Equifax Faces Lawsuits, Investigations After Major Data Breach

The U.S. credit monitoring company Equifax is facing a storm of criticism, lawsuits and investigations after a data breach that may have compromised personal data for about 143 million Americans.

New York state Attorney General Eric Schneiderman announced Friday that his office would formally investigate the data breach, saying that more than 8 million New Yorkers had been affected by the hack.

“The Equifax breach has potentially exposed sensitive personal information of nearly everyone with a credit report, and my office intends to get to the bottom of how and why this massive hack occurred,” Schneiderman said in a statement.

Illinois’ attorney general also opened an investigation into the data breach, and more states are likely to follow suit.

Also Friday, U.S. Representative Jeb Hensarling, a Texas Republican who is chairman of the House Financial Services Committee, said he would call for congressional hearings on the Equifax breach.

Two proposed class-action lawsuits, one filed in Portland, Oregon, and another in Atlanta, Georgia, alleged that Equifax had been negligent in protecting consumer data.

Stock price slides

Investors were also showing their displeasure about the hack by dropping their stock in the company. Equifax’s share price fell more than 13 percent in trading Friday, to $123.32. The decline equates to more than $2 billion in lost market value.

The Atlanta company said Thursday that the hackers had obtained names, Social Security numbers, birth dates and addresses of more than 40 percent of the U.S. population.

“Based on the company’s investigation, the unauthorized access occurred from mid-May through July 2017,” the company said in a statement.

The company said credit card numbers were also compromised for 209,000 U.S. consumers, as were credit dispute accounts for 182,000 people.

Equifax discovered the hack July 29 but waited until Thursday to warn consumers.

Although other cyberattacks have been bigger than this one, such as a data breach at Yahoo last year that affected more than 500 million accounts, this one could be the most damaging because of the type of data collected.

Equifax is one the largest credit-reporting companies in the United States.

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Country’s ‘Gentle Giant’ Don Williams Dies at 78

Country music singer Don Williams, one of the biggest stars of the 1970s and 1980s, died on Friday at the age of 78, his publicist said.

Williams, known as “the Gentle Giant” because of his 6-foot, 1-inch frame, mellow voice and low-key profile, had hits with Tulsa Time, I Believe in You and It Must Be Love over the course of a 50-year career.

He died on the same day as Troy Gentry, one half of the country music duo Montgomery Gentry, who was killed in a helicopter crash in New Jersey.

“2 legends lost at once. Troy Gentry and Don Williams will be missed so much. Praying for their families and may they rest in peace,” country-pop band Big & Rich wrote on Twitter.

The statement announcing his passing said Williams died of an undisclosed illness but gave no further details.

Williams was inducted into the Country Music Hall of Fame in 2010 and released his last studio album, “Reflections,” in 2014.

Two years later, he announced his retirement from touring, saying it was “time to hang up my hat and enjoy some quiet time at home.”

Williams was a big influence on other musicians, spanning country to rock. Eric Clapton and Pete Townshend were among those who have recorded his music.

In 2016, a tribute album, “Gentle Giants: The Songs of Don Williams,” was released featuring performances by Alison Krauss, Trisha Yearwood, Garth Brooks and many others.

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Troy Gentry of Country Duo Montgomery Gentry Dies in Crash

Troy Gentry, one half of the award-winning country music duo Montgomery Gentry, died Friday in a helicopter crash just hours before a concert, according to a statement from the band’s website. He was 50.

The Federal Aviation Administration said the helicopter crashed into a wooded area near the Flying W Airport in Medford hours before Montgomery Gentry was due to perform at a resort that is also housed at the airport.

The band’s website called Gentry’s death “tragic” and said details of the crash are unknown.

“Troy Gentry’s family wishes to acknowledge all of the kind thoughts and prayers, and asks for privacy at this time,” the website said.

Medford Township Police Chief Richard Meder told NJ.com that police got a call at around 1 p.m. about a helicopter that was “distressed.”

He said crews were able to remove the passenger from the wreckage, but he died on the way to a hospital. The pilot died at the scene and crews were working to remove his body, Meder said.

It wasn’t immediately clear whether Gentry was the pilot or the passenger.

Gentry was born on April 5, 1967, in Lexington, Kentucky, where he met bandmate Eddie Montgomery and formed a group based off their last names.

Montgomery Gentry had success on the country charts and country radio in the 2000s, scoring No. 1 hits with Roll With Me, Back When I Knew It All, Lucky Man, Something to Be Proud Of and If You Ever Stop Loving Me. Some of the songs even cracked the Top 40 on the pop charts.

The band mixed country music with Southern rock. It was inducted into the Grand Ole Opry in 2009. The group released their debut album, “Tattoos & Scars,” in 1999.

