Pope wraps up Asia-Pacific tour, defies health fears along the way

Singapore — Pope Francis wrapped up an arduous 12-day tour of the Asia-Pacific on Friday, defying health concerns to connect with believers from the jungle of Papua New Guinea to the skyscrapers of Singapore.

The 87-year-old pontiff flies home to Rome from Singapore, completing his longest trip in duration and distance since he became head of the world’s estimated 1.4 billion Roman Catholics more than 13 years ago.

The Argentine pope has relied on a wheelchair since 2022 because of knee pain and sciatica. He had a hernia operation in June 2023, and earlier this year he battled flu and bronchitis.

Occasionally, during his four-nation trip, the pope struggled to keep his eyes open when listening to late-night liturgical readings or to remain engaged during formal military parades.

But he was clearly energized by more freewheeling exchanges — cheerfully goading young people to shout out their agreement with his calls to help those in need.

In a lively final inter-religious meeting with young Singaporeans, the pope urged them to respect other beliefs, avoid being slaves to technology and to get out of their comfort zones.

“Don’t let your stomach get fat, but let your head get fat,” the pope said, raising a laugh from his audience.

“I say take risks, go out there,” he said. “A young person that is afraid and does not take risks is an old person.”

The historic tour, initially planned for 2020 but postponed by the COVID-19 pandemic, has included 43 hours of flight time and a distance of 32,000 kilometers.

But neither the pace — 16 speeches and up to eight hours of time difference — nor the heat, nor multiple meetings have forced any rescheduling of his international odyssey.

On a trip that took him to the outer edges of the church’s world, the pope delivered a sometimes uncomfortable message for leaders not to forget the poor and marginalized.

In Indonesia, the world’s most populous Muslim-majority state, he visited the Istiqlal Mosque to deliver a joint message against conflict and climate change.

In sweltering Papua New Guinea, he donned a bird of paradise headdress in a remote, jungle village where he told inhabitants to halt violence and renounce “superstition and magic.”

Addressing political and business leaders, he insisted that the country’s vast natural resources should benefit the entire community — a demand likely to resound in a nation where many believe their riches are being stolen or squandered.

And in staunchly Roman Catholic East Timor, he addressed nearly half the population, drawing about 600,000 rapturous believers in the tropical heat to a celebration of mass on the island’s coast.

Francis addressed East Timor’s leaders, hailing a new era of “peace” since independence in 2002.

But he also called on them to do more to prevent abuse against young people, in a nod to recent Catholic Church child abuse scandals.

In the affluent city-state of Singapore, the pope called for “special attention” to be paid to protecting the dignity of migrant workers.

“These workers contribute a great deal to society and should be guaranteed a fair wage,” he said.

There are an estimated 170 million migrant workers around the world. Most live in the Americas, Europe or Central Asia.

But the Argentine pope was otherwise full of praise for the “entrepreneurial spirit” and dynamism that built a “mass of ultra-modern skyscrapers that seem to rise from the sea” in his final destination.

Sandra Ross, 55, a church administrator in Singapore, said she was still “feeling the warmth and joy” after attending mass led by the pope.

“I was deeply touched by Pope Francis’ courage and dedication to his mission, despite his health challenges. His spirit and enthusiasm are truly inspiring,” she said.

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Chess academy helps children learn discipline, problem-solving skills

One Washington teacher’s attempt to help one student has turned into something much larger. VOA’s Philip Alexiou has this story of a chess academy for kids. (Camera and produced by: Philip Alexiou)

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AI not a US election gamechanger yet

Washington — When the U.S. announced the seizure of 32 internet domains tied to Russian efforts to ply American voters with disinformation ahead of November’s presidential election, prosecutors were quick to note the use of artificial intelligence, or AI.

The Russian operation, known as Doppelganger, drove internet and social media users to the fake news using a variety of methods, the charging documents said, including advertisements that were “in some cases created using artificial intelligence.”

AI tools were also used to “generate content, including images and videos, for use in negative advertisements about U.S. politicians,” the indictment added.

And Russia is far from alone in turning to AI in the hopes of swaying U.S. voters.

“The primary actors we’ve seen for election use of this are Iran and Russia, although as various private companies have noticed, China also has used artificial intelligence for spreading divisive narratives in the United States,” according to a senior intelligence official, who spoke on the condition of anonymity in order to discuss sensitive information.

“What we’ve seen is artificial intelligence is used by foreign actors to make their content more quickly and convincingly tailor their synthetic content in both audio and video forms,” the official added. 

But other U.S. officials say the use of AI to spread misinformation and disinformation in the lead-up to the U.S. election has so far failed to live up to some of the more dire warnings about how deepfakes and other AI-generated material could shake-up the American political landscape.

“Generative AI is not going to fundamentally introduce new threats to this election cycle,” according to Cait Conley, senior adviser to the director of the Cybersecurity and Infrastructure Security Agency, the U.S. agency charged with overseeing election security.

“What we’re seeing is consistent with what we expected to see,” Conley told VOA.

AI “is exacerbating existing threats, in both the cyber domain and the foreign malign influence operation-disinformation campaigns,” she said. But little of what has been put out to this point has shocked officials at CISA or the myriad state and local governments who run elections across the country.

“This threat vector is not new to them,” Conley said. “And they have taken the measures to ensure they’re prepared to respond effectively.” 

As an example, Conley pointed to the rash of robocalls that targeted New Hampshire citizens ahead of the state’s first in the nation primary in January, using fake audio of U.S. President Joe Biden to tell people to stay home and “save your vote.”

New Hampshire’s attorney general quickly went public, calling the robocalls an apparent attempt to suppress votes and telling voters the incident was under investigation.

This past May, prosecutors indicted a Louisiana political consultant in connection with the scheme.

More recently, the alleged use of AI prompted a celebrity endorsement in the U.S. presidential race by pop star Taylor Swift.

“Recently I was made aware that AI of ‘me’ falsely endorsing Donald Trump’s presidential run was posted to his site,” Swift wrote in an Instagram social media post late Tuesday. 

“It brought me to the conclusion that I need to be very transparent about my actual plans for this election as a voter,” she wrote, adding, “I will be casting my vote for Kamala Harris and Tim Walz.”

But experts and analysts say for all the attention AI is getting, the use of such technology in attacks and other influence operations has been limited.

“There’s not a tremendous amount of it in the wild that’s particularly successful right now, at least to my knowledge,” said Katie Gray, a senior partner at In-Q-Tel, the CIA’s technology-focused, not-for-profit strategic investment firm.

