The U.S. mid-Atlantic state of Maryland may seem like an odd place for hula dancing. Yet every weekend, dancers gather in downtown Silver Spring to practice the ancient form of storytelling, despite the thousands of miles between them and Hawaii, the tropical island state where hula was born. VOA’s Keith Lane has the story.
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BEIJING — The former coach of the Chinese men’s national football team has received a 20-year-prison sentence for bribery, Chinese state media reported Friday.

Liu Tie, who once played in the English Premier League as a midfielder for Everton, was found guilty of “leveraging his positions” as head coach of the national football and national selection team to receive bribes of more than 50 million yuan (about $7 million), by a court in the city of Xianning in the central Hubei province.

Liu coached the Chinese men’s team between January 2020 and December 2021. He was also charged with taking bribes between 2015 to 2019, when he worked for local football clubs.

The investigation into Liu’s conduct began in November 2022. He pleaded guilty to bribery and corruption in March of this year.

His sentencing is the latest in a series of high-profile corruption cases involving Chinese football.

In March, the former president of the Chinese Football Association, Chen Xuyuan, was sentenced to life in prison for bribery. Earlier this week, three other CFA officials received prison sentences for bribery, according to state media.
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SAN FRANCISCO — A photojournalist who captured one of the most enduring images of World War II — the U.S. Marines raising the flag on the Japanese island of Iwo Jima — had a block in downtown San Francisco named for him Thursday.

Joe Rosenthal, who died in 2006 at age 94, was working for The Associated Press in 1945 when he took the Pulitzer Prize-winning photo.

After the war, he went to work as a staff photographer for the San Francisco Chronicle, and for 35 years until his retirement in 1981, he captured moments of city life both extraordinary and routine.

Rosenthal photographed famous people for the paper, including a young Willie Mays getting his hat fitted as a San Francisco Giant in 1957, and regular people, including children making a joyous dash for freedom on the last day of school in 1965.

The 600 block of Sutter Street, near downtown’s Union Square, became Joe Rosenthal Way after a short ceremony Thursday morning. The Marines Memorial Club, which sits on the block, welcomed the street’s new name.

Aaron Peskin, who heads the San Francisco Board of Supervisors, welcomed the city’s political elite, military officials and members of Rosenthal’s family to toast the late photographer, who was born in Washington, D.C., to Russian Jewish immigrant parents.

The famous photo became the centerpiece of a war bonds poster that helped raise $26 billion in 1945. Tom Graves, chapter historian for the USMC Combat Correspondents Association, which pushed for the street naming, said the image helped win the war.

“But I’ve grown over the years to appreciate also his role as a San Francisco newspaper photographer who, as Supervisor Peskin says, went to work every day photographing the city where we all live, we all love,” he said.

Graves and others said they look forward to tourists and locals happening upon the street sign, seeing Rosenthal’s name for perhaps the first time, and then going online to learn about the photographer with the terrible eyesight but an eye for composition.

Rosenthal never considered himself a wartime hero, just a working photographer lucky enough to document the courage of soldiers.

When complimented on his Pulitzer Prize-winning photo, Rosenthal said: “Sure, I took the photo. But the Marines took Iwo Jima.”
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Rovaniemi, Finland — Shuffling across icy ground on a cold December afternoon, lots of tourist groups poured into Santa Claus Village, a winter-themed amusement park perched on the edge of the Arctic Circle.

They frolic in the snow, take a reindeer sleigh ride, sip a cocktail in an ice bar or even meet Saint Nick himself in the capital of Finnish Lapland, Rovaniemi, which happily calls itself the “official hometown of Santa Claus.”

The Santa Claus Village theme park, which attracts more than 600,000 people annually, is especially popular during the holiday season.

“This is like my dream came true,” beamed Polish visitor Elzbieta Nazaruk. “I’m really excited to be here.”

Tourism is booming in Rovaniemi — which has hotel and restaurant owners, as well as city officials, excited as it brings lots of money to the town. However, not everyone is happy about the onslaught of visitors, 10 times the town’s population, each year at Christmas time.

“We are worried about the overgrowth of tourism. Tourism has grown so rapidly, it’s not anymore in control,” said 43-year-old Antti Pakkanen, a photographer and member of a housing network that in September organized a rally through the city’s streets.

It’s a feeling that has been echoed in other popular European travel destinations, including Barcelona, Amsterdam, Malaga and Florence.

Across the continent, locals have protested against “over-tourism” — which generally describes the tipping point at which visitors and their cash stop benefiting residents and instead cause harm by degrading historic sites, overwhelming infrastructure and making life markedly more difficult for those who live there.

Now, it seems to have spread north, all the way to the edges of the Arctic Circle.

Rovaniemi counted a record 1.2 million overnight visitors in 2023, almost 30 percent growth on 2022, after rebounding from pandemic travel disruptions.

“Nordic is a trend,” Visit Rovaniemi CEO Sanna Karkkainen, said as she stood in an ice restaurant, where snow carvers were working nearby.

“People want to travel to cool countries to see the snow, to see the Northern Lights, and, of course, to see Santa Claus,” she added.

Thirteen new flight routes to Rovaniemi Airport opened this year, bringing passengers from Geneva, Berlin, Bordeaux and more. Most tourists come from European countries like France, Germany and the UK, but Rovaniemi’s appeal has also spread further.

Hotel availability is scarce this winter, and Tiina Maatta, general manager of the 159-room Original Sokos Hotel, expects 2024 to break more records.

Local critics of mass tourism say many apartment buildings in Rovaniemi’s city center are also used for accommodation services during peak season and are thus no longer available for residential use. They say the proliferation of short-term rentals has driven up prices, squeezed out long-term residents, and turned its city center into a “transient space for tourists.”

Finnish law prohibits professional accommodation services in buildings intended for residential use, so campaigners are calling on authorities to act.

“The rules must be enforced better,” said Pakkanen.

Not everyone agrees. Mayor Ulla-Kirsikka Vainio notes some make “good money” on short-term rentals.

Either way, stricter regulations likely won’t be in place to impact this winter season, and despite the unease expressed by locals, mass tourism to Rovaniemi is probably only going to grow in 2025 — as visitors want to experience the unique atmosphere up north, especially during the holiday season.

“It’s Christmas time and we would love to see the Northern Lights,” says Joy, a visitor from Bangkok. “Rovaniemi seems to be a good place.”
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MONTREAL — Powered by TikTok, the song Je te laisseai des mots by Quebecer Patrick Watson has become the first French-language song to surpass 1 billion listens on Spotify, the streaming platform announced Tuesday.

“It’s a dizzying number,” Canadian singer-songwriter Patrick Watson posted on Facebook on Wednesday. “It’s a huge number, almost impossible to comprehend.”

“I grew up in Montreal and am extremely proud that a French song has crossed the language barrier,” continued Patrick Watson. The Quebec artist thus ranks ahead of other French-speaking artists with global influence, such as the Belgian Stromae or the Franco-Malian Aya Nakamura.

Patrick Watson, represented by the Montreal independent label Secret City Records, composed this song almost 15 years ago, for the film Mothers and Daughters with Catherine Deneuve released in 2009.

The piano-vocal song saw renewed interest in 2019 on YouTube in a video pairing the melody with archival footage.

The melancholic anthem was then used to accompany scenes of everyday life in tens of thousands of videos on TikTok during the COVID-19 pandemic, with users adding melodrama to snippets of their everyday lives.

Celebrities like Justin Bieber also helped make the song popular among a wide audience.

“The modern pop song is now the soundtrack to people’s home movies,” Watson told the Canadian newspaper Globe and Mail in 2022, speaking of its viral popularity.

“The modern hit is the song that makes your daily life more interesting and romantic” on social networks, he added.

Je te laisserai des mots was the most-streamed French-language song worldwide on Spotify over the past 12 months, the platform announced in September, surpassing tracks like Stromae’s Alors on danse.

Patrick Watson’s music has been featured in the popular American TV series Grey’s Anatomy and The Walking Dead, and he and his eponymous band won the prestigious Canadian Polaris Music Prize in 2007. 
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ZURICH — FIFA has confirmed Saudi Arabia as host of the 2034 World Cup in men’s soccer.

The Saudi bid was the only candidate and was acclaimed by the applause of more than 200 FIFA member federations. They took part remotely in an online meeting hosted in Zurich on Wednesday by the soccer body’s president, Gianni Infantino.

The decision was combined with approving the only candidate to host the 2030 World Cup. Spain, Portugal and Morocco will co-host in a six-nation project, with Argentina, Paraguay and Uruguay each getting one of the 104 games.

The South American connection will mark the centenary of Uruguay hosting the first World Cup in 1930.

The decision announced Wednesday completes a mostly opaque 15-month bid process that FIFA president Gianni Infantino helped steer toward Saudi Arabia without a rival candidate, without taking questions, and which human rights groups warn will put the lives of migrant workers at risk.

FIFA and Saudi officials say hosting the 2034 tournament can accelerate change, including more freedoms and rights for women.

It will kick off a decade of scrutiny on Saudi labor laws and treatment of workers mostly from South Asia needed to help build and upgrade 15 stadiums, plus hotels and transport networks ahead of the 104-game tournament.

One of the stadiums is planned to be 350 meters above the ground in Neom — a futuristic city that does not yet exist — and another named for the crown prince is designed to be atop a 200-meter cliff near Riyadh.

During the bid campaign, FIFA has accepted limited scrutiny of Saudi Arabia’s human rights record, which was widely criticized this year at the United Nations.

The kingdom plans to spend tens of billions of dollars on projects related to the World Cup as part of the crown prince’s sweeping Vision 2030 project, which aims to modernize Saudi society and economy. At its core is spending on sports by the $900 billion sovereign wealth operation, the Public Investment Fund, which he oversees. Critics have called it “sportswashing” of the kingdom’s reputation.

The prince, known as MBS, has built close working ties to Infantino since 2017 — aligning with the organizer of sport’s most-watched event rather than directly confronting the established system as it did with the disruptive LIV Golf project.

The result for Saudi Arabia and FIFA has been smooth progress toward the win Wednesday with limited pushback from soccer officials, although some from women international players.

The steady flow of Saudi cash into international soccer is set to increase.

FIFA created a new and higher World Cup sponsor category for state oil firm Aramco, and Saudi funding is set to underwrite the 2025 Club World Cup in the United States, which is a pet project for Infantino.
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In December, many Africans return to their ancestral homes to reconnect with their families and traditions. In South Africa, that includes traditional healers. As Zaheer Cassim reports from Johannesburg, many are finding that a new app is helping to bring this age-old practice into the digital age.
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BEVERLY HILLS, California — Musical thriller “Emilia Perez” and historical epic “The Brutalist” led the roster of films nominated on Monday for the 2025 Golden Globes, the Hollywood honors that kick off the movie awards season leading to the Oscars.

“Emilia Perez,” released by Netflix NFLX.O, scored 10 nods and “The Brutalist,” from independent distributor A24, earned seven.

Taking home a Globe can help movies in the race to the Academy Awards in March. Last year’s Hollywood strikes scrambled this year’s release schedule, and awards pundits say there is no clear frontrunner for best picture at the Oscars.

The Globe winners will be chosen by 334 entertainment journalists from 85 countries and will be announced Jan. 5 at a ceremony broadcast live on CBS and streamed on Paramount+.

“Emilia Perez” stars Zoe Saldana as a lawyer who helps a drug cartel leader (Spanish actor Karla Sofía Gascón) fake his death and transition from a man to a woman. Selena Gomez co-stars as the cartel leader’s wife. All three were nominated for by Globes voters for acting honors.

“The Brutalist” stars Adrien Brody in an epic tale of a Hungarian immigrant who flees the horrors of World War Two to rebuild his life in the United States.

Box office smash “Wicked,” adapted from a long-running Broadway play about the witches in “The Wizard of Oz,” landed four nominations.
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The results of the 2024 U.S. presidential election rattled the country and sent shockwaves across the world — or were cause for celebration, depending on who you ask. Is it any surprise then that the Merriam-Webster word of the year is “polarization”?

“Polarization means division, but it’s a very specific kind of division,” said Peter Sokolowski, Merriam-Webster’s editor at large, in an exclusive interview with The Associated Press ahead of Monday’s announcement. “Polarization means that we are tending toward the extremes rather than toward the center.”

The election was so divisive, many American voters went to the polls with a feeling that the opposing candidate was an existential threat to the nation. According to AP VoteCast, a survey of more than 120,000 voters, about 8 in 10 Kamala Harris voters were very or somewhat concerned that Donald Trump’s views — but not Harris’ — were too extreme, while about 7 in 10 Trump voters felt the same way about Harris — but not Trump.

The Merriam-Webster entry for “polarization” reflects scientific and metaphorical definitions. It’s most commonly used to mean “causing strong disagreement between opposing factions or groupings.”

Merriam-Webster, which logs 100 million pageviews a month on its site, chooses its word of the year based on data, tracking a rise in search and usage.

Last year’s pick was “authentic.” This year’s comes as large swaths of the U.S. struggle to reach consensus on what is real.

“It’s always been important to me that the dictionary serve as a kind of neutral and objective arbiter of meaning for everybody,” Sokolowski said. “It’s a kind of backstop for meaning in an era of fake news, alternative facts, whatever you want to say about the value of a word’s meaning in the culture.”

It’s notable that “polarization” originated in the early 1800s — and not during the Renaissance, as did most words with Latin roots about science, Sokolowski said. He called it a “pretty young word,” in the scheme of the English language. “Polarized is a term that brings intensity to another word,” he continued, most frequently used in the U.S. to describe race relations, politics and ideology.

“The basic job of the dictionary is to tell the truth about words,” the Merriam-Webster editor continued. “We’ve had dictionaries of English for 420 years and it’s only been in the last 20 years or so that we’ve actually known which words people look up.”

“Polarization” extends beyond political connotations. It’s used to highlight fresh cracks and deep rifts alike in pop culture, tech trends and other industries.

All the scrutiny over Taylor Swift’s private jet usage? Polarizing. Beef between rappers Kendrick Lamar and Drake? Polarizing. The International Olympic Committee’s decision to strip American gymnast Jordan Chiles of her bronze medal after the Paris Games? You guessed it: polarizing.

Even lighthearted memes — like those making fun of Australian breakdancer Rachael “Raygun” Gunn’s performance — or the proliferation of look-alike contests, or who counts as a nepo baby proved polarizing.

Paradoxically though, people tend to see eye to eye on the word itself. Sokolowski cited its frequent use among people across the political spectrum, including commentators on Fox News, MSNBC and CNN.

“It’s used by both sides,” he said, “and in a little bit ironic twist to the word, it’s something that actually everyone agrees on.”

Rounding out Merriam-Webster’s top 10 words of 2024:

Demure

TikToker Jools Lebron’s 38-second video describing her workday makeup routine as “very demure, very mindful” lit up the summer with memes. The video has been viewed more than 50 million times, yielding “huge spikes” in lookups, Sokolowski said, and prompting many to learn it means reserved or modest.

Fortnight

Taylor Swift’s song “Fortnight,” featuring rapper Post Malone, undoubtedly spurred many searches for this word, which means two weeks. “Music can still send people to the dictionary,” Sokolowski said.

Totality

The solar eclipse in April inspired awe and much travel. There are tens of millions of people who live along a narrow stretch from Mexico’s Pacific coast to eastern Canada, otherwise known as the path of totality, where locals and travelers gazed skyward to see the moon fully blot out the sun. Generally, the word refers to a sum or aggregate amount — or wholeness.

Resonate

“Texts developed by AI have a disproportionate percentage of use of the word ‘resonate,'” Sokolowski said. This may be because the word, which means to affect or appeal to someone in a personal or emotional way, can add gravitas to writing. But, paradoxically, artificial intelligence “also betrays itself to be a robot because it’s using that word too much.”

Allision

The word was looked up 60 times more often than usual when, in March, a ship crashed into the Francis Scott Key Bridge in Baltimore. “When you have one moving object into a fixed object, that’s an allision, not a collision. You’re showing that one of the two objects struck was not, in fact, in motion,” Sokolowski said.

Weird

This summer on the TV news show “Morning Joe,” Minnesota Gov. Tim Walz called Republican leaders “weird.” It may have been what launched his national career, landing him as the Democratic vice presidential nominee. Though it’s a word that people typically misspell — is it “ei” or “ie”? — and search for that reason, its rise in use was notable, Sokolowski said.

Cognitive

Whether the word was used to raise questions about President Joe Biden’s debate performance or Trump’s own age, it cropped up often. It refers to conscious intellectual activity — such as thinking, reasoning, or remembering.

Pander

Pander was used widely in political commentary, Sokolowski said. “Conservative news outlets accused Kamala Harris of pandering to different groups, especially young voters, Black voters, gun rights supporters.” Whereas Walz said Trump’s visit to a McDonald’s kitchen pandered to hourly wage workers. It means to say, do, or provide what someone — such as an audience — wants or demands even though it is not “good, proper, reasonable, etc.”

Democracy

In 2003, Merriam-Webster decided to make “democracy” its first word of the year. Since then, the word — which, of course, means a form of government in which the people elect representatives to make decisions, policies and laws — is consistently one of the dictionary’s most looked up. “There’s a poignancy to that, that people are checking up on it,” Sokolowski said. “Maybe the most hopeful thing that the curiosity of the public shows, is that they’re paying attention.”
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Vancouver, British Columbia — Taylor Swift’s “The Eras Tour” officially ended Sunday in Vancouver, British Columbia, Canada. The nearly two-year-long tour was record-breaking and trend-setting.

It is finally the end of an era for Taylor Swift.

The last show here in Vancouver is the finale of a 149-concert tour that spanned almost two years. It is estimated that it earned around two-billion dollars since the first concert in March 2023.

Each concert lasted about three-and-a-half hours and featured at least 44 songs, divided into 10 parts, or “eras,” of her recording career. The tour stopped in 53 cities on five continents.

For Vancouver residents, the arrival of Swiftmania took over the city and drew comparisons to when the area hosted the 2010 Winter Olympic and Paralympic Games. 

Chris May is the general manager of BC Place Stadium, the venue that hosted the final three Swift concerts.

He said organizing and preparations for these concerts was similar to ceremonies for the Olympics, Paralympics and the 2015 Women’s World Cup of Soccer, which were held in the stadium.

He said 70% of attendees for the final concerts were from outside of the greater Vancouver area.

“That means we have a huge amount of guests that have never been here before. So, you know, it’s working through those realities of ensuring we have enough staffing, enough signage and wayfinding, and people to help to get people where they’re going,” he said.

May said the April 2024 concert for Diljit Dosanjh, which was the biggest Punjabi music concert outside of India, drew more than 50,000 fans. All told, Swift’s three Vancouver concerts drew about 160,000 people.   

Jarrett Vaughan, an adjunct professor at the Sauder School of Business at the University of British Columbia, said Swift’s adept use of social media played a crucial role in the tour’s success.  

He also said the COVID-19 pandemic played a part for some younger members of her audience. 

“I think when we look at the current audience that she has, you know, they were fairly young at that time. They didn’t have the opportunity to attend concerts going through maybe middle school or elementary school, and so for them now, to be able to attend something like this is pretty remarkable,” he said.

Vaughan said the legacy of the Eras Tour will not solely be just Swift’s use of social media, but the positivity she created for her fan base.

Stephanie Burt is an English professor at Harvard College and recently taught a very popular class at the school on Swift.

For her, the secret to Swift’s Eras Tour and her career itself is simple, she is really good at writing songs that are aspirational and relatable.

“We hear the songs, and we hear both someone who’s already like us and someone who we want to be more like and want to be closer to and aspire to be like. That’s a rare gift to extend it that long, and the tour testifies to the persistence of her talent and to her versatility and to her ability to collaborate and organize and plan,” she said.

Vancouver’s tourism office estimates the final dates of Swift’s tour boosted the city’s economy by $112 million. 
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The Walt Disney Co.’s animated film “Moana 2” remained at the top of the box office in its second weekend in theaters as it brought in another record haul. 

The film added $52 million, according to studio estimates Sunday. That brings its domestic total to $300 million, surpassing the original, and its global tally to a staggering $600 million.

The amount set a record gross for a movie on the weekend following Thanksgiving weekend, unseating “Frozen II,” which earned $35.2 million in the same time frame in 2019. The numbers are not adjusted for inflation. Originally conceived as a Disney+ series, “Moana 2” has already broken into the top five highest grossing releases of the year. Its performance means Disney has three films in this year’s top five, including “Inside Out 2” and “Deadpool & Wolverine.” The studio also has another big movie on the way before the year ends: Barry Jenkins’ “Mufasa,” out Dec. 20.

The weekend also showcased several new releases, including A24’s horror comedy “Y2K” and the Jude Law crime thriller “The Order.” But nothing was ever going to present significant competition to the enticing Thanksgiving leftovers, “Moana 2,” “Wicked” and “Gladiator II.”

Second place at the box office was occupied by “Wicked,” which added $34.9 million, bringing its domestic total to $320.5 million in three weeks. Globally, the musical adaptation released by Universal is at $455.6 million. “Gladiator II” followed in third place with $12.5 million, while “Red One” came in fourth with $7 million.

“These holdovers are going to create the momentum that’s going to put an $8.5 billion-plus box office year on the horizon,” said Paul Dergarabedian, the senior media analyst for Comscore.

Pre-pandemic, $11 billion had become the annual norm for the movie business. Since then, the closest the industry has gotten to that number was last year, which cracked $9 billion. This year started off slow and up to a few months ago, Dergarabedian said, even hitting $8 billion for the year was in doubt. But in the two weeks since Thanksgiving, the deficit from last year has narrowed by over 5%. 

The newcomers struggled to make a significant impact. Even the 10th anniversary rerelease of Christopher Nolan’s “Interstellar,” which played in only 165 theaters, did better than “Y2K” ($2.1 million) and “The Order” ($878,000) combined. Paramount reported that the science fiction epic starring Matthew McConaughey and Anne Hathaway brought in an estimated $4.4 million. IMAX also noted that all the 70mm IMAX presentations of “Interstellar” were sold out through the weekend.

“I was thrilled so many moviegoers took advantage of the original IMAX experience of ‘Interstellar’ this weekend,” Nolan said in a statement.

The biggest of the many newcomers was the Indian action pic “Pushpa: The Rule – Part 2,” which earned $4.9 million. Sony and Crunchyroll’s anime release, “Solo Leveling – ReAwakening,” made $2.4 million. Fathom also released pop duo for KING + COUNTRY’s “A Drummer Boy Christmas” concert in theaters where it made $2.1 million.

“It’s a really diverse marketplace,” Dergarabedian said. “There’s event cinema, international cinema, a rerelease of a 10-year-old film. It’s easily one of the most eclectic and interesting lineups I’ve ever seen.”

Next weekend theaters are in for another influx of bigger movies, with both Sony’s comic book film “Kraven the Hunter” and the animated “The Lord of the Rings: The War of the Rohirrim” opening in wide release. Awards contenders “Nickel Boys” and “September 5” will also open in a limited number of theaters.

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. Final domestic figures will be released Monday.

1. “Moana 2,” $52 million. 

2. “Wicked,” $34.9 million. 

3. “Gladiator II,” $12.5 million. 

4. “Red One,” $7 million. 

5. “Pushpa: The Rule – Part 2,” $4.9 million. 

6. “Interstellar” rerelease, $4.4 million. 

7. “Solo Leveling – ReAwakening,” $2.4 million. 

8. “Y2K,” $2.1 million. 

9. “for KING + COUNTRY’S: A Drummer Boy Christmas,” $2.1 million. 

10. “The Best Christmas Pageant Ever,” $1.5 million.
    …

TOKYO — A frog holding a taro-leaf umbrella. A parade of frolicking animals. An Ukiyo-e style Mount Fuji. Giant waves. A Japanese artist who goes by the name Lito carves these delicate designs on fallen leaves, giving life back to them.

The world of Lito’s delicate art, which he began in 2020 and posts on social media almost daily, has won fans from around the world. The leaf art has also given him solace after earlier struggles with attention-deficit hyperactivity disorder, and a purpose in life — the joy of making people happy with his art.

He enjoys working at night. From a pile of leaves treated with a wrinkle-free chemical, he picks one and places it on a cutting board.

First, he outlines the design on the leaf with a pen in his right hand. Then he takes a design knife in his left hand and starts cutting the leaf carefully. Slowly, the leaf begins to take the shape of a frog carrying an umbrella — a simple design he demonstrated in a recent interview with The Associated Press.

More complex, highly intensive work on a single leaf can take more than eight hours to complete.

His leaf-cutting works include titles such as Scrolls of Frolicking Animals, Leaf Aquarium and Thirty-six Views of Mt. Fuji: The Great Wave off Kanagawa. Each piece includes his own twists and often uses animals.

“I would rather finish it in one go when I am focused,” Lito, 38, said. He didn’t want to disclose his real name for personal reasons.

Since his childhood, Lito says he has had high levels of concentration and patience. But he had trouble fitting into what was considered the norm at school or at work, despite all his efforts. He struggled to interpret others’ feelings and to avoid confrontations.

After years of difficulty, he went to a hospital at age 30 and was told he has ADHD, a diagnosis that he felt explained why he has always done things differently.

He saw no point in forcing himself to do things the same way as other people, and began to adjust his life.

In early 2020, Lito came across the art of leaf cutting. He saw it as the perfect use of his patience and concentration.

Word of his skills has spread across social media, and he has published books on his leaf-cutting work. He holds a near monthly solo exhibition in various places in Japan.

“If I can make people happy by doing what I am doing, I want to do more. That’s my driving force for what’s next,” Lito says. 
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LONDON — London’s Royal Albert Hall, the gilded concert venue known for an annual Rule Britannia singalong, is preparing to host a different kind of spectacle: Sumo wrestling.

Camera shutters clicked furiously and reporters “Ahhhed” in delight Wednesday as wrestlers Daisuke Kitanowaka and Akira Fukutsuumi demonstrated a sideways stamp and put on an exhibition of heavyweight grappling to promote a tournament scheduled for next October.

It marks only the second time an elite five-day tournament will be held outside Japan. The first was in 1991 at the same venue.

Organizers are hoping to whip up the kind of excitement that was generated three decades ago, when the deeply ritualistic sport attracted sell-out crowds and a national television audience.

“It wasn’t just an event here at the hall,” said James Ainscough, chief executive of the Royal Albert Hall. “It became a national moment. People talked about it in the workplace. You could see kids acting it out each day in playgrounds the length and breadth of the country. So it’s a huge honor and a huge matter of excitement to welcome it back in 2025.”

A variety of factors, including a series of sumo wrestling scandals, the financial crisis and the COVID-19 pandemic, delayed the sport’s return to London. But organizers believe the time is right because sumo is having a bit of a moment.

Two Netflix series have introduced audiences to the intricacies of the sport, which has roots stretching back 1,500 years. Earlier this year, Hanshin Contents Link opened a sumo hall in Osaka, Japan’s third-largest city, that entertains foreign tourists with explanatory exhibitions and actual bouts.

Organizers of the London event say they hope to show Japan’s rich culture as well as its traditional sport that pits two huge men clad in very little against each other in a test of strength and technique.

On hand Wednesday was the winner of the previous U.K. tournament, Nobuyoshi Hakkaku, nicknamed “bulldog” by British fans in 1991. Now the chairman of the Japan Sumo Association, he reminisced about how the only thing that made him really nervous was preparing for a victory speech in English.

Japan’s ambassador to the U.K., Hiroshi Suzuki, also made an appearance, a reflection of the event’s importance to the nation. Organizers promised that spectators also would see exhibitions of Kabuki theater and other Japanese traditions.

But the main attraction were the wrestlers.

Kitanowaka and Fukutsuumi gamely tried to show off their sport. Clad in their mawashi, or ceremonial aprons, they faced off on a mat in front of several dozen journalists. The big men slammed into each other with an “oomph” as flesh slapped flesh. A grunt or two broke the silence.

No sweat was evident. It was over in a flash.

Then they went outside, dropping their robes and exposing their flesh to the frosty November air as they entered and exited a classic London black cab for photographers.

Nothing seemed to bother them. Not the cold. Not the demands to stand this way or that. As the concert hall loomed behind them, they did their best to be sumo diplomats.

“Sumo has a wonderfully intriguing collection of culture and ritual and sport and excitement,” Ainscough said. “And to bring sumo back to the Royal Albert Hall again doesn’t just create a sporting moment, it creates a moment where we can learn and be inspired by another culture and another set of principles to live by. It’s a moment where we can all grow closer together.'”
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