Monty Hall, Host of ‘Let’s Make a Deal,’ dies 

Monty Hall, the genial TV game show host whose long-running “Let’s Make a Deal” traded on love of money and merchandise and the mystery of which door had the car behind it, has died. He was 96. 

 

Hall, who had been in poor health, died Saturday morning of heart failure at his home in Beverly Hills, said his daughter, Sharon Hall of Los Angeles.

 

“Let’s Make a Deal,” which Hall co-created, debuted as a daytime show on NBC in 1963 and became a TV staple. Through the next four decades, it also aired in prime time, in syndication and, in two brief outings, with hosts other than Hall at the helm.

 

Contestants were chosen from the studio audience — outlandishly dressed as animals, clowns or cartoon characters to attract the host’s attention — and would start the game by trading an item of their own for a prize. After that, it was matter of swapping the prize in hand for others hidden behind doors, curtains or in boxes, presided over by the leggy, smiling Carol Merrill. 

 

The query “Do you want Door No. 1, No. 2 or No. 3?” became a popular catch phrase, and the chance of winning a new car a matter of primal urgency. Prizes could be a car or a mink coat or a worthless item dubbed a “zonk.” 

‘Those are my people’

 

The energetic, quick-thinking Hall, a sight himself with his sideburns and colorful sports coats, was deemed the perfect host in Alex McNeil’s reference book, “Total Television.” 

 

“Monty kept the show moving while he treated the outrageously garbed and occasionally greedy contestants courteously; it is hard to imagine anyone else but Hall working the trading area as smoothly,” McNeil wrote.

 

For Hall, the interaction was easy. 

 

“I’m a people person,” he said on the PBS documentary series “Pioneers of Television.” “And so I don’t care if they jump on me, and I don’t care if they yell and they fainted — those are my people.” 

 

Hall also guest-starred in sitcoms and appeared in TV commercials. And with the wealth that the game show brought, he made philanthropy and fundraising his avocation. He spent 200 days a year at it, he said, estimating in the late 1990s that he had coaxed $700 million from donors. 

 

His daughter Sharon estimated that Hall managed to raise nearly $1 billion for charity over his lifetime.

 

Another daughter, Joanna Gleason, is a longtime Broadway and television actress. She won a Tony in 1988 for best actress in a musical for “Into the Woods” and was nominated for Tonys two other times.

Benefactor’s gift

 

Born Monty Halparin in Winnipeg, Manitoba, in Canada, Hall grew up during the Depression. In 1942, Hall was doing manual labor when a wealthy stranger offered to pay for his college education on condition that he repaid the money, got top grades, kept his benefactor’s name anonymous and agreed to help someone else.

 

Hall only revealed the name of the late Max Freed about 30 years later.

 

Hall earned a degree from the University of Manitoba with the goal of becoming a physician. He was denied entry to medical school, Hall later said, because he was Jewish and faced quotas limiting the admission of minority students.

 

“Every poor kid wants to get into some kind of profession, and in my case I wanted to get into medicine to become a doctor. … My dreams of medicine evaporated,” Hall said in a 2002 interview with The Canadian Press.

On to entertainment

 

Instead, he turned to entertainment. He first tested his skills on radio and, after moving to New York in 1955 and later to Los Angeles, began working on a variety of television shows. Among the programs he hosted were “Cowboy Theater” in 1957, “Keep Talking,” 1958, and “Video Village” in 1960.

 

He joined with writer-producer Stefan Hatos to create “Let’s Make a Deal.” 

 

The show’s roots could be found in “The Auctioneer,” a game show Hall hosted in Toronto in the 1950s. “The Auctioneer” was a “pretty pedestrian” program until the concluding 10 minutes, when he would barter with audience members, Hall told the Daily Herald of suburban Chicago in 2000. 

 

“It was much more exciting than the first 20 minutes of the show,” he recalled. 

 

Besides Hall, the hosts of “Let’s Make a Deal” were Bob Hilton (1990) and Billy Bush (2003). But it was Hall who was lastingly identified as “TV’s big dealer,” as the show put it, something he found at least mildly disconcerting. 

 

When a People magazine interviewer suggested in 1996 that “Let’s Make a Deal” would be his epitaph, Hall replied, with a wince: “You put that on my tombstone, and I’ll kill you.” 

 

However, Sharon Hall said Hall never refused an autograph and used his fame to help others.

His family’s financial circumstances and a childhood accident stirred that charitable desire, Hall said. 

Childhood injury

 

At age 7, he was severely burned by a pot of boiling water and endured a lengthy recovery. 

 

“When you’ve been that sick, spent a year out of school, you identify with people who have these ailments and sicknesses,” he told the Palm Beach (Fla.) Post in a 2003 interview. “And when you grow up poor, you identify with people in need.” 

 

Hall was repeatedly honored for his charity efforts, with awards including the Order of Canada, Order of Manitoba and Variety Clubs International’s Humanitarian Award. Wards were named in his honor at Mount Sinai Hospital in Toronto, Hahnemann University Hospital in Philadelphia and other medical centers. 

 

Hall and his wife, Marilyn Plottel, married in 1947. She died earlier this year.

 

In addition to his daughters, Hall is survived by his son, Richard; a brother, Robert Hall of Toronto, Canada, and five grandchildren.

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Smart Windows Let Heat in During Winter, Keep It Out During Summer

Solar power is definitely the wave of the future. But in the future instead of a roof covered with solar panels, your own windows might not only be collecting power from the sun, but also helping your house conserve energy. VOA’s Kevin Enochs reports.

