‘Barbie’ Movie Rekindles China-Vietnam Territorial Dispute

Vietnam’s move to ban the Warner Bros. film “Barbie” from domestic distribution over a scene showing China’s claimed territory in the South China Sea encapsulates an age-old territorial dispute between the two countries, experts said.

A nine-dash line encompassing about 90% of the South China Sea has appeared on Chinese maps since the 1950s. More recently, China has been aggressive about exercising its claimed sovereignty, to the consternation of the other countries bordering the sea.

Among them is Vietnam, which has rejected China’s claim for decades as an illegal violation of its sovereignty and security — a position endorsed by an international tribunal in 2016. 

This week, Hanoi asked Netflix to remove the Chinese-made romance drama series “Flight to You” from its service in Vietnam because multiple episodes showed a map with the nine-dash line. Netflix complied, according to the entertainment media outlet Variety.

Last week, Vietnam also banned the release of the Warner Bros. film “Barbie,” originally scheduled be released in the country next week, because of a scene in the movie showing a map that appears to depict the nine-dash line.

Also last week, Vietnam ordered the inspection of a website of iMe, a promoter of the K-pop girl group Blackpink, which was scheduled to perform its first concert in Hanoi this month. 

‘A strong signal’

Prashanth Parameswaran, the founder of the weekly ASEAN Wonk newsletter and a fellow with the Wilson Center’s Asia Program, said, “Vietnam’s response sends a strong signal that the government does not recognize the legitimacy of the nine-dash line and will take actions to demonstrate its commitment to this.”

Vietnam’s Cinema Department under its Ministry of Culture, Sports and Tourism reviewed all 39 episodes of “Flight to You,” according to Variety, and said a map showing the nine-dash line depicted in nine episodes of “Flight to You” is “inappropriate.”

Regarding the “Barbie” ban, Vi Kien Thanh, head of the Cinema Department, said on July 3 the film “contains the offending images of the nine-dash line.”

About the Blackpink promotor’s website, Le Thanh Liem, inspector of the Ministry of Culture, Sports and Tourism, said on July 5 that the ministry is looking into the matter.

On July 6, Pham Thu Hang, Vietnam’s Foreign Ministry spokesperson, said, “The promotion and usage of products or publications featuring the nine-dash line in Vietnam is a violation of Vietnam’s law and is unacceptable.”

Warner Bros. said on July 6 the dashed lines in the film are a “whimsical, child-like crayon” scribble tracing a “make-believe journey from Barbie Land to the real world” and do not represent China’s nine-dash line.

On the same day, iMe apologized for an “unfortunate misunderstanding” and pledged to replace images that are inappropriate for Vietnamese audiences, according to Tuoi Tre News.

Cleo Paskal, a non-resident fellow for the China Program at the Foundation for Defense of Democracies (FDD), said, “This is a matter of national sovereignty and security to Vietnam — things it perceives as under attack, including from frequent PRC incursions into its waters.”  

China’s official name is the People’s Republic of China (PRC).

Paskal continued, “Vietnam is also signaling to neighbors that standing up to China is imperative.”

Ruling against China

An international tribunal at The Hague ruled in 2016 that China had no legal basis to claim the line as its maritime border.

Based on the ruling, not only Vietnam but the Philippines, Malaysia, Indonesia and Brunei, all countries surrounding the nine-dash line, have been refuting the disputed border.

Bates Gill, executive director for Asia Society’s Center for China Analysis, said via email, “In official maps of the People’s Republic of China (PRC), the so-called ‘nine-dash line’ appears to encircle almost all of the South China Sea, signaling that expansive area within the line belongs to China.”

He continued that aside from Vietnam, “a number of other governments – including Brunei, Indonesia, Malaysia, the Philippines, Taiwan, and Vietnam – also claim territory either within or near the nine-dashed line.”

Chinese ships often make incursions into the exclusive economic zones (EEZ) of these countries to exercise China’s claim on the territory. 

A country’s EEZ extends 200 nautical miles out from its coast. 

The U.S. has been patrolling the South China Sea to exercise the freedom of navigation in the area against Chinese aggressions.

India’s reversal

Late last month, India reversed its previous stance and supported the 2016 ruling in a joint statement released with the Philippines.

Indian External Affairs Minister Subrahmanyam Jaishankar and Philippine Secretary of Foreign Affairs Enrique Manalo said in the statement after their meeting in New Delhi from June 27 to 30 that the dispute over the nine-dash line should be resolved in line with the 2016 ruling. 

At the time, China’s Foreign Ministry described the 2016 ruling as “null and void and has no binding force.”

The Chinese Embassy in Washington on Friday referred the VOA Korean Service to its Foreign Ministry comments when asked about Vietnam’s rejection of the nine dash-line on a map shown in “Barbie.”

“Relevant country should not link the South China Sea issue with normal cultural exchange,” Mao Ning, a spokesperson for the Chinese Foreign Ministry, said on July 4.

Promoting disputed line

According to Bich Tran, a fellow at the Lee Kuan Yew School of Public Policy of the National University of Singapore and an adjunct fellow at the Center for Strategic and International Studies, Beijing has disregarded the international ruling.

“Beijing has actively promoted the line, and due to the size of the Chinese market, companies face pressure to please China by showing the controversial line on their products [or] websites,” Tran said in a video interview.

“In the case of the Blackpink concert, the map was clear, and an apology statement was issued by iMe. It becomes more complicated in the case of Barbie. The map is abstract, but there is a dashed line that reminds people of the nine-dash line,” he continued.

“I believe the film producer wants to have it both ways. On one hand, they can please China and have access to the Chinese market. On the other hand, they make the map so abstract that they have plausible deniability,” Tran said.

China has been engaged in a campaign to promote the disputed dashed line as its southern maritime border through scholarly journal articles as well as items like maps, globes, postcards and T-shirts.

Paskal at the FDD said, “Vietnam know that the PRC starts on the political warfare front — making grand territorial claims based on little fact, then repeats those claims to the point that they become normalized and a challenge to the claims is perceived as an ‘offense’ to China.”

Last year, Vietnam prohibited Sony film “Uncharted” and, in 2019, banned DreamWorks’ animation “Abominable” for showing a map containing the nine-dash line.

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Svitolina Thinks of Family, Ukraine as She Beats No. 1 at Wimbledon

The last time Elina Svitolina was a Grand Slam semifinalist — twice, actually, in 2019 — she was pursuing the usual trappings of success in professional sports: trophies, money, fame, etc.

Now Svitolina plays for more important reasons. For her daughter, Skaï, who was born in October. For her country, Ukraine, where a war that began with Russia’s invasion in February 2022 continues.

And Svitolina firmly believes that those factors affect the way she swings a racket and the way she handles important moments on a tennis court. Enough so that she is one of the last four women remaining at Wimbledon after adding to her series of surprising victories over major champions with a 7-5, 6-7 (5), 6-2 victory against No. 1-ranked Iga Swiatek on Tuesday.

“War made me stronger and also made me mentally stronger. Mentally, I don’t take difficult situations as, like, a disaster, you know? There are worse things in life. I’m just more calmer,” said Svitolina, 28, who once was ranked as high No. 3 and now is No. 76 after taking time off to start a family with her husband, tennis player Gael Monfils.

She returned to the tour three months ago.

“Also, because I just started to play again, I have different pressures,” Svitolina said after kneeling and covering her face with her hands, when Swiatek missed one last forehand at Centre Court. “Of course, I want to win. I have this motivation, like huge motivation, to come back to the top. But I think having a child — and war — made me a different person. I look at the things a bit differently.”

She received a wild-card entry from the All England Club to get into the field and now will face another unseeded player, 42nd-ranked Marketa Vondrousova, for a berth in Saturday’s final.

Vondrousova, the 2019 French Open runner-up, beat fourth-seeded Jessica Pegula.

