Month: April 2017

Archeologists in Egypt have made a major discovery of statues, coffins and several mummies in a 3,500-year-old tomb.

According to the Antiquities Ministry, the tomb, which is on the west bank of the Nile near Luxor, was believed to have been built between 1,500 and 1,000 B.C., likely for a judge.

The tomb, which is located in the Draa Abul Nagaa necropolis not far from the Valley of the Kings, is made up of a courtyard that leads to two halls. One hallway had four colorful coffins, while the other had six.

The Associated Press reports that the head of the dig, Mostafa el-Waziri, said another area contains statues depicting royalty from previous ruling dynasties.

“It was a surprise how much was being displayed inside” the tomb, Antiquities Minister Khaled el-Enany told reporters outside the tomb, according to Al Jazeera.”We found a large number of Ushabti (small carved figurines), more than 1,000 of them. This is an important discovery.”

More discoveries, including more mummies, are expected.
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Monday marked the 121st running of the annual Boston Marathon. But wounds stemming from the 2013 bombings are still open. Four years after the event, Rebekah Gregory, who lost a leg in the attack, is back in the city to launch her memoir. It’s called Taking My Life Back.
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Geoffrey Kirui of Kenya won the 121st Boston Marathon on Monday, leading a sweep for his nation of the men’s and women’s divisions.

Kirui pulled away from three-time U.S. Olympian Galen Rupp with 2 miles (3 kilometers) to go in the 26.2-mile (42 km) run to take the title in 2 hours, 9 minutes, 37 seconds. Rupp was 21 seconds back, and Suguru Osako of Japan placed third, 51 seconds behind the winner.

“In my mind, I was sure that one day I would win this race,” said the 25-year-old Kirui, competing in his third marathon. “To come here to Boston, I knew I was going to face my colleagues who have run many times here. … I knew I would challenge some of the champions who have been competing here.”

Edna Kiplagat won the women’s race in 2 hours, 21 minutes, 52 seconds for the Kenyan sweep. Rose Chelimo of Bahrain was runner-up, 59 seconds back, and American Jordan Hasay was another 9 seconds behind to take third place.

Ethiopians swept the titles last year. Kenyans had won either the men’s or women’s race every year since 1991 before being shut out in 2014 and again last year.

Temperatures were much warmer than normal this year, with the thermometer hitting 79 degrees (26 C) at the 20-kilometer mark.

Americans dominated the men’s division with six runners placing in the top 10.

“It’s so exciting to see Americans being competitive here,” said Rupp, the Olympic bronze medalist who was making his Boston debut. “It’s a real exciting time. And it’s awesome to see American distance running on the upswing and being competitive in these races.”

“American distance running is looking good today,” said sixth-place finisher Abdi Abdirahman, a Somali immigrant and Arizona resident who is a four-time Olympian. “We have the podium for both men and women, so the future is great.”

It was the first time since 1991 that two U.S. women had finished in the top four, with Desi Linden placing fourth.

Earlier Monday, Boston city officials announced plans for memorials to mark the sites near the finish line where two bombs exploded during the 2013 Boston Marathon, killing three people and injuring more than 260 others.

Two brothers who immigrated from Russia, Tamerlan and Dzhokhar Tsarnaev, were identified as the perpetrators. Tamerlan was killed during a shootout with police four days after the twin explosions that came 12 seconds apart. Dzhokhar remains in a federal prison after being sentenced to death.
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After nine attempts to sneak across the border between Syria and Turkey, with an indescribable amount of fear and painful near-death experiences, 31-year-old Mustafa Hamed finally found a home in Germany, where he is working hard to piece together his life.

“The most important thing is you are lost here. So you have to find a new job, new friends — you have to find a new life,” Hamed said. “So this is a new start for me.”

His priority right now is mastering the language. His dream is to work in journalism. As he works hard to achieve this dream, he constantly struggles with a nightmare — the memory of his days in Aleppo.

“The clashes started in Aleppo in, maybe, 2012,” he recalled. “You can imagine, it was daily and you can hear every night bombing someplace near you — maybe for just two kilometers [away]. The electricity was cut down for a long time. You have to wait for 7 or 8 hours just to charge your phone.”

Resetting their lives

Psychologist and researcher Kenneth Miller, in his book War Torn: Stories of Courage, Love and Resilience, recounts Hamed’s story, among many others from Guatemala, Mexico, Bosnia, Afghanistan, Iraq and Sri Lanka.