“Most attackers are not using the most sophisticated methods to penetrate systems,” she said on September 4 at a cybersecurity summit in Washington.

Others suggest that at least for the moment, the fears surrounding AI have outpaced its usefulness by malicious actors.

‘We jump to the doomsday science fiction,” said Clint Watts, a former FBI special agent and counterterror consultant who heads up the Microsoft Threat Analysis Center (MTAC).

“But instead, what we’re seeing is the number one challenge to all of this right now is access, just getting to the [AI] tools and accessing them,” he said, speaking like Gray at the cybersecurity summit.

Over the past 14 months, MTAC has logged hundreds of instances of AI use by China, Russia and Iran, Watts said. And analysts found that Moscow and Tehran, in particular, have struggled to get access to a fully AI toolbox.

The Russians “need to use their own tools from the start, rather than Western tools, because they’re afraid they’ll get knocked off those systems,” Watts said.

Iran is even further behind.

“They’ve tried different tools,” Watts said. “They just can’t get access to most of them for the most part.”

U.S. adversaries also appear to be having difficulties with the underlying requirements to make AI effective.

“To do scaled AI operations is not cheap,” Watts said. “Some of the infrastructure and the resources of it [AI], the models, the data it needs to be trained [on] – very challenging at the moment.”

And Watts said until the products generated by AI get better, attempted deepfakes will likely have trouble resonating with the targeted audiences.

“Audiences have been remarkably brilliant about detecting deepfakes in crowds. The more you watch somebody, the more you realize a fake isn’t quite right,” according to Watts. “The Russian actors that we’ve seen, all of them have tried deepfakes and they’ve moved back to bread and butter, small video manipulations.”

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China takes lead in critical technology research after ‘switching places’ with US

SINGAPORE — An Australian think tank that tracks tech competitiveness says China is now the world leader in research on almost 90% of critical technologies. In a newly released report, the research group adds there is also a high risk of Beijing securing a monopoly on defense-related tech, including drones, satellites and collaborative robots — those that can work safely alongside humans.

Analysts say the huge leap forward for China is the result of heavy state investment over the past two decades. They add that despite the progress, Beijing is still dependent on other countries for key tech components and lacks self-sufficiency.

The report from the government-funded Australian Strategic Policy Institute, or ASPI, released last Thursday, says China led the way in research into 57 out of 64 advanced technologies in the five years from 2019-2023.

ASPI’s Critical Technology Tracker ranks countries’ innovation capabilities based on the number of appearances in the top 10% of research papers. It focuses on crucial technologies from a range of fields including artificial intelligence, biotechnology, cyber and defense.

The report found that “China and the United States have effectively switched places as the overwhelming leader in research in just two decades.”

China led in only three of the 64 technologies between 2003 and 2007 but has shot up in the rankings, replacing the U.S., which is now a frontrunner in just seven critical technologies.

Josh Kennedy-White is a technology strategist based in Singapore. He says China’s huge leap is a “direct result of its aggressive, state-driven research and development investments over the past two decades.”

He adds that the shift toward China is “particularly stark in fields like artificial intelligence, quantum computing and advanced aircraft engines, where China has transitioned from a laggard to a leader in a relatively short period.”

ASPI also determines the risk of countries holding a monopoly on the research of critical technologies. They currently classify 24 technologies as “high risk” of being monopolized — all by Beijing.

Ten technologies are newly classified as “high risk” this year, with many of them linked to the defense industry.

“The potential monopoly risk in 24 technology areas, especially those in defense-related fields like radars and drones, is concerning in the current and future geopolitical context,” Tobias Feakin, founder of consultancy firm Protostar Strategy, told VOA.

Chinese President Xi Jinping has sought to boost his country’s advanced manufacturing capabilities with the ambitious “Made in China 2025” initiative.

The policy, launched in 2015, aims to strengthen Beijing’s self-reliance in critical sectors and make China a global tech powerhouse.

Xi, according to Feakin, views advanced technologies as “strategic priorities for China’s development, national security and global competitiveness.”

He adds that technologies are seen as a “central component of China’s long-term economic and geopolitical goals.”

Beijing’s ambitions are being closely watched in Washington, with the Biden administration working to limit China’s access to advanced technology.

Last week, the U.S. introduced new export controls on critical technology to China, including chip-making equipment and quantum computers and components.

That announcement came shortly after U.S. national security adviser Jake Sullivan made his first ever visit to Beijing. He met with Xi and Chinese Foreign Minister Wang Yi.

Sullivan told reporters that Washington “will continue to take necessary action to prevent advanced U.S. technologies from being used to undermine national security.”

The continued efforts to curb China’s chip industry mean that Beijing must look further afield for advanced technology.

“Even though it leads in areas like artificial intelligence and 5G, China still depends on Taiwan, the U.S. and South Korea to produce high-end semiconductors”, Kennedy-White told VOA.

Describing this as China’s Achilles’ heel, Kennedy-White says the lack of self-sufficiency in the semiconductor industry could “stunt Beijing’s progress in artificial intelligence, quantum computing and military applications.”

As China continues its dominance in critical technology research, questions have been raised over exactly how the country is making these breakthroughs.

Last October, officials from the Five Eyes intelligence alliance (Australia, Canada, New Zealand, the United Kingdom and the United States) issued a joint statement accusing China of stealing intellectual property. U.S. FBI director Christopher Wray described it as an “unprecedented threat.”

Kennedy-White, managing director of Singapore-based venture catalyst firm DivisionX Global, agrees with this assessment. He says China’s jump up the ASPI rankings is “not entirely organic.”

“There is a correlation between China’s rise in certain technologies and allegations of intellectual property theft,” he added.

ASPI also recommends ways for other countries to close the gap on China. It advises the AUKUS alliance of Australia, the U.K. and the U.S. to join forces with Japan and South Korea to try to catch up.

The report also highlights the emergence of India as a “key center” of global research innovation and excellence.

The South Asian nation now ranks in the top five countries for 45 out of the 64 technologies that are tracked by ASPI. It’s a huge gain compared with 2003-2007, when India sat in the top five for only four technologies.

Feakin says countries across the Asia-Pacific “will benefit from leveraging India’s growing technology expertise and influence.”

It will also provide a counterbalance to “overdependence on China’s technology supply chain,” he added.

