fury with the state of the world into an allegorical story that reflects mankind’s selfish relationship with nature, gender, politics and religion.

The film centers on Jennifer Lawrence, a beautiful, naive young woman newly married to an older writer (Javier Bardem) suffering from writer’s block, and the two settle down into the writer’s secluded home.

As Lawrence’s character, an embodiment of Mother Nature, slowly renovates the property, two strangers, played by Michelle Pfeiffer and Ed Harris, turn up at their doorstep and kick off a series of events that blur the lines of reality and escalate into chaos.

“I was interested in the home invasion genre — the kind of feeling of people coming into your home that won’t leave,” the director said.

“Turning that into a nightmare was the journey we wanted to take audiences on, and then we had this other big idea of like trying to capture what it feels like to be in 21st century America, which is a crazy time right now,” he added.

Reviews mixed

The film sharply split critics as it made the rounds at festivals in Venice and Toronto earlier this month, receiving both boos and cheers at screenings.

Aronofsky said he welcomed the mixed reaction because it meant the film had caught people’s attention.

“We wanted to make something big and loud and also something that’s immediate,” he said.

“I want everyone to know, ‘hey man, you only come if you want to go on the roller coaster and hold your arms up and scream into the abyss.’ That’s why it’s (the film title) got an exclamation point,” he added.
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A transgender Chilean actress has turned in one of the most buzzed-about performances of the year and some are hoping she could be the first trans actor to land an Oscar nomination.

Daniela Vega, 28, stars in Sebastian Lelio’s A Fantastic Woman. She plays Marina, a transgender woman whose partner (Francisco Reyes) dies, after which Marina is subjected to harsh treatment by the family of her deceased lover and by police investing the death.

Chile has selected the film as its Academy Awards submission this year. But the bigger spotlight may be on whether Vega’s breakout performance — one of stirring strength and compassion — could make Oscar history. Reviewing the movie at its Berlin Film Festival premiere, Variety called her performance “a multi-layered, emotionally polymorphous feat of acting,” that deserves “so much more than political praise.”

While several transgender musicians have been Oscar-nominated, no trans performer has ever earned an acting nod.

“It’s too early to talk about that, to think about it. I have lots of festivals to attend, lots of dresses to wear,” Vega said with a grin in an interview. “The Oscars are a little bit beyond the timeline I’m thinking about right now. We’ll cross that bridge when we come to it.”

Vega and A Fantastic Woman will not have an easy road to the Oscars. Performances in foreign-language films rarely break into the acting categories, and this year, like most, the field of potential contenders boasts plenty of heavyweight, bigger-name performers like Meryl Streep (The Post) and Jessica Chastain (Molly’s Game).

But Vega has two things going for her: the depth of her performance and the possibility of a long-awaited Oscar landmark. Such a result could have great meaning for a trans community that President Donald Trump recently banned from entering the military.

“If we broaden our gaze, it will be more interesting, more beautiful. If we can make more diverse colors, people, stories, it will be interesting,” Vega said. “Uniforms are for the military and the police, not for our thinking.”

Hollywood has far from shied away from telling transgender stories, but the industry has come under increasing criticism for not casting them in high-profile parts. Hilary Swank (Boys Don’t Cry) and Jared Leto (Dallas Buyers Club) have taken home awards, and movies like 2015’s The Danish Girl, with Eddie Redmayne, and 2005’s Transamerica, with Felicity Huffman, have garnered nominations.

While those films and the Amazon series Transparent have been widely applauded, pressure has mounted urging producers to cast trans actors for trans parts. Progress has instead come in smaller, offbeat productions like Sean Baker’s Tangerine, the much-lauded 2015 film Baker shot with iPhones. It starred a pair of transgender performers, Mya Taylor and Kitana Kiki Rodriguez. Taylor last year won an Independent Spirit Award for her performance.

“There is very beautiful transgender talent,” Taylor said, accepting the supporting actress award. “You better get out there and put it in your movie.”

Transgender people have been nominated in other Oscar categories. The composer Angela Morley received two nods, for 1974’s The Little Prince and 1976’s The Slipper and the Rose.