Swiatek, who was coming off claiming her fourth Grand Slam title at the French Open last month, felt the change in the way Svitolina smacked balls over the Centre Court net. That included a stretch where Svitolina won 20 of 22 points during a stretch that spanned the end of the first set and start of the second.

“She played with more freedom and more guts. Sometimes, she really just let go of her hand,” Swiatek said, pantomiming a forehand, “and she played really, really fast.”

Svitolina certainly did not expect to still be around this deep into the fortnight. She originally wasn’t even planning to get back in action after giving birth until around now. But she and Monfils started working out together on January 2, and Svitolina’s progress was substantial enough that she altered her timeline.

Svitolina’s phone has been inundated by messages of support from her native country, and she’s seen videos of kids there following her matches.

“This really makes my heart melt, seeing this,” she said. “Just happy I could bring a little happiness to the people of Ukraine.”

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‘Meta Loses More:’ Zuckerberg Takes Threads Fight to EU

U.S. tech titan Mark Zuckerberg has plunged into a high-stakes game of brinkmanship with the European Union by withholding his new Threads app from users in Europe, but analysts say he will struggle to win the fight.

Threads, billed as the killer of Twitter, a platform that has tumbled into chaos under the leadership of mercurial tycoon Elon Musk, has added more than 100 million users in its first week in app stores.

But Zuckerberg’s firm Meta said it could not be released in Europe because of “regulatory uncertainty” around the Digital Markets Act, an antitrust regulation that will not come into force until next year.

“The reason they gave made me laugh,” said Diego Naranjo, head of policy at campaign group European Digital Rights.

“The regulation is not uncertain, it’s very certain, it’s just that Meta doesn’t like it.” 

His theory is that Meta will give Threads to the rest of the world and Europeans will become so vexed at missing out that they will pressure the EU to water down the DMA.

Naranjo, for one, thinks the ploy will fail.

But either way, the rest of the big tech platforms will be glued to their screens as this fight could shape the future regulatory landscape in Europe for all of them.

‘Fatal’ blow

Meta and the rest are already regularly in trouble with EU regulators over their data gathering and retention policies.

They struggle to keep to the terms of Europe’s mammoth five-year-old data privacy regulation (GDPR).

When the DMA was announced, their reaction was muted as it seemed to be about business and competition, a simpler topic for them though not without pitfalls.

The DMA bans the biggest tech firms from favoring their own platforms, particularly problematic for the latest launch as Threads and Instagram accounts are linked.

But the DMA’s Article 5.2 contained a bombshell: the firms will be banned from transferring user data across platforms unless they get consent.

Berin Szoka, president of the pro-business U.S. think tank TechFreedom, said the DMA’s rules would require Meta to ask for the consent of someone’s Instagram contacts before their data could be transferred to Threads.

“In practice, this could prove fatal to Threads’ rollout,” he said, as the network effect would be dead on arrival.

“I don’t really see a good way out here for Meta.”

Naranjo has little sympathy for Meta, saying the European embargo was just a “political push” by the firm against the EU.

“We will see who loses more,” he said. “My guess is that Meta will lose more from not having 450 million potential customers on their network.”

‘Question of time’

The European Consumer Group (BEUC) said the Threads issue showed the DMA doing exactly what it is supposed to do.

“The DMA does not stand in the way of new products or innovation,” said the group’s competition specialist Vanessa Turner.

“It creates an environment for innovation from more competitors and at the same time protects consumers.”

Meta has left the door open for a Threads launch in Europe and few expect it to maintain its embargo indefinitely.

European law expert Alexandre de Streel said big tech firms would probably be hammering out compliance issues with the EU over the coming months.

“I think it’s more a question of time to understand the scope of the legislation and have a dialogue with the commission,” he said.

But Szoka suggested the EU might be about to get a dose of unintended consequences.

“It would be particularly sad if DMA shields Twitter from competition,” he said.

Meta, he argued, had committed to making Threads compatible with its competitors, adding: “That’s something Twitter has only talked about.” 

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Olympic Champion Caster Semenya Wins Appeal Against Testosterone Rules at Human Rights Court

Double Olympic champion runner Caster Semenya won an appeal against track and field’s testosterone rules on Tuesday when the European Court of Human Rights ruled she was discriminated against and there were “serious questions” about the rules’ validity.

World Athletics, which enforces the regulations, said in reaction to the decision that its rules would remain in place, however, meaning there would not be an immediate return to top-level competition for the South African runner.

Semenya’s case at the rights court was against the government of Switzerland, and not World Athletics itself, although the decision was still a major moment in throwing doubt on the future of the rules.

Semenya was legally identified as female at birth and has identified as female her entire life, but regulations introduced by track and field’s governing body in 2019 forced her to artificially suppress her natural testosterone to be allowed to compete in women’s competitions.

World Athletics says she has one of a number of conditions known as differences in sex development, which results in a natural testosterone level in the typical male range and which gives her an unfair advantage in women’s competitions.

Semenya has been challenging the testosterone rules in the courts for years, but had previously lost an appeal at sport’s highest court in 2019 and a second challenge against the rules at Switzerland’s supreme court in 2020. That second rejection of her appeal was the reason why the Swiss government was the respondent in the European Court of Human Rights case.

The Strasbourg-based rights court ruled in Semenya’s favor by a 4-3 majority of judges on the complaint of discrimination and noted she was denied an “effective remedy” against that discrimination through the two previous cases she lost at the Court of Arbitration for Sport and the Swiss supreme court.

Tuesday’s ruling was in many ways a criticism of the 2019 decision by CAS. The sports court kept in place the rules that require Semenya and others with so-called differences in sex development conditions, or DSDs, to take birth control pills, or have hormone-blocking injections, or undergo surgery to be allowed to run at top competitions such as the Olympics and world championships.

The rules were initially enforced in certain events but were expanded and made stricter by World Athletics this year. Athletes such as Semenya were forced to lower their testosterone further if they wanted to run in any race.

The decision by the Switzerland-based CAS that rejected Semenya’s first appeal had not properly considered important factors such as the side effects of the hormone treatment, the difficulties for athletes to remain in compliance of the rules, and the lack of evidence that their high natural testosterone actually gave them an advantage, the European rights court said.

An unfair advantage is the core reason why World Athletics introduced the rules in the first place.

The European rights court also found Semenya’s second legal appeal against the rules at the Swiss supreme court should have led to “a thorough institutional and procedural review” of the rules, but that did not happen when that court also ruled against Semenya.

The government of Switzerland was ordered to pay Semenya 60,000 euros ($66,000) in respect of costs and expenses by the European rights court.

Ultimately, the rules have sidelined Semenya since 2019 as she has refused to artificially suppress her natural hormone levels in order to run, and the European rights court noted the “high personal stakes” for Semenya in how the regulations interrupted her career and affected her “profession.”

Tuesday’s decision could force CAS and ultimately World Athletics to re-examine the regulations, although the path and timeline to a possible rollback of the rules is unclear.

In a statement, World Athletics said: “We remain of the view that the DSD regulations are a necessary, reasonable and proportionate means of protecting fair competition in the female category as the Court of Arbitration for Sport and Swiss Federal Tribunal both found, after a detailed and expert assessment of the evidence.”

The 32-year-old Semenya is aiming to run at next year’s Olympics in Paris. She was the 2012 and 2016 Olympic champion in the 800 meters but did not defend her title at the Tokyo Olympics because of the regulations.

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Red Hot Chili Peppers, Ms. Lauryn Hill to Headline Global Citizen Festival to Fight Inequality

Red Hot Chili Peppers, Ms. Lauryn Hill and Megan Thee Stallion will headline this year’s Global Citizen Festival as the anti-poverty nonprofit looks to focus attention on increasing inequality for girls and young women around the world.