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Google, Apple lose court fights against EU, owe billions in fines, taxes

LONDON — Google lost its last bid to overturn a European Union antitrust penalty, after the bloc’s top court ruled against it Tuesday in a case that came with a whopping fine and helped jumpstart an era of intensifying scrutiny for Big Tech companies.

The European Union’s top court rejected Google’s appeal against the $2.7 billion penalty from the European Commission, the 27-nation bloc’s top antitrust enforcer, for violating antitrust rules with its comparison shopping service.

Also Tuesday, Apple lost its challenge against an order to repay $14.34 billion in back taxes to Ireland, after the European Court of Justice issued a separate decision siding with the commission in a case targeting unlawful state aid for global corporations.

Both companies have now exhausted their appeals in the cases that date to the previous decade. Together, the court decisions are a victory for European Commissioner Margrethe Vestager, who is expected to step down next month after 10 years as the commission’s top official overseeing competition.

Experts said the rulings illustrate how watchdogs have been emboldened in the years since the cases were first opened.

One of the takeaways from the Apple decision “is the sense that, again, the EU authorities and courts are prepared to flex their [collective] muscles to bring Big Tech to heel where necessary,” Alex Haffner, a competition partner at law firm Fladgate, said by email.

The shopping fine was one of three huge antitrust penalties for Google from the commission, which punished the Silicon Valley giant in 2017 for unfairly directing visitors to its own Google Shopping service over competitors.

“We are disappointed with the decision of the Court, which relates to a very specific set of facts,” Google said in a brief statement.

The company said it made changes to comply with the commission’s decision requiring it to treat competitors equally. It started holding auctions for shopping search listings that it would bid for alongside other comparison shopping services.

“Our approach has worked successfully for more than seven years, generating billions of clicks for more than 800 comparison shopping services,” Google said.

European consumer group BEUC hailed the court’s decision, saying it shows how the bloc’s competition law “remains highly relevant” in digital markets.

“It is a good outcome for all European consumers at the end of the day,” Director General Agustín Reyna said in an interview. “It means that many smaller companies or rivals will be able to go to different comparison shopping sites. They don’t need to depend on Google to reach out to customers.”

Google is still appealing its two other EU antitrust cases: a 2018 fine of $4.55 billion involving its Android operating system and a 2019 penalty of $1.64 billion over its AdSense advertising platform.

Despite the amounts of money involved, the adverse rulings will leave a small financial dent in one of the world’s richest and most profitable companies. The combined bill of $17 billion facing Apple and Alphabet, Google’s parent company, represents 0.3% of their combined market value of $5.2 trillion.

Those three cases foreshadowed expanded efforts by regulators worldwide to crack down on the tech industry. The EU has since opened more investigations into Big Tech companies and drew up a new law to prevent them from cornering online markets, known as the Digital Markets Act.

Google is also now facing pressure over its lucrative digital advertising business from the EU and Britain, which are carrying out separate investigations, and the United States, where the Department of Justice is taking the company to federal court over its alleged dominance in ad tech.

Apple failed in its last bid to avoid repaying its Irish taxes Tuesday after the Court of Justice upheld a lower court ruling against the company, in the dispute that dates back to 2016.

The case drew outrage from Apple, with CEO Tim Cook calling it “total political crap.”

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Zimbabwe rolls out hefty fines for poor telecommunications services

Harare, Zimbabwe — Zimbabwe’s government has introduced hefty fines of up to $5,000 for poor service in the country’s telecommunications industry.

In a statement Tuesday, Zimbabwe’s ICT Minister Tatenda Mavetera said the government will levy fines of between $200 and $5,000 per infringement for telecommunications companies and internet providers who fail to give reliable service.

Willard Shoko, an independent high-speed internet consultant, said the new fines could result in a solid telecom industry that can compete in the entire southern African region.

“The motive behind that is to improve internet for the end user. But I think they should also consider improving the infrastructure sharing and also collaboration to improve internet, not only for the region but also for Zimbabwe, because this is the foundation of the digital economy,” Shoko said. “I think they should also think about how the internet can be improved and the partnership that can help improve the internet.”

Fungai Mandiveyi, media and corporate affairs executive at Econet Wireless, Zimbabwe’s biggest telecommunications company, said the new regulations will be easier to comply with than those that existed before.

“The new provisions introduce a new model of penalties, unlike the blanket penalty that existed in the previous statutory instrument,” Mandiveyi said. “The new penalties are now linked to specific quality of service breaches, that have also been clearly spelled out. There is now more clarity in what constitutes a service breach, and what penalty goes with a specific breach of the quality of service.”

However, Christopher Musodza, an independent digital policy consultant, said the pressure to maintain internet service during Zimbabwe’s frequent power outages may present challenges for telecom companies.

“For the telecoms provider, it’s going to be tough,” he said. “The economy is not performing as anyone would want. We have got issues to do with long hours of load shedding, so service providers have to power their base stations for long hours to ensure that they meet the key performance indicators. So, imagine running generators for most of the day to ensure that you avoid a fine. (I’m) not sure what will cost more; trying to keep up with these economic factors or just paying the fine.”

Zimbabweans have long complained about poor and expensive telecommunication service. Shoko said that is the reason they are welcoming the government’s decision this month to approve Starlink’s license to operate in Zimbabwe.

The U.S.-based satellite company, owned by Elon Musk, has established a presence in several other African countries, including Botswana, Kenya, Mozambique, Nigeria, Rwanda, and Zambia.

“They can now easily get internet anywhere in Zimbabwe at an affordable price, thereby bridging the digital divide. That’s one major thing for the end user,” Shoko said of Starlink’s presence.

“For the local ISPs [internet service providers], there is massive opportunity that Zimbabwe can take advantage of — investment in ground infrastructure,” he added. “Currently in Africa, Nigeria has only two ground stations that are servicing the whole of Africa. If the Zimbabwe government and local ISPs can work together with Starlink to provide ground stations in Zimbabwe, this will allow local ISPs to provide internet to Starlink, and provide better latencies in the region. So this will improve Starlink internet for local Zimbabweans, as well as the region.”

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Australia plans age limit to ban children from social media

SYDNEY — Australia will ban children from using social media with a minimum age limit as high as 16, the prime minister said Tuesday, vowing to get kids off their devices and “onto the footy fields.”

Federal legislation to keep children off social media will be introduced this year, Anthony Albanese said, describing the impact of the sites on young people as a “scourge.”

The minimum age for children to log into sites such as Facebook, Instagram, and TikTok has not been decided but is expected to be between 14 and 16 years, Albanese said.

The prime minister said his own preference would be a block on users aged below 16.

