Queen Latifah, Billy Crystal, Dionne Warwick Among 2023 Kennedy Center Honorees

The newest group of Kennedy Center honorees, including comedian Billy Crystal and actor Queen Latifah, are being feted Sunday night at a star-studded event marking their lifetime achievement in arts and entertainment.

Opera singer Renee Fleming, music star Barry Gibb and prolific hitmaker Dionne Warwick also are being honored at the black-tie gala. Each will receive personalized tributes that typically include appearances and performances that are kept secret from the honorees themselves.

In announcing the recipients earlier this year, the Kennedy Center’s president, Deborah F. Rutter, called this year’s group of inductees “an extraordinary mix of individuals who have redefined their art forms.”

Crystal, 75, came to national prominence in the 1970s playing Jodie Dallas, one of the first openly gay characters on American network television, on the sitcom “Soap.” He went on to a brief but memorable one-year stint on “Saturday Night Live” before starring in a string of movies, including hits such as “When Harry Met Sally…” “The Princess Bride” and “City Slickers.”

Crystal, who also received the Kennedy Center’s Mark Twain Prize for lifetime achievement in comedy in 2007, joins an elite group of comedians cited for both: David Letterman, Steve Martin, Lorne Michaels, Lily Tomlin, Carol Burnett and Neil Simon. Bill Cosby received both honors, but they were rescinded in 2018 following his sexual assault conviction, which later was overturned.

Warwick, 82, shot to stardom in the 1960s as the muse for the superstar songwriting team of Burt Bacharach and Hal David. Her discography includes a multidecade string of hits, both with and without Bacharach, that includes “I Say a Little Prayer,” “I’ll Never Love This Way Again” and “That’s What Friends Are For.”

Fleming, 64, is one of the leading sopranos of her era, with a string of accolades that includes a National Medal of Arts bestowed by President Barack Obama, a Cross of the Order of Merit from the German government and honorary membership in England’s Royal Academy of Music.

Gibb, 76, achieved global fame as part of one of the most successful bands in the history of modern music, the Bee Gees. Along with his late brothers Robin and Maurice, the trio launched a nearly unmatched string of hits that defined a generation of music.

Latifah, 53, has been a star since age 19 when her debut album and hit single “Ladies First” made her the first female crossover rap star. She has gone on to a diverse career that has included seven studio albums, starring roles in multiple television shows and movies and an Oscar nomination for best supporting actress for her role in the movie musical “Chicago.”

Fleming and Latifah, real name Dana Owens, also share an obscure bit of Kennedy Center Honors historical trivia. They both performed at the 2014 Super Bowl. Fleming sang the national anthem while Latifah performed “America the Beautiful.”

your ad here

Solar Grid Brings Light, Progress to Rural Nigerian Community

In early November, Nigeria launched its first interconnected solar hybrid mini grid in Nasarawa State to make electricity more reliable, renewable and accessible. Gibson Emeka has this story from Abuja, Nigeria, Grace Oyenubi narrates.

your ad here

Beyoncé’s ‘Renaissance’ Tops Box Office With $21 Million Debut

Beyoncé ruled the box office this weekend. Her concert picture, “Renaissance: A Film by Beyoncé,” opened in first place with $21 million in North American ticket sales, according to estimates from AMC Theatres Sunday.

The post-Thanksgiving, early December box office is notoriously slow, but “Renaissance” defied the odds. Not accounting for inflation, it’s the first time a film has opened over $20 million on this weekend in 20 years (since “The Last Samurai”).

Beyoncé wrote, directed and produced “Renaissance,” which is focused on the tour for her Grammy-winning album. It debuted in 2,539 theaters in the U.S. and Canada, as well as 94 international territories, where it earned $6.4 million from 2,621 theaters.

