Silicon Valley Mostly Quiet in Internet Surveillance Debate in Congress

Facebook, Alphabet’s Google, Apple and other major technology firms are largely absent from a debate over the renewal of a broad U.S. internet surveillance law, weakening prospects for privacy reforms that would further protect customer data, according to sources familiar with the matter.

While tech companies often lobby Washington on privacy issues, the major firms have been hesitant to enter a fray over a controversial portion of the Foreign Intelligence Surveillance Act (FISA), industry lobbyists, congressional aides and civil liberties advocates said.

Among their concerns is that doing so could jeopardize a trans-Atlantic data transfer pact underpinning billions of dollars in trade in digital services, the sources said.

Technology companies and privacy groups have for years complained about the part of FISA known as Section 702 that allows the U.S. National Security Agency (NSA) to collect and analyze emails and other digital communications of foreigners living overseas. Though targeted at foreigners, the surveillance also collects data on an unknown number of Americans — some privacy advocates have suggested it could be millions — without a search warrant.

Section 702 expires at end of year

Section 702 will expire at the end of the year unless the Republican-controlled Congress votes to reauthorize it. The White House, U.S. intelligence agencies and many Republican senators want to renew the law, which they consider vital to national security, without changes and make it permanent.

A coalition of Democrats and libertarian-leaning conservatives prefer, however, to amend the law with more privacy safeguards.

Reform Government Surveillance, a coalition of tech firms established after the 2013 leaks by former NSA contractor Edward Snowden, said reforming the law remains a priority. A spokeswoman declined to comment further but referred to two letters sent earlier this year by technology companies urging Congress to consider changes to the law.

Snowden exposed the spy agency’s program that collected U.S. phone call metadata in bulk and also the extent of spying under Section 702, embarrassing some U.S. technology firms.

Bulk collection curtailed

The companies, working with privacy rights activists, successfully lobbied Congress two years ago to pass legislation that curtailed the NSA’s bulk collection of call records. For example, Facebook chief executive Mark Zuckerberg wrote on his Facebook page that he had personally called then-President Barack Obama to express “frustration over the damage the government is creating for all of our future.”

Now, however, Silicon Valley’s reduced involvement frustrates civil liberties groups because of a widely held view that Section 702 poses a far greater threat to privacy than the telephone program, which did not harvest actual content.

Facebook declined comment. Google and Apple did not respond to requests for comment.

Privacy shield agreement

The companies’ relative inactivity is explained by several legal challenges in Europe to an agreement between the United States and the European Union, known as the Privacy Shield, the sources said. The litigation hinges on whether U.S. surveillance practices afford enough privacy safeguards. A coalition of human rights organizations has urged Europe to suspend Privacy Shield unless Section 702 is substantially reformed.

U.S. technology companies have privately bristled at those efforts, three industry lobbyists, in part because expectations that 702 reforms will pass Congress are low.

“If you link them and you lose one, you lose both,” said one of the lobbyists, who like the others requested anonymity to discuss private conversations with technology companies.

The lobbyist added that several major firms were more interested in making deals with the Trump administration that could affect their bottom lines, such as tax repatriation, than getting caught in politically charged fights over government surveillance.

Another industry lobbyist said Section 702 surveillance is “not a C-suite issue” that concerns chief executives in Silicon Valley like other issues, including encryption.

Lobbying is limited

Companies have also been limited in how they can lobby for changes to the law because no comprehensive reform bill has been introduced yet in Congress, said Alex Abdo, a privacy advocate and staff attorney at the Knight First Amendment Institute at Columbia University.

A bipartisan group of lawmakers in the House Judiciary Committee is not expected to introduce such legislation until after Congress returns from its August recess.

The schism between tech companies and privacy groups was on display earlier this year in litigation in Ireland — Facebook argued customer data was sufficiently protected from U.S. spying programs, while an attorney for the American Civil Liberties Union testified that more protections were needed.

‘Backdoor search loophole’

Snowden’s leaks showed that Section 702 collects content of digital communications directly from the internet backbone and through a program formerly code named Prism where the NSA gathered data directly from several companies, including Facebook, Google, Apple and Microsoft.

The statute also allows the FBI and others to query pools of data collection for U.S. information in what critics have derided as a “backdoor search loophole” that evades traditional warrant requirements.

The tech industry may become more engaged once the public debate becomes clearer, Abdo said. He added that a stronger position “would be enormously helpful to those that want to impose meaningful constraint on NSA surveillance.”

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Kenny, Dolly Announce Final Performance Together

Two of country music’s biggest stars, Kenny Rogers and Dolly Parton, whose onstage chemistry spawned hit duets like “Islands in the Stream” and “Real Love,” will be making their final performance together this year.

Rogers, who is retiring from touring, says his final performance with Parton will be part of an all-star farewell show to be held at Nashville’s Bridgestone Arena on October 25. The two have been performing together for more than 30 years since “Islands in the Stream,” written by the Bee Gees, became a pop crossover platinum hit in 1983.

Other performers for the farewell show are Little Big Town, Flaming Lips, Idina Menzel, Elle King, Jamey Johnson and Alison Krauss, with more names to be announced. Rogers made the announcement Tuesday at a press conference in Nashville. Tickets for the show will go on sale July 21.

Rogers, 78, said it’s been more than a decade since he performed with Parton for a CMT special.

“I think we owe it to her to let her go on with her career, but we owe it to me to do it one more time, and we’re going to do that,” Rogers said after the press conference.

In his 60-year career, Rogers has had several successful duet partners, including Dottie West, Kim Carnes, Sheena Easton and Linda Davis, but Parton’s star power made their collaborations a tour de force.

“We can go three years without talking to each other and when we get together, it’s like we were together yesterday,” Rogers said. “We both feel that comfort.”

“Performing with Kenny for the last time ever on October 25th is going to be emotional for both of us, but it’s also going to be very special,” Parton said in a statement. “Even though Kenny may be retiring, as he fades from the stage, our love for each other will never fade away.”