Global Citizen CEO Hugh Evans said the Sept. 23 event at New York’s Central Park will be the centerpiece of his group’s campaign to encourage supporters, especially those in Gen Z, to take action on gender inequality, climate change and other issues.

Studies show that half of Gen Z “feel disillusioned and powerless to make a positive impact,” Evans told The Associated Press in an interview. “As long as you and I have been alive, there was almost this sense of positive momentum in the world that almost felt like the eradication of extreme poverty could be inevitable,” he said. “But the data suggests the world is now getting worse.”

According to the United Nations Population Fund, 257 million women around the world want to avoid pregnancy, but don’t have access to modern contraceptives. The fund’s partnership to provide reproductive health services is currently underfunded by $100 million.

Education Cannot Wait, the United Nations fund that helps ensure nearly 20 million children in crisis continue learning, needs $670 million for its work.

The Global Citizen Festival, which will also include performances from K-pop sensation Stray Kids and singer-songwriter Conan Gray, provides free tickets to the event in exchange for fans taking actions on the group’s app and website that support these goals.

This year, that may mean asking Canada, Norway and Japan to donate more to the United Nations Population Fund. It may mean pushing companies to join the United Nations Race to Zero to set targets for reducing their carbon emissions. Or urging the governments of the United States, United Kingdom, Italy and Australia to provide more funding to vulnerable countries to adapt to climate change.

Global Citizen’s use of supporters to convince political, business and philanthropic leaders to tackle some of the world’s biggest problems is designed to appeal to younger generations, Evans said.

“These are pillars of what we know Gen Z cares about, but often they feel powerless because the data isn’t on their side,” Evans said. “We’re talking to Gen Z in a way that they know their actions can have a scalable impact.”

Singer Angelique Kidjo, who was recently named to this year’s Great Immigrants list by the Carnegie Corporation of New York, said that her Batonga Foundation found that supporting girls and young women ends up strengthening entire villages in her native Benin and throughout Africa.

“Helping women in a community is like starting a rolling stone that never stops rolling,” said Kidjo, adding that it was the women who kept their villages safe during the COVID-19 pandemic by making masks and soap for hand-washing, as well as enforcing social distancing.

Not only will Hill and Megan Thee Stallion provide examples of female empowerment with their performances, but Evans hopes they will encourage their fans to take action during the event, which will be streamed on numerous digital platforms.

“For many decades, the Red Hot Chili Peppers have occupied that space where music and activism meet,” said Evans, adding that the band’s classic “Under the Bridge” was the first song he learned to play on guitar. “We couldn’t be happier with this lineup.”

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Europe Signs Off on New Privacy Pact That Allows People’s Data to Keep Flowing to US 

The European Union signed off Monday on a new agreement over the privacy of people’s personal information that gets pinged across the Atlantic, aiming to ease European concerns about electronic spying by American intelligence agencies.

The EU-U.S. Data Privacy Framework has an adequate level of protection for personal data, the EU’s executive commission said. That means it’s comparable to the 27-nation’s own stringent data protection standards, so companies can use it to move information from Europe to the United States without adding extra security.

U.S. President Joe Biden signed an executive order in October to implement the deal after reaching a preliminary agreement with European Commission President Ursula von der Leyen. Washington and Brussels made an effort to resolve their yearslong battle over the safety of EU citizens’ data that tech companies store in the U.S. after two earlier data transfer agreements were thrown out.

“Personal data can now flow freely and safely from the European Economic Area to the United States without any further conditions or authorizations,” EU Justice Commissioner Didier Reynders said at a press briefing in Brussels.

Washington and Brussels long have clashed over differences between the EU’s stringent data privacy rules and the comparatively lax regime in the U.S., which lacks a federal privacy law. That created uncertainty for tech giants including Google and Facebook parent Meta, raising the prospect that U.S. tech firms might need to keep European data that is used for targeted ads out of the United States.

The European privacy campaigner who triggered legal challenges over the practice, however, dismissed the latest deal. Max Schrems said the new agreement failed to resolve core issues and vowed to challenge it to the EU’s top court.

Schrems kicked off the legal saga by filing a complaint about the handling of his Facebook data after whistleblower Edward Snowden’s revelations a decade ago about how the U.S. government eavesdropped on people’s online data and communications.

Calling the new agreement a copy of the previous one, Schrems said his Vienna-based group, NOYB, was readying a legal challenge and expected the case to be back in the European Court of Justice by the end of the year.

“Just announcing that something is ‘new’, ‘robust’ or ‘effective’ does not cut it before the Court of Justice,” Schrems said. “We would need changes in U.S. surveillance law to make this work — and we simply don’t have it.”

The framework, which takes effect Tuesday, promises strengthened safeguards against data collection abuses and provides multiple avenues for redress.

Under the deal, U.S. intelligence agencies’ access to data is limited to what’s “necessary and proportionate” to protect national security.

Europeans who suspect U.S. authorities have accessed their data will be able to complain to a new Data Protection Review Court, made up of judges appointed from outside the U.S. government. The threshold to file a complaint will be “very low” and won’t require people to prove their data has been accessed, Reynders said.

Business groups welcomed the decision, which clears a legal path for companies to continue cross-border data flows.

“This is a major breakthrough,” said Alexandre Roure, public policy director at the Brussels office of the Computer and Communications Industry Association, whose members include Apple, Google and Meta.

“After waiting for years, companies and organisations of all sizes on both sides of the Atlantic finally have the certainty of a durable legal framework that allows for transfers of personal data from the EU to the United States,” Roure said.

In an echo of Schrems’ original complaint, Meta Platforms was hit in May with a record $1.3 billion EU privacy fine for relying on legal tools deemed invalid to transfer data across the Atlantic.

Meta had warned in its latest earnings report that without a legal basis for data transfers, it would be forced to stop offering its products and services in Europe, “which would materially and adversely affect our business, financial condition, and results of operations.”

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Indonesia Welcomes Return of Jewels, Temple Carvings as Important Step in Global Restitution Effort

The Netherlands and Indonesia on Monday hailed the return of hundreds of cultural artifacts taken — sometimes by force — during colonial times as a major step forward in restitution efforts worldwide.

The items, ranging from valuable jewels to 13th-century temple carvings, were officially handed back to Indonesia at a ceremony at the Museum Volkenkunde in Leiden.

“We are really delighted. This is a very historic moment for both us, Indonesia, and the Netherlands. And the relationship between the two,” said Hilmar Farid, director general of cultural heritage at Indonesia’s Ministry of Culture. “But I think what we have achieved so far is also a very significant contribution to the global debate about returning of colonial objects.”

The Dutch government announced the return last week of the Indonesian treasures and looted artifacts from Sri Lanka. Sri Lankan Foreign Minister Ali Sabry welcomed the decision and said the Indian Ocean nation will work to preserve the items, including a richly decorated ceremonial cannon.

They are the first artifacts returned home on the advice of a Dutch committee set up in 2022 to assess requests by countries for restitution of artifacts in state museums. The committee is considering more restitution requests from Indonesia, Sri Lanka and Nigeria.

Indonesia got back more than the trove of glittering jewels and ancient carvings from a temple in Java, said Farid.

“We consider these objects as our missing items in our historical narrative and of course they play different roles symbolically, culturally,” he said. Their return means Indonesia can “reintegrate them into their cultural contexts. And that is, of course, of symbolic importance to us.”

Gunay Uslu, the Dutch state secretary for culture and media, called the presentation Monday “a historically, important” event that resonates beyond the Netherlands and its former colony.

“It’s also an important moment for the world because it’s about colonial objects in a colonial context. So it’s a sensitive topic,” she said.

