Threat of US Ban Grows After TikTok Lambasted in Congress 

A U.S. ban of Chinese-owned TikTok, the country’s most popular social media for young people, seems increasingly inevitable a day after the grilling of its CEO by Washington lawmakers from across the political divide. 

But the Biden administration will have to move carefully in denying 150 million Americans their favorite platform over its links to China, especially after a previous effort by then-President Donald Trump was struck down by a U.S. court. 

TikTok CEO Shou Zi Chew endured a barrage of questions by U.S. lawmakers who made clear their belief that the app best known for sharing jokes and dance routines was a threat to U.S. national security as well as being a danger to mental health. 

In a tweet, TikTok executive Vanessa Pappas deplored a hearing “rooted in xenophobia.”   

With both Republicans and Democrats against him at Congress, Chew must now confront a White House ultimatum that TikTok either sever ties with ByteDance, its China-based owners, or be banned in America. 

Bipartisan legislation

A ban will depend on passage of legislation called the RESTRICT ACT, a bipartisan bill introduced in the Senate this month that gives the U.S. Commerce Department powers to ban foreign technology that threatens national security. 

When asked about Chew’s tumultuous hearing, spokeswoman Karine Jean-Pierre repeated the White House’s support of the legislation, which is one of several proposals by Congress to ban or squeeze TikTok. 

The sell-or-be-banned order tears up 2.5 years of negotiations between the White House and TikTok to find a way for the company to keep running under its current ownership while satisfying national security concerns. 

Those talks resulted in a proposal by TikTok called Project Texas in which the personal data of U.S. users stays in the United States and would be inaccessible to Chinese law or oversight. 

But the White House turned sour on the idea after officials from the FBI and the Justice Department said that the vulnerabilities to China would remain. 

“It’s hard for TikTok to prove a negative. ‘No, we’re not turning over any data to the Chinese government.’ Look at how skeptical our European partners are about U.S. companies where we have a strong legal system,” said Michael Daniel, executive director of the Cyber Threat Alliance, a nongovernmental organization dedicated to cybersecurity. 

Presently, the White House’s preferred solution is that TikTok sever ties with ByteDance either through a sale or a spinoff. 

“My understanding is that what has been … insisted on is the divestment of TikTok by the parent company,” U.S. Secretary of State Antony Blinken said Thursday.

Impossible to achieve? 

But that option is riddled with difficulties, with many experts saying that TikTok cannot function without ByteDance, which develops the app’s industry-leading technology. 

“ByteDance’s ownership of TikTok and the golden jewel algorithm at the center of this security debate is a hot-button issue that will not necessarily be solved just by a spinoff or sale of the assets,” said Dan Ives of Wedbush Securities. 

Proving the point, China has ruled out giving the go-ahead for a TikTok sale, citing its own laws to protect sensitive technology from foreign buyers. 

That leaves a ban of TikTok that would undeniably benefit domestic rivals Instagram, Snapchat and YouTube. 

One unknown is whether a death sentence for TikTok will cost Washington politically among voters. 

Through a ban, “a democracy will be taking steps that impede the ability of young Americans to express themselves and earn a livelihood,” said Sarah Kreps, professor of government at Cornell University. 

Does the lawmakers’ grilling of the TikTok CEO minimize the danger of political blowback? 

“I want to say this to all the teenagers … who think we’re just old and out of touch,” said Representative Dan Crenshaw, a Republican. “You may not care that your data is being accessed now, but there will be one day when you do care about it.”

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Artwork That Secretly Honored Hong Kong Dissidents Removed

A Hong Kong department store took down a digital artwork that contained hidden references to jailed dissidents, in an incident the artist says is evidence of erosion of free speech in the semi-autonomous Chinese city.

It was unclear whether the government played a role in the decision to remove the artwork, it came just days after a slasher film featuring Winnie the Pooh, a figure often used in playful taunts of China’s President Xi Jinping, was pulled from local cinemas.

Patrick Amadon’s “No Rioters” was put on display on a billboard at the SOGO Causeway Bay Store for an exhibition that started last Friday, as the city was promoting its return as a vibrant cultural hub following years of pandemic travel restrictions. Art Basel Hong Kong, a prominent art fair in Asia, began this week, alongside other art events.

Hong Kong is a former British colony that returned to China’s rule in 1997, promising to retain its Western-style freedoms. The city was rocked by a massive pro-democracy protest movement in 2019, which ended after China imposed a “National Security Law” that criminalized much dissent. The city’s government has since jailed and silenced many activists.

Amadon said he had followed the protests in Hong Kong closely, and he wanted his work to show solidarity with the protesters and remind people about the new reality of the city.

“It was too much watching Art Week in Hong Kong pretend the Chinese government didn’t crush a democracy and turn Hong Kong into a vassal surveillance state… because it’s a convenient location for a good market,” the Los Angeles-based artist said.

Amadon said he knew the work would be controversial and was surprised it had been displayed in public for days. It featured a panning surveillance camera.

Flashes of Matrix-like text showcased the names and prison sentences of convicted activists and other prominent figures in the pro-democracy movement, including legal scholar Benny Tai and former student leader Joshua Wong, who were both charged with subversion in the biggest case brought under the National Security Law.

These details were shown too fast to be seen by the naked eyes Amadon said, but viewers could see the details if they used a camera to capture stills. It also referred to journalist-turned activist Gwyneth Ho who was assaulted when she was live-streaming a mob attack in July 2019 during the massive protests sparked by an extradition bill.

The gallery that arranged the exhibit did not know whether the government ordered the work taken down, Francesca Boffetti, CEO at Art Innovation Gallery said in an email.

“Our intermediary told us that the owners of SOGO were concerned about the sensitive political content hidden behind Patrick’s work, so they decided to remove the work from the exhibition immediately,” Boffetti said.

No one mentioned any law or threatened them with fines, she added, but SOGO’s legal team asked the gallery whether it was aware of the content and message of Amadon’s work.

Local police and SOGO did not immediately respond to a request for comment. The Culture, Sports and Tourism Bureau told the Associated Press that it did not contact SOGO.

Amadon said the gallery told him in an urgent call that it was very concerned about its legal exposure after a conversation with SOGO.

