Get Your Geek On: 130,000 Head for San Diego Comic-Con

Desk jockeys in eye-wateringly tight spandex will blur the line between fantasy and reality this week as they invade San Diego for the world’s largest celebration of pop culture fandom.

The 49th Comic-Con International will revel in movies, TV and — yes — comic books, as fans in pitch-perfect monster, alien and manga costumes swelter in the southern Californian heat over five surreal days.

Where fandom abounds, controversy is never far behind. And the big bone of contention this year is Disney’s decision not to bring its Marvel Cinematic Universe (MCU) to Comic-Con, despite a record-breaking year with Black Panther, Avengers: Infinity War and Ant-Man and the Wasp.

“It’s going to be an interesting year this year,” said SyFy Wire editor-in-chief Adam Swiderski in a video preview of the Wednesday to Sunday get-together at the city’s harborfront convention center.

“A lot of the big players like Marvel, Star Wars and Game of Thrones, who dominated past cons, aren’t going to be there, which gives other properties an opportunity to step into the spotlight.”

Since its humble beginnings in 1970 as the Golden State Comic Book Convention, a gathering of a few dozen geeks who swapped superhero magazines, Comic-Con has exploded in popularity.

Each July, it attracts around 130,000 cosplayers, movie executives, sci-fi fans and bloggers to a feast on all manner of panels, screenings and other attractions.

‘Scare Diego’

Described by Rolling Stone as the “Super Bowl of people who don’t like watching the Super Bowl,” Comic-Con’s beating heart is the 6,500-seat Hall H, where a cornucopia of stars hawk their latest work.

Devotees have been known to wait for days to be among the first to get into the sprawling arena, taking turns with family members and other fans for toilet breaks and sleep.

New Line Cinema and Warner Bros. kick off proceedings Wednesday with “Scare Diego,” where fans will enjoy insights into It: Chapter Two and the frankly terrifying-looking The Nun.

The convention has traditionally persuaded most of the big studios to turn up for detailed presentations of their highly anticipated slates of upcoming movies — but not this year.

Disney is presumably saving its biggest treats for its own biennial D23 fan convention, and Universal’s segment is dedicated to just two movies — M. Night Shyamalan’s Glass and David Gordon Green’s Halloween.

Elsewhere, Paramount brings its spinoff Transformers film Bumblebee and Fox has a Deadpool 2 celebration and preview for its Predator reboot.

Sony presents Venom, and the animated Spider-Man: Into the Spider-Verse, neither of which are considered part of the MCU, although Marvel was part of the production team.

That cedes the center stage to Warner Bros., which is expected to pull out all the stops in its two-hour Saturday spot.

The schedule is kept tightly under wraps, but insiders say there will almost certainly be thrills and spills from Aquaman, Godzilla: King of the Monsters, the new Fantastic Beasts movie and Shazam!

‘Crazy busy’

“This is a fun room. It’s going to be crazy busy for Warner Bros., like it always is,” said James Riley of the SDConCast podcast.

“But without the pull of the evening Marvel panel to generate such a fervor for the line … we have a feeling this is actually going to be an easy day to get into Hall H.”

The television side of the Comic-Con gets increasingly bigger as the stars follow the voluminous torrent of cash into TV productions funded on a scale never seen before.

This year’s Hall H is expected to be more notable than ever for its small-screen content, despite the absence of HBO’s big-hitters.

“Several other networks will be showing off new and returning series in a hope to cut through the cluttered landscape and maintain, or possibly grow, viewership,” said Lesley Goldberg of The Hollywood Reporter.

AMC has the pick of the convention with a debut appearance from Better Call Saul alongside a 10th anniversary reunion panel for Breaking Bad and a discussion on acclaimed graphic novel adaption Preacher.

The Walking Dead, the most successful show in U.S. cable television history, is back ahead of season nine, expected to debut in October, and there is a panel for its sister show, Fear the Walking Dead.

Other studios plying their TV wares include YouTube Originals and Fox, while SyFy stages what promises to be an emotional farewell to the Sharknado franchise.

Marvel’s movie people might be largely absent, but the studio boasts numerous panels and other event for its TV output, including Cloak & Dagger, Iron Fist and Marvel’s Avengers: Black Panther’s Quest.

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Egypt Targets Social Media With New Law

Egypt’s parliament has passed a law giving the state powers to block social media accounts and penalize journalists held to be publishing fake news.

Under the law passed on Monday social media accounts and blogs with more than 5,000 followers on sites such as Twitter and Facebook will be treated as media outlets, which makes them subject to prosecution for publishing false news or incitement to break the law.

The Supreme Council for the Administration of the Media, headed by an official appointed by President Abdel Fattah el-Sissi, will supervise the law and take action against violations.

The bill prohibits the establishment of websites without obtaining a license from the Supreme Council and allows it to suspend or block existing websites, or impose fines on editors.