Age verification trials are being held over the coming months, the center-left leader said, though analysts said they doubted it was technically possible to enforce an online age limit.

“I want to see kids off their devices and onto the footy fields and the swimming pools and the tennis courts,” Albanese said.

“We want them to have real experiences with real people because we know that social media is causing social harm,” he told national broadcaster ABC.

“This is a scourge. We know that there is mental health consequences for what many of the young people have had to deal with,” he said.

Australia’s conservative opposition leader Peter Dutton said he would support an age limit.

“Every day of delay leaves young kids vulnerable to the harms of social media and the time for relying on tech companies to enforce age limits,” he said.

‘Easy to circumvent’

But it is not clear that the technology exists to reliably enforce such bans, said the University of Melbourne’s associate professor in computing and information technology, Toby Murray.

“We already know that present age verification methods are unreliable, too easy to circumvent, or risk user privacy,” he said. 

Analysts warned that an age limit may not in any case help troubled children.

It “threatens to create serious harm by excluding young people from meaningful, healthy participation in the digital world,” said Daniel Angus, who leads the digital media research centre at Queensland University of Technology.

“There is logic in establishing boundaries that limit young people’s access,” said Samantha Schulz, senior sociologist of education at the University of Adelaide.

“However, young people are not the problem and regulating youth misses the more urgent task of regulating irresponsible social media platforms. Social media is an unavoidable part of young people’s lives.”

The prime minister said parents expected a response to online bullying and harmful material present on social media.

“These social media companies think they’re above everyone,” he told a radio interviewer.

“Well, they have a social responsibility and at the moment, they’re not exercising it. And we’re determined to make sure that they do,” he said.

Australia has been at the forefront of global efforts to regulate social media platforms, with its online safety watchdog bumping heads notably with Elon Musk’s X over the content it carries.

 

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Google faces new antitrust trial after ruling declaring search engine a monopoly 

ALEXANDRIA, Va. — One month after a judge declared Google’s search engine an illegal monopoly, the tech giant faces another antitrust lawsuit that threatens to break up the company, this time over its advertising technology. 

The Justice Department, joined by a coalition of states, and Google each made opening statements Monday to a federal judge in Alexandria, Virginia, who will decide whether Google holds a monopoly over online advertising technology. 

The regulators contend that Google built, acquired and maintains a monopoly over the technology that matches online publishers to advertisers. Dominance over the software on both the buy side and the sell side of the transaction enables Google to keep as much as 36 cents on the dollar when it brokers sales between publishers and advertisers, the government contends. 

They allege that Google also controls the ad exchange market, which matches the buy side to the sell side. 

“One monopoly is bad enough. But a trifecta of monopolies is what we have here,” Justice Department lawyer Julia Tarver Wood said during her opening statement. 

Google says the government’s case is based on an internet of yesteryear, when desktop computers ruled and internet users carefully typed precise World Wide Web addresses into URL fields. Advertisers now are more likely to turn to social media companies like TikTok or streaming TV services like Peacock. 

In her opening statement, Google lawyer Karen Dunn likened the government’s case to a “time capsule with a Blackberry, an iPod and a Blockbuster video card.” 

Dunn said Supreme Court precedents warn judges about “the serious risk of error or unintended consequences” when dealing with rapidly emerging technology and considering whether antitrust law requires intervention. She also warned that any action taken against Google won’t benefit small businesses but will simply allow other tech behemoths like Amazon, Microsoft and TikTok to fill the void. 

According to Google’s annual reports, revenue has declined in recent years for Google Networks, the division of the Mountain View, California-based tech giant that includes such services as AdSense and Google Ad Manager that are at the heart of the case, from $31.7 billion in 2021 to $31.3 billion in 2023. 

The case will now be decided by U.S. District Judge Leonie Brinkema, who is best known for high-profile terrorism trials including that of Sept. 11 defendant Zacarias Moussaoui. Brinkema, though, also has experience with highly technical civil trials, working in a courthouse that sees an outsize number of patent infringement cases. 

The Virginia case comes on the heels of a major defeat for Google over its search engine. A judge in the District of Columbia declared the search engine a monopoly, maintained in part by tens of billions of dollars Google pays each year to companies like Apple to lock in Google as the default search engine presented to consumers when they buy iPhones and other gadgets. 

And in December, a judge declared Google’s Android app store a monopoly in a case brought by a private gaming company. 

In the search engine case, the judge has not yet imposed any remedies. The government hasn’t offered its proposed sanctions, though there could be scrutiny over whether Google should be allowed to continue to make exclusivity deals that ensure its search engine is consumers’ default option. 

Peter Cohan, a professor of management practice at Babson College, said the Virginia case could potentially be more harmful to Google because the obvious remedy would be requiring it to sell off parts of its ad tech business that generate billions of dollars in annual revenue. 

“Divestitures are definitely a possible remedy for this second case,” Cohan said “It could be potentially more significant than initially meets the eye.” 

Google is also facing intensifying pressure over its ad tech business across the Atlantic. British competition regulators last week accused the company of abusing its dominance in the country’s digital ad market and giving preference to its own services. European Union antitrust enforcers carrying out their own investigation suggested last year that breaking up the company was the only way to satisfy competition concerns about its digital ad business 

In the Virginia trial, the government’s witnesses will include executives from newspaper publishers that the government contends have faced harm from Google’s practices. 

“Google extracted extraordinary fees at the expense of the website publishers who make the open internet vibrant and valuable,” government lawyers wrote in court papers. 

The government’s first witness was Tim Wolfe, an executive with Gannett Co., a newspaper chain that publishes USA Today as its flagship. Wolfe said Gannett feels like it has no choice but to continue to use Google’s ad tech products, even though the company keeps 20 cents on the dollar from every ad purchase, not even accounting for what it takes from the advertisers. He said Gannett simply can’t give up access to the huge stable of advertisers that Google brings to the ad exchange. 

On cross-examination, Wolfe acknowledged that despite Google’s supposed monopoly, Gannett was able to work with other competitors to sell its available inventory to advertisers. 

Google asserts the integration of its technology on the buy side, sell side and in the middle assures ads and web pages load quickly and enhance security. 

Google says the government’s case is improperly focused on display ads and banner ads that load on web pages accessed through a desktop computer and fails to consider consumers’ migration to mobile apps and the boom in ads placed on social media sites over the last 15 years. 

The government’s case “focuses on a limited type of advertising viewed on a narrow subset of websites when user attention migrated elsewhere years ago,” Google’s lawyers wrote in a pretrial filing. 