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Hugh Jackman, Lupita Nyong’o to Co-host New York’s Global Citizen Fest

Hugh Jackman, Lupita Nyong’o, Aaron Paul and Demi Lovato will co-host this year’s Global Citizen Festival, an annual free event held in New York’s Central Park.

Performers at the Sept. 23 event include Stevie Wonder, Green Day, The Killers, The Lumineers, The Chainsmokers, Pharrell Williams, Big Sean, Andra Day and Alessia Cara.

The organization announced Friday that Frieda Pinto, Connie Britton, Deborra-lee Furness, Joan Smalls, Kal Penn, Malin Akerman, Mark Cuban and others will also co-host the multi-hour event. It will air live on MSNBC and Comcast NBCUniversal.

Fans can earn their free tickets for admission by joining the movement at globalcitizenfestival.com.

Last year, Jackman co-hosted the event with Neil Patrick Harris, Chelsea Handler and others. Performers at the 2016 concert included Rihanna, Eddie Vedder, Kendrick Lamar and Metallica.

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Apple Embarks on Emmy Quest With Big Bet on Video Streaming

Television is one of the few screens that has Apple hasn’t conquered, but that may soon change. The world’s richest company appears ready to aim for its own Emmy-worthy programming along the lines of HBO’s Game of Thrones and Netflix’s Stranger Things.

Apple lured longtime TV executives Jaime Erlicht and Zack Van Amburg away from Sony Corp. in June and has given them $1 billion to spend on original shows during the next year, according to a Wall Street Journal report quoting unnamed people.

The programming would be available only on a subscription channel, most likely bundled with the company’s existing Apple Music streaming service. Apple declined to comment.

While $1 billion is a lot of money, it’s a drop in the bucket for Apple and its $262 billion cash hoard. But it’s still enough to vault Apple into the top tier of tech-industry outsiders producing their own slates of television shows.

iTunes came first

Hollywood has long shuddered at the thought of Apple training its sights on TV the way it once did on the music business.

Almost 15 years ago, Apple’s then-CEO Steve Jobs convinced record labels to let the company sell digital music on its iTunes store for 99 cents a single, a deal the music industry was happy to take in the face of growing music piracy enabled by Napster. Over time, though, Apple’s dominance in digital music chafed music executives, who saw the company siphoning off a chunk of their profits.

Movies and television have proven much harder for Apple to crack. The company’s interest in transforming television has been an open secret for years, but Hollywood has so far spurned Apple’s efforts to make itself an indispensable digital middleman for video.

In a way, Netflix beat Apple to the punch with its groundbreaking video streaming service. Launched in 2007, that service pioneered “binge watching” of entire TV seasons on any device with an internet connection. That gave new life to existing shows such as Breaking Bad, whose creator credits Netflix with its survival , and spawned the creation of other series tailor-made for bingeing.

Netflix also helped unleash a crescendo of creativity in Hollywood. Follow-on rivals Amazon and Hulu also boast popular video streaming services, and mainstream broadcasters such as CBS and Walt Disney Co. — the owner of ABC and ESPN, among other networks — are also jumping in.

Pressure to act

All of that has increased the pressure on Apple to step up its game in TV — not least because the increasing popularity of streaming is hurting its business of renting and selling video from iTunes.

Apple “doesn’t want to be left behind,” said Debby Ruth, senior vice president of consumer research firm Magid. “This is a way for them to put a stake in the ground.”

This year, the company released its first two original series, Planet of the Apps and Carpool Karaoke, on its Apple Music service, which has 27 million subscribers. But neither show has generated much buzz or critical acclaim.

The recent hiring of Erlicht and Van Amburg signaled Apple’s intent to make bigger splash. The executives have helped orchestrate several TV hits, including AMC’s Breaking Bad, and more recently branched out into video streaming with The Crown, which landed on Netflix last year and is up for 13 Emmy nominations in this Sunday’s ceremony.

Apple also has a not-so-secret weapon: hundreds of millions of iPhones and iPads already in the hands of faithful fans. It could easily transform those into a marketing platform to lure users to its TV service.

But the company has a steep hill to climb.

Bigger players

 

Netflix has more than 100 million worldwide subscribers and a video library that will add 1,000 hours of original programming this year alone. And HBO has become the Emmys’ pacesetter since branching into original programming 20 years ago.

Both companies vastly outspend Apple’s reported $1 billion production budget. HBO spends about $2 billion annually on its programming, which garnered 111 nominations in this year’s Emmy Awards, more than any other network. Netflix, which boasts the second most Emmy nominations with 91, expects to spend $6 billion on programming this year.

Apple is still experimenting in TV, said Gene Munster, a longtime Apple watcher and managing partner with the research and venture capital firm Loup Ventures.