During his more than 25 years of working with war victims, Miller noticed that the majority of what has been written about war focuses on soldiers. He wanted to draw attention to what’s missing from the conversation: the experience of civilians. In his book, he shares dozens of stories of people he met and worked with in many places around the world.

One of the most compelling stories is from Samad Khan, an Afghan who became a refugee in the 1980s, during his country’s war against the Soviets. Khan participated in Miller’s research in Afghanistan. In one of the counseling sessions on dealing with painful experiences, Khan shared a traumatic memory.

“He was driving a pickup truck with his sister’s family in the back, up a steep, winding mountain road and the road was controlled by the Mujahedeen, the freedom fighters,” Miller said. “They stopped him at one point and asked him to show his papers. So he stopped the car, and got out to show them his papers, but he realized he had forgotten to set the hand brake. He watched in horror as the truck spiraled off the side of the mountain and tumbled hundreds of feet down to the valley below. He had to go down to retrieve the bodies and bring them back to Kabul for burial.”

Overcoming tragedies

However, when Miller met him, Khan was a life-loving community leader. “I said, ‘How did you get over this? You seem to be doing so well now!’ He said it was a combination of the power of his faith and he also had a tremendous support of his extended family and friends,” Miller explained. “They got him through. I tell his story because this is something that recurs in the book, in every country that I worked in, that we are more alike than we are different. His story also captures something that we’ve seen in a lot of refugee communities, which is war, of course, can be devastating, but we’re built to heal. If the conditions are supportive, safe and stable, people have a remarkable capacity to be resilient and to heal.”

When the environment is safe and supportive, Miller says, refugees not only survive painful experiences, but they can thrive.

He tells another story, based on his experience in Guatemala:

“I got adopted by this one family while I was living in the camp for a year. This family fled when they heard about a massacre in a neighboring village where about 370 people were killed. They spent two months hiding in the mountains in the rainy season. They finally came down on the Mexican side of the border and found their way in to the refugee camp. This young fellow, Emilio, had developed a combination of trauma and severe shock. After a couple of days of traditional prayers and use of herbs, he healed. I think more than anything what really helped him heal was this tremendous love and support of his family. He has become a vibrant young professional musician, he became a refugee in Canada, who is doing wonderfully well.”

The social media effect

Miller says he hopes sharing these stories can help raise awareness about refugees’ situations.

“One of the biggest predictors about whether the refugees become severely depressed or adapt successfully is the extent to which they’re either made to feel welcome, given language and the material resources to get a new start, or whether they encounter a lot of discrimination. The more people feel marginalized and discriminated, of course, the harder it is for them to integrate, and the harder it is for them to heal,” he said.

One point Miller raises is the effect of social media. He says these tools can be helpful in raising awareness about the plight of refugees, but they also can be harmful if they’re used to spread misconceptions.

He points to images shared on social media of Syrian refugees on Lesbos, Greece. “When you see this father holding his two children and weeping and just arriving safely after crossing the sea, it mobilizes people and brings them to want to help, do something to counter this. Now, on the other hand, you also see social media being used to spread rumors and lies about refugees. Social media can spread tremendous fear, and that has serious consequences. It gets people turned back. It causes great harm.”

Miller says he also hopes these stories can inspire refugees and help them discover the inner strength they need to survive and start anew.
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U.S. President Donald Trump and first lady Melania Trump hosted thousands of children and their parents Monday at the White House for the annual Easter Egg Roll.

The president, first lady and their 11-year-old son Barron, accompanied by an Easter Bunny, greeted the crowd from a balcony of the White House. “We will be stronger and bigger and better as a nation than ever before,” Trump said. “We’re right on track. You see what’s happening.”

The Easter Egg Roll at the White House, on the day after Easter, has a long tradition dating back to 1878.

This year’s event, with 21,000 tickets handed out to Washington-area schoolchildren and military families, was a smaller affair than in years past. About 35,000 people attended a year ago, when then-first lady Michelle Obama organized a carnival-like affair with pop singers, celebrity chefs and professional sports stars.