Most recently, singer Anohni, formerly known as Antony of Antony and the Johnsons, became the first transgendered performer ever nominated. She collaborated with J. Ralph on the nominated song Manta Ray for the documentary Racing Extinction. But when the category’s other nominees — Lady Gaga, Sam Smith, the Weeknd — were given performing slots during the 2016 broadcast, Anohni was not, and she opted to boycott the ceremony.

In a fiery essay announcing her refusal to attend, Anohni declared: “They are going to try to convince us that they have our best interests at heart by waving flags for identity politics and fake moral issues.” 

Whether Vega — and Oscar voters — can change history won’t be decided for months. Sony Picture Classics, which has guided performers to dozens of Academy Award nominations, will release the film on Nov. 17. For now, Vega is soaking up her moment.

“It’s like living a dream,” said Vega. “It’s like a film in a film.”
…

To say that Josie Ho has been busy is an understatement.

The Hong Kong singer and actress is putting out new music, touring Asia and has shot a new travel show on TLC.

Together with her indie rock band, Josie and the Uni Boys, Ho is releasing seven new singles on vinyl records, one song at a time. She said her new music is inspired by the psycho thriller film Split starring James McAvoy, about three young girls kidnapped by a man who suffers from a multiple personality disorder. Fittingly, the first single is named Skitzo.

“I believe everyone has at least five personalities, like when you go home and face your parents, your lover, your friends, your colleagues, your boss and like, some PR friends,” Ho explained. “Some people have guilt trips about having different faces, like they feel like they’re two-faced, which I don’t think so. That’s why we need to put this concept out there, so when people really understand our lyrics and our music, I hope everyone feels that ‘We’re OK. We’re all OK. We’re fine.'”

Split might just be the way Ho, 42, feels about her life. The daughter of Macau casino mogul Stanley Ho, Ho defied her parents and refused to join the family business. Instead, she wanted to become an actress and singer.

In 1996, she released her first solo albums and also began acting in films. However, it wasn’t until she played a prostitute in the 2003 movie Naked Ambition that critics began to take her seriously as an actress. For that performance, Ho won the Best Supporting Actress award at the Hong Kong Film Awards. She also attempted to break into Hollywood, gaining a small part in Steven Soderbergh’s movie Contagion about the SARS epidemic. 

This year, Ho is celebrating the 10th anniversary of her band. They will kick off a tour in Tokyo in October, and Ho could hardly contain her excitement.

“I’m going to be able to perform like a Japanese band at their live houses. Those are not just any live houses, those are scared rock ‘n’ roll, hall of fame places. So, I’m really honored to play there,” Ho said.   

After Japan, Josie and the Uni Boys head to China, the Philippines and Taiwan before returning home to Hong Kong next spring.

Until then, fans can catch Ho on TLC, A Taste of Hong Kong with Josie Ho, where she hosts other Asian celebrities in Hong Kong and shows them around town. Her favorite spot in Hong Kong? Surprisingly, the outdoors.

“A lot of countries have outdoor sports as well, but our outdoor sports are only 20 minutes away from the city. So I think we have the upper hand, compared to other cities in Asia. So you can go wakeboarding, take 45 minutes to shower and change, and go to work in central. I think that’s a really important point to tell people,” she said.
…

Selena Gomez recently received a kidney transplant from television actress Francia Raisa due her struggle with lupus, the singer revealed Thursday.

Gomez revealed in an Instagram post confirmed by her publicist early Thursday that she has been somewhat out of the spotlight this summer because she was recovering from the procedure. The 25-year-old calls the transplant “what I needed to do for my overall health.”

 

The post didn’t reveal Gomez’s current condition or say where or when the procedure took place. Gomez’s publicist declined to release more information.

Gomez wrote “there aren’t words to describe” how she can thank Raisa, who she says gave “the ultimate gift and sacrifice by donating her kidney.”

“I am incredibly blessed,” she added.

 

The Instagram post includes a picture of Gomez and Raisa holding hands while lying side-by-side in hospital beds and another photo of a scar on Gomez’s abdomen. The 29-year-old Raisa is best known for her role on the ABC Family series “The Secret Life of the American Teenager.” Raisa’s publicist didn’t immediately return a request for comment Thursday.

 

Gomez revealed her lupus diagnosis in 2015 and took a break from her career last year to deal with anxiety, panic attacks and depression stemming from her battle with the disease. The disease causes fibrous tissue and inflammation of internal organs, skin rashes and joint pain. It affects women nine times more than men. Organs affected by lupus include the kidneys, heart and lungs.

