Month: January 2019

Cardi B will have her first Last Vegas residency this spring.

Palms Casino Resort announced Wednesday the 26-year-old singer’s appearance as part of its debut of KAOS, a dayclub and nightclub amphitheater-style complex that is set to open in April.

Above and Beyond, G-EAZY, Kaskade and Skrillex are among the other artists who will have exclusive residencies at the complex.

KAOS is part of the Palms’ $690 million renovation that features state-of-the-art technology designed to enhance performances including a rotating 360-degree DJ booth.

Tickets for select dates are available.
…

A stage musical about Michael Jackson will premiere in Chicago later this year before heading to Broadway in 2020.

Officials said Wednesday that “Don’t Stop ‘Til You Get Enough” will begin pre-Broadway performances at Chicago’s Nederlander Theatre on Oct. 29 and run through Dec. 1.

The previously confirmed musical, inspired by Jackson’s life and music, is still under development. Two-time Pulitzer Prize winner Lynn Nottage is writing the book, using Jackson’s vast catalog of songs. Tony Award winner Christopher Wheeldon will direct and choreograph.

Jackson sold millions of records and was a 13-time Grammy winner. In 1983 he became an international icon with the release of “Thriller,” the best-selling album of all time with such hits as “Beat It” and “Billie Jean.” He died in 2009.

 
…

A coalition of big names in sports and entertainment is taking on criminal justice reform.

Rappers Meek Mill and Jay-Z and the owners of the Philadelphia 76ers, Brooklyn Nets and the Super Bowl-bound New England Patriots came together in New York City on Wednesday to announce the launch of an organization that will lobby for changes to state probation and parole laws.

The Reform Alliance will be led by Van Jones, a CNN host, activist and former adviser to President Barack Obama.

Sixers co-owner Michael Rubin said the group is dedicating $50 million to the effort.

Mill became a symbol for criminal justice reform activists after a judge in Pennsylvania sentenced him to 2-4 years in prison for minor violations of his probation conditions in a decade-old gun and drug possession case. He spent months in prison before a court ordered him released.

The performer said the Reform initiative “is one of the most important things I’ve ever done in my life” and that he’s speaking “for people who don’t have a voice.”

About 2.2 million people in the U.S. are incarcerated, and about 4.5 million are on probation or parole, according to government statistics.

“If you thought my case was unfair, there are millions of others dealing with worse situations and caught up in the system without committing crimes,” said Mill, who will remain on probation until 2023. “With this alliance, we want to change outdated laws, give people hope and reform a system that’s stacked against us.”

Jones said the Reform Alliance is taking aim at the cycle of probation and parole violations that leads people back to prison.

“That is the revolving door that keeps people back in and back in and back in,” Jones said. “We’re going to dismantle that revolving door.”

Patriots owner Robert Kraft said the current system “is not good for America.”

“We can make America better if we really cure this problem,” he said.

 
…

Kaye Ballard, the boisterous comedian and singer who appeared in Broadway musicals and nightclubs from New York to Las Vegas and starred with Eve Arden in the 1960s TV sitcom “The Mothers-In-Law,” has died. She was 93.

Ballard died Monday night at her home in Rancho Mirage, California, after a fight with kidney cancer, her friend Marguerite Gordon said Tuesday.

“The Mothers-In-Law,” in which Ballard starred with Arden (of the 1950s sitcom “Our Miss Brooks”), aired from 1967 to 1969. It marked a high point in a career that began when Ballard was 12 and lasted into the 21st century.

She was on hand last week when a documentary on her life and career premiered at the Palm Springs International Film Festival.

“She was so excited to be able to tell her story,” said Dan Wingate, the film’s director. “She was really anxious for young people, especially, who are going into the arts to understand the full breadth of a life in the arts, the ups and downs.”

The audience’s response was gratifying for her, “to hear that applause and feel that love,” Wingate said, and she was thrilled when the documentary was singled out for festival honors.

’The Mothers-In-Law’

​”The Mothers-In-Law” was set in a Los Angeles suburb and featured its stars as women who become thorns in their married children’s lives, with comedic results influenced by the screwball style of “I Love Lucy.” 

Desi Arnaz, who starred with wife Lucille Ball in that classic sitcom, produced and directed 24 episodes of the Ballard-Arden show. The “I Love Lucy” team of Bob Carroll Jr. and Madelyn Pugh Davis were the show’s creators and lead writers.

