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LYPIVKA, Ukraine — This Orthodox Easter season, an extraordinary new church is bringing spiritual comfort to war-weary residents of the Ukrainian village of Lypivka. Two years ago, it also provided physical refuge from the horrors outside.

Almost 100 residents sheltered in a basement chapel at the Church of the Intercession of the Blessed Virgin Mary while Russian troops occupied the village in March 2022 as they closed in on Ukraine’s capital, Kyiv, 60 kilometers to the east.

“The fighting was right here,” the Rev. Hennadii Kharkivskyi said. He pointed to the churchyard, where a memorial stone commemorates six Ukrainian soldiers killed in the battle for Lypivka.

“They were injured and then the Russians came and shot each one, finished them off,” he said.

The two-week Russian occupation left the village shattered and the church itself — a modern replacement for an older structure — damaged while still under construction. It’s one of 129 war-damaged Ukrainian religious sites recorded by UNESCO, the United Nations’ cultural organization.

“It’s solid concrete,” the priest said. “But it was pierced easily” by Russian shells, which blasted holes in the church and left a wall inside pockmarked with shrapnel scars. At the bottom of the basement staircase, a black scorch mark shows where a grenade was lobbed down.

But within weeks, workers were starting to repair the damage and work to finish the solid building topped by red domes that towers over the village, with its scarred and damaged buildings, blooming fruit trees and fields that the Russians left littered with land mines.

For many of those involved — including a tenacious priest, a wealthy philanthropist, a famous artist and a team of craftspeople — rebuilding this church plays a part in Ukraine’s struggle for culture, identity and its very existence. The building, a striking fusion of the ancient and the modern, reflects a country determined to express its soul even in wartime.

The building’s austere exterior masks a blaze of color inside. The vibrant red, blue, orange and gold panels decorating walls and ceiling are the work of Anatoliy Kryvolap, an artist whose bold, modernist images of saints and angels make this church unique in Ukraine.

The 77-year-old Kryvolap, whose abstract paintings sell for tens of thousands of dollars at auction, said that he wanted to eschew the severe-looking icons he’d seen in many Orthodox churches.

“It seems to me that going to church to meet God should be a celebration,” he said.

There has been a church on this site for more than 300 years. An earlier building was destroyed by shelling during World War II. The small wooden church that replaced it was put to more workaday uses in Soviet times, when religion was suppressed.

Kharkivskyi reopened the parish in 1992 following the collapse of the Soviet Union, and set about rebuilding the church, spiritually and physically, with funding from Bohdan Batrukh, a Ukrainian film producer and distributor.

Work stopped when Russian troops launched a full-scale invasion of Ukraine on Feb. 24, 2022. Moscow’s forces reached the fringes of Kyiv before being driven back. Lypivka was liberated by the start of April.

Since then, fighting has been concentrated in the east and south of Ukraine, though aerial attacks with rockets, missiles and drones are a constant threat across the country.

By May 2022, workers had resumed work on the church. It has been slow going. Millions of Ukrainians fled the country when war erupted, including builders and craftspeople. Hundreds of thousands of others have joined the military.

Inside the church, a tower of wooden scaffolding climbs up to the dome, where a red and gold image of Christ raises a hand in blessing.

For now, services take place in the smaller basement, where the priest, in white and gold robes, recently conducted a service for a couple of dozen parishioners as the smell of incense wafted through the candlelit room.

He is expecting a large crowd for Easter, which falls on Sunday. Eastern Orthodox Christians usually celebrate Easter later than Catholic and Protestant churches, because they use a different method of calculating the date for the holy day that marks Christ’s resurrection.

A majority of Ukrainians identify as Orthodox Christians, though the church is divided. Many belong to the independent Orthodox Church of Ukraine, with which the Lypivka church is affiliated. The rival Ukrainian Orthodox Church was loyal to the patriarch in Moscow until splitting from Russia after the 2022 invasion and is viewed with suspicion by many Ukrainians.

Kharkivskyi says the size of his congregation has remained stable even though the population of the village has shrunk dramatically since the war began. In tough times, he says, people turn to religion.

