AC/DC Co-Founder, Guitarist Malcolm Young Dies at 64

Malcolm Young, the co-founder of rock band AC/DC, has died at the age of 64, according to a statement on the group’s website. 

Ailing for several years with dementia, Young created the Australian heavy metal band with his brother Angus Young in 1972.

He was the group’s guitar player until April 2014 when he took leave of the band. It was later announced he had been suffering with dementia, according to Rolling Stone magazine.

AC/DC was known for its bold guitar riffs and declarative, howling vocals, characterized by such songs as Back in Black and Highway to Hell.

“Today, it is with deep heartfelt sadness that AC/DC has to announce the passing of Malcolm Young,” a statement read on the band’s website.

“With enormous dedication and commitment, he was the driving force behind the band. As a guitarist, songwriter and visionary, he was a perfectionist and a unique man,” Angus Young said in a

statement.

 

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As Sex Harassment Scandal Grows, Minorities Seldom Involved

In the weeks since dozens of women have accused movie mogul Harvey Weinstein of rape or sexual, unleashing an avalanche of similar charges against other prominent men across American life, women and men of color have been largely absent from the national furor.

The stories of abuse have roiled the entertainment industry, politics, tech and more, raising the possibility that this could be a watershed moment to end tolerance of such behavior. But some observers fear minority women may miss the moment, as they often are more reticent to speak up about sexual harassment.

“The stakes are higher in a lot of instances for us than they are for a lot of other women,” said Tarana Burke, a black activist who founded the #MeToo movement on Twitter in 2006 to raise awareness around sexual violence. “That creates a dynamic where you have women of color who have to think a little bit differently about what it means for them to come forward in cases of sexual harassment.”

A few high-profile minority actresses have come forward. New York authorities are investigating claims from actress Paz de la Huerta that Weinstein raped her twice in 2010; he has denied charges of non-consensual sex with any woman.

When Oscar-winning actress Lupita Nyong’o wrote in a New York Times op-ed last month that she had an unsettling encounter with the producer in 2011 at his home, Weinstein quickly denied doing anything inappropriate with Nyong’o, after days of silence following similar accusations by famous white accusers.

Author and activist Feminista Jones said that Weinstein’s denial of Nyong’o’s allegations sent the message to black women that they can’t be harassed, they can’t be assaulted.”

For black women, that is a message that dates back to slavery, when black women’s bodies were not their own and racist stereotypes were used to justify abuse, said Rutgers University historian Deborah Gray White.

“Historically, African-American women have been perceived as promiscuous,” said White, author of the book, “Ar’n’t I a Woman?: Female Slaves in the Plantation South.”

“Black women’s bodies, from Day One, have been available to all men,” she said.

As a result, White said, black women have had a hard time proving sexual exploitation. In response, many chose to remain silent as a form of self-preservation.

“Somehow talking about it is admitting , ’I walk the land unprotected,’” White said. “They were damned if they did and damned if they didn’t.”

For Asian-American women, speaking up after sexual assault can be daunting for a variety of cultural reasons, said Anna Bang, education coordinator at KAN-WIN, a Chicago-based domestic violence and sexual assault services group that frequently helps Asian-American and immigrant women. Bang said she has noticed the absence of Asian-American women from the Weinstein conversation and, as a Korean immigrant, doubts that she would tell her family if she were ever assaulted.

“It’s such a shame and guilt,” she said. “You don’t want your parents to be worried about you … When we are growing up, your parents teach you, ‘Don’t share your family problems with people.’ We’re trying to break that silence by educating our community members.”

Many of the women who seek help from KAN-WIN do so a decade or more after the abuse took place, she said.

“In our culture, women … they teach you how to suck it up,” she said. “They teach you to swallow your anger, your fear. It’s tough.”

Women of Latin American descent also weigh economic and cultural issues when deciding whether to speak out about sexual abuse.

Women of Latin American descent have been stereotyped as being submissive and sexually available, according to Monica Russel y Rodriguez, a Northwestern University ethnographer whose research includes sexuality, race and class in Latino communities. She said that undocumented immigrants in the United States would be even less likely to report an assault or harassment, fearing anything from job loss to blackmail or deportation.

“Even for white women, there’s not going to be any guarantee of an equitable resolution, so it’s a lot to expect women in a more highly vulnerable situation to be willing to speak out at the same rate,” Russel y Rodriguez said. “There’s no reason to expect that Latinas aren’t being sexually harassed or raped at the same degree or more.”

While most of the recent spate of sexual abuse allegations have been against white men, men of color have not been immune to such charges. Before the Weinstein scandal upended Hollywood, Bill Cosby’s name became synonymous with sexual abuse, as more than 50 women came forward and said the pioneering black actor once known as “America’s Dad” forced sexual contact with them over decades. Last June, Cosby went to trial on charges that he drugged and molested a woman in 2004. The case ended in a mistrial and Cosby is expected to be retried next year.

Since the Weinstein scandal, a writer for The Root, a website geared toward the black audience, said both Jesse Jackson and John Singleton sexually harassed her. Jackson and Singleton declined comment when contacted by The Associated Press, as did the Root writer.

George Takei, best known for his role in the original “Star Trek,” was recently accused of groping a man decades earlier; he denied the allegations. Actor Terry Crews went public with a claim that a Hollywood agent groped him, and that agent was later fired.

And an actress, Demi Mann, filed a lawsuit Thursday in which she alleged agent Cameron Mitchell sexually assaulted her. Mitchell, who is black, was fired by Creative Arts Agency, LLC.; he called Mann’s claims false.