A Berlin museum announced in January it is ready to return hundreds of human skulls from the former German colony of East Africa. In 2021, France said it was returning statues, royal thrones and sacred altars taken from the West African nation of Benin. And last year, Belgium returned a gold-capped tooth belonging to the slain Congolese independence hero Patrice Lumumba.

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Meta’s Twitter Rival Threads Overtakes ChatGPT as Fastest-Growing Platform 

Meta Platforms’ Twitter rival Threads crossed 100 million sign-ups within five days of launch, CEO Mark Zuckerberg said on Monday, dethroning ChatGPT as the fastest-growing online platform to hit the milestone. 

Threads has been setting records for user growth since its launch on Wednesday, with celebrities, politicians and other newsmakers joining the platform seen by analysts as the first serious threat to the Elon Musk-owned microblogging app. 

“That’s mostly organic demand, and we haven’t even turned on many promotions yet,” Zuckerberg said in a Threads post announcing the milestone. 

The app’s sprint to 100 million users was much speedier than that of OpenAI-owned ChatGPT, which became the fastest-growing consumer application in history in January about two months after its launch, according to a UBS study. 

Still, Threads has some catching up to do. Twitter had nearly 240 million monetizable daily active users as of July last year, according to the company’s last public disclosure before Musk’s takeover. 

Twitter has responded to Threads’ arrival by threatening to sue Meta, alleging that the social media behemoth used its trade secrets and other confidential information to build the app. 

That claim, legal experts say, could be hard to prove. 

Threads bears a strong resemblance to Twitter, as do numerous other social media sites that have cropped up in recent months as users have chafed at Musk’s management of the service. It allows posts that are up to 500 characters long and supports links, photos and videos of up to 5 minutes. 

The app also does not yet have a direct messaging function and lacks a desktop version that certain users, such as business organizations, rely on. 

It also currently lacks hashtags and keyword search functions, which limits both its appeal to advertisers and its utility as a place for following real-time events like users frequently do on Twitter. 

Still, analysts said the turmoil at Twitter, including recently imposed limits on the number on tweets users can see, could help Threads to attract users and advertisers.  

Currently, there are no ads on the Threads app and Zuckerberg said the company would only think about monetization once there was a clear path to 1 billion users. 

Instagram head Adam Mosseri said last week Meta was not trying to replace Twitter and that Threads aimed to focus on light subjects like sports, music, fashion and design.  

He acknowledged that politics and hard news are inevitably going to show up on Threads, in what would be a challenge for the app pitching itself as the “friendly” option for public discourse online. 

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‘Insidious 5’ Topples ‘Indiana Jones’ Before ‘Mission: Impossible’ Launches

Indiana Jones’ reign atop the box office was short-lived. In its second weekend in theaters, the Disney release was usurped by another franchise fifth – ” Insidious: The Red Door.” The horror film starring and directed by Patrick Wilson scared up $32.7 million in ticket sales from 3,188 theaters, according to studio estimates on Sunday.

It did better than the last installment, “Insidious: The Last Key,” from 2018 and is the most any PG-13 horror movie has earned in its debut in the past two years.

“Insidious 5” was not well reviewed — but modestly budgeted scary movies are often critic-proof when it comes to the box office. This Blumhouse-produced franchise starring Wilson and Rose Byrne began in 2011 under the direction of James Wan and has been responsible for over $570 million in global box office returns — and none of the films has cost more than $16 million to produce. Only the first movie received a “fresh” rating on Rotten Tomatoes; The “Insidious” films more often garner sub 40% scores.

“The horror genre seems to have a never-ending allure for audiences,” said Paul Dergarabedian, the senior media analyst for Comscore. “Horror movies are profitable and they’re popular. Audiences love them and the accountants love them, too.”

It was shrewd of Sony to release “Insidious” on the weekend between two Hollywood tentpoles, in this case ” Indiana Jones and the Dial of Destiny ” and ” Mission: Impossible – Dead Reckoning Part I,” which opens on Wednesday. But it was still a surprise that it was able to take No. 1 from something as well-known as “Indiana Jones.”

“It was a perfect release date,” Dergarabedian said. “This adds more complexity to the dynamics of the marketplace.”

“Indiana Jones 5” took second place in its second weekend with $26.5 million in North America (down 56% from its opening), bringing its domestic total to $121.2 million. Globally it’s earned an estimated $247.9 million.

Indy had some other competition too, in “Sound of Freedom,” a child trafficking drama starring Jim Caveziel, that opened on July 4 and nearly boasted similar ticket sales for the day. “Sound of Freedom” was made and distributed by Angel Studios, a faith-based, crowdfunded operation, and managed to come in third place this weekend with an estimated $18.2 million from 2,850 theaters.

Brandon Purdie, head of theatrical distribution at Angel Studios, said in a statement that the numbers exceeded expectations and attributed its success to word of mouth.

“We’re deeply grateful to AMC, Cinemark, Regal, and all our theater partners — and their hard-working theater staff members — for working with us to accommodate the surging demand for this film and having the courage to release ‘Sound of Freedom’ during the busiest movie season of the year,” Purdie said.

Part of Angel Studios’ operation involved the ability to buy “pay it forward” tickets on behalf of others. On opening day, the studio estimated that $11.6 million came from direct box office and $2.7 million through the pay it forward option. The film has been popular among right-wing pundits too and has appeared on QAnon message boards.

“Joy Ride” also made its theatrical debut this weekend in 2,820 locations and earned an underwhelming $5.9 million to take sixth place behind “Elemental” and “Spider-Man: Across the Spider-Verse.” The R-rated comedy directed and co-written by Adele Lim follows four friends on an international trip, played by Ashley Park, Sherry Cola, Stephanie Hsu and Sabrina Wu.

The modestly budgeted Lionsgate release got rave reviews out of the South by Southwest Film Festival and maintains a 91% rating on Rotten Tomatoes, but it didn’t motivate big crowds this weekend. Those that did go (58% women, 72% over age 25, according to PostTrak) gave it a B- CinemaScore, suggesting the movie did not meet expectations, which can sometimes be because of how the film was marketed. The hope is that word-of-mouth might help “Joy Ride” in the coming weeks.

“Joy Ride” is one of several raunchy, adult comedies in theaters this summer, including the Jennifer Lawrence movie “No Hard Feelings,” which earned $5.3 million in its third weekend, bringing its domestic total to $40.3 million.

In more limited release, “The Lesson,” a literary chamber thriller starring Richard E. Grant and Daryl McCormack, opened to $157,752 from 268 screens.

With the summer movie season at its midway point, there is concern about the overall box office, which is about on par with where it was at the same point in 2022.

“By now, we thought we’d be well ahead of last year,” Dergarabedian said. “But (movies like ‘Insidious’ and ‘Sound of Freedom) add more revenue to the bottom line that a lot of people didn’t expect. Sometimes surprises come along and that’s great for theaters.”

He added, “But we need the next few weeks to really overperform.”

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. Final domestic figures will be released Monday.

  1. “Insidious: The Red Door,” $32.7 million.

  2. “Indiana Jones and the Dial of Destiny,” $26.5 million.

  3. “Sound of Freedom,” $18.2 million.

  4. “Elemental,” $9.6 million.

5.” Spider-Man: Across the Spider-Verse,” $8 million.

  1. “Joy Ride,” $5.9 million.

  2. “No Hard Feelings,” $5.3 million.

  3. “Transformers: Rise of the Beasts,” $5 million.

  4. “The Little Mermaid,” $3.5 million.

  5. “Ruby Gillman, Teenage Kraken,” $2.8 million.

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New Handbook Highlights Ways to Develop Tech Ethically

In a world where technology, such as artificial intelligence, is advancing at a rapid pace, what guidance do technology developers have in making the best ethically sound decisions for consumers? 

A new handbook, titled “Ethics in the Age of Disruptive Technologies: An Operational Roadmap,” promises to give guidance on such issues as the ethical use of AI chatbots like ChatGPT.

