JOHANNESBURG — A new play about anti-apartheid icon Winnie Madikizela-Mandela seeks to highlight the struggles of Black women in South Africa who had to wait years for their husbands’ return from exile, prison or faraway work during decades of white minority rule.

The play about the late former wife of Nelson Mandela, South Africa’s first Black president, is adapted from the novel The Cry of Winnie Mandela by Njabulo Ndebele. It explores themes of loneliness, infidelity and betrayal.

At the height of apartheid, Madikizela-Mandela was one of the most recognizable faces of South Africa’s liberation struggle while her husband and other freedom fighters spent decades in prison.

That meant constant harassment by police. At one point, she was banished from her home in Soweto on the outskirts of Johannesburg and forcefully relocated to Brandfort, a small rural town she had never visited nearly 350 kilometers away.

Even after she walked hand-in-hand with her newly freed husband in 1990 and raised her clenched fist, post-apartheid South Africa was tumultuous for her.

Madikizela-Mandela, who died in 2018 aged 81, was accused of kidnapping and murdering people she allegedly suspected of being police informants under apartheid. She also faced allegations of being unfaithful to Mandela during his 27 years in prison.

Those controversies ultimately led to her divorce from Mandela, while their African National Congress political party distanced itself from her. The isolation and humiliation inspired Ndebele to write about Madikizela-Mandela for South Africa’s post-apartheid generations.

“How can they implicate Winnie in such horrendous events? She is the face of our struggle,” Ndebele’s character, played by South African actor Les Nkosi, wonders as he describes his thoughts upon hearing the news of the ANC distancing itself. “The announcement invokes in me a moral anguish from which I’m unable to escape. Is she a savior or a betrayer to us?”

A key scene addresses Madikizela-Mandela’s appearance before the Truth and Reconciliation Commission, a body formed to investigate human rights abuses during apartheid. She denied murder and kidnapping allegations and declined a request to apologize to families of alleged victims.

“I will not be the instrument that validates the politics of reconciliation, because the politics of reconciliation demands my annihilation. All of you have to reconcile not with me, but the meaning of me. The meaning of me is the constant search for the right thing to do,” she says in a fictional monologue in the novel.

The play also reflects how the Mandelas’ divorce proceedings played out in public, with intimidate details of their marriage and rumors of her extramarital affair.

For the play’s director, Momo Matsunyane, it was important to reflect the role of Black women in the struggle against apartheid who also had to run their households and raise children, often in their husbands’ long absence.

“It’s also where we are seeing Black women be open, vulnerable, sexual and proud of it, not shying away. I think apartheid managed to dismantle the Black family home in a very terrible way. How can you raise other Black men and women when our household is not complete?” Matsunyane said.

In the play, one Black woman tells a group of friends how her husband ended their marriage when he returned home after 14 years abroad studying to be a doctor and found she had given birth to a child who was now 4 years old.

Another woman tells the same group — who call themselves “Ibandla Labafazi Abalindileyo” (Organization of Women in Waiting in the isiXhosa language) — that her husband returned from many years in prison but left her to start a new family with a white woman.

Madikizela-Mandela, played by Thembisa Mdoda, gets to answer questions about her life and the decisions she made during an encounter with the women.

The play, which also draws on the protest music of that period, opened at The Market Theatre in Johannesburg and will run until March 15.
…

JERUSALEM — In the first Friday prayers of the Muslim holy month of Ramadan, about 90,000 Palestinians prayed at the Al-Aqsa Mosque compound in Jerusalem’s Old City under tight security by Israeli forces.

Thousands made their way from the West Bank into Jerusalem after Israel allowed men over 55 and women over 50 to enter from the occupied territory for the prayers. Tensions have risen in the West Bank in the past weeks amid Israeli raids on militants. But there was no immediate sign of frictions on Friday.

For many Palestinians, it was their first chance to enter Jerusalem since last Ramadan about a year ago, when Israel also let in worshippers under similar restrictions. Since the outbreak of the Israel-Hamas war in October 2023, the Israeli government blocked Palestinians in the West Bank from crossing to Jerusalem or visiting Israel.

Last Ramadan, the war was raging, but this time, a fragile ceasefire is in place since mid-January — although its future is uncertain. Since Sunday, Israel has barred all food, fuel, medicine and other supplies from entering Gaza for some 2 million people, demanding that U.S.-designated terror group Hamas accept a revised deal.

In Gaza, thousands gathered for the Friday communal prayers in the shattered concrete husk of Gaza City’s Imam Shafi’i Mosque, heavily damaged by Israeli forces during fighting. During Ramadan, Muslims fast from dawn until sunset as a sign of humility, submission to God and sympathy for the poor and hungry.

On Thursday evening, Palestinians strung festive Ramadan lights around the rubble of destroyed buildings surrounding their tent camp in Gaza City and set up long communal tables for hundreds of people where aid groups served up iftar, the meal that breaks the daily fast.