Since the passage of the National Security Law, the city’s art and media communities have learned to be wary of crossing vaguely defined red lines. Pro-democracy newspaper Apple Daily was forced to close after authorities arrested its top editors and executives and accused them of foreign collusion. Some artists known for their political work left Hong Kong under the shadow of the law. Some filmmakers have stopped showing their work in the city. Even those producing non-political content have become cautious. But the government insisted that its residents continue to enjoy promised freedoms after the enactment of the law.

Amadon said what happened to his work showed that the city had lost its freedom of expression and artistic freedom.

“This objectively shows that they are no longer here in the same way that they once were,” he said. “From a narrative standpoint, I mean, it did have to get censored and taken down, I feel like, to be a completed piece.”

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TikTok CEO Tells US Lawmakers App Is Place for Free Expression

Shou Zi Chew, chief executive officer of TikTok, pushed back Thursday against calls from US lawmakers to ban the social media app, contending that the company is not connected to the Chinese Communist Party. VOA Congressional Correspondent Katherine Gypson has more

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3D-Printed Rocket Falls Far Short of Orbit

A 3D-printed rocket goes up before crashing right back down. Plus, a new spacesuit designed with women in mind, and mysterious objects streak the California-night sky. VOA’s Arash Arabasadi brings us The Week in Space.

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Basketball Artists School Helps Youth Development in Namibia

In Namibia, the German-supported Basketball Artists School (BAS) has been helping develop the sport while giving hope to at-risk youth. Beyond basketball, the program teaches life skills to disadvantaged youth and offers after-school meals. Vitalio Angula reports from Windhoek, Namibia. Camera: Dantagob Geingob

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TikTok CEO Faces Off With Congress Over Security Fears

The CEO of TikTok made a rare public appearance Thursday before a U.S. Congressional committee, where he faced a grilling on data security and user safety while he makes his own case for why the hugely popular video-sharing app shouldn’t be banned.

Shou Zi Chew’s testimony comes at a crucial time for the company, which has acquired 150 million American users but is under increasing pressure from U.S. officials. TikTok and its parent company ByteDance have been swept up in a wider geopolitical battle between Beijing and Washington over trade and technology.

In her opening statement, Committee Chair Cathy McMorris Rodgers, a Republican, assailed the social platform’s trustworthiness because of its close ties to Beijing.

“Mr. Chew, you are here because the American people need the truth about the threat TikTok poses to our national and personal security,” McMorris Rodgers said. “TikTok has repeatedly chosen a path for more control, more surveillance and more manipulation.”

Chew, a 40-year-old Singapore native, will tell the U.S. House Committee on Energy and Commerce that TikTok prioritizes the safety of its young users and deny allegations that the app is a national security risk, according to his prepared remarks released ahead of the hearing.

“There are many misconceptions about our company and I’m very proud to come here and represent them and all our users in this country,” Chew told reporters before entering the hearing.

On Wednesday, the company sent dozens of popular TikTokers to Capitol Hill to lobby lawmakers to preserve the platform. It has also been putting up ads all over Washington that tout promises of securing users data and privacy and creating a safe platform for its young users.

TikTok has been dogged by claims that its Chinese ownership means user data could end up in the hands of the Chinese government or that it could be used to promote narratives favorable to the country’s Communist leaders.

“We understand the popularity of Tiktok, we get that,” said White House press secretary Karine Jean-Pierre at a press conference Wednesday afternoon. “But the President’s job is to make sure again that the Americans, national security is protected as well.”

For its part, TikTok has been trying to distance itself from its Chinese origins, saying that 60% percent of its parent company ByteDance is owned by global institutional investors such as Carlyle Group. ByteDance was founded by Chinese entrepreneurs in Beijing in 2012.

“Let me state this unequivocally: ByteDance is not an agent of China or any other country,” Chew said.

A U.S. ban on an app would be unprecedented and it’s unclear how the government would go about enforcing it.

Experts says officials could try to force Apple and Google to remove TikTok from their app stores, preventing new users from downloading it as well as preventing existing users from updating it, ultimately rendering it useless.

The U.S. could also block access to TikTok’s infrastructure and data, seize its domain names or force internet service providers like Comcast and Verizon to filter TikTok data traffic, said Ahmed Ghappour, a criminal law and computer security expert who teachers at Boston University School of Law.

But a tech savvy user could still get around restrictions by using a virtual private network to make it appear the user is in another country where it’s not blocked, he said.

To avoid a ban, TikTok has been trying to sell officials on a $1.5 billion plan called Project Texas, which routes all U.S. user data to domestic servers owned and maintained by software giant Oracle. Under the project, access to U.S. data is managed by U.S. employees through a separate entity called TikTok U.S. Data Security, which employs 1,500 people, is run independently of ByteDance and would be monitored by outside observers.

As of October, all new U.S. user data was being stored inside the country. The company started deleting all historic U.S. user data from non-Oracle servers this month, in a process expected to be completed later this year, Chew said.

Generally, researchers have said TikTok behaves like other social media companies when it comes to data collection. In an analysis released in 2021, the University of Toronto’s nonprofit Citizen Lab found TikTok and Facebook collect similar amounts of user data, including device identifiers that can be used to track a user and other information that can piece together a user’s behavior, all valuable information for advertisers.

To block such tracking, Congress, the White House, U.S. armed forces and more than half of U.S. states have banned the use of the app from official devices.

But wiping away all the data tracking associated with the platform might prove to be difficult. In a report released this month, the Cybersecurity company Feroot said so-called tracking pixels from ByteDance, which collect user information, were found on 30 U.S state websites, including some where the app has been banned for official use.

Other countries including Denmark, Canada, and New Zealand, along with the European Union, have already banned TikTok from devices issued to government employees, citing cybersecurity concerns.

David Kennedy, a former government intelligence officer who runs the cybersecurity company TrustedSec, agrees with restricting TikTok access on government-issued phones because they might contain sensitive military information or other confidential material. A nationwide ban, however, might be too extreme, he said. He also wondered where it might lead.

“We have Tesla in China, we have Microsoft in China, we have Apple in China. Are they going to start banning us now?” Kennedy said. “It could escalate very quickly.”

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US, Albania on ‘Hunt’ for Iranian Cyber Actors

The decision to launch a series of cyberattacks that crippled Albanian government websites and temporarily shut down government services may be backfiring on the alleged perpetrator.

Albania blamed the attacks in July and September of last year on Iran, claiming the evidence pointing to Tehran was “irrefutable,” and ordered all Iranian officials out of the country.