“Like people say: ‘Air raid alert — go see God,’” the priest said wryly.

Liudmyla Havryliuk, who has a summer home in Lypivka, found herself drawn back to the village and its church even before the fighting stopped. When Russia invaded, she drove to Poland with her daughters, then 16 and 18 years old. But within weeks she came back to the village she loves, still besieged by the Russians.

The family hunkered down in their home, cooking with firewood, drawing water from a well, sometimes under Russian fire. Havryliuk said that when they saw Russian helicopters, they held hands and prayed.

“Not prayer in strict order, like in the book,” she said. “It was from my heart, from my soul, about what should we do? How can I save myself and especially my daughters?”

She goes to Lypivka’s church regularly, saying it’s a “place you can shelter mentally, within yourself.”

As Ukraine marks its third Easter at war, the church is nearing completion. Only a few of Kryvolap’s interior panels remain to be installed. He said that the shell holes will be left unrepaired as a reminder to future generations.

“(It’s) so that they will know what kind of ‘brothers’ we have, that these are just fascists,” he said, referring to the Russians.

“We are Orthodox, just like them, but destroying churches is something inhumane.”
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Egypt’s eighth annual Aswan International Women Film Festival took place from April 20 to 25. This year’s focus was on the resilience of women, with Egypt’s economic turmoil and the war in neighboring Gaza as a backdrop. Cairo-based photojournalist Hamada Elrasam captured scenes around the festival in Aswan, Egypt’s southernmost city known as the country’s ancient gateway. Captions by Elle Kurancid.
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Barcelona, Spain — French Iranian artist Marjane Satrapi, whose graphic novel “Persepolis” tells the story of a girl growing up in post-revolutionary Iran, was awarded Spain’s prestigious Princess of Asturias Prize for Communication and Humanity on Tuesday. 

The prize jury praised the 54-year-old as “one of the most prominent names in international comics, author of what is, for many, one of the best graphic novels ever published.” 

“Satrapi is a symbol of civic engagement led by women,” the jury said, calling her “an essential voice in the defense of human rights and freedom.” 

Born in Iran, Satrapi recounts in “Persepolis” her years as an outspoken teenager chafing at the Islamic revolution and its restrictions imposed on women, especially for one from a progressive family like hers. It also tells of the hardships of the Iran-Iraq war. 

At 14, her parents sent her to school in Vienna to avoid arrest over her defiance of the regime. She later returned to Tehran but left for France in 1994, embarking on her career as an author, film director and painter. 

Her animated film adaptation of “Persepolis” won her a nomination at the Academy Awards in 2008. 

Satrapi said it was “a great honor” to win the Spanish prize, which she dedicated to rapper Toomaj Saleh, who was sentenced to death last week in Iran. 

The verdict was seen by activists as retaliation for his music backing nationwide protests that erupted in 2022 following the death in police custody of the young Kurdish woman Mahsa Amini. 

“I take this opportunity to celebrate the fierce fight of my people for human rights and freedom. Today it is all the young people who lost their lives and the ones who continue the combat for liberty in Iran that are celebrated,” she said in a statement. 

Amini had been detained over an alleged breach of the Islamic republic’s strict dress rules for women. The months of unrest following her death on September 16, 2022, saw hundreds of people killed, including dozens of security personnel, and thousands more arrested. 

Satrapi last year coordinated the graphic novel “Woman, Life, Freedom” with a group of artists that illustrated the revolts. 

The 50,000-euro ($54,000) award is one of eight Asturias prizes covering the arts, science and other areas handed out yearly by a foundation named for Spanish Crown Princess Leonor. 

The awards will be handed out at a ceremony hosted by Spain’s King Felipe VI in October. 
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houston — Time marches on and all good things must come to an end. But don’t tell that to The Rolling Stones.

What many believe to be the greatest rock ‘n’ roll band in the world showed no signs of slowing down anytime soon as they kicked off their latest tour Sunday night at NRG Stadium in Houston, Texas.

The Stones have been touring for more than 60 years. Frontman Mick Jagger and lead guitarist Keith Richards are both 80, with guitarist Ronnie Wood not far behind at 76. Their tour is being sponsored in part by AARP.