Children and families roamed the White House lawn at Monday’s event, pushing wooden eggs across the grass with oversized spoons, playing beanbag games and coloring drawings that are being sent to U.S. troops stationed overseas. Military bands, a pop-rock band and a family circus performed for the crowd.
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An art exhibition in New York highlights undocumented immigrants and the items they left behind while crossing hostile desert territory from Mexico into the United States. The show, called State of Exception, stems from the University of Michigan’s Undocumented Migration Project, and it uses only discarded objects. Celia Mendoza reports on these traces of human migration from the New School’s Parsons School of Design.
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After a turbulent U.S. presidential election and a rollercoaster start to President Donald Trump’s administration, this year’s Tribeca film festival will come with a statement.

Environmental, political and social issues all feature strongly in the 200-strong selection of feature films, documentaries, television shows and immersive installations on offer during the April 19-30 festival.

Co-founder Jane Rosenthal said choices for the 16th festival included themes of the environment “and the fact we are an open society and everyone is welcome here.”

“Artists can express things sometimes that no politician can,” Rosenthal told Reuters Television.

Films about food waste, the protests over the Dakota Access Pipeline and the endangered white rhino are among a dozen projects linked to Earth Day, which falls in the middle of the festival on April 22.

A retrospective documentary about Cuban boy Elian Gonzalez, who was at the center of a 2000 custody and immigration battle; a documentary on maverick political operative Roger Stone; and “Copwatch,” about the U.S. citizens who film police activity and arrests, are just some of the offerings tackling social and political issues.

On a lighter note, the festival will open next Wednesday with a documentary about record producer Clive Davis – the man behind the success of singers like Whitney Houston, Kelly Clarkson and Jennifer Hudson.

The closing weekend sees a 45th anniversary reunion and screening of the cast and director of Oscar-winning Mafia movie “The Godfather” and its 1974 sequel “The Godfather: Part II.”

Francis Ford Coppola, Al Pacino, Diane Keaton, Robert De Niro and Robert Duvall are all expected to join a conversation after the April 29 screenings.

The Tribeca film festival was founded in 2002 by De Niro and Rosenthal to revitalize lower Manhattan after the attacks of Sept. 11, 2001.

 
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Lady Gaga will make history when she performs at the Coachella Valley Music and Arts festival this weekend, marking a decade since a solo woman has been billed as a headliner on the prestigious musical stage.

 

Beyonce had been slated to headline the festival in Indio, California, but backed out because she’s pregnant with twins. Bjork was the last solo female to headline Coachella in 2007, so it begs the question: Why has it taken so long?

 

Women have always performed at Coachella, which began Friday, since it was launched in 1999. In the last few years the number of female performers has grown, including acts that blend alternative and pop, such as Sia and Tegan & Sara, to mega genre-mashers like M.I.A., Janelle Monae and Santigold.

 

Coachella is known as the festival for cool kids — and musicians. That leaves little to no room for acts that dominate Top 40 radio, where women have a strong presence, from Katy Perry to Rihanna.

 

Halsey, the Grammy-nominated singer who is readying her second alternative album and had one of last year’s biggest pop hits with “Closer” alongside the Chainsmokers, performed at Coachella last year. The 22-year-old said women who perform alternative music are often billed as pop artists because of their sex.

 

“Festivals like Coachella, they pride themselves on being part of the counterculture, being tastemakers, upholding themselves to a certain standard of the artists that they include, and I think one of the problems is that female artists are so often tainted as pop artists even when they don’t necessarily intend to be,” Halsey said. “Female artists can put out the same style of a record as a male artist and when a male artist does it, it has a certain type of dignity, it has a certain type of edge … as soon as a woman puts out a record of the same caliber, it’s immediately filed as a pop record no matter what.”

 

Halsey said it’s something she’s experienced in her own career with the success of “Closer.”

 

“It was this giant pop record and immediately I was a pop artist even though I put out an alternative album, I played alternative festivals and I was on alternative radio,” she said. “As soon as [you] do one pop record it’s like the kiss of death for a female artist sometimes.”

 

Gary Bongiovanni, CEO of concert trade publication Pollstar, said he didn’t think the gap between male and female headliners at Coachella was calculated.

 

“I don’t see that there’s any sexism. There’s nothing more than trying to put together a bill of artists that the public wants to see. And we live in a world where a significant majority of the acts are either male or male-fronted bands versus females or female-fronted bands,” he said. “If you look at the level of business all of those artists do and you try to cobble together a lineup that’s going to be appealing, it’s difficult, and there are a lot of the female acts that may not lend themselves to performing in front of 60,000 or 80,000 people in an open field, versus headlining an area or more likely a theater.”