The actor, singer and photographer with hits like “The Gambler,” “Lady” and “Lucille,” announced in 2015 he would do a final farewell tour before retiring to spend more time with his family.

Rogers said he and Parton would definitely sing “Islands in the Stream,” but beyond that, he wasn’t sure yet.

“Whether we do something else, I don’t know,” Rogers said. “That would require a rehearsal and I don’t know that Dolly or I, either one, are up for that.”

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Boston Launches Poster Campaign to Combat Islamophobia

Boston has launched a new public service campaign to fight Islamophobia by offering the public ways to address aggression toward others because of their appearance or beliefs.

The campaign launched Monday involves 50 posters that provide a step-by-step guide to handling when someone is being harassed. They will be posted on bus stop benches and other public places around the city.

Titled “What to do if you are witnessing Islamophobic harassment,” the posters encourage people to engage with the person who is being targeted and to draw attention away from the harasser. The technique is called “non-complementary behavior,” and is intended to disempower an aggressive person by countering their expectations.

“These posters are one tool we have to send the message that all are welcome in Boston,” Mayor Marty Walsh said. “Education is key to fighting intolerance, and these posters share a simple strategy for engaging with those around you.”

The city’s Islamic community lauded the campaign.

“We encourage all of our fellow Bostonians to apply the approach in these posters to anyone targeted — whether Muslim, Latino or otherwise,” said Suzan El-Rayess, civic engagement director at the Islamic Society of Boston Cultural Center.

San Francisco has a similar campaign. Thea Colman, whose sister had worked with San Francisco’s Bay Area Rapid Transit to have posters installed throughout that system, approached Walsh’s office.

The posters, designed by French artist Maeril, will stay up for six months.

 

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Spanish Soccer Executive, Son Arrested in Corruption Probe

The executive who oversaw Spain’s rise to dominate world soccer in recent years was arrested Tuesday in an anti-corruption investigation, dealing yet another blow to the sport’s already-tarnished image.

 

Angel Maria Villar, his son, Gorka Villar, and two other soccer officials were detained while raids were conducted at the federation headquarters and other properties, the state prosecutor and Spanish police said.

 

The elder Villar, who has led the Spanish Football Federation for three decades and is the senior vice president of FIFA and a vice president for the European football organization, is suspected of having arranged matches for Spain that led to business deals benefiting his son, said the office of the state prosecutor in charge of anti-corruption.

Angel Maria Villar is a longtime power broker in football both inside and beyond Spain’s borders, and he was singled out for questionable conduct in the 2014 FIFA report on the World Cup bidding process that rocked the sport.

 

A 2015 U.S. investigation into corruption in world soccer led to the eventual resignation of longtime president Sepp Blatter and other top officials.

 

Several hours after Tuesday’s arrests, police escorted Villar into the federation offices in Las Rozas, on the outskirts of Madrid. He emerged from a Guardia Civil vehicle flanked by two uniformed agents. Two policemen guarded the entrance to the federation offices near the training grounds for Spain’s national teams.

 

Also arrested were Juan Padron, the federation’s vice president of economic affairs who is also president of the regional federation for Tenerife, and Ramon Hernandez, the secretary of that regional federation.

 

The four were arrested on charges of improper management, misappropriation of funds, corruption and falsifying documents as part of an inquiry into the finances of the federations.

 

“We have taken note of the media reports concerning the situation of Mr. Villar Llona,” FIFA said in a statement. “As the matter seems to be linked to internal affairs of the Spanish Football Association, for the time being we kindly refer you to them for further details.”

 

As part of an operation called “Soule,” the Guardia Civil said it raided the national federation’s headquarters, the offices of the regional soccer federation on the island of Tenerife and “headquarters of businesses and several private homes linked to the arrested individuals.”

 

Police began the investigation in early 2016 after a complaint from Spain’s Higher Council of Sport, the government’s sports authority.

 

The probe led the state prosecutor’s office to suspect that Angel Maria Villar “could have arranged matches of the Spanish national team with other national teams, thereby gaining in return contracts for services and other business ventures in benefit of his son.”

 

Unregulated by FIFA, friendly matches between national teams can be more easily corrupted. Scandals in recent years involving FIFA were tied to the siphoning of cash from deals struck for friendly matches, often held in North and South America.

 

Gorka Villar, a lawyer, worked in recent years for the South American body CONMEBOL as legal director and then as the CEO-like director general for three presidents who were implicated in the U.S. investigation. Gorka Villar left CONMEBOL in July 2016.

 

The prosecutor’s office said it also suspects that Padron and the Tenerife secretary “favored the contracting of business” for their personal benefit.

 

Inigo Mendez de Vigo, minister of education, culture and sport, told national television after the raids that “in Spain the laws are enforced, the laws are the same for all, and nobody, nobody is above the law.”

 

Calls by The Associated Press to the Spanish and Tenerife federations went unanswered.

 

UEFA said in a statement it was aware of the reports regarding Villar, but “we have no comment to make at this time.” The Higher Council of Sport said it will “use everything in its means to ensure that competitions are not affected” by the arrests.

In the wake of the arrests, the Royal Spanish Federation of Football postponed meetings to draw the Spanish football league schedule.

 

A former professional player, the 67-year-old Villar has been the head of Spain’s soccer federation since 1988, overseeing the national team’s victories in the 2010 World Cup and the 2008 and 2012 European Championships.

 

Villar won an eighth term as president in May, running unopposed after another candidate, Jorge Perez, withdrew to protest what he called irregularities in the election of the federation’s general assembly.

 

He has been at the heart of FIFA and UEFA politics since the 1990s, and has worked closely with several international soccer leaders who have since been indicted by the U.S. Justice Department.

 

Villar was a tough midfielder for Athletic Bilbao and Spain before retiring to work as a lawyer and soccer administrator. He was elected to the UEFA executive committee 25 years ago, and to FIFA’s ruling committee 19 years ago. He has also been an influential figure in the legal and referees committees of both organizations.

