Six years after Jifeng Bookstore was forced to close its doors in Shanghai, the shop has reopened in Washington to bring debate and literature to a new audience. Liam Scott has the story for VOA News. Videographer: Yi Ruokun
…
WASHINGTON — Boeing’s beleaguered Starliner made its long-awaited return to Earth on Saturday without the astronauts who rode it up to the International Space Station, after NASA ruled the trip back too risky.
After years of delays, Starliner launched in June for what was meant to be a roughly weeklong test mission — a final shakedown before it could be certified to rotate crew to and from the orbital laboratory.
But unexpected thruster malfunctions and helium leaks en route to the ISS derailed those plans, and NASA ultimately decided it was safer to bring crewmates Butch Wilmore and Suni Williams back on a rival SpaceX Crew Dragon — though they’ll have to wait until February 2025.
The gumdrop-shaped Boeing capsule touched down softly at the White Sands Space Harbor in New Mexico, its descent slowed by parachutes and cushioned by airbags, having departed the ISS around six hours earlier.
As it streaked red-hot across the night sky, ground teams reported hearing sonic booms. The spacecraft endured temperatures of 1,650 degrees Celsius during atmospheric reentry.
NASA lavished praise on Boeing during a post-flight press conference where representatives from the company were conspicuously absent.
“It was a bullseye landing,” said Steve Stich, program manager for NASA’s commercial crew program. “The entry in particular has been darn near flawless.”
Still, he acknowledged that certain new issues had come to light, including the failure of a new thruster and the temporary loss of the guidance system.
He added it was too early to talk about whether Starliner’s next flight, scheduled for August next year, would be crewed, instead stressing NASA needed time to analyze the data they had gathered and assess what changes were required to both the design of the ship and the way it is flown.
Ahead of the return leg, Boeing carried out extensive ground testing to address the technical hitches encountered during Starliner’s ascent, then promised — both publicly and behind closed doors — that it could safely bring the astronauts home. In the end, NASA disagreed.
Asked whether he stood by that decision, NASA’s Stich said: “It’s always hard to have that retrospective look. We made the decision to have an uncrewed flight based on what we knew at the time and based on our knowledge of the thrusters and based on the modeling that we had.”
History of setbacks
Even without crew aboard, the stakes were high for Boeing, a century-old aerospace giant.
With its reputation already battered by safety concerns surrounding its commercial jets, its long-term prospects for crewed space missions hung in the balance.
Shortly after undocking, Starliner executed a powerful “breakout burn” to swiftly clear it from the station and prevent any risk of collision — a maneuver that would have been unnecessary if crew were aboard to take manual control if needed.
Mission teams then conducted thorough checks of the thrusters required for the critical “deorbit burn” that guided the capsule onto its reentry path around 40 minutes before touchdown.
Though it was widely expected that Starliner would stick the landing, as it had on two previous uncrewed tests, Boeing’s program continues to languish behind schedule.
In 2014, NASA awarded both Boeing and SpaceX multibillion-dollar contracts to develop spacecraft to taxi astronauts to and from the ISS, after the end of the Space Shuttle program left the US space agency reliant on Russian rockets.
Although initially considered the underdog, Elon Musk’s SpaceX surged ahead of Boeing, and has successfully flown dozens of astronauts since 2020.
The Starliner program, meanwhile, has faced numerous setbacks — from a software glitch that prevented the capsule from rendezvousing with the ISS during its first uncrewed test flight in 2019, to the discovery of flammable tape in the cabin after its second test in 2022, to the current troubles.
With the ISS scheduled to be decommissioned in 2030, the longer Starliner takes to become fully operational, the less time it will have to prove its worth.
…
RIO DE JANEIRO — Sergio Mendes, the celebrated Brazilian musician whose 1966 hit “Mas Que Nada” made him a global superstar and helped launch a long, Grammy-winning career, has died after months battling the effects of long COVID. He was 83.
The death Thursday of the Brazilian pianist, songwriter and arranger was confirmed in a statement by his family.
“His wife and musical partner for the past 54 years, Gracinha Leporace Mendes, was by his side, as were his loving children,” the statement said Friday. “Mendes last performed in November 2023 to sold out and wildly enthusiastic houses in Paris, London and Barcelona.”