But compared to the dozens of well-known white men named and white women who have made allegations, people of color have not played a prominent role in this evolving scandal.

Nearly three decades ago, an African-American attorney started the conversation on the topic. Anita Hill detailed allegations of sexual harassment by her former boss, then-Supreme Court nominee Clarence Thomas, during the 1991 congressional hearings held ahead of his confirmation. Thomas, also African-American, framed the hearings as a “high-tech lynching” and went on to be confirmed to the high court.

Hill was treated as a pariah by some for coming forward, but she was hailed by others and has spent the decades since as an advocate for women’s equality.

Burke, whose online #MeToo campaign was resurrected by actress Alyssa Milano in the wake of the Weinstein charges, doesn’t want minority women to miss the moment. She is launching a series of webinars to help women understand sexual violence and is encouraging women of color around the world to speak out.

“At some point, we have to confront this as a community,” Burke said. “This is a great place for this to happen.”

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‘Pocket Hercules,’ 3-time Olympic Champion, Dies at 50

Naim Suleymanoglu, the Turkish weightlifter who won three Olympic gold medals and was known as “Pocket Hercules,” died Saturday. He was 50.

Suleymanoglu was considered one of the sport’s greatest athletes and earned his nickname for his strength and diminutive size. He died at an Istanbul hospital where he was receiving treatment for cirrhosis of the liver. He had been in intensive care since Sept. 28 and received a liver transplant in October, according to Turkey’s official Anadolu news agency.

The weightlifter – 1.47 meters (4-foot-10) tall – won three straight Olympic gold medals for Turkey between 1988 and 1996. The Bulgarian-born Suleymanoglu could lift three times his weight.

He came out of retirement to try for a fourth gold at the Sydney Olympics in 2000 but missed all three of his lifts.

“I know only gold,” Suleymanoglu had said as he returned to competition. “I do not know about silver or bronze.”

Suleymanoglu also won seven world and six European championships.

He was born to an ethnic Turkish family in Bulgaria, and defected to Turkey in 1986 while training in Australia.

Regarded as a national hero in his adopted country, Suleymanoglu captured the hearts of Turks after winning his first gold at Seoul, South Korea, in 1988. Whenever Suleymanoglu returned home from a tournament, he would be greeted by thousands of fans who would lift him up on their shoulders.

Suleymanoglu missed the 1984 Games at Los Angeles because of a Soviet-led boycott. Although only 17, he was the favorite to win the bantamweight gold.

He was an outspoken critic of the Bulgarian government’s treatment of the Turkish minority in his homeland, and was forced by the authorities to change his surname to the more Slavic-sounding Shalamanov.

When the Bulgarian weightlifting team went to a training camp at Melbourne, Australia, in 1986, he slipped away from the group while pretending to visit the restroom at a hotel.

Suleymanoglu hid in Australia for several days before he went to the Turkish consulate to seek asylum. Eventually the Bulgarians allowed him to switch nationalities and he kissed the airport tarmac on arrival in Turkey. In 1986 he changed his name to the more Turkic-sounding Suleymanoglu.

He went to the Seoul Olympics as a Turk and twice broke the world record in the snatch on the way to winning the gold medal.

He competed unsuccessfully for a seat in Turkish parliamentary elections in 1999 and 2007.

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Leonardo da Vinci’s Christ Painting Sells for Record $450 Million

It was a historic moment in the art auction world: Da Vinci’s “Salvador Mundi” or “Savior of the World” sold to the highest bidder at $450 million. VOA’s Evgeny Maslov was among the 1,000 collectors, consultants and journalists at Christie’s Auction House for the recent record sale.

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A Gastronomical Virtual Experience: Enjoying the Taste of Food Without the Calories

Through a headset around the head and over the eyes, virtual reality can take us to computer-generated environments very different from the physical environment we’re in. Now, virtual reality technology is offering the food industry a new life. As Faiza Elmasry tells us, virtual reality can change the future of our dining experiences and make food tastier and healthier. Faith Lapidus narrates.

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UN Panel Agrees to Move Ahead With Debate on ‘Killer Robots’

A U.N. panel agreed Friday to move ahead with talks to define and possibly set limits on weapons that can kill without human involvement, as human rights groups said governments are moving too slowly to keep up with advances in artificial intelligence that could put computers in control one day.

Advocacy groups warned about the threats posed by such “killer robots” and aired a chilling video illustrating their possible uses on the sidelines of the first formal U.N. meeting of government experts on Lethal Autonomous Weapons Systems this week. More than 80 countries took part.

Ambassador Amandeep Gill of India, who chaired the gathering, said participants plan to meet again in 2018. He said ideas discussed this week included the creation of legally binding instrument, a code of conduct, or a technology review process.

The Campaign to Stop Killer Robots, an umbrella group of advocacy groups, says 22 countries support a ban of the weapons and the list is growing. Human Rights Watch, one of its members, called for an agreement to regulate them by the end of 2019 — admittedly a long shot.

The meeting falls under the U.N.’s Convention on Certain Conventional Weapons — also known as the Inhumane Weapons Convention — a 37-year old agreement that has set limits on the use of arms and explosives like mines, blinding laser weapons and booby traps over the years.

The group operates by consensus, so the least ambitious goals are likely to prevail, and countries including Russia and Israel have firmly staked out opposition to any formal ban. The United States has taken a go-slow approach, rights groups say.