But during a vibrant two-hour show, the Stones played with the energy of a band that was on tour for the first time.

“It’s great to be back in the Lone Star State,” Jagger told the packed stadium, filled with longtime fans, many wearing faded concert shirts from previous tours.

Jagger often strutted up and down the stage with seemingly boundless energy while Richards and Wood played many familiar guitar riffs beloved by fans. Jagger often led the audience in sing-alongs.

“The energy level is up and it’s always up with them. The age doesn’t show,” Dale Skjerseth, the Stones’ production director, said Friday before the concert.

The Stones have hit the road to support the release of their latest album, “Hackney Diamonds,” the band’s first record of original music since 2005.

Houston was the first stop on the band’s 16-city tour across the U.S. and Canada. Other cities on the tour include New Orleans, Philadelphia and Vancouver, British Columbia. The tour ends on July 17 in Santa Clara, California.

During Sunday’s 18-song concert set list, the Stones played several tracks off the new record, including the lead single, “Angry.” They also played classics including “Sympathy for the Devil,” “Gimme Shelter,” “Honky Tonk Women” and “Start Me Up.”

After playing “Beast of Burden,” Jagger said that concertgoers in Houston had voted to include it on the set list.

“You can’t go wrong with that,” one man in the audience could be heard screaming.

The Stones also played some unexpected choices, including “Rocks Off,” from their 1972 double album “Exile on Main St.” and “Out of Time,” a 1966 song that Jagger said during the concert had not ever been played by the band in the U.S.

With the 2021 death of drummer Charlie Watts, the Stones are now comprised of the core trio of Jagger, Richards and Wood. On Sunday, they were backed by various musicians including two keyboardists, a new drummer, backup singers and a brass section.

While the stage was surrounded by a large collection of video screens projecting images throughout the show, the main focus of the concert was the band and their songs.

Before Sunday’s concert, Jagger spent time on Friday touring NASA’s Johnson Space Center in suburban Houston, posting photos on his Instagram account of him with astronauts inside Mission Control.

“I had an amazing trip to the space center,” Jagger said.

When asked if the band might be thinking about retiring, Skjerseth said he doubts that will happen.

“This is not the end. They’re very enthused,” he said.
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new york — The U.S. Soccer Federation and its Mexican counterpart dropped their joint bid to host the 2027 Women’s World Cup on Monday and said they instead will focus on trying to host the 2031 tournament.

The decision left a proposal from Brazil and a joint Germany-Netherlands-Belgium plan competing to be picked for 2027 by the FIFA Congress that meets May 17 in Bangkok.

The USSF said the 2031 bid will call for FIFA to invest equally in the men’s and women’s World Cups.

FIFA said last year it planned to spend $896 million in prize money for the 2026 World Cup in the United States, Mexico and Canada. The governing body devoted $110 million in prize money for last year’s Women’s World Cup in Australia and New Zealand.

“Hosting a World Cup tournament is a huge undertaking — and having additional time to prepare allows us to maximize its impact across the globe,” USSF President Cindy Parlow Cone said in a statement. “I’m proud of our commitment to provide equitable experiences for the players, fans and all our stakeholders. Shifting our bid will enable us to host a record-breaking Women’s World Cup in 2031 that will help to grow and raise the level of the women’s game both here at home as well as across the globe.”

In detailing the bid in December, the USSF proposed U.S. sites from among the same 11 to be used in the 2026 men’s World Cup. Mexico listed Guadalajara, Mexico City and Monterrey — its three sites for the men’s World Cup — and in addition for 2027 listed as possibilities Leon and Querétaro.

“We feel that moving our bid back to 2031 will allow us to promote and build up to the most successful Women’s World Cup ever,” MFF President Ivar Sisniega said in a statement. “The strength and universality of our professional women’s leagues, coupled with our experience from organizing the 2026 World Cup, means that we will be able to provide the best infrastructure as well as an enthusiastic fan base that will make all the participating teams feel at home and to put together a World Cup that will contribute to the continued growth of women’s football.”
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Tehran, Iran — Iranian authorities have banned an Egyptian TV series depicting a medieval Persian figure over historical “distortions” and “a biased approach,” state media reported Sunday.