 

Gomez got her start as a child actress before launching her music career. She appeared on “Barney and Friends” before breaking through as a teen star on the Disney Channel’s “Wizards of Waverly Place.” She has a massive following on social media. Her 126 million followers on Instagram are the most on the platform.

 

 
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CBS’ “60 Minutes,” the newsmagazine that can credit consistency for much of its success as it enters its 50th anniversary year, is about to see a major change with the addition of Oprah Winfrey.

 

Winfrey will debut Sept. 24, reporting on a story about America’s political divisions.

 

It’s a testament to the power of the Sunday-night newsmagazine that it seeks to absorb one of television’s biggest stars into its fabric instead of the other way around. One of the medium’s best-known celebrity interviewers will do some, but will largely work against type in reporting stories, said Jeff Fager, the show’s executive producer.

 

“She wants to do stories with impact,” he said. “She’s driven by that and so are we. That’s part of why this is such a good fit for her.”

 

Many of the names that made “60 Minutes” great — Mike Wallace, Morley Safer, Ed Bradley, Don Hewitt — are gone now. But the stopwatch keeps ticking every Sunday at 7 p.m. While everything in media seems to have changed around it, the show’s mix of investigations, news-making interviews, esoteric and entertaining features timed to the length of founding executive producer Hewitt’s attention span remains remarkably unchanged.

 

“It’s a miracle,” correspondent Lesley Stahl said.

 

When she joined in 1991, Hewitt told Stahl that he wanted correspondents to be like actors in a repertory troupe who could play all the roles, and that’s still the philosophy she uses to plan stories she pursues.

 

Gone, too, are the volatile days of throwing coffee cups, shouting matches and feuds, of Wallace peeking at colleagues’ notebooks to steal stories. But it’s still keenly competitive. Newcomer Bill Whitaker told Fager he dreamed of screening a story that his bosses found so perfect it merited no changes. Fager leaned in and told him, “that’s not going to happen.”

 

There’s a different pressure from the daily deadlines of the evening news, Whitaker said. At “60 Minutes,” correspondents have time, talented producers and travel budgets. So they’d better deliver.

 

“Everyone is trying to find an original story, something that breaks news or helps people to understand a big story,” Fager said. “That’s what we do. New people up here realize that’s a higher bar than is set anywhere else.”

 

“People think it’s cutthroat,” he said. “It’s not like that, the way our image would suggest. But it’s a tough place to succeed. Part of how you’re judged is how original your reporting is, and how well you cover a big story.”

 

Scott Pelley, Stahl, Steve Kroft, Whitaker and Anderson Cooper make up the show’s core. Charlie Rose, Winfrey, Sharyn Alfonsi, Lara Logan, David Martin, Norah O’Donnell and Jon Wertheim are among the contributors who also do stories.

 

“There are a lot of people who are contributors who have other jobs, and that has changed the feel of the place,” Kroft said. “I don’t think the show has changed very much on the air.”

 

Fager, who just completed a book on the show to mark the anniversary, talks now about how hard it was to replace Hewitt 15 years ago. Colleagues say his status as an insider at CBS News and “60 Minutes” helped him, along with the absence of an ego-driven need to make changes for change’s sake.

 

His biggest push has been to make the show more on the news. Interviewing former presidential adviser Steve Bannon this past Sunday illustrates the point, and Fager pushed out excerpts of the interview for a few days in advance to make headlines and attract attention. Comments Bannon made about the James Comey firing were posted on the “60 Minutes Overtime” website, which delivers outtakes from the show’s segments, and became so newsworthy Monday that they arguably should have been used in the original piece.

 

The show would often ignore big breaking-news stories in the past, figuring they were told elsewhere. Fager likes to find some element that hasn’t received much attention but can help a viewer better understand the event, citing Kroft’s reporting on the financial crisis a decade ago.

 

“The quality of the show has not dropped off,” Kroft said. “We’ve had good seasons and bad seasons all during the 30 years I’ve been here. I think the show is more timely than it used to be.”

 

Producers watch the ratings, but refuse to test audience preferences with polls.