Prayers at Dome of the Rock

At Al-Aqsa Mosque in Jerusalem, Nafez Abu Saker said he left his home in the village of Aqraba in the northern West Bank at 7 a.m., taking three hours to make the 45-kilometer trip through Israeli checkpoints to reach Jerusalem. “If the people from the West Bank will be permitted to come, people from all the cities, villages and camps will come to Al-Aqsa to pray,” he said.

“The reward of prayer here is like 500 prayers — despite the difficulty of the road to get here. It brings a great reward from God,” said Ezat Abu Laqia, who is also from Aqraba.

The faithful formed rows to listen to the Friday sermon and kneel in prayer at the foot of the golden Dome of the Rock on the sprawling mosque compound. The Islamic Trust, which oversees the Al-Aqsa compound, said 90,000 attended the prayers. The Israeli police said it deployed thousands of additional officers around the area.

The compound, revered by Jews as the Temple Mount, and the surrounding area of Jerusalem’s Old City have been the site of clashes between Palestinians and Israeli police in the past. The Old City is part of east Jerusalem, captured by Israel along with the West Bank and Gaza Strip in the 1967 Mideast War. Israel has since annexed the sector, although Palestinians seek it and the territories for an independent state.

Tight security, checkpoint delays

Thousands of Palestinians coming from the West Bank lined up at the Qalandia checkpoint on the edge of Jerusalem to attend the prayers. But some were turned away, either because they didn’t have the proper permits or because the checkpoint closed. Israeli police said authorities had approved the entry of 10,000 Palestinians from the West Bank but did not say how many made it into Jerusalem.

“All the young people, elderly people and women were waiting here. They refused to let anyone cross at the checkpoint,” said Mohammed Owaisat, who arrived to find the crossing closed.

The first phase of the Israel-Hamas ceasefire brought the release of 25 Israeli hostages held by militants in Gaza and the bodies of eight others in exchange for the freeing of nearly 2,000 Palestinians imprisoned by Israel.

But an intended second phase of the deal — meant to bring the release of remaining hostages and a lasting truce and full Israeli withdrawal from Gaza — has been thrown into doubt. Israel has balked at entering negotiations over the terms of the second phase. Instead, it has called for Hamas to release half its remaining hostages in return for an extension of the ceasefire and a promise to negotiate a lasting truce.

It says its bar on aid to Gaza will continue and could be escalated until Hamas accepts the proposal — a move rights groups and Arab countries have decried as a “starvation tactic.” Hamas has demanded implementation of the original ceasefire deal.

A Hamas delegation arrived in Cairo on Friday to discuss the implementation of the deal and to push for the second phase, Egypt’s State Information Service said.

Israel’s military offensive has killed over 48,000 Palestinians in Gaza, mostly women and children, according to Gaza’s Health Ministry, which does not say how many of the dead were militants.

The campaign was triggered by Hamas’ Oct. 23, 2023, terror attack on southern Israel, in which militants killed some 1,200 people, mostly civilians, and took a total of 251 people hostage. Most have been released in ceasefire agreements or other arrangements. Hamas is believed to still have 24 living hostages and the bodies of 34 others.
…

LOS ANGELES — The day after her house burned down, Lara Ganz sent a group message to the youth theater troupe she runs: They would not let the Los Angeles firestorm stop their upcoming show.

“So many of our castmates have lost everything,” wrote Ganz, the director of youth theater at a beloved playhouse in the Pacific Palisades. “We will continue with rehearsals. I am confident we will find a stage.”

The devastating Jan. 7 fire gutted every inch of the 125-seat Pierson Playhouse, from the basement to the roof, leaving behind only a mangled steel skeleton. Many of the young actors watched it burn on live TV. About half of the show’s 45 cast members, aged 8 to 17, lost their homes or can’t yet return because of severe damage. Many also lost their schools to the fire.

But the show did go on. A two-week run of the musical Crazy for You opened last weekend, in a nearby school auditorium, marking a triumphant return to the stage for a community determined to see its theater rise from the ashes. Five more shows are scheduled for this weekend.

The experience lifted the young performers of Theatre Palisades Youth from an unfathomable low point, teaching them the healing power of art in the face of disaster.

“The first time I felt happy after the fire was when I walked into that first rehearsal,” said Callum Ganz, 17, the director’s son, who plays a tap-dancing cowboy in the show. “When I’m singing or dancing, I forget about everything else. I don’t think about the fire. All I feel is happiness.”

“It’s always a shock,” he said, “when it comes back to me and I remember, ‘Oh, right. My house is gone.'”

More than 6,800 homes and other structures were flattened in the Palisades fire. Places of worship, shops and schools were destroyed, along with favorite student hangouts downtown — the local skate shop, a pizza place, the Yogurt Shoppe, where the young performers would walk after shows for a celebratory treat.

The idea of rebuilding is still a distant dream. The fire destroyed the theater’s performance space and everything else — hundreds of costumes and shoes in the downstairs wardrobe department, vintage and new props, their piano and other musical instruments, lights and sound equipment.