“The Assassins,” or “El-Hashashin” in Arabic, recounts the story of Hassan-i Sabbah, the controversial founder of an offshoot Shiite Muslim sect known for bloody political assassinations during the 11th century.

The 30-episode series about Sabbah and his band of assassins, who operated out of mountain bases in northern and western Iran, was first broadcast during the holy Muslim month of Ramadan which ended earlier this month.

The show has since gained popularity across the Middle East, but the head of Tehran’s audiovisual media regulatory body, Mehdi Seifi, said that “the broadcast of ‘El-Hashashin’ series… is no longer approved in Iran.”

“Its narrative of Islamic history includes many distortions, and it seems to have been produced with a biased political approach,” Seifi was quoted as saying by the official IRNA news agency, without elaborating.

IRNA said the series shows “a false image of Iranians” and quoted experts who argued it sought to link Iranians to the “inception of terrorism.”  

Another news agency, ISNA, said the series was a “perfect example” of the “modification and falsification of truth.”

The notorious legends of Sabbah and his medieval order have inspired multiple works of fiction over the years.

The remains of the Alamut castle, where the group resided, is today a tourist destination in northern Iran. 
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London — Prince Harry will return to Britain to celebrate the 10th anniversary of his Invictus Games in May, before joining his wife Meghan on a visit to Nigeria, his spokesperson said Sunday. 

Harry, the youngest son of King Charles, lives in the United States with Meghan and their two children after he gave up working as a member of the royal family in 2020. 

He has only returned to Britain on a few occasions since his departure from royal life, arriving for major events such as the funeral of Queen Elizabeth in 2022 and his father’s coronation in May 2023. 

His spokesperson said Harry would attend a service at St. Paul’s Cathedral in London on May 8 to celebrate the Invictus Games, the international sporting event that he founded for military personnel wounded in action. 

Harry served as a military helicopter pilot in Afghanistan and Invictus organizers said the service was designed to mark “a decade of changing lives and saving lives through sport.” 

It will include readings by Harry and the British actor Damian Lewis. Wounded veterans and members of the Invictus community will also attend. 

Harry will then be joined in Nigeria by Meghan, a former American actress who is known as the Duchess of Sussex. Harry’s spokesperson said the couple had been invited by the country’s chief of defense staff, its highest-ranking military official. 

No further details were given about the trip. 

Harry was last seen in Britain in February this year for a brief meeting with his father after the monarch announced that he had been diagnosed with cancer. 

The palace said Friday that Charles would return to public duties after he made good progress following treatment and a period of recuperation. 
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VENICE, Italy — Venice has always been a place of contrasts, of breathtaking beauty and devastating fragility, where history, religion, art and nature have collided over the centuries to produce an otherworldly gem of a city. But even for a place that prides itself on its culture of unusual encounters, Pope Francis’ visit Sunday stood out.

Francis traveled to the lagoon city to visit the Holy See’s pavilion at the Biennale contemporary art show and meet with the people who created it. But because the Vatican decided to mount its exhibit in Venice’s women’s prison, and invited inmates to collaborate with the artists, the whole project assumed a far more complex meaning, touching on Francis’ belief in the power of art to uplift and unite, and of the need to give hope and solidarity to society’s most marginalized.

Francis hit on both messages during his visit, which began in the courtyard of the Giudecca prison where he met with the women inmates one by one. As some of them wept, Francis urged them to use their time in prison as a chance for “moral and material rebirth.”

“Paradoxically, a stay in prison can mark the beginning of something new, through the rediscovery of the unsuspected beauty in us and in others, as symbolized by the artistic event you are hosting and the project to which you actively contribute,” Francis said.

Francis then met with Biennale artists in the prison chapel, decorated with an installation by Brazilian visual artist Sonia Gomes of objects dangling from the ceiling, meant to draw the viewer’s gaze upward. He urged the artists to embrace the Biennale’s theme this year “Strangers Everywhere,” to show solidarity with all those on the margins.