 

He led the Spain-Portugal bids for the 2018 and 2022 World Cup competitions. In 2010, FIFA’s ethics committee investigated an alleged voting pact involving South American countries. Russia won the bid for 2018 and Qatar won for 2022.

 

His conduct in a wider 2014 probe of the bids was singled out in a 2014 report by then-FIFA ethics prosecutor Michael Garcia.

 

“He [Villar] was not willing to discuss the facts and circumstances of the case,” Garcia wrote in the report, published last month. “Moreover, his tone and manner were deeply disturbing, as the audio recording of the interview … makes evident.”

 

Increasingly seen as a polarizing figure, Villar decided against trying to succeed Michel Platini as UEFA president last year.

 

Before joining CONMEBOL, Gorka Villar was a prominent sports lawyer in Madrid. He helped represent cyclist Alberto Contador in a failed appeal at the Court of Arbitration for Sport of a positive doping test that cost him the 2010 Tour de France title.

 

The arrests are the latest step by Spain to crack down on financial wrongdoing in soccer. Last year, Barcelona forward Lionel Messi and his father were found guilty of tax fraud. In recent weeks, prosecutors have opened tax fraud investigations into several others, including Real Madrid forward Cristiano Ronaldo and former Madrid coach Jose Mourinho. Both Ronaldo and Mourinho deny cheating on their taxes.

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China Users Report WhatsApp Disruption Amid Censorship Fears

Users of WhatsApp in China and security researchers have reported widespread service disruptions amid fears that the popular messaging service may be at least partially blocked by authorities in the world’s most populous country.

WhatsApp users in the country reported Tuesday on other social media platforms that the app was partly inaccessible unless virtual private network software was used to circumvent China’s censorship apparatus, known colloquially as The Great Firewall.

WhatsApp, which is owned by Facebook and offers end-to-end encryption, has a relatively small but loyal following among Chinese users seeking a greater degree of privacy from government snooping than afforded by popular domestic app WeChat, which is ubiquitous but closely monitored and filtered.

Questions over WhatsApp’s status come at a politically fraught time in China. The government is in the midst of preparing for a sensitive party congress while Chinese censors this week revved up a sprawling effort to scrub all mention of Liu Xiaobo, the Nobel Peace Prize laureate who died Thursday in government custody.

A report this week by the University of Toronto’s Citizen Lab detailed how Chinese censors were able to intercept, in real time, images commemorating Liu in private one-on-one chats on WeChat, a feat that hinted at the government’s image recognition capabilities.

It appeared that pictures were also the focus of the move to censor WhatsApp. Late Tuesday, users in China could send texts over WhatsApp without the use of VPNs, but not images.

Nadim Kobeissi, a cryptography researcher based in Paris who has been investigating the WhatsApp disruption, said he believed The Great Firewall was only blocking access to WhatsApp servers that route media between users, while leaving servers that handle text messages untouched.

Kobeissi said voice messages also appeared to be blocked. But there was no evidence to suggest that Chinese authorities were decrypting WhatsApp messages, he added.

A Chinese censorship researcher known by his pseudonym Charlie Smith said that authorities appeared to be blocking non-text WhatsApp messages wholesale precisely because they have not been able to selectively block content on the platform like they have with WeChat, which is produced by Shenzhen-based internet giant Tencent and legally bound to cooperate with Chinese security agencies.

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Daniel Radcliffe Comes to Aid of London Mugging Victim

Actor Daniel Radcliffe came to the aid of a man who was mugged by moped-riding attackers in London.

Former police officer David Videcette told the Evening Standard newspaper that two moped riders attacked a man just off the upmarket King’s Road in west London, slashing him across the face and making off with a Louis Vuitton bag.

He said he saw 27-year-old Radcliffe consoling the victim after the attack.

A spokeswoman for Radcliffe confirmed Tuesday that the “Harry Potter” star had been present but gave no other details, calling it a police matter.

The Metropolitan Police force said officers were called Friday to reports of a robbery in the area, in which a man in his 50s suffered a cut to the face. There have been no arrests.

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Hyperloop Technology Takes One Small Step Forward

Engineers at Hyperloop recently took a significant step toward proving their new vacuum-tube-based transportation system may in fact be the future… and not just hype. VOA’s Kevin Enochs reports.

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Netflix Still Piling Up Viewers — and Big Programming Bills

Netflix is pulling in new viewers and award nominations in droves, but the online video service still faces a long-term problem: Its acclaimed programming line-up is costing far more money than what subscribers pay for it.

 

That hasn’t been a big issue so far, thanks to investors’ willingness to accept scant profits in exchange for robust subscriber growth.

 

Netflix delivered on that front again Monday, announcing that it added 5.2 million subscribers in the second quarter covering April to June. That’s the largest increase ever during the period, which has always been the company’s slowest time of year.

 

Wall Street rewarded Netflix by driving up its stock by more than 10 percent to $178.30 in extended trading, putting the shares on track to hit a new high in Tuesday’s regular trading.

 

International Costs

 

The Los Gatos, California, company now has 104 million subscribers worldwide. For the first time in its history, most of those subscribers (slightly more than 52 million) are outside the U.S.

 

That milestone could further complicate Netflix’s cost issues, since the company will need to keep creating more shows that appeal to the unique interests of viewers in countries such as Japan, India and Indonesia.

 

“It is going to be imperative for them to have more locally produced content,” says CFRA Research analyst Tuna Amobi. “They can’t afford to pursue a ‘one-size-fits-all’ strategy.”

 

As part of its efforts to boost its profits, Netflix is becoming more aggressive about dumping shows that aren’t drawing enough viewers to justify their costs. In the second quarter, Netflix jettisoned both the high-concept science fiction show “Sense 8” and the musical drama “The Get Down.”

 

In a Monday letter to shareholders, Netflix CEO Reed Hastings made it clear that the company plans to exert more discipline in the future. “They are becoming more like any other Hollywood studio and paying more attention to the economics of their shows,” Amobi said.