The law, which takes effect after it is ratified by Sissi, also states that journalists can only film in places that are not prohibited, but does not explain further.

Supporters of Sissi say the law is intended to safeguard freedom of expression and it was approved after consultations with judicial experts and journalists.

But critics say it will give legal basis to measures the government has been taking to crack down on dissent and extend its control over social media.

Sherif Mansour, Middle East and North Africa program coordinator for the Committee to Protect Journalists, said the vague wording of the law allows authorities to interpret violations and control the media.

“That power of interpretation has been a constant powerful legal and executive tool that was used to justify excessive aggressive and exceptional measures to go after journalists,” he told Reuters.

Hundreds of news sites and blogs have been blocked in recent months and around a dozen people have been arrested this year and charged with publishing false news, many of them journalists or prominent government critics.

 

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The Go-Go’s on Their Legacy and Advice for Other Rockers

Go-Go’s guitarist Jane Wiedlin has five simple words of advice for female rock bands — “Write. Write. Write. Write. Write,” she said.

 

“I think the world needs a lot more women that are really taking charge of their whole career and image, instead of women being picked by men and then songs get written for them and players played for them,” Wiedlin said. “I just would like to see a little bit more wholly, self-realized female artists. I know there’s some out there. But I want more.”

 

Wiedlin joined other members of her pioneering all-female band on a Broadway stage last week to welcome “Head Over Heels,” the musical based on the band’s infectious hits. They treated the audience to a two-song set at curtain call.

 

“Head Over Heels” weaves the Go-Go’s tunes — “We Got the Beat,” “Our Lips Are Sealed,” and other hits with deep cuts and lead singer Belinda Carlisle’s subsequent singles — to tell an updated take on Sir Philip Sidney’s “Arcadia.” It’s an Elizabethan tale about a royal family trying to escape an oracle’s prophecy of doom, using Shakespearean conventions and reveals and mistaken identities.

“The fact that we actually made it to Broadway feels like it’s kind of a miracle. And also, super unlikely for a band that started 40 years ago as a punk rock band. So, it’s pretty thrilling,” Wiedlin said.

 

The Grammy-nominated Go-Go’s helped pave the way for future female artists and notably sang and played their own songs, but Carlisle stops short of feeling like a role model.

 

“I don’t like that term. I don’t think we’ve ever thought of ourselves as role models. We just did the work and got on with it,” she said. “It’s weird that there aren’t more Go-Go’s that have come along. I don’t know why, but for whatever reason.”

 

The Go-Go’s have no plans to tour, but Wiedlin claims it’s not the end of the band.

 

“In 2016, we did a no-more-touring tour, and basically, we announced we were not going to be touring anymore, which for some reason most people thought that meant we were breaking up. But we’re not broken up,” Wiedlin said.

 

She said the band will continue to work together, and separately, as well as perform in situations she deems, “exciting.” And having time can lead to cool projects, like the Broadway show.

 

“We were all to the point where touring is just a bit too much, so we are very happy to be focused on the musical ‘Head Over Heels’ right now,” she said. “There’s plenty of stuff in the future for us, both together and apart.”

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‘Mamma Mia!’ Sing-along Returns with Star-studded Sequel Premiere

Amid olive trees and plenty of ABBA tunes, the musical world of “Mamma Mia” took over a London theater on Monday for the film sequel’s world premiere with Oscar winner Meryl Streep and pop diva Cher among the attendees.

Ten years after the movie version of the hit theater musical, “Mamma Mia! Here We Go Again” sees old faces return and new ones join the ABBA sing-along set on a picturesque Greek island where stars belt out tracks by the hugely popular Swedish band.

The plot follows on from the first film, which grossed over $600 million at the box office, but this time has flashbacks explaining how Meryl Streep’s character Donna arrived in Greece.

While fans have highly anticipated the sequel, ABBA founding members Benny Andersson and Bjorn Ulvaeus said they were not so keen on the idea at first.

“We were kind of protective of the first one because we were very proud of it, it was very good and it became kind of a cult movie … and we thought what’s the point of risking … taking away from that legacy, so we were reluctant,” Ulvaeus told Reuters.

But the film writers’ idea of making the movie a sequel and prequel at the same time helped change their minds, he said.

“I laughed out loud many times when I read (the script’s first draft). It was funny, it was moving so we said go ahead and here we are.”

Chanting “Waterloo,” “Super Trouper” and “Dancing Queen,” fans cheered as Streep, Pierce Brosnan, Colin Firth, Amanda Seyfried and Christine Baranski – who starred in the 2008 film – arrived.

The sequel’s cast additions include Lily James, who plays the younger Donna, and Cher, who portrays Donna’s mother.

“I don’t know what I was expecting but I walked onto the set and I just thought everyone’s just having fun,” Cher said.