Ballard made a mark in every form of show business except movies. She did appear as a secondary player in a few films, including 1958’s “The Girl Most Likely” starring Jane Powell and in 1964’s “A House Is Not a Home,” but her high-octane personality may have been too potent for the big screen of that era and its more restrictive portrayals of women.  

Movie stardom

Movie stardom was her first dream, as it was for others of her generation, filmmaker Wingate said, and he wanted the documentary to be seen on the big screen to help fulfill that goal.

But even falling short of a big film career, “she was able to reach and endear herself to so many people,” he said. 

Ballard’s first real break came when she was singing in a Detroit nightclub, The Bowery. Comedy bandleader Spike Jones dropped in one night and quickly drafted the exuberant young singer into his musical contingent. For two years she toured with Jones’ troupe, singing, playing the flute and tuba and engaging in the band’s antics. She also sang with the bands of Vaughn Monroe and Stan Kenton.

Moved to New York

In 1945 she moved to New York and sought work in theater, appearing on Broadway in a small part in the revue “Three to Make Ready.” She toured in summer stock and finally made a dent in New York as a madcap Helen of Troy in 1954’s “The Golden Apple,” drawing applause with her song “Lazy Afternoon.” One critic called her performance “a wonder of insinuation.”

She also won critical praise for her role as “The Incomparable Rosalie,” the magician’s assistant and mistress in 1961’s “Carnival!,” a musicalized version of the movie “Lili.” She sang “Always, Always You” while stretched out in a box the jealous magician was piercing with swords.

Ballard began working on TV in the early 1950s, becoming an in-demand performer on network variety programs including “The Mel Torme Show” and those of Ed Sullivan and Perry Como. She also became a favorite of talk show hosts, making repeat appearances with Jack Paar, Merv Griffin and Johnny Carson.

TV regular

She was a regular on “The Doris Day Show” in the 1970s and the 1990s TV series “Due South.”

Her nightclub act played in first-class venues including the Blue Angel in New York, Mr. Kelly’s in Chicago, the Flamingo in Las Vegas and the hungry i in San Francisco.

She was born Catherine Gloria Ballota to Italian immigrant parents in Cleveland, Ohio, on Nov. 20, 1925, according to her 2006 memoir “How I Lost 10 Pounds in 53 Years.” (She noted she had always said she was born in 1926.) 

She changed her name to Kaye Ballard when she entered show business. On the advice of a numerologist she switched to Kay in midcareer.

“He said my luck would change if I dropped the `e’,” she told a reporter in 1983. “It did. It went steadily downward.”

She eventually returned to being Kaye.

‘Wasn’t pretty enough’

Determined to become an actress, she would not be discouraged by a high school teacher who rejected her for a drama class, concluding she “wasn’t pretty enough,” nor her parents, who didn’t understand the business.

She sang at service clubs and appeared at a “Stage Door Canteen” in Cleveland. After graduating from high school she worked at a burlesque theater, not as a stripper but as straight woman in comedy sketches. She went on the road with her act of songs, comedy and impressions of famous stars and in Detroit made the fortuitous connection with Jones.

In the early 2000s, Ballard toured with other stars in a musical comedy “Nunsense” and joined the touring company of the Broadway hit “The Full Monty” as piano player for six men who stripped to make money with a musical show.

Career came first 

Ballard was engaged four times but never married.

“I didn’t want to,” she told The Associated Press in 1999. “I could have, many times. But I just wanted a career too much. I was smart enough to know, if you get married and have children, that’s it. Being Italian and raised as a Catholic, I took children seriously. Maybe I made a mistake. Who knows?”

She purchased her Southern California desert home from Arnaz in the early 1940s.

“It’s a stone’s throw from Gerald Ford,” she said of her presidential neighbor in a 1981 interview. “When he moved in, he upped my property value. It made me think of becoming a Republican.”

A non-starter was ever leaving show business, even as the years passed.

“I’m not going to retire. I don’t believe in retiring,” she told the AP in 2001. “I do take more time off now to enjoy life and my three dogs and house. But if something wonderful comes up, I’m ready.” 
…

Kaye Ballard, the boisterous comedian and singer who appeared in Broadway musicals and nightclubs from New York to Las Vegas and starred with Eve Arden in the 1960s TV sitcom “The Mothers-In-Law,” has died. She was 93.

Ballard died Monday night at her home in Rancho Mirage, California, after a fight with kidney cancer, her friend Marguerite Gordon said Tuesday.