“On behalf of AMC Theaters Distribution and the entire theatrical industry, we thank Beyoncé for bringing this incredible film directly to her fans,” said Elizabeth Frank, AMC Theaters executive vice president of worldwide programming, in a statement. “To see it resonate with fans and with film critics on a weekend that many in the industry typically neglect is a testament to her immense talent, not just as a performer, but as a producer and director.”

Despite several other new releases including “Godzilla Minus One,” the Hindi-language “Animal,” Angel Studios’ sci-fi thriller “The Shift,” and Lionsgate’s John Woo-directed revenge pic “Silent Night,” it was a slow weekend overall. Films in the top 10 are expected to gross only $85 million in total. But it was in this traditional “lull” that AMC Theaters found a good opportunity for “Renaissance” to shine.

“They chose a great weekend,” said Paul Dergarabedian, the senior media analyst for Comscore. “There was competition, but it was from very different kinds of movies.”

Though “Renaissance” did not come close to matching the $92.8 million debut of “Taylor Swift: The Eras Tour” in October, it’s still a very good start for a concert film. No one expected “Renaissance” to match “The Eras Tour,” which is wrapping up its theatrical run soon with over $250 million globally. Prior to Swift, the biggest concert film debuts (titles held by Miley Cyrus and Justin Bieber for their 2008 and 2011 films) had not surpassed the unadjusted sum of $32 million.

The 39-city, 56-show “Renaissance” tour, which kicked off in Stockholm, Sweden in May and ended in Kansas City, Missouri in the fall, made over $500 million and attracted over 2.7 million concertgoers. Swift’s ongoing “Eras Tour,” with 151 dates, is expected to gross some $1.4 billion.

Both Beyoncé and Swift chose to partner with AMC Theaters to distribute their films, as opposed to a traditional studio. Both superstars have been supportive of one another, making splashy appearances at the other’s premieres. Both had previously released films on Netflix (“Miss Americana” and “Homecoming”). And both are reported to be receiving at least 50% of ticket sales.

Movie tickets to the show were more expensive than average, around $23.32 versus Swift’s $20.78, according to data firm EntTelligence.

Critics and audiences gave “Renaissance” glowing reviews – it’s sitting at 100% on Rotten Tomatoes and got a coveted A+ CinemaScore from opening weekend audiences who were polled. EntTelligence also estimates that the audience, around 900,000 strong, skewed a little older than Swift’s.

“To have two concert films topping the chart in a single year is pretty unprecedented,” Dergarabedian said. But to compare them too closely would be a mistake.

“Taylor Swift was a total outlier and the result of a very specific set of circumstances,” he said. “These two films are similar in genre only.”

Lionsgate’s “The Hunger Games: The Ballad of Songbirds & Snakes” fell to second place in its third weekend with an estimated $14.5 million. The prequel has now earned over $121 million domestically.

“Godzilla Minus One” took third place on the North American charts with $11 million from 2,308 locations — the biggest opening for a foreign film in the U.S. this year. The well-reviewed Japanese blockbuster distributed by Toho International cost only $15 million to produce and has already earned $23 million in Japan.

“This year, we made a concentrated effort to answer the demand of the marketplace and make Godzilla globally accessible across many different platforms,” said Koji Ueda, President of Toho Global, in a statement.

“Trolls Band Together” landed in fourth place in its third weekend with $7.6 million, bringing its domestic total to $74.8 million.

Fifth place went to Disney’s “Wish,” which fell 62% from its underwhelming first weekend, with $7.4 million from 3,900 locations. Globally, it’s now made $81.6 million.

The studio’s other major film in theaters, “The Marvels” is winding down in its fourth weekend with a disastrous global tally of $197 million against the reported $300 million it cost to make and market the superhero film.

In its second weekend, Ridley Scott’s “Napoleon” earned an estimated $7.1 million from 3,500 locations. Produced by Apple Original Films and distributed by Sony Pictures, the film starring Joaquin Phoenix has now made $45.7 million domestically against a $200 million budget.