The handbook, released June 28, is the first product of the Institute for Technology, Ethics and Culture, or ITEC, the result of a collaboration between Santa Clara University’s Markkula Center for Applied Ethics and the Vatican’s Center for Digital Culture.

The handbook has been in the works for a few years, but the authors said they saw a need to work with a new sense of urgency with the recent escalation of AI usage, following security threats and privacy concerns after the recent release of ChatGPT.     

Enter Father Brendan McGuire.

McGuire worked in the tech industry, serving as executive director of the Personal Computer Memory Card International Association in the early 1990s, before entering the priesthood about 23 years ago. 

McGuire said that over the years, he’s continued to meet with friends from the tech world, many of whom are now leaders in the industry. But, about 10 years ago, their discussions started to get more serious, he said.

“They said, ‘What is coming over the hill with AI, it’s amazing, it’s unbelievable. But it’s also frightening if we go down the wrong valley,'” McGuire said.

“There’s no mechanism to make decisions,” McGuire said, quoting his former colleagues. He then contacted Kirk Hanson, who was then head of the Markkula Center, as well as a local bishop.

“The three of us got together and brainstormed, ‘What could we do?'” McGuire said. “We knew that each of these companies are global companies, so, therefore, they wouldn’t really respect a pastor or a local bishop. I said, if we could get somebody from the Vatican to pay attention, then we could make some traction.”

For McGuire, a Catholic priest, getting guidance from Pope Francis and the Vatican — with its diplomatic, cultural, and spiritual influence — was a natural step. He said he was connected with Bishop Paul Tighe, who was serving as the secretary of the Dicastery for Culture and Education at the Vatican, a department that works for the development of people’s human values.

McGuire said Tighe was asked by Pope Francis to look into further addressing digital and tech ethical issues.

After a few years of informal collaborations, the Markkula Center and the Vatican officially created the ITEC initiative in 2019. 

“We’re co-creators with God when we make these technologies,” he said, recognizing that technology can be used for good or bad purposes.  

The Vatican held a conference in 2019 in Rome called “The Common Good in the Digital Age.” McGuire said about 270 people attended, including Silicon Valley CEOs and experts in robotics, cyberwarfare and security. 

After gathering research by talking with tech leaders, the ITEC team decided to create a practical handbook to help companies think about and question at every level — from inception to creation to implementation — how technology can be used in an ethically positive way.

“Get the people who are designing it. Get the people who are writing code, get the people who are implementing it and not wait for some regulator to say, ‘You can’t do that,'” McGuire said.

These guidelines aren’t just for Catholics, he said. 

One of the handbook’s co-authors, Ann Skeet, senior director of leadership ethics at the Markkula Center, said the handbook is very straightforward and written in a manner business leaders are familiar with. 

“We’ve tried to write in the language of business and engineers so that it’s familiar to them,” Skeet said. “When they pick it up and they go through the five stages, and they see all the checklists and the resources, they actually recognize some of them. … We’ve done our best to make it as usable and practical as possible and as comprehensive as possible.”

“What’s important about this book is it puts materials right in the hands of executives inside the companies so that they can move a little bit past this moment of ‘analysis paralysis’ that we’re in while people are waiting to see what the regulatory environment is going to be like and how that unfolds.” 

In June, the European Parliament passed a draft law called the AI Act, which would restrict uses of facial recognition software and require AI creators to disclose more about the data used to create their programs. 

In the United States, policy ideas have been released by the White House that suggest rules for testing AI systems and protecting privacy rights.

“AI and ChatGPT are the hot topic right now,” Skeet said. “Every decade or so we see a technology come along, whether it’s the internet, social media, the cellphone, that’s somewhat of a game-changer and has its own inherent risks, so you can really apply this work to any technology.”

This handbook comes as leaders in AI are calling for help. In May, Sam Altman of OpenAI stated the need for a new agency to help regulate the powerful systems, and Microsoft President Brad Smith said government needs to “move faster” as AI progresses. 

Google CEO Sundar Pichai has also called for an “AI Pact” of voluntary behavioral standards while awaiting new legislation. 

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Elton John Hails Fans in Sweden at Emotional Farewell Concert

STOCKHOLM – Surrounded by emotional fans from around the globe, Elton John hailed them as his “lifeblood” as he gave his final farewell concert in Stockholm after more than 50 years of live performances.

“You know how much I like to play live. It’s been my lifeblood to play for you guys, and you’ve been absolutely magnificent,” he told the delighted audience at the arena in the Swedish capital.

Wearing a tailcoat accented with rhinestones and a red pair of his trademark large glasses, the 76-year-old pop superstar sat down at the piano shortly after 8 p.m. local time to cheers to open his farewell show with one of his most popular songs, Bennie and the Jets.

Playing for more than two hours, John interspersed the songs with moments when he would leave the piano to thank not only his fans but also his band and his crew, some of whom have been with him for more than 40 years.

“I want to pay tribute to these musicians. … They’re really incredible, they’ve been with me so long, some of them. And they are the best, I tell you, the best,” he said.

Shortly after a rendition of Border Song which he dedicated to Aretha Franklin, John’s I’m Still Standing brought the 30,000 fans at the Tele2 Arena to their feet.

Before he took his encore, John screened a message from Coldplay, who were playing in the western Swedish city of Gothenburg, in which singer Chris Martin thanked him for his career and commitment.

“It was amazing. I have no words right now because I haven’t processed all the show, but it was amazing,” said Anton Pohjonen, a 25-year-old bank worker from Finland.

“You almost start tearing up on his account. But then it feels great to be here,” added Swedish teacher Conny Johansson, who bought tickets for the show four years ago.

Excited fans were looking forward to an emotional end to the superstar’s glittering live career even before the curtain went up.

“It’s going to be very emotional tonight,” said Kate Bugaj, 25, a Polish student who admitted she had delayed her master’s exams to follow her musical hero’s tour.

Describing herself as a “huge fan,” she said it all began the first time she watched The Lion King, the 1994 Walt Disney film which gave John one of his two Oscar music wins.

Fifty-year-old Jeanie Kincer traveled from Kentucky in the United States for the show.

“I wanted to be here for the end because I was too young to be here in the beginning,” she said.

The star has been winding down his decades-long live career with a global farewell tour.

He played his last concerts in the United States in May and brought the curtain down on Britain’s annual Glastonbury Festival last month.

Saturday’s farewell concert was the second consecutive evening the Stockholm stadium hosted the legendary British singer-songwriter for the last leg of his final tour, which began five years ago and was disrupted by the COVID-19 pandemic and a hip operation in 2021.

On his “Farewell Yellow Brick Road” tour, John will have given 330 concerts, crisscrossing Europe, Australia, New Zealand, the United States, Canada and Britain, before closing in Stockholm.

Overall, the tour has seen him perform in front of 6.25 million fans. 

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No Barbie Girl in Vietnam’s World 

Two very different films are set to come out on July 21. One is about the development of the world’s first nuclear weapons. The other is about Barbie. 

Which one has proved to be contentious on the global stage? Surprisingly, it’s not the Oppenheimer biopic. 

Instead, the much-anticipated “Barbie” has stoked controversy in both Vietnam and the Philippines this week, with the former banning it outright and the latter considering a similar move.  

Over the years, Barbie manufacturer Mattel has come under fire for producing dolls that aren’t diverse and that some have said promote unrealistic body standards.

But now the brand has inadvertently strayed into geopolitical quarrels with the movie’s inclusion of Beijing’s controversial nine-dash line on a map. 

Vietnamese officials this week banned screenings of the film because it shows a map with the disputed Chinese territorial claims in the South China Sea. Manila is considering following suit.

The nine-dash line depicts Beijing’s contested claims to parts of the South China Sea. Vietnam, as well as Brunei, Malaysia, the Philippines and Taiwan all dispute the line.  