Like the first film, the sequel has plenty of colorful and comic scenes. It also has touching moments, cast members said.

“It’s a great time for this movie to be out in the world, because we’re all feeling a little down about the world right now,” Baranski said. “I think people are going to be transported to this beautiful Greek island with all these beloved characters and all these fabulous songs.”

“Mamma Mia!” the musical originated more than 20 years ago and has gone on to have productions around the world with generations of fans still singing and dancing to ABBA songs some 40 years after their release.

“It’s so humbling and I’m grateful but I cannot say I understand quite how that happened. It’s kind of a miracle,” Ulvaeus said of the band’s success. “Never in our wildest dreams did we think that these songs that we wrote would last for such a long time.”

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Classic 1965 Ford Mustang given self-driving abilities

Scientists from Cranfield University in Britain have teamed up with the engineering firm Siemens to retro-fit a classic 1965 Ford Mustang with driverless technology. They recently tested it on a racetrack at the Goodwood Festival of Speed — considered the largest motoring garden party in the world. VOA’s Julie Taboh has more.

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3D Printing Helps Restore 18th Century Chinese Pagoda

Twenty-first century technology has helped restore an 18th century Chinese pagoda in the heart of London. Faith Lapidus has the story.

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Venezuela Pleads Guilty in US to Role in PDVSA Bribe Scheme

A former official at a Venezuelan state-run electric company pleaded guilty on Monday to U.S. charges that he participated in a scheme to solicit bribes in exchange for helping vendors win favorable treatment from state oil company PDVSA.

Luis Carlos De Leon Perez, 42, pleaded guilty in federal court in Houston to conspiring to violate the Foreign Corrupt Practices Act and to conspiring to commit money laundering, the U.S. Justice Department said.

He became the 12th person to plead guilty as part of a larger investigation by the Justice Department into bribery at Petroleos de Venezuela SA that became public with the arrest of two Venezuelan businessmen in December 2015.

The two men were Roberto Rincon, who was president of Tradequip Services & Marine, and Abraham Jose Shiera Bastidas, the manager of Vertix Instrumentos. Both pleaded guilty in 2016 to conspiring to pay bribes to secure energy contracts.

De Leon is scheduled to be sentenced on Sept. 24. His lawyers did not respond to requests for comment.

De Leon was arrested in October 2017 in Spain and was extradited to the United States after being indicted along with four other former Venezuelan officials on charges they solicited bribes to help vendors win favorable treatment from

PDVSA.

An indictment said that from 2011 to 2013 the five Venezuelans sought bribes and kickbacks from vendors to help them secure PDVSA contracts and gain priority over other vendors for outstanding invoices during its liquidity crisis.

Prosecutors said De Leon was among a group of PDVSA officials and people outside the company with influence at it who solicited bribes from Rincon and Shiera. De Leon worked with those men to then launder the bribe money, prosecutors said.

De Leon also sought bribes from the owners of other energy companies and directed some of that money to PDVSA officials in order help those businesses out, prosecutors said.

Among the people indicted with De Leon was Cesar David Rincon Godoy, a former general manager at PDVSA’s procurement unit Bariven. He pleaded guilty in April to one count of conspiracy to commit money laundering.

Others charged included Nervis Villalobos, a former Venezuelan vice minister of energy; Rafael Reiter, who worked as PDVSA’s head of security and loss prevention; and Alejandro Isturiz Chiesa, who was an assistant to Bariven’s president.

Villalobos and Reiter were, like De Leon, arrested in Spain, where they remain pending extradition, the Justice Department said. Isturiz remains at large.

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US Launches Five WTO Challenges to Retaliatory Tariffs

The United States launched five separate World Trade Organization dispute actions on Monday challenging retaliatory tariffs imposed by China, the European Union, Canada, Mexico and Turkey following U.S. duties on steel and aluminum.

The retaliatory tariffs on up to a combined $28.5 billion worth of U.S. exports are illegal under WTO rules, U.S. Trade Representative Robert Lighthizer said in a statement.

“These tariffs appear to breach each WTO member’s commitments under the WTO Agreement,” he said. “The United States will take all necessary actions to protect our interests, and we urge our trading partners to work constructively with us on the problems created by massive and persistent excess capacity in the steel and aluminum sectors.”

Lighthizer’s office has maintained that the tariffs the United States has imposed on imports of steel and aluminum are acceptable under WTO rules because they were imposed on the grounds of a national security exception.

Mexico said it would defend its retaliatory measures, saying the imposition of U.S. tariffs was “unjustified.”

“The purchases the United States makes of steel and aluminum from Mexico do not represent a threat to the national security,” Mexico’s Economy Ministry said in a statement.

“On the contrary, the solid trade relationship between Mexico and the U.S. has created an integrated regional market where steel and aluminum products contribute to the competitiveness of the region in various strategic sectors, such as automotive, aerospace, electrical and electronic,” the ministry added.