“In five years, I bet Apple will either be investing $10 billion a year in content or zero,” said Munster. “It’s going to be one or the other.”

Jobs’ legacy

Jobs discussed his ambitions to shake up TV with his biographer, Walter Issacson, shortly before his death in 2011.

“He very much wanted to do for television sets what he had done for computers, music players and phones: Make them simple and elegant,” Isaacson wrote.

But no Apple television ever materialized. Instead, Apple has periodically upgraded its Apple TV, which isn’t a television, just a video streaming player that connects to TVs. That device has been losing market share to other streaming players made by Roku, Amazon and Google, according to the research firm Park Associates.

Building a successful programming lineup could give Apple more leverage to license shows from other Hollywood production houses. It might even embolden the company to finally release its own streaming TV set.

Apple will presumably also want to emulate Netflix’s ability to exploit usage data to determine what it thinks audiences want to watch. Netflix’s data analysis has helped it attract 25.5 million more subscribers in the U.S. alone since the February 2013 debut of its first original series, House of Cards.

But if Apple decides it needs a little more help in video streaming, Munster thinks there’s in 1-in-3 chance that it will buy Netflix to instantly gain the cachet and expertise in TV programming that it craves.

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Top 5 Songs for Week Ending Sept. 9

This is the Top Five Countdown! We’re taking aim at the five most popular songs in the Billboard Hot 100 Pop Singles chart for the week ending September 9, 2017.

You’ll be glad you joined us this week because countdown history is made – this is one for the record books.

Number 5: Charlie Puth “Attention”

Charlie Puth rebounds a slot to fifth place with “Attention,” which tops this week’s Billboard Pop Songs chart.

How did Charlie know this song was a hit? His artist & repertoire partner Mike Beard tells Billboard that they usually have other people critique their songs…but this time they didn’t need to. They knew “Attention” was a winner.

Number 4: Imagine Dragons “Believer”

Also on the upswing is Imagine Dragons in fourth place with “Believer.” 

Lead singer Dan Reynolds says therapy has made him a better person. Dan says he went through a crisis of faith, which has now led him to fight on behalf of others. Last month, Imagine Dragons headlined their own festival, LoveLoud, which works to benefit LGBTQ youths…particularly within the Mormon community.

Number 3: Cardi B “Bodak Yellow (Money Moves)”

Holding in third place is Cardi B with “Bodak Yellow (Money Moves).”

Earlier this year the New York rapper signed with the Atlantic label, and now says her debut album will drop in October. She broke the news to her fans last weekend at the Made In America festival in Philadelphia.

Number 2: DJ Khaled Featuring Rihanna & Bryson Tiller ” Wild Thoughts”

DJ Khaled, Rihanna, and Bryson Tiller occupy the runner-up slot for another week with “Wild Thoughts.”

DJ Khaled tells E! News that he used to fear flying so much that he hadn’t stepped on a plane in 10 years. He says taking his infant son Asahd on tour has helped him overcome that fear. Khaled couldn’t bear to be apart from him, so he’s back in the air and feeling fine.

Number 1: Luis Fonsi & Daddy Yankee Featuring Justin Bieber “Despacito”

“Despacito” remains airborne for an incredible 16th week at number one, and yes…that ties the all-time Hot 100 record, set in late 1995 and early 1996 by Mariah Carey and Boyz II Men. The name of their song? “One Sweet Day.”

Next week looms large: what will happen on the Hot 100? We’ll be here to tell you so don’t miss a moment!

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Rwanda’s Largest Solar Field Also Empowers Orphans

In Rwanda, less than 15 percent of the population has access to electricity. In rural areas, it can be as low as one percent.

In order to increase Rwanda’s energy capacity, a 17-hectare solar field with 28,000 panels was constructed in six months in 2014 by private power companies.

It is East Africa’s first large-scale commercial solar field, bringing in 8.5 megawatts of power at its peak — four percent of the country’s total power capacity. The project has brought power to more than 15,000 homes.

“We are living in the world and we have to contribute or to eradicate or eliminate polluting the atmosphere,” said Twaha Twagirimana, plant supervisor for Scatec Solar, which operates the project. “We need energy, and we need clean energy.”

Twagirimana said this investment in solar power is a step toward reducing global warming. Rwanda’s power grid relies heavily on diesel fuel, which is expensive and bad for the environment.

According to Scatec Solar, the solar field reduces carbon dioxide emissions by 8,000 tons per year.

Orphanage land

Private homes aren’t the only ones to benefit from the project. The solar panels are on land owned by the Agahozo Shalom Youth Village.

The choice of the site, about 60 kilometers from the capital, Kigali, was no accident. The rent paid for the land helps vulnerable children and young adults who were orphaned during or after Rwanda’s 1994 genocide.

About 500 young Rwandans live, study and play on the 144-acre residential community.