 

“It’s really risky to do what we do,” Fager said. “It goes against everything the professionals in news organizations believe, that you have to pander, that you have to look for stories that they’re going to want, as opposed to doing stories that are important and figuring out how to do it well.”

 

 “60 Minutes” has made high-profile mistakes; the reliance on a bad source in Logan’s 2014 Benghazi story was a major blemish. If the show has a weakness, it is that story length can simplify some stories too much, said Tom Bettag, a longtime television news producer who now teaches at the University of Maryland.

 

Yet the storytelling and writing put the show far ahead of the competition. Unlike newsmagazines like “Dateline NBC” and ABC’s “20/20” that have chased after trends and lost their identity, “what `60 Minutes’ did was stay consistent to its brand, to its vision, year in and year out,” he said.

 

“60 Minutes” has a rich tradition of principals who hold on to their jobs well past retirement age. The 72-year-old Kroft, who has cut back on stories and recently signed a two-year contract, doesn’t want to be one of them. Stahl, 75, said she wants to continue as long as she can do the job. She went to Fager a few years ago and said she didn’t want to fade on television and would tell him if she could sense herself slipping.

 

“He looked at me and said, ‘No, you won’t. Nobody ever does that.’ And he very kindly offered to do it for me,” she said with a laugh.

 

 

 

 
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South African musician Johnny Clegg, who has had chemotherapy and other treatment for pancreatic cancer, says he feels “fit and strong” as he begins his last international tour.

 

The 64-year-old Clegg told journalists Thursday that he is “dealing with another, parallel world that I live in with my diagnosis” ahead of shows in the United States, Canada, Europe and Australia in the coming months. He performs Sept. 20 in Dubai.

 

The tour, scheduled to end in March, is called “The Final Journey.”

 

Clegg blended Western and African musical styles in multi-racial bands during white minority rule in South Africa. His song “Asimbonanga,” meaning “We’ve never seen him” in Zulu, refers to South Africans who grew up under apartheid, when images of then-imprisoned Nelson Mandela were banned.

 

 
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There’s a happy ending for two motherless tiger cubs now at a zoo in California. Faith Lapidus has the story.
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The World Anti-Doping Agency has dismissed all but one of the first 96 Russian doping cases forwarded its way from sports federations acting on information that exposed cheating in the country.

 

The cases stem from an investigation by Richard McLaren, who was tasked with detailing evidence of a scheme to hide doping positives at the Sochi Olympics and beforehand.

 

The 95 dismissed cases, first reported by The New York Times , were described by WADA officials as not containing enough hard evidence to result in solid cases.

 

“It’s absolutely in line with the process, and frankly, it’s nothing unexpected,” WADA director general Olivier Niggli told The Associated Press on Wednesday at meetings of the International Olympic Committee. “The first ones were the quickest to be dealt with, because they’re the ones with the least evidence.”

McLaren uncovered 1,000 potential cases, however, and a WADA spokesperson told AP it is the agency’s understanding that sports federations are considering bringing some of them forward.

Tainted samples missing

 

Niggli cautioned that it will be difficult to pursue some cases, because the Russian scheme involved disposing of tainted samples, and the Russians were not cooperative with McLaren in turning over evidence.

 

“There are a thousand names, and for a number of them, the only thing McLaren’s got is a name on a list,” Niggli said. “If you can prosecute an athlete with a name on a list, perfect. But this is not the reality. There were thousands of samples destroyed in Moscow.”

The revelation of the 95 dropped cases comes with a deadline fast approaching to make a decision on Russia’s participation at next February’s Winter Olympics.

 

Two IOC committees that will decide the matter — one reviewing individual cases and another looking at the overall corruption in Russia — are due to deliver interim reports at the IOC meetings later this week.

270 Russian athletes cleared for Rio 

 

In resolving the case against Russia’s suspended anti-doping agency (RUSADA), WADA has insisted the agency, the country’s Olympic committee and its sports ministry “publically accept the outcomes of the McLaren Investigation.” Track’s governing body put similar conditions in place for the lifting of the track team’s suspension.

 

The IOC, however, has made no such move. More than 270 Russian athletes were cleared to compete in the Summer Games last year in Rio.

“The best we can do to protect clean athletes is to have a really good, solid anti-doping process in Russia,” said WADA president Craig Reedie, who is also a member of the IOC. “That’s our role and our priority. The rest of it, you have to go and ask the IOC.”