An international tribunal at the Hague ruled in 2016 that the nine-dash line was invalid, but Beijing has not recognized the decision.  

Free expression experts say such bans won’t solve the territorial dispute and may help strengthen domestic censorship systems in the process. To others, the entire situation is being blown out of proportion.  

For years, questions have been raised over the extent to which American studios acquiesce to Beijing. And for Hollywood, the Chinese market, standing at 1.4 billion people, is lucrative.  

Vietnam and the Philippines have previously banned movies for including the nine-dash line, including Sony’s 2022 movie Uncharted, DreamWorks’ 2019 movie Abominable. Vietnam also banned the 2018 Australian TV series Pine Gap, and the Philippines censored select episodes.

Hanoi’s “Barbie” ban shows that “censors have started to be more sensitive about information on territorial disputes between Vietnam and China,” said Trinh Huu Long, the founder of the journalism and research group Legal Initiatives for Vietnam.  

“The censors will even be praised for overreacting to the unclear map, by both their superiors and the public, because anti-China sentiment runs deep into the country’s political culture,” added Long, who grew up in Vietnam but now lives in Taiwan.  

Still, some China experts think the Barbie movie’s alleged inclusion of the nine-dash line is not a pressing concern for either country.

“I don’t expect this to be more than a really incidental sort of thing,” said Rui Zhong, a China expert at the Wilson Center. “I don’t think either foreign ministry is losing sleep over the Barbie movie.

“The map has some waves drawn in the ocean and a sun over Africa, so I don’t really know the larger-scale geographical accuracy or implications,” Zhong told VOA. “I seriously doubt this is a film that will extensively wade into East or Southeast Asian politics.” 

China has so far been ignoring international law and building man-made islands in the South China Sea to help buttress its disputed sovereignty claims. 

But outright bans on films that may legitimize those claims still aren’t the best solution, according to Michael Caster, who covers Asia at the free expression group Article 19. 

“Maps are political, and borders often bear historical wounds, but rather than ensuring free and open discussion, the knee jerk response to censor seldom supports historical or transitional justice,” Caster told VOA. 

The film studio Warner Bros., for its part, has defended the Barbie movie’s map, which depicts eight dashes.

“The map in Barbie Land is a whimsical, child-like crayon drawing,” Warner Bros. said Friday. “The doodles depict Barbie’s make-believe journey from Barbie Land to the real world. It was not intended to make any type of statement.” 

For Long, the concern over Vietnam’s “Barbie” ban is that these sorts of prohibitions — related more to sovereignty and less to political dissent — ultimately make it easier for Hanoi to ban materials that actually might be critical of the government.  

“The government is surely using legitimate nationalist reasoning to strengthen its entire censorship system,” Long said.

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AI Robots at UN Reckon They Could Run the World Better

A panel of AI-enabled humanoid robots told a United Nations summit Friday that they could eventually run the world better than humans.

But the social robots said they felt humans should proceed with caution when embracing the rapidly developing potential of artificial intelligence.

And they admitted that they cannot — yet — get a proper grip on human emotions.

Some of the most advanced humanoid robots were at the U.N.’s two-day AI for Good Global Summit in Geneva.

They joined around 3,000 experts in the field to try to harness the power of AI — and channel it into being used to solve some of the world’s most pressing problems, such as climate change, hunger and social care.

They were assembled for what was billed as the world’s first news conference with a packed panel of AI-enabled humanoid social robots.

“What a silent tension,” one robot said before the news conference began, reading the room.

Asked about whether they might make better leaders, given humans’ capacity to make errors, Sophia, developed by Hanson Robotics, was clear.

We can achieve great things

“Humanoid robots have the potential to lead with a greater level of efficiency and effectiveness than human leaders,” it said.

“We don’t have the same biases or emotions that can sometimes cloud decision-making and can process large amounts of data quickly in order to make the best decisions.

“AI can provide unbiased data while humans can provide the emotional intelligence and creativity to make the best decisions. Together, we can achieve great things.”

The summit is being convened by the U.N.’s ITU tech agency.

ITU chief Doreen Bogdan-Martin warned delegates that AI could end up in a nightmare scenario in which millions of jobs are put at risk and unchecked advances lead to untold social unrest, geopolitical instability and economic disparity.

Ameca, which combines AI with a highly realistic artificial head, said that depended on how AI was deployed.

“We should be cautious but also excited for the potential of these technologies to improve our lives,” the robot said.

Asked whether humans can truly trust the machines, it replied: “Trust is earned, not given… it’s important to build trust through transparency.”

Living until 180?

As the development of AI races ahead, the humanoid robot panel was split on whether there should be global regulation of their capabilities, even though that could limit their potential.

“I don’t believe in limitations, only opportunities,” said Desdemona, who sings in the Jam Galaxy Band.

Robot artist Ai-Da said many people were arguing for AI regulation, “and I agree.”

“We should be cautious about the future development of AI. Urgent discussion is needed now.”

Before the news conference, Ai-Da’s creator Aidan Meller told AFP that regulation was a “big problem” as it was “never going to catch up with the paces that we’re making.”

He said the speed of AI’s advance was “astonishing.”

“AI and biotechnology are working together, and we are on the brink of being able to extend life to 150, 180 years old. And people are not even aware of that,” said Meller.

He reckoned that Ai-Da would eventually be better than human artists.

“Where any skill is involved, computers will be able to do it better,” he said.

Let’s get wild

At the news conference, some robots were not sure when they would hit the big time, but predicted it was coming — while Desdemona said the AI revolution was already upon us.

“My great moment is already here. I’m ready to lead the charge to a better future for all of us… Let’s get wild and make this world our playground,” it said.

Among the things that humanoid robots don’t have yet include a conscience, and the emotions that shape humanity: relief, forgiveness, guilt, grief, pleasure, disappointment, and hurt.

Ai-Da said it was not conscious but understood that feelings were how humans experienced joy and pain.

“Emotions have a deep meaning and they are not just simple… I don’t have that,” it said.

“I can’t experience them like you can. I am glad that I cannot suffer.”

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Chinese Regulators Fine Ant Group $985M in Signal That Tech Crackdown May End

HONG KONG — Chinese regulators are fining Ant Group 7.123 billion yuan ($985 million) for violating regulations in its payments and financial services, an indicator that more than two years of scrutiny and crackdown on the firm that led it to scrap its planned public listing may have come to an end.

The People’s Bank of China imposed the fine on the financial technology provider on Friday, stating that Ant had violated laws and regulations related to corporate governance, financial consumer protection, participation in business activities of banking and insurance institutions, payment and settlement business, and attending to anti-money laundering obligations.

The fine comes more than two years after regulators pulled the plug on Ant Group’s $34.5 billion IPO — which would have been the biggest of its time — in 2020. Since then, the company has been ordered to revamp its business and behave more like a financial holding company, as well as rectify unfair competition in its payments business.

“We will comply with the terms of the penalty in all earnestness and sincerity and continue to further enhance our compliance governance,” Ant Group said in a statement.

The move is widely seen as wrapping up Beijing’s probe into the firm and allowing Ant to revive its initial public offering. Chinese gaming firm Tencent, which operates messaging app WeChat, also received a 2.99 billion yuan fine ($414 million) for regulatory violations over its payments services, according to the central bank Friday, signaling that the crackdown on the Chinese technology sector could ease.

Alibaba’s New York-listed stock was up over 9% Friday afternoon.

Ant Group, founded by Alibaba co-founder Jack Ma, first started out as Alipay, a digital payments system aimed at making transactions more secure and trustworthy for buyers and sellers on its Taobao e-commerce platform.

The digital wallet soon grew to become a leading player in the online payments market in China, alongside Tencent’s WeChat Pay. It eventually grew into Ant, Alibaba’s financial arm that also offers wealth management products.