Mediatilice Kaytitesi, the community’s art center and theater coordinator, says she uses art to help youth cope with their losses.

“It’s something that can help open the mind of the kids,” she said. “Some draw tears, which means they have the tears in their hearts, their wounds. You can see their expressions.”

Pascal Atismani Claudien lost his father in 2006 and his mother in 2010. He said he doesn’t exactly know why they died — just that they were sick.

“When I have a problem, I take a paper and a pencil and draw and that problem goes away. When I have stress, I draw or paint,” said Claudien, who is starting his final year of high school at the village. “And when I am painting or drawing, I feel very happy.”

The Agahozo Shalom Youth Village was modeled after similar ones built for orphans in Israel after the Holocaust. In the Rwandan language of Kinyarwanda, Agahozo means “tears are dried.” In Hebrew, Shalom means peace. 

“The mission was really to help bring back all the children who have lost parents and siblings and everything in their lives, to try to recreate the next best family that these children should have had, had their parents been alive,” explained Jean-Claude Nkulikiyimfura, the youth village’s executive director.

Claudien said he considers it more of a family than a school. “That’s why we call each other brothers and sisters,” he said.

Learning engineering

During his time at the school, Claudien visited the nearby solar panels and learned from the staff about how Rwanda’s largest solar field is positively impacting the country. He, himself, is from a small village with limited access to electricity.

About 50 students also received technical training at the solar field on engineering and solar technology to encourage them to work in green jobs in the future. 

The construction of the nearly $24 million solar field employed more than 350 Rwandan workers.

Gigawatt Global developed the project with early-stage funding from the U.S. government’s Power Africa initiative.

“Rwanda had the right leadership and the right conditions to be really the test case and the positive fruits of concept for the entire sub-Saharan Africa for commercial scale solar,” said Yosef Abramowitz, the CEO and founder of Gigawatt Global.

About 600 million Africans don’t have access to electricity, according to the International Energy Agency.

Rwanda’s government aspires to nearly triple its power capacity by the end of 2018, through renewable power sources like methane, hydro, mini-hydro, peat, thermal and more solar fields. 

In 2016, Rwanda partnered with developer Ignite Power to provide rooftop solar to 250,000 houses by the end of next year. Users will pay about $5 per month for the solar power system in a rent-to-own model.

Efforts like this will go toward the Rwandan government’s goal of bringing power to 70 percent of households.

Abramowitz said he’s convinced “solar is the future of Africa.” His firm wants to replicate this model throughout sub-Saharan Africa, increasing energy capacity while also benefiting the social good.

“There’s every reason in the world — economic, social and political — that solar should be the main generation source of energy on the continent,” he said.

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World’s First Biodegradable Car Designed

There are smart cars, hybrid cars, electric cars, and now a biodegradable car. A group of technology students has built the first car with a biocomposite structure. VOA’s Deborah Block tells us more about it.

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BMW Gears Up to Mass Produce Electric Cars by 2020

Germany’s BMW is gearing up to mass produce electric cars by 2020 and will to have 12 different models by 2025, it said on Thursday, as traditional manufacturers race to catch up with U.S. electric car pioneer Tesla.

Car buyers shunned electric vehicles because of their high cost and limited operating range until Tesla unveiled the Model S in 2012, a car that cracked the 200 mile (322 km) range barrier on a single charge.

Since then, big advances in battery technology and a global crackdown on pollution in the wake of Volkswagen’s diesel scandal have raised pressure on carmakers to speed up development of zero-emission alternatives.

BMW, which launched the i3 electric car in 2013, said it was now readying its factories to mass produce electric cars by 2020 if demand for battery driven vehicles takes off.

“By 2025, we will offer 25 electrified vehicles — 12 will be fully-electric,” Chief Executive Harald Krueger told journalists in Munich, adding the electric cars would have a range of up to 700 km (435 miles).

It marks a significant foray by a major manufacturer into electrification. BMW, which includes the Mini and Rolls-Royce brands and sold 2.34 million cars last year, announced the move on the day smaller rival Jaguar said it would offer electric or hybrid variants of all its models by 2020.

On Wednesday, Nissan unveiled a new version of its Leaf electric vehicle in its latest move to take on Tesla, the U.S. firm co-founded by Elon Musk that sold 83,922 vehicles last year.

Rolls-Royce

Traditional carmakers have been slow to embrace the electric vehicle market because it remains unprofitable, largely due to the cost of batteries which make up between 30 percent and 50 percent of the cost of an electric vehicle.

A battery pack with 60 kWh capacity and 500 km range costs around $14,000 today, compared with a gasoline engine that costs around $5,000. Add to that the $2,000 for the electric motor and the inverter, and the gap is even wider.