Mendes was born in Niteroi, Rio de Janeiro’s sister city, and studied classical music at a conservatory before joining jazz groups. In the late 1950s and early 1960s, he began playing Bossa Nova as the genre was heating up in Rio’s nightclub scene with Antonio Carlos Jobim, Joao Gilberto and others.
In 1962, they traveled to New York for a Bossa Nova festival at Carnegie Hall. During the trip, Cannonball Adderley invited Mendes to collaborate on the album “Cannonball Adderley and The Bossa Rio Sextet,” leading to his first American record, “The Swinger from Rio,” after signing with Atlantic Records.
Two years later, Mendes moved to California and formed Brazil ’64, which evolved into Brazil ’66 after he added two female vocalists. The group’s debut album, produced by Herb Alpert, featured “Mas Que Nada.” Sung entirely in Portuguese, “Mas Que Nada” was a mid-tempo Samba number originally released in 1963 by composer Jorge Ben Sor and updated three years later by Mendes, who had been playing the song in clubs and gave it a jazzier, more hard-hitting feel.
“I put a band together called Brasil ’66,” he told The Guardian in 2019. “I’d always had instrumental groups, but when I added the two female singers — Lani Hall and Bibi Vogel — it made a different kind of sound. We recorded the song in Los Angeles, with me, the drums, bass and guitar all performing live.”
Mendes’ version was a worldwide hit that helped perpetuate the Brazilian music boom of the 1960s. In 2006, a modern version of the song topped U.S. charts, as performed by the Black Eyed Peas. It was included in his album “Timeless,” produced by will.i.am and also featuring Stevie Wonder, Justin Timberlake and John Legend, among others.
“Sergio Mendes was my brother from another country,” trumpet player Alpert wrote on Facebook, along with a photo from decades ago, sitting next to Mendes at the piano. “He was a true friend and extremely gifted musician who brought Brazilian music in all its iterations to the entire world with elegance.”
Mendes’ other hits were an eclectic blend ranging from covers of the Beatles’ “The Fool on the Hill” and “With a Little Help from My Friends,” to his own Brazilian chant, “Magalenha.” Mendes also composed the soundtrack for the film “Pele,” featuring saxophonist Gerry Mulligan, and even produced an album recorded by the great Brazilian soccer player.
Mendes won the 1992 Grammy Award for Best World Music Album for “Brasileiro” and two Latin Grammy Awards. He also received an Oscar nomination in 2012 for Best Original Song for “Real in Rio,” from the animated film “Rio.”
“Brazilian soul was there,” pianist, singer, and songwriter Marcos Valle told GloboNews about Mendes’ music. Valle also noted that it was Mendes who helped open doors for other Brazilian artists of his generation, including himself, to reach foreign audiences.
…
Music cassette tapes are making a comeback in the U.S, with more than 430,000 sold in 2023 – about five times the number sold just a decade ago. Cassette tapes are especially popular with younger generations who grew up with digital music. Karina Bafradzhian has the story. Videographer: Sergii Dogotar
…
LONDON — Disgraced Hollywood producer Harvey Weinstein won’t face charges of indecent assault in Britain, prosecutors announced on Thursday.
The Crown Prosecution Service, which in 2022 authorized two charges of indecent assault against Weinstein, said it decided to discontinue proceedings because there was “no longer a realistic prospect of conviction.”
“We have explained our decision to all parties,” the CPS said in a statement. ”We would always encourage any potential victims of sexual assault to come forward and report to police, and we will prosecute wherever our legal test is met.”
Weinstein became the most prominent villain of the #MeToo movement in 2017 when women began to go public with accounts of his behavior. After the revelations emerged, British police said they were investigating multiple allegations of sexual assault that reportedly took place between the 1980s and 2015.
In June 2022, the Crown Prosecution Service said it had authorized London’s Metropolitan Police Service to file two charges of indecent assault against Weinstein in relation to an alleged incident that occurred in London in 1996. The victim was in her 50s at the time of the announcement.
Unlike many other countries, Britain does not have a statute of limitations for rape or sexual assault.
Weinstein, who has denied that he raped or sexually assaulted anyone, remains in custody in New York while awaiting retrial in Manhattan, prosecutors said in August.
After the retrial, he is due to start serving a 16-year sentence in California for a separate rape conviction in Los Angeles, authorities said. Weinstein was convicted in Los Angeles in 2022 while already serving a 23-year sentence in New York.