Now, a U.S. cyber team sent to Albania to help the country recover and “hunt” for more dangers says the efforts have turned up “new data and information about the tools, techniques, and procedures of malicious cyber actors, attempting to disrupt government networks and systems.”

“The hunt forward operation resulted in incredibly valuable insights for both our allied partner and U.S. cyber defenses,” the Cyber National Mission Force’s Major Katrina Cheesman told VOA, adding information was shared not only with the Albanian government but also some private companies with critical roles in the digital infrastructure of both countries.

Officials declined to share additional details, citing operational security, other than to say the networks they examined were of “significance” to Washington.

“These hunts bring us closer to adversary activity to better understand and then defend ourselves,” the commander of U.S. Cyber National Mission Force, Major General William Hartman, said in a statement Thursday, following a visit to Albania.

“When we are invited to hunt on a partner nation’s networks, we are able to find an adversary’s insidious activity,” Hartman said. “We can then impose costs on our adversaries by exposing their tools, tactics and procedures, and improve the cybersecurity posture of our partners and allies.”

Iran has consistently denied responsibility for the cyberattacks against Albania, calling the allegation “baseless.”

Albania’s claims were backed by the United States, which described the Iranian actions in cyberspace as “counter to international norms.”

This past September, the U.S. Cybersecurity and Infrastructure Security Agency, CISA, and the FBI attributed the initial cyberattacks against Albania to Iranian state cyber actors calling themselves “HomeLand Justice.”

The joint advisory warned the group first gained access to Albania’s in May 2021 and maintained access to the Albanian networks for more than a year, stealing information, before launching the initial cyberattack in July 2022.

CISA and the FBI also concluded that Iran likely launched the second cyberattack in September 2022, using similar types of malware, in retaliation for Albania’s decision to attribute the first round of attacks to Tehran.

U.S. officials confirmed they had sent a team of experts to Albania shortly after the attacks, but information released Thursday sheds more light on the scope of the operation.

According to the U.S. officials, the so-called “hunt forward” team was deployed to Albania last September and worked alongside Albanian officials before returning home in late December.

Prior to the mission in Albania, other U.S. “hunt forward” teams had been deployed 43 times to 21 countries, including to Ukraine, Estonia, Lithuania, Montenegro and Croatia.

 

Albanian officials have indicated they hope to continue working with U.S. cyber teams to further strengthen Albania’s cyber defenses.

“The cooperation with U.S. Cyber Command was very effective,” said Mirlinda Karcanaj, the general director of Albania’s National Agency for Information Society, in a statement released by the U.S. 

“We hope that this cooperation will continue,” she added.

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Africa’s Premier Basketball League Aims to Empower Women

The Basketball Africa League has been around since 2019. It is part of the U.S. National Basketball Association or NBA and expanding basketball into Africa with its first season in 2021. A new initiative is opening the way for women players as well. Seydina Aba Gueye has this report from Dakar in this story narrated by Salem Solomon.

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Biden Honors Springsteen, Julia Louis-Dreyfus, Mindy Kaling

U.S. President Joe Biden made an observation when conferring the National Medal of Arts on rocker Bruce Springsteen on Tuesday:

“Bruce, some people are just born to run, man.”

Springsteen and a host of actors, authors, singers and other artists joined Biden in the White House East Room where they received either a National Medal of Arts or National Humanities Medal for their contributions to American society.

Comedian Julia Louis-Dreyfus, whose “Veep” show made light of the vice presidency — an office Biden once held — was also honored.

“She embraces life’s absurdity with absolute wit, and handles real life turns with absolute grace. A mom, a cancer survivor, a pioneer for women in comedy, she is an American original,” Biden said.

Actress Mindy Kaling, a main character on the long-running television show, “The Office,” set in Biden’s hometown of Scranton, Pennsylvania, received a medal as well.

When Biden introduced author Colson Whitehead to the crowd, he noted that Whitehead had won back-to-back Pulitzer Prizes for his books and gave a hint of his own ambitions.

“I’m trying to go back to back myself,” said Biden, who has said he intends to run for reelection in 2024.

Singer Gladys Knight, the “empress of soul,” was an honoree, along with clothing designer Vera Wang, historian Walter Isaacson and authors Amy Tan, Ann Patchett and Tara Westover, among others.

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‘Winnie the Pooh’ Slasher Film Pulled from Hong Kong Cinemas

Public screenings of a slasher film that features Winnie the Pooh were scrapped abruptly in Hong Kong on Tuesday, sparking discussions over increasing censorship in the city.

Film distributor VII Pillars Entertainment announced on Facebook that the release of “Winnie the Pooh: Blood and Honey” on Thursday had been canceled with “great regret” in Hong Kong and neighboring Macao.

In an email reply to The Associated Press, the distributor said it was notified by cinemas that it could not show the film as scheduled, but didn’t know why. The cinema chains involved did not immediately reply to a request for comment.

For many residents, the Winnie the Pooh character is a playful taunt of China’s President Xi Jinping and Chinese censors in the past had briefly banned social media searches for the bear in the country. In 2018, the film “Christopher Robin,” also featuring Winnie the Pooh, was reportedly denied a release in China.

The film being pulled in Hong Kong has prompted concern on social media over the territory’s shrinking freedoms.

The movie was initially set to be shown in about 30 cinemas in Hong Kong, VII Pillars Entertainment wrote last week.

The Office for Film, Newspaper and Article Administration said it had approved the film and arrangements by local cinemas to screen approved films “are the commercial decisions of the cinemas concerned.” It refused to comment on such arrangements.

A screening initially scheduled for Tuesday night in one cinema was canceled due to “technical reasons,” the organizer said on Instagram.

Kenny Ng, a professor at Hong Kong Baptist University’s academy of film, refused to speculate on the reason behind the cancellation, but suggested the mechanism of silencing criticism appeared to be resorting to commercial decisions.

Hong Kong is a former British colony that returned to China’s rule in 1997, promising to retain its Western-style freedoms. But China imposed a national security law following massive pro-democracy protests in 2019, silencing or jailing many dissidents.

In 2021, the government tightened guidelines and authorized censors to ban films believed to have breached the sweeping law.

Ng said the city saw more cases of censorship over the last two years, mostly targeting non-commercial movies, such as independent short films.

“When there is a red line, then there are more taboos,” he said.