 

In last year’s Pollstar chart of the 100 top-grossing North America tours, women made up about 15 percent of the list, which was dominated by male acts and male-fronted bands. Only two women cracked the Top 10: Beyonce was No.1 and Adele came in fifth.

 

Coachella is sold out before the lineup is announced, so the festival has the luxury of picking performers instead of relying on acts to help sell tickets.

 

Along with Gaga, this year’s headliners include Radiohead and Kendrick Lamar, who released his hotly anticipated new album Friday. Some of the female performers include Lorde, Banks, Tove Lo, Kehlani, Nao, Kiiara and Bishop Briggs. Yukimi Nagano, who fronts Swedish band Little Dragon, is returning to Coachella for a third time.

 

Nagano said she was surprised that it’s been 10 years since a woman headlined the festival, adding: “I think it’s a really positive thing.”

 

Jason White, executive vice president of marketing at Beats by Dre, said the company is purposely, and exclusively, giving attention to women at the festival: Their space at Coachella will only feature female performers, including Erykah Badu, DJ Kiss, Ana Calderon, JCK DVY and Jasmine Solano.

 

“I think it really meshes incredibly well with what’s going on with Coachella because you do have Gaga, we’re excited about seeing Kehlani [and] there’s some really solid performers this year,” he said.

 

Halsey, who spoke over the phone Thursday as she drove to the desert to watch Coachella as a fan, said she was thrilled to see Gaga take the stage. She said the recent Super Bowl halftime performer is one of those pioneering female acts that haven’t been boxed into a genre, though she knows “the extremes [Gaga] has to go to maintain that counterculture are much greater than that of what a male artist has to do.”

 

“Drake is still considered a rap/rhythm artist even though he is essentially a pop artist when you look at the decisions that he makes and the climate that kind of surrounds his projects,” Halsey said.

 

“And when you have a female artist in the same lane, they get written off as a pop artist simply because they’re female, simply because the conversation with them, it goes to fashion, makeup or whatever, and those are questions and comments that don’t surround the brand and surround the career of a male artist.”
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Julian Lennon is looking to nurture a new generation’s commitment to the environment, with a little help from a white feather.

 

The firstborn son of the late John Lennon has co-authored “Touch the Earth,” a picture book for kids as young as 3 about the world’s water problems, from polluted oceans to the need for clean drinking water in the developing world.

 

Out later this month, the book from Sky Pony Press has a group of kids loaded into a plane called the White Feather Flier as they span the globe and learn about the need for filtration, irrigation and ocean life protection. With illustrations created both by hand and computer, it’s the first of three children’s books he plans, in line with the environmental and humanitarian work of his White Feather Foundation.

 

“We’ve failed miserably in looking after our environment. I think this is a great way to approach children into realizing what’s at stake, and to help educate and help them make decisions about the right things to do for the future,” Lennon said in a recent interview with The Associated Press. “It’s for those with inquiring minds who are asking why?”

 

Lennon has taken on environmental issues in song, including his 1991 “Saltwater,” and in film, including the 2006 documentary “Whaledreamers,” covering a gathering of indigenous and tribal leaders that explores connections among whales, dolphins and humanity.

 

Appealing to the next generation of prospective eco-warriors grew out of his friendship with co-writer Bart Davis after the two put aside plans — for now — for the 54-year-old Lennon to write a biography. But he hasn’t completely abandoned the idea.

 

“I feel time’s marching on, you know. A lot of my friends and people I know are popping their clogs,” Lennon laughed. “You know, who knows what’s next. It’s in the cards in the next few years, absolutely, before it’s too late.”

 

So what’s up with the white feather for Lennon, the former Beatle’s son with his first wife, Cynthia? He shares the story at the back of the book.

 

“On the odd occasion when I saw dad he mentioned once that should he ever pass, a way he would let me know that he was OK, or that we were all going to be OK, would be in the form of a white feather,” Lennon explained. “I thought that quite peculiar. I told mum about it, too, and we just sort of went on with life.”

 

Later, while on tour in Australia, he was presented with a white swan feather by an aboriginal tribal elder of the Mirning people.