U.N. officials say in theory, fully autonomous, computer-controlled weapons don’t exist yet, but defining exactly what killer robots are and how much human interaction is involved was a key focus of the meeting. The United States argued that it was “premature” to establish a definition.

Dramatic depictions

The concept alone stirs the imagination and fears, as dramatized in Hollywood futuristic or science-fiction films that have depicted uncontrolled robots deciding on their own about firing weapons and killing people.

Gill played down such concerns.

“Ladies and gentlemen, I have news for you: The robots are not taking over the world. So that is good news, humans are still in charge. … We have to be careful in not emotionalizing or dramatizing this issue,” he told reporters Friday.

The United States, in comments presented, said autonomous weapons could help improve guidance of missiles and bombs against military targets, thereby “reducing the likelihood of inadvertently striking civilians.” Autonomous defensive systems could help intercept enemy projectiles, one U.S. text said.

Some top academics like Stephen Hawking, technology experts such as Tesla founder Elon Musk and human rights groups have warned about the threats posed by artificial intelligence, amid concerns that it might one day control such systems — and perhaps sooner rather than later.

“The bottom line is that governments are not moving fast enough,” said Steven Goose, executive director of arms at Human Rights Watch. He said a treaty by the end of 2019 is “the kind of timeline we think this issue demands.”

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Controversial Bible Museum to Open in Washington

A larger than life entrance greets visitors at the new Museum of the Bible in Washington — dramatic 12-meter-tall doors containing text from Genesis 1, the biblical creation of the world.

The gateway allows entry to all things about the Bible, spanning several floors in the large building, which is located near the National Mall, Smithsonian museums and the U.S. Capitol. Not surprisingly there is a section filled with Bibles, many of them replicas of Bibles the museum was unable to obtain, and various versions from over the centuries that have been adopted by varying religious groups.

WATCH: New, Controversial Bible Museum Opens in Washington

Executive Director Tony Zeiss said the Bible is significant because “it helps people navigate through life,” and he would like people “to commit to being more engaged in this amazing book.”

The Bible is the world’s best-selling book, and the $500 million, privately funded museum has displays ranging from pro- and anti-slavery themes found in the holy book, to Hebrew texts, and even biblically themed contemporary women’s fashions.

What’s missing, some people say, is that there is not enough of the star of the New Testament, Jesus.

Zeiss said the museum is nonsectarian, and more than 100 scholars, who represent a variety of views, designed the exhibits, which also include $42 million in state-of-the-art interactive displays for education and entertainment — even in the elevators.

You can also stroll through a serene recreation of Nazareth, the town where Jesus grew up, amid hand-painted trees and the sound of chirping birds.

“It’s meant to create a setting where when you walk in, you feel like you’re in a different place that you would find 2,000 years ago,” said Seth Pollinger, the museum’s director of content.

​Family behind museum

The museum was founded by Steve Green, a member of the conservative evangelical family that owns Hobby Lobby, the world’s largest privately owned arts and crafts retailer. In 2014, Hobby Lobby won a Supreme Court case, concerning religious objections, to deny workers at family-owned corporations contraception coverage.

“It would be hard for us as a family to try to hide what we believe,” Green said. “We believe this book is what it claims to be, but our role here is to present the facts of the Bible more in a journalistic look.”

“As much as they want to stay neutral and objective on the Bible, it’s going to be very, very hard to present the Bible in that way,” said John Fea, a liberal evangelical who chairs the history department at Messiah College in Mechanicsburg, Pennsylvania. The Bible is “connected to a particular religious tradition and their way of interpreting it,” he added.

Jacques Berlinerbrau, who is Jewish and a professor at Georgetown University, agrees. 

“It is really problematic to ever say that one has a nonsectarian view of the Holy Scriptures,” he said.

Berlinerbrau also thinks the museum has an agenda. 

“The idea that the museum doesn’t have any intent to convert people to a particular reading of God, of Jesus Christ, of the Scripture is absurd,” he said.

And even though museum officials say the location had nothing to do with being near the seat of the U.S. government, Fea is not buying it.

“It’s hard to see this as anything than other an attempt to try to bring Christian values in the Bible’s teachings as understood by evangelical protestants, like the Greens, into the center of American political life and American cultural life,” Fea said.

​Texts and artifacts

The museum contains impressive rare biblical texts and ancient artifacts, some on loan from outside the U.S.; others from the Greens’ massive collection of antiquities. Some antiquities were smuggled out of Iraq, and purchased, inadvertently, by the family, they said. The Greens forfeited the items and paid a $3 million fine.

Green told VOA the museum is willing to return artifacts to their home countries “if there’s any artifact that we have that they would have a claim.”

When Green was asked if he would like to see people who come to the museum become more Christian, he smiled and said, “We want them to know the Bible better.”

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New, Controversial Bible Museum Opens in Washington

The world’s best-selling book is the Bible, but the holy manuscript has been interpreted in different ways by different religions. In Washington, a new, privately funded Museum of the Bible opens to the public this weekend. Located near the U.S. Capitol, the $500 million museum features ancient artifacts, interactive displays and Bibles over the centuries. But as we hear from VOA’s Deborah Block, the museum is also controversial.

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US Senator in Trouble After Being Accused of Sexual Harassment in 2006

A U.S. senator from Minnesota is the latest in a string of well-known personalities from entertainment and politics to be accused of sexual harassment. Democrat Al Franken is under fire after a radio newscaster said he kissed and groped her without consent during a tour to entertain U.S. troops in the Middle East in 2006. Meanwhile, a Republican candidate for U.S. Senate from Alabama is battling charges of sexual abuse of underage girls. VOA’s Zlatica Hoke reports.