Parents took to social media, posting pleas for donations. They were met with an outpouring of generosity from the artistic community, stretching from Hollywood to Broadway.

Emmy-award winning hairstylist Joy Zapata saw one of the posts, emailed the mother who wrote it to make sure it wasn’t a scam, and then put out a call to friends in the business.

“I have done horror films with 100 extras running down the Pacific Coast Highway. But this time, the story was real, and it blew me away,” Zapata said. She held a tutorial for the cast during dress rehearsals and then returned for opening night with a team of seven Hollywood hair and makeup artists.

“I wanted these kids to walk away feeling beautiful,” Zapata said, as she curled and sprayed the hair of showgirls into upswept buns. Cowgirls got braided pigtails.

A few weeks earlier, Broadway actress Kerry Butler, a Tony-nominated star of Beetlejuice, had invited the kids to sing with her during a concert in Orange County, south of Los Angeles. Then, she spent a day leading them in a master class on character development and vocal technique.

“I will never forget my time with them,” Butler wrote on Instagram. “I met people who lost their homes, schools. But they told me when they heard the theatre was gone — that was when they felt the deepest loss.”

The group also received wireless mics from Guitar Center and costumes from neighboring schools. The Paul Revere Charter Middle School, for now, has become the troupe’s home.

“Home” is a charged word in a community where so many have lost theirs. Yet for these young actors and their families, it fits.

“I’m learning that a home is not a physical thing. It’s the people,” said Scarlett Shelton, a 16-year-old from nearby Culver City who has been part of the theater since middle school.

It’s the type of small-town playhouse that no longer exists in many parts of the country. Kids join young and stay until high school, often leaving with dreams of Broadway. About half of the kids in the cast lived nearby in Pacific Palisades, and the rest come from all over the Los Angeles area.

On opening night in a new venue, much of the pre-show jitters and rituals felt the same. The big kids helped calm the nerves of “the littles,” as the young actors are affectionately called. Before the show, the entire cast circled up behind the curtain and took turns giving inspirational pep talks. “Knock their socks off!” said one child. Another stepped up to say: “Everyone, dance the night away!”

Putting on the show was not the primary goal when Ganz sent out her group text, as her own family evacuated and then learned their home was gone.

“That day of the fires, her whole life was destroyed in a few hours. But it wasn’t, ‘Woe is me, I lost everything,’” said choreographer Rebecca Barragan. “She said: ‘We need to have rehearsal right away and get these kids back on their feet. And let them know that life isn’t over.'”

The original cast of 58 kids dwindled to 45, as families scattered to new homes. Many are mired in a post-wildfire bureaucracy of insurance and government assistance and still figuring out where to go next.

“To be with the other kids and create something and have a purpose has been the most healing thing for all of us,” said Wendy Levine, whose sixth grader, Tyler, is in the show.

“It’s been a light in the darkness,” said her husband, Eric Levine. The family had just finished remodeling their home and was unpacking boxes mid-morning Jan. 7, when they were ordered to evacuate. They learned that night the home was gone.

Ironically, Crazy for You is about a small-town theater struggling to survive, set to the music of George and Ira Gershwin. As the story goes, the townsfolk are energized by coming together to create a show after their hometown is hit with hard times.

That’s what real life felt like these past few weeks, said Sebastian Florido, 14, who plays the lead character and loved getting to perform one number in particular — I Can’t Be Bothered Now, which is about the power of song and dance to chase away bad news.

“One of the lines is, ‘I’m dancing and I can’t be bothered now,’” the teen said. “It’s really relatable. All this bad stuff was happening, but I’m tap dancing with my best friends. It was like a getaway to a little paradise.” 
…

A World Economic Forum report says it will take roughly 130 years for the world to reach full gender parity, in which women and men contribute equally to all dimensions of life. In Colorado, Svitlana Prystynska has the story of two women making inroads. (Videographer: Svitlana Prystynska,
Video editor: Oksana Babenkova)
…

LOS ANGELES — LeBron James became the first player in NBA history to score 50,000 combined points in the regular season and postseason Tuesday night.

James surpassed the mark with a 3-pointer early in the first quarter of the Los Angeles Lakers’ game against the New Orleans Pelicans.

James got to 49,999 points Sunday night when he scored 17 while the Lakers beat the Clippers 108-102 for their sixth consecutive win.

The 40-year-old James already is the top scorer in NBA history in both the regular season and the playoffs during a career in which he has rewritten all previous definitions of basketball longevity.

James reached 50,000 points deep into his 22nd season, which ties him with Vince Carter for the most played in NBA history. Lakers great Kareem Abdul-Jabbar, who played 20 seasons, is second in NBA history with 44,149 combined points.

And while nearly every other NBA player who lasted to his late 30s finished at a fraction of his peak powers, James’ game shows no significant signs of decline in his 40s. He was named the NBA’s Western Conference player of the month earlier Tuesday after he averaged 29.3 points, 10.5 rebounds, 6.9 assists and 1.2 steals in February while playing more than 35 minutes per game for the Lakers, who went 9-2 to surge into second place in the West.