The trial is expected to last several weeks. 

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Morgan Wallen leads the 2024 Country Music Association award nominations

NEW YORK — He had some help: Morgan Wallen tops the 2024 Country Music Association Awards nominations with seven.

For a third year in a row, Wallen is up for both the top prize — entertainer of the year — and the male vocalist categories.

Rounding out the entertainer of the year categories are Luke Combs, Jelly Roll, Chris Stapleton and Lainey Wilson.

Post Malone’s massive radio hit, “I Had Some Help,” which features Wallen, is the main reason why the country singer leads the pack this year. It is up for single, song, musical event and music video of the year. His last nomination is a second one in the musical event category, for his collaboration with Eric Church, “Man Made a Bar.”

Single of the year is awarded to the artist, producer and mix engineers; song of the year is given to the songwriters.

Ahead of the nominations announcement, some fans speculated that Beyoncé, whose landmark country-and-then-some reclamation Cowboy Carter was released during the eligibility window, could receive a nomination at the 2024 CMAs. She did not.

Earlier this year, the album hit No. 1 on the Billboard country albums chart, making her the first Black woman to top the chart since its 1964 inception.

The album was five years in the making, a direct result of what Beyoncé has called “an experience that I had years ago where I did not feel welcomed … and it was very clear that I wasn’t,” most likely a reference to a 2016 CMAs performance that resulted in racist backlash.

The CMA Awards are nominated and voted on by members of the Country Music Association, which includes music executives, artists, publicists, songwriters and other industry professionals.

Wallen is followed by both Cody Johnson, who is also nominated in the male vocalist category for the third year in a row, and 7-time male vocalist of the year winner, Stapleton.

Stapleton and Johnson have five nominations each.

But Stapleton could take home seven trophies, should he sweep his categories.

Stapleton is both an artist and producer on “White Horse,” up for single of the year, and Higher, up for album of the year.

At the CMAs, production credits are not counted as separate nominations, although they are factored into trophy counts.

First-time nominee Post Malone and Wilson, last year’s entertainer of the year winner, are tied with four nominations. All of Malone’s nominations are for “I Had Some Help.”

Louis Bell, Charlie Handsome and Hoskins are tied with three nominations for their work as producers and co-writers on “I Had Some Help.”

Jelly Roll, Combs, Kacey Musgraves and Megan Moroney also boast three nods each. The latter three could take home four trophies: Combs is both artist and producer on Fathers & Sons, up for album of the year. The same is true for Musgraves’ album Deeper Well.

And Moroney is both artist and director of her nominated music video, “I’m Not Pretty.”

The CMA Awards will air on November 20 on ABC at 8 p.m. Eastern. It can be streamed the next day on Hulu.

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Apple embraces AI craze with newly unleashed iPhone 16 lineup

CUPERTINO, California — Apple on Monday charged into the artificial intelligence craze with a new iPhone lineup that marks the company’s latest attempt to latch onto a technology trend and transform it into a cultural phenomenon. 

The four different iPhone 16 models will all come equipped with special chips needed to power a suite of AI tools that Apple hopes will make its marquee product even more indispensable and reverse a recent sales slump. 

Apple’s AI features are designed to turn its often-blundering virtual assistant Siri into a smarter and more versatile sidekick, automate a wide range of tedious tasks, and pull off other crowd-pleasing tricks such as creating customized emojis within seconds. 

After receiving a standing ovation for Monday’s event, Apple CEO Tim Cook promised the AI package would unleash “innovations that will make a true difference in people’s lives.” 

But the breakthroughs won’t begin as soon as the new iPhones — ranging in price from $800 to $1,200 — hit the stores on September 20. 

Most of Apple’s AI functions will roll out as part of a free software update to iOS 18, the operating system that will power the iPhone 16 rolling out from October through December. U.S. English will be the featured language at launch, but an update enabling other languages will come out next year, according to Apple. 

It’s all part of a new approach that Apple previewed at a developers conference three months ago to create more anticipation for a next generation of iPhones amid a rare sales slump for the well-known devices. 

Since Apple’s June conference, competitors such as Samsung and Google have made greater strides in AI — a technology widely expected to trigger the most dramatic changes in computing since the first iPhone came out 17 years ago. 

Just as Apple elevated fledgling smartphones into a must-have technology in 21st-century society, the Cupertino, California, company is betting it can do something similar with its tardy arrival to artificial intelligence. 

‘Apple Intelligence’ 

To set itself apart from the early leaders in AI, the technology being baked into the iPhone 16 is being promoted as “Apple Intelligence.” Despite the unique branding, Apple’s new approach mimics many of the features already available in the Samsung Galaxy S24 released in January and the Google Pixel 9 that came out last month. 

“Apple could have waited another year for further development, but initial take up of AI- powered devices from the likes of Samsung has been encouraging, and Apple is keen to capitalize on this market,” said PP Foresight analyst Paolo Pescatore. 

As it treads into new territory, Apple is trying to preserve its longtime commitment to privacy by tailoring its AI so that most of its technological tricks can be processed on the device itself instead of relying on giant banks of computers located in remote data centers. When a task needs to connect to a data center, Apple promises it will be done in a tightly controlled way that ensures that no personal data is stored remotely. 

While corralling the personal information shared through Apple’s AI tools inherently reduces the chances that the data will be exploited or misused against a user’s wishes, it doesn’t guarantee iron-clad security. A device could still be stolen, for instance, or hacked through digital chicanery. 

For users seeking to access even more AI tools than being offered by the iPhone, Apple is teaming up with OpenAI to give users the option of farming out more complicated tasks to the popular ChatGPT chatbot. 

Although Apple is releasing a free version of its operating system to propel its on-device AI features, the chip needed to run the technology is only available on the iPhone 16 lineup and the high-end iPhone 15 models that came out a year ago. 

That means most consumers who are interested in taking advantage of Apple’s approach to AI will have to buy one of the iPhone 16 models – a twist that investors are counting on will fuel a surge in demand heading into the holiday season. 

The anticipated sales boom is the main reason Apple’s stock price has climbed by more than 10%, including a slight uptick Monday after the shares initially slipped following the showcase for the latest iPhones. 

Besides its latest iPhones, Apple also introduced a new version of its smartwatch that will include a feature to help detect sleep apnea as well the next generation of its wireless headphones, the AirPods Pro, that will be able to function as a hearing aid with an upcoming software update.