 

Programming Coups

 

The subscriber growth further validates Netflix’s decision to expand into original programming five years ago. Two of its longest running shows —  “House of Cards” and “Orange Is The New Black” — recently launched their latest seasons.

 

Those two series, along with new hits like “Master of None” and “13 Reasons Why,” helped Netflix easily surpass the average 1.8 million subscribers it has added in the second quarter over the past five years.

 

This fall, new seasons of two other hits, “Stranger Things” and “The Crown,” are due. Those two series accounted for about a third of the 91 Emmy nominations that 27 different Netflix programs received last week — more than any other TV network except its role model, HBO, which landed 111 nominations.

 

Cash Burn

 

But the success hasn’t come cheaply.

 

Netflix is locked into contracts requiring it to pay more than $13 billion for programming during the next three years, a burden that has forced the company to borrow to pay its bills.

 

After burning through $1.7 billion in cash last year, Netflix expects that figure to rise to as much as $2.5 billion this year. It’s continuing to invest in more original programming amid increasing competition from the likes of Amazon, Hulu and YouTube.

 

Netflix expects to be spending more money than it brings in for several more years. It posted a more detailed explanation about its negative cash flow to give investors a better grasp of its programming expenses.

 

The company is still profitable under corporate accounting rules, although its earnings remain puny by Wall Street standards. It earned $66 million on revenue of $2.8 billion in revenue during its latest quarter.

 

Funding international operations remains Netflix’s biggest financial drag, although the overseas losses are narrowing. The company now expects its international operation to produce a small operating profit for the full year.

 

Netflix also could make more money by raising its prices closer to the $15 per month that HBO charges for its streaming service, but the company has said no increases are planned in the near future. Netflix’s U.S. rates currently range from $8 to $12 per month.

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Two Iranians Charged in US for Hacking, Selling Weapons Software

Two Iranian nationals have been charged in the United States in an alleged scheme to steal and resell software to Iran, including a program to design bullets and warheads.

According  to an indictment unsealed Monday, Mohammed Saeed Ajily, 35, recruited Mohammed Reza Rezakhah, 39, to break into companies’ computers to steal their software for resale to Iranian universities, the military and the government.

The two men — and a third who was arrested in 2013 and handed back to Iran in a prisoner swap last year — allegedly broke into the computers of Vermont-based Arrow Tech Associates.

The stolen software included Arrow Tech’s Projectile Rocket Ordnance Design and Analysis System (PRODAS), which is protected by U.S. controls on the export of sensitive technologies, and its distribution to Iran is banned by U.S. sanctions on the country.

According to the indictment, Rezakhah conducted the hacking and cracking operations and Ajily was in charge of marketing and selling the programs.

The two men were charged in the Rutland, Vermont, federal district court, which issued arrest warrants for the two, who are believed to be in Iran.

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Afghan Girls Robotics Team Competes after Visa Obstacles

Their team shirts didn’t say “Afghanistan” and their name badges were handwritten, not typed, suggesting the last-minute nature of their entry into the United States. But the Afghan girls competing Monday in an international robotics competition in Washington were clearly excited to be representing their nation.

The team of six teenage girls was twice rejected for U.S. visas before President Donald Trump intervened at the last minute. They arrived in Washington from their hometown of Herat, Afghanistan, early Saturday, and their ball-sorting robot competed in its first round Monday morning.

“We were so interested, because we find a big chance to show the talent and ability of Afghans, show that Afghan women can make robots, too,” said Rodaba Noori, one of the team members. She acknowledged, though, that the team “hadn’t long, or enough time to get ready for competition.”

The girls’ struggle to overcome war, hardship and U.S. bureaucracy on their journey to the U.S. capital has made their team stand out among more than 150 competing in the FIRST Global Challenge, a robotics competition designed to encourage youths to pursue careers in math and science.

The U.S. won’t say why the girls were rejected for visas, citing confidentiality rules. But Afghan Ambassador Hamdullah Mohib said that based on discussions with U.S. officials, it appears the girls, who are 14 to 16 years old, were turned away due to concerns they would not return to Afghanistan.

Speaking with the assistance of a translator who summarized their remarks, 14-year-old team member Fatemah Qaderyan, said that she was “grateful” to be able to compete. Her teammate, 15-year-old Lida Azizi, said she was a little “nervous” but also excited to be playing and “proud.”

Though there was a crush of media attention, the girls looked much like other competitors, wearing jeans along with white headscarfs. Their microwave-sized robot, like that of other teams, displayed their country’s black, red and green flag.

“I’m so happy they can play,” said their mentor Alireza Mehraban, a software engineer. He added: “They are so happy to be here.”

While teams had up to four months to build their robots, the Afghan team built theirs in two weeks before it had to be shipped to reach the competition in time, Mehraban said. He said the girls had a day to test the robot in Afghanistan before it needed to be mailed.

On Monday, they were making adjustments and practicing in between rounds. When a chain seemed to come loose on a part of the robot that moves up and down, a competition judge recommended a larger part, and another team provided one.

Like others in the competition, the girls’ robot can pick up and distinguish between blue and orange balls. To score points, teams deposit the blue balls, which represent water, and the orange balls, which represent pollutants, into different locations. The teams play in alliances of three nations, with two alliances competing head to head. The three-robot alliance that scores the most points in a game wins.

Mehraban, the team’s mentor, said their robot managed to score one or two points in the first game. The team has two more games to play Monday and three games Tuesday.

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Walt Disney Opens Iconic American Amusement Park on This Day in 1955

Walt Disney was already a well-known creative genius — the creator of Mickey Mouse and the 1938 feature-length cartoon Snow White and the Seven Dwarfs — when he had an idea to create Disneyland, his famed Anaheim, California, amusement park.

 

“All my life I heard him talk about doing this park, from the time I was five,” daughter Diane Disney Miller said in a documentary about Disneyland.