James began Tuesday at third in NBA history with 1,547 regular-season games played, trailing only Robert Parish (1,611) and Abdul-Jabbar (1,560). If he stays healthy and elects to return for a record 23rd season, he will likely surpass Parish next winter.

James has also played in 287 postseason games, the most in NBA history. He became the league’s career playoff scoring leader on May 25, 2017, when he surpassed Michael Jordan’s total of 5,987 during the Cleveland Cavaliers’ Eastern Conference finals game at Boston.

James then became the top scorer in regular-season history on Feb. 7, 2023, when he topped Abdul-Jabbar’s record of 38,387 points during the Lakers’ game against Oklahoma City.

James’ prolific scoring is due in large part to his metronomic consistency. With his performance against the Clippers, he has scored at least 10 points in 1,277 consecutive games since Jan. 6, 2007 — by far the longest such streak in NBA history.

James’ player of the month award for February was his 41st, extending his own league record. He also became the oldest player to win the award, surpassing a 37-year-old Karl Malone in November 2000.
…

NEW YORK — The Pritzker Prize, dubbed the “Nobel” for architecture, was awarded Tuesday to China’s Liu Jiakun, who was recognized for designs that celebrate “everyday lives.”

“In a global context where architecture is struggling to find adequate responses to fast evolving social and environmental challenges, Liu Jiakun has provided convincing answers that also celebrate the everyday lives of people as well as their communal and spiritual identities,” the award’s jury wrote in a statement.

Born in 1956, Liu has worked on more than 30 projects in China ranging from academic and cultural institutions to civic spaces and commercial buildings.

“Architecture should reveal something  it should abstract, distill and make visible the inherent qualities of local people,” Liu said in the statement, evoking his craft’s capacity to create “a sense of shared community.”

Liu lives and works in his birth city of Chengdu, where he prioritizes the use of local materials and traditional building techniques.

His projects include the Museum of Clocks in Chengdu, a large circular structure with a skylight that illuminates an interior strip of photographs.

Alejandro Aravena, who won the award in 2016 and is chair of the jury, said Liu’s works offer “clues on how to confront the challenges of urbanization” especially because they are sometimes “a building, infrastructure, landscape and public space at the same time.”

“Cities tend to segregate functions, but Liu Jiakun takes the opposite approach and sustains a delicate balance to integrate all dimensions of the urban life,” Aravena said.

Liu, who is the 54th recipient of the Pritzker Prize, will be honored at a celebration in Abu Dhabi in spring, award organizers said.

Last year’s prize went to Japan’s Riken Yamamoto, whose projects are credited with promoting human contact and who said at the time his objective was to “design architecture that can bring joy to people around it.”
…

LOS ANGELES — Adrien Brody took home his second leading man Oscar for “The Brutalist,” Mikey Madison took home the best actress statuette and “Anora” was crowned best picture on its way to five awards Sunday.

Kieran Culkin won the Oscar for best supporting actor for his work on “A Real Pain” and Zoe Saldaña won for her work in “Emilia Pérez.” Sean Baker had a stunning night, winning the screenplay, director and editing awards for “Anora.”

“Flow” beat “The Wild Robot” for best animated feature film while Paul Tazewell became the first Black man to win an Oscar for costume design for his work on “Wicked.”

Here’s the complete list of winners at the 97th annual Academy Awards:

Best picture: “Anora”

Best Actor: Adrien Brody, “The Brutalist”

Best Actress: Mikey Madison, “Anora”

Director: Sean Baker, “Anora”

Best Supporting Actress: Zoe Saldaña, “Emilia Pérez”

Best Supporting Actor: Kieran Culkin, “A Real Pain”

International Film: “I’m Still Here”

Documentary Feature: “No Other Land”

Original Screenplay: “Anora,” Sean Baker

Adapted Screenplay: “Conclave,” Peter Straughan

Original Score: “The Brutalist,” Daniel Blumberg

Original Song: “El Mal” from “Emilia Pérez”

Animated Film: “Flow”

Visual Effects: “Dune: Part Two”

Costume Design: “Wicked,” Paul Tazewell

Cinematography: “The Brutalist,” Lol Crawley

Documentary Short Film: “The Only Girl in the Orchestra”

Best Sound: “Dune: Part Two”

Production Design: “Wicked”

Makeup and Hairstyling: “The Substance”

Film Editing: “Anora,” Sean Baker

Live Action Short Film: “I’m Not a Robot”

Animated Short Film: “In the Shadow of the Cypress”

 
…

LOS ANGELES — “Captain America: Brave New World” kept falling but still hovered above all others at a weak weekend box office. 

The latest Disney-Marvel offering brought in another $15 million according to studio estimates Sunday, when most of Hollywood’s attention was on the Oscars. 