Lighthizer said last month that retaliation had no legal basis because the EU and other trading partners were making false assertions that the U.S. steel and aluminum tariffs are illegal “safeguard” actions intended to protect U.S. producers.

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Stevie Nicks and LeAnn Rimes Share Heartbreak in New Duet

Stevie Nicks cried on her living room floor when she first saw LeAnn Rimes perform “Borrowed” on her TV in 2013.

 

The song, about an intimate, yet fleeting romance between Rimes and her lover, came out on Rimes’ “Spitfire” album when Nicks became enamored with it. The Fleetwood Mac singer knew then that she wanted to sing it with Rimes someday.

 

“It was very easy for me to try to be in that same sad, deeply tragic, passionate place where she was when she wrote that song because I had been there. I had lived there for a long time,” Nicks said in an interview with The Associated Press from Mexico, where she was on vacation.

 

Nicks heard from mutual friend and producer Darrell Brown, who co-wrote “Borrowed,” that Rimes was planning to touch up some of her hits for her “Re-Imagined” EP, and she jumped at the chance to record a duet version with Rimes.

 

“Being able to have another artist really kind of get you on so many levels in that authenticity and from that space is really magical,” said Rimes.

 

The new version, released last month, balances Nicks’ soft croon to Rimes’ striking vocals. Like in the previous version, a cool and fading steel guitar compliments the rhythmic melody and calming percussion.

 

Even though Nicks has been singing and recording long before Rimes was on the scene, she said working with her is like going to singing college.

 

“She doesn’t brush over anything,” said 70-year-old Nicks. “You have to sing every single word with her; otherwise it won’t be a good duet because she would leave you in the dust.”

 

Rimes, 35, became a star as a teen and launched hits such as “Blue,” “How Do I Live” and “Can’t Fight the Moonlight.” She won the best new artist Grammy at age 14.

 

Both singers come from different musical backgrounds. Nicks is a rock ‘n’ roll magnate from Phoenix and Rimes has country roots in Texas, but their voices reflect on a shared passion where heartbreak isn’t bound by place, time or genre.

 

Rimes said she came up with the idea for the song during an emotionally troubling moment on an airplane when she noticed someone reading a tabloid magazine with her on the cover. She started to cry when the stranger’s husband came to her comfort.

 

“I honestly feel like that guy was an angel,” she said. “Some things came over me at that moment and I just remember thinking that title (“Borrowed”) to myself.”

 

The first line of the song came to Rimes: “I know you’re not mine. Only borrowed.” From there, she took it to the studio where she fleshed out the rest of the tune.

 

“It’s a very honest, authentic moment and capturing a piece of me that I really didn’t know existed until I wrote this song,” said Rimes.

 

Rimes is currently on a summer tour and Nicks is hitting the road with Fleetwood Mac in the fall. Both singers said they hope to perform the song together someday.

 

“I would love to do a record with LeAnn,” said Nicks. “I’m hoping that for some reason we’ll get to go onstage and sing this song together.”

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Activists: Thousands of Congolese Threatened by National Park Oil Plans

Democratic Republic of Congo’s plan to drill for oil in national parks could leave thousands of farmers and fishermen who rely on the land in a struggle to survive, rights groups said Monday.

The central African country announced last month that it was taking steps toward declassifying parts of Virunga and Salonga national parks, both recognized as world heritage sites by the United Nations, to allow for oil exploration.

The parks, which together cover an area about the size of Switzerland, are among the world’s largest tropical rainforest reserves and home to rare species including forest elephants.

Allowing drilling in the parks would cause a loss of biodiversity, release huge amounts of carbon dioxide into the atmosphere and pollute water that thousands of local people use for fishing and farming, according to several rights groups.

Congolese state spokesman Lambert Mende told Reuters that the government will study the potential impact of oil drilling on local communities before they proceed.

The government has previously defended its right to authorize drilling anywhere in the country and said it is mindful of environmental considerations, such as protecting animals and plants, in the two national parks.

“There are lake-shore communities, especially in Virunga, that are very dependent on fishing and on the park’s integrity,” said Pete Jones of environmental advocacy group Global Witness.

“That really needs to be taken into account and doesn’t seem to be part of the debate that’s happening, which is a shame,” he told Reuters.

Conservation group World Wildlife Fund (WWF) also said it is concerned about the impact of oil drilling on at least 50,000 people who benefit from the fishing industry in Virunga, and tens of thousands more who farm on the outskirts of the parks.

“The risks of pollution are clear and present. The fishing industry would suffer considerably if it gets to that point,” said Juan Seve, WWF country director in Congo.

The oil industry would be unlikely to create local jobs since specialists would be brought in from abroad, he added.