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Victoria & Abdul, American Made Based on Incredible True Stories

Two films on our radar this week are Stephen Frears’ heartwarming drama “Victoria & Abdul” and Doug Liman’s “American Made.” Both features offer intelligent, entertaining stories and a superb cast. VOA’s Penelope Poulou takes a look.

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Unintended Social Consequences Catching up to Facebook

Years of limited oversight and unchecked growth have turned Facebook into a force with incredible power over the lives of its 2 billion users. But the social network has also given rise to unintended social consequences, and they’re starting to catch up with it:

House and Senate panels investigating Russian interference in the 2016 elections have invited Facebook, along with Google and Twitter, to testify this fall. Facebook just agreed to give congressional investigators 3,000 political ads purchased by Russian-backed entities, and announced new disclosure policies for political advertising
Facebook belatedly acknowledged its role purveying false news to its users during the 2016 campaign and announced new measures to curb it. Founder and CEO Mark Zuckerberg even apologized, more than 10 months after the fact, for calling the idea that Facebook might have influenced the election “pretty crazy.”
The company has taken flack for a live video feature that was quickly used to broadcast violent crime and suicides; for removing an iconic Vietnam War photo for “child pornography” and then backtracking; and for allegedly putting its thumb on a feature that ranked trending news stories.

Facebook is behind the curve in understanding that “what happens in their system has profound consequences in the real world,” said Fordham University media-studies professor Paul Levinson. The company’s knee-jerk response has often been “none of your business” when confronted about these consequences, he said.

Moving fast, still breaking things

That response may not work much longer for a company whose original but now-abandoned slogan — “move fast and break things” — sometimes still seems to govern it.

Facebook has, so far, enjoyed seemingly unstoppable growth in users, revenue and its stock price. Along the way, it has also pushed new features on to users even when they protested, targeted ads at them based on a plethora of carefully collected personal details, and engaged in behavioral experiments that seek to influence their mood.

“There’s a general arrogance — they know what’s right, they know what’s best, we know how to make better for you so just let us do it,” said Notre Dame business professor Timothy Carone, who added that this is true of Silicon Valley giants in general. “They need to take a step down and acknowledge that they really don’t have all the answers.”

Hands-off Facebook

Facebook generally points to the fact that its policies prohibit misuse of its platform, and that it is difficult to catch everyone who tries to abuse its platform. When pressed, it tends to acknowledge some problems, offer a few narrowly tailored fixesand move on.

But there is a larger question, which is whether Facebook has taken sufficient care to build policies and systems that are resistant to abuse.

Facebook declined to address the subject on the record, although it pointed to earlier public statements in which Zuckerberg described how he wants Facebook to be a force for good in the world. The company also recently launched a blog called “Hard Questions” that attempts to address its governance issues in more depth.

But Sheryl Sandberg, the company’s No. 2 executive, offered an unexpected perspective on this question in a recent apology. Facebook “never intended or anticipated” how people could use its automated advertising to target ads at users who expressed anti-Semitic views. That, she wrote, “is on us. And we did not find it ourselves — and that is also on us.”

As a result, she said the company will tighten its ad policies to ensure such abuses don’t happen again.

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In films ‘Victoria & Abdul’ and ‘American Made,’ Life is Stranger than Fiction

Two films on our radar this week are Stephen Frears’ heartwarming drama Victoria & Abdul about the deep friendship between Queen Victoria and her Indian servant Abdul Karim between 1887 and 1901, and Doug Liman’s American Made about Barry Seal, a 1970s audacious American pilot, who, during the Nicaraguan Crisis worked for the CIA, the DEA and the Colombian cartel. 

As different as these two films are, they are both based on true stories, proving yet again that often life is stranger than fiction. Both films feature intelligent plots and superb acting.

WATCH: Victoria & Abdul, American Made Based on Incredible True Stories

Victoria & Abdul

Stephen Frears’ film Victoria and Abdul, opens in 1887, with the festivities for Queen Victoria’s Golden Jubilee, celebrating her 50-year reign. 

Abdul Karim, a young Muslim clerk from Agra, India, is sent to the banquet all the way from India to present the queen with a gift from India, a ceremonial coin. To the dismay of Queen Victoria’s courtiers, the Indian servant strikes a deep friendship with the octogenarian Queen Victoria, defying class and racial boundaries.

According to the movie, Abdul Karim impressed the British sovereign with his depth of spirit and good looks. Soon the unlikely friends became inseparable, discussing philosophy, literature, even Indian cuisine. In a span of 14 years, Abdul Karm became the queen’s confidant and munshi, her teacher, in Urdu.

But the queen’s courtesans and her family, sidelined by Abdul, questioned her sanity and considered her removal.

Historian and author Shrabani Basu based her book of the same title on the queen’s journals in Urdu and on Karim’s private diary. Basu discovered Abdul Karim’s personal diary in possession of Karim’s surviving nephew Abdul Rashid in 2010, over a century after the queen’s death. 

This was the only document on the relationship between royal and servant that survived the wrath of Queen Victoria’s children. Immediately after her death in 1901, the royals evicted Queen Victoria’s munshi, burned everything he had received from the queen and swiftly shipped him and his family to India. In 1909 Abdul Karim died in Agra leaving his diary as his only testimonial of his deep friendship with the empress.

Director Frears offers captivating cinematography while Dame Judi Dench portrays a free-spirited Queen Victoria and Indian actor Ali Fazal embodies a charming and loyal Adbul Karim. 