The Anthony Mackie-led “Captain America: Brave New World” opened strong at about $120 million on a three-day weekend last month, but plunged to $28.2 million last week in one of the most significant second-week drops for a Marvel movie. It’s earned $163.7 since its release. 

It was slammed by many critics and audiences, failing to bring the Marvel reset some had hoped for. That task now falls to May’s “Thunderbolts” and July’s “Fantastic Four: First Steps.” But “Captain America” will face little competition through March and could remain at No. 1 for a while. 

The weekend’s only significant new release, Focus Features’ “Last Breath,” earned just $7.8 million. The based-on-a-true-story adventure starring Woody Harrelson, Simi Liu and Chris Lemons is about a routine deep-sea diving mission that goes terribly wrong when a young diver is stranded some 300 feet below the surface. 

It got strong reviews, with Lindsey Bahr of The Associated Press praising the “white-knuckle experience” and “pure suspense and anxiety” it brings. 

At No. 3 was Oz Perkins’ “The Monkey,” which brought in $6.4 million for a two-week total of $24.6 million. It’s among the strongest openings for indie distributor Neon, whose film “Anora,” and its director Sean Baker could make a major mark at the Oscars later Sunday. 

“The Monkey” marks another successful low-budget collaboration between Perkins and Neon, whose “Longlegs” brought in $126.9 million globally last year. 

“Paddington in Peru” was fourth with $4.5 million in its third weekend for a total of $31.4 million. 

Top 10 movies by domestic box office 

With final domestic figures being released Monday, this list factors in the estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. 

1. “Captain America: Brave New World,” $15 million. 

2. “Last Breath,” $7.8 million. 

3. “The Monkey,” $6.4 million. 

4. “Paddington in Peru,” $4.5 million. 

5. “Dog Man,” $4.2 million. 

6. “Mufasa: The Lion King,” $1.9 million. 

7. “Ne Zha 2,” $1.8 million. 

8. “Heart Eyes,” $1.3 million. 

9 “The Unbreakable Boy,” $1.2 million. 

1. “One of Them Days,” $925,000. 
   …

LOS ANGELES — The Academy Awards, the highest honors in the film business, take place on Sunday with no clear frontrunner among “Anora,” “The Brutalist,” “Conclave” and other movies contending for the prestigious best picture prize.

Timothee Chalamet and Demi Moore are vying for their first Oscars at the red-carpet ceremony in Hollywood. The show will air live on Walt Disney’s ABC network starting at 4 p.m. Pacific time (0000 GMT on Monday).

Comedian and host Conan O’Brien said he planned to mix jokes, celebrations of filmmakers and serious moments including tributes to Los Angeles as it recovers from January’s wildfires. He likely will address U.S. politics but not dwell on it, he said.

“Good jokes are really important, but there’s also more than that,” O’Brien told reporters last week as he prepared for his first Oscars hosting gig. “We’re trying to go for different tones, different textures.”

This year’s Oscars race has featured twists and turns, and no movie has dominated the precursor film awards.

That will keep the drama going until the end of Sunday’s show. Any of three films could score best picture, according to Oscars pundits. One is “Anora,” the story of a sex worker with a shot at a Cinderella story. The other two are “The Brutalist,” about a Jewish immigrant and architect chasing the American dream, and “Conclave,” which imagines the secret proceedings for choosing a pope.

Others in the best picture field include blockbuster musical “Wicked,” a prequel to “The Wizard of Oz,” and “A Complete Unknown,” the Bob Dylan biopic starring Chalamet. 

Netflix musical “Emilia Perez” heads into the ceremony with the most nominations. But its chances of victory dwindled when offensive social media posts surfaced from star Karla Sofia Gascon. The actress, the first openly transgender person nominated for an acting Oscar, disappeared from the awards circuit but is expected to attend Sunday’s ceremony. 

Her co-star, Zoe Saldana, is the favorite to win the supporting actress trophy for playing a fixer who helps a Mexican drug lord (Gascon) transition to a woman and start a new life. 

Winners of the gold Oscar statuettes are chosen by the roughly 11,000 actors, producers, directors and film craftspeople who make up the Academy of Motion Picture Arts and Sciences. 

Behind the glitz, Hollywood is fighting a battle to keep its place at the center of the global film business. None of the 10 best picture contenders were filmed in Los Angeles, home to most major film companies for more than a century. 

Supporting actor nominee Kieran Culkin is the favorite for his role as a man who travels with his cousin to Poland to study family history in “A Real Pain.” 

Best actor could go to either Chalamet or “The Brutalist” star Adrien Brody, according to awards experts. 

Brody became the youngest best actor winner when he landed the prize at age 29 for “The Pianist” in 2002. Chalamet is nine months younger than Brody was at the time. 

Best actress is widely expected to go to Moore for “The Substance,” though one pundit said the category could produce an upset win for Brazil’s Fernanda Torres of “I’m Still Here.” The academy has increased its international membership, which could favor Torres, said Ian Sandwell, movies editor at Digital Spy. 