The Vatican exhibit has turned the Giudecca prison, a former convent for reformed prostitutes, into one of the must-see attractions of this year’s Biennale, even though to see it visitors must reserve in advance and go through a security check. It has become an unusual art world darling that greets visitors at the entrance with Maurizio Cattelan’s wall mural of two giant filthy feet, a work that recalls Caravaggio’s dirty feet or the feet that Francis washes each year in a Holy Thursday ritual that he routinely performs on prisoners.

The exhibit also includes a short film starring the inmates and Zoe Saldana, and prints in the prison coffee shop by onetime Catholic nun and American social activist Corita Kent.

Francis’ dizzying morning visit, which ended with Mass in St. Mark’s Square, represented an increasingly rare outing for the 87-year-old pontiff, who has been hobbled by health and mobility problems that have ruled out any foreign trips so far this year.

And Venice, with its 121 islands and 436 bridges, isn’t an easy place to negotiate. But Francis pulled it off, arriving by helicopter from Rome, crossing the Giudecca Canal in a water taxi and then arriving in St. Mark’s Square in a mini popemobile that traversed the Grand Canal via a pontoon bridge erected for the occasion.

During an encounter with young people at the iconic Santa Maria della Salute basilica, Francis acknowledged the miracle that is Venice, admiring its “enchanting beaty” and tradition as a place of East-West encounter, but warning that it is increasingly vulnerable to climate change and depopulation.

“Venice is at one with the waters upon which it sits,” Francis said. “Without the care and safeguarding of this natural environment, it might even cease to exist.”

Venice, sinking under rising sea levels and weighed down by the impact of overtourism, is in the opening days of an experiment to try to limit the sort of day trips that Francis undertook Sunday.

Venetian authorities last week launched a pilot program to charge day-trippers 5 euros ($5.35) apiece on peak travel days. The aim is to encourage them to stay longer or come at off-peak times, to cut down on crowds and make the city more livable for its dwindling number of residents.

For Venice’s Catholic patriarch, Archbishop Francesco Moraglia, the new tax program is a worthwhile experiment, a potential necessary evil to try to preserve Venice as a livable city for visitors and residents alike.

Moraglia said Francis’ visit — the first by a pope to the Biennale — was a welcome boost, especially for the women of the Giudecca prison who participated in the exhibit as tour guides and as protagonists in some of the artworks.

He acknowledged that Venice over the centuries has had a long, complicated, love-hate relationship with the papacy, despite its central importance to Christianity.

The relics of St. Mark — the top aide to St. Peter, the first pope — are held here in the basilica, which is one of the most important and spectacular in all of Christendom. Several popes have hailed from Venice — in the past century alone three pontiffs were elected after being Venice patriarchs. And Venice hosted the last conclave held outside the Vatican: the 1799-1800 vote that elected Pope Paul VII.

But for centuries before that, relations between the independent Venetian Republic and the Papal States were anything but cordial as the two sides dueled over control of the church. Popes in Rome issued interdicts against Venice that essentially excommunicated the entire territory. Venice flexed its muscles back by expelling entire religious orders, including Francis’ own Jesuits.

“It’s a history of contrasts because they were two competitors for so many centuries,” said Giovanni Maria Vian, a church historian and retired editor of the Vatican newspaper L’Osservatore Romano whose family hails from Venice. “The papacy wanted to control everything, and Venice jealously guarded its independence.”

Moraglia said that troubled history is long past and that Venice was welcoming Francis with open arms and gratitude, in keeping with its history as a bridge between cultures.

“The history of Venice, the DNA of Venice — beyond the language of beauty and culture that unifies — there’s this historic character that says that Venice has always been a place of encounter,” he said.

Francis said as much as he closed out Mass in St. Mark’s before an estimated 10,500 people.

“Venice, which has always been a place of encounter and cultural exchange, is called to be a sign of beauty available to all,” Francis said. “Starting with the least, a sign of fraternity and care for our common home.”
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KYIV, Ukraine — Even amid war, Ukraine finds time for the glittery, pop-filled Eurovision Song Contest. Perhaps now even more than ever.