“The dream just grew,” she says in the film, adding that by the time she turned 21, her father had finally done it, at a cost of $17 million.

​On opening day, July 17, 1955, everything that could go wrong did, according to those who helped build the amusement park. 

That day — it became known as “Black Sunday” — more people showed up than the park could accommodate and mountains of trash stood uncollected. That same day there was a strike by plumbers in Anaheim, so organizers were forced to choose between working bathrooms or working water fountains. Rivers in the park that had been filled the night before, ran dry.

Disney was deeply disappointed, but he and his team kept improving the park, adding new rides and characters, and a giant monorail system in 1959.

Expanding on his dream, work began on an even bigger amusement park in Orlando, Florida, in 1965.

Walt Disney died in 1966. Walt Disney World was opened in his honor on Oct. 1, 1971.

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Disneyland in photos:

Walt Disney pursues dream of Disneyland despite investor doubts and a chaotic opening day in 1955

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VR Learning the Wave of the Future

Thanks to Hollywood special effects, it’s possible to create a world of superheroes or galaxies far, far away. But that technology is also slowly making its way into the classroom and turning science education into a visual journey that can take students anywhere from inside a cell to the deepest parts of our solar system. VOA’s Kevin Enochs reports.

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Famed Director Heads Effort to Preserve African Cinema

American filmmaker Martin Scorsese is backing an international effort to preserve African movies, hoping to protect the work of some of Africa’s most influential directors. Arzouma Kompaore reports.

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Park Wins US Women’s Open

After weeks of uncertainty, the U.S. Women’s Open stopped being about President Donald Trump, his course and his views toward women and it turned out to be what the USGA wanted: a good tournament on a good course.

Not surprisingly, the best player this week won, making up for a bad weekend in this event a year ago.

Sung Hyun Park shot her second straight 5-under 67 on Sunday and won a final-round battle with front-running Shanshan Feng and teenage amateur sensation Hye-Jin Choi at Trump National Golf Club for her first LPGA Tour victory.

The 23-year-old Park birdied the 15th to move into a tie for the lead and the 17th to open a two-shot edge after Choi made a double bogey to squander her chance of becoming the second amateur to win the event.

Park finished with an 11-under total of 277, two shots better than Choi, who shot a final-round 71.

It was a far cry from a year ago when Park hit into the water on the 18th hole at CordeValle in California and missed a playoff with eventual winner Britanny Lang and Anna Nordqvist by two shots.

“The experience was definitely worth it, because based on that good experience that I had last year, I think I was able to garner the championship this year,” Park said through an interpreter.

The USGA was criticized for not moving the event from Trump National after comments made by the president about women came to light during the election campaign. There were threats of protests, especially after Trump decided to attend the tournament after his trip to Paris on Thursday and Friday.

Trump arrived Friday and became the first sitting president to attend a Women’s Open, seeing parts of the final three rounds. There was a small protest after he arrived at his box near the 15th green shortly after 3 p.m., but it was peaceful.

It ended up being a quiet week of politics at the course. The golf was excellent.

Park needed a fine chip from over the green on the par-5 18th hole to save par and win the $900,000 top prize from the $5 million event.

Walking to the scoring tent to sign her card, she got a thumps-up from Trump from his box.

“Well, to be honest with you, I still cannot believe that it is actually happening,” said Park, who is the leading rookie on the LPGA Tour. “It’s almost feel like I’m floating on a cloud in the sky. Of course, I did have many winnings in other tournaments, but winning here at U.S. Open means so much more.

Choi was the low amateur for the second straight year. She was 38th in 2016. The only drawback was she could not pocket the $540,000 second-place prize.

“I mean it will be nice if I could get the money but I think my primary goal was to come here and compete so, to me, getting this second place in runner-up actually means more to me,” the 17-year-old said.

Top-ranked So Yeon Ryu (70) and fellow South Korean Mi Jung Hur (68) tied for third at 7 under. Feng, from China, had a 75 to drop into a tie for fifth at 6 under with Spain’s Carlota Ciganda (70) and South Korea’s Jeongeun6 Lee (71).

South Koreans Sei Young Kim (69), Mirim Lee (72) and Amy Yang (75) tied for eighth at 5 under. Marina Alex of nearby Wayne, New Jersey, was the best of the American at 4 under after a 70. It was the worst finish in the Open for the top American since Paula Creamer was seventh in 2012.

Choi was the story for most of the final round. She had a two-shot lead with nine holes to play and needed a 5-foot birdie at 15 to regain a piece with Park, who had made a 20-footer in the group in front of her.

The 139-yard, par-3 16th over water ended Choi’s hopes. Her 7-iron landed in the water to the right of the hole. She ended with a double bogey and basically lost her chance of winning.

“At the time I felt that all this work, hard work I put together was going to disappear so I was bit disappointed but I had to refocus,” said Choi, who birdied the final hole.

Choi’s 279 was the best by an amateur in the Open, four shots better than the old mark by Grace Park in 1999. Catherine Lacoste remains the only amateur to win the Open, doing it in 1967.

Feng, who was the leader after the first three rounds and carried a one-shot edge into the final 18 holes, triple bogeyed the final hole.

“I think overall, before the last hole I did pretty well,” said Feng, who had only two birdies in the last two rounds. “I mean I did a good job hanging in right there because my putting was not really that great.”

It was not her first professional win for Park, who won seven times on the KLPGA Tour in 2016 and three times the year before.

“She’s young and long so she hits the ball very long and very straight, very accurate and has very good short game, also,” Feng said about Park. “I don’t see any weak part in her game.”

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Oscar-winning Actor Martin Landau Dead at 89

Martin Landau, the chameleon-like actor who gained fame as the crafty master of disguise in the 1960s TV show “Mission: Impossible,” then capped a long and versatile career with an Oscar for his poignant portrayal of aging horror movie star Bela Lugosi in 1994’s “Ed Wood,” has died. He was 89.