But capacity investments into the battery sector may bring down costs of electric vehicles to a “tipping point” when they reach parity with combustion-engine equivalents some time between 2020 and 2030, according to analysts at Barclays.

With cities threatening to ban combustion-engine vehicles or to tax diesel cars more heavily, the total cost of ownership of electric cars could drop below their combustion-engine equivalents, and Europe could become a 100 percent pure battery electric vehicle market by 2035, according to analysts at ING.

The Frankfurt motor show, starting next week, will be used by BMW to unveil a new four-door electric car positioned between the i3 city car and the i8 hybrid sportscar, Krueger said.

“We will be increasing the share of electrified models across all brands and model series. And, yes, that also includes the Rolls-Royce brand and BMW M vehicles,” he said.

German rivals will also be showing electric cars, with Daimler’s Mercedes-Benz brand unveiling the EQA, a concept mass market electric car, Volkswagen taking the wraps off the ID Crozz.

Aside from vehicle cost, a key obstacle to making electric cars popular is the amount of time it takes to recharge, and a lack of charging stations.

London needs to spend 10 billion euros ($12 billion) to get charging infrastructure to a level where retail buyers can practically own an electric car, consultancy AlixPartners has said. Almost none of that spending has been earmarked so far.

($1 = 0.8331 euros)

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Vanity Fair Editor Graydon Carter to Step Down in December

Graydon Carter, the longtime editor of Conde Nast’s culture magazine “Vanity Fair,” will be stepping down in December after 25 years at the helm, the publication said on Thursday.

Carter, 68, who has steered Vanity Fair through the shifting journalism landscape and expanded it onto a successful digital platform as well as print edition, will oversee the magazine’s 2018 Hollywood issue, the publication said.

“I’ve loved every moment of my time here and I’ve pretty much accomplished everything I’ve ever wanted to do,” Carter said in a statement, adding that he was “now eager to try out this ‘third act’ thing.”

Carter said in an interview with The New York Times published on Thursday that he wanted to “leave while the magazine is on top.”

“I want to leave while it’s in vibrant shape, both in the digital realm and the print realm. And I wanted to have a third act – and I thought, time is precious,” he told the Times.

The Times said no replacement has been named yet for Carter, who earns a “seven-figure salary” at the magazine, but suggested that New York magazine’s editor-in-chief, Adam Moss, and Janice Min, former editor of The Hollywood Reporter, are potential candidates.

Carter, appointed editor of Vanity Fair in 1992, and turned the magazine’s focus to crime, culture and celebrities. He nurtured revered writers such as Christopher Hitchens and Dominick Dunne, humorists Fran Lebowitz and James Wolcott, and photography great Annie Leibovitz.

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Poll: Two-thirds of Americans Get Their News from Social Media

A full 67 percent of Americans now report receiving at least a portion of their news from social media, according to a new poll released Thursday.

The Pew Research poll showed a small increase since early 2016, when 62 percent of people said they relied on social media for some of their news. The overall change isn’t particularly substantial, but among some demographics, social media use increased significantly.

Among non-white U.S. adults, 74 percent now say they get news from social media, marking a 10-percent increase over last year when 64 percent said they did. Similarly, among those aged 50 or older, the percentage who said they receive news from social media rose by 10 percent from 2016 to 55 percent.

While Facebook still dwarfs other social media sites in terms of news dissemination, Twitter, Snapchat and YouTube made strong gains in the number of people using the sites for news over the course of the last year.

“Looking at the population as a whole, Facebook by far still leads every other social media site as a source of news. This is largely due to Facebook’s large user base, compared with other platforms, and the fact that most of its users get news on the site,” the report reads.

Twitter showed a 15-percent increase in the number of users who said that’s where they get their news, from 59 percent in 2016 to 74 percent in 2017. The number of YouTube users who get news from the site rose from 21 percent in 2016 to 32 percent in 2017. Snapchat showed a 12-percent gain, from 17 percent in 2016 to 29 percent in 2017.

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Stephen King Joins Moviegoers for Special Screening of ‘It’

Movie fans attending a special screening of the movie It in Bangor, Maine, got a bonus: Author and local resident Stephen King joined them.

King’s radio station, WKIT-FM, sponsored the special showing Wednesday night, and King received a standing ovation. He told the moviegoers: “You’re going to be scared out of your seats anyway, so you might as well sit down.”

It is based on King’s book about a sewer-dwelling, homicidal clown in Derry, Maine. King has said the fictionalized town is based on Bangor.

The new adaptation of King’s novel will be previewed in many select theaters Thursday before it opens nationwide Friday.

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No Smartphones! Vintage Mobile Phone Museum Opens in Slovakia

As new smartphones hit the market month in month out, one Slovak technology buff is offering visitors to his vintage cellphone museum a trip down memory lane – to when cellphones weighed more than today’s computers and most people couldn’t afford them.