“The Mothers-In-Law,” in which Ballard starred with Arden (of the 1950s sitcom “Our Miss Brooks”), aired from 1967 to 1969. It marked a high point in a career that began when Ballard was 12 and lasted into the 21st century.

She was on hand last week when a documentary on her life and career premiered at the Palm Springs International Film Festival.

“She was so excited to be able to tell her story,” said Dan Wingate, the film’s director. “She was really anxious for young people, especially, who are going into the arts to understand the full breadth of a life in the arts, the ups and downs.”

The audience’s response was gratifying for her, “to hear that applause and feel that love,” Wingate said, and she was thrilled when the documentary was singled out for festival honors.

’The Mothers-In-Law’

​”The Mothers-In-Law” was set in a Los Angeles suburb and featured its stars as women who become thorns in their married children’s lives, with comedic results influenced by the screwball style of “I Love Lucy.” 

Desi Arnaz, who starred with wife Lucille Ball in that classic sitcom, produced and directed 24 episodes of the Ballard-Arden show. The “I Love Lucy” team of Bob Carroll Jr. and Madelyn Pugh Davis were the show’s creators and lead writers.

Ballard made a mark in every form of show business except movies. She did appear as a secondary player in a few films, including 1958’s “The Girl Most Likely” starring Jane Powell and in 1964’s “A House Is Not a Home,” but her high-octane personality may have been too potent for the big screen of that era and its more restrictive portrayals of women.  

Movie stardom

Movie stardom was her first dream, as it was for others of her generation, filmmaker Wingate said, and he wanted the documentary to be seen on the big screen to help fulfill that goal.

But even falling short of a big film career, “she was able to reach and endear herself to so many people,” he said. 

Ballard’s first real break came when she was singing in a Detroit nightclub, The Bowery. Comedy bandleader Spike Jones dropped in one night and quickly drafted the exuberant young singer into his musical contingent. For two years she toured with Jones’ troupe, singing, playing the flute and tuba and engaging in the band’s antics. She also sang with the bands of Vaughn Monroe and Stan Kenton.

Moved to New York

In 1945 she moved to New York and sought work in theater, appearing on Broadway in a small part in the revue “Three to Make Ready.” She toured in summer stock and finally made a dent in New York as a madcap Helen of Troy in 1954’s “The Golden Apple,” drawing applause with her song “Lazy Afternoon.” One critic called her performance “a wonder of insinuation.”

She also won critical praise for her role as “The Incomparable Rosalie,” the magician’s assistant and mistress in 1961’s “Carnival!,” a musicalized version of the movie “Lili.” She sang “Always, Always You” while stretched out in a box the jealous magician was piercing with swords.

Ballard began working on TV in the early 1950s, becoming an in-demand performer on network variety programs including “The Mel Torme Show” and those of Ed Sullivan and Perry Como. She also became a favorite of talk show hosts, making repeat appearances with Jack Paar, Merv Griffin and Johnny Carson.

TV regular

She was a regular on “The Doris Day Show” in the 1970s and the 1990s TV series “Due South.”

Her nightclub act played in first-class venues including the Blue Angel in New York, Mr. Kelly’s in Chicago, the Flamingo in Las Vegas and the hungry i in San Francisco.

She was born Catherine Gloria Ballota to Italian immigrant parents in Cleveland, Ohio, on Nov. 20, 1925, according to her 2006 memoir “How I Lost 10 Pounds in 53 Years.” (She noted she had always said she was born in 1926.) 

She changed her name to Kaye Ballard when she entered show business. On the advice of a numerologist she switched to Kay in midcareer.

“He said my luck would change if I dropped the `e’,” she told a reporter in 1983. “It did. It went steadily downward.”

She eventually returned to being Kaye.

‘Wasn’t pretty enough’

Determined to become an actress, she would not be discouraged by a high school teacher who rejected her for a drama class, concluding she “wasn’t pretty enough,” nor her parents, who didn’t understand the business.

She sang at service clubs and appeared at a “Stage Door Canteen” in Cleveland. After graduating from high school she worked at a burlesque theater, not as a stripper but as straight woman in comedy sketches. She went on the road with her act of songs, comedy and impressions of famous stars and in Detroit made the fortuitous connection with Jones.

In the early 2000s, Ballard toured with other stars in a musical comedy “Nunsense” and joined the touring company of the Broadway hit “The Full Monty” as piano player for six men who stripped to make money with a musical show.