 

“It was a freaky moment, but one I took to heart immediately,” he said. “I realized that this was about stepping up to the plate now and, you know, I can sing all I want about this stuff but am I actually going to do something about it? So I spent 10 years making a documentary about the Mirning people.”

 

It’s also when he established his foundation, visiting Ethiopia with the head of a clean water initiative and touring schools and health clinics in Kenya. A portion of the books’ proceeds will go the foundation, which now does a range of work, including providing scholarships for girls in Kenya.

 

Lennon’s father was shot to death in 1980. His mother died two years ago of cancer at age 75. Her loss remains tender. Lennon dedicates the book to Cynthia, and he established the Kenya scholarships in her name.

 

“I talk to her every night, pretty much,” Lennon said. “She has given me the strength to carry on. Where I’m at at the moment, I feel very strong, very zenlike. I just want to do the right thing. To try to continue to be the best that I can be. That was all based around wanting to make her proud. I try to continue all the work that I do in her name.” 
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Russia’s leading state broadcaster has announced plans to boycott the Eurovision 2017 song contest after the host country, Ukraine, barred Russia’s contestant, wheelchair-bound singer Yulia Samoylova, from entering the country.

Kyiv’s decision in late March to ban the 28-year-old Russian paraplegic vocalist stemmed from her June 2015 performance in Crimea, where she appeared without the approval of Ukrainian authorities after Russia annexed the Black Sea peninsula.

Announcing the boycott Friday, Channel One, the state broadcaster that transmits the competition to large Russian audiences, said event organizers had offered the option of sending a different contestant or having Samoylova perform via video link from Moscow.

“In our view this represents discrimination against the Russian entry, and of course our team will not under any circumstances agree to such terms,” said Yuri Aksyuta, the station’s chief producer for musical and entertainment programs.

The contest organizers also condemned the Ukrainian decision but said the event will go ahead.

In March, a Ukrainian security services official told VOA that the ban on Samoylova was “based solely on the norms of Ukrainian law and national security interests.”

The Kremlin called it political pettiness.

“Practically everyone has been to Crimea; there are hardly any people who haven’t been to Crimea,” said Dmitry Peskov, spokesperson for Russian President Vladimir Putin.

Peskov also challenged criticism that Samoylova’s nomination was a deliberately provocative act by Kremlin officials — an attempt to make Kyiv appear cruel for restricting participation of a disabled artist.

“We don’t see anything provocative in this,” Peskov said, explaining that Channel One producers had nominated Samoylova independently.

Despite the high-blown kerfuffle, Ukrainian political analyst Mikhail Bassarab told VOA that Ukraine’s law can’t allow for exceptions.

“On the basis of Ukraine and international law, the Russian contestant violated the law,” he told VOA’s Russian service. “Naturally, anybody, including this particular Russian citizen, should be barred entry into Ukraine. There is nothing personal in this position. We can’t make exceptions … [just because] they were nominated for an international contest or have a disability.”

Politics or entertainment?

Ukrainian political analyst Yaroslav Makitra says Kyiv’s ban touches on a broader range of questions.

“It’s critical to decide what matters to us more, politics or entertainment,” he said. “If it’s politics, then we should have said ‘no’ to hosting Eurovision. … But if we want to promote the Ukraine across the globe, then we need to seek legislative and legal opportunities that would allow the Russian contestants to come to Ukraine.”

Otherwise, he said, Kyiv risks turning Eurovision into a competition of political finger-pointing.

Samoylova, a 2013 runner-up in the Russian version of The X Factor, who also performed at the opening ceremony of the 2014 Winter Paralympics, says that if she were permitted to perform, political tensions would be far from her mind.

“I’m simply not thinking about that. It is all out of the mix and it’s not very important,” she said. “I sing and my goal is to sing well, to represent Russia and not to embarrass myself.”

Frank Dieter Freiling, chairman of Eurovision’s steering committee, issued a statement Friday condemning Kyiv’s decision to ban Samoylova on the ground that it violates Eurovision’s ethos as a nonpolitical event.

“However, preparations continue apace for the Eurovision Song Contest in the host city, Kyiv. Our top priority remains to produce a spectacular Eurovision Song Contest.”

Dima Bilan was the last Russian to win Eurovision in 2008. The 62nd international song contest will be held in May in Kyiv, Ukraine’s capital.

Svetlana Cunningham translated from Russian. This report was produced in collaboration with VOA’s Russian service. Some information is from Reuters.
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