 

Landau died Saturday of unexpected complications during a short stay at UCLA Medical Center, his publicist Dick Guttman said.

 

“Mission: Impossible,” which also starred Landau’s wife, Barbara Bain, became an immediate hit upon its debut in 1966. It remained on the air until 1973, but Landau and Bain left at the end of the show’s third season amid a financial dispute with the producers. They starred in the British-made sci-fi series “Space: 1999” from 1975 to 1977.

 

Landau might have been a superstar but for a role he didn’t play — the pointy-eared starship Enterprise science officer, Mr. Spock. “Star Trek” creator Gene Rodenberry had offered him the half-Vulcan, half-human who attempts to rid his life of all emotion. Landau turned it down.

 

“A character without emotions would have driven me crazy; I would have had to be lobotomized,” he explained in 2001. Instead, he chose “Mission: Impossible,” and Leonard Nimoy went on to everlasting fame as Spock.

 

Ironically, Nimoy replaced Landau on “Mission: Impossible.”

 

After a brief but impressive Broadway career, Landau had made an auspicious film debut in the late 1950s, playing a soldier in “Pork Chop Hill” and a villain in the Alfred Hitchcock classic “North By Northwest.”

 

He enjoyed far less success after “Mission: Impossible,” however, finding he had been typecast as Rollin Hand, the top-secret mission team’s disguise wizard. His film career languished for more than a decade, reaching its nadir with his appearance in the 1981 TV movie “The Harlem Globetrotters on Gilligan’s Island.”

 

He began to find redemption with a sympathetic role in “Tucker: The Man and his Dream,” the 1988 Francis Ford Coppola film that garnered Landau his first Oscar nomination.

 

He was nominated again the next year for his turn as the adulterous husband in Woody Allen’s “Crimes and Misdemeanors.”

 

His third nomination was for “Ed Wood,” director Tim Burton’s affectionate tribute to a man widely viewed as the worst Hollywood filmmaker of all time.

 

“There was a 10-year period when everything I did was bad. I’d like to go back and turn all those films into guitar picks,” Landau said after accepting his Oscar.

 

In “Ed Wood,” he portrayed Lugosi during his final years, when the Hungarian-born actor who had become famous as Count Dracula was ill, addicted to drugs and forced to make films with Ed Wood just to pay his bills. A gifted mimic trained in method acting, Landau had thoroughly researched the role.

 

“I watched about 35 Lugosi movies, including ones that were worse than anything Ed Wood ever made,” he recalled in 2001. “Despite the trash, he had a certain dignity about him, whatever the role.”

 

So did the New York-born Landau, who had studied drawing at the Pratt Institute in Brooklyn and worked for a time as a New York Daily News cartoonist before switching careers at age 22.

 

He had dabbled in acting before the switch, making his stage debut in 1951 at a Maine summer theater in “Detective Story” and off-Broadway in “First Love.”

 

In 1955, he was among hundreds who applied to study at the prestigious Actors Studio and one of only two selected. The other was Steve McQueen.

 

On Broadway, Landau won praise for his work in “Middle of the Night,” which starred Edward G. Robinson. He toured with the play until it reached Los Angeles, where he began his film career.

 

Landau and Bain had two daughters, Susan and Juliet. They divorced in 1993.

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Burns Sees Vietnam War as Virus, Documentary as Vaccination

Filmmaker Ken Burns views the Vietnam War as a virus that infected Americans with an array of chronic illnesses — alienation, a lack of civil discourse, mistrust of government and each other. And he hopes his new documentary can be part of a cure.

“What if the film was just an attempt at some sort of vaccination, a little bit more of the disease to get you immune to the disunion that it has sponsored?” Burns said in a recent interview. “It’s important for us to begin to have creative but courageous conversations about what took place.”

Burns and co-director Lynn Novick had just finished work on their World War II documentary a decade ago when he turned to her and said, “We have to do Vietnam.” The result is their 10-part, 18-hour series that will air beginning Sept. 17 on PBS.

“For me, it was the sense that Vietnam was the most important event for Americans in the second half of the 20th century, yet we had done almost everything we could in the intervening years to avoid understanding it,” Burns said. “As horrible as they are, wars are incredibly valuable moments to study, and I thought what Vietnam lacked was a willingness to engage in that.”

The film brings together the latest scholarly research on the war and features nearly 80 interviews, including Americans who fought in the war and those who opposed it, Vietnamese civilians and soldiers from both sides. Burns and Novick have been showing excerpts of the film around the country in recent months, most recently at Dartmouth College on Thursday night.

“I think this will be for a general American audience a kind of revelation, a cascade of new facts and new figures, and I don’t mean numeral figures, but biographical figures that will stagger their view of what was, and hopefully get everybody, regardless of political perspective to let go of the baggage of the superficial and the conventional,” Burns said.

Having been blamed for the war itself, many Vietnam War soldiers were understandably reluctant to share their stories, the co-directors said. But compared to his earlier series on World War II and the Civil War, Burns said there was one challenge he didn’t face.

“One of the great tasks for us as filmmakers — amateur historians if you will — was how to cut through all the nostalgia and sentimentality that had attached itself to the Civil War and World War II,” he said. “There’s no such problem with Vietnam.”

After watching the hour-long preview, U.S. Army veteran David Hagerman, of Lyme Center, said he can’t wait to watch the entire series.

“It was powerful,” said Hagerman, who spent his nine months in Vietnam running a treatment center for soldiers addicted to heroin. While strangers now approach him and thank him for his service, he said coming home in 1972 was traumatic.

“I walked into the Seattle airport, and I was in my Army outfit,” he said. “The reception I received was so negative and so powerful that I walked into the nearest men’s room, took my uniform off, threw it in the trash, and put on a T-shirt and a pair of pants.”

Burns said while he doesn’t buy into the notion that history repeats itself, it’s clear that human nature doesn’t change. And he acknowledges that many of the themes his series explores are uncannily relevant to the present.