Things should pick up in the final weeks of 2023, with films like “Wonka” and “The Color Purple” yet to come. The industry is looking at a $9 billion year — still trailing the $11 billion pre-pandemic norm, but a marked improvement from the last few years. And there are still many solid options for moviegoers, as the industry’s awards season gets into full swing.

“We had a slow Thanksgiving and we’re having a pretty slow weekend this weekend, but it’s a great weekend to be a moviegoer in terms of the breadth and depth of the movies out there,” Dergarabedian said.

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. Final domestic figures will be released Monday.

  1. “Renaissance: A Film by Beyoncé,” $21 million.

  2. “The Hunger Games: The Ballad of Songbirds & Snakes,” $14.5 million.

  3. “Godzilla Minus One,” $11 million.

  4. “Trolls Band Together,” $7.6 million.

  5. “Wish,” $7.4 million.

  6. “Napoleon,” $7.1 million.

  7. “Animal,” $6.1 million.

  8. “The Shift,” $4.4 million.

  9. “Silent Night,” $3 million.

  10. “Thanksgiving,” $2.6 million.

your ad here

Kiss Say Farewell to Live Touring, Become First US Band To Go Virtual and Become Digital Avatars 

On Saturday night, Kiss closed out the final performance of their “The End of the Road” farewell tour at New York City’s famed Madison Square Garden.  

But as dedicated fans surely know — they were never going to call it quits. Not really.  

During their encore, the band’s current lineup — founders Paul Stanley and Gene Simmons as well as guitarist Tommy Thayer and drummer Eric Singer — left the stage to reveal digital avatars of themselves. After the transformation, the virtual Kiss launched into a performance of “God Gave Rock and Roll to You.”  

The cutting-edge technology was used to tease a new chapter of the rock band: after 50 years of Kiss, the band is now interested in a kind of digital immortality.  

The avatars were created by George Lucas’ special-effects company, Industrial Light & Magic, in partnership with Pophouse Entertainment Group, the latter of which was co-founded by ABBA’s Björn Ulvaeus. The two companies recently teamed up for the “ABBA Voyage” show in London, in which fans could attend a full concert by the Swedish band — as performed by their digital avatars.  

Per Sundin, CEO of Pophouse Entertainment, says this new technology allows Kiss to continue their legacy for “eternity.” He says the band wasn’t on stage during virtual performance because “that’s the key thing,” of the future-seeking technology. “Kiss could have a concert in three cities in the same night across three different continents. That’s what you could do with this.”  

In order to create their digital avatars, who are depicted as a kind of superhero version of the band, Kiss performed in motion capture suits.  

Experimentation with this kind of technology has become increasingly common in certain sections of the music industry. In October K-pop star Mark Tuan partnered with Soul Machines to create an autonomously automated “digital twin” called “Digital Mark.” In doing so, Tuan became the first celebrity to attach their likeness to OpenAI’s GPT integration, artificial intelligence technology that allows fans to engage in one-on-one conversations with Tuan’s avatar.  

Aespa, the K-pop girl group, frequently perform alongside their digital avatars — the quartet is meant to be viewed as an octet with digital twins. Another girl group, Eternity, is made up entirely of virtual characters — no humans necessary.  

“What we’ve accomplished has been amazing, but it’s not enough. The band deserves to live on because the band is bigger than we are,” Kiss frontman Paul Stanley said in a roundtable interview. “It’s exciting for us to go the next step and see Kiss immortalized.”  

“We can be forever young and forever iconic by taking us to places we’ve never dreamed of before,” Kiss bassist Gene Simmons added. “The technology is going to make Paul jump higher than he’s ever done before.”  

And for those who couldn’t make the Madison Square Garden show — stay tuned, because a Kiss avatar concert may very well be on the way. 

your ad here

Breaches by Iran-Affiliated Hackers Span US States, Federal Agencies Say

A small western Pennsylvania water authority was just one of many organizations breached in the United States by Iran-affiliated hackers who targeted a specific industrial control device because it is Israeli-made, U.S. and Israeli authorities say.