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TikTok Updates Rules; CEO on Charm Offensive for US Hearing

TikTok went on a counteroffensive Tuesday amid increasing Western pressure over cybersecurity and misinformation concerns, rolling out updated rules and standards for content as its CEO warned against a possible U.S. ban on the Chinese-owned video-sharing app. 

CEO Shou Zi Chew is scheduled to appear Thursday before U.S. congressional lawmakers, who will grill him about the company’s privacy and data-security practices and relationship with the Chinese government. 

Chew said in a TikTok video that the hearing “comes at a pivotal moment” for the company, after lawmakers introduced measures that would expand the Biden administration’s authority to enact a U.S. ban on the app, which the CEO said more than 150 million Americans use. 

“Some politicians have started talking about banning TikTok. Now, this could take TikTok away from all 150 million of you,” said Chew, who was dressed casually in jeans and a blue hoodie, with the dome of the U.S. Capitol in Washington in the background. 

“I’ll be testifying before Congress this week to share all that we’re doing to protect Americans using the app,” he said. 

The TikTok app has come under fire in the U.S., Europe and Asia-Pacific, where a growing number of governments have banned TikTok from devices used for official business over worries it poses risks to cybersecurity and data privacy or could be used to push pro-Beijing narratives and misinformation. 

So far, there is no evidence to suggest this has happened or that TikTok has turned over user data to the Chinese government, as some of its critics have argued it would do. 

Norway and the Netherlands on Tuesday warned that apps like TikTok should not be installed on phones issued to government employees, both citing security or intelligence agencies. 

There’s a “high risk” if TikTok or Telegram are installed on devices that have access to “internal digital infrastructure or services,” Norway’s Justice Ministry said without providing further details. 

TikTok also rolled out updated rules and standards for content and users in a reorganized set of community guidelines that include eight principles to guide content moderation decisions. 

“These principles are based on our commitment to uphold human rights and aligned with international legal frameworks,” said Julie de Bailliencourt, TikTok’s global head of product policy. 

She said TikTok strives to be fair, protect human dignity and balance freedom of expression with preventing harm. 

The guidelines, which take effect on April 21, were repackaged from TikTok’s existing rules with extra details and explanations. 

Among the more significant changes are additional details about its restrictions on deepfakes, also known as synthetic media, created by artificial intelligence technology. TikTok more clearly spells out its policy, saying all deepfakes or manipulated content that show realistic scenes must be labeled to indicate they’re fake or altered in some way. 

TikTok had previously banned deepfakes that mislead viewers about real-world events and cause harm. Its updated guidelines say deepfakes of private figures and young people are also not allowed. 

Deepfakes of public figures are OK in certain contexts, such as for artistic or educational content, but not for political or commercial endorsements. 

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Ukrainian Artists Use Their Craft to Counter Russian Messaging in Africa

Ukraine is supporting artists painting murals in Europe and Africa to counter Russian disinformation about Moscow’s invasion of Ukraine. Dubbed ”The Wall,” a nod to the album by British rock band Pink Floyd, the project was recently launched in Kenya’s capital and also employs local artists. Victoria Amunga reports from Nairobi. Kenya footage by Jimmy Makhulo.

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Amazon Cuts 9,000 More Jobs, Bringing 2023 Total to 27,000

Amazon plans to eliminate 9,000 more jobs in the next few weeks, CEO Andy Jassy said in a memo to staff Monday. 

The job cuts would mark the second largest round of layoffs in the company’s history, adding to the 18,000 employees the tech giant said it would lay off in January. The company’s workforce doubled during the pandemic, however, during a hiring surge across almost the entire tech sector. 

Tech companies have announced tens of thousands of job cuts this year. 

In the memo, Jassy said the second phase of the company’s annual planning process completed this month led to the additional job cuts. He said Amazon will still hire in some strategic areas. 

“Some may ask why we didn’t announce these role reductions with the ones we announced a couple months ago. The short answer is that not all of the teams were done with their analyses in the late fall; and rather than rush through these assessments without the appropriate diligence, we chose to share these decisions as we’ve made them, so people had the information as soon as possible,” Jassy said. 

The job cuts announced Monday will hit profitable areas for the company including its cloud computing unit AWS and its burgeoning advertising business. Twitch, the gaming platform Amazon owns, will also see some layoffs as well as Amazon’s PXT organizations, which handle human resources and other functions. 

Prior layoffs had also hit PXT, the company’s stores division, which encompasses its e-commerce business as well as the company’s brick-and-mortar stores such as Amazon Fresh and Amazon Go, and other departments such as the one that runs the virtual assistant Alexa. 

Earlier this month, the company said it would pause construction on its headquarters building in northern Virginia, though the first phase of that project will open this June with 8,000 employees. 

Like other tech companies, including Facebook parent Meta and Google parent Alphabet, Amazon ramped up hiring during the pandemic to meet the demand from homebound Americans that were increasingly making purchases online. 

Amazon’s workforce, in warehouses and offices, doubled to more than 1.6 million people in about two years. But demand slowed as the worst of the pandemic eased. The company began pausing or canceling its warehouse expansion plans last year. 

Amid growing anxiety over the potential for a recession, Amazon in the past few months shut down a subsidiary that’s been selling fabrics for nearly 30 years and shuttered its hybrid virtual, in-home care service Amazon Care among other cost-cutting moves. 

Jassy said Monday given the uncertain economy and the “uncertainty that exists in the near future,” the company has chosen to be more streamlined. 

He said the teams that will be impacted by the latest round of layoffs are not done making final decisions on which roles will be eliminated. The company plans to finalize those decisions by mid- to late April and notify those who will be laid off. 

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Adam Sandler Receives Mark Twain Prize for Lifetime in Comedy

A host of comedic and entertainment royalty gathered at Washington’s Kennedy Center to present comedy icon Adam Sandler with the Mark Twain Prize for American Humor. 

Among those scheduled to honor Sandler on Sunday night were Jennifer Aniston, Judd Apatow, Drew Barrymore, Steve Buscemi, Dana Carvey, Luis Guzmán, Conan O’Brien, Chris Rock, Rob Schneider, David Spade and Ben Stiller. 

“Who has lasted this long and stayed this beloved?” Carvey said as he arrived on the Kennedy Center red carpet. “Nobody keeps this up for this long.” 