Though the film does not depict a romantic relationship between the two, it does hint to it. Dench describes the queen’s reaction to Karim: 

“She had a ready eye for somebody good-looking, which he is very, so it was easy to imagine a kind of tired, poor person suddenly looking up and seeing this wonderful good-looking young man. How lovely somebody at last beautiful to look at,” Dench said.

But, author Basu says, “At the heart of this book is a story of friendship, a friendship of two different people from two different specters of this world, one is the Empress of India, one is a clerk from Agra jail, and somewhere they have a bond they find this link and a common space.”

​American Made

American Made, by Bourne Identity filmmaker Doug Liman, offers a satirical look at the political crisis in Nicaragua. 

It shows the involvement of the United States in the revolution during the late 1970s and 1980s through the perspective of pilot Barry Seal, who, for the right price, delivers guns to Nicaragua on behalf of the CIA, and cocaine into the U.S. on behalf of the Colombian cartel. Somewhere in between, Seal also works for the DEA.

Tom Cruise offers an engaging interpretation as Barry Seal, piloting the plane and doing all the stunts throughout the film. Cruise explains what drew him to the character:

“He just couldn’t help himself,” Cruise said. “He just had to live this life. He literally when you are talking about someone living on the edge, he didn’t even realize he was on the edge. He was just living life and not really thinking of necessary ramifications and what’s going to happen.”

As in most of his action film projects, Cruise pushes his boundaries. 

“I don’t make a movie just to make a movie,” he said. “It’s not what interests me. What interests me is the passion of cinema, the passion of storytelling. That’s when it gets very exciting, not just a job. I love this too much.”

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Top 5 Songs for Week Ending Sept. 30

We’re liberating the five most popular songs in the Billboard Hot 100 Pop Singles chart, for the week ending September 30, 2017.

Last week featured a rare treat: a Hot Shot Debut single in the Top Five. We’re happy to announce that this week, history repeats itself.

Number 5: Sam Smith “Too Good At Goodbyes”

It happens in fifth place, where Sam Smith re-surfaces.

Sam tallies his sixth Top 20 – and his third Top Five – hit, “Too Good At Goodbyes”. Back home in the U.K., the news is even better, where it becomes Sam’s sixth number one. This is the opening single from his upcoming second album. It’s been three years since he dropped “In The Lonely Hour.” Sam says he wants the album to update us on his love life… which according to him is still terrible.

Number 4: Luis Fonsi & Daddy Yankee Featuring Justin Bieber “Despacito”

Luis Fonsi, Daddy Yankee, and Justin Bieber aren’t suffering too terribly with “Despacito”: the former 16-week champ weakens a slot in fourth place.

Fans of Daddy Yankee are helping him aid victims of natural disasters. Last week, he went on social media to elicit donations for those devastated by Hurricane Maria in the Caribbean, and the massive earthquake in Mexico. Working with several charities, he collected donations of diapers, batteries, bottled water and other essentials. Daddy Yankee also joined forces with Feeding America, which will bring food donations to 78 municipalities in Puerto Rico.

Number 3: Logic Featuring Alessia Cara & Khalid  “1-800-273-8255”

Logic bumps it up two slots to third place with “1-800-273-8255” featuring Alessia Cara and Khalid.

This is now the highest-charting single in Hot 100 history with a telephone number as its title. Back in 1982, the rock band Tommy Tutone peaked at number four with “867-5309/Jenny.” Actually, no fewer than seven songs bearing phone number titles have made it into the Hot 100.

Number 2: Cardi B “Bodak Yellow (Money Moves)”

Cardi B remains a strong contender at number two with “Bodak Yellow (Money Moves).” 

Cardi recently said she was going to push back her album, originally slated for an October release. Posting on Twitter, rapper J Cole advised her not to pressure herself to release an album…just keep dropping strong singles.

Number 1: Taylor Swift “Look What You Made Me Do”

Taylor Swift stays strong atop the Hot 100 for a third week with “Look What You Made Me Do.”

Did you know Taylor threw a Halloween party last year? Naturally, it drew top celebs: model Gigi Hadid was there along with Camila Cabello, who dressed as a “Grandma Who Couldn’t Find Her Cat Because She Sat On It.”

We’ll find our way to number one next week and we hope you’ll join us.

 

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Researchers Seek Cheaper, Energy-efficient Ways of Producing Clean Water

Having enough clean drinking water has been a challenge in many parts of the world, whether it’s a place where water is scarce or abundant. The World Health Organization finds 3 in 10 people globally still lack safe drinking water at home.

The U.S. Department of Energy has just announced it is providing up to $15 million in funding for projects to develop solar desalination technology to create freshwater at a lower cost. Even before the announcement, researchers had been working on better ways to desalinate water.

“We can take any quality of water that we’re starting with and we can turn it into any quality of water that we desire at the end, and the only real challenge or limitation has to be overcome is how much does it cost and how much energy does it take to go from here to here,” said Eric Hoek, co-founder and Chief Executive Officer of Water Planet Inc.

Cheaper energy

Water treatment plants are largely driven by electricity. A cheaper source of energy is the sun.

“What’s changed in the last five to 10 years, solar has gotten cheap,” Hoek said.

“The only reason that that has not taken over the world at this point is that it’s still intermittent. The sun goes up and it comes down. You have power when it’s up and don’t when it’s down. What you need to make that a continuous base load is you need batteries, which you can charge up during the day, discharge at night, and the cost of batteries is still currently pretty high.”