Ukraine’s entrants in the pan-continental music competition — the female duo of rapper alyona alyona and singer Jerry Heil — set off from Kyiv for the competition Thursday. In wartime, that means a long train journey to Poland, from where they will travel on to next month’s competition in Malmö, Sweden.

“We need to be visible for the world,” Heil told The Associated Press at Kyiv train station before her departure. “We need to show that even now, during the war, our culture is developing, and that Ukrainian music is something waiting for the world” to discover.

“We have to spread it and share it and show people how strong (Ukrainian) women and men are in our country,” added alyona, who spells her name with all lowercase letters.

Ukraine has long used Eurovision as a form of cultural diplomacy, a way of showing the world the country’s unique sound and style. That mission became more urgent after Russia’s full-scale invasion in February 2022. Russian President Vladimir Putin has denied that Ukraine existed as a distinct country and people before Soviet times.

Ukrainian singer Jamala won the contest in 2016 — two years after Russia illegally seized the Crimean Peninsula — with a song about the expulsion of Crimea’s Tatars by Stalin in 1944. Folk-rap band Kalush Orchestra took the Eurovision title in 2022 with Stefania, a song about the frontman’s mother that became an anthem to the war-ravaged motherland, with a haunting refrain on a traditional Ukrainian wind instrument.

Alyona and Heil will perform Maria & Teresa, an anthemic ode to inspiring women. The title refers to Mother Theresa and the Virgin Mary, and the lyrics include the refrain, in English: “All the divas were born as the human beings” — people we regard as saints were once flawed and human like the rest of us.

Heil said the message is that “we all make mistakes, but your actions are what define you.”

And, alyona added: “with enough energy you can win the war, you can change the world.”

The song blends alyona’s punchy rap style with Heil’s soaring melody and distinctly Ukrainian vocal style.

“Alyona is a great rapper, she has this powerful energy,” Heil said. “And I’m more soft.”

“But great melodies,” alyona added. “So she creates all the melodies and I just jump in.”

Ukraine has been at the forefront of turning Eurovision from a contest dominated by English-language pop songs to a more diverse and multilingual event. Jamala sang part of her song in the Crimean Tatar language, while Kalush Orchestra sang and rapped in Ukrainian.

Ukraine’s Eurovision win in 2022 brought the country the right to host the following year, but because of the war the 2023 contest was held in the English city of Liverpool, which was bedecked in blue and yellow Ukrainian flags for the occasion — a celebration of Ukraine’s spirit and culture.

Thirty-seven countries from across Europe and beyond — including Israel and Australia — will compete in Malmö in two Eurovision semifinals May 7 and 9, followed by a May 11 final. Ukraine currently ranks among bookmakers’ top five favorites alongside the likes of singer Nemo from Switzerland and Croatian singer-songwriter Baby Lasagna.

Russia, a long-time Eurovision competitor, was kicked out of the contest over the invasion.

The Ukrainian duo caught a train after holding a news conference where they announced a fundraising drive for a school destroyed by a Russian strike.

The duo is joining with charity fundraising platform United 24 to raise 10 million hryvnia (about $250,000) to rebuild a school in the village of Velyka Kostromka in southern Ukraine that was destroyed by a Russian rocket in October 2022. The school’s 250 pupils have been unable to attend class since then, relying on online learning.

Teacher Liudmyla Taranovych, whose children and grandchildren went to the school, said its destruction brought feelings of “pain, despair, hopelessness.”

“My grandchildren hugged me and asked, ‘Grandma, will they rebuild our school? Will it be as beautiful, flourishing, and bright as it was?'” she said.

From the rubble, another teacher managed to rescue one of the school’s treasured possessions — a large wooden key traditionally presented to first grade students to symbolize that education is the key to their future. It has become a sign of hope for the school.

Alyona and Heil have also embraced the key as a symbol, wearing T-shirts covered in small metal housekeys.

“It’s a symbol of something which maybe some people in Ukraine won’t have, because so many people lost their homes,” Heil said. “But they’re holding these keys in their pockets, and they’re holding the hope.”
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