“If I backed up this conversation and said, ‘OK, I’ve spent the last year working a film about a White House in disarray obsessed with leaks, about a huge document drops into the public of classified information … about a deeply polarized country, about a political campaign accused of reaching out to a foreign power during an election, about mass demonstrations across the country,’ you’d say, ‘Gee, Ken, you stopped doing history, you’re doing the present moment,’” he said.

At Dartmouth, Novick and Burns were joined by U.S. Army veteran Mike Heaney, of Hartland, Vermont, who is shown in the film describing losing fellow platoon members in a 1966 ambush and spending the night paranoid that a dead Viet Cong soldier lying next to him was just faking it and would rise up to kill him.

After the screening, he told the audience about returning to Vietnam in 2008, where he compared war wounds with former enemies turned fellow “grandpas.” He said he’s been able to cope thanks to the support of his family, as well as both Americans and the Vietnamese people.

“I don’t expect to ever get closure on this kind of experience that I had,” he said. “And that’s OK.”

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George A. Romero, Father of the Zombie Film, Dead at 77

George Romero, whose classic “Night of the Living Dead” and other horror films turned zombie movies into social commentaries and who saw his flesh-devouring undead spawn countless imitators, remakes and homages, has died. He was 77.

 

Romero died Sunday following a battle with lung cancer, said his family in a statement provided by his manager Chris Roe. Romero’s family said he died while listening to the score of “The Quiet Man,” one of his favorite films, with his wife, Suzanne Desrocher, and daughter, Tina Romero, by this side.

 

Romero is credited with reinventing the movie zombie with his directorial debut, the 1968 cult classic, “Night of the Living Dead.” The movie set the rules imitators lived by: Zombies move slowly, lust for human flesh and can only be killed when shot in the head. If a zombie bites a human, the person dies and returns as a zombie.

 

Romero’s zombies, however, were always more than mere cannibals; they were metaphors for conformity, racism, mall culture, militarism, class differences and other social ills.

 

“The zombies, they could be anything,” Romero told The Associated Press in 2008. “They could be an avalanche, they could be a hurricane. It’s a disaster out there. The stories are about how people fail to respond in the proper way. They fail to address it. They keep trying to stick where they are, instead of recognizing maybe this is too big for us to try to maintain. That’s the part of it that I’ve always enjoyed.”

 

“Night of the Living Dead,” made for about $100,000, featured flesh-hungry ghouls trying to feast on humans holed up in a Pennsylvania house. In 1999, the Library of Congress inducted the black-and-white masterpiece into the National Registry of Films.

 

Romero’s death was immediately felt across a wide spectrum of horror fans and filmmakers. Stephen King called him his favorite collaborator and said, “There will never be another like you.” Guillermo del Toro said, “The loss is so enormous.”

“(‘Night of the Living Dead’) was so incredibly DIY I realized movies were not something that belonged solely to the elites with multiple millions of dollars but could also be created by US, the people who simply loved them, who lived in Missouri, as I did,” wrote James Gunn, the “Guardians of the Galaxy” director, who penned the 2004 remake of “Dawn of the Dead.”

 

Romero’s influence could be seen across decades of American movies, from John Carpenter to Jordan Peele, the “Get Out” filmmaker. Many considered “Night of the Living Dead” to be a critique on racism in America. The sole black character survives the zombies, but he is fatally shot by rescuers. When Edgar Wright made 2004’s “Shaun of the Dead,” he acknowledged, “What we now think of as zombies are Romero zombies.”

 

Ten years after “Night of the Living Dead,” Romero made “Dawn of the Dead,” where human survivors take refuge from the undead in a mall and then turn on each other as the zombies stumble around the shopping complex.

 

Film critic Roger Ebert called it “one of the best horror films ever made — and, as an inescapable result, one of the most horrifying. It is gruesome, sickening, disgusting, violent, brutal and appalling. It is also … brilliantly crafted, funny, droll, and savagely merciless in its satiric view of the American consumer society.”

Romero had a sometimes combative relationship with the genre he helped create. He called “The Walking Dead” a “soap opera” and said big-budget films like “World War Z” made modest zombie films impossible. Romero maintained that he wouldn’t make horror films he couldn’t fill them with political statements.

 

“People say, ‘You’re trapped in this genre. You’re a horror guy.’ I say, ‘Wait a minute, I’m able to say exactly what I think,” Romero told the AP. “I’m able to talk about, comment about, take snapshots of what’s going on at the time. I don’t feel trapped. I feel this is my way of being able to express myself.”

 

The third in the Romero’s zombie series, 1985’s “Day of the Dead,” was a critical and commercial failure. There wouldn’t be another “Dead” film for two decades.

 

“Land of the Dead” in 2005 was the most star-packed of the bunch — the cast included Dennis Hooper, John Leguizamo, Asia Argento and Simon Baker. Two years later came “Diary of the Dead,” another box-office failure.

 

There were other movies interspersed with the “Dead” films, including “The Crazies” (1973), “Martin” (1977), “Creepshow” (1982), “Monkey Shines” (1988) and “The Dark Half” (1993). There also was 1981’s “Knightriders,” Romero’s take on the Arthurian legend featuring motorcycling jousters. Some were moderately successful, others box-office flops.

 

George Andrew Romero was born on Feb. 4, 1940, in New York City. He grew up in the Bronx, and he was a fan of horror comics and movies in the pre-VCR era.

 

“I grew up at the Loews American in the Bronx,” he wrote in an issue of the British Film Institute’s Sight and Sound magazine in 2002.

 

His favorite film was Michael Powell and Emeric Pressburger’s “The Tales of Hoffman,” based on Jacques Offenbach’s opera. It was, he once wrote, “the one movie that made me want to make movies.”

 

He spoke fondly of traveling to Manhattan to rent a 16mm version of the film from a distribution house. When the film was unavailable, Romero said, it was because another “kid” had rented it — Martin Scorsese.