His 2020 conviction in Manhattan was thrown out earlier this year when the state’s top court ruled that the judge in the original trial unfairly allowed testimony against Weinstein based on allegations that weren’t part of the case.
Weinstein, the co-founder of the Miramax entertainment company and The Weinstein Company film studio, was once one of the most powerful people in Hollywood, having produced films such as “Pulp Fiction” and “The Crying Game.”
…
Brussels — Elon Musk’s woes are hardly limited to Brazil as he now risks possible EU sanctions in the coming months for allegedly breaking new content rules.
Access to X has been suspended in South America’s largest country since Saturday after a long-running legal battle over disinformation ended with a judge ordering a shutdown.
But Brazil is not alone in its concerns about X.
Politicians worldwide and digital rights groups have repeatedly raised concerns about Musk’s actions since taking over what was then Twitter in late 2022, including sacking many employees tasked with content moderation and maintaining ties with EU regulators.
Musk’s “free speech absolutist” attitude has led to clashes with Brussels.
The European Union could decide within months to take action against X, including possible fines, as part of an ongoing probe into whether the platform is breaching a landmark content moderation law, the Digital Services Act (DSA).
Nothing has yet been decided but any fines could be as high as 6% of X’s annual worldwide turnover unless the company makes changes in line with EU demands.
But if Musk’s reactions are anything to go by, another showdown is on the cards.
When the EU in July accused X of deceptive practices in violation of the DSA, Musk warned: “We look forward to a very public battle in court.”
The temperature was raised even further a month later with another war of words on social media between Musk and the EU’s top tech enforcer, Thierry Breton.
Breton reminded Musk in a letter of his legal duty to stop “harmful content” from spreading on X hours before an interview with U.S. presidential challenger Donald Trump live on the platform.
Musk responded by mocking Breton and sharing a meme that carried an obscene message.
EU ban ‘very unlikely’
Despite the bitter barbs, the European Commission, the EU’s digital watchdog, insists that dialogue with X is ongoing.
“X continues to cooperate with the commission and respond to questions,” the commission’s digital spokesman, Thomas Regnier, told AFP.
Experts also agree that a Brazil-like shutdown in the 27-country EU is unlikely, although it has the legal right.
The DSA would allow the bloc to demand a judge in Ireland, where X has its EU headquarters, order a temporary suspension until the infringements cease.
Breton has repeatedly insisted that “Europe will not hesitate to do what is necessary.”
But since X has around 106 million EU users, significantly higher than the 22 million in Brazil, the belief is that Musk would not want to risk a similar move in Europe.
“Obviously, we can never exclude it, but it is very unlikely,” said Alexandre de Streel of the think tank Centre on Regulation in Europe.
Regardless of what happens next, de Streel said the case would likely end up in the EU courts, calling X “the least cooperative company” with the bloc.
Jan Penfrat of the European Digital Rights advocacy group said a ban was “a very last resort measure” and that X would “probably” not close shop in the EU.
“I would hope that the commission thinks about this very, very hard before going there because this (a ban) would have a tremendously negative effect on the right to freedom of expression and access to information,” Penfrat said.
EU’s X-File
The commission in July accused X of misleading users with its blue checkmarks for certified accounts, insufficient advertising transparency and failing to give researchers access to the platform’s data.
That allegation is part of a wider probe into X, launched in December, and regulators are still probing how it tackles the spread of illegal content and information manipulation.
X now has access to the EU’s file and can defend itself including by replying to the commission’s findings.
The list of governments angry with Musk is growing. He also raised hackles over the summer in the UK during days of rioting sparked by online misinformation that the suspect behind a mass stabbing that killed three girls was a Muslim asylum seeker.
The billionaire, whose personal X account has 196 million followers, engaged in disputes with British politicians after sharing inflammatory posts and claiming a “civil war is inevitable” in the country.
Non-EU member Britain will soon be able to implement a similar law to the DSA with enforcement expected to start next year.
…
SAO PAULO, brazil — Elon Musk’s satellite-based internet service provider Starlink backtracked Tuesday and said it will comply with a Brazilian Supreme Court justice’s order to block the billionaire’s social media platform, X.
In a statement posted on X, Starlink said it will heed Justice Alexandre de Moraes’ order despite him having frozen the company’s assets. Previously, it informally told the telecommunications regulator that it would not comply until de Moraes reversed course.