Household system

Qilin Li at Rice University is building a desalination system that uses solar energy with broad drinking water applications for “individual households or small communities that live in remote locations, especially those who don’t have access to municipal water supply, don’t have a stable supply of electricity. This technology can be an ideal technology,” Li said.

Her solar-powered desalination system can “also benefit megacities in developing countries that don’t have the extensive water and power infrastructure we enjoy here in developed countries, and that kind of relief perhaps in not providing all the water for the whole city, but can relieve some of their need or dependency on the power grid,” Li said.

The goal of Li’s system is to make it modular and cost efficient so it could either meet the needs of a small household or a large community.

Li and her team created a reactor to distill water using heat from the sun. Water turns into vapor, goes through a porous membrane and becomes pure water. Li says a low cost coating on the membrane developed at Rice University makes this unique.

“So it (membrane) harvests the sunlight, converts the photon energy in the sunlight to heat highly efficiently to generate water vapor, and it also serves a separation function to keep the contaminants on the dirty side of the membrane and only allow pure water vapor to go through,” Li said.

Waste heat

The sun is not the only low cost source of energy. Amy Childress’ lab at the University of Southern California (USC) looks at how waste heat that comes from manufacturing can be used as a resource.

“With waste heat you’re going to have cycles and spikes. We’ve gone out to the field, measured waste heat at an industrial site. We come back. We plug that into our system, so that we can repeat that waste heat curve over and over and watch the response of membranes to the waste heat,” said Childress, who directs USC’s Civil and Environmental Engineering Department’s environmental engineering program.

Her lab looks at how waste heat would impact the longevity and properties of a membrane.

Childress says the work in her lab will be helpful in the development of better membranes.

Filters in demand

There is high demand for membranes that help produce clean water. Water Planet’s PolyCera® membrane used to treat wastewater, is finding broader applications.

“We have a lot of interest now around the world, not just in industrial wastewater, but we’re actually making point-of-use under-the-sink water filters for applications in India, in China and here in the U.S. We’re making membranes that are being tested now for deployment offshore in sea water desalination to produce drinking water in barges and in platforms,” Hoek said.

With nearly 30 percent of the world’s population lacking safe drinking water at home, researchers will continue to work on harnessing free energy to clean water.

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Search for Cheaper, Energy-efficient Ways of Creating Clean Water

Having enough clean drinking water has been a challenge in many parts of the world, whether it is a place where water is scarce or abundant. The U.S. Department of Energy has just announced it is providing $15 million in funding for projects to develop solar desalination technology at a lower cost. But even before this announcement, researchers had been working on better ways of desalinating water. VOA’s Elizabeth Lee has the details.

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Telescope Moves Forward on Land Sacred to Native Hawaiians

A long-running effort to build one of the world’s largest telescopes on a mountain sacred to Native Hawaiians is moving forward after a key approval Thursday, reopening divisions over a project that promises revolutionary views into the heavens but has drawn impassioned protests over the impact to a spiritual place.

Hawaii’s land board granted a construction permit for the $1.4 billion Thirty Meter Telescope atop the state’s tallest mountain, called Mauna Kea, but opponents likely would appeal the decision to the state Supreme Court. Protesters willing to be arrested were successful in blocking construction in the past.

“For the Hawaiian people, I have a message: This is our time to rise as a people,” said Kahookahi Kanuha, a protest leader. “This is our time to take back all of the things that we know are ours. All the things that were illegally taken from us.”

No construction soon

Telescope officials don’t have any immediate construction plans and will consider its next steps, said Scott Ishikawa, a project spokesman. Officials previously have said they want to resume building in 2018.

“In moving forward, we will listen respectfully to the community in order to realize the shared vision of Mauna Kea as a world center for Hawaiian culture, education and science,” TMT International Observatory Board Chairman Henry Yang said in a statement.

Richard Ha, a Native Hawaiian farmer who supports the project, urged opponents to avoid confrontation.

“The possibility of getting the best telescope in the world … I don’t feel is the right battle to fight,” he said. “It will hurt our own people.”

While opponents say constructing the telescope will desecrate Mauna Kea, supporters tout the instrument’s ability to provide long-term educational and economic opportunities.

“This was one of the most difficult decisions this board has ever made,” state Board of Land and Natural Resources Chairwoman Suzanne Case said in a statement about the 5-2 decision.

Plans for the project date to 2009, when scientists selected Mauna Kea after a five-year around-the-world campaign to find the ideal site for what telescope officials said “will likely revolutionize our understanding of the universe.”

The project won a series of approvals from Hawaii, including a permit to build on conservation land in 2011. Protesters blocked attempts to start construction. Then in 2015, the state Supreme Court invalidated the permit, saying the board’s approval process was flawed, and ordered the project to go through the steps again.

​Protests from the beginning

Protests disrupted a groundbreaking in 2014 and intensified after that. Construction stopped in 2015 after 31 demonstrators were arrested for blocking the work.

A second attempt to restart construction a few months later ended with more arrests and crews retreating.

Mehana Kihoi said being arrested while praying on the mountain was one of the most traumatic experiences of her life. She started going there to help heal from domestic violence, Kihoi told the land board earlier this month.

“For years, I carried grief and pain … until I went to the mauna,” she said, using the Hawaiian word for mountain.

Culture over money

Kanuha, a protest leader, dismissed the millions that telescope officials have paid toward educating youth on the Big Island in science, technology, engineering and math. So far, $3.5 million has been paid into the educational fund, even while the project’s construction permit was invalid.