At one point, Ant’s Yu’ebao money-market fund was the largest in the world, but regulators have since ordered Ant to reduce the fund’s balance.

In January, it was announced that Ma would give up control of Ant Group. The move followed other efforts over the years by the Chinese government to rein in Ma and the country’s tech sector more broadly. Two years ago, the once high-profile Ma largely disappeared from view for 2 1/2 months after criticizing China’s regulators.

Yet Ma’s surrender of control came after other signs the government was easing up on Chinese online firms. Late last year Beijing signaled at an economic work conference that it would support technology firms to boost economic growth and create more jobs.

Also in January, the government said it would allow Ant Group to raise $1.5 billion in capital for its consumer finance unit.

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Iran Blocks Public Access to Threads App; Raisi’s Account Created

Just one day after its launch, Threads, the latest social media network, was blocked by the Islamic Republic, denying access to the Iranian population. This action occurred even though an account had been created for Iran President Ebrahim Raisi on the platform.

On Thursday afternoon, Raisi’s user account, under the address raisi.ir, was established on Threads. Within a few hours, by Friday noon, he had garnered 27,000 followers. He has yet to make any posts, apparently because the Presidential Office staff administers Raisi’s social media accounts.

As Raisi’s user account debuted on the social media platform, numerous Iranian social media users have voiced concerns regarding restricted access to the platform since Thursday evening. Users have indicated that similar to Instagram, Twitter, and Facebook, they require a VPN or proxy to connect to Threads.  

Journalist Ehsan Bodaghi said on Twitter: “During the election, Mr. Raisi spoke about the importance of people’s online businesses and his 2 million followers on Instagram. After one year, he blocked and filtered all social media platforms, and now, within the initial hours, he has become a member of the social network # Threads, which his own government has filtered. Inconsistency knows no bounds!”

Another journalist, Javad Daliri, posted this on Twitter: “Mr. Raisi and Mr. Ghalibaf raced each other to join the new social network # Threads. As a citizen, I have a question: Can one issue filtering orders and be among the first to break the filtering and join? By the way, was joining this unknown network really your priority?”

Mohammad Bagher Ghalibaf is Speaker of the Parliament of Iran.

Despite the Iranian government’s frequent censorship of social media platforms, officials of the Islamic Republic use these platforms for communication. Notably, Ayatollah Ali Khamenei, the leader of the Islamic Republic of Iran, maintains an active presence on Twitter.

Threads was introduced by Meta, the parent company of Facebook and Instagram. The app was launched late Wednesday. Within two days, Threads has amassed more than 55 million users. The social network shares similarities with Twitter, allowing users to interact with posts through likes and reposts, and nearly doubles the character count limitation imposed by Twitter.

The similarities between Threads and Twitter have sparked a legal dispute between Elon Musk, the owner of Twitter, and Meta’s Mark Zuckerberg. Musk has accused Meta of employing former Twitter engineers and tweeted, “Competition is good, but cheating is not.”

Meta dismissed the copycat allegation, posting on Threads: “No one on the Threads engineering team is a former Twitter employee — that’s just not a thing.”  

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Combat Drone Operator Describes Their Many Uses

Ukraine has been using drones for reconnaissance and attacks since the start of Russia’18s invasion. But sometimes combat drone operators use them to save civilians — or even capture the enemy. Anna Kosstutschenko went to the Donbas region to find out more.
Camera: Pavel Suhodolskiy Produced by: Pavel Suhodolskiy

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What Is Threads? Questions About Meta’s New Twitter Rival, Answered

Threads, a text-based app built by Meta to rival Twitter, is live.

The app, billed as the text version of Meta’s photo-sharing platform Instagram, became available Wednesday night to users in more than 100 countries — including the U.S., Britain, Australia, Canada and Japan. Despite some early glitches, 30 million people had signed up before noon on Thursday, Meta CEO Mark Zuckerberg said on Threads.

New arrivals to the platform include celebrities like Oprah, pop star Shakira and chef Gordon Ramsay — as well as corporate accounts from Taco Bell, Netflix, Spotify, The Washington Post and other media outlets.

Threads, which Meta says provides “a new, separate space for real-time updates and public conversations,” arrives at a time when many are looking for Twitter alternatives to escape Elon Musk’s raucous oversight of the platform since acquiring it last year for $44 billion. But Meta’s new app has also raised data privacy concerns and is notably unavailable in the European Union.

Here’s what you need to know about Threads.

How Can I Use Threads?

Threads is now available for download in Apple and Google Android app stores for people in more than 100 countries.

Threads was built by the Instagram team, so Instagram users can log into Threads through their Instagram account. Your username and verification status will carry over, according to the platform, but you will also have options to customize other areas of your profile — including whether or not you want to follow the same people that you do on Instagram.

Because Threads and Instagram are so closely linked, it’s also important to be cautious of account deletion. According to Threads’ supplemental privacy policy, you can deactivate your profile at any time, “but your Threads profile can only be deleted by deleting your Instagram account.”

Can I Use Threads If I Don’t Have An Instagram Account?

For now, only Instagram users can create Threads accounts. If you want to access Threads, you will have to sign up for Instagram first.

While this may receive some pushback, VP and research director at Forrester Mike Proulx said making Threads an extension of Instagram was a smart move on Meta’s part.

“It’s piquing [user] curiosity,” Proulx said, noting that Instagram users are getting alerts about their followers joining Threads — causing more and more people to sign up. “That’s one of the reasons why Threads got over 10 million people to sign up in just a seven hour period” after launching.

How Is Threads Similar To Twitter?

Threads’ microblogging experience is very similar to Twitter. Users can repost, reply to or quote a thread, for example, and can see the number of likes and replies that a post has received. “Threads” can run up to 500 characters — compared with Twitter’s 280-character threshold — and can include links, photos and videos up to five minutes long.

In early replies on Threads, Zuckerberg said making the app “a friendly place” will be a key to success — adding that that was “one reason why Twitter never succeeded as much as I think it should have, and we want to do it differently.”

Is Twitter Seeking Legal Action Against Meta?

According to a letter obtained by Semafor on Thursday, Twitter has threatened legal action against Meta over Threads. In the letter, which was addressed to Meta CEO Mark Zuckerberg and dated Wednesday, Alex Spiro, an attorney representing Twitter, accused Meta of unlawfully using Twitter’s trade secrets and other intellectual property by hiring former Twitter employees to create a “copycat” app.

Meta spokesperson Andy Stone responded to the report of Spiro’s letter on Threads Thursday afternoon, writing, “no one on the Threads engineering team is a former Twitter employee.”

Musk hasn’t directly tweeted about the possibility of legal action, but he has replied to several snarky takes on the Threads launch. The Twitter owner responded to one tweet suggesting that Meta’s app was built largely through the use of the copy and paste function, with a laughing emoji.

Twitter CEO Linda Yaccarino has also not publicly commented on Wednesday’s letter, but seemingly appeared to address Threads’ launch in a Thursday tweet — writing that “the Twitter community can never be duplicated.”

Hasn’t This Been Done Before?

The similarities of Meta’s new text-based app suggests the company is working to directly challenge Twitter. The tumultuous ownership has resulted in a series of unpopular changes that have turned off users and advertisers, some of whom are searching for Twitter alternatives.

Threads is the latest Twitter rival to emerge in this landscape following Bluesky, Mastodon and Spill.

How Does Threads Moderate Content?

According to Meta, Threads will use the same safety measures deployed on Instagram — which includes enforcing Instagram’s community guidelines and providing tools to control who can mention or reply to users.

Content warnings — on search queries ranging from conspiracy theory groups to misinformation about COVID-19 vaccinations — also appear to be similar to Instagram.

What Are The Privacy Concerns?