“Regardless of the illegal treatment of Starlink in freezing our assets, we are complying with the order to block access to X in Brazil,” the company statement said. “We continue to pursue all legal avenues, as are others who agree that @alexandre’s recent order violate the Brazilian constitution.”
De Moraes froze the company’s accounts last week as a means to compel it to cover X’s fines, which exceed $3 million, reasoning that the two companies are part of the same economic group. Starlink filed an appeal, its law firm Veirano told The Associated Press on August 3, but has declined to comment further in the days since.
Days later, the justice ordered the suspension of X for refusing to name a local legal representative, as required in order to receive notifications of court decisions and swiftly take any requisite action — particularly, in X’s case, the taking down of accounts.
A Supreme Court panel unanimously upheld the block on Monday, undermining efforts by Musk and his supporters to cast the justice as an authoritarian renegade intent on censoring political speech in Brazil.
Had Starlink continued to disobey de Moraes by providing access, telecommunications regulator Anatel could eventually have seized equipment from Starlink’s 23 ground stations that ensure the quality of its internet service, Arthur Coimbra, an Anatel board member, said on a video call from his office in Brasilia.
The company has said it has more than 250,000 clients in Brazil, and it is particularly popular in the country’s more remote corners where it is the only available option.
Some legal experts questioned de Moraes’ basis for freezing Starlink’s accounts, given that its parent company SpaceX has no integration with X. Musk noted on X that the two companies have different shareholder structures.
X has clashed with de Moraes over its reluctance to block users — mostly far-right activists accused of undermining Brazilian democracy and allies of former President Jair Bolsonaro — and has alleged that de Moraes wants an in-country legal representative so that Brazilian authorities can exert leverage over the company by having someone to arrest.
…
When people think about the US state of Texas, they often think of cowboys in big hats and pointy-toed boots. But Texas is more than that. A study found that its biggest city, Houston, is the most diverse large city in the US. This is reflected in the immigrants and the many cuisines and cultures they brought with them to Texas. VOA’s Elizabeth Lee reports.
…
SEOUL, South Korea — An Apple TV+ documentary series, “K-pop Idols,” premiering Friday, offers an intimate look at how the K-pop industry is embracing diversity while grappling with challenges in a field that demands perfection.
The six-part series features Korean American star Jessi and up-and-coming K-pop bands like Cravity and Blackswan, documenting the highs and lows of their careers.
K-pop is known for its blend of vocals with precise choreography.
Blackswan members Fatou and Nvee told The Associated Press they practice up to 10 hours daily, including choreography and vocal sessions before the “comeback” season which refers to a string of events to promote their latest songs.
The grueling practice starts early.
Once under contract, K-pop trainees enter a system that includes classes in manners, language, dance, and choreography. As of 2022, there were 752 K-pop trainees under entertainment labels, according to a Korea Creative Content Agency report.
Despite recent pushback against the perennial “dark side of K-pop” narrative, the documentary shows that some industry problems persist.
Former Blackswan member Youngheun said members had a curfew and were not allowed to drink or date. “We even had to report when we were getting our nails done and going to the convenience store in front of our house,” she shared in the documentary.
Rigid control extends to diet.
Blackswan member Gabi is seen eating a meal of egg, chicken breast and what resembles sweet potato sticks during her trainee period. “I am dieting because Mr. Yoon [the label’s head] told me I need to lose weight,” Gabi said.
The pressure applies to boy bands, too.
Cravity member Wonjin shared that he was given two weeks to lose weight to join the label. “I would eat like one egg a day […] I lost about 7kg,” he said in the documentary.
Bradley Cramp, one of executive producers of the documentary, noted that such restrictions exist in other competitive industries as well.
“I honestly don’t know one idol or elite sports athlete or entertainer that doesn’t deal with the issue of diet and self-image and mental health to some degree or another,” he told The Associated Press.
The documentary also touches on K-pop’s new challenge: embracing diversity.
Following BTS’ international success, K-pop labels have been actively recruiting foreign talents, which sometimes brings unfamiliar challenges.
In the documentary, Yoon Deung Ryong, the founder of Blackswan’s label DR Music, struggles to settle internal conflicts among members, which later escalated to online clashes between fans.