That money isn’t the answer to improving the lives of Native Hawaiian youth, Kanuha said. Revitalization of language and culture through Hawaiian-focused education is what’s important, he said.

A group of Native Hawaiian telescope supporters formed a group called Perpetuating Unique Educational Opportunities. Some members had been against the telescope in the past, said the group’s attorney, Lincoln Ashida.

“We believe that with increased opportunities for children, that results in stronger families, which in turn benefits our community,” Ashida told the board.

A group of universities in California and Canada make up the telescope company, with partners from China, India and Japan. The instrument’s primary mirror would measure 98 feet (30 meters) in diameter. Compared with the largest existing visible-light telescope in the world, it would be three times as wide, with nine times more area.

Mauna Kea, a dormant volcano, has been the first choice, telescope officials said, calling it the best location in the world for astronomy. Its summit provides a clear view of the sky for 300 days a year, with little air and light pollution. They selected an alternate site in Spain’s Canary Islands if the telescope couldn’t be built in Hawaii.

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Actress Louis-Dreyfus Says She’s Battling Breast Cancer

Emmy-winning comedic actress Julia Louis-Dreyfus said Thursday that she was battling breast cancer, and she highlighted the case for universal health care in the United States.

Louis-Dreyfus, 56, who plays foul-mouthed fictitious former U.S. President Selina Meyer on HBO’s Veep, said, “1 in 8 women get breast cancer. Today, I’m the one,” in a short post on her social media platforms.

“The good news is that I have the most glorious group of supportive and caring family and friends, and fantastic insurance through my union. The bad news is that not all women are so lucky, so let’s fight all cancers and make universal health care a reality,” she wrote.

She did not give any further details of her health status.

Time Warner’s HBO network said Louis-Dreyfus received the diagnosis a day after the Emmy Awards this month, where she won a record sixth consecutive Emmy for comedy actress for her role as Meyer. The Emmys are U.S. television’s highest honor.

HBO added that her diagnosis played no part in its decision to end Veep after next season, and that writers would keep working on the final season while production would be adjusted around the actress’ schedule.

“Our love and support go out to Julia and her family at this time. We have every confidence she will get through this with her usual tenacity and undaunted spirit, and look forward to her return to health and to HBO for the final season of Veep,” HBO said in a statement.

Louis-Dreyfus achieved fame in the 1990s for her role as Elaine Benes on NBC’s Seinfeld, which also won her an Emmy.

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Was Hefner Oppressor or Liberator? Women Debate His Legacy

Oppressor or liberator? Feminist in a silk robe, or pipe-smoking exploiter? Opinions were flying a day after Hugh Hefner’s death over just what he did — and didn’t do — for women.

On one side, there were those who saw Hefner’s dressing women in bunny costumes with cottontails on their rears, or displaying them nude in his magazine with a staple in their navels, as simple subjugation of females, no matter how slick and smooth the packaging. On the other were those who felt the Playboy founder was actually at the forefront of the sexual revolution, bringing sexuality into the mainstream and advancing the cause of feminism with his stand on social issues, especially abortion rights.

“I think it’s disgusting,” said feminist author Susan Brownmiller, of the praise she’d been seeing on social media since Hefner’s death Wednesday at age 91. “Even some of my Facebook friends are hewing to the notion that, gee whiz, he supported abortion, he supported civil rights. … Yes he was for abortion, [because] if you convince your girlfriend to get an abortion because she got pregnant, you don’t have to think about marrying her! I mean, that was his point.”

Most offensive to Brownmiller was what she called Hefner’s equating the word “feminist” with “anti-sex.”

“It wasn’t that we were opposed to a liberation of sexual morality,” she said, “but the idea that he would make women into little bunnies, rabbits, with those ears. … That was the horror of it.”

It was Brownmiller, in fact, who confronted Hefner nearly a half-century ago on Dick Cavett’s talk show, saying to his face, “Hugh Hefner is my enemy.” As a startled Hefner fiddled with his pipe, she added: “The day that you are willing to come out here with a cottontail attached to YOUR rear end …” The audience roared.

Brownmiller attributed some of the glowing tributes to Hefner in part to “an American tradition of saying nice things about the departed.”

For Kathy Spillar, executive editor of Ms. Magazine, the accolades were a result of something deeper: a decades-long public relations strategy of Playboy to sanitize what she called an empire devoted to the subjugation of women.

“From the beginning, they tried to sell it as women’s liberation,” said Spillar, who also directs the Feminist Majority Foundation. “And so they made huge outreach efforts over the years to women’s rights groups.” But there was nothing liberating about it, Spillar said: “Those photographs of women certainly aren’t empowering of those women. They’re there for the pleasure of men.”

“He was right about one thing,” Spillar added. “Sex sells. But it sells to men. And to put women in those horrible costumes that Gloria Steinem wrote about! Talk about sexual harassment, talk a hostile work environment.” She was referring to the famous magazine expose that a young Steinem went undercover to write, training as a Playboy bunny in a New York club — bunny suit and all.

Hefner himself, obviously, saw it very differently.  “The truth of the matter is the bunnies were the pre-feminist feminists,” Hefner told the Associated Press in 2011. “They were the beginning, really, of independent women. The bunnies were earning more money than, in many cases, their fathers and their husbands. That was a revolution.”