Twenty-six year-old online marketing specialist Stefan Polgari from Slovakia began his collection more than two years ago when he bought a stock of old cellphones online. Today, his collection boasts some 1,500 models, or 3,500 pieces when counting duplicates.

The museum, which takes up two rooms in his house in the small eastern town of Dobsina, opened last year and is accessible by appointment.

The collection includes the Nokia 3310, which recently got a facelift and re-release, as well as a fully functional, 20-year old, brick-like Siemens S4 model, which cost a whopping 23,000 Slovak koruna – more than twice the average monthly wage in Slovakia when it came out.

“These are design and technology masterpieces that did not steal your time. There are no phones younger than the first touchscreen models, definitely no smartphones,” said Mr Polgari.

“It’s hard to say which phone is most valuable to me, perhaps the Nokia 350i Star Wars edition,” said Mr Polgari – who uses an iPhone in his daily life.

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Dry Jordan Launches Project to Grow Crops From Seawater

Water-poor Jordan on Thursday launched a project using seawater to produce crops with clean energy.

 

Jordan’s King Abdullah II and Crown Prince Haakon of Norway, which contributed most of the $3.7 million cost, inaugurated the facility in the kingdom’s Red Sea port city of Aqaba.

 

Haakon told reporters he was “impressed by the way innovative ideas have been translated into a plant the size of four football fields.”

 

The facility, part of the Sahara Forest Project (SFP), produces “energy, freshwater and food and all this in an arid desert,” he said.

 

The facility, surrounded by rocky desert, uses seawater to cool greenhouses. A solar-powered plant then desalinates the water for irrigation.

 

Inside the greenhouses, pesticide-free cucumbers flourish.

 

The project is set to produce 130 tons of vegetables a year and 10,000 liters of freshwater a day.

 

“This is just the start,” said Joakim Hauge, head of SFP. He said the organization selected Jordan because it has the required abundance of sunlight and seawater.

 

Last month, a report by Stanford University suggested that Jordan, one of the world’s driest countries, could face more severe droughts unless new technologies are applied in farming and other sectors.

 

“Future adaptation to extreme droughts in Jordan will be an immense challenge,” said the report by the university’s School of Earth Science. “The projected negative impacts of more severe droughts of greater duration calls for essential alternatives.”

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Desalination Promises Ample Supply of Fresh Water

Although 75 percent of our planet is covered with water, many countries around the world suffer from a low supply of fresh water. There is plenty of water in the ocean, but removing the salt is very expensive, and only coastal nations with an ample supply of power, such as the Arab Gulf States, can afford to rely on desalination. Now, as sources of fresh water dwindle, emerging new technologies could make the technology much more cost effective. VOA’s George Putic reports.

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Old Tires and Congealed Fat Generate Interest and Energy

Some energy, like solar and wind, is renewable. Other sources of power are recyclable. Faith Lapidus tells us how old tires and congealed fat are generating interest and energy.

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Miley Cyrus, Beyonce Join Harvey Storm Relief Effort

Pop star Miley Cyrus and Oscar-winning actors Sandra Bullock and Leonardo DiCaprio pledged funds to help victims of storm Harvey, while Beyonce on Thursday said she was sending a team to her Houston, Texas hometown to help with relief efforts.

A donation drive organized by Houston Texans NFL star J.J. Watt had reached $10 million in pledges from celebrities and ordinary people by Thursday, and singer Solange Knowles, Beyonce’s sister, announced benefit concerts in Boston and New York for September and October.

A tearful Cyrus, 24, announced a $500,000 contribution in an emotional appearance on “The Ellen DeGeneres Show.”

“It just really makes me just really upset… I go home to my seven dogs and if I didn’t have that anymore, it would just be really hard. So I am really happy to help in any way I can. And I hope people understand and can put themselves in those people’s shoes,” Cyrus said.

Some 779,000 Texans have been ordered to evacuate their homes and another 980,000 fled voluntarily amid concerns on Thursday that swollen reservoirs and rivers could bring new flooding. Harvey roared ashore late last week as the most powerful hurricane to hit Texas in a half-century but has now been downgraded to a tropical depression.

“Gravity” star Bullock, and DiCaprio’s foundation said this week they will each contribute $1 million to organizations helping people recover from the devastating floods.

Beyonce, one of Houston’s best-known celebrities, launched BeyGOOD Houston on her website. A statement said a team from her BeyGOOD philanthropic foundation was headed to the city to help with relief efforts, and the website asked fans to make donations to two local groups working there.

The “Lemonade” singer, who now lives in Los Angeles, has not said whether she is making a personal donation, but her pastor Rudy Rasmus said she tends to keep her charitable efforts quiet.