“If the company says, ‘don’t fight,’ they won’t fight,” he said, referring to traditional K-pop groups. He added that he can’t control a “multinational group” the same way because of language and cultural differences. There are currently no Korean members in Blackswan after member changes.
With K-pop’s global expansion, fundamental questions remain about the essence of K-pop.
“In a K-pop group, if there are no Korean members, I feel like it’s just a K-pop cover group, isn’t it?” Blackswan’s former Korean member Youngheun said in the documentary.
However, Cravity’s Hyeongjun disagrees. “If foreigners come to Korea and sing in other languages, I am not sure if I can call that K-pop, but since they [Blackswan members] are active in Korea and use Korean, they are K-pop.”
Cramp said social media has impacted K-pop’s ecosystem in various ways, including creating a “symbiotic relationship” between K-pop stars and fans, and forcing stars to live their lives “under a microscope.”
“There’s a desire to be real. But on the other hand, you have to obviously keep certain things kind of out of the public spotlight,” he told the AP. “You want to be famous, but yet at the same time, you still want your privacy and you want to be able to go and have dinner with your friends and have a good time and not be filmed doing it.”
“K-Pop Idols” is now available on Apple TV+.
…
New York is one of the fashion capitals of the world, but the industry has made fewer strides in advancing and promoting minorities. In the uptown neighborhood of Harlem, a program is tapping into community talent, led by a local who almost missed out on the industry entirely. Tina Trinh reports. Videographer: Ting-Yi Hsu
…
NEW YORK — Parisa Imanirad, a scientist and cancer researcher from San Francisco, is married and has a wide circle of friends. But once or twice a week, she goes to a restaurant by herself.
Imanirad said dining alone gives her time to think or read. She tries not to touch her phone and relishes the silence. “It’s like a spa, but a different type,” Imanirad said during a recent solo lunch at Spruce, an upscale restaurant in San Francisco.
Imanirad isn’t alone in her desire to be alone. In the United States, solo dining reservations have risen 29% over the last two years, according to OpenTable, the restaurant reservation site. They’re up 18% this year in Germany and 14% in the United Kingdom.
Japan even has a special term for solo dining: “ohitorisama,” which means “alone” but with honorifics spoken before and after the word to make parties of one feel less hesitant. In a recent survey, Japan’s Hot Pepper Gourmet Eating Out Research Institute found that 23% of Japanese people eat out alone, up from 18% in 2018.
As a result, many restaurants in Japan and elsewhere are redoing their seating, changing their menus and adding other special touches to appeal to solo diners.
“Even so-called family restaurants are increasing counter seats for solitary diners, and restaurants are offering courses with smaller servings so a person eating alone gets a variety of dishes,” said Masahiro Inagaki, a senior researcher at the institute.
OpenTable CEO Debby Soo thinks remote work is one reason for the increase, with diners seeking respites from their home offices. But she thinks there are deeper reasons, too.
“I think there’s a broader movement of self-love and self-care and really … enjoying your own company,” Soo said.
The pandemic also made social interactions less feasible and therefore less important while eating out, said Anna Mattila, a professor of lodging management at Penn State University who has studied solo dining. And smartphones help some restaurant patrons feel connected to others even when they’re by themselves, she said.
“The social norms have changed. People don’t look at solo diners anymore and think, ‘You must be a loner,’” Mattila said.
More people live and travel solo
The growth comes as more people are living alone. In 2019, the Pew Research Center found that 38% of U.S. adults ages 25 to 54 were living without a partner, up from 29% in 1990. In Japan, single households now make up one-third of the total; that’s expected to climb to 40% by 2040, according to government data.
Increasing interest in solo travel — particularly among travelers ages 55 and over — is also leading to more meals alone.
On a recent solo trip to Lucerne, Switzerland, Carolyn Ray was stunned when the hostess led her to a beautiful lake-view table set for one, complete with a small vase of flowers. Ray, the CEO and editor of JourneyWoman, a website for solo women travelers over 50, said other restaurants have tried to seat her toward the back or pointedly asked if someone will be joining her.
Ray counsels women planning to dine alone to go somewhere else if they’re treated rudely or given a bad table.
“It’s almost like the world hasn’t caught up with this idea that we are on our own because we want to be on our own and we’re independent and empowered,” she said. “We can go into any restaurant we want and have a table for one and feel good about it.”