“The victims span multiple U.S. states,” the FBI, the Environmental Protection Agency, the Cybersecurity and Infrastructure Security Agency, known as CISA, as well as Israel’s National Cyber Directorate said in an advisory emailed to The Associated Press late Friday.

They did not say how many organizations were hacked or otherwise describe them.

Matthew Mottes, the chairman of the Municipal Water Authority of Aliquippa, which discovered it had been hacked on Nov. 25, said Thursday that federal officials had told him the same group also breached four other utilities and an aquarium.

Cybersecurity experts say that while there is no evidence of Iranian involvement in the Oct. 7 attack into Israel by Hamas that triggered the war in Gaza, they expected state-backed Iranian hackers and pro-Palestinian hacktivists to step up cyberattacks on Israeli and its allies in its aftermath. And that has happened.

The multiagency advisory explained what CISA had not when it confirmed the Pennsylvania hack Wednesday — that other industries outside water and water-treatment facilities use the same equipment — Vision Series programmable logic controllers made by Unitronics — and were also potentially vulnerable.

Those industries include “energy, food and beverage manufacturing and healthcare,” the advisory says. The devices regulate processes including pressure, temperature and fluid flow.

The Aliquippa hack promoted workers to temporarily halt pumping in a remote station that regulates water pressure for two nearby towns, leading crews to switch to manual operation. The hackers left a digital calling card on the compromised device saying all Israeli-made equipment is “a legal target.”

The multiagency advisory said it was not known if the hackers had tried to penetrate deeper into breached networks.

The advisory says the hackers, who call themselves “Cyber Av3ngers,” are affiliated with Iran’s Islamic Revolutionary Guards Corps, which the U.S. designated as a foreign terrorist organization in 2019.

The group targeted the Unitronics devices at least since Nov. 22, it said.

An online search Saturday with the Shodan service identified more than 200 such internet-connected devices in the U.S. and more than 1,700 globally.

The advisory notes that Unitronics devices ship with a default password, a practice experts discourage as it makes them more vulnerable to hacking. Best practices call for devices to require a unique password to be created out of the box. It says the hackers likely accessed affected devices by “exploiting cybersecurity weaknesses, including poor password security and exposure to the internet.”

In response to the Aliquippa hack, three Pennsylvania congressmen asked the U.S. Justice Department in a letter to investigate. Americans must know their drinking water and other basic infrastructure is safe from “nation-state adversaries and terrorist organizations,” U.S. Sens. John Fetterman and Bob Casey and U.S. Rep. Chris Deluzio said.

Cyber Av3ngers claimed in an Oct. 30 social media post to have hacked 10 water treatment stations in Israel, though it is not clear if they shut down any equipment.

Unitronics has not responded to the AP queries about the hacks.

The attack came less than a month after a federal appeals court decision prompted the EPA to rescind a rule that would have obliged U.S public water systems to include cybersecurity testing in their regular federally mandated audits. The rollback was triggered by a federal appeals court decision in a case brought by Missouri, Arkansas and Iowa, and joined by a water utility trade group.

The Biden administration has been trying to shore up cybersecurity of critical infrastructure — more than 80% of which is privately owned — and has imposed regulations on sectors including electric utilities, gas pipelines and nuclear facilities. But many experts complain that too many vital industries are permitted to self-regulate.

your ad here

Rules Would Bar EV Tax Credits if Batteries, Minerals Linked to China

The U.S. proposed new guidelines Friday spelling out which electric vehicles will be eligible for tax credits, ruling out those that contain batteries or minerals sourced from China and other nations that have fallen out of favor with the U.S.

The restrictions dictate which clean energy vehicles will qualify for a subsidy of up to $7,500 under President Joe Biden’s Inflation Reduction Act, a federal law promoting sustainable, domestic energy production.