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James Earl Jones, actor, voice of Darth Vader, dies at 93

NEW YORK — James Earl Jones, who overcame racial prejudice and a severe stutter to become a celebrated icon of stage and screen — eventually lending his deep, commanding voice to CNN, The Lion King and Darth Vader — has died. He was 93.

His agent, Barry McPherson, confirmed Jones died Monday morning at home in New York’s Hudson Valley region. The cause was not immediately clear.

The pioneering Jones, who was one of the first African American actors in a continuing role on a daytime drama and worked deep into his 80s, won two Emmys, a Golden Globe, two Tony Awards, a Grammy, the National Medal of Arts, the Kennedy Center Honors and was given an honorary Oscar and a special Tony for lifetime achievement. In 2022, a Broadway theater was renamed in his honor.

He cut an elegant figure late in life, with a wry sense of humor and a ferocious work habit. In 2015, he arrived at rehearsals for a Broadway run of The Gin Game having already memorized the play and with notebooks filled with comments from the creative team. He said he was always in service of the work.

“The need to storytell has always been with us,” he told The Associated Press then. “I think it first happened around campfires when the man came home and told his family he got the bear, the bear didn’t get him.”

Jones created such memorable film roles as the reclusive writer coaxed back into the spotlight in Field of Dreams, the boxer Jack Johnson in the stage and screen hit The Great White Hope, the writer Alex Haley in Roots: The Next Generation and a South African minister in Cry, the Beloved Country.

He was also a sought-after voice actor, expressing the villainy of Darth Vader (“No, I am your father,” commonly misremembered as “Luke, I am your father”), as well as the benign dignity of King Mufasa in Disney’s animated The Lion King and announcing “This is CNN” during station breaks. He won a 1977 Grammy for his performance on the Great American Documents audiobook.

“If you were an actor or aspired to be an actor, if you pounded the payment in these streets … one of the standards we always had was to be a James Earl Jones,” Samuel L. Jackson once said.

Some of his other films include Dr. Strangelove, The Greatest (with Muhammad Ali), Conan the Barbarian, Three Fugitives and playing an admiral in three Tom Clancy blockbuster adaptations — The Hunt for Red October, Patriot Games and Clear and Present Danger. In a rare romantic comedy, Claudine, Jones had an onscreen love affair with Diahann Carroll.

Jones made his Broadway debut in 1958’s Sunrise At Campobello and would win his two Tony Awards for The Great White Hope (1969) and Fences (1987). He also was nominated for On Golden Pond (2005) and Gore Vidal’s The Best Man (2012). He was celebrated for his command of Shakespeare and Athol Fugard alike. More recent Broadway appearances include Cat on a Hot Tin Roof, Driving Miss Daisy, The Iceman Cometh, and You Can’t Take It With You.

As a rising stage and television actor, he appeared in As the World Turns in 1965, one of the first Black actors to have such a role on daytime TV. He performed with the New York Shakespeare Festival Theater in Othello, Macbeth and King Lear and in off-Broadway plays.

Early years

Jones was born by the light of an oil lamp in a shack in Arkabutla, Mississippi, on Jan. 17, 1931. His father, Robert Earl Jones, had deserted his wife before the baby’s arrival to pursue life as a boxer and, later, an actor.

When Jones was 6, his mother took him to her parents’ farm near Manistee, Michigan. His grandparents adopted the boy and raised him.

“A world ended for me, the safe world of childhood,” Jones wrote in his autobiography, Voices and Silences. “The move from Mississippi to Michigan was supposed to be a glorious event. For me it was a heartbreak, and not long after, I began to stutter.”

Too embarrassed to speak, he remained virtually mute for years, communicating with teachers and fellow students with handwritten notes. A sympathetic high school teacher, Donald Crouch, learned that the boy wrote poetry, and demanded that Jones read one of his poems aloud in class. He did so faultlessly.

Teacher and student worked together to restore the boy’s normal speech. “I could not get enough of speaking, debating, orating — acting,” he recalled in his book.

At the University of Michigan, he failed a pre-med exam and switched to drama, also playing four seasons of basketball. He served in the Army from 1953 to 1955.

In New York, he moved in with his father and enrolled with the American Theater Wing program for young actors. Father and son waxed floors to support themselves while looking for acting jobs.

True stardom came suddenly in 1970 with The Great White Hope. Howard Sackler’s Pulitzer Prize-winning Broadway play depicted the struggles of Jack Johnson, the first Black heavyweight boxing champion, amid the racism of early 20th-century America. In 1972, Jones repeated his role in the movie version and was nominated for an Academy Award as best actor.

Jones’ two wives were also actors. He married Julienne Marie Hendricks in 1967. After their divorce, he married Cecilia Hart, best known for her role as Stacey Erickson in the CBS police drama Paris, in 1982. She died in 2016. They had a son, Flynn Earl, born in 1983.

No artist ‘has served America more’

In 2022, the Cort Theater on Broadway was renamed after Jones, with a ceremony that included Norm Lewis singing “Go the Distance,” Brian Stokes Mitchell singing “Make Them Hear You” and words from Mayor Eric Adams, Samuel L. Jackson and LaTanya Richardson Jackson.

“You can’t think of an artist that has served America more,” director Kenny Leon told the AP. “It’s like it seems like a small act, but it’s a huge action. It’s something we can look up and see that’s tangible.”

Citing his stutter as one of the reasons he wasn’t a political activist, Jones nonetheless hoped his art could change minds.

“I realized early on, from people like Athol Fugard, that you cannot change anybody’s mind, no matter what you do,” he told the AP. “As a preacher, as a scholar, you cannot change their mind. But you can change the way they feel.”

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K-pop takes socialist Cuba by storm

Havana, Cuba — Socialist Cuba, the birthplace of salsa and other rhythms that have conquered the world, is now surrendering to the invasion of South Korean pop music.

Thirteen thousand kilometers of distance separate the Asian nation and the communist-run island, as well as a different language and cultural traditions. However, all of these barriers would seem to vanish in a split second thanks to K-pop’s infectious beat and elaborate choreography.

Korean popular music, or K-pop, has spread far and wide from its Asian roots as boy bands like BTS and NCT and their female counterpart Blackpink rival Taylor Swift for downloads and album sales globally.

But it was slow to catch on in Cuba, where salsa is king and internet speeds were glacial until recently.

On Saturday, far from Seoul, dozens of teenagers clad in plaid, prep school skirts, baggy bomber pants and heavy black eyeliner busted their best moves as images of the genre’s idols were projected on a large screen of a Havana dance club.