Shawn Singh, a Houston-based content creator and restaurant reviewer, said he eats alone about 70% of the time. If the idea of venturing out for a solitary meal is intimidating, he suggests going to lunch instead of dinner — when tables are usually more crowded with groups — or going early on a weekday.
“The best way to see a restaurant you’ve been wanting to see for a long time is definitely going solo,” Singh said. “If I go at 5 p.m. and alone, I haven’t been denied at one place ever.”
Restaurants aren’t always thrilled to seat a single diner at a table that could fit more. A Michelin-starred London restaurant, Alex Dilling at Hotel Cafe Royal, caused a stir last year when it started charging solo patrons the same price as two customers. Its eight-course dinner tasting menu, which includes caviar and Cornish squid, costs 215 pounds ($280) per person.
The restaurant, which has only 34 seats, didn’t respond to a request for comment. But its website doesn’t allow reservations for fewer than two people.
‘Playing the long game’
Other restaurants say it’s worth seating one person at a table made for two because solo diners tend to be loyal, repeat customers.
“While there may be a short-term loss there, I think we’re kind of playing the long game and establishing ourselves as a place that’s truly special,” said Drew Brady, chief operating officer at Overthrow Hospitality, which operates 11 vegan restaurants in New York.
Brady has seen an increase in solo diners since the pandemic, and says they’re evenly split between men and women. At the company’s flagship restaurant, Avant Garden, they make up as much as 8% of patrons.
In response, the restaurant teamed up with Lightspeed, a restaurant tech and consulting company, to develop a solo dining program. Avant Garden now has a spacious table designed for solo diners, with a $65 four-course menu fashioned like a passport to enhance the sense of adventure. If solo diners order a cocktail, a bartender mixes it tableside.
Mattila, at Penn State, said restaurants might want to consider additional changes. Her research has found that solo diners prefer angular shapes — in lights, tables or plates, for example — to round ones, which are more associated with the connectedness of groups. They also prefer slow-tempo music.
Jill Weber, the founder of Sojourn Philly, a Philadelphia company that owns two restaurants and a wine bar, said she adds a communal table at special events such as wine tastings so individuals have a place to gather. She also doesn’t offer specials designed for two.
Weber, who is also an archaeologist, loves dining alone when she’s traveling.
“There’s something about not having to agree on where to go and everything that goes with that. You have the freedom to stay as long as you want, order what you want and sit with those things,” she said. “It also feels brave sometimes.”
…
RIO DE JANEIRO — A Brazilian Supreme Court panel on Monday unanimously upheld the decision of one of its justices to block billionaire Elon Musk’s social media platform X nationwide, according to the court’s website.
The broader support among justices undermines the effort by Musk and his supporters to cast Justice Alexandre de Moraes as an authoritarian renegade intent on censoring political speech in Brazil.
The panel that voted in a virtual session was made up of five of the full bench’s 11 justices, including de Moraes, who last Friday ordered the platform blocked for refusing to name a local legal representative, as required by law. It will stay suspended until it complies with his orders and pays outstanding fines that as of last week exceeded $3 million, according to his decision.
The platform has clashed with de Moraes over its reluctance to block users and has alleged that de Moraes wants an in-country legal representative so that Brazilian authorities can exert leverage over the company by having someone to arrest.
De Moraes also set a daily fine of $8,900 for people or companies using virtual private networks, or VPNs, to access X. Some legal experts questioned the grounds for that decision and how it would be enforced, including Brazil’s bar association, which said it would request that the Supreme Court review that provision.
But the majority of the panel upheld the VPN fine — with one justice opposing unless users are shown to be using X to commit crimes.
Judge feuding with Musk
Brazil is one of the biggest markets for X, with tens of millions of users. Its block marked a dramatic escalation in a monthslong feud between Musk and de Moraes over free speech, far-right accounts and misinformation.
Over the weekend, many X users in Brazil said they felt disconnected from the world and began migrating en masse to alternative platforms such as Bluesky and Threads.
The suspension has proceeded to set up a showdown between de Moraes and Musk’s satellite internet provider Starlink, which is refusing to enforce the justice’s decision.