“Beyonce is extremely private and has done a lot that she has requested we don’t announce and publicize over the years, Rasmus told celebrity website TMZ.com in an interview this week. “She has really stepped up and it has been a big blessing for us,” added Rasmus, who launched the non-profit Bread for Life in Houston in 1992 to feed homeless people.

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Like Destiny’s Child, Fifth Harmony Bounces Back After Drama

It’s been a year of transition for Fifth Harmony: The pop stars parted ways with member Camila Cabello, switched management teams, negotiated a new contract with their label and won greater creative control of their brand.

 

Luckily the newly-minted quartet, who released their third album last week, had the fairy godmother of girl groups to guide them through the tumultuous times: Destiny’s Child alum Kelly Rowland.

 

“We were advised by THE Kelly Rowland,” Dinah Jane, 20, said with reverence. “She just told us to, like, let the music speak for itself … and just know your worth, believe in yourself and just be there for each other. So we’ve definitely honed into that. And for her to advise that, like, that says a lot because, you know, she’s gone through the same things.”

 

“And she said that she was really proud of us,” beamed Normani Kordei, 21.

 

Destiny’s Child went through similar changes before settling on the final and most famous formation, the trio of Rowland, Beyonce Knowles and Michelle Williams.

 

Fifth Harmony said they looked to the “Bootylicious” hitmakers when deciding to fill the spot left by Cabello, who exited in December to pursue a solo career.

 

“We kept referencing that while we were in the moments of that whole thing happening. … Like people, teams or whatever, suggesting, ‘Oh maybe we get a fifth member?”’ Lauren Jauregui, 21, recalled. “Like no, dude. If we’re going to do this, it’s the four of us. Period.”

 

“It’s been us. It will be us,” echoed Kordei.

 

The group doubled down on that decision during Sunday’s MTV Video Music Awards, where a stand-in fifth member was quickly tossed from the stage as they began to perform. The dance-heavy performance, which came two days after the release of their new album, was well-received and boosted sales of the single “Down.” The girls also won best pop video for the song’s video, which features rapper Gucci Mane.

 

Naming their third album after the group drives the point home — though they’ve downsized, they feel stronger than ever.

 

“[The album] is more edgy and mature, of course, but the most harmonious we’ve ever been,” Jane said.

 

They say they are most comfortable now because they’re in the driver’s seat. They pushed for more creative control with their labels, Epic Records and Simon Cowell’s Syco imprint, and sought legal counsel to gain ownership of the Fifth Harmony trademark.

 

“When we hired our lawyer, Dina LaPolt, that’s when our real transformation began because she really informed us about our business and informed us about our rights as artists,” Jauregui said. “And we really, I feel, gained this sort of inner power that we didn’t have before and this control and ownership of our music, of our brand, of our business.”

 

Fifth Harmony was formed on the U.S. version of “The X Factor” in 2012. In 2015 they released their full-length debut, “Reflection,” finding chart success with the upbeat hit, “Worth It.” They reached greater heights with the slick and sexy song “Work from Home” — the lead single from last year’s “7/27” — peaking at No. 4 on the Billboard Hot 100 chart.

 

But behind closed doors, the girls were struggling.

 

“There are just so many crazy things that happen behind-the-scenes. So many honestly horrific situations that happen and we had to step up and say, ‘You know what? We demand the respect that we deserve,”’ recalled Ally Brooke, 24. “We need to write on this album. We need to be part of that process and that’s exactly what we did.”

 

“Fifth Harmony” delivers more of the group’s signature provocative pop/R&B sound along with an eclectic mix of messages. The women writhe on motel beds and showcase saucy parking lot dance sequences in the video for “Down.” They touch on politics and encourage inclusivity in the uplifting album-closer “Bridges.” And they issue a stern warning to those who misjudge them in the darker, F-bomb-fueled “Angel,” produced by Justin Bieber collaborator Poo Bear and grungy EDM star Skrillex.

 

“Honestly it’s a breath of fresh air,” said Kordei of the group’s new dynamic. “We’re just so grateful and we thank God, like, literally every single day.”

 

“Even in those times where the storm was really, really heavy and we didn’t know if it was going to end … now I recognize what goodness actually feels like,” she added.

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Tesla Starts Production of Solar Cells in Buffalo, New York

Tesla Inc. is starting production of the cells for its solar roof tiles at its factory in Buffalo, New York.

 

The company has already begun installing its solar roofs, which look like regular roofs but are made of glass tiles. But until now, it has been making them on a small scale near its vehicle factory in Fremont, California.

 

Tesla’s Chief Technical Officer, JB Straubel, says the company now has several hundred workers and machinery installed in its 1.2 million-square-foot factory in Buffalo.