“K-pop has opened a new world to me,” said 24-year-old Fransico Piedra, who when not working with his father as a blacksmith dreams up meticulous dance steps. Known by his artistic name Ken he one day aspires to be a professional K-pop choreographer. “It’s a place where I can be myself, and share with friends the joy of laughter, song and dance.”

Many of the teenagers hope to follow in the footsteps of two Cuban groups — Limitless and LTX — that before the pandemic traveled to South Korea to partake in the K-POP World Festival, an annual talent competition.

K-pop — a catch all for musical styles ranging from R&B to rock — first penetrated the island when Cubans fell in love with South Korean soap operas about a decade ago. As internet speeds improved, and government controls eased, more young Cubans got online and started streaming videos like teenagers everywhere.

While Cuban kids may be mesmerized by K-pop, an older generation of leaders have had frostier ties to South Korea. The two countries only restored diplomatic relations that were severed following the 1959 Cuban revolution this year and have yet to exchange ambassadors.

Meanwhile, Cuba remains a staunch ally of North Korea, which views K-pop as a dangerous form of propaganda from a capitalist enemy with whom is has been locked in a military standoff since the 1950s.

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‘Beetlejuice Beetlejuice’ jolts box office with $110 million opening weekend

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African film, TV event draws big names, big dreams, big business

MIP Africa — an event that matches African film and TV creatives to the people and countries that produce their work, wrapped up last week [Sept. 4] with several signed deals. Industry members and legislators from film meccas worldwide attended the event, part of the larger Fame Week Africa conference for creative professionals. Reporter Vicky Stark has the story from Cape Town, South Africa.

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Family keeps up Beirut dessert tradition

Beirut — At a shop nestled in a busy, crowded Beirut district, Hasan El-Makary is weighing out containers of warm, fragrant mufataka, a traditional sweet in the Lebanese capital that is rarely found in stores.  

“I’ve been in this shop for 50 years, but we started specializing in mufataka 30 years ago,” Makary said from the humble shop with its aging decor and low ceiling.  

A kind of rice pudding made with turmeric, tahini sesame paste, sugar and pine nuts, mufataka is traditional in Beirut but less known even outside the city.  

Makary, 73, said he used to sell other sweets but as demand grew for mufataka, he abandoned the rest and now he and his cousin – who is also his business partner – just make the yellow pudding.  

“At the beginning you add turmeric, that’s the main thing, then tahini, sugar and rice … we cook it slowly on fire,” he said.  

The rice must be soaked overnight, and Makary said he comes to the shop at 5:00 a.m. to make the dish, which takes around four hours and requires regular stirring.  

He said his father started making mufataka despite initially believing people would not pay money for a dish that is normally prepared at home.  

Plastic containers of the pudding, which is eaten with a spoon, dotted trays and tables across the shop, waiting for customers who peered through a window to place their order from the busy street outside.  

Customer Iman Chehab, 55, was picking up mufataka for her mother, who used to make it herself.  

“She is elderly now and she can’t stir … it takes a lot of work,” said Chehab, who works in human resources management.  

The dish is “something traditional for us who are from Beirut,” she told AFP. 

Places like Makary’s shop “are the old face of Beirut that we love and always want to remember,” she added.  

‘Heritage’ 

A few bustling neighborhoods away, Samir Makari, 35, is carrying on the family tradition.  

At a gleaming shop also selling Arabic sweets like baklava, Makari attends to a huge copper pot of mufataka behind the counter, stirring it with a long, wooden-handled implement.  

He weighs out and mixes the sugar, tahini paste and pine nuts in a second pot, later combining it all.  

Mufataka used to be made just once a year on the last Wednesday in April, with families gathering by the sea at Beirut’s public beach, father and son said.  

The occasion was “Job’s Wednesday,” a reference to the biblical figure also mentioned in the Koran and who is renowned for his patience, the younger Makari said, noting the virtue is also required for making mufataka.  

On the wall of his shop, which he runs with his brother, were photos of his father and his grandfather at work.  

He said he sometimes makes mufataka twice a day depending on demand, with some customers taking it outside Beirut to introduce it to those who do not know the dish.  

At the original store, the elder Makary said he was happy his children had kept up the tradition.  

Mufataka is part of “my heritage,” he said, and the family has “taken it from generation to generation.”

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Belarusian Sabalenka defeats America’s Pegula to win US Open women’s title

NEW YORK — Belarusian Aryna Sabalenka beat American sixth seed Jessica Pegula 7-5, 7-5 in the U.S. Open women’s final on Saturday.

Sabalenka blocked out the wild cheers of the home crowd in Arthur Ashe Stadium to break Pegula in the final game and win her first title at Flushing Meadows.

A year after coming up short in the final, the second seed fought back from a break down in both sets to claim victory and fell to the court in her moment of triumph.

The 30-year-old Pegula had waited a long time to reach her first major final but could not match her opponent’s raw power despite the noisy backing of the New York crowd.

The roof on Arthur Ashe Stadium was closed because of heavy rain, and the players traded breaks twice as they settled into the stormy affair in front of a celebrity-packed house.

Sabalenka held her serve through a four-deuce 11th game and fought through a spine-tingling 12th, mixing precision at the net with her usual power from the baseline before breaking her opponent on the fifth set point.

Pegula struggled with her rackets throughout the match, complaining to her coaches as she seemed unable to find the right tension on her strings, and it looked as though she would not put up a fight in the second set when Sabalenka went 3-0 up.

But the American found another level and brought the fans to their feet when she won the next five games in a furious fight back.

Sabalenka leveled when she sent over a forehand winner that just kissed the line on break point in the 10th game and sought to bring a swift end to the contest, holding serve and then applying pressure from the baseline in the final game.

The tears flowed immediately for Sabalenka as she claimed her third Grand Slam title after winning the Australian Open twice, and she high-fived fans as she ran up the stands to share a joyful celebration with her team.

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Almodovar’s ‘The Room Next Door’ triumphs at Venice Festival

VENICE, ITALY — Spanish director Pedro Almodovar’s first English-language movie “The Room Next Door,” which tackles the hefty themes of euthanasia and climate change, won the prestigious Golden Lion award at the Venice Film Festival on Saturday.

Starring Tilda Swinton and Julianne Moore, the film received an 18-minute standing ovation when it premiered at Venice earlier in the week — one of the longest in recent memory.

Almodovar is a darling of the festival circuit and was awarded a lifetime achievement award at Venice in 2019 for his bold, irreverent and often funny Spanish-language features.

He also won an Oscar in the best foreign language category for his 1999 film “All About My Mother.”

Now aged 74, he has decided to try his hand at English, focusing his lens on questions of life, death and friendship. Speaking after collecting his prize, he said euthanasia should not be blocked by politics or religion.

“I believe that saying goodbye to this world cleanly and with dignity is a fundamental right of every human being,” he said, speaking in Spanish.

He also thanked his two female stars for their performances.

“This award really belongs to them, it’s a film about two women and the two women are Julianne and Tilda,” he said.

While “The Room Next Door” had been widely tipped to win, the runner-up Silver Lion award was a surprise, going to Italian director Maura Delpero for her slow-paced drama set in the Italian Alps during World War Two — “Vermiglio.”

Australia’s Nicole Kidman won the best actress award for her risqué role in the erotic “Babygirl,” where she plays a hard-nosed CEO, who jeopardizes both her career and her family by having a toxic affair with a young, manipulative intern.

Kidman was in Venice on Saturday, but did not attend the awards ceremony after learning that her mother had died unexpectedly.

France’s Vincent Lindon was named best actor for “The Quiet Son,” a topical, French-language drama about a family torn apart by extreme-right radicalism.

Road to Oscars

The best director award went to American Brady Corbet for his 3-1/2 hour-long movie “The Brutalist,” which was shot on 70mm celluloid and recounts the epic tale of a Hungarian Holocaust survivor played by Adrien Brody, who seeks to rebuild his life in the United States.

“We have the power to support each other and tell the Goliath corporations that try and push us around: ‘No, it’s three-and-a-half hours long and it’s on 70mm,” he told the auditorium Saturday.

The festival marks the start of the awards season and regularly throws up big favorites for the Oscars, with eight of the past 12 best director awards at the Oscars going to films that debuted at Venice.

The prize for best screenplay went to Murilo Hauser and Heitor Lorega for “I’m Still Here,” a film about Brazil’s military dictatorship, while the special jury award went to the abortion drama “April,” by Georgian director Dea Kulumbegashvili.

Among the movies that left Venice’s Lido island empty-handed were Todd Phillips’s “Joker: Folie à Deux,” starring Joaquin Phoenix and Lady Gaga, the sequel to his original “The Joker” which claimed the top prize here in 2019.

Luca Guadagnino’s “Queer,” with Daniel Craig playing a gay drug addict, and Pablo Larrain’s Maria Callas biopic “Maria,” starring Angelina Jolie as the celebrated Greek soprano, also won plaudits from the critics but did not get any awards.

The Venice jury this year was headed by French actress Isabelle Huppert.

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Back in business: Bookstore forced to close in China reopens in Washington

Six years after Jifeng Bookstore was forced to close its doors in Shanghai, the shop has reopened in Washington to bring debate and literature to a new audience. Liam Scott has the story for VOA News. Videographer: Yi Ruokun

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Boeing’s beleaguered Starliner returns home without astronauts

WASHINGTON — Boeing’s beleaguered Starliner made its long-awaited return to Earth on Saturday without the astronauts who rode it up to the International Space Station, after NASA ruled the trip back too risky.

After years of delays, Starliner launched in June for what was meant to be a roughly weeklong test mission — a final shakedown before it could be certified to rotate crew to and from the orbital laboratory.

But unexpected thruster malfunctions and helium leaks en route to the ISS derailed those plans, and NASA ultimately decided it was safer to bring crewmates Butch Wilmore and Suni Williams back on a rival SpaceX Crew Dragon — though they’ll have to wait until February 2025.

The gumdrop-shaped Boeing capsule touched down softly at the White Sands Space Harbor in New Mexico, its descent slowed by parachutes and cushioned by airbags, having departed the ISS around six hours earlier.

As it streaked red-hot across the night sky, ground teams reported hearing sonic booms. The spacecraft endured temperatures of 1,650 degrees Celsius during atmospheric reentry.

NASA lavished praise on Boeing during a post-flight press conference where representatives from the company were conspicuously absent.

“It was a bullseye landing,” said Steve Stich, program manager for NASA’s commercial crew program. “The entry in particular has been darn near flawless.”

Still, he acknowledged that certain new issues had come to light, including the failure of a new thruster and the temporary loss of the guidance system.

He added it was too early to talk about whether Starliner’s next flight, scheduled for August next year, would be crewed, instead stressing NASA needed time to analyze the data they had gathered and assess what changes were required to both the design of the ship and the way it is flown.

Ahead of the return leg, Boeing carried out extensive ground testing to address the technical hitches encountered during Starliner’s ascent, then promised — both publicly and behind closed doors — that it could safely bring the astronauts home. In the end, NASA disagreed.

Asked whether he stood by that decision, NASA’s Stich said: “It’s always hard to have that retrospective look. We made the decision to have an uncrewed flight based on what we knew at the time and based on our knowledge of the thrusters and based on the modeling that we had.”

History of setbacks

Even without crew aboard, the stakes were high for Boeing, a century-old aerospace giant.

With its reputation already battered by safety concerns surrounding its commercial jets, its long-term prospects for crewed space missions hung in the balance.

Shortly after undocking, Starliner executed a powerful “breakout burn” to swiftly clear it from the station and prevent any risk of collision — a maneuver that would have been unnecessary if crew were aboard to take manual control if needed.

Mission teams then conducted thorough checks of the thrusters required for the critical “deorbit burn” that guided the capsule onto its reentry path around 40 minutes before touchdown.

Though it was widely expected that Starliner would stick the landing, as it had on two previous uncrewed tests, Boeing’s program continues to languish behind schedule.

In 2014, NASA awarded both Boeing and SpaceX multibillion-dollar contracts to develop spacecraft to taxi astronauts to and from the ISS, after the end of the Space Shuttle program left the US space agency reliant on Russian rockets.

Although initially considered the underdog, Elon Musk’s SpaceX surged ahead of Boeing, and has successfully flown dozens of astronauts since 2020.

The Starliner program, meanwhile, has faced numerous setbacks — from a software glitch that prevented the capsule from rendezvousing with the ISS during its first uncrewed test flight in 2019, to the discovery of flammable tape in the cabin after its second test in 2022, to the current troubles.

With the ISS scheduled to be decommissioned in 2030, the longer Starliner takes to become fully operational, the less time it will have to prove its worth.

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Boeing’s beleaguered Starliner capsule leaves space station without its astronauts

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