“He violated the constitution of Brazil repeatedly and egregiously, after swearing an oath to protect it,” Musk wrote in the hours before the vote, adding a flurry of insults and accusations in the wake of the panel’s vote. On Sunday, Musk announced the creation of an X account to publish the justice’s decisions that he said would show they violated Brazilian law.
But legal experts have said such claims don’t hold water, noting that de Moraes’ peers have repeatedly endorsed his rulings — as they did Monday. Although his actions are viewed by experts as legal, they have sparked some debate over whether one man has been afforded too much power, or if his rulings should have more transparency.
De Moraes’ decision to quickly refer his order for panel approval served to obtain “collective, more institutional support that attempts to depersonalize the decision,” Conrado Hübner, a constitutional law expert at the University of Sao Paulo, told The Associated Press.
It is standard for a justice to refer such cases to a five-justice panel, Hübner said. In exceptional cases, the justice also could refer the case to the full bench for review. Had de Moraes done the latter, two justices who have questioned his decisions in the past — and were appointed by former right-wing President Jair Bolsonaro — would have had the opportunity to object or hinder the vote’s advance.
Starlink shutdown next?
X’s block already led de Moraes last week to freeze the Brazilian financial assets of Starlink to force it to cover X’s fines, reasoning that the two companies are part of the same economic group. The company says it has more than 250,000 clients in Brazil.
Legal experts have questioned the legal basis of that move, and Starlink’s law firm Veirano has told the AP it has appealed the freeze. It declined to comment further.
In a show of defiance, Starlink told the telecommunications regulator Anatel that it would not block X access until its financial accounts were unfrozen, Anatel’s press office said in an email to the AP. Starlink didn’t respond to a request for comment.
That means a shutdown of Starlink is likely, although enforcement will be difficult given the company’s satellites aren’t inside national territory, said Luca Belli, coordinator of the Technology and Society Center at the Getulio Vargas Foundation. It is popular in Brazil’s expansive rural and forested areas.
Anatel’s President Carlos Baigorri told local media GloboNews late Sunday afternoon that he has relayed Starlink’s decision to Justice de Moraes.
Baigorri told GloboNews that the “maximum sanction” for a telecom company would be revocation of its license. He said if Starlink loses its license and continues providing service, it would be committing a crime. Anatel could seize equipment from Starlink’s 23 ground stations in Brazil that ensure the quality of its internet service, he said.
“It is highly probable there is a political escalation” because Starlink is “explicitly refusing to comply with orders, national laws,” said Belli, who is also a professor at the Getulio Vargas Foundation’s law school.
The arguments from Musk, a self-proclaimed “free-speech absolutist,” have found fertile ground with Brazil’s political right, who view de Moraes’ actions as political persecution against Bolsonaro’s supporters.
On Brazilian orders, X previously has shut down accounts, including those of lawmakers affiliated with Bolsonaro’s right-wing party and far-right activists accused of undermining Brazilian democracy. X’s lawyers in April sent a document to the Supreme Court, saying that it had suspended or blocked 226 users since 2019.
Bolsonaro and his allies have cheered on Musk for defying de Moraes. Supporters rallied in April along Rio de Janeiro’s Copacabana beach with a giant sign reading “Brazil Thanks Elon Musk.”
Earlier that month, de Moraes ordered an investigation into Musk over the dissemination of defamatory fake news and another probe over possible obstruction, incitement and criminal organization.
Bolsonaro is also the target of a de Moraes probe over whether the former president had a role in inciting an attempted coup to overturn the results of the 2022 election that he lost.
…
los angeles, california — Halloween has arrived earlier than ever at major U.S. theme parks, as operators such as Disney, Six Flags, and Universal Studios seek to expand their reach and build on consumers’ love of spooky costumes and scares.
Theme park operators have introduced a range of attractions, live performances, merchandise and food and beverages in August — before summer has ended and well before the October 31 holiday — to take advantage of the surging popularity of Halloween. These holiday-themed efforts come at a time when domestic theme park attendance has slumped, following a surge in demand after COVID.
Edithann Ramey, chief marketing officer at Six Flags, told Reuters that the theme parks saw attendance gains and increases in guest spending in 2023 when it introduced attractions based on the horror films “SAW” and “The Conjuring.”
The offerings were so successful that the theme park company has been investing more in Halloween experiences, Ramey said.
“It’s become this time of the year that’s grown in explosive ways,” Ramey said. “It’s become a billion-dollar industry in the last five years.”