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Tesla Adds Big Trucks to Its Electrifying Ambitions

After more than a decade of making cars and SUVs — and, more recently, solar panels — Tesla Inc. wants to electrify a new type of vehicle: big trucks.

The company unveiled its new electric semitractor-trailer Thursday night near its design center in Hawthorne, California.

CEO Elon Musk said the semi is capable of traveling 500 miles on an electric charge and will cost less than a diesel semi considering fuel savings, lower maintenance and other factors. Musk said customers can put down a $5,000 deposit for the semi now and production will begin in 2019.

“We’re confident that this is a product that’s better in every way from a feature standpoint,” Musk told a crowd of Tesla fans gathered for the unveiling.

​One-fourth of transit emissions

The move fits with Musk’s stated goal for the company of accelerating the shift to sustainable transportation. Trucks account for nearly a quarter of transportation-related greenhouse gas emissions in the U.S., according to government statistics.

Musk said Tesla plans a worldwide network of solar-powered “megachargers” that could get the trucks back up to 400 miles of range after 30 minutes.

Tesla, Musk stretched

But the semi also piles on the chaos at Palo Alto, California-based company. Tesla is way behind on production of the Model 3, a new lower-cost sedan. It’s also ramping up production of solar panels after buying Solar City Corp. last year. Musk has said Tesla is also working on a pickup and a lower-cost SUV and negotiating a new factory in China. Meanwhile, the company posted a record quarterly loss of $619 million in its most recent quarter.

Musk, too, is being pulled in many different directions. He leads rocket maker SpaceX and is dabbling in other projects, including high-speed transit, artificial intelligence research and a new company that’s digging tunnels beneath Los Angeles to alleviate traffic congestion.

“He’s got so much on his plate right now. This could present another distraction from really just making sure that the Model 3 is moved along effectively,” said Bruce Clark, a senior vice president and automotive analyst at Moody’s.

Uncertain market

Tesla is venturing into an uncertain market. Demand for electric trucks is expected to grow over the next decade as the U.S., Europe and China all tighten their emissions regulations. Electric truck sales totaled 4,100 in 2016, but are expected to grow to more than 70,000 in 2026, says Navigant Research.

But most of that growth is expected to be for smaller, medium-duty haulers like garbage trucks or delivery vans. Those trucks can have a more limited range of 100 miles or less, which requires fewer expensive batteries. They can also be charged overnight.

Long-haul semi trucks, on the other hand, would be expected to go greater distances, and that would be challenging. Right now, there’s little charging infrastructure on global highways. Without Tesla’s promised fast-charging, even a midsized truck would likely require a two-hour stop, cutting into companies’ efficiency and profits, says Brian Irwin, managing director of the North American industrial group for the consulting firm Accenture.

Irwin says truck companies will have to watch the market carefully, because tougher regulations on diesels or an improvement in charging infrastructure could make electric trucks more viable very quickly. Falling battery costs also will help make electric trucks more appealing compared to diesels.

But even lower costs won’t make trucking a sure bet for Tesla. It faces stiff competition from long-trusted brands like Daimler AG, which unveiled its own semi prototype last month. 

Fleet operators want reliable trucks, and Tesla will have to prove it can make them, said Michelle Krebs, executive analyst with the car shopping site Autotrader.

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At Latin Grammys, Puerto Rico and ‘Despacito’ Dominate

The global hit “Despacito” was the big winner at Thursday’s Latin Grammy Awards, making good on all four of its nominations, including record and song of the year.

Singer-songwriter Luis Fonsi dedicated his awards to his native Puerto Rico, as did several other artists throughout the three-hour show, which opened with a moment of silence for the storm-ravaged island.

“I’m here because of Puerto Rico, and this song is a hymn to Puerto Rico,” Fonsi said backstage. “Everything I do, and everything I will do, now more than ever, is to continue celebrating my island, my culture, my homeland and my music, and to make sure the public knows that Puerto Rico needs help.”

President’s Merit Award

Lin-Manuel Miranda received the President’s Merit Award at the ceremony, held at the MGM Grand Garden Arena and broadcast live on Univision. After giving an acceptance speech in Spanish and English, Miranda dedicated the award again and again to Puerto Rico.

He thanked his wife, parents and many collaborators, and paid homage to his Puerto Rican roots. Miranda said he intended to remind the U.S. government that the residents of its island territory “are human beings, too.”

Rapper Residente, who topped all nominees with nine nods, opened the show with a tribute to his homeland, wearing a T-shirt emblazoned with the Puerto Rican flag as he performed his song “Hijos del Canaveral” (“Sons of Canaveral”). He also won two awards: urban album for his self-titled solo debut and urban song for “Somos Anormales” (“We Are Abnormal”).

Ruben Blades won the top prize, album of the year, for “Salsa Big Band.” Other winners included Shakira, who won for contemporary pop album, Juanes, who claimed the pop-rock album prize, and Vicente Garcia, who was named best new artist.

​Person of the year

Alejandro Sanz also received a special award. Juan Luis Guerra described him as “one of the most important composers in the Spanish-speaking world” as he presented Sanz with a golden gramophone statuette. As the Latin Recording Academy’s 2017 Person of the Year, Sanz was feted during a starry ceremony earlier this week. On Thursday, he dedicated his award to the “dreamers” affected by President Donald Trump’s suspension of the Deferred Action for Childhood Arrivals program.

“These are our children,” Sanz said, “the children of our community.”