Buscemi, known largely for dramatic and often violent roles, portrayed a string of comedic characters in Sandler movies. 

“He takes his comedy very seriously. I laugh hard at everything I do with him,” he said. 

Buscemi also singled out Sandler’s musical comedy, including “The Chanukah Song,” which became a multiplatinum hit. “His comedy songs alone deserve this reward,” he said. 

Sandler, 56, first came to national attention as a cast member on “Saturday Night Live.” After being fired from the cast following a five-year stint, Sandler launched a wildly successful movie career that has spanned more than 30 films, grossing over $3 billion worldwide. 

Sandler’s top hits include “Happy Gilmore,” “The Wedding Singer” and “You Don’t Mess with the Zohan.” Although primarily known for slapstick comedy and overgrown man-child characters, he has excelled in multiple dramatic roles in films such as “Punch Drunk Love” and “Uncut Gems.” 

Guzman, who co-starred in “Punch Drunk Love,” praised Sandler’s “total commitment to something that was so far our of his element.” 

Mark Twain recipients are honored with a night of testimonials and video tributes, often featuring previous award winners. Other comedians receiving the lifetime achievement award include Richard Pryor (the inaugural recipient in 1998), Whoopi Goldberg, Bob Newhart, Carol Burnett and Dave Chapelle. Bill Cosby, the 2009 recipient, saw his Mark Twain Prize rescinded in 2019 amid multiple allegations of sexual assault. 

The long-running comedy institution “SNL” has provided more than its share of the 24 Mark Twain recipients. Sandler is the seventh cast member to receive the prize, joining Bill Murray, Tina Fey, Will Farrell, Billy Crystal, Eddie Murphy, Julia Louise-Dreyfus. Show creator and producer Lorne Michaels won in 2004. 

The ceremony will be broadcast nationally on CNN on March 26. 

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Starlink Brought Internet to Brazil’s Amazon. Criminals Love It.

Brazilian federal agents aboard three helicopters descended on an illegal mining site on Tuesday in the Amazon rainforest. They were met with gunfire, and the shooters escaped, leaving behind an increasingly familiar find for authorities: Starlink internet units.

Starlink, a division of Elon Musk’s SpaceX, has almost 4,000 low-orbit satellites across the skies, connecting people in remote corners of the Amazon and providing a crucial advantage to Ukrainian forces on the battlefield. The lightweight, high-speed internet system has also proved a new and valuable tool for Brazil’s illegal miners, with reliable service for coordinating logistics, receiving advance warning of law enforcement raids and making payments without flying back to the city.

Agents from the Brazilian environment agency’s special inspection group and the federal highway police rapid response group on Tuesday found one Starlink terminal up and running next to a pit, an officer who participated in the raid told The Associated Press. He spoke on condition of anonymity over concerns for his personal safety.

They also seized mercury, gold and ammunition, and destroyed fuel and other equipment used by miners in an area known as Ouro Mil, controlled by Brazil´s most feared criminal organization, known as the First Command of the Capital, according to federal investigations.

Since taking office this year, President Luiz Inácio Lula da Silva has sought to crack down on environmental violations, particularly illegal mining in Yanomami land, Brazil’s largest Indigenous territory. In recent years, an estimated 20,000 prospectors contaminated vital waterways with mercury used to separate gold. They have disrupted traditional Indigenous life, brought disease and caused widespread famine.

The environment agency, known as Ibama, has seized seven Starlink terminals in Yanomami land over the past five weeks, the agency’s press office said.

Illegal miners have long used satellite internet to communicate and coordinate, but until now that entailed sending a technician, usually by plane, to install a heavy, fixed antenna that cannot be carried off when mining sites move or are raided. And the connection was slow and unstable, especially on rainy days.

Starlink – which first became available in Brazil last year and has spread rapidly – solved those problems. Installation is do-it-yourself, the equipment works even on the move, speed is as fast as in Brazil´s large cities and it works during storms.

Starlink has long viewed the Amazon as an opportunity. That was underscored by Musk’s visit to Brazil last May, when he met with then-President Jair Bolsonaro.

“Super excited to be in Brazil for launch of Starlink for 19,000 unconnected schools in rural areas & environmental monitoring of Amazon,” Musk tweeted at the time.

That project with the government hasn’t advanced, however. SpaceX and the communications ministry haven’t signed any contract, and only three terminals were installed in Amazon schools for a 12-month trial period, the ministry’s press office said in an emailed response to questions.

Nevertheless, Starlink has taken off in the region and begun ushering in change.

In Atalaia do Norte, on the western reaches of the Brazilian Amazon near the borders with Peru and Colombia, Rubeney de Castro Alves installed Starlink at his hotel in December. Now, he can make bank transfers and conduct video calls. He even started bingeing Netflix.

“There are so many new things to watch that I’m not even sleeping,” Alves said, chuckling.

His son once flew all the way to Manaus, the state capital 1,140 kilometers (708 miles) away, just to negotiate with a group of tourists via conference call. Today, internet at his 11-room hotel in Atalaia do Norte is more reliable than in Manaus, and he bought a second terminal for his tour boat to enable communications on its 10-day voyages, Alves said.

With high demand for internet, dozens of the riverside town’s 21,000 residents flock to Alves’ hotel each day. Its balcony is a meeting point for teenagers who spend hours playing online games on their phones.

“It made a revolution in our city,” Alves said.

A world away, in Ukraine, Starlink has yielded advantages on the battlefield in its war with Russia.

Ukraine has received some 24,000 Starlink terminals that allow continued internet in the most vulnerable regions of the southeast even amid ongoing Russian shelling. In large Ukrainian cities, authorities have set up “points of resilience” that offer free internet along with hot beverages.

The benefits of connectivity were immediately apparent to bad actors in the Amazon, Hugo Loss, operations coordinator for Brazil´s environment agency, told the AP in a phone interview.

“This technology is extremely fast and really improves the ability to manage an illegal mine,” Loss said. “You can manage hundreds of mining sites without ever setting foot in one.”

Another official with the environment agency told AP it is just beginning to expel miners from the Yanomami territory and the spread of Starlink has complicated that mission. The official spoke on condition of anonymity because of concerns about personal safety.