Only about 20 out of the more than 100 electric vehicles on the U.S. market qualify for a tax credit as it is. That number may be further reduced when this regulation goes into effect.

If a clean energy battery went through an assembly line owned by any “foreign entity of concern,” the car it will go into would be immediately disqualified from earning its owner any tax breaks from the U.S. government, starting in 2024.

The new rules target firms incorporated or headquartered in China, Russia, North Korea and Iran, among others, as well as companies where 25% or more of the equity interest or board seats are controlled by those countries.

From 2025 onward, electric vehicles made with critical minerals, such as lithium, nickel and cobalt, mined or processed by any “foreign entity of concern” will also be ineligible for subsidies.

The rules will be open to public feedback from automotive leaders for several weeks and are subject to change depending on industry recommendations.

Some information for this report came from Agence France-Presse. 

your ad here

Virtual Reality Holograms Could Transform Learning, Arts

Developers at the University of Maryland are using a holographic camera to capture people’s movements in three dimensions for what could be high-impact training, education and entertainment. It is technology with the power to transform how we learn and entertain ourselves. VOA’s Julie Taboh has more. VOA footage by Adam Greenbaum.

your ad here

US Lawmakers Say Chinese Disinformation Operations a Growing Threat

US lawmakers warned Thursday that the Chinese Communist Party’s efforts to spread disinformation will only increase ahead of the 2024 elections in the United States. As VOA’s Congressional Correspondent Katherine Gypson reports, social media giant TikTok is lawmakers’ top concern.
Camera: Saqib Ui Islam

your ad here

Tattoo Campaign Seeks to Help Displaced in Myanmar

A new campaign for Myanmar led by the son of imprisoned democratic leader Aung San Suu Kyi, Kim Aris, is using tattoos as a publicity tool to raise humanitarian aid for the millions displaced following the 2021 military coup.

People in Myanmar’s diaspora are getting tattoos of a Burmese water dragon as a symbol of solidarity with the ongoing resistance movement inside Myanmar. And they are sharing pictures and videos of their tattoos and the associated live fundraising events on social media to create a buzz around the symbolic tattoo, and drive participants to its GoFundMe page.

A military junta overturned Myanmar’s election in February 2021 and arrested the leaders of the democratically elected government, including longtime democracy activist Suu Kyi. Thousands have been killed in the ensuing violence.

Aris, who himself just got a tattoo of the Burmese water dragon and shared a video of the procedure on the campaign’s Facebook page, told VOA that the dragon motif is a traditional symbol from Burmese culture and was inspired by the tattoo worn by famous Burmese kickboxer Too Too, who lost his life in prison along with many other political prisoners arrested during anti-coup protests.

“He represents a great deal of what has happened to many people in Burma,” Aris told VOA. “His body was never returned to his family, and it’s said he was tortured before he died. This has happened to many people in Burma.

“My mother has spoken often about freedom — freedom from fear — and the fact that nobody will be free until everybody is free,” Aris said. “There’s a long way to go until that happens, but I hope it can be sooner rather than later, and that this campaign can help it happen.”

The campaign, called “Freedom Tattoo for Burma Aid,” has taken off internationally since its launch October 30.

According to Aris, it has raised nearly $126,000 in donations from around the world, including donations from the United Kingdom, Australia, Malaysia, Thailand and the United States. Those who do not get the dragon tattoo are urged by campaign organizers to make donations through their GoFundMe page. From there, the funds are distributed to charities inside the country.

“We’re working with trusted charities who are actually on the ground in Burma, who can get the aid to where it’s needed. We can’t name them as it makes their work very difficult,” Aris told VOA.

Organizers of a November 22 campaign event in Thailand shut it down early, citing in a statement “unforeseen circumstances involving pressure from the Myanmar military on Thai authorities.”

Aris expressed his disappointment in the shutdown. “It’s very sad to hear about the Thais stopping an event like this, which is purely for humanitarian aid,” he said.