He followed by performing a medley of his hits, closing with a group of young people onstage wearing T-shirts that read, “We have one dream.”

Most of the awards were presented during a pre-telecast ceremony, while the live broadcast is dominated by performances. Performers included Natalia Lafourcade, Maluma, Juanes, J Balvin, Lila Downs, CNCO, Mon Laferte, Nicky Jam and Carlos Vives.

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In ‘Mudbound,’ Rees Crafts a Jim Crow Epic of Two Families

The movies have tended to skip from slavery to the Civil Rights movement, but Dee Rees’ Mudbound plunges into the complex tragedies of the in-between era of Jim Crow.

The film, which Netflix hopes will be its first feature-film Oscar contender, follows two neighboring families — one black, one white — on a hardscrabble farm in 1940s Mississippi.

“I was interested with exploring the idea of who gets to be in possession of the land — how it’s sometimes impossible to go back home, how family can be the thing that drags you down,” Rees said. “It’s not just about race. It’s not just about oppression. It’s about how our histories are intertwined, how we’re connected to be the people who came before us.”

For Rees and many of those involved, making Mudbound was itself an experience interwoven with heritage. Rees, the Nashville-native filmmaker of 2011’s Pariah, drew heavily from the journals of her grandmother, whose Louisiana parents picked cotton. Her grandfathers — one who fought in World War II and one who fought in Korea — also informed the script, which Rees co-wrote with Virgil Williams.

“For me, it was a chance to delve into my own history,” Rees said. One young character was given Rees’ grandmother’s humble ambition: to be a stenographer.

After the debut of Mudbound at the Sundance Film Festival, Netflix plunked down $12.5 million for it; streaming begins Friday, as does a small theatrical release. Should it find Academy Awards attention, Mudbound could be not just Netflix’s first best picture nominee but potentially make Rees the first black woman nominated for best director.

Reverberations for today

In its biracial dichotomy, Mudbound — grippingly dense, expansively empathetic — stands apart from most previous period films. As a rich, earthy moral tale, it has clear reverberations for today’s racial injustices.

Based on the novel by Hillary Jordan, it details the McAllan family, who are white, and the Jackson family, who are black. Swindled out of his family’s savings, Henry McAllan (Jason Clarke) brings his wife (Carey Mulligan) and daughters to his family’s swampy Delta farm, where the Jacksons — a family of six led by Hap (Rob Morgan) and Florence (Mary J. Blige) — are their tenants.

“It’s a time period that’s rarely touched in cinema, that sharecropper’s time period,” Morgan said. “For black America, they either see you as a slave or in jail. You don’t get to see that Jim Crow period where the underbelly is still ugly but it’s hidden.”

It’s a thin veil, though. When World War II begins, both families send a young man to war: Henry’s brother, Jamie (Garrett Hedlund), and the oldest Jackson son, Ronsel (Jason Mitchell).

When they return, having been exposed to both the horrors of war and, for Ronsel, the comparative freedoms of Europe, they strike up a friendship that provokes the small town’s violently racist elements, including the Ku Klux Klan. The movie opens ominously with the digging of a muddy grave.

 

Having starred in numerous recent period films (Suffragette, Far From the Madding Crowd, The Great Gatsby), Mulligan initially hesitated to join the film. But she was quickly convinced by Rees’ devotion to depiction of the myriad relationships among the families as each character individually responds to the era’s rigid and prejudiced social hierarchy.

‘There’s no hero’

“There are flaws in each character. There’s no hero. There’s no clear villain because of the social construct at the time,” said Mulligan. “Everyone’s just struggling within the same environment, and all kind of facing away from each other — at least at the start of the story, they are.”

Mudbound, shot over 28 days in New Orleans in the summer of 2016, is a big step into epic storytelling for Rees. She made 2007’s Pariah, about a Brooklyn teenager’s fraught sexual discovery, with $450,000 and followed that up with the 2015 HBO Bessie Smith biopic Bessie. Rees, who’s currently prepping a Gloria Steinem film with Mulligan set to star, has made films that are deeply personal and convincingly intimate without being autobiographical.

“With Pariah, at the time, I had just come out. I had a coming out experience and I was writing about it, transposing my experience as an adult: What would it have been like if I had been a teenager in Brooklyn?” said Rees. “The funny thing was people thought I was from Brooklyn. I had to be like, ‘No, I’m from Nashville.’ ”

Mudbound also holds particular meaning for Morgan, who co-starred in Pariah. A native New Yorker, Morgan spent his childhood summers working in North Carolina tobacco fields. Hap, he said, is his tribute to his grandfather — a strong and selfless man devoted to his family.

“Hap was my chance to give a voice to the voiceless of countless black men in America who would do for their family whatever it takes, who would be humiliated with dignity for his family to survive,” said Morgan. “Hap is a man who understands he’s in Mississippi. There doesn’t have to be a reason he could be hung. So he has to be smart enough to play dumb enough to survive.”

As Mudbound moves along, Rees intercuts scenes at the farm with snapshots of war. All are fighting their own front, but with varied levels of freedom.

“Each one of these families is striving. Each one wants to have a larger lot in life. They both aren’t there. They’re both stumbling,” said Rees. “The only reason to do this was the chance to tell two stories and the chance to talk about two families.”

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FCC Upgrade: Better Picture, Less Privacy — And You’ll Need a New TV

U.S. regulators on Thursday approved the use of new technology that will improve picture quality on mobile phones, tablets and television, but also raises significant privacy concerns by giving advertisers dramatically more data about viewing habits.