The U.N.’s cultural agency UNESCO has previously said that oil exploration should not be conducted at world heritage sites.

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Scarlett Johansson Film Exit Spotlights Lack of Transgender Actors on Screen

Scarlett Johansson’s decision to pull out of a film role playing an American gangster who was born a woman but identified as male could kickstart a drive to get more transgender actors on screen, film insiders and LGBT campaigners said on Monday.

Hollywood star Johansson had agreed to play Dante “Tex” Gill in the film Rub & Tug, but last week said she had decided to leave the role after realizing the casting was “insensitive.”

Her initial casting sparked a backlash on social media as the lesbian, gay, bisexual and transgender (LGBT) community criticized the lack of opportunities for transgender actors.

“Trans exclusion in the media is endemic and not something that’s going to change without pressure on the industry,” said Lily Madigan, a transgender activist and women’s rights official for Britain’s opposition Labour Party.

“My hope is the attention brought to the issue by this recent event will be enough to kick-start a more diverse casting standard,” Madigan told Reuters.

Hollywood has long favored casting non-transgender actors in gender fluid roles, including Jared Leto who won an Oscar for playing a transgender woman in Dallas Buyers Club, and Jeffrey Tambor who has nabbed several awards for playing a father who transitions to a woman in the television series Transparent.

Juno Roche, an author and transgender rights campaigner, said there would be “absolute outrage” if a white actor was cast to play a black person.

“It just seems completely illogical,” she said of casting of Johansson as Gill, a real-life crime kingpin who used a massage parlor as a front for prostitution during the 1970s and 1980s.

None of the 109 movies released by Hollywood’s seven biggest studios in 2017 included a transgender character, according to data from U.S-based LGBTQ advocacy group GLAAD.

“One of the issues we tend to have is people who are openly trans only being considered for trans role,” said Ian Manborde, equality and diversity organizer at Equity, a Britain-based trade union for actors and performers.

“The issue is that some people [who have transitioned] might not want to identify or self-identify as trans. There is still a stigma within the sector,” he said, adding that Equity planned to advise industry employers on how to treat transgender actors.

Filming has yet to begin on Rub & Tug and no replacement for Johansson was immediately announced.

“I can now only hope that the part goes to a trans person or — at the very least — someone who identifies as a member of the LGBTQI [queer and intersex] community,” said Rebecca Root, one of the only openly transgender actresses in Britain.

From the Johansson controversy to Chilean actress Daniela Vega becoming the first transgender presenter at the Oscars and a Cannes Film Festival award for Girl — about a transgender teenage girl’s quest to become a ballerina — this year has seen debates on transgender representation in film come to the fore.

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Cardi B Crowns Break-Out Year With Leading 10 MTV VMA Nominations

Rapper Cardi B earned a leading 10 nominations on Monday for the MTV Video Music Awards (VMA), reflecting a break-out year that has seen her become one of the industry’s most successful and sought-after performers.

The New York singer, 25, earned nominations in all the top categories, including both best artist and best new artist, as well as best video, collaboration and choreography mostly for her work with Bruno Mars on “Finesse.”

Cardi B, who shot to fame in August 2017 with her brash female empowerment song “Bodak Yellow,” led a VMA contenders field that included Drake, Camila Cabello, Beyonce and husband Jay-Z.

Performing as The Carters, the power music duo earned eight nominations for their “APES**T” video, which was shot inside the Louvre in Paris against the backdrop of some of the world’s most famous art works.

Childish Gambino, the music stage name of actor Donald Glover, earned seven nominations for his hard-hitting video “This Is America” about black identity and police brutality.

Cardi B and Bruno Mars, The Carters, and Childish Gambino will face off for the top prize — video of the year — against Ariana Grande’s “No Tears Left to Cry,” Camila Cabello’s “Havana,” and Drake’s “God’s Plan.”

Monday’s nominations reflected the popularity of rap, which in 2017 surpassed rock as the most dominant music genre in the United States, and R&B.

Pop singer Taylor Swift managed only three nominations, all in technical categories, for “Look What You Made Me Do,” despite her album “Reputation” being the biggest seller in the United States in 2017.

Britain’s Ed Sheeran got four nominations, including song of the year, for his romantic ballad “Perfect,” which was a worldwide hit.

The fan-voted, youth-oriented VMA awards ceremony with a reputation for irreverence and outrageous stunts will be broadcast live on MTV from New York City on August 20.

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Boxer Mayweather, George Clooney Lead World’s Highest Paid Entertainers

American boxer Floyd Mayweather was named the world’s highest-paid entertainer on Monday on a list that saw actor George Clooney take the No. 2 spot with the highest annual pay of his career.

Reality star Kylie Jenner, 20, came in third on the annual Forbes Celebrity 100 list, largely thanks to her booming cosmetics line that Forbes said put her on track to become the youngest self-made billionaire in the United States.