 

“By the end of this year we will have the ramp-up of solar roof modules started in a substantial way,” Straubel told The Associated Press Thursday. “This is an interim milestone that we’re pretty proud of.”

 

The Buffalo plant was originally begun by Silevo, a solar panel startup, on the site of an old steel mill. Solar panel maker SolarCity Corp. bought Silevo in 2014. Then Tesla acquired SolarCity for around $2 billion late last year.

SolarCity was run by cousins of Tesla CEO Elon Musk, who sat on SolarCity’s board.

 

“This factory, and the opportunity to build solar modules and cells in the U.S., was part of why this project made sense,” Straubel said.

 

Tesla’s partner, Panasonic Corp., will make the photovoltaic cells, which look similar to computer chips. Tesla workers will combine the cells into modules that fit into the roof tiles. The tiles will eventually be made in Buffalo as well, along with more traditional solar panels. Panasonic is also working with Tesla at its Gigafactory battery plant in Nevada.

 

Straubel says Tesla eventually hopes to reach 2 gigawatts of cell production annually at the Buffalo plant. That’s higher than its initial target of 1 gigawatt by 2019. Straubel said Tesla has been working on making the factory more efficient.

 

One gigawatt is equivalent to the annual output of a large nuclear or coal-fired power plant, Straubel said, “so it’s like we’re eliminating one of those every single year.”

 

Straubel wouldn’t say how many customers have ordered solar roof tiles, but said demand is strong and it will take Tesla through the end of next year to meet its current orders. Both he and Musk have had the tiles installed on their roofs.

 

Tesla shares were up less than 1 percent to $355.65 in afternoon trading.

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Del Toro’s ‘The Shape of Water’ Makes Waves in Venice

Guillermo del Toro’s The Shape of Water is an aquatic Beauty and the Beast, a transgressive fairy tale about a young woman’s love for a scaly creature from the Amazonian depths.

Like the best fables, it’s also rooted in the real world: the story of a migrant from the south facing a hostile reception in a security-obsessed United States.

“I think that fantasy is a very political genre,” del Toro said Thursday at the Venice Film Festival, where The Shape of Water had its red-carpet world premiere. It’s one of 21 films competing for the coveted Golden Lion, the festival’s top prize.

“Fairy tales were born in times of great trouble. They were born in times of famine, pestilence and war,” he added.

Part monster movie, part noir thriller, part Hollywood musical, the film defies categorization, though Del Toro took a stab, suggesting it’s “like Douglas Sirk rewriting Pasolini’s Theorem with a fish.”

Some critics are calling it del Toro’s best film since Pan’s Labyrinth in 2006. The Daily Telegraph summed it up as “an honest-to-God B-movie blood-curdler that’s also, somehow, a shimmeringly earnest and boundlessly beautiful melodrama.” Screen International called it “exquisite … del Toro at his most poignant and sweet.”

Set in early-1960s Baltimore, the film stars Sally Hawkins as Elisa, a mute orphan who works as a cleaner at a high-security lab. She forges a bond with a captured creature who is at the center of a Cold War tug-of-war between the U.S. and the Soviet Union.

“It’s a movie set in 1962, but it’s a movie about today,” del Toro told reporters at a Venice news conference. “It’s about the issues we have today. When America talks about America being great again, I think they are dreaming of an America that was in gestation in `62 — an America that was futuristic, full of promise … but at the same time there was racism, sexism, classism.”

Del Toro said the creature — played with fittingly fluid movements by Doug Jones — is the only character in the film without a name, because he represents “many things to many people.”

For lonely Elisa, “it’s the first time somebody, something is looking at her, looking back the way you look back at the person you love.” For Michael Shannon’s ruthless U.S. government agent Strickland, the creature is “a dark, dirty thing that comes from the south” and must be eliminated.

“I am Mexican, and I know what it is to be looked at as `the other’ no matter what circumstances you’re in,” the director said — and the character of the creature embodied that otherness.

The film features warm performances from Octavia Spencer and Richard Jenkins as Elisa’s friends — and a mesmerizing turn from Hawkins, who creates a character of depth, passion and compassion without saying a word.

Hawkins said that when del Toro first told her about the movie, she was working on her own project about “a woman who doesn’t know she’s a mermaid.” Some of those ideas fed into the character of Elisa.

“It was just synchronistic,” she said. “It was very odd. Those things rarely happen and when they do you know it’s something special.”

The Shape of Water features del Toro’s usual rich mix of ingredients: everything from Russian spies to musical interludes. Its overriding message, the director says, is “to choose love over fear.”

“We live in times where fear and cynicism are used in a way that is very pervasive and persuasive,” del Toro said. “Our first duty when we wake up is to believe in love.

“It’s the strongest force in the universe,” he said. “The Beatles and Jesus can’t be wrong — not both of them at the same time.”

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