Aris said he recognizes that a major challenge of his campaign is getting international attention.

“It’s very hard to get the attention of the international media at present,” he said. “The way things are in the world, Burma gets pushed further and further back.”

Despite the challenges, Aris said he still has hope that his campaign can bring more awareness of what is happening in Myanmar to the wider world.

“I thought a tattoo would be something interesting,” he said.

“It’s not like someone going for a marathon or a walk, it’s something different. I thought it might get a bit more attention outside the Burmese community.”  

your ad here

VOA Exclusive: US, S Korea, Japan to Sign Pact to Counter Disinformation  

The United States plans to sign a memorandum of understanding to cooperate with South Korea and Japan in the fight against false propaganda and disinformation.

It will be the first such agreement that Washington signs with its Asian allies, and it comes as U.S. officials and lawmakers accuse the People’s Republic of China of conducting “deceptive online campaigns” targeting the United States and other countries. Chinese officials have rejected the accusation.

Liz Allen, the U.S. undersecretary of state for public diplomacy and public affairs, is traveling to Asia this week. Allen will be sealing the agreement with South Korea and Japan on countering disinformation, according to U.S. and diplomatic sources.

U.S. President Joe Biden, South Korean President Yoon Suk Yeol and Japanese Prime Minister Fumio Kishida have agreed to find ways to coordinate efforts to counter disinformation, after the three leaders held talks during their first trilateral summit at Camp David in August.

“President Yoon mentioned the threat from false propaganda and disinformation in his address to the joint session of U.S. Congress in April. In this regard, we are now discussing the possible follow-up measures with the U.S.,” an official from the South Korean Embassy told Voice of America on Thursday.

In a statement on Thursday, House Foreign Affairs Committee Chairman Michael McCaul condemned the “increasingly deceptive online campaigns targeting the U.S. and other countries” by the Chinese Communist Party.

“The CCP has made clear it will use every tactic to spread its malign intent,” the Republican congressman said.

The South Korean government has identified 38 suspected fake Korean-language news websites that it believes are operated by Chinese companies. For example, in November, South Korea’s National Intelligence Service said two Chinese public relations companies, Haimai and Haixun, were allegedly creating such websites, according to Seoul-based Yonhap News Agency.

The State Department said Allen, while in Tokyo, will hold bilateral discussions with Japanese Ministry of Foreign Affairs officials that include a focus on countering malign foreign influence.

In a report issued in September, the State Department’s Global Engagement Center accused the Chinese government of using a combination of tactics in a bid to create a world in which Beijing, either explicitly or implicitly, controls the flow of critical information. The U.S. has warned that China is pouring billions of dollars into efforts to reshape the global information environment and, eventually, bend the will of multiple nations to Beijing’s advantage.

The Chinese Ministry of Foreign Affairs has pushed back, saying the report by U.S. State Department’s Global Engagement Center “misrepresents facts and truth.” A spokesperson from the Chinese Foreign Ministry called GEC the command center of “perception warfare.”

James Rubin, special envoy for the State Department’s Global Engagement Center, has said that Washington is working with allies to detect and counter misinformation and disinformation around the world.

In May, the U.S. signed a memorandum of understanding with North Macedonia, and in September, another with Bulgaria, both aimed at enhancing cooperation in countering foreign information manipulation.

your ad here

Shane MacGowan, Lead Singer of The Pogues, Dies at 65

Shane MacGowan, the boozy, rabble-rousing singer and chief songwriter of The Pogues, who infused traditional Irish music with the energy and spirit of punk, died Thursday, his family said. He was 65.

MacGowan’s songwriting and persona made him an iconic figure in contemporary Irish culture, and some of his compositions have become classics — most notably the bittersweet Christmas ballad “Fairytale of New York,” which Irish President Michael D. Higgins said “will be listened to every Christmas for the next century or more.”