Forbes compiled its 2018 list estimating pre-tax earnings from June 2017-June 2018, before deducting fees for managers, based on data from Nielsen, touring trade publication Pollstar, movie database IMDB, and interviews with industry experts and celebrities themselves.

Mayweather pulled in some $285 million in the period, largely thanks to his August 2017 comeback fight win over mixed martial arts champion Conor McGregor.

Oscar-winning star Clooney earned an estimated $239 million after selling the Casamigos tequila company he co-founded to British spirits company Diageo in June 2017. Forbes said the sale gave Clooney the best annual earnings of his 35-year career in film and television.

 

Forbes said entertainers on its 2018 Celebrity 100 list earned a combined $6.3 billion before tax, up 22 percent from last year’s list. Many of the highest earners came from celebrities leveraging their brands through side ventures and through their social media presence.

“There’s never been a more lucrative time to be famous than now, with 11 superstars earning $100 million or more over the past year,” Zack O’Malley Greenburg, senior entertainment editor at Forbes, said in a statement.

“Entertainers have found all sorts of new ways to monetize their audiences, especially with the help of social media,” he added. 

Dwayne “The Rock” Johnson almost doubled his earnings from  the previous year to land in 5th place with estimated earnings of $124 million. Forbes said the earnings of the “Jumanji” and “Fast & Furious” star were the largest acting-related earning it had recorded in 20 years.

The top earner on last year’s list, musician Sean Diddy Combs, dropped to No. 32 on the current list. His earnings on the 2017 list were inflated by a tour and the sale of part of his Sean John clothing line, Forbes said.

Musicians and athletes fared well, with Irish band U2, British band Coldplay and British singer Ed Sheeran appearing in the top 10. Soccer players Lionel Messi and Cristiano Ronaldo also earned more than $100 million, Forbes said. 

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China Suffers Setback in Its EU Trade Rapprochement

As the United States ratchets up trade threats, China suffered a setback on Monday for its calls for international cooperation in counteracting  what it calls U.S. President Donald Trump’s protectionist policies.

 

Luca Jahier, the president of the European Economic and Social Committee, said that the European Union won’t “gang up” on America with China even if the trade bloc opposes the U.S. leader’s tariff measures.

 

Jahier said, ahead of Monday’s annual China-EU summit in Beijing, he strongly opposes protectionism, but escalating the situation would not be the appropriate response, the South China Morning Post reported.

 

Analysts say that China is probably barking up the wrong tree if it plans to seek a united trade front with European countries.

 

China’s unfair practice

 

Like the U.S., the European Union is firm in its fight against China’s unfair trade practice and intellectual property rights infringement, although it disagrees with Trump’s aggressive tariff measures, said Darson Chiu, a research fellow at the Taiwan Institute of Economic Research.

 

The researcher added that there’s not much China can do to hit back but play the victim’s game internationally should the U.S. next escalate with an extra 10 percent tariffs on US$200 billion-worth of Chinese goods in two months.

 

“China only imports $130 billion in American goods [annually], so, it is already out of elbows when it comes to the imposition of retaliatory tariffs,” Chiu said, adding that any talks in China about dumping U.S. treasuries it holds as a retaliatory move will only backfire and hurt its own economy.

 

Ball in US court?

 

The ball is thus in the U.S. court, and only a poor performance in the U.S. midterm elections in November will force Trump to re-evaluate his trade strategies against China, Chiu added.

The dispute, moreover, has escalated from trade volume to the broad economic interests of both countries, said Raymond Yeung, senior economist of Greater China at the Australia and New Zealand Banking Group.

“The tension between the two countries is not simply on trade, but in anything that the Chinese government thinks happens to the U.S. economic interests” Yeung said.

 

In other words, there is yet no end in sight to Trump’s trade war with China.

 

Protracted trade war

 

In preparation for a protracted trade war, China continues to put the blame on the U.S. and play down the tariffs’ impact at home, while tightening media censorship.

 

Chinese officials had nothing but angry words before any official efforts to seek rapprochement or renew negotiations with the U.S.

 

China’s Vice Minister of Commerce Wang Shouwen, representing Beijing during the country’s policy review at the World Trade Organization last week, called Washington a “trade bully,” which should “keep its gun” off China’s head.

 

In a statement last week, China’s Ministry of Commerce argued that the U.S. practice would drag the global economy into the “cold war,” “recession trap” and “the trap of uncertainly to worsen global trade environment and industrial supply chains.”

 

Controlling the narrative

 

Chinese censors have also stepped up efforts to control the narrative and public discussion about the trade dispute.

 

Most media in China were reportedly told not to hype up the trade war or link it to stock market fluctuation, the Chinese yuan’s depreciation, or the country’s economic and financial vulnerability to avoid spreading panic.