An unauthorized reseller of Starlink in Boa Vista, the gateway for travel into Yanomami territory, has been marketing the units in a WhatsApp group for illegal miners and promising same-day delivery. Her price for a terminal is $1,600— six times what Alves pays for service at his little hotel in Atalaia do Norte. Others are selling the Starlink terminals on Facebook groups for illegal miners, like one called “Fanatics for Prospecting.”

As lawbreakers have gained access to superior internet service, authorities have started using Starlink themselves. Federal agents installed a terminal at a new checkpoint on the Uraricoera River – an important corridor for miners entering Yanomami territory. The official who informed the AP about the Tuesday raid used Starlink to send photos and even heavy video files of their operation.

Brazil’s environment agency told the AP via email that it, along with other federal bodies, is studying how to block Starlink’s signal in illegal mining areas, calling it crucial to stopping the activity.

The AP emailed James Gleeson, SpaceX’s Communications Director, questions about Starlink’s presence in Brazil and its use by illegal miners in remote areas, but received no response.

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Vatican Unveils New Ethnographic Display of Rwanda Screens

The Vatican Museums officially reopened its African and American ethnographic collections Thursday by showcasing intricately restored Rwandan raffia screens that were sent by Catholic missionaries to the Vatican for a 1925 exhibit.

The display at the Anima Mundi Ethnological Museum featured a scientific presentation of the restoration process as well as the research that preceded it, with consultations with Rwanda’s own ethnographic museum, a UCLA graduate student and Belgium’s Royal Museum for Central Africa. It came as ethnographic museums in Europe and North America are grappling with demands from Indigenous groups and former colonies to return artifacts dating from colonial times.

The Rev. Nicola Mappelli, curator of the Anima Mundi museum, declined to comment on calls for restitution of the Vatican’s own ethnographic holdings, saying these were questions for the museum leadership. Speaking to The Associated Press during a visit to the new exhibit, he noted that the Vatican last year returned three mummies to Peru and a human head to Ecuador in 2017.

The museum director, Barbara Jatta, didn’t refer to the issue in her remarks at the opening, emphasizing, however, what she said was the Anima Mundi’s commitment to transparency and “dialogue with different cultures.”

She said the unveiling of the Rwandan panels was a moment to celebrate the reopening of the African and American section of the museum as well as the 50th anniversary of the transfer of the entire collection into the Vatican Museums itself.

The issue of the Vatican’s ethnographic collection came into the spotlight last year, when Indigenous groups from Canada came to the Vatican to receive an apology from Pope Francis for Canada’s church-run residential school system.

Canada’s Truth and Reconciliation Commission has said the policy of forcibly removing Indigenous children from their families in a bid to assimilate them into Christian Canadian society amounted to “cultural genocide.” The First Nations, Metis and Inuit delegations visited the Anima Mundi and were shown several Indigenous items in the collection, and representatives later said they wanted them back or, at the very least, to have access to them so Indigenous researchers could study them.

The Vatican has long insisted that the basis of its ethnographic collection stemmed from “gifts” to Pope Pius XI, who in 1925 staged a huge exhibit in the Vatican gardens to celebrate the church’s global reach, its missionaries and the lives of the Indigenous peoples they evangelized. Catholic missionaries around the globe sent him artifacts, but some researchers today question whether Indigenous peoples were able to consent to such “gifts” given the power dynamics of the time.

The informational labels on the new exhibits emphasize the Vatican’s view. The Canada label, for example, reads: “There is a long tradition of gifts sent by the Indigenous peoples of Canada to the popes,” noting that a headdress in the exhibit was given to Francis during his 2022 trip to Canada by Chief Wilton Littlechild.

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US Experts Urge More Efforts to Thwart China’s Acquisition of US Military Technology 

U.S. former officials and experts are urging greater efforts to thwart Chinese espionage, which many believe has enabled Beijing to develop a range of advanced weaponry on the back of stolen American technology.

James Anderson, a former acting undersecretary of defense for policy, said China stole U.S. military technology for developing its J-20 fighter jet and has benefited immensely.

“They have profited greatly from their thievery over the years,” he said. “They’ve put it to good use, and they’ve come up with an advanced fifth-generation fighter,” noting that it’s “hard to say, short of actual combat,” how the J-20 matches up against the U.S. F-22 Raptor fighter.

Matthew Brazil is a researcher and writer with Jamestown Foundation who served in the U.S. Embassy in Beijing, where he both promoted and controlled U.S. high-technology exports to China. He said the FBI doesn’t have enough people to keep track of China’s activities in the U.S.

Brazil told VOA Mandarin, “Chinese communist espionage is not like an army of cockroaches crawling up our arms with daggers between their teeth. It’s spying. We can handle it with a better counterespionage system that includes both the government and the private sector working more closely together.”

He noted the FBI lacks “enough agents trained in Chinese language, culture and area studies. Congress should step in here and fund this sort of program to train people.”

U.S. Senators Marco Rubio and Mark Warner last month urged the Biden administration to expand the use of existing tools and authorities at the Treasury and Commerce departments to prevent China’s military-industrial complex and entities from benefiting from U.S. technology, talent and investments.

As of March 14, Warner’s office told VOA Mandarin, “We have not yet received a response and are following up with the relevant departments.”

VOA Mandarin emailed the Chinese Embassy in Washington asking for a comment but did not receive a response in time for publication. Anderson, who made his remarks to Fox News Digital last week, was sworn in on June 8, 2020, and resigned in November 2020.

US tech in Chinese weapons

China claims to have independently developed its fifth-generation stealth fighter J-20, which entered service in 2017. John Chipman, head of the International Institute for Strategic Studies, said on February 15 at an IISS event that China’s J-20A production is expected to surpass that of the U.S. F-22 Raptor fighter jet by the end of 2023.

China’s sixth-generation fighter jets, hypersonic weapons and missiles, and even the spy balloons that crossed the continental United States last month all appear to incorporate elements of American technology, according to DefenseOne, a Washington news site devoted to military issues.

U.S. defense officials say China has the world’s leading hypersonic arsenal.

Terry Thompson, a retired U.S. Air Force colonel and war planner at the Pentagon who blogs, told VOA Mandarin that China lacks a solid technological foundation and has a long history of stealing technology.

He said, “If you look back at the epic progression of Chinese aircraft, they say they’ve produced an aircraft that looks like and flies like the F-16 and like the F-15 and the F-18. I mean, they look just like our aircraft. They’re not building something new that comes from their own base of technology. They don’t have a base of technology.”