Career came first 

Ballard was engaged four times but never married.

“I didn’t want to,” she told The Associated Press in 1999. “I could have, many times. But I just wanted a career too much. I was smart enough to know, if you get married and have children, that’s it. Being Italian and raised as a Catholic, I took children seriously. Maybe I made a mistake. Who knows?”

She purchased her Southern California desert home from Arnaz in the early 1940s.

“It’s a stone’s throw from Gerald Ford,” she said of her presidential neighbor in a 1981 interview. “When he moved in, he upped my property value. It made me think of becoming a Republican.”

A non-starter was ever leaving show business, even as the years passed.

“I’m not going to retire. I don’t believe in retiring,” she told the AP in 2001. “I do take more time off now to enjoy life and my three dogs and house. But if something wonderful comes up, I’m ready.” 
…

In the cliffs high above the Dead Sea archaeologists chip away with pick axes, hoping to repeat one of the most sensational discoveries of the last hundred years – the finding of the Dead Sea Scrolls.

The scrolls, a collection of manuscripts, some more than 2,000 years old, were first found in 1947 by local Bedouin in the area of Qumran, about 20 km east of Jerusalem.

They gave insight into Jewish society and religion before and after the time of Jesus, and spurred a decade of exploration, before the search fizzled.

Recent finds have stirred fresh excitement however, and archaeologists are probing higher and deeper than before. Hundreds of caves remain unexcavated and the experts are racing against antiquities robbers.

“In the last few years we noticed new pieces of scrolls and parchments arrive on the black market,” said Oren Gutfeld, an archaeologist at Hebrew University in Jerusalem.

“It drove us to return to the caves,” he said, sitting at the entrance of a cliffside grotto known to his team as “52B”.

In 2017 his team discovered remains of storage jugs in a previously-unexcavated cave at Qumran, though any scrolls they may have held were missing.

At about 200 meters (656 ft) above the level of the Dead Sea, 52B is higher than where the scrolls were found in the 1950s, which may or may not have made it an ideal hiding place.

Towards the back of the cave is a narrow burrow, packed with debris from centuries of wind and flash floods, that when cleared could extend about 10 meters. Volunteers sift through buckets of dirt.

“People thought there was nothing left to find … there just wasn’t incentive to do this,” said Randall Price, a professor at Liberty University, a Christian campus in the United States, who helped fund the dig.

But 52B did not appear on previous surveys and could yield precious secrets, Price said.

LOST TREASURES

In the narrow streets of the open-air shuk (market) of Jerusalem’s Old City, Eitan Klein of the Israel Antiquities Authority stops by dealers to make sure their goods appear in an official registry and are not being traded on the black market.

Klein is deputy director of the authority’s robbery prevention unit, which in late 2016 recovered a fragment of text on a piece of papyrus mentioning the word ‘Jerusalem’ from the 7th century B.C. that had been plundered from a cave by antiquities robbers.

Following the papyrus’ discovery and other intelligence operations, Klein said “the assumption is that there are still artifacts inside the caves waiting to be found. The question is, who will discover them?”

New discoveries could also help solve the debate over who authored the Dead Sea Scrolls.

Expanding the search to further possibilities is the Copper Scroll, found in Qumran in 1952. Unlike its companions that were written on parchment or papyrus, this was a list of 64 hiding places for gold and valuables, etched on copper.

Hebrew University’s Gutfeld said the treasure referred to may be from the ancient Jewish temple in Jerusalem. In 2006 he finished excavating two manmade tunnels not far from Qumran that he believes matched a description in the Copper Scroll of the so-called Valley of Shadow.

One of the tunnels, a two-meter high, shoulder-width corridor, extended 125 meters underground. No treasure was found, but Gutfeld promised to continue searching in new spots.

“I’m not a treasure hunter. I’m an archaeologist,” Gutfeld said. But he added: “We hope to find any hint or relationship to what we know from the text of the Copper Scroll.”

 
…

In the cliffs high above the Dead Sea archaeologists chip away with pick axes, hoping to repeat one of the most sensational discoveries of the last hundred years – the finding of the Dead Sea Scrolls.

The scrolls, a collection of manuscripts, some more than 2,000 years old, were first found in 1947 by local Bedouin in the area of Qumran, about 20 km east of Jerusalem.

They gave insight into Jewish society and religion before and after the time of Jesus, and spurred a decade of exploration, before the search fizzled.