In its editorial, state media Global Times, on Sunday, heralded “China’s advantages in a protracted trade war.”

“Some are concerned that … China seems to have no tools with which to hit back. This is a huge misconception. The tariffs on $200 billion of Chinese goods are meant to be a bluff,” the editorial read.

 

‘Strategic risk’

The paper called the Trump administration complacent in telling its society that the U.S. will clench an easy win and hence “against this backdrop, arrogant Washington has created a tremendous strategic risk for itself.”

 

And it concluded that “China will likely find losses lower than expected while the U.S. will be shocked by unexpected real losses.… China has to play hardball and knock the Trump administration forcibly out of its dream to conquer us.”

 

State censorship on social media appeared to have also reached its peak to silence unwanted comments since late last week.

 

On Friday, the Sino-U.S. trade war was the second top-trending censored topic on freeweibo.com.

 

The screening of critical voices continued this week with most online postings share the similar nationalistic nature.

 

Echoing the Chinese official statement, one Weibo user on Monday wrote “the U.S. is shooting itself in the foot and got so scared that it peed its pants. China will be the biggest winner.”

 

Another user said that he will always support China. “Maybe after the war [with the U.S.], we will also be able to reclaim Taiwan.”

 

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IMF Warns US of Economic Vulnerability from Trade War

The International Monetary Fund is warning escalating trade conflicts threaten to curb the world’s economic recovery, saying U.S. exports are especially vulnerable in the face of retaliatory tariffs other nations are imposing on them in response to President Donald Trump’s new levies on foreign imports.

The Washington-based IMF, in its latest World Economic Outlook, continued to project international economic growth at 3.9 percent for this year and 2019, but said Monday “the risk of worse outcomes has increased, even for the near term.”

IMF chief economist Maurice Obstfeld said, “Our modeling suggests that if current trade policy threats are realized and business confidence falls as a result, global output could be about 0.5 percent below current projections by 2020,” adding that the United States is “especially vulnerable.”

“As the focus of global retaliation,” he said, “the United States finds a relatively high share of its exports taxed in global markets in such a broader trade conflict.”

Trump has imposed higher tariffs on steel and aluminum imports from Europe, Canada and Mexico and on an array of products from China, in all instances drawing protests from other world leaders about his actions, along with higher retaliatory levies on U.S. exports.

In addition to the growing trade disputes, the IMF concluded that other risks “have become more prominent” since its last assessment in April.

“Political uncertainty has risen in Europe, where the European Union faces fundamental political challenges regarding migration policy, fiscal governance, norms concerning the rule of law, and the euro area institutional architecture,” the IMF said.

“The terms of Brexit [Britain’s departure from the European Union] remain unsettled despite months of negotiation,” Obstfeld said.  “Prospective political transitions in Latin America over coming months add to the uncertainty.  Finally, although some geopolitical dangers may appear to be in remission, their underlying drivers in many cases are still at work.”

Despite the back-and-forth tariff increases the United States and China have imposed on each other, the IMF left as unchanged its growth projections for both countries.  It pegged the U.S. advance at 2.9 percent this year and 2.7 percent in 2019, with China at 6.6 percent this year and 6.4 percent next year.

But the IMF trimmed its outlook for the 19 European countries that use the euro currency, Japan, and Britain.  The agency’s report projected 2.2 percent growth in the eurozone this year, Britain at 1.4 percent and Japan at one percent, with all three figures down two-tenths of a percentage point.

The IMF also cut its forecast for Brazil by a half percentage point to 1.8 percent and India by a tenth of a point to 7.5 percent.  

 

 

 

 

 

 

 

 

 

   

 

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Djokovic Wins Wimbledon Championship

Novak Djokovic of Serbia has won his first Wimbledon title since 2015, defeating South Africa’s Kevin Anderson in straight sets 6-2, 6-2, 7-6.

It is Dkokovic’s fourth Wimbledon championship and his first Grand Slam title since winning the French open two years ago.

Anderson, seeded number eight, was playing two days after a grueling more than six and a half hour semifinal showdown with American John Isner. Anderson had earlier upset defending champion Roger Federer in a five set win in the quarterfinals.

For the 12th seeded Dkovovic, it is his 13th career Grand Slam title.

In the Women’s final Saturday, Angelique Kerber of Germany defeated seven time champion American Serena Williams in straight sets, 6-3, 6-3.

It was Williams’ first Grand Slam final since coming back to the tour after giving birth to her daughter last September.

 

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Women’s Soccer Gaining Popularity in US

With so much attention focused on the World Cup in Russia, the popularity of women’s soccer in the United States is expected to grow as the sport attracts new fans and more parents encourage their daughters to play the sport. The U.S. women’s national soccer team has already won three Women’s World Cup titles – a record that will only increase the sport’s appeal for young girls. Genia Dulot has more from Los Angeles, California.