Thompson said China targets engine and power system technology, but also “the aerodynamics. They didn’t have the capability to coat airplanes with stealth material. They stole that from us.

“But now China is making its way right up to the table that the rest of the free world is playing on, because they are just stealing their pathway to that table.”

Old-style spies and cyberattacks

Anderson told Fox News Digital that China’s intelligence practices include the old-fashioned — spies and bribes to buy American contractors, university professors and government officials — and high-tech cyberactivity to steal key information on military weapons.

“In effect, we end up subsidizing a portion of their research and development budget because they are successfully stealing some of our secrets,” Anderson said.

Kris Osborn, president and editor-in-chief of the U.S. Military Modernization Center, said in an article published last month that China has hired at least 162 Chinese scientists who had worked at the U.S. Los Alamos National Laboratory on deep-penetrating warheads, new hardened heat-resistant nanocomposite materials, vertical-takeoff-and-landing drones and a new generation of submarine “quiet” technologies.

“However, to put things simply and clearly, many of the U.S.-driven technological advances in these critical areas appear to have been stolen by Chinese spies,” Osborn wrote.

A report published in April 2022 by BluePath Labs, a consulting firm commissioned by the U.S.-China Economic and Security Review Commission, said, “Despite a wide body of research on China’s scientific progress, the laboratory system remains a less understood component. … This opacity not only leads to gaps in our knowledge of Chinese defense research, but in many cases has allowed these labs to fly under the radar, leading to cases of close interaction, and even cooperation between Chinese defense labs and U.S. and allied academic institutions.”

In 2023, China’s military expenditure will expand significantly, by 7.2% to $224.8 billion, according to the official budget discussed in an analysis by the Center for Strategic and International Studies.

When meeting with a delegation of the People’s Liberation Army and the Armed Police Force on March 8, China’s President Xi Jinping said China should accelerate the promotion of high-level technological self-reliance.

Emily de La Bruyere, a senior fellow at the Foundation for Defense of Democracies, told VOA Mandarin that China wants semiconductor technology for military functions, development of algorithms and valuable data.

“Stealing technology has been an escalating priority. And I also say that just general aggressiveness of China when it comes to the development of these capabilities, but also its use of international presence in order to coerce – all of those are increasing,” she said. “Not only are they working to catch up, but also if they’re stealing technology from the international system for their military modernization, they’re then able to modernize more cheaply than anybody else.”

Adrianna Zhang contributed to this report.

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New Zealand to Ban TikTok on Devices Linked to Parliament

New Zealand said on Friday it would ban TikTok on devices with access to the country’s parliamentary network due to cybersecurity concerns, becoming the latest nation to limit the use of the video-sharing app on government-related devices.

Concerns have mounted globally about the potential for the Chinese government to access users’ location and contact data through ByteDance, TikTok’s Chinese parent company.

The depth of those concerns was underscored this week when the Biden administration demanded that TikTok’s Chinese owners divest their stakes or the app could face a U.S. ban.

In New Zealand, TikTok will be banned on all devices with access to parliament’s network by the end of March.

Parliamentary Service Chief Executive Rafael Gonzalez-Montero said in an email to Reuters that the decision was taken after advice from cybersecurity experts and discussions within government and with other countries.

“Based on this information, the Service has determined that the risks are not acceptable in the current New Zealand Parliamentary environment,” he said.

Special arrangements can be made for those who require the app to do their jobs, he added.

ByteDance did not immediately respond to a Reuters request for comment.

Speaking at a media briefing, Prime Minister Chris Hipkins said New Zealand operated differently from other nations.

“Departments and agencies follow the advice of the (Government Communications Security Bureau) in terms of IT and cybersecurity policies … we don’t have a blanket across the public sector approach,” Hipkins said.

Both New Zealand’s defense force and Ministry of Foreign Affairs and Trade said on Friday they had already implemented bans on TikTok on work devices.

A spokesperson for the New Zealand Defense Force said in an email to Reuters the move was a “precautionary approach to protect the safety and security” of personnel.

On Thursday, Britain banned the app on government phones with immediate effect. Government agencies in the U.S. have until the end of March to delete the app from official devices.

TikTok has said it believes the recent bans are based on “fundamental misconceptions” and driven by wider geopolitics, adding that it has spent more than $1.5 billion on rigorous data security efforts and rejects spying allegations.

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Nations Crack Down on TikTok

The Biden administration has demanded that TikTok’s Chinese owners divest their stakes in the popular video app or face a possible U.S. ban, the company told Reuters this week.

The move follows the introduction of a new U.S. legislation that would allow the White House to ban TikTok or other foreign-based technologies if they pose a national security risk.

Other countries and entities have also elected to ban the app.

TikTok is owned by China-based ByteDance, the world’s most valuable start-up. Numerous countries have raised concerns over its proximity to the Chinese government and hold over user data across the world.

Here is a list of countries and entities that have implemented a partial or complete ban on TikTok:

New Zealand

Became the latest country to target TikTok, imposing a ban on the use of the app on devices with access to the parliamentary network amid cybersecurity concerns.

United Kingdom

Would ban TikTok on government phones with immediate effect, and asked the National Cyber Security Centre to look at the potential vulnerability of government data from social media apps and risks around how sensitive information could be accessed and used.

India

Banned TikTok and dozens of other apps by Chinese developers on all devices in June 2020, claiming that they were potentially harmful to the country’s security and integrity.

Afghanistan

Is in talks to ban TikTok and video game PUBG, with the Taliban claiming those were leading Afghan youths “astray.”

Pakistan

Banned TikTok at least four times, with the latest ban ending in November, over what the government said was immoral and indecent content on the app.

Belgium

Belgian federal government employees will no longer be allowed to use TikTok on their work phones, Belgian Prime Minister Alexander De Croo said on March 10.

Canada

The nation has banned TikTok on government-issued devices due to security risks.

Taiwan

Banned TikTok and some other Chinese apps on state-owned devices and in December 2022 launched a probe into the social media app over suspected illegal operations on the island.

United States

The U.S. government’s Committee on Foreign Investment in the United States (CFIUS), a powerful national security body, in 2020 unanimously recommended ByteDance divest TikTok because of fears that user data could be passed on to China’s government.

In early March, legislators from both major U.S. parties introduced a bill to ban the popular app in the United States.