“She could well be a surprise and the only one to take it away from Demi on the night,” Sandwell said. 

Producers scrapped the annual tradition of having musicians perform each of the nominated original songs, saying they wanted to focus instead on the songwriters. 

They do promise many musical moments, including a performance by “Wicked” stars Ariana Grande and Cynthia Erivo and a tribute to music producer Quincy Jones, who died in November. 

Also, expect some previously unannounced guests. 

“We absolutely love the element of surprise,” executive producer Raj Kapoor said.
…

VATICAN CITY — Pope Francis is in a stable condition as he fights double pneumonia in hospital for the 17th day, and is resting having had a peaceful night, the Vatican said on Sunday.

The Vatican said on Saturday evening that the 88-year-old pontiff’s condition had stabilized, following an “isolated” breathing crisis a day earlier.

“The night was peaceful, the pope is still resting,” said a one-line note from the Vatican on Sunday morning that did not provide more details. A full medical update on the pope’s condition is expected Sunday evening.

Francis was admitted to Rome’s Gemelli hospital on Feb. 14 with severe respiratory problems that swiftly degenerated into double pneumonia – a serious infection in both lungs that can inflame and scar them, making it difficult to breathe.

The pope suffered a constriction of his respiratory airways on Friday, akin to an asthma attack.

However, in a more upbeat tone on Saturday, the Vatican said the pope did not have a fever and did not show signs of an increased white blood cell count, adding that his blood flow and circulation remained stable.

An elevated white blood cell count often indicates the presence of an active infection or inflammation.

“The Holy Father’s clinical condition remained stable,” the Vatican said on Saturday, adding that the prognosis was still guarded, meaning he was not yet out of danger.

The Vatican added on Saturday that for a second day running the pope required noninvasive, mechanical ventilation, alternating between this and “long periods of high-flow oxygen therapy.”

Francis has experienced several bouts of ill health over the last two years and is prone to lung infections because he had pleurisy as a young adult and had part of one lung removed.

The pope has not been seen in public since entering hospital, his longest absence from view since his papacy started in March 2013, and his doctors have not said how long his treatment might last.

Francis will not lead his usual Sunday prayer with pilgrims for the third week running. The text of the prayer will be published rather than read out by the pontiff. 
…

LONDON — Singer Charli XCX, whose album Brat inspired a cultural phenomenon last summer, was the big winner at the BRIT Awards, Britain’s pop music honors, in London on Saturday, picking up five prizes.

Brat, which inspired fans to film themselves dancing to its tracks and whose lime green cover look was adopted by U.S. presidential hopeful Kamala Harris’ campaign on social media after the singer referenced her in a post, won the coveted album of the year category.

Charli XCX, who had led nominations, was also named artist of the year and best dance act. Her single Guess, featuring Billie Eilish, won song of the year, beating tracks including the Beatles’ Now and Then. 

The 32-year-old pop star won her first BRIT, songwriter of the year, earlier this week.

“I’ve always felt like an outsider in the industry but particularly in the British music industry and so it feels really nice to be recognized on this album,” she said as she received the album of the year award.

“I would just like to share this with all artists who have ever felt that they need to compromise to be recognized and to have their moment in the sun because I think I’m living proof that maybe it takes a long time, but … you don’t need to compromise your vision.”

Jazz quintet Ezra Collective was named group of the year.

“This moment right here is because of the great youth clubs and great teachers and the great schools that support young people playing music,” drummer Femi Koleoso said in one of several of the night’s acceptance speeches that called for more support for young musicians and grassroots venues.

U.S. singer Chappell Roan won international artist of the year while her track Good Luck, Babe! won international song of the year.

Espresso singer Sabrina Carpenter was named as the first international recipient of the global success award, which recognizes artists with “phenomenal global sales,” following in the footsteps of One Direction, Adele, Ed Sheeran and Sam Smith.

The ceremony also featured a tribute dedicated to late One Direction singer Liam Payne, who died in October after falling from a third-floor hotel room balcony in Buenos Aires, shocking fans of the boy band, one of the most popular of all time. 
…

NEW YORK — David Johansen, the last surviving member of the glam and protopunk band the New York Dolls who later performed as his campy, pompadoured alter ego, Buster Poindexter, has died. He was 75. 

Johansen died Friday at his home in New York City, according to Rolling Stone, citing a family spokesperson. It was revealed in early 2025 that he had stage 4 cancer and a brain tumor. 

The New York Dolls were forerunners of punk and the band’s style — teased hair, women’s clothes and lots of makeup — inspired the glam movement that took up residence in heavy metal a decade later in bands like Faster Pussycat and Motley Crue. 

“When you’re an artist, the main thing you want to do is inspire people, so if you succeed in doing that, it’s pretty gratifying,” Johansen told The Knoxville News-Sentinel in 2011. 