To Kathryn Leigh Scott, a former bunny at the New York club, much of what Hefner said then rings true. Scott trained at the club in January 1963, at age 19, she says, with six other bunnies, one of them Steinem. She said she had fun, and made good money. She later wrote a book, The Bunny Years, to counter the view that Steinem portrayed in her article.

“I did not feel exploited,” Scott says now. “As a matter of fact, I felt that I was exploiting Playboy — because I was earning very good money in a very safe environment, certainly safer than that many of my friends were working in at the time.”

Did Hefner advance or exploit women? Scott says she can see both sides. “But when you think of what he did to support Roe v. Wade for example, and civil rights, and what I know from his treatment of me, he did a lot to help women,” she said.

In the wake of Hefner’s death, many celebrities tweeted affectionate messages. “Thank you for being a revolutionary and changing so many people’s lives, especially mine,” wrote television personality and former Playboy model Jenny McCarthy. “We’ve lost a true explorer, a man who had a keen sense of the future,” wrote writer-producer Norman Lear. “We learned a lot from you Mr. Hefner.”

For feminist author and blogger Andi Zeisler, the main question was why Hefner was getting so much credit.

“He’s getting a disproportionate amount of credit for the sexual revolution,” said Zeisler, founder of the nonprofit Bitch Media. “It was a confluence of factors. He had nothing to do with the development of oral contraception, which I could argue was really the main driver of the sexual revolution where women were concerned.

“I think it’s safe to say that anything progressive that Hugh Hefner was for, he was for because it also benefited white men,” Zeisler said.

As for Steinem, who briefly wore that bunny suit in the early `60s, she preferred not to comment so close to Hefner’s death.

“Obit time,” she wrote in an email, “is not the time for truth-telling. People will now be free to tell it, but later.”

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Even With Billions Online, Digital Gender Divide Persists

Around the world, women are using technology to overcome barriers in education and employment. Getting online, however, remains a challenge for many women in developing countries.  

In the United States, the issue isn’t access to technology, but the lack of women pursuing technical careers.

Beginning Oct. 4 in Orlando, Florida, female leaders will discuss the digital gender divide at Voice of America’s town hall at the Grace Hopper Celebration of Women in Computing, the world’s largest gathering of women technologists.

“The tech ecosystem has, sadly, not been welcoming to women,” said Y-Vonne Hutchinson, founder of ReadySet, a diversity consultancy that works in the tech industry.

Women struggle for access

Globally, women struggle for access to technology. Proportionally, the number of women using the internet is 12 percent lower, compared to men. In the least developed countries, only one in seven women is using the internet, compared to one in five men, according to a 2017 study.

“The digital divide is basically this phenomenon that some people have more access to digital technology than others or use it more than others, which is actually an unavoidable thing,” said Martin Hilbert, an assistant professor at the University of California, Davis. “Every innovation that comes to society doesn’t form uniformly from heaven. It diffuses through society.”

In a study of 25 countries in Africa and Latin America, Hilbert noted that if he adjusted for income, education and job opportunities, more women than men were online. “The fact that they turn up less is because they have less access to money, education and work opportunities,” he said.

Cultural barriers

Women also face some cultural barriers, said Nighat Dad, executive director of the Digital Rights Foundation in Pakistan.

The biggest reason she sees for why women are not getting online is what she describes as “the cultural norms or the family values.”

“The middle-class families or lower-class families think that access to computers or access to technologies is a boy’s basic rights and not the girls’ because the girls don’t need it,” she said.

Tara Chklovski, founder and chief executive of Iridescent, an organization that works to promote girls in tech worldwide, said her organization has worked with local partners to overcome barriers.

“There’s a country in Africa, where it is not cool for girls to own phones, only middle-age men,” she said. “When we came in and said we want to teach girls, they said why don’t you teach boys or why don’t you teach these men. We had to work for many years to address barriers.”

Women ‘held to higher bar’

In the U.S., there is a lively debate over why women continue to lag behind men in the tech industry. Women make up about 20 percent of companies’ technical workforce and about the same in leadership roles, said Caroline Simard, research director at the Clayman Institute of Gender Research at Stanford University.

“Often women are held to a higher bar to be successful,” said Simard. “They have to work harder to prove the same amount of competence.”

And when it comes to venture capitalists, who finance the startup ecosystem, not many are women.

“I joke in my profession, I don’t have to stand in line for a bathroom,” said Kate Mitchell, a partner at Scale Venture Partners. “Five to 10 percent of investing partners are women, depending what study you look at.”

VOA town hall

Women in tech roles inside a firm are at a higher risk of leaving the profession mid-career. Some say they felt they never belonged.

At VOA’s town hall at the Grace Hopper Celebration, leaders in technology will talk about what it will take to continue to close the digital gender divide.

“For the first time in history, technology can really help girls have a strong voice and help us have a society that has equality,” said Chklovski.

Deana Mitchell contributed to this report.

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Hugh Hefner, Playboy Publisher, Dead at 91

Hugh Hefner, the publisher of Playboy Magazine has died at the age of 91. Famous for his smoking jacket, his magazine and his lifestyle Hefner singlehandedly changed the publishing industry, and maybe the world. VOA’s Kevin Enochs reports.

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‘Loving Vincent’ Brings Van Gogh’s Art Alive

You have seen his “Sunflowers” in a museum, sung along with Don McLean to “Vincent (Starry Starry Night)” and gawped at the tens of million of dollars his works have fetched at auction.

But you have never seen Vincent Van Gogh’s art quite like it is shown in the film “Loving Vincent.”