Congress previously passed a bill in December 2022 to ban TikTok on federal devices.

US educational institutions

Boise State University, the University of Oklahoma, the University of Texas-Austin, and West Texas A&M University are some of the schools to ban TikTok on university devices and Wi-Fi networks.

US states

Texas, Maryland, Alabama and Utah are among the more than 25 states that have issued orders to staff against using TikTok on government devices.

European Commission and European Parliament

The European Union’s executive arm, the European Commission, has issued an order to ban the use of popular Chinese app TikTok on its staff’s phones due to cybersecurity concerns. Separately, the European Parliament also banned the app from staff phones.

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What Really Helped Michelle Yeoh Win an Oscar

As tough as action film star Michelle Yeoh is, it still might have been hard for her to clinch the best actress Oscar and become the first Asian woman to win the coveted award in its 95-year history—if everything hadn’t fallen into place.

Besides her hard work and talent, Yeoh’s history-making win Sunday is a culmination of many forces, according to film experts and critics.

First, Hong Kong’s film industry made her a well-known star in Asia long before Hollywood noticed her.

“I think her Hong Kong experience definitely is crucial to her latest success,” Timmy Chen (陳智廷), director of the Hong Kong Film Critics Society, said of the Malaysia-born Yeoh, commenting that there were few opportunities for Chinese actors in Malaysia’s Malay-dominated film industry at the time.

Hong Kong cinema cast her in many action and martial arts films — from Yes, Madam to Police Story 3: Super Cop — nurturing her acting and fighting skills, which enabled her to land the role as a Bond girl in the 1997 James Bond film Tomorrow Never Dies, her first Hollywood film.

Yeoh also benefited from trailblazing Asian-American directors who boldly made films with an Asian theme and cast her in them, including Ang Lee’s Crouching Tiger, Hidden Dragon and Jon Chu’s box office hit Crazy Rich Asians, both of which boosted her fame.

The success of Yeoh, her co-star Vietnamese American Ke Huy Quan — who became only the second Asian to win an Oscar for best supporting actor — and their film Everything Everywhere All at Once, which won seven awards including best picture and director, is part of a growing trend in the past few years of “trans-Pacific” Asian directors producing works that are popular not only in Asia, but also the United States, says Jason Coe, an assistant professor at Hong Kong Baptist University’s (HKBU) Academy of Film.

These are people who “are working both in the U.S., but also in places like Hong Kong and Taiwan, taking the sort of best of both, and making films that can appeal to audiences in Hong Kong, Taiwan, mainland China and Southeast Asia, but also in the United States,” Coe noted.

This has led to more opportunities for actors such as Yeoh and has made it possible for the making of the sci-fi comedy Everything Everywhere All at Once, in which Yeoh plays a middle-aged Chinese American immigrant laundromat owner determined to save the universe and her family, all the while showing off her martial arts skills.

Movie streaming platforms such as Netflix helped to fuel this trend by letting audiences have more say.

“Because streaming platforms like Netflix and even YouTube are able to make and distribute so many different types of content, they’ll eventually find their audience, and because their audiences are so diverse, they’ll eventually find their content,” Coe said.

That means a film that might seem niche, like Crazy Rich Asians, a romantic comedy about rich Singaporeans, can find an audience of Asians and non-Asians, “and this can build a momentum that allows for the audiences to have a say in the kind of stories they want,” Coe said. Everything Everywhere All at Once is further proof that stories about Asian Americans can do well at the box office, he said.

It helps to have a theme that resonates with a wide audience – in this film’s case, it’s being overwhelmed and losing touch with what’s really important in life, as well as the disconnection among family members.

But it’s not just the popularity of such stories and the skills of the directors and actors. Yeoh and the film also benefited from the push for diversity in Hollywood in recent years.

“A few years back, they tried to give justice to African American representation, now they are paying attention to Asians. It’s part of the same wave for diversity,” Chen said. “We see more Asian representation, such as award recognitions for films about Asians or made by Asians, including Parasite, Nomadland, Crazy Rich Asians and Farewell.”

Coe agrees, crediting activism within the filmmaking and greater community.

“You’re not going to get a film like Crazy Rich Asians or even Shang-Chi and the Legend of Ten Rings without a film like Black Panther,” Coe said. “It takes all of these ethnic minority communities and disenfranchised communities to advocate for greater diversity in order for more [of these] movies to be made.”

It’s taken decades, but Asian actors have come a long way since the days of Anna May Wong, the first Chinese American Hollywood actress. She had no choice but to play stereotypical and demeaning supporting roles in the 1930s. When a film version of Pearl S. Buck’s novel about China, The Good Earth, was to be made, Wong was not considered for the leading role; it was instead given to a white actress to play in yellowface.

But many insist there’s still a long way to go.

“Michelle Yeoh is one the few fortunate Asian actors or Asian-American actors to get this recognition. There are countless unnamable talents out there who are struggling,” Chen said.

He noted Yeoh’s co-star Quan suffered a nearly 20-year hiatus in his acting career before he got his latest role. Quan couldn’t get much acting work, despite his talents as a child actor, including playing Short Round, Harrison Ford’s sidekick in 1984’s Indiana Jones and the Temple of Doom.

“It’s hard to tell whether [the recent successes] will lead to a long-term trend. We definitely will see more Asian content and representation on American screens in the future, but I think there is still structural inequality in the system,” Chen said.

What helps is that it’s never been easier to make a movie and it’s never been easier to find your audience, Coe said.

“The gatekeepers no longer have that sort of power, and so if you’re telling a really great story, and there are people who want to hear that story, then you’re much more likely to find them [your audiences] now than ever before,” Coe said.

The hopeful impact is that the film, and more films like it that tell Asian American stories in an authentic way, will lead to fewer stereotypes, a sense of understanding, and a sense of belonging by Asian Americans in the United States.

Already, it’s making an impact among young Asian actors and actresses who are inspired by Yeoh, Quan and their film’s success.

“Before, I didn’t dare to think of going to Hollywood. Asians are a minority there and there are many Asian actors that are underrated because of race and language barriers. I didn’t think there would be opportunities,” said Sheena Chan, a student in HKBU’s Acting for Global Screen Program. “Now that Michelle Yeoh and this film have won many Oscar awards, and it’s not just in English, but Cantonese and Mandarin, I think there are more opportunities. I will start to think of going to Hollywood.”

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