The U.S. Federal Communications Commission voted 3-2 to allow broadcasters to voluntarily use the new technology, dubbed ATSC 3.0, which would allow for more precise geolocating of television signals, ultra-high definition picture quality and more interactive programming, like new educational content for children and multiple angles of live sporting events.

The system uses precision broadcasting and targets emergency or weather alerts on a street-by-street basis. The system could allow broadcasters to wake up a receiver to broadcast emergency alerts. The alerts could include maps, storm tracks and evacuation routes.

The new standard would also let broadcasters activate a TV set that is turned off to send emergency alerts.

Advertisers excited

Current televisions cannot carry the new signal, and the FCC on Thursday said it was only requiring broadcasting both signals for five years after deploying the next-generation technology.

Sinclair Broadcast Group Inc. last month called the new standard “the Holy Grail” for the advertiser because it tells them who is watching and where.

But Representative Debbie Dingell of Michigan said the new technology “contemplates targeted advertisements that would be ‘relevant to you and what you actually might want to see.’ This raises questions about how advertisers and broadcasters will gather the demographic information from consumers which are necessary to do targeted advertisements.”

New TV, higher costs

Democratic Commissioner Jessica Rosenworcel said the new technology would force consumers to buy new televisions.

“The FCC calls this approach market driven. That’s right — because we will all be forced into the market for new television sets or devices.”

FCC Chairman Ajit Pai defended the proposal, calling concerns about buying new devices “hypothetical.” He added five years is “a long time. We’ll have to see how the standard develops.”

One issue is whether broadcasters will be able to pass on the costs of advanced broadcast signals through higher retransmissions fees and demand providers carry the signals.

The National Association of Broadcasters, which represents Tegna Inc, Comcast Corp., CBS Corp., Walt Disney Co., Twenty-First Century Fox Inc. and others, petitioned the FCC in April 2016 to approve the new standard.

“This is game-changing technology for broadcasting and our viewers,” the group said Thursday.

Many companies have raised concerns about costs, including AT&T Inc. and Verizon Communications Inc. Cable, satellite and other pay TV providers “would incur significant costs to receive, transmit, and deliver ATSC 3.0 signals to subscribers, including for network and subscriber equipment,” Verizon said.

Many nations are considering the new standard. South Korea adopted the ATSC 3.0 standard in 2016.

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Experts Question Role of Data Mining Firms in Kenya’s Annulled Election

Kenya’s annulled 2017 presidential election was among Africa’s most expensive.  President Uhuru Kenyatta and main challenger Raila Odinga spent tens of millions of dollars on their campaigns, including sizeable investments in global PR firms that mined data and crafted targeted advertisements.

As experts sort through the historic election’s aftermath, the involvement of data analysis companies has come to the forefront, raising questions about privacy, voter manipulation and the role of foreign firms in local elections.

Mercenary outfits

Data mining and PR companies conduct surveys to gauge public sentiment and sift through reams of data across social media.  They stitch that information together to build detailed profiles and deliver targeted, customized messages aimed at changing behaviors.

Some see it as smart campaigning.  But others point to the ethical concerns of manipulating voters with false information.

“You have a lot of these organizations, these PR firms, lobby firms, out there, and they’re essentially just mercenary outfits that do work for the highest bidder, regardless of their bloodstained track record,” Jeffrey Smith, executive director of Vanguard Africa, an organization that advocates for good governance on the continent, told VOA.

“It’s all legal.  It’s a business, and these businesses exist to make a profit … It’s the ethical and moral side where I tend to question.”

Democratic practices falling behind

According to media reports, Kenyatta’s campaign paid $6 million to Cambridge Analytica, the analytics and PR firm tied to the Brexit referendum, the 2016 U.S. presidential election, and, as recently reported by The Wall Street Journal, WikiLeaks.

Owned in part by the influential Mercer family, U.S.-based billionaires and political donors, Cambridge Analytica compiles demographic information to build vast databases of voter profiles.  It then delivers personalized advertisements to key voters in an attempt to sway them.

Kenyatta wasn’t the only candidate to enlist the services of a high-tech PR firm.  According to new reporting by The Star, one of Kenya’s leading newspapers, Odinga’s campaign employed Aristotle International, a U.S.-based company focused on campaign data mining.

The exact impact of these firms on the outcome of the August election is impossible to gauge, but their prominence in Kenya points to the role high-tech campaigning will play in future elections across the continent.

That’s raising questions about whether these companies undermine the democratic process by giving their clients an unfair advantage and manipulating the public.

“We have reached a point where our technological advances now exceed the ability of democratic practices to catch up,” said Calestous Juma, a professor of international development at Harvard University’s Kennedy School of Government.

“That has created a window where people can exploit platforms like Facebook, Twitter and Google to amplify certain messages that play on ethnic stereotypes for purposes of creating fear and winning elections,” Juma told VOA.

Previous involvement

This isn’t Cambridge Analytica’s first foray into Kenyan politics.  Although it won’t acknowledge working on the recent campaign, the company boasts of its role in the 2013 elections, when Kenyatta contracted with the firm.

According to its website, Cambridge Analytica “designed and implemented the largest political research project ever conducted in East Africa” by sampling and interviewing 47,000 respondents to provide key political issues and identify voting behaviors, from which it drafted an “effective campaign strategy based on the electorate’s real needs (jobs) and fears (tribal violence).”

New frontier

Cambridge Analytica and other data-driven PR firms have worked throughout Europe, the Middle East and the Americas.  The African market, with a projected population of 2.5 billion people in 2050, represents an enticing new frontier, with Kenya emerging as an especially appealing place to do business.