Seven years in the making and billed as the world’s first fully-painted feature film, “Loving Vincent” uses more than 130 of the Dutch artist’s own paintings to tell his own story.

Each of the 65,000 frames of the animated independent film, created by Polish artist and animator Dorota Kobiela, is an oil painting hand painted by 125 professional artists who traveled from around the world to be a part of the project.

“It looks like something completely different, and that doesn’t happen very often in our media-saturated world,” said Hugh Welchman, who co-wrote and directed the film with Kobiela.

“Loving Vincent,” showing in limited release in New York and Los Angeles and arriving in Europe in October, was first filmed with actors playing some of the people Van Gogh captured on canvas.

They include Saiorse Ronan as doctor’s daughter Marguerite Gachet and Chris O’Dowd as postman Joseph Roulin, who walk through and inhabit his paintings as his story unfolds.

Then came the hard part. Finding and training the painters to reproduce Van Gogh’s work.

More than 4,000 artists from around the world applied for the job and 125 were chosen and put through three weeks training.

“Even though we were hiring the very best oil painters, Vincent’s style look like it should be very easy but actually it’s difficult to do well,” said Welchman.

“Even after training there were still quite a few painters who really found it impossible to get to grips with his style,” Welchman said.

The $5.5 million production focuses on the last weeks of Van Gogh’s life before his death in 1890 in France at age 37 from a self-inflicted gunshot wound.

Welchman said the film has triggered some unusual responses.

“We’ve had a lot of people in tears at screenings. People are sending poems or making cakes with intricate Vincent paintings on the cake,” he said.

He and Kobiela hope the film encourages audiences to discover more about Van Gogh.

“I’d like them to think there is more to his story than he went mad, cut off his ears, was a genius and did these incredibly colorful paintings that sell for lots of money.”

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Senegalese Music Start-ups Race to Be West Africa’s Spotify

Senegalese start-ups are testing a fledgling market for online music platforms in French-speaking West Africa, where interest in digital entertainment is growing but a lack of credit cards has prevented big players from making inroads.

Long celebrated in Europe for their contribution to “world” music – with Mali’s Salif Keita, Senegal’s Youssou N’Dour and Benin’s Angelique Kidjo household names in trendy bars – West African musicians have struggled to make money back home, where poverty is widespread and music piracy rampant.

Online music providers such as Apple’s download store iTunes and streaming service Spotify are either unavailable – no one can sign up for Spotify in Africa yet – or require a credit card or bank account, which most West Africans lack.

But smartphone use is surging and entrepreneurs say there is latent demand for platforms tailored to Francophone West Africa, whose Malian “desert blues,” Ivorian “zouglou” and Senegalese “mbalax” cross African borders but are only profitable in Europe, via download and streaming services.

“We started by saying, look, there is a void. Because digital distribution products are made in Europe or the U.S., for Europeans and Americans.” said Moustapha Diop, the founder and CEO of MusikBi, “The Music” in the local Wolof language, a download store launched in 2016.

MusikBi, like its rivals, is small and cash strapped, but with more than 10,000 users, Diop sees potential.

The company received a boost in May when Senegalese-American singer Akon bought 50 percent of it, which Diop says will allow the company to start a new marketing campaign.

MusikBi and rival JokkoText allow users to purchase songs by text message and pay with phone credit, mobile money or cash transfers. Both want to expand throughout West Africa.

Many of the new industry entrants like MusikBi and JokkoText are based in Dakar, which is an emerging tech start-up hub for Francophone West Africa, partly thanks to the fact it has enjoyed relative political and economic stability compared with most of its neighbors.

On the streaming front, Deedo, created by a Senegalese national in France and backed by French bank BPI, will launch in Senegal, Mali, Ivory Coast and France next month, and will offer similar payment options. Senegalese hip-hop group Daara J plans o start a streaming platform next year.

There is scant industry presence elsewhere in the region except in Anglophone Nigeria, Africa’s most populous nation.

Pirates to Payers

Every evening young people jog down Dakar’s streets with headphones in their ears. Most download music illegally online or buy pirated CDs and USB memory sticks in street markets.

Convincing them to pay for content is a challenge, but not an insurmountable one, analysts say.

“Experience shows that people are willing to pay for convenience,” said David Price, director of insight and analysis at London-based industry federation IFPI.

“If you give them something attractive and affordable, they stop pirating,” he said, adding that local platforms have gained followings in Latin America and India.

France’s Deezer has also targeted the region in partnership with mobile operator Tigo, but has not gained a large following. Deedo meanwhile plans to launch a version of its site in Pulaar, one of West Africa’s most widely spoken a languages, founder Awa Girard told Reuters.

Senegalese singer Sahad Sarr told Reuters he had sold some songs on MusikBi and was excited about Deedo, but added: “The culture here is not to buy music online. Change will be slow.”

Most of his listeners on Spotify and other platforms are Senegalese people living in Europe or North America, he said.

At Dakar’s main university, students showed Reuters the many websites they use to download music illegally.

Some said they would pay for a good service, but others were less convinced, like 22-year-old Macodou Loum. “Between two choices, free and not free, we will choose the free one,” he said.

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Switzerland Tests Delivery by Drone in Populated Areas

Drones will help deliver toothbrushes, deodorant and smartphones to Swiss homes this fall as part of a pilot project, the first of its kind over a densely populated area.

Drone firm Matternet, based in Menlo Park, California, said Thursday it’s partnering on the Zurich project with Mercedes-Benz’s vans division and Swiss e-commerce startup Siroop. It’s been approved by Switzerland’s aviation authority.