 

Romero graduated from Carnegie Mellon University in Pittsburgh in 1960. He learned the movie business working on the sets of movies and “Mister Rogers’ Neighborhood,” which was shot in Pittsburgh.

 

The city became Romero’s home and many of his films were set in western Pennsylvania. “Dawn of the Dead” was filmed in suburban Monroeville Mall, which has since become a popular destination for his fans.

Romero struggled to get films made late in life. The last film he directed was 2009’s “Survival of the Dead,” though other filmmakers continued the series with several sequels, including the recently shot “Day of the Dead.”

 

But Romero held strong to his principles. A movie with zombies just running amok, with no social consciousness, held no appeal, he often said.

“That’s not what I’m about.”

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With Engines Whirring, Electric Car Racing Comes to Brooklyn

The roar of the engine was replaced by a furious whirring as the future of motorsports came to Brooklyn.

Formula E took over part of the waterfront neighborhood of Red Hook on Sunday, the second of two race days for the Qualcomm New York City ePrix.

The Formula One-style, open-wheel cars reach speeds of 140 mph but only about 80 decibels, compared with 130 decibels for the cars with combustion engines. Instead of screaming down the straightaways the way F1 cars do, FE cars buzz like giant, steal hummingbirds. And they run clean and green.

Sam Bird from the DS Virgin Racing team won Sunday’s 49-lap race over the narrow 1.2-mile, 10-turn track from the pole to sweep the weekend races for team owner Richard Branson, the billionaire adventurer.

The three-year-old FE series is sanctioned by the International Federation of Automobiles, the governing body for Formula One, making the New York City ePrix the first race run by a major motorsports organization in the five boroughs.

The street course was squeezed into an industrial area that has become more residential in recent years. Red Hook is known for its microbreweries, food trucks and an Ikea where New Yorkers can buy cheap furniture for their expensive apartments. With the track right next to the Brooklyn Cruise Terminal, the Statute of Liberty had a great view of the starting grid.

Twenty drivers started the race with enough battery power to make it through about 25 laps. They switch cars during the race and the key is energy conservation. Drivers are careful not to lean too hard on the accelerator and can recharge the battery when braking.

“With it being electric, there’s no delay from when you put the throttle down to when it gets to the wheels,” said Mitch Evans of New Zealand, who drives for Panasonic Jaguar Racing, a new team to the circuit this year. “The energy management in the race is quite unique.”

New York is the second-to-last of nine stops for the Formula E series. Previous race sites include Berlin, Monaco, Paris and Mexico City. In two weeks, the series finishes in Montreal. Thousands attended the races in Brooklyn, packing two metal grandstands overlooking the track on Sunday. Not bad considering Red Hook is not the easiest neighborhood to reach by mass transit and it’s no place to try to park a car.

Organizers ran shuttle buses from the Barclays Center, home of the Nets and a major subway hub, to the race site about 3 miles away. There were also ride-share stations, bicycles racks and water taxis and ferries from Manhattan.

The event drew curious locals and motorsports fans. Comedian Trevor Noah of Comedy Central’s “The Daily Show” was among the VIPs who got to walk the track before the race. The Hudson Horns played Stevie Wonder’s “Superstition” as fans strolled across the black top as if it was a weekend street fair, minus the food carts and folding tables full of homemade wares for sale.

At the Allianz Explorer Zone, fans could check out BMW’s electric automobiles and Jaguars’ I-Pace Concept, an SUV that will be the company’s first entry into the electric market. While Formula E aspires to be highly competitive racing circuit, it is also a means by which automakers can develop electric technology and show off what it can do.

“For us, what’s really important is this represents the future,” said James Barclay, team director for Jaguar Panasonic. “The car industry is moving toward electrification. We’re going through a transition period. It’s going to take a number of years. But what is quite clear is we do need to move away from combustion cars for the future.

“It’s about learning, developing and proving actual electrical vehicle technology on the racetrack and applying that to make our road cars of the future.”

It is no coincidence the series has stopped in big cities, where urbanites see ownership of traditional fossil fuel-powered automobiles that pollute the air as nonessential.

“We go to places where cars are really a problem,” Formula E CEO Alejandro Agag said earlier this week.

Jim Overmeyer, 62, made the trip from Islip on Long Island for the New York City ePrix. He said an electric car wouldn’t work for him right now but maybe a hybrid would. He said the tight course in Brooklyn gave the ePrix a bit of a go-cart feel. And, of course, the sound takes some getting used to.

“It’s certainly a lot quieter,” he said. “It’s better than what I thought. From what I’ve seen on TV, it sounds like a bunch of squirrels being tortured or something like that.”

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Facebook Fighting Court Order Over Law Enforcement Access

Facebook is fighting a court order that blocks the social media giant from letting users know when law enforcement investigators ask to search their online information, particularly their political affiliations and comments.

Major technology companies and civil liberties groups have joined Facebook in the case, which resembles legal challenges throughout the country from technology companies that oppose how the government seeks access to internet data in emails or social media accounts during criminal investigations, The Washington Post reported .

Facebook is arguing in the D.C. Court of Appeals that the order violates First Amendment protections of the company and individuals.

A spokesman for the U.S. attorney’s office declined to comment. Many documents have been sealed in the case and hearings have been closed to the public.

The timing of the investigation and references in court documents that have been made public suggest the search warrants relate to demonstrations during President Donald Trump’s inauguration, when more than 200 people were charged with rioting, the newspaper reported.

The search warrants at the crux of the case seek “all contents of communications, identifying information and other records” and designate three accounts for a three-month period in each request, according to a Facebook court filing.

A D.C. Superior Court judge in April denied Facebook’s request to end the gag order and directed the company to turn over the records covered by the search warrants to law enforcement. Facebook appealed and the appeals court allowed the company to share some details of the sealed case to seek legal support for its cause from other businesses and organizations. They have since filed public legal briefs supporting Facebook.

In the last six months of 2016, Facebook reported about 41,000 requests for information from the government and said it provided data in 83 percent of those cases.

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