A unique mix of high mobile phone penetration, fast mobile internet, pervasive social media use and a young electorate — people under 35 comprise more than half of Kenya’s 19 million registered voters — makes the country ripe with opportunities for data mining and digital PR companies to invest in, or exploit.

For Smith, the lack of transparency inherent in how companies like Cambridge Analytica operate undermines the democratic process.

“What they do is essentially help propagate false news stories,” Smith said.  “Me and my organization, Vanguard Africa … were portrayed as somehow financing and supporting the Kenyan opposition, which was fundamentally not true,” he said.

“That didn’t make those stories go away, of course.  The truth becomes the victim in all of this.”

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News Outlets, Social Media Team Up to Qualify Credible News

Seventy-five news organizations teamed with social media giants Facebook and Twitter as well as Google and other tech firms Thursday in an initiative to identify “trustworthy” news sources shared online.

The “Trust Project,” a consortium of news agencies and tech firms meeting in Santa Clara, California, is creating a “trust indicator” to make readers aware of a news story’s credibility.

“In today’s digitized and socially networked world, it’s harder than ever to tell what’s accurate reporting, advertising, or even misinformation,” said Sally Lehrman of Santa Clara University’s Markkula Center for Applied Ethics, the project leader. “An increasingly skeptical public wants to know the expertise, enterprise and ethics behind a news story.”

The new indicators will appear as “i” symbols alongside articles posted online and will indicate how a story was reported, the media company’s standards and the writer’s credentials.

Google, Facebook, and Twitter have been criticized for spreading fake news, particularly during the election in 2016, some of which was perpetuated by Russia.

In a Senate hearing earlier this month, Twitter said it has taken action against the suspected Russian trolls, suspending 2,752 accounts and implementing new dedicated teams “to enhance the quality of the information our users see.”

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Tesla to Enter Trucking Business With New Electric Semi

After more than a decade of making cars and SUVs — and, more recently, solar panels — Tesla Inc. wants to electrify a new type of vehicle: big trucks.

The company was set to unveil its new electric semitractor-trailer Thursday night near its design center in Hawthorne, California.

The move fits with Tesla CEO Elon Musk’s stated goal for the company of accelerating the shift to sustainable transportation. Trucks account for nearly a quarter of transportation-related greenhouse gas emissions in the U.S., according to government statistics.

Tesla also could equip its trucks with the semiautonomous driving features found in its cars, like automatic braking and lane changing.

But the semi also piles on the chaos at Palo Alto, California-based company. It’s way behind on production of the Model 3, a new lower-cost sedan. It’s also ramping up production of solar panels after buying Solar City Corp. last year. Musk has said Tesla is also working on a pickup truck and a lower-cost SUV and negotiating a new factory in China.

Meanwhile, the company posted a record quarterly loss of $619 million in its most recent quarter.

 

Musk, too, is being pulled in many different directions. He leads rocket maker SpaceX and is dabbling in other projects, including high-speed transit, artificial intelligence research and a new company that’s digging tunnels beneath Los Angeles to alleviate traffic congestion.

“He’s got so much on his plate right now. This could present another distraction from really just making sure that the Model 3 is moved along effectively,” said Bruce Clark, a senior vice president and automotive analyst at Moody’s.

Tesla hasn’t released any details about the semi. Some analysts expect it to get around 200 miles per charge and be used for daily tasks like transporting freight from a port to a distribution center. Musk has said it should take about two years for the semi to go on sale.

Projected sales growth

Tesla is venturing into an uncertain market. Demand for electric trucks is expected to grow over the next decade as the U.S., Europe and China all tighten their emissions regulations. Electric truck sales totaled 4,100 in 2016, but are expected to grow to more than 70,000 in 2026, Navigant Research said.

But most of that growth is expected to be for smaller, medium-duty haulers like garbage trucks or delivery vans. Those trucks can have a more limited range of 100 miles or less, which requires fewer expensive batteries. They can also be charged overnight.

Long-haul semis, on the other hand, would be expected to go greater distances, and that would be challenging. Right now, there’s little charging infrastructure on global highways. And charging even a mid-sized truck would likely require a two-hour stop, cutting into companies’ efficiency and profits, said Brian Irwin, managing director of the North American industrial group for the consulting firm Accenture.

Irwin says truck companies will have to watch the market carefully, because tougher regulations on diesels or an improvement in charging infrastructure could make electric trucks more viable very quickly. Falling battery costs also will help make electric trucks more appealing compared with diesels.

But even lower costs won’t make trucking a sure bet for Tesla. It faces stiff competition from long-trusted brands like Daimler AG, which unveiled its own semi prototype last month. Fleet operators want reliable trucks, and Tesla will have to prove it can make them, said Michelle Krebs, executive analyst with the car shopping site Autotrader.

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IBM Urged to Avoid Developing Tech for ‘Extreme Vetting’

A coalition of rights groups launched an online petition on Thursday urging IBM Corp to declare that it will not develop technology to help the Trump administration carry out a proposal to identify people for visa denial and deportation from the United States.

IBM and several other technology companies and contractors attended a July informational session hosted by immigration enforcement officials that discussed developing technology for vetting immigrants, said Steven Renderos, organizing director at petitioner the Center for Media Justice.

President Donald Trump has pledged to harden screening procedures for people looking to enter the country, and also called for “extreme vetting” of certain immigrants to ensure they are contributing to society, saying such steps are necessary to protect national security and curtail illegal immigration.