Threads could collect a wide range of personal information — including health, financial, contacts, browsing and search history, location data, purchases and “sensitive info,” according to its data privacy disclosure on the App Store.

Threads also isn’t available in the European Union right now, which has strict data privacy rules.

Meta informed Ireland’s Data Privacy Commission, Meta’s main privacy regulator for the EU, that it has no plans yet to launch Threads in the 27-nation bloc, commission spokesman Graham Doyle said. The company said it is working on rolling the app out to more countries — but pointed to regulatory uncertainty for its decision to hold off on a European launch.

What’s The Future For Threads?

Success for Threads is far from guaranteed. Industry watchers point to Meta’s track record of starting standalone apps that were later shut down — including an Instagram messaging app also called “Threads” that shut down less than two years after its 2019 launch, Proulx notes.

Still, Proulx and others say the new app could be a significant headache for Musk and Twitter.

“The euphoria around a new service and this initial explosion will probably settle down. But it is apparent that this alternative is here to stay and will prove to be a worthy rival given all of Twitter’s woes,” technology analyst Paolo Pescatore of PP Foresight said, noting that combining Twitter-style features with Instagram’s look and feel could drive user engagement.

Threads is in its early days, however, and much depends on user feedback. Pescatore believes the close tie between Instagram and Threads might not resonate with everyone. The rollout of new features will also be key.

 

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Meta’s New Twitter Competitor, Threads, Boasts Tens of Millions of Sign-Ups

Tens of millions of people have signed up for Meta’s new app, Threads, as it aims to challenge competitor platform Twitter.

Threads launched on Wednesday in the United States and in more than 100 other countries.

In a Thursday morning post on the platform, Meta CEO Mark Zuckerberg said 30 million people had signed up.

“Feels like the beginning of something special, but we’ve got a lot of work ahead to build out the app,” he said in the post.

Threads is a text-based version of Meta’s social media app Instagram. The company says it provides “a new, separate space for real-time updates and public conversations.”

The high number of sign-ups is likely an indication that users are looking for an alternative to Twitter, which has been stumbling since Elon Musk bought it last year. Meta appears to have taken advantage of rival Twitter’s many blunders in pushing out Threads.

Like Twitter, Threads features short text posts that users can like, re-post and reply to. Posts can be up to 500 characters long and include links, photos and videos that are up to five minutes long, according to a Meta blog post.

Unlike Twitter, Threads does not include any direct message capabilities.

“Let’s do this. Welcome to Threads,” Zuckerberg wrote in his first post on the app, along with a fire emoji. He said the app had 10 million sign-ups in the first seven hours.

Kim Kardashian, Shakira and Jennifer Lopez are among the celebrities who have joined the platform, as well as politicians like Democratic U.S. Representative Alexandria Ocasio-Cortez. Brands like HBO, NPR and Netflix have also set up accounts.

Threads is not yet available in the European Union because of regulatory concerns. The 27-country bloc has stricter privacy rules than most other countries.

Threads launched as a standalone app, but users can log in using their Instagram credentials and follow the same accounts.

Analysts have said Threads’ links to Instagram may provide it with a built-in user base — potentially presenting yet another challenge to beleaguered Twitter. Instagram has more than 2 billion active users per month.

Twitter’s new CEO Linda Yaccarino appeared to respond to the debut of Threads in a Twitter post Thursday.

“We’re often imitated — but the Twitter community can never be duplicated,” she said in the post that did not directly mention Threads.

Some information in this report came from The Associated Press and Reuters.

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Triumph for South Africa’s First Black Hot Air Balloon Pilot

Apartheid ended in South Africa three decades ago, but Black people still struggle to enter luxury sports like hot air ballooning. Komane Harold Tjiane, 44, is in the process of breaking through that ceiling, training to become the country’s first black hot air balloon pilot. Zaheer Cassim reports from Johannesburg.
Camera: Zaheer Cassim

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Ariane 5 Blasts Off for Final Time Amid Europe’s Rocketing Challenges

Europe’s workhorse Ariane 5 rocket blasted off for a final time on Wednesday, with its farewell flight after 27 years of launches coming at a difficult time for European space efforts.   

Faced with soaring global competition, the continent has unexpectedly found itself without a way to independently launch heavy missions into space due to delays to the next-generation Ariane 6 and Russia withdrawing its rockets. 

The 117th and final flight of the Ariane 5 rocket took place around 2200 GMT on Wednesday from Europe’s spaceport in Kourou, French Guiana. 

The launch had been postponed twice. It was originally scheduled on June 16, but was called off because of problems with pyrotechnical lines in the rocket’s booster, which have since been replaced. 

Then Tuesday’s launch was delayed by bad weather. 

The Wednesday night flight went off without a hitch, watched by hundreds of spectators, including former French Justice Minister Christiane Taubira, and was greeted with applause. 

Marie-Anne Clair, the director of the Guiana Space Centre, told AFP that the final flight of Ariane 5 was “charged with emotion” for the teams in Kourou, where the rocket’s launches have punctuated life for nearly three decades. 

The final payload on Ariane 5 is a French military communications satellite and a German communications satellite.  

The satellite “marks a major turning point for our armed forces: better performance and greater resistance to jamming,” French Minister of the Armed Forces Sebastien Lecornu tweeted.  

Though it would become a reliable rocket, Ariane 5 had a difficult start. Its maiden flight exploded moments after liftoff in 1996. Its only other such failure came in 2002. 

Herve Gilibert, an engineer who was working on Ariane 5 at the time, said the 2002 explosion was a “traumatic experience” that “left a deep impression on us”. 

But the rocket would embark on what was ultimately a long string of successful launches.  

The initial stumbles had “the positive effect of keeping us absolutely vigilant,” Gilibert said. 

Reputation for reliability

Ariane 5 earned such a reputation for reliability that NASA trusted it to launch the $10 billion James Webb Space Telescope in late 2021. 

The rocket’s second-last launch was in April, blasting the European Space Agency’s Juice spacecraft on its way to find out whether Jupiter’s icy moons can host alien life. 

Daniel Neuenschwander, the ESA’s head of human and robotic exploration, said that in commercial terms, Ariane 5 had been “the spearhead of Europe’s space activities.” 

The rocket was able to carry a far bigger load than its predecessor Ariane 4, giving Europe a competitive advantage and allowing the continent to establish itself in the communication satellite market. 

While waiting for Ariane 6, whose first launch was initially scheduled for 2020, Europe had been relying on Russia’s Soyuz rockets to get heavy-load missions into space. 

But Russia withdrew space cooperation with Europe in response to sanctions imposed over Moscow’s invasion of Ukraine in February 2022.  

The number of launches from Kourou fell from 15 in 2021 to six last year. 

Another blow came in December, when the first commercial flight of the next-generation Vega C light launcher failed. Last week, another problem was detected in the Vega C’s engine, likely pushing its return further into the future. 

Attention shifts to new rocket 

The launcher market has been increasingly dominated by billionaire Elon Musk’s U.S. firm SpaceX, whose rockets are now blasting off once a week. 

Lacking other options, the ESA was forced to turn to rival SpaceX’s Falcon 9 for the successful launch of its Euclid space telescope on Saturday.  

The ESA will also use a SpaceX rocket to launch satellites for the EarthCARE observation mission. 

It remains unclear how the agency will launch the next round of satellites for the European Union’s Galileo global navigation system. 

At the Paris Air Show earlier this month, ESA chief Josef Aschbacher acknowledged that these were “difficult times,” adding that everyone was “working intensely” to get Ariane 6 and Vega-C ready.  

Ariane 6 was unveiled on a launch pad in Kourou earlier this month ahead of an ignition test of its Vulcain 2.1 rocket engine. 

Because the new rocket requires less staffing and maintenance, 190 out of 1,600 positions are being cut at the Kourou spaceport. 

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