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Trump’s Advice to Britain’s May: ‘Sue the EU’

U.S. President Donald Trump advised British Prime Minister Theresa May to sue the European Union instead of negotiating with the bloc, as part of her Brexit strategy.

 

“He told me I should sue the EU,” May told BBC television. “Sue the EU. Not go into negotiations — sue them.”

Her revelation about how Trump advised her ended several days of speculation about what advice the U.S. leader had offered the prime minister.

Trump said last week in an interview with The Sun newspaper that he had given May advice, but she did not follow it. The president told the newspaper ahead of his meeting with May that she “didn’t listen” to him.

“I would have done it much differently. I actually told Theresa May how to do it but she didn’t agree, she didn’t listen to me. She wanted to go a different route,” Trump said.

Trump did not reveal what advice he offered May in a press conference with her Friday. Instead, he said, “I think she found it too brutal.”

He added, “I could fully understand why she thought it was tough. And maybe someday she’ll do that. If they don’t make the right deal, she may do what I suggested, but it’s not an easy thing.”

May also told the BBC that the president had advised her not to walk away from the negotiations “because then you’re stuck.”

For the past few months, British politics have been obscured by squabbling, irritability and bravado about how, when and on what terms Britain will exit the European Union, and what the country’s relationship will be with its largest trading partner after Brexit.

Britons narrowly voted to leave the EU in a referendum in June 2016.

 

 

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Largest US Port Complex Braces for Extended US-China Trade War

Liang Liang is feeling a lot of stress lately. He owns an import wholesale business in Los Angeles.

“I have been watching the news every day — when will the tariffs be put in place? When are my goods arriving; it’s a fight against time. I’m trying to order all my products for the rest of the year,” he said. His goods, such as toys and T-shirts, come from China through the largest port complex in the United States, the twin ports of Los Angeles and Long Beach.

He expects a 10 to 20 percent increase in shipping costs because of the trade war between the United States and China.

Shipping costs likely to rise

China is the largest trading partner for both ports. As tariffs from both countries increase the cost of goods, manufacturers and retailers may order fewer products, which will cause a decrease in trade volume between the two countries, according to Stephen Cheung, president of the World Trade Center Los Angeles.

“Once that happens, you’re going to see an increase in the rates for shipping because then you don’t have the volume to justify the goods going back and forth,” he said.

Cheung explained that shipping costs will affect all goods between the U.S. and China, not just the ones on the list to be taxed. He said the trade and logistics sector, which includes the ports and the supply chain of trucks and warehouses, will be the first to feel the effects of the trade war.

Liang said he will absorb the cost and live with smaller profits, up to a point.

“If the tariffs increase by another 20 percent, we’ll have to raise our prices,” he said.

“The consumers are going to feel it in their wallets very quickly,” Cheung said.

​Supply chain may be less reliable

The U.S. as a manufacturing center depends on parts from China, but that supply may become less reliable as the trade war continues. Cheung said there may be uncertainty about whether the products will be produced or “whether they will be in the same price, so this potentially can have a huge aspect in terms of our exporting capability not only to China but to the rest of the world, Cheung said. “And there are a lot of jobs that are tied to this,” he added.

Officials at the ports of Long Beach and Los Angeles said it is too early to tell the impact of the trade tariffs.

“We’ll have to wait and see how various businesses restructure their supply networks and adjust to the tariff environment,” said Duane Kenagy, the Port of Long Beach’s interim deputy executive director.

He said so far, the port has seen record container volumes this year, but there is concern.

“The impacts of a sustained long-term trade war could be devastating to both economies,” Kenagy said.

Political theater?

Liang said he has hope, saying he thinks the trade war is actually political theater for the U.S. and China.

“China also has its position on trade. The Chinese government also has to be accountable to the 1.4 billion people of China. I think China and the U.S. will disagree over trade on the surface. (For Trump), it’s a show for the November midterm elections, so he can be accountable to the electorate,” Liang said.

Washington has been critical of China’s unfair trade practices and concerned with a trade imbalance. The U.S. imported more than $500 billion of Chinese goods last year compared to $130 billion of U.S. products exported to China.

These concerns and issues of American intellectual property are reasons the Trump administration announced tariffs on an additional $200 billion in Chinese imports.

“If you’re utilizing this as a tactic, that’s fine. What are the steps that you’re going to use to mitigate some of these damages that will be happening to the local community? These are huge issues that have not been addressed yet,” Cheung said.

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Largest US Port Complex Bracing for Extended US-China Trade War

As the Trump administration announces tariffs on an additional $200 billion in Chinese imports, the largest port complex in the United States is bracing for its impact. For the twin ports of Los Angeles and Long Beach, China is the largest trader, and what happens at these ports can ripple through the rest of the U.S. economy. VOA’s Elizabeth Lee reports.

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