Rolling Stone once called the Dolls “the mutant children of the hydrogen age” and Vogue called them the “darlings of downtown style, tarted-up toughs in boas and heels.” 

“The New York Dolls were more than musicians; they were a phenomenon. They drew on old rock ‘n’ roll, big-city blues, show tunes, the Rolling Stones and girl groups, and that was just for starters,” Bill Bentley wrote in “Smithsonian Rock and Roll: Live and Unseen.” 

The band never found commercial success and was torn by internal strife and drug addictions, breaking up after two albums by the middle of the decade. In 2004, former Smiths frontman and Dolls admirer Morrissey convinced Johansen and other surviving members to regroup for the Meltdown Festival in England, leading to three more studio albums. 

In the 1980s, Johansen assumed the persona of Buster Poindexter, a pompadour-styled lounge lizard who had a hit with the kitschy party single “Hot, Hot, Hot” in 1987. He also appeared in such movies as “Candy Mountain,” “Let It Ride,” “Married to the Mob” and had a memorable turn as the Ghost of Christmas Past in Bill Murray-led hit “Scrooged.” 

Johansen was in 2023 the subject of Martin Scorsese and David Tedeschi’s documentary “Personality Crisis: One Night Only,” which mixed footage of his two-night stand at the Cafe Carlyle in January 2020 with flashbacks through his wildly varied career and intimate interviews. 

“I used to think about my voice like: ‘What’s it gonna sound like? What’s it going to be when I do this song?’ And I’d get myself into a knot about it,” Johansen told The Associated Press in 2023. “At some point in my life, I decided: ‘Just sing the (expletive) song. With whatever you got.’ To me, I go on stage and whatever mood I’m in, I just claw my way out of it, essentially.” 

David Roger Johansen was born to a large, working-class Catholic family on Staten Island, his father an insurance salesman. He filled notebooks with poems and lyrics as a young man and liked a lot of different music — R&B, Cuban, Janis Joplin and Otis Redding. 

The Dolls — the final original lineup included guitarists Sylvain Sylvain and Johnny Thunders, bassist Arthur Kane and drummer Jerry Nolan — rubbed shoulders with Lou Reed and Andy Warhol in the Lower East Side of Manhattan the early 1970s. 

They took their name from a toy hospital in Manhattan and were expected to take over the throne vacated by the Velvet Underground in the early 1970s. But neither of their first two albums — 1973’s “New York Dolls,” produced by Todd Rundgren, nor “Too Much Too Soon” a year later produced by Shadow Morton — charted. 

“They’re definitely a band to keep both eyes and ears on,” read the review of their debut album in Rolling Stone, complimentary of their “strange combination of high pop-star drag and ruthless street arrogance.” 

Their songs included “Personality Crisis” (“You got it while it was hot/But now frustration and heartache is what you got”), “Looking for a Kiss” (I need a fix and a kiss”) and a “Frankenstein” (Is it a crime/For you to fall in love with Frankenstein?”) 

Their glammed look was meant to embrace fans with a nonjudgmental, noncategorical space. “I just wanted to be very welcoming,” Johansen said in the documentary, “’cause the way this society is, it was set up very strict — straight, gay, vegetarian, whatever… I just kind of wanted to kind of like bring those walls down, have a party kind of thing.” 

Rolling Stone magazine, reviewing their second album, called them “the best hard-rock band in America right now” and called the wiry, gravelly-voiced Johansen a “talented showman, with an amazing ability to bring characters to life as a lyricist.” 

Decades later, the Dolls’ influence would be cherished. Rolling Stone would list their self-titled debut album at Number 301 of the 500 Greatest Albums of All Time, writing “it’s hard to imagine the Ramones or the Replacements or a thousand other trash-junky bands without them.” 

The Dolls, representing rock at its most debauched, were divisive. In 1973, they won the Creem magazine poll categories as the year’s best and worst new group. They were nominated several times for The Rock & Roll Hall of Fame but never got in. 

By the end of their first run, the Dolls were being managed by legendary promoter Malcolm McLaren, who would later introduce the Sex Pistols to the Dolls’ music. Culture critic Greil Marcus in “Lipstick Traces: A Secret History of the Twentieth Century” writes the Dolls played him some of their music and he couldn’t believe how bad they were. 

After the first demise of the Dolls, Johansen started his own group, the David Johansen band, before reinventing himself yet again in the 1980s as Buster Poindexter. 

He is survived by his wife, Mara Hennessey, and a stepdaughter, Leah Hennessey. 
…

CAIRO — Observant Muslims the world over will soon be united in a ritual of daily fasting from dawn to sunset as the Islamic holy month of Ramadan starts.

For Muslims, it’s a time of increased worship, religious reflection, charity and good deeds. Socially, it often brings families and friends together in festive gatherings around meals to break their fast.

Ramadan is followed by the Islamic holiday of Eid al-Fitr.

Ramadan’s religious rituals and spiritual essence unite diverse Muslim communities around the world. The plights of some fellow Muslims and some issues that have resonance beyond borders — including conflicts and political turmoil — can become part of the focus of the month’s prayers, giving or advocacy for many.