Recent finds have stirred fresh excitement however, and archaeologists are probing higher and deeper than before. Hundreds of caves remain unexcavated and the experts are racing against antiquities robbers.

“In the last few years we noticed new pieces of scrolls and parchments arrive on the black market,” said Oren Gutfeld, an archaeologist at Hebrew University in Jerusalem.

“It drove us to return to the caves,” he said, sitting at the entrance of a cliffside grotto known to his team as “52B”.

In 2017 his team discovered remains of storage jugs in a previously-unexcavated cave at Qumran, though any scrolls they may have held were missing.

At about 200 meters (656 ft) above the level of the Dead Sea, 52B is higher than where the scrolls were found in the 1950s, which may or may not have made it an ideal hiding place.

Towards the back of the cave is a narrow burrow, packed with debris from centuries of wind and flash floods, that when cleared could extend about 10 meters. Volunteers sift through buckets of dirt.

“People thought there was nothing left to find … there just wasn’t incentive to do this,” said Randall Price, a professor at Liberty University, a Christian campus in the United States, who helped fund the dig.

But 52B did not appear on previous surveys and could yield precious secrets, Price said.

LOST TREASURES

In the narrow streets of the open-air shuk (market) of Jerusalem’s Old City, Eitan Klein of the Israel Antiquities Authority stops by dealers to make sure their goods appear in an official registry and are not being traded on the black market.

Klein is deputy director of the authority’s robbery prevention unit, which in late 2016 recovered a fragment of text on a piece of papyrus mentioning the word ‘Jerusalem’ from the 7th century B.C. that had been plundered from a cave by antiquities robbers.

Following the papyrus’ discovery and other intelligence operations, Klein said “the assumption is that there are still artifacts inside the caves waiting to be found. The question is, who will discover them?”

New discoveries could also help solve the debate over who authored the Dead Sea Scrolls.

Expanding the search to further possibilities is the Copper Scroll, found in Qumran in 1952. Unlike its companions that were written on parchment or papyrus, this was a list of 64 hiding places for gold and valuables, etched on copper.

Hebrew University’s Gutfeld said the treasure referred to may be from the ancient Jewish temple in Jerusalem. In 2006 he finished excavating two manmade tunnels not far from Qumran that he believes matched a description in the Copper Scroll of the so-called Valley of Shadow.

One of the tunnels, a two-meter high, shoulder-width corridor, extended 125 meters underground. No treasure was found, but Gutfeld promised to continue searching in new spots.

“I’m not a treasure hunter. I’m an archaeologist,” Gutfeld said. But he added: “We hope to find any hint or relationship to what we know from the text of the Copper Scroll.”

 
…

Oscar voters on Tuesday showered Alfonso Cuaron’s “Roma” and Yorgos Lanthimos’ “The Favourite” with a leading 10 nominations to the 91st Academy Awards, while two dominant but contentious Hollywood forces — Netflix and Marvel — each scored their first best picture nomination.

Though many expected “A Star Is Born,” Bradley Cooper’s tear-inducing revival of one of Hollywood’s most oft-remade show-business myths, to top nominations, Cooper was surprisingly overlooked as director and the academy instead put its fullest support behind a pair of smaller films by international directors.

With “Roma,” Netflix has scored its first best picture nomination, something the streaming giant has dearly sought. Cuaron tied the record for most decorated Oscar nominee ever for one film with four nods for his black-and-white, memory-drenched masterpiece. The Mexican-born director earned nods for direction, cinematography, original screenplay and best picture. Only Orson Welles (“Citizen Kane”) and Warren Beatty (“Reds,” ″Heaven Can Wait”) have landed four.

Lanthimos’ period romp “The Favourite” resounded most in the acting categories thanks to its trio of actresses: Olivia Colman in the best actress category, and Rachel Weisz and Emma Stone in supporting.

Along with “Roma” and “The Favourite,” the nominees for best picture are: “A Star Is Born,” ″Green Book,” ″Black Panther,” ″BlacKkKlansman,” ″Bohemian Rhapsody” and “Vice.”

Marvel also joined the club with “Black Panther,” the first superhero movie ever nominated for best picture. Despite the overwhelming popularity of comic book movies, they had previously been shunned from Hollywood’s top honor, to the consternation of some industry insiders. After “The Dark Knight” was snubbed, the academy expanded the best picture category from five to up to 10 nominees.