Jakob Wahl, chief executive for the International Association of Amusement Parks and Attractions, said Halloween has become one of the strongest selling points for parks that cater to young people and families.
“We actually see a growth every year in terms of Halloween events, not only North America, but across the world,” Wahl said.
Disney starts season in August
Walt Disney’s parks started the Halloween season earlier than ever this year with “Mickey’s Not So Scary Party” beginning on August 9 and running through the end of October.
The Oogie Boogie Bash, a separately ticketed event named for the “Nightmare Before Christmas” villain, sold out this year in 11 days, Disney said. Its popularity prompted the company to push the release date to August 25 from September 5.
“We’ve seen from our guests in years past that there’s a demand for them to come and enjoy that season with us,” said Tracy Halas, creative director of Disney Live Entertainment.
Six Flags also kicks off Halloween early this year, on September 14, with a new experience called “Saw: Legacy of Terror” celebrating the 20th anniversary of the “SAW” horror movie franchise.
Following the $8 billion merger of Six Flags and former rival Cedar Fair, which created the nation’s largest amusement park operator, with 42 parks across 17 states, Six Flags is increasing its investment in Halloween.
That includes adding Hollywood-themed experiences to Six Flags Fright Fest based on Netflix’s science fiction series, “Stranger Things,” as well as horror films “Texas Chainsaw Massacre,” and “The Conjuring.”
Universal adds ‘Ghostbusters’ haunted house
Comcast-owned Universal Studios 2024 Halloween Horror Nights in Orlando runs from August 30 to November 3, the longest season they’ve ever had. The company did not immediately respond to a Reuters request for comment.
Universal is adding a “Ghostbusters: Frozen Empire” haunted house to its Halloween programming alongside the first attraction inspired by horror franchise, “A Quiet Place.”
Universal also aims to attract guests at Universal Studios Japan with a new 4D show in collaboration with the anime television series “Chainsaw Man.”
Both Universal Orlando and Japan will add cast members dressed as the antagonists called Death Eaters to haunt Diagon Alley during Horror Nights.
Disney villain Cruella de Vil hosted a “Let’s Get Wicked” celebration at Hong Kong Disneyland in 2022, which received an industry award and returns this year.
…
Venice, Italy — Hollywood heavyweights George Clooney and Brad Pitt admit they are disappointed their latest comedy “Wolfs” is not getting a broad cinema release and instead heading almost straight onto Apple TV.
“It is a bummer,” Clooney said on Sunday, adding that television streamers, such as Apple AAPL.O, were nevertheless vital to the future of filmmaking, presenting actors with opportunities and generating bigger audiences for their work.
“Streaming, we need it, our industry needs this,” he said.
Written and directed by Jon Watts, “Wolfs” is an old-fashioned crime caper with Clooney and Pitt playing lone-wolf professional fixers who are forced to work together with comically unfortunate consequences.
Apple originally signaled it would place the film in a large number of cinemas before the TV release, but instead opted to show it briefly in a restricted number of U.S. movie theatres and then run it on its global TV service.
“We’ll always be romantic about the theatrical experience. At the same time, I love the existence of the streamers because we get to see more story, we get to see more talent, it gets more eyes,” said Pitt. “It’s a delicate balance right now and it’ll right itself.”
Asked what it meant if two of the biggest names in the business could not get a broad cinema release, as they had requested, Clooney quipped: “Clearly we’re declining.”
Sixteen years after last appearing together in 2008’s Coen brothers’ comedy “Burn After Reading,” Pitt and Clooney said they jumped at the chance to reunite when they read Watts’ script for “Wolfs.”
“I got to say, just as I get older, just working with the people that I just really enjoy spending time with has really become important to me,” said Pitt, who turned 60 last year.
In a news conference full of light-hearted banter, Clooney, said Pitt, was fortunate still to be offered parts. “He’s 74 years-old and he’s very lucky at this age to still be working.”
On a more serious note, he denied a New York Times story in August that said both he and Pitt had been paid more than $35 million each to appear in the film.
“I’m only saying that because I think it’s bad for our industry if that’s what people think is the standard bearer for salaries. I think that’s a terrible thing. It will make it impossible to make a film,” he said.
“Wolfs” is showing out of competition at the Venice Film Festival, which runs until Sept. 7.
…