This year, Ramadan is approaching as the fragile ceasefire deal — which has paused over 15 months of war between Israel and Hamas, which the U.S., the U.K. and other Western countries have designated a terror group — nears the end of its first phase. Israel’s military offensive has killed over 48,000 Palestinians, according to Gaza’s Health Ministry, and destroyed vast areas of Gaza.

The war was sparked by an Oct. 7, 2023, attack on Israel in which Hamas-led fighters killed some 1,200 people and took about 250 hostages. For some Muslims, Ramadan also comes amid changes in their countries. In the Middle East, for instance, this will be the first Ramadan for Syrians since the Syrian government fell in a stunning end to decades of the Assad family rule.

When is Ramadan? Ramadan is the ninth month of the Islamic lunar calendar; the month cycles through the seasons. The start of the month traditionally depends on the sighting of the crescent moon. This year, the first day is expected to be on or around March 1. The actual start date may vary among Muslim communities due to declarations by multiple Islamic authorities around the globe on whether the crescent has been sighted or different methodologies used to determine the start of the month.

Why and how do Muslims fast? Fasting is one of the Five Pillars of Islam, along with the profession of faith, prayer, almsgiving, and pilgrimage. Muslims see various meanings and lessons in observing the fast. It’s regarded as an act of worship to attain God-conscious piety and one of submission to God.

The devout see benefits including practicing self-restraint, growing closer to God, cultivating gratitude and empathizing with people who are poor and hungry.

The daily fast in Ramadan includes abstaining from all food and drink – not even a sip of water is allowed – from dawn to sunset before breaking the fast in a meal known as “iftar” in Arabic.

Those fasting are expected to also refrain from bad deeds, such as gossiping, and to increase good deeds.

Muslims typically stream into mosques for congregational prayers and dedicate more time for religious contemplation and the reading of the Quran, the Muslim holy book. Charity is a hallmark of Ramadan.

Among other ways of giving, many seek to provide iftar for those in need, distributing Ramadan boxes filled with pantry staples, handing out warm meals alongside such things as dates and juice or helping hold free communal meals. Muslims eat a pre-dawn meal, called “suhoor,” to hydrate and nurture their bodies ahead of the daily fast.

Are there exemptions from fasting? Yes. There are certain exemptions from fasting, such as for those who are unable to because of illness or travel. Those unable to fast due to being temporarily ill or traveling need to make up for the missed days of fasting later.

What are some cultural and social traditions associated with Ramadan? Muslims are ethnically and racially diverse and not all Ramadan traditions are rooted in religion. Some customs may transcend borders, while others can differ across cultures.

Many social rituals center on gathering and socializing after the daily fast. Some Muslims decorate their homes, put out Ramadan-themed tableware and centerpieces or throng to markets and Ramadan bazaars.

In Egypt, the Arab world’s most populous country, Ramadan is typically a festive time. Colorful lanterns, in different shapes and sizes, dangle from children’s hands and adorn homes or the entrances of buildings and stores. Ramadan songs may be played to welcome the month.

Ramadan’s soundscape in Egypt has traditionally included the pre-dawn banging on drums by a “mesaharati” who roams neighborhoods, calling out to the faithful, sometimes by name, to awake them for the suhoor meal.

New tv shows, communal meals

A lineup of new television series is another fixture of the month in some countries, and advertisers compete for the attention of viewers.

In various regions, some Muslims worry that the month is being commercialized, and that an emphasis on decorations, TV shows, outings or lavish iftar banquets, especially in the social media era, can detract from Ramadan’s religious essence.

Others feel that a balance can be struck and that, done in moderation, such rituals are part of the month’s festive spirit.

In Indonesia, some Ramadan rituals vary across regions, reflecting the diversity of local cultures.

People in Indonesia’s deeply conservative Aceh province slaughter animals during Meugang festivities. The meat is cooked and shared in a communal feast with family, friends, poor people and orphans.

Hundreds of residents in Tangerang, a city just outside the capital of Jakarta, flock to the Cisadane River to wash their hair with rice straw shampoo and welcome the fasting month with a symbolic spiritual cleansing.

Across Sumatra island, after evening prayers, many boys and girls parade through the streets, carrying torches and playing Islamic songs.

In India, where the country’s Muslim minority encompasses more than 200 million people, stalls lining many streets sell such things as dates, sweets and freshly cooked food.

At night, some New Delhi neighborhoods become lively as Muslims head to mosques to attend prayers. Some Indian Muslims also visit Sufi shrines decorated with lights and colorful flowers.

In the United States, where Muslims make up a diverse minority, gathering at mosques and Islamic centers when possible for iftar meals and prayers provides many Muslim families with a sense of community.

Some Muslims also organize or attend interfaith iftar meals. Some big U.S. retailers have started catering to Ramadan shoppers, selling such things as Ramadan-themed decor. 
…