IOC president Thomas Bach said the committees are “working hard all the time.”

Russia blames WADA

Meanwhile, Russian officials are showing no signs of acknowledging they ran a state-sponsored doping program.

 

This week, the country’s deputy prime minister, Vitaly Mutko, blamed RUSADA and the former head of the Russian anti-doping lab, Grigory Rodchenkov, for the corruption, and suggested WADA was at fault, too. Rodchenkov lives in hiding in the United States after revealing details of the plot.

 

“We are rearranging the system but it should be rearranged so that WADA could also share responsibility,” Mutko told Russia’s R-Sport news agency. “They should have been responsible for (Rodchenkov) before, as they have issued him a license and given him a work permit. They were in control of him but now the state is blamed for it.”
…

This was one of those rare Olympic moments where everyone walked away a winner.

 

Paris for 2024. Los Angeles for 2028. And the International Olympic Committee for transforming an unruly bidding process to lock down its future by choosing not one, but two Summer Olympics hosts at the same time.

 

The IOC put the rubber stamp on a pre-determined conclusion Wednesday, giving Paris the 2024 Games and LA the 2028 Games in a history-making vote.  

 

The decision marks the first time the IOC has granted two Summer Olympics at once. It came after a year’s worth of scrambling by IOC president Thomas Bach, who had only the two bidders left for the original prize, 2024, and couldn’t bear to see either lose.

Both cities will host their third Olympics.

 

The Paris Games will come on the 100th anniversary of its last turn — a milestone that would have made the French capital the sentimental favorite had only 2024 been up for grabs.  

 

Los Angeles moved to 2028, and those Olympics will halt a stretch of 32 years without a Summer Games in the United States. In exchange for the compromise, LA will grab an extra $300 million or more that could help offset the uncertainties that lie ahead over an 11-year wait instead of seven.

 

Doing away with the dramatic flair that has accompanied these events in years past, there were no secret ballots and no dramatic reveals to close out the voting.

 

Bach simply asked for a show of hands from the audience, and when dozens shot up from the audience, and nobody raised their hand when he asked for objections, this was deemed a unanimous decision.

 

A ceremony that has long sparked parties in the plazas of winning cities — and crying in those of the losers — produced more muted, but still visible, shows of emotion. Paris bid organizer Tony Estaguent choked up during the presentation before the vote.

 

“You can’t imagine what this means to us. To all of us. It’s so strong,” he said.

Later, Paris mayor Anne Hidalgo stood by Bach’s side and dabbed away tears as the vote was announced and the IOC president handed the traditional — but now unneeded — cards to she and LA mayor Eric Garcetti. One read “Paris 2024,” and the other “Los Angeles 2028.”

But there was no real drama. As if to accentuate that, the LA delegation wore sneakers to the presentation.

 

Bid chairman Casey Wasserman said the footwear “reflects who we are, and the unique brand of California-cool that we will bring to the 2028 Games.”

Bach asked the 94 IOC members to allow the real contests to play out at the Olympics themselves and turn the vote into a pure business decision — not a bad idea considering the news still seeping out about a bid scandal involving a Brazilian IOC member’s alleged vote-selling to bring the 2016 Olympics to Rio de Janeiro.

 

 More than that, Bach needed to ensure stability for his brand.

 

The public in many cities, especially those in the Western democracies that have hosted the majority of these games, is no longer eager to approve blank checks for bid committees and governments that have to come up with the millions simply to bid for the Olympics, then billions more to stage them if they win.

 

That reality hit hard when three of the original five bidders for 2024 — Rome, Hamburg, Germany, and Budapest, Hungary — dropped out, and the U.S. Olympic Committee had to pull the plug on its initial candidate, Boston, due to lack of public support.

“This is a solution to an awkward problem,” said longtime IOC member Dick Pound of Canada. “Many of the (candidate) cities are not prepared. They say, ‘Let’s have an Olympics,’ but they haven’t done the background work, checked the finances. But I guess we have to share it and say, ‘Have you done A, B, C, and D?’”