Matternet CEO Andreas Raptopoulos says the drones will take items from a distribution center and transport them between 8 to 16 kilometers to awaiting delivery vans. The van drivers then bring the packages to homes. Raptopoulos says drones will speed up deliveries, buzzing over congested urban streets or natural barriers like Lake Zurich.

 

The pilot comes as Amazon, Google and Uber have also been investing in drone delivery research.

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Calming Cars, Human-scented Robots: Scientists Hail Smell Technology Advances

Would you buy a car that sprayed soothing odors when you’re stuck in rush-hour traffic? Or how about a robot that smells like a human being?

Scientists say that new technology means we will soon be using devices like these in our everyday lives. At this month’s British Science Festival in Brighton, researchers from Britain’s University of Sussex offered a demonstration of the technology that could be just around the corner.

The 3D animations of Virtual Reality have become commonplace. Now scientists have created virtual worlds that even smell like the real thing. When users open a virtual door and step into a new world, in this case into a rainforest, diffusers spray the appropriate scent for added authenticity.

Immersive experience

“It is a really immersive experience that you have because you’re exploring this environment and you have smells that correspond with it,” festival visitor Suzanne Fisher-Murray told VOA.

Smell technology has been tried before, famously in the United States with Smell-O-vision movies in the 1960s. Multisensory researcher Emanuela Maggioni of the University of Sussex says it’s on the cusp of a comeback.

“The connection with emotions, memories, and the potential to use the sense of smell, the odors, under the threshold of our awareness — it is incredible what we can do with technology,” Maggioni said.

And not just for entertainment. In another corner of the room, a driving simulator has been fitted with a scent diffuser.

“In this demonstration, we wanted to deliver the smell of lavender every time the driver exceeds the speed limit. We chose lavender because it’s a very calming smell,” co-researcher Dmitrijs Dmitrenko said.

Scent and human behavior

Scientists are experimenting with using scent instead of audible or visual alerts on mobile phones. Businesses already are using scent to influence customers’ behavior.

“Not only for marketing in stores, so creating the logo brand. But on the other side, you can create and stimulate impulse buying. So you’re in a library and you smell coffee and actually you are unconsciously having the need to drink a coffee,” Maggioni said.

She adds that scent is vital in human interactions — for example, when men smell tears, levels of testosterone are reduced and they show more empathy. That physiological reaction can be applied to new technology.

“In the interaction with robots — how we can build trust with robots if the robots smell like us,” Maggioni said.

It portends an exciting, and perhaps for some, daunting future. Scientists say the sense of smell, until now largely unexploited, is about to stimulated by the march of technology.

 

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Calming Cars, Human-scented Robots: Advances in Smell Technology

Would you buy a car that sprayed soothing odors when you’re stuck in rush-hour traffic? Or how about a robot that smells like a human being?

Scientists say that new technology means we will soon be using devices like these in our everyday lives. At this month’s British Science Festival in Brighton, researchers from Britain’s University of Sussex offered a demonstration of the technology that could be just around the corner.

The 3D animations of Virtual Reality have become commonplace. Now scientists have created virtual worlds that even smell like the real thing. When users open a virtual door and step into a new world, in this case into a rainforest, diffusers spray the appropriate scent for added authenticity.

Immersive experience

“It is a really immersive experience that you have because you’re exploring this environment and you have smells that correspond with it,” festival visitor Suzanne Fisher-Murray told VOA.

Smell technology has been tried before, famously in the United States with Smell-O-vision movies in the 1960s. Multisensory researcher Emanuela Maggioni of the University of Sussex says it’s on the cusp of a comeback.

“The connection with emotions, memories, and the potential to use the sense of smell, the odors, under the threshold of our awareness — it is incredible what we can do with technology,” Maggioni said.

And not just for entertainment. In another corner of the room, a driving simulator has been fitted with a scent diffuser.

“In this demonstration, we wanted to deliver the smell of lavender every time the driver exceeds the speed limit. We chose lavender because it’s a very calming smell,” co-researcher Dmitrijs Dmitrenko said.

Scent and human behavior

Scientists are experimenting with using scent instead of audible or visual alerts on mobile phones. Businesses already are using scent to influence customers’ behavior.

“Not only for marketing in stores, so creating the logo brand. But on the other side, you can create and stimulate impulse buying. So you’re in a library and you smell coffee and actually you are unconsciously having the need to drink a coffee,” Maggioni said.

She adds that scent is vital in human interactions — for example, when men smell tears, levels of testosterone are reduced and they show more empathy. That physiological reaction can be applied to new technology.

“In the interaction with robots — how we can build trust with robots if the robots smell like us,” Maggioni said.

It portends an exciting, and perhaps for some, daunting future. Scientists say the sense of smell, until now largely unexploited, is about to stimulated by the march of technology.

 

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Calming Cars and Human-Scented Robots: Scientists Hail Breakthrough in Smell Technology

Would you buy a car that sprayed soothing aromas when you are stuck in rush-hour traffic? Or how about a robot that has the scent of a real person? Scientists say that new technology means we will soon be using devices like these in our everyday lives. Henry Ridgwell visited this month’s British Science Festival in Brighton, England, to find out more.

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Global Learning XPRIZE Aims to Prove World’s Poorest Children Can Educate Themselves

Can children who have never been to school teach themselves basic reading, writing and math skills using only a tablet computer? Elon Musk and the XPrize Foundation are betting $15 million on the idea that they can. VOA’s Tina Trinh has more.

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