The rights group said the proposals run counter to IBM’s stated goals of protecting so-called “Dreamer” immigrants from deportation.

Asked about the petition and whether it planned to work to help vet and deport immigrants, an IBM spokeswoman said the company “would not work on any project that runs counter to our company’s values, including our long-standing opposition to discrimination against anyone on the basis of race, gender, sexual orientation or religion.”

The petition is tied to a broader advocacy campaign, also begun Thursday, that objects to the U.S. Immigration and Customs Enforcement’s (ICE) Extreme Vetting Initiative.

In an Oct. 5 email seen by Reuters, Christopher Padilla, IBM’s vice president of government affairs, cited the company’s opposition to discrimination in response to an inquiry about the vetting program from the nonprofit group Open Mic.

Padilla said the meeting IBM attended was only informational and it was “premature to speculate” whether the company would pursue business related to the Extreme Vetting Initiative.

ICE wants to use machine learning technology and social media monitoring to determine whether an individual is a “positively contributing member of society,” according to documents published on federal contracting websites.

More than 50 civil society groups and more than 50 technical experts sent separate letters on Thursday to the Department of Homeland Security saying the vetting program as described was “tailor-made for discrimination” and contending artificial intelligence was unable to provide the information ICE desired.

Opponents of Trump’s policies ranging from immigration to trade have been pressuring IBM and other technology companies to avoid working on proposals in these areas from the Republican president’s administration.

Shortly after the presidential election last year, for example, several internet firms pledged that they would not help Trump build a data registry to track people based on their religion or assist in mass deportations.

IBM is among dozens of technology companies to join a legal briefing opposing Trump’s decision to end the “Dreamer” program that protects from deportation about 900,000 immigrants brought illegally into the United States as children.

“While on the one hand they’ve expressed their support for Dreamers, they’re also considering building a platform that would make it easier to deport them,” Renderos said.

CREDO, Daily Kos, and Color of Change also organized the petition.

Reporting by Dustin Volz in Washington, additional reporting by Salvador Rodriguez in San Francisco, Editing by Rosalba O’Brien and David Gregorio.

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Famed London Theater Receives 20 Allegations Against Spacey

London’s Old Vic Theatre said Thursday it has received 20 allegations of inappropriate behavior by its former artistic director Kevin Spacey, and acknowledged that a “cult of personality” around the Hollywood star had made it difficult for the alleged victims to come forward.

The London theater launched an investigation into Spacey last month after claims of sexual harassment emerged in the United States. Spacey, 58, led the Old Vic between 2004 and 2015.

The Old Vic said it had received 20 allegations of “a range of inappropriate behavior,” from actions that made people feel uncomfortable to “sexually inappropriate” touching.

All the alleged victims are young men, none under 18 years old. The reported incidents took place between 1995 and 2013, many of them at the Old Vic, and all but four of the alleged victims are former staff of the theater.

In all but one case the complainants say they did not report them at the time. One man says he reported an incident to his manager, who did not act on the information.

The Old Vic said it had encouraged 14 of the complainants to go to police, but could not confirm whether any had done so.

The theater said Spacey’s “star power” contributed to an atmosphere in which staff “did not feel confident that the Old Vic would take those allegations seriously, given who he was.”

“During his tenure, The Old Vic was in a unique position of having a Hollywood star at the helm around whom existed a cult of personality,” the theater said in a statement. “The investigation found that his stardom and status at The Old Vic may have prevented people, and in particular junior staff or young actors, from feeling that they could speak up or raise a hand for help.”

A two-time Academy Award winner, Spacey is one of the biggest names to lose work and standing in Hollywood since The New York Times and The New Yorker detailed sexual harassment and abuse allegations against film mogul Harvey Weinstein earlier this year. The reports sparked a wave of abuse and harassment allegations to surface across the industry.

Spacey has been fired from the Netflix TV series “House of Cards,” dropped by his talent agency and publicist and is being cut out of Ridley Scott’s finished film “All the Money in the World,” replaced by Christopher Plummer.

The Old Vic appointed law firm Lewis Silkin to investigate in October, as reports and rumors circulated about Spacey’s behavior while he was at the helm of the 200-year-old theater company.

Richard Miskella, a partner at Lewis Silkin who led the investigation, said the firm invited Spacey to participate in the investigation “and he didn’t respond.”

Miskella said he found no evidence that suspicion about Spacey’s behavior was common at the Old Vic. He said the company’s board of trustees was “completely shocked” by the allegations.

“There wasn’t widespread knowledge of this,” Miskella said. “Pockets of the business knew, and it didn’t get escalated.”

The Old Vic promised to improve, and said it would appoint “guardians” whom staff could contact with concerns.

Old Vic executive director Kate Varah said this was “a really dismaying time” for the theater and apologized to the victims.

“We have not slept since this came out,” she said.

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Brooklyn Restaurant Provides Culinary Training to Refugees

The United States admitted close to 100,000 refugees and asylees into the country in the last fiscal year. Compared with other immigrants, refugees and asylees often need more assistance making a fresh start in the country. In Brooklyn, New York, a local restaurant is lending a helping hand in a very practical and delicious way. VOA’s Ye Yuan has more.

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The Ultimate in Luxury Air Travel

If you’re wealthy and you want to buy an airplane, no matter how big, you want to go to the biennial Dubai Air Show. There, you will find everything, from a small two-seater to a diamond-encrusted jet. Aircraft manufacturers say business is booming as more and more rich people try to avoid crowded commercial flights. VOA’s George Putic has more.

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