“It is with the deepest sorrow and heaviest of hearts that we announce the passing of our most beautiful, darling and dearly beloved Shane MacGowan,” his wife Victoria Clarke, his sister Siobhan and father Maurice said in a statement.

The singer died peacefully with his family by his side, the statement added.

The musician had been hospitalized in Dublin for several months after being diagnosed with viral encephalitis in late 2022. He was discharged last week, ahead of his upcoming birthday on Christmas Day.

The Pogues melded Irish folk and rock ‘n’ roll into a unique, intoxicating blend, though MacGowan became as famous for his sozzled, slurred performances as for his powerful songwriting.

His songs blended the scabrous and the sentimental, ranging from carousing anthems to snapshots of life in the gutter to unexpectedly tender love songs. The Pogues’ most famous song, “Fairytale of New York” is a tale of down-on-their-luck immigrant lovers that opens with the decidedly unfestive words: “It was Christmas Eve, babe, in the drunk tank.” The duet between the raspy-voiced MacGowan and the velvet tones of the late Kirsty MacColl is by far the most beloved Pogues song in both Ireland and the U.K.

Singer-songwriter Nick Cave called Shane MacGowan “a true friend and the greatest songwriter of his generation.”

Higgins, the Irish president, said “his songs capture within them, as Shane would put it, the measure of our dreams.”

“His words have connected Irish people all over the globe to their culture and history, encompassing so many human emotions in the most poetic of ways,” Higgins said.

Irish Prime Minister Leo Varadkar said MacGowan’s songs “beautifully captured the Irish experience, especially the experience of being Irish abroad.”

Sinn Fein President Mary Lou McDonald said: “Nobody told the Irish story like Shane — stories of emigration, heartache, dislocation, redemption, love and joy.”

Born on Christmas Day 1957 in England to Irish parents, MacGowan spent his early years in rural Ireland before the family moved back to London. Ireland remained the lifelong center of his imagination and his yearning. He grew up steeped in Irish music absorbed from family and neighbors, along with the sounds of rock, Motown, reggae and jazz.

He attended the elite Westminster School in London, from which he was expelled, and spent time in a psychiatric hospital after a breakdown in his teens.

MacGowan embraced the punk scene that exploded in Britain in the mid-1970s. He joined a band called the Nipple Erectors, performing under the name Shane O’Hooligan, before forming The Pogues alongside musicians including Jem Finer and Spider Stacey.

The Pogues — shortened from the original name Pogue Mahone, a rude Irish phrase — fused punk’s furious energy with traditional Irish melodies and instruments including banjo, tin whistle and accordion.

“It never occurred to me that you could play Irish music to a rock audience,” MacGowan recalled in “A Drink with Shane MacGowan,” a 2001 memoir co-authored with Clarke. “Then it finally clicked. Start a London Irish band playing Irish music with a rock and roll beat. The original idea was just to rock up old ones but then I started writing.”

The band’s first album, “Red Roses for Me,” was released in 1984 and featured raucous versions of Irish folk songs alongside originals including “Boys from the County Hell,” “Dark Streets of London” and “Streams of Whisky.”

Playing pubs and clubs in London and beyond, the band earned a loyal following and praise from music critics and fellow musicians from Bono to Bob Dylan.

MacGowan wrote many of the songs on the next two albums, “Rum, Sodomy and the Lash” (1985) and “If I Should Fall from Grace with God” (1988), ranging from rollicking rousers like the latter album’s title track to ballads like “A Pair of Brown Eyes” and “The Broad Majestic Shannon.”

The band also released a 1986 EP, “Poguetry in Motion,” which contained two of MacGowan’s finest songs, “A Rainy Night in Soho” and “The Body of an American.” The latter featured prominently in early-2000s TV series “The Wire,” sung at the wakes of Baltimore police officers.

“I wanted to make pure music that could be from any time, to make time irrelevant, to make generations and decades irrelevant,” he recalled in his memoir.

The Pogues were briefly on top of the world, with sold-out tours and appