Chinese Surveillance Firm Selling Cameras With ‘Skin Color Analytics’

IPVM, a U.S.-based security and surveillance industry research group, says the Chinese surveillance equipment maker Dahua is selling cameras with what it calls a “skin color analytics” feature in Europe, raising human rights concerns. 

In a report released on July 31, IPVM said “the company defended the analytics as being a ‘basic feature of a smart security solution.'” The report is behind a paywall, but IPVM provided a copy to VOA Mandarin. 

Dahua’s ICC Open Platform guide for “human body characteristics” includes “skin color/complexion,” according to the report. In what Dahua calls a “data dictionary,” the company says that the “skin color types” that Dahua analytic tools would target are ”yellow,” “black,” and ”white.”  VOA Mandarin verified this on Dahua’s Chinese website. 

The IPVM report also says that skin color detection is mentioned in the “Personnel Control” category, a feature Dahua touts as part of its Smart Office Park solution intended to provide security for large corporate campuses in China.  

Charles Rollet, co-author of the IPVM report, told VOA Mandarin by phone on August 1, “Basically what these video analytics do is that, if you turn them on, then the camera will automatically try and determine the skin color of whoever passes, whoever it captures in the video footage. 

“So that means the camera is going to be guessing or attempting to determine whether the person in front of it … has black, white or yellow — in their words — skin color,” he added.  

VOA Mandarin contacted Dahua for comment but did not receive a response. 

The IPVM report said that Dahua is selling cameras with the skin color analytics feature in three European nations. Each has a recent history of racial tension: Germany, France and the Netherlands.

‘Skin color is a basic feature’

Dahua said its skin tone analysis capability was an essential function in surveillance technology.  

 In a statement to IPVM, Dahua said, “The platform in question is entirely consistent with our commitments to not build solutions that target any single racial, ethnic, or national group. The ability to generally identify observable characteristics such as height, weight, hair and eye color, and general categories of skin color is a basic feature of a smart security solution.”  

IPMV said the company has previously denied offering the mentioned feature, and color detection is uncommon in mainstream surveillance tech products. 

In many Western nations, there has long been a controversy over errors due to skin color in surveillance technologies for facial recognition. Identifying skin color in surveillance applications raises human rights and civil rights concerns.  

“So it’s unusual to see it for skin color because it’s such a controversial and ethically fraught field,” Rollet said.  

Anna Bacciarelli, technology manager at Human Rights Watch (HRW), told VOA Mandarin that Dahua technology should not contain skin tone analytics.   

“All companies have a responsibility to respect human rights, and take steps to prevent or mitigate any human rights risks that may arise as a result of their actions,” she said in an email.

“Surveillance software with skin tone analytics poses a significant risk to the right to equality and non-discrimination, by allowing camera owners and operators to racially profile people at scale — likely without their knowledge, infringing privacy rights — and should simply not be created or sold in the first place.”  

Dahua denied that its surveillance products are designed to enable racial identification. On the website of its U.S. company, Dahua says, “contrary to allegations that have been made by certain media outlets, Dahua Technology has not and never will develop solutions targeting any specific ethnic group.” 

However, in February 2021, IPVM and the Los Angeles Times reported that Dahua provided a video surveillance system with “real-time Uyghur warnings” to the Chinese police that included eyebrow size, skin color and ethnicity.  

IPVM’s 2018 statistical report shows that since 2016, Dahua and another Chinese video surveillance company, Hikvision, have won contracts worth $1 billion from the government of China’s Xinjiang province, a center of Uyghur life. 

The U.S. Federal Communications Commission determined in 2022 that the products of Chinese technology companies such as Dahua and Hikvision, which has close ties to Beijing, posed a threat to U.S. national security. 

The FCC banned sales of these companies’ products in the U.S. “for the purpose of public safety, security of government facilities, physical security surveillance of critical infrastructure, and other national security purposes,” but not for other purposes.  

Before the U.S. sales bans, Hikvision and Dahua ranked first and second among global surveillance and access control firms, according to The China Project.  

‘No place in a liberal democracy’

On June 14, the European Union passed a revision proposal to its draft Artificial Intelligence Law, a precursor to completely banning the use of facial recognition systems in public places.  

“We know facial recognition for mass surveillance from China; this technology has no place in a liberal democracy,” Svenja Hahn, a German member of the European Parliament and Renew Europe Group, told Politico.  

Bacciarelli of HRW said in an email she “would seriously doubt such racial profiling technology is legal under EU data protection and other laws. The General Data Protection Regulation, a European Union regulation on Information privacy, limits the collection and processing of sensitive personal data, including personal data revealing racial or ethnic origin and biometric data, under Article 9. Companies need to make a valid, lawful case to process sensitive personal data before deployment.” 

“The current text of the draft EU AI Act bans intrusive and discriminatory biometric surveillance tech, including real-time biometric surveillance systems; biometric systems that use sensitive characteristics, including race and ethnicity data; and indiscriminate scraping of CCTV data to create facial recognition databases,” she said.  

In Western countries, companies are developing AI software for identifying race primarily as a marketing tool for selling to diverse consumer populations. 

The Wall Street Journal reported in 2020 that American cosmetics company Revlon had used recognition software from AI start-up Kairos to analyze how consumers of different ethnic groups use cosmetics, raising concerns among researchers that racial recognition could lead to discrimination.  

The U.S. government has long prohibited sectors such as healthcare and banking from discriminating against customers based on race. IBM, Google and Microsoft have restricted the provision of facial recognition services to law enforcement.  

Twenty-four states, counties and municipal governments in the U.S. have prohibited government agencies from using facial recognition surveillance technology. New York City, Baltimore, and Portland, Oregon, have even restricted the use of facial recognition in the private sector.  

Some civil rights activists have argued that racial identification technology is error-prone and could have adverse consequences for those being monitored. 

Rollet said, “If the camera is filming at night or if there are shadows, it can misclassify people.”  

Caitlin Chin is a fellow at the Center for Strategic and International Studies, a Washington think tank where she researches technology regulation in the United States and abroad. She emphasized that while Western technology companies mainly use facial recognition for business, Chinese technology companies are often happy to assist government agencies in monitoring the public.  

She told VOA Mandarin in an August 1 video call, “So this is something that’s both very dehumanizing but also very concerning from a human rights perspective, in part because if there are any errors in this technology that could lead to false arrests, it could lead to discrimination, but also because the ability to sort people by skin color on its own almost inevitably leads to people being discriminated against.”  

She also said that in general, especially when it comes to law enforcement and surveillance, people with darker skin have been disproportionately tracked and disproportionately surveilled, “so these Dahua cameras make it easier for people to do that by sorting people by skin color.”  

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‘Barbie’ in Crosshairs of Growing Censorship in Lebanon

Lebanon is considering banning the “Barbie” movie because the culture minister said the film “promotes homosexuality” and contradicts religious values, in a move that some experts say underscores the poor state of free speech and gay rights in the country and throughout the Middle East. 

Mohammad Mortada, Lebanon’s culture minister, moved to ban “Barbie” Wednesday, saying it was discovered to “promote homosexuality and sexual transformation” and “contradicts values of faith and morality” by disparaging the significance of the family unit.

Kuwait soon followed suit, with the state news agency, KUNA, reporting Thursday that the government had banned “Barbie” and the supernatural horror film “Talk to Me” in order to protect “public ethics and social traditions.”

Experts on human rights and free speech in Lebanon said the potential “Barbie” ban is a symptom of Beirut’s broader efforts to degrade free expression and LGBTQ rights in the country.

“It’s ridiculous and deadly serious at the same time,” said Justin Shilad, an expert on press freedom in the Middle East for the advocacy group PEN America.

Shilad said it may seem almost comical for Lebanon to consider banning Barbie, which brings to life the iconic child’s doll and follows her on her journey of self-discovery after an identity crisis. But, he said, it comes within the context of government officials increasingly restricting free speech, targeting critical journalists and amplifying anti-LGBTQ rhetoric.

“It speaks to this increasing willingness of all different power centers in Lebanon to crack down on dissent, crack down on those who are different, to increasingly ostracize an already marginalized community as part of this overall move to increasingly crack down on free expression,” Shilad told VOA from New York.

Based on Mortada’s move, Interior Minister Bassam Mawlawi then asked the general security’s censorship committee — which falls under the interior ministry and is usually responsible for censorship decisions — to review the film and give its recommendation.

Meanwhile in Kuwait, Undersecretary of the Ministry for Press and Publication Lafy Al-Subei’e said both “Barbie” and “Talk to Me” were banned because they “promulgate ideas and beliefs that are alien to Kuwaiti society and public order.”

The bans in Lebanon and Kuwait underscore the prevalence of censorship throughout the region as well, according to Shilad.

“It also speaks to a larger trend in Lebanon, where free expression and the free exchange of ideas is increasingly becoming contested,” Shilad said. “This is also indicative of a larger regionwide phenomenon.”

Shilad believes Kuwait’s reasoning about banning the films was intentionally vague.

“It’s this very vague nod to stability, or moral or cultural values,” Shilad said. “And the reason why it’s so vague and so ill-defined is because under that umbrella, you can crack down on a broad range of speech and suppress a broad range of expression.”

Kuwait’s Washington embassy did not reply to VOA’s email requesting comment.

In response to a request for comment, Lebanon’s Washington embassy directed VOA to the country’s Ministry of Foreign Affairs and Emigrants, which did not reply to VOA’s email requesting comment.

This isn’t the first time the film has proven surprisingly controversial on the global stage. In early July, the Vietnamese government banned the film due to its perceived inclusion of Beijing’s controversial nine-dash line in a map. 

Lebanon was once held up as a relatively safe haven for the LGBTQ community in the Middle East. In 2017, it became the first Arab country to host a gay pride week.

In 2018, a court ruled that same-sex conduct is not illegal, but since that decision, the situation for the country’s LGBTQ community has grown more and more worrisome. For example, last year, Lebanon’s Interior Ministry banned any events aimed at “promoting sexual perversion,” referencing gatherings of LGBTQ people.

“Politicians are increasingly targeting vulnerable populations, such as LGBT[Q] people in Lebanon,” said Ramzi Kaiss, who researches Lebanon at Human Rights Watch.

Kaiss and Shilad think Lebanese lawmakers are ramping up their use of anti-LGBTQ rhetoric to distract the public’s attention from more pressing issues — like the struggling economy, government corruption and the status of the investigation into the devastating 2020 Port of Beirut explosion.

“Instead, they’re busy cracking down on freedom of expression and LGBT[Q] rights and banning the Barbie movie,” Kaiss told VOA from Beirut. “I think it’s outrageous that this is the main priority for the government, while there is a range of other actions that need to be taken.”

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Fans in India Rejoice as Superstar Actor Rajinikanth’s Latest Movie Hits Theaters

Fans of an Indian movie star with a cult following thronged movie theaters and celebrated with dancing and prayers as his latest film hit screens on Thursday.

Hundreds of avid supporters of Rajinikanth, one of India’s biggest movie superstars, carried photo cutouts and flower garlands as they made their way to a theater in Mumbai to watch his latest film, Jailer. The first screening began at 6 a.m. local time.

When Rajinikanth appeared on screen, the theater stopped the movie for a minute as fans danced and cheered, rejoicing in his return after a period of two years.

Popular movie stars are treated like gods in India, often worshipped like deities by their fans.

Rajinikanth is one of Asia’s highest-paid actors, known for his superhero stunts. He enjoys a devoted fan base that cuts across generations and even continents. His films have broken box-office records in India and in countries like Malaysia and the United Kingdom, both of which have large Tamil-speaking populations.

Born Shivaji Rao Gaekwad, the actor today uses only one name. He once worked as a bus conductor for three years before attending acting school. He started in small roles as villains in Tamil cinema and worked his way up, before landing roles in Bollywood, the Hindi-language film industry based in Mumbai.

Some offices in the southern cities of Chennai and Bengaluru declared Thursday a holiday so his fans could watch the movie.

“Scientists say that time machines are not possible, but Rajinikanth has the power to take us back to childhood,” said one fan named Arun, who watched the movie on opening day in Mumbai.

In Jailer, Rajinikanth plays a prison warden who learns that a criminal gang is trying to rescue its leader from the prison, and he sets out to stop them.

Rajinikanth, 72, has acted in more than 160 movies spanning more than five decades in several Indian languages, including Tamil, Hindi, Telugu, Kannada, Bengali and Malayalam.

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Virgin Galactic Flies Its First Tourists to the Edge of Space

Virgin Galactic rocketed to the edge of space with its first tourists Thursday, including a former British Olympian who bought his ticket 18 years ago and a mother-daughter duo from the Caribbean.

The space plane glided back to a runway landing at Spaceport America in the New Mexico desert, after a brief flight that gave passengers a few minutes of weightlessness.

Cheers erupted from families and friends watching from below when the craft’s rocket motor fired after it was released from the plane that had carried it aloft. The rocket ship reached about 88 kilometers high.

Richard Branson’s company expects to begin offering monthly trips to customers on its winged space plane, joining Jeff Bezos’ Blue Origin and Elon Musk’s SpaceX in the space tourism business.

Virgin Galactic passenger Jon Goodwin, who was among the first to buy a ticket in 2005, said he had faith that he would someday make the trip. The 80-year-old athlete — he competed in canoeing in the 1972 Olympics — has Parkinson’s disease and wants to be an inspiration to others.

“I hope it shows them that these obstacles can be the start rather than the end to new adventures,” he said in a statement.

Ticket prices were $200,000 when Goodwin signed up. The cost is now $450,000.

He was joined by sweepstakes winner Keisha Schahaff, 46, a health coach from Antigua, and her daughter, Anastatia Mayers, 18, a student at Scotland’s University of Aberdeen. Also on board: two pilots and the company’s astronaut trainer.

It was Virgin Galactic’s seventh trip to space since 2018, but the first with a ticket-holder. Branson, the company’s founder, hopped on board for the first full-size crew ride in 2021. Italian military and government researchers soared in June on the first commercial flight. About 800 people are currently on Virgin Galactic’s waiting list, according to the company.

Virgin Galactic’s rocket ship launches from the belly of an airplane, not from the ground, and requires two pilots in the cockpit. Once the mothership reaches a height of about 15 kilometers, the space plane is released and fires its rocket motor to make the final push to just over 80 kilometers up. Passengers can unstrap from their seats, float around the cabin for a few minutes and take in the sweeping views of Earth, before the space plane glides back home and lands on a runway.

In contrast, the capsules used by SpaceX and Blue Origin are fully automated and parachute back down.

Like Virgin Galactic, Blue Origin aims for the fringes of space, quick ups-and-downs from West Texas. Blue Origin has launched 31 people so far, but flights are on hold following a rocket crash last fall. The capsule, carrying experiments but no passengers, landed intact.

SpaceX, is the only private company flying customers all the way to orbit, charging a much heftier price, too: tens of millions of dollars per seat. It’s already flown three private crews. NASA is its biggest customer, relying on SpaceX to ferry its astronauts to and from the International Space Station. since 2020.

People have been taking on adventure travel for decades, the risks underscored by the recent implosion of the Titan submersible that killed five passengers on their way down to view the Titanic wreckage. Virgin Galactic suffered its own casualty in 2014 when its rocket plane broke apart during a test flight, killing one pilot. Yet space tourists are still lining up, ever since the first one rocketed into orbit in 2001 with the Russians.

Branson, who lives in the British Virgin Islands, watched Thursday’s flight from a party in Antigua. He had held a virtual lottery to establish a pecking order for the company’s first 50 customers — dubbed the Founding Astronauts. Virgin Galactic said the group agreed Goodwin would go first, given his age and his Parkinson’s.

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Emmys Pushed to January as Hollywood Strikes Press On

The 75th Emmy Awards ceremony is postponed to Jan. 15, the Television Academy and broadcast network Fox said on Thursday, as Hollywood writers and actors strike over labor disputes with major studios.

The Emmys were originally slated to air on Fox on Sept. 18, and nominations for the highest honors in television were announced in July, just before the dual work stoppage was declared.

Hollywood actors last month joined film and television writers who have been on picket lines since May after negotiations between the Writers Guild of America and major studios reached an impasse.

It is the first time that both the writers’ and actors’ unions have gone on strike together since 1960, effectively halting production of scripted television shows and films and impacting businesses across the entertainment world’s orbit.

HBO drama “Succession,” the story of a family’s cutthroat fight for control of a media empire, leads the nominees for television’s Emmy awards alongside fellow HBO show “The Last of Us,” a dystopian videogame adaptation.

Others competing for best drama include HBO’s “Game of Thrones” prequel “House of the Dragon,” vacation-gone-wrong story “The White Lotus” and Star Wars series “Andor.” Previous nominees “Better Call Saul,” “Yellowjackets” and “The Crown” are also in the mix.

The Emmy Awards will be broadcast live on Fox from the Peacock Theater at LA Live on Jan. 15. The Creative Arts Emmys — a class of awards recognizing technical and similar achievements — will take place on Jan. 6 and 7.

The show will be executive-produced by Jesse Collins, Dionne Harmon and Jeannae Rouzan-Clay of Jesse Collins Entertainment.

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Seattle Volunteers Help Museum of Flight Mural Gain Liftoff

When faced with the task of painting a giant mural at Seattle’s Museum of Flight, artist Esmeralda Vasquez found it was best not to do it alone. More than 160 volunteers helped out, as reported in this story by VOA’s Natasha Mozgovaya.

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China to Require all Apps to Share Business Details in New Oversight Push

China will require all mobile app providers in the country to file business details with the government, its information ministry said, marking Beijing’s latest effort to keep the industry on a tight leash. 

The Ministry of Industry and Information Technology (MIIT) said late on Tuesday that apps without proper filings will be punished after the grace period that will end in March next year, a move that experts say would potentially restrict the number of apps and hit small developers hard. 

You Yunting, a lawyer with Shanghai-based DeBund Law Offices, said the order is effectively requiring approvals from the ministry. The new rule is primarily aimed at combating online fraud but it will impact all apps in China, he said. 

Rich Bishop, co-founder of app publishing firm AppInChina, said the new rule is also likely to affect foreign-based developers which have been able to publish their apps easily through Apple’s App Store without showing any documentation to the Chinese government. 

Bishop said that in order to comply with the new rules, app developers now must either have a company in China or work with a local publisher.  

Apple did not immediately reply to a request for comment. 

The iPhone maker pulled over a hundred artificial intelligence (AI) apps from its App Store last week to comply with regulations after China introduced a new licensing regime for generative AI apps for the country.  

The ministry’s notice also said entities “engaged in internet information services through apps in such fields as news, publishing, education, film and television and religion should also submit relevant documents.” 

The requirement could affect the availability of popular social media apps such as X, Facebook and Instagram. Use of such apps are not allowed in China, but they can be still downloaded from app stores, enabling Chinese to use them when traveling overseas. 

China already requires mobile games to obtain licenses before they launch in the country, and it had purged tens of thousands of unlicensed games from various app stores in 2020. 

Tencent’s WeChat, China’s most popular online social platform, said on Wednesday that mini apps, apps that can be opened within WeChat, must also follow the new rules. 

The company said that new apps must complete the filing before launch starting from September, while exiting mini apps have until the end of March.  

 

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‘Searching for Sugar Man’ Singer, Songwriter Sixto Rodriguez Dies at 81

Sixto Rodriguez, who lived in obscurity in the U.S. only to find musical success in South Africa and a stardom he was unaware of, died Tuesday in Detroit. He was 81.

Rodriguez’s music career flamed out early in the U.S., but it took off after the singer and songwriter became the subject of the Oscar-winning documentary Searching for Sugar Man.

His death was announced on the Sugarman.org website and confirmed Wednesday by his granddaughter, Amanda Kennedy.

He died following a short illness, according to his wife, Konny Rodriguez, 72.

A 2013 Associated Press story referred to Rodriguez as “the greatest protest singer and songwriter that most people never heard of.”

His albums flopped in the United States in the 1970s, but — unknown to him — he later became a star in South Africa where his songs protesting the Vietnam War, racial inequality, abuse of women and social mores inspired white liberals horrified by the country’s brutal racial segregation system of apartheid.

Swedish filmmaker Malik Bendjelloul’s documentary Searching for Sugar Man presented Rodriguez to a much larger audience. The film tells of two South Africans’ mission to seek out the fate of their musical hero. It won the Academy Award for best documentary in 2013.

Rodriguez was “more popular than Elvis” in South Africa, Stephen “Sugar” Segerman said in 2013. The Cape Town record store owner’s nickname comes from the Rodriguez song Sugar Man.

As his popularity in South Africa grew, Rodriguez lived in Detroit. But his fans in South Africa believed he also was famous in the United States. They heard various stories that the musician had died dramatically.

In 1996, Segerman and journalist Carl Bartholomew-Strydom set out to learn the truth. Their efforts led them to Detroit, where they found Rodriguez working on construction sites.

“It’s rock-and-roll history now. Who would-a thought?” Rodriguez told The Associated Press a decade ago.

Rodriguez said he just “went back to work” after his music career fizzled, raising a family that includes three daughters and launching several unsuccessful campaigns for public office. He made a living through manual labor in Detroit.

Still, he never stopped playing his music.

“I felt I was ready for the world, but the world wasn’t ready for me,” Rodriguez said. “I feel we all have a mission — we have obligations. Those turns on the journey, different twists — life is not linear.”

Konny Rodriguez said the couple met in 1972 while both were students at Wayne State University in Detroit and married in the early 1980s. Although still married at the time of his death, the couple had been separated for a number of years, she said Wednesday while looking through some of Sixto Rodriguez’s memorabilia.

“He loved college. He was born to be taught, to teach himself,” Konny Rodriguez said. “The music was more to bring people together. He would play anywhere, anytime. That’s where I noticed him. He was walking down Cass Avenue with a guitar and a black bag. He was a really eccentric guy.”

The two albums she said he recorded in 1969 and 1971 “didn’t do well.”

“I’m sure that was still in his head,” Konny Rodriguez added. “Then in 1979, I picked up the phone and it was a guy with an Australian accent who said Rodriguez ‘must come to Australia because he’s very famous here.'”

She said they toured Australia in 1979 and 1981 and later learned about the impact of his music in South Africa.

“Apartheid was going on,” she said. “Frank Sinatra had a full-page ad, ‘Do not go to South Africa.’ We didn’t.”

After the end of apartheid, Sixto Rodriguez did travel to South Africa and perform in front of his fans there, she said.

“He did so well in South Africa. It was insane,” Konny Rodriguez said.

Sixto Rodriguez later pursued royalties he did not receive from his music being used and played in South Africa.

Some of Rodriguez songs were banned by the apartheid regime, and many bootlegged copies were made on tapes and later CDs. 

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Guitarist, Songwriter Robertson of The Band Dies at 80

Robbie Robertson, The Band’s lead guitarist and songwriter who in such classics as “The Weight” and “Up on Cripple Creek” mined American music and folklore and helped reshape contemporary rock, died Wednesday at 80. 

Robertson died in Los Angeles, surrounded by family, “after a long illness,” publicist Ray Costa said in a statement. 

From their years as Bob Dylan’s masterful backing group to their own stardom as embodiments of old-fashioned community and virtuosity, The Band profoundly influenced popular music in the 1960s and ’70s, first by literally amplifying Dylan’s polarizing transition from folk artist to rock star and then by absorbing some of Dylan’s own influences as they fashioned a new sound immersed in the American past. 

The Canadian-born Robertson was a high school dropout and one-man melting pot — part-Jewish, part-Mohawk and Cayuga — who fell in love with the seemingly limitless sounds and byways of his adopted country and wrote out of a sense of amazement and discovery at a time when the Vietnam War had alienated millions of young Americans.

The Band started out as supporting players for rockabilly star Ronnie Hawkins in the early 1960s and through their years together in bars and juke joints forged a depth and versatility that made them able to take on virtually any kind of music.

Stellar start 

Besides Robertson, the group featured drummer-singer Levon Helm, bassist-singer-songwriter Rick Danko, keyboardist singer-songwriter Richard Manuel and all-around musical wizard Garth Hudson. They were originally called the Hawks but ended up as The Band — a conceit their fans would say they earned — because people would point to them when they were with Dylan and refer to them as “the band.” 

They remain defined by their first two albums, “Music from Big Pink” and “The Band,” both released in the late 1960s.  

The rock scene was turning away from the psychedelic extravagances of the Beatles’ “Sgt Pepper’s Lonely Hearts Club Band” and a wave of sound effects, long jams and strange lyrics.  

“Music from Big Pink,” named for the old house near Woodstock, New York, where Band members lived and gathered, was for many the sound of coming home. The mood was intimate, the lyrics alternately playful, cryptic and yearning, drawn from blues, gospel, folk and country music. The Band itself seemed to stand for selflessness and a shared and vital history, with all five members making distinctive contributions and appearing in publicity photos in plain, dark clothes. 

Through the “Basement Tapes” made with Dylan in 1967 and through the group’s own albums, The Band has been widely credited as a founding source for Americana or roots music. Fans and peers would speak of their lives being changed.  

Eric Clapton broke up with his British supergroup Cream and journeyed to Woodstock in hopes he could join The Band, which influenced albums ranging from The Grateful Dead’s “Workingman’s Dead” to Elton John’s “Tumbleweed Connection.” The Band’s songs were covered by Joan Baez, the Staple Singers and many others. 

Like Dylan, Robertson was a self-taught musicologist and storyteller who absorbed everything American from the novels of William Faulkner to the scorching blues of Howlin’ Wolf to the gospel harmonies of the Swan Silvertones.  

At times his songs sounded not just created but unearthed. In “The Night They Drove Old Dixie Down,” he imagined the Civil War through the eyes of a defeated Confederate. In “The Weight,” with its lead vocals passed around among group members like a communal wine glass, he evoked a pilgrim’s arrival to a town where nothing seems impossible. 

At Woodstock

The Band played at the 1969 Woodstock festival, not far from where they lived, and became newsworthy enough to appear on the cover of Time magazine. But the spirit behind their best work was already dissolving. Albums such as “Stage Fright” and “Cahoots” were disappointing even for Robertson, who would acknowledge that he was struggling to find fresh ideas. While Manuel and Danko were both frequent contributors to songs during their “Basement Tapes” days, by the time of “Cahoots,” released in 1971, Robertson was the dominant writer. 

They toured frequently, recording the acclaimed live album “Rock of Ages” at Madison Square Garden and joining Dylan for 1974 shows that led to another highly praised concert release, “Before the Flood.”  

But in 1976, after Manuel broke his neck in a boating accident, Robertson decided he needed a break from the road and organized rock’s ultimate sendoff, an all-star gathering at San Francisco’s Winterland Ballroom that included Dylan, Van Morrison, Neil Young, Muddy Waters and many others. The concert was filmed by Martin Scorsese and was the basis for his celebrated documentary “The Last Waltz,” released in 1978. 

Robertson had intended The Band to continue recording together but “The Last Waltz” helped permanently sever his friendship with Helm, whom he had once looked to as an older brother. Helm accused Robertson of greed and outsized ego, noting that Robertson had ended up owning their musical catalog and calling “The Last Waltz” a vanity project designed to glorify Robertson. In response, Robertson contended that he had taken control of the group because the others — excepting Hudson — were too burdened by drug and alcohol problems to make decisions on their own. 

“It hit me hard that in a band like ours, if we weren’t operating on all cylinders, it threw the whole machine off course,” Robertson wrote in his memoir Testimony, published in 2016. 

Solo career, soundtracks

The Band regrouped without Robertson in the early 1980s, and Robertson went on to a long career as a solo artist and soundtrack composer. His self-titled 1987 album was certified gold and featured the hit single “Show Down at Big Sky” and the ballad “Fallen Angel,” a tribute to Manuel, who was found dead in 1986 in what was ruled a suicide (Danko died of heart failure in 1999 and Helm of cancer in 2012). 

Robertson, who moved to Los Angeles in the 1970s while the others stayed near Woodstock, remained close to Scorsese and helped oversee the soundtracks for “The Color of Money,” “The King of Comedy,” “The Departed” and “The Irishman” and the upcoming “Killers of the Flower Moon.” He also produced the Neil Diamond album “Beautiful Noise” and explored his heritage through such albums as “Music for the Native Americans” and “Contact from the Underworld of Redboy.” 

Robertson married the Canadian journalist Dominique Bourgeois in 1967. They had three children before divorcing. His other survivors include his second wife, Janet Zuccarini, and five grandchildren.

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US Launches Contest to Use AI to Prevent Government System Hacks

The White House on Wednesday said it had launched a multimillion-dollar cyber contest to spur use of artificial intelligence to find and fix security flaws in U.S. government infrastructure, in the face of growing use of the technology by hackers for malicious purposes.  

“Cybersecurity is a race between offense and defense,” said Anne Neuberger, the U.S. government’s deputy national security adviser for cyber and emerging technology.

“We know malicious actors are already using AI to accelerate identifying vulnerabilities or build malicious software,” she added in a statement to Reuters.

Numerous U.S. organizations, from health care groups to manufacturing firms and government institutions, have been the target of hacking in recent years, and officials have warned of future threats, especially from foreign adversaries.  

Neuberger’s comments about AI echo those Canada’s cybersecurity chief Samy Khoury made last month. He said his agency had seen AI being used for everything from creating phishing emails and writing malicious computer code to spreading disinformation.

The two-year contest includes around $20 million in rewards and will be led by the Defense Advanced Research Projects Agency, the U.S. government body in charge of creating technologies for national security, the White House said.

Google, Anthropic, Microsoft, and OpenAI — the U.S. technology firms at the forefront of the AI revolution — will make their systems available for the challenge, the government said.

The contest signals official attempts to tackle an emerging threat that experts are still trying to fully grasp. In the past year, U.S. firms have launched a range of generative AI tools such as ChatGPT that allow users to create convincing videos, images, texts, and computer code. Chinese companies have launched similar models to catch up.

Experts say such tools could make it far easier to, for instance, conduct mass hacking campaigns or create fake profiles on social media to spread false information and propaganda.  

“Our goal with the DARPA AI challenge is to catalyze a larger community of cyber defenders who use the participating AI models to race faster – using generative AI to bolster our cyber defenses,” Neuberger said.

The Open Source Security Foundation (OpenSSF), a U.S. group of experts trying to improve open source software security, will be in charge of ensuring the “winning software code is put to use right away,” the U.S. government said. 

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US Restricts High-Tech Investment in China

U.S. President Joe Biden signed an executive order on Wednesday to impose restrictions on U.S. investments in some high-tech industries in China.

Biden’s executive order could again heighten tensions between the United States, the world’s biggest economy, and No. 2 China after a period in which leaders of the two countries have held several discussions aimed at airing their differences and seeking common ground.

The new restrictions would limit U.S. investments in such high-tech sectors in China as quantum computing, artificial intelligence and advanced semi-conductors, but apparently not in the broader Chinese economy, which recently has been struggling to advance.

Some investments in those sectors will require government notification; others will be prohibited, but details were not immediately clear.

“We’re pursuing a policy of de-risking with respect to the PRC by taking targeted national security actions, not decoupling our economies,” one official said, according to Reuters.

In a trip to China in July, Treasury Secretary Janet Yellen told Chinese Premier Li Qiang, “The United States will, in certain circumstances, need to pursue targeted actions to protect its national security. And we may disagree in these instances.”

Trying to protect its own security interests in the Indo-Pacific region and across the globe, National Security Adviser Jake Sullivan said in April that the U.S. has implemented “carefully tailored restrictions on the most advanced semiconductor technology exports” to China.

“Those restrictions are premised on straightforward national security concerns,” he said. “Key allies and partners have followed suit, consistent with their own security concerns.”

Sullivan said they are not, as Beijing has claimed, a “technology blockade.”

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Preserving Pioneering Work of Black Modernist Architects

Modernist structures designed by African Americans targeted for preservation

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Zoom, Symbol of Remote Work Revolution, Wants Workers Back in Office Part-time

The company whose name became synonymous with remote work is joining the growing return-to-office trend.

Zoom, the video conferencing pioneer, is asking employees who live within a 50-mile radius of its offices to work onsite two days a week, a company spokesperson confirmed in an email. The statement said the company has decided that “a structured hybrid approach – meaning employees that live near an office need to be onsite two days a week to interact with their teams – is most effective for Zoom.”

The new policy, which will be rolled out in August and September, was first reported by the New York Times, which said Zoom CEO Eric Yuan fielded questions from employees unhappy with the new policy during a Zoom meeting last week.

Zoom, based in San Jose, California, saw explosive growth during the first year of the COVID-19 pandemic as companies scrambled to shift to remote work, and even families and friends turned to the platform for virtual gatherings. But that growth has stagnated as the pandemic threat has ebbed.

Shares of Zoom Video Communications Inc. have tumbled hard since peaking early in the pandemic, from $559 apiece in October 2020, to below $70 on Tuesday. Shares have slumped more than 10% to start the month of August. In February, Zoom laid off about 1,300 people, or about 15% of its workforce.

Google, Salesforce and Amazon are among major companies that have also stepped up their return-to-office policies despite a backlash from some employees.

Similarly to Zoom, many companies are asking their employees to show up to the office only part time, as hybrid work shapes up to be a lasting legacy of the pandemic. Since January, the average weekly office occupancy rate in 10 major U.S. cities has hovered around 50%, dipping below that threshold during the summer months, according to Kastle Systems, which measures occupancy through entry swipes.

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LogOn: Police Recruit AI to Analyze Police Body-Camera Footage

U.S. police reform advocates have long argued that police-worn body cameras will help reduce officers’ excessive use of force and work to build public trust. But the millions of hours of footage that so-called “body cams” generate are difficult for police supervisors to monitor. As Shelley Schlender explains, artificial intelligence may help.

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‘Comics for Ukraine’ Anthology Raises Relief Money for War-Torn Country

Watching news of Russia’s invasion of Ukraine, U.S. comic book editor Scott Dunbier felt compelled to help. He reached out to comic book professionals to create “Comics for Ukraine: Sunflower Seeds” to raise funds to provide emergency supplies and services to Ukrainians. Genia Dulot has this report.

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Mourners in Ireland Pay Their Respects to Singer Sinead O’Connor at Funeral Procession

Throngs of fans lined the streets of Sinead O’Connor’s former hometown in Ireland to bid farewell to the gifted singer as her funeral procession passed by Tuesday following a private memorial service.

A vintage VW camper van with rooftop speakers blasting Bob Marley’s song “Natural Mystic” led a hearse at walking pace through a thick crowd of admirers along the waterfront in Bray. O’Connor said she loved Marley’s music.

Devotees of O’Connor’s singing and those touched by her sometimes-troubled life tossed roses and other flowers on the hearse.

A group that had been waiting for well over an hour outside O’Connor’s former home, singing her songs at times, began to clap as four police officers on motorcycles leading the cortege approached and the procession came to a halt.

They snapped photos through the windows of the hearse where her coffin was dwarfed by a pile of blue hydrangeas and pink roses.

Ruth O’Shea, who had come to the coastal town of Bray south of Dublin with her two daughters, became teary as she spoke of O’Connor’s significance, saying she had “meant the world” to her.

“She was so rebellious and empowering and inspiring, and my mother hated me listening to her music,” O’Shea said. “She was just brilliant. Brilliant — I loved her, and then the kids, I suppose by osmosis because I played her when they were both growing up, they’d go, ‘Oh God, mom’s listening to Sinead O’Connor, she’s obviously had a rough day.’ She just gave me hope. And I just loved her, I loved her.”

O’Connor, 56, was found unresponsive at her London home on July 26. Police have not shared a cause of death, though they said her death was not suspicious.

O’Connor’s family had invited the public to pay their respects during the funeral procession.

“Sinead loved living in Bray and the people in it,” her family said in a statement. “With this procession, her family would like to acknowledge the outpouring of love for her from the people of Wicklow (county) and beyond, since she left … to go to another place.”

Fans tucked handwritten notes and flowers behind a chain wrapped around a granite post at the entrance to her former home, thanking her for sharing her voice and her music. One sign listed causes that the singer had expressed support for, including welcoming refugees.

“Thanks for your short special life,” one note read. “Gone too soon.”

O’Connor, a multi-octave mezzo soprano of extraordinary emotional range who was recognizable by her shaved head, began her career singing on the streets of Dublin and soon rose to international fame.

She became a sensation in 1990 with her cover of Prince’s ballad “Nothing Compares 2 U,” which topped charts from Europe to Australia.

She was a critic of the Roman Catholic Church well before allegations of sexual abuse were widely reported. She made headlines in October 1992 when she tore up a photo of Pope John Paul II while appearing on NBC’s “Saturday Night Live” and denounced the church as the enemy.

She was public about her struggles with mental illness. When her teenage son Shane died by suicide last year, O’Connor tweeted there was “no point living without him” and she was soon hospitalized. Her final tweet, sent July 17, read “For all mothers of Suicided children,” and linked to a Tibetan compassion mantra.

Since her death, celebrities have paid tribute to her, and ordinary people have shared acts of kindness she performed.

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Pope Warns Against Potential Dangers of Artificial Intelligence

Pope Francis on Tuesday called for a global reflection on the potential dangers of artificial intelligence (AI), noting the new technology’s “disruptive possibilities and ambivalent effects.”  

Francis, who is 86 and said in the past he does not know how to use a computer, issued the warning in a message for the next World Day of Peace of the Catholic Church, falling on New Year’s Day.  

The Vatican released the message well in advance, as it is customary.  

The pope “recalls the need to be vigilant and to work so that a logic of violence and discrimination does not take root in the production and use of such devices, at the expense of the most fragile and excluded,” it reads.  

“The urgent need to orient the concept and use of artificial intelligence in a responsible way, so that it may be at the service of humanity and the protection of our common home, requires that ethical reflection be extended to the sphere of education and law,” it adds.  

Back in 2015, Francis acknowledged being “a disaster” with technology, but he has also called the internet, social networks and text messages “a gift of God,” provided that they are used wisely.  

In 2020, the Vatican joined forces with tech giants Microsoft MSFT.O and IBM IBM.N to promote the ethical development of AI and call for regulation of intrusive technologies such as facial recognition.

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US Tech Groups Back TikTok in Challenge to Montana State Ban

Two to tech groups on Monday backed TikTok Inc in its lawsuit seeking block enforcement of a Montana state ban on use of the short video sharing app before it takes effect on January 1.

NetChoice, a national trade association that includes major tech platforms, and Chamber of Progress, a tech-industry coalition, said in a joint court filing that “Montana’s effort to cut Montanans off from the global network of TikTok users ignores and undermines the structure, design, and purpose of the internet.”

TikTok, which is owned by China’s ByteDance, filed a suit in May seeking to block the first-of-its-kind U.S. state ban on several grounds, arguing it violates the First Amendment free speech rights of the company and users.

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Analysts Say Use of Spyware During Conflict Is Chilling

The use of sophisticated spyware to hack into the devices of journalists and human rights defenders during a period of conflict in Armenia has alarmed analysts.

A joint investigation by digital rights organizations, including Amnesty International, found evidence of the surveillance software on devices belonging to 12 people, including a former government spokesperson.

The apparent targeting took place between October 2020 and December 2022, including during key moments in the Nagorno-Karabakh conflict, Amnesty reported.

The region has been at the center of a decades-long dispute between Azerbaijan and Armenia, which have fought two wars over the mountainous territory.

Elina Castillo Jiménez, a digital surveillance researcher at Amnesty International’s Security Laboratory, told VOA that her organization’s research — published earlier this year — confirmed that at least a dozen public figures in Armenia were targeted, including a former spokesperson for the Ministry of Foreign Affairs and a representative of the United Nations.

Others had reported on the conflict, including for VOA’s sister network Radio Free Europe/Radio Liberty; provided analysis; had sensitive conversations related to the conflict; or in some cases worked for organizations known to be critical of the government, the researchers found.

“The conflict may have been one of the reasons for the targeting,” Castillo said.

If, as Amnesty and others suspect, the timing is connected to the conflict, it would mark the first documented use of Pegasus in the context of an international conflict.

Researchers have found previously that Pegasus was used extensively in Azerbaijan to target civil society representatives, opposition figures and journalists, including the award-winning investigative reporter Khadija Ismayilova.

VOA reached out via email to the embassies of Armenia and Azerbaijan in Washington for comment but as of publication had not received a response.

Pegasus is a spyware marketed to governments by the Israeli digital security company NSO Group. The global investigative collaboration, The Pegasus Project, has been tracking the spyware’s use against human rights defenders, critics and others.

Since 2021, the U.S government has imposed measures on NSO over the hacking revelations, saying its tools were used for “transnational repression.” U.S actions include export limits on NSO Group and a March 2023 executive order that restricts the U.S. government’s use of commercial spyware like Pegasus.

VOA reached out to the NSO Group for comment but as of publication had not received a response.

Castillo said that Pegasus has the capability to infiltrate both iOS and Android phones.

Pegasus spyware is a “zero-click” mobile surveillance program. It can attack devices without any interaction from the individual who is targeted, gaining complete control over a phone or laptop and in effect transforming it into a spying tool against its owner, she said.

“The way that Pegasus operates is that it is capable of using elements within your iPhones or Androids,” said Castillo. “Imagine that it embed(s) something in your phone, and through that, then it can take control over it.”

The implications of the spyware are not lost on Ruben Melikyan. The lawyer, based in Armenia’s capital, Yerevan, is among those whose devices were infected.

An outspoken government critic, Melikyan has represented a range of opposition parliamentarians and activists.

The lawyer said he has concerns that the software could have allowed hackers to gain access to his data and information related to his clients.

“As a lawyer, my phone contained confidential information, and its compromise made me uneasy, particularly regarding the protection of my current and former clients’ rights.” he said.

Melikyan told VOA that his phone had been targeted twice: in May 2021, when he was monitoring Armenian elections, and again during a tense period in the Armenia and Azerbaijan conflict in December 2022.

Castillo said she believes targeting individuals with Pegasus is a violation of “international humanitarian law” and that evidence shows it is “an absolute menace to people doing human rights work.”

She said the researchers are not able to confirm who commissioned the use of the spyware, but “we do believe that it is a government customer.”

When the findings were released this year, an NSO Group spokesperson said it was unable to comment but that earlier allegations of “improper use of our technologies” had led to the termination of contracts.

Amnesty International researchers are also investigating the potential use of a commercial spyware, Predator, which was found on Armenian servers.

“We have the evidence that suggests that it was used. However, further investigation is needed,” Castillo said, adding that their findings so far suggest that Pegasus is just “one of the threats against journalists and human rights defenders.”

This story originated in VOA’s Armenia Service.

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William Friedkin, Oscar-Winning Director of ‘The Exorcist,’ ‘The French Connection,’ Dead at 87

William Friedkin, the Oscar-winning director who became a top filmmaker in his 30s with the gripping “The French Connection” and the horrifying “The Exorcist” and struggled in the following decades to match his early success has died. He was 87.

Friedkin, who won the best director Oscar for “The French Connection,” died Monday in Los Angeles, Marcia Franklin, his executive assistant for 24 years, told The Associated Press on behalf of his family and wife, former studio head Sherry Lansing.

“The French Connection,” based on a true story, deals with the efforts of maverick New York City police Detective James “Popeye” Doyle to track down Frenchman Fernando Rey, mastermind of a large drug pipeline funneling heroin into the United States. It contains one of the most thrilling chase scenes ever filmed.

Doyle, played by Gene Hackman in an Oscar-winning performance, barely misses making the arrest on a subway train, then hurries to his police car to follow the train as it emerges on an elevated railway. He races underneath, dodging cars, trucks and pedestrians, including a woman pushing a baby buggy, before abandoning the pursuit.

The movie also won Academy Awards for best picture, screenplay and film editing and led critics to hail Friedkin, then just 32, as a leading member of a new generation of filmmakers.

He followed with an even bigger blockbuster, “The Exorcist,” based on William Peter Blatty’s best-selling novel about a 12-year-old girl possessed by the devil.

The harrowing scenes of the girl’s possession and a splendid cast, including Linda Blair as the girl, Ellen Burstyn as her mother and Max Von Sydow and Jason Miller as the priests who try to exorcise the devil from her, helped make the film a box-office sensation.

It received 10 Oscar nominations, including one for Friedkin as director, and won two, for Blatty’s script and for sound.

With that second success, Friedkin would go on to direct movies and TV shows well into the 21st century. But he would never again come close to matching the success of those early works.

Other film credits included “To Live and Die in L.A.,” “Cruising,” “Rules of Engagement” and a TV remake of the classic play and Sidney Lumet movie “12 Angry Men.” Friedkin also directed episodes for such TV shows as “The Twilight Zone,” “Rebel Highway” and “CSI: Crime Scene Investigation.”

Born in Chicago on August 29, 1939, he began working in local TV productions as a teenager. By age 16 he was directing live shows.

“My main influence was dramatic radio when I was a kid,” he said in a 2001 interview. “I remember listening to it in the dark, everything was left to the imagination. It was just sound. I think of the sounds first and then the images.”

He moved from live shows to documentaries, making “The People Versus Paul Crump,” in 1962. It was the story of a prison inmate who rehabilitates himself on Death Row after being sentenced for the murder of a guard during a botched robbery at a Chicago food plant.

Producer David Wolper was so impressed with it that he brought Friedkin to Hollywood to direct network TV shows.

After working on such shows as “The Bold Ones,” “The Alfred Hitchcock Hour” and the documentary “The Thin Blue Line,” Friedkin landed his first film, 1967’s “Good Times.” It was a lighthearted musical romp headlined by the pop duo Sonny and Cher.

He followed that with “The Night They Raided Minsky’s,” about backstage life at a burlesque theater, and “The Birthday Party,” from a Harold Pinter play. He then gained critical attention with 1970’s “The Boys in the Band,” a landmark film about gay men.

Friedkin had three brief marriages in the 1970s and ’80s, to French actress Jeanne Moreau; British actress Lesley-Anne Down, with whom he had a son; and longtime Los Angeles TV news anchor Kelly Lange. In 1991 he married Paramount studio executive Lansing.

In recent years, Friedkin was often called on to reflect on his career around the 50th anniversaries of his classics and was always candid. He also wrote a memoir, The Friedkin Connection, which came out in 2012. And he wasn’t done working: A new film, “The Caine Mutiny Court-Martial,” starring Kiefer Sutherland, is set to premiere at the Venice Film Festival next month.

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