There has also been some resistance among some academy members to Netflix films since the company typically bypasses movie theaters. Steve Spielberg has said Netflix films are more like TV movies and deserve an Emmy, not an Oscar. Netflix altered its policy for “Roma” and two other films, premiering them first in theaters.

Spike Lee was nominated for his first directing Oscar 30 years after a writing nod for 1989′s “Do the Right Thing.” Notably left out of the category was Bradley Cooper, whose “A Star Is Born” landed eight nominations, including best actress for Lady Gaga, but was overlooked for Cooper’s direction. The other nominees were Lanthimos, Cuaron, Pawel Pawlikowski (“Cold War”) and Adam McKay (“Vice”).

On behalf of the Academy of Motion Pictures Arts and Sciences, presenters Kumail Nanjiani and Tracee Ellis Ross unveiled nominations Tuesday morning from Los Angeles’ Samuel Goldwyn Theatre.

The nominees for best actor are Bradley Cooper, Christian Bale (“Vice”), Willem Dafoe (“At Eternity’s Gate”), Rami Malek (“Bohemian Rhapsody”) and Viggo Mortensen (“Green Book”).

Up for best actress are Yalitza Aparicio (“Roma”), Glenn Close (“The Wife”), Olivia Colman (“The Favourite”), Lady Gaga and Melissa McCarthy (“Can You Ever Forgive Me?”).

The nominees for best supporting actress are Amy Adams (“Vice”), Marina De Tavira (“Roma”), Regina King (“If Beale Street Could Talk”), Emma Stone (“The Favourite”) and Rachel Weisz (“The Favourite”). Tavira was something a surprise, while Claire Foy of “First Man” was left out.

Up for best supporting actor are: Mahershala Ali (“Green Book”), Adam Driver (“BlacKkKlansman”), Sam Elliott (“A Star Is Born”), Richard E. Grant (“Can You Ever Forgive Me?”) and Sam Rockwell (“Vice”). Notably snubbed was Timothy Chalamet (“Beautiful Boy”).

The lead-up to Tuesday’s nominations was rocky for both the film academy and some of the contending movies. Shortly after being announced as host, Kevin Hart was forced to withdraw over years-old homophobic tweets that the comedian eventually apologized for. That has left the Oscars, one month before the Feb. 24 ceremony, without an emcee, and likely to stay that way.

Some film contenders, like Peter Farrelly’s “Green Book” and the Freddie Mercury biopic “Bohemian Rhapsody,” have suffered waves upon waves of backlash, even as their awards tallies have mounted. On Saturday, “Green Book” won the top award from the Producers Guild, an honor that has been a reliable Oscar barometer. In the 10 years since the Oscars expanded its best-picture ballot, the PGA winner has gone on to win best picture eight times.

The season’s steadiest contender — Cooper’s “A Star Is Born” — looked potentially unbeatable until it got beat. Despite an enviable string of awards and more than $400 million in worldwide box office, Cooper’s lauded remake was almost totally ignored at the Golden Globes. Still, “A Star Is Born” was the sole film to land top nominations from virtually every guild group.

The academy is reportedly planning to go host-less following Hart’s exit, something it has tried only once before in an infamous 1989 telecast that featured a lengthy musical number with Rob Lowe and Snow White.

The Oscars last year hit a new ratings low, declining 20 percent and averaging 26.5 million viewers. Though ratings for award shows have generally been dropping, the downturn prompted the academy to revamp this year’s telecast. Though initial plans for a new popular film category were scuttled, the academy is planning to present some awards off-air and keep the broadcast to three hours.
…

U.S. singer Chris Brown and two other people are in custody in Paris after a woman filed a rape complaint, French officials said Tuesday.

Brown was detained Monday on potential charges of aggravated rape and drug infractions and remained in custody Tuesday, a judicial official said. Investigators have another two days to decide whether to let him go or file preliminary charges.

Brown’s publicists at Sony Music would not immediately comment on the complaint or say what Brown, 29, was doing in Paris.

Brown has been in repeated legal trouble since pleading guilty to the felony assault in 2009 of his then-girlfriend, Rihanna. He completed his probation in that case in 2015.

One of Brown’s bodyguards is among the others detained, according to a Paris police official.

The woman who filed the complaint said she met Brown and his friends at the club Le Crystal in the 17th arrondissement of northwestern Paris on Wednesday, and then they all went to the Mandarin Oriental Hotel near the Concorde Plaza in central Paris, according to the official.

Neither official was authorized to be publicly named discussing the investigation.

 
…