Only two candidates made it to the finish line — Paris and Los Angeles, each with a storied tradition of Olympic hosting and an apparent understanding of Bach’s much-touted reform package, known as Agenda 2020. It seeks to streamline the Games, most notably by eliminating billion-dollar stadiums and infrastructure projects that have been underused, if used at all, once the Olympics leave town.

 

Can they deliver?

 

Paris will have the traditional seven-year time frame to answer that.

 

Only one totally new venue is planned — a swimming and diving arena to be built near the Stade de France, which will serve as the Olympic stadium. Roland Garros, which will host tennis and boxing, will get a privately funded expansion. In all, the projected cost of new venues and upgrades to others is $892 million.

 

To be sure, Paris already has much to work with. Beach volleyball will be played near the Eiffel Tower; cycling will finish at the Arc de Triomphe; equestrian will be held at the Chateau de Versailles. And what would an Olympics be without some water-quality issues? There will be pressure to clean up the River Seine, which is where open-water and triathlon will be held.

 

Los Angeles, meanwhile, will get an extra four years, though the city claims it doesn’t need them. All the sports venues are built, save the under-construction stadium for the NFL’s Rams and Chargers, which will host opening ceremonies. Los Angeles proposed a $5.3 billion budget for 2024 (to be adjusted for 2028) that included infrastructure, operational costs — everything. A big number, indeed, though it must be put into perspective:

 

 Earlier this summer, organizers in Tokyo estimated their cost for the 2020 Games at $12.6 billion. The London Games in 2012 came in at $19 billion.

 

Traffic could be a problem — it almost always is in LA — but the city will be well along multi-decade, multibillion-dollar transit upgrade by 2028, and those with long memories recall free-flowing highways the last time the Olympics came to town, as locals either left the city or heeded warnings to use public transportation or stay home.

 

Those 1984 Games essentially saved the Olympic movement after a decade of terror, red ink and a boycott sullied the brand and made hosting a burden. The city points to its Olympic legacy to explain a nearly unheard-of 83 percent approval rating in a self-commissioned poll — not an insignificant factor when the IOC picks a place to hold its crown-jewel event.

 

Along with Paris, LA is stepping in again to try to change the conversation about what hosting the Olympics can really be.

 

“It’s a unique opportunity to do two at the same time,” Wasserman said. “Hopefully, it’s an interesting paradigm for the world going forward. We’re two great cities, it’s two great Olympic hosts and it’s going to be two great games.”

 
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Urged on by dozens of stars who turned out to sing, tell stories and plead for support for hurricane victims in a one-hour televised benefit, organizers said more than $44 million was raised Tuesday and donations are still being accepted.

With Stevie Wonder singing “Lean on Me” and Usher and Blake Shelton joining for “Stand By Me,” the message was clear: Americans were being asked to help those whose lives were upended by wind and rain.

Justin Bieber, George Clooney, Barbra Streisand, Al Pacino, Lupita Nyong’o, Jay Leno and dozens of others sat at phone banks to accept donations. Beyonce, Will Smith and Dwayne “The Rock” Johnson sent in taped pleas for support during the event, shown on more than a dozen television networks and online simultaneously.

Originally conceived as a benefit for victims of Hurricane Harvey in Texas, the “Hand in Hand” telethon was expanded to help people in Florida and the Caribbean devastated in recent days by Irma.

“We’re here to raise money, lift some spirits,” said Jamie Foxx, standing with actor Leonardo DiCaprio. “When tough times hit, this is who we are. We’re compassionate. We’re unstoppable.”

Hollywood talent manager Scooter Braun, who organized the event with Houston rap artist Bun B, said that after the show, all the celebrities manning the phone banks stayed to take more calls. “No one left,” he said. “Everyone just kept answering phones and answering phones and answering phones. People want to give. Like, people want to help. And you don’t have to be a celebrity to do it.”

For many of the stars, the storms hit close to home.

“I have family in Puerto Rico, I have family in Miami. I’ve been on the road. I haven’t been able to be there. So you can imagine how it’s been,” “Despacito” singer Luis Fonsi said after the show, adding that all his family, including his wife and young children in Miami, survived the storm and are safe.

“”Helpless – helpless is an understatement,” Fonsi said of being on tour and unable to be with his family. He noted that his experience paled in comparison to the pain the storms have caused for many.

“You can imagine how frustrating it is to not be able to sort of protect your own family,” he said. “Imagine all of these people that have nothing to do. The videos that you see online. So as an artist, as a singer, I think it’s part of our job, it’s part of our resume, to take time off and come together and do these kind of things.”

The quick-moving show took a form familiar to viewers since a sad template was set in the wake of the 2001 terrorist attacks. Celebrities requested donations, told heartwarming survival stories involving people caught in the storm and sang songs. Several organizations will benefit, including the United Way and Save the Children.

Stages in Los Angeles, New York and Nashville, Tennessee, were filled simultaneously, although the night’s final performance – a tribute to Texans by George Strait, Robert Earl Keen, Chris Stapleton, Miranda Lambert and Lyle Lovett – originated from San Antonio.

Fonsi and Tori Kelly sang “Hallelujah” together. Dave Matthews picked his guitar from a studio above New York’s Times Square, and Darius Rucker, Brad Paisley, Demi Lovato and Cece Winans sang the Beatles’ “With a Little Help From My Friends.” Wonder, backed by a gospel chorus, opened the show with the Bill Withers classic.

“Natural disasters don’t discriminate,” Beyonce said. “They don’t care if you’re an immigrant, black or white, Hispanic or Asian, Jewish or Muslim, wealthy or poor.” Cher and Oprah Winfrey told the story behind a frequently seen picture of strangers forming a human chain to save someone from flooding in Houston.

Usually competitive network morning personalities Matt Lauer, Norah O’Donnell and Michael Strahan stood before a satellite image of an ominous Irma to describe devastation the storm had caused.

Donations were announced from some deep pockets. Computer maker Michael Dell and his wife, Susan, pledged to match the first $10 million in donations Tuesday. They’ve given a total of $41 million to the Rebuild Texas Fund. Basketball star Chris Paul gave $20,000 and said the NBA Players Association would match donations of up to the same amount given by any NBA player.

Announcing Apple’s promise to give $5 million, comic Stephen Colbert quipped said it was coincidentally “also the price of the new iPhone.”

ABC, CBS, NBC, Fox, HBO, MTV, BET and Univision were among the networks carrying the program, which was also streamed online.
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American tennis star Serena Williams on Wednesday announced the name and released first pictures of her baby girl, revealing that they had spent a week in the hospital following the Sept. 1 birth in Florida because of unspecified complications.

“Meet Alexis Olympia Ohanian Jr.” the former world No. 1 and 23-time Grand Slam champion said in postings on her social media sites that included a video diary of her pregnancy.

Williams, 35, who is engaged to Reddit co-founder Alexis Ohanian, said the baby was born Sept. 1 and weighed 6 lbs 14 oz (3.1 kg).

“So we’re leaving the hospital after six days. It’s been a long time.  We had a lot of complications, but look what we got!” Williams said in the video, cradling the baby who has a mass of black hair.

The video showed Williams dancing, hitting tennis balls as her pregnancy progressed, selfies of her expanding belly, and home video of the couple putting together the baby’s crib.

Williams confirmed her pregnancy in April hours after triggering speculation when she accidentally posted a short-lived selfie on social media with the caption: “20 weeks.”

Williams, the world’s highest-paid female athlete, was about two months pregnant when she captured her 23rd grand slam singles title at the Australian Open.

She has not competed since announcing her pregnancy but she told Vogue magazine last month that she intends to defend her title next year in Australia, where the year’s first grand slam will be played from Jan. 15-28.

Reddit was among the first to congratulate the couple on Wednesday.

“Congrats to two of our all-time favorite redditors who just welcomed a new baby Snoo into their family: u/Kn0thing and u/serenawilliams!,” the social news and discussion website posted on Twitter.
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Online bidding is winding down for dozens of items with direct connections to Britain’s late Princess Diana.

Eighty items being sold at auction 20 years after her death in a Paris car crash include articles of clothing, jewelry, signed papers and photographs. There’s even a piece of her wedding cake still stored in a commemorative box.

Boston-based RR Auction is handling the sale, which ends Wednesday evening.

Auction house executive vice president Bobby Livingston says interest in Diana memorabilia remains high because “she still resonates all over the world.” He says the items “give you a little snapshot into this beautiful woman’s life.”

The items include belongings Diana donated to charity months before her death on Aug. 31, 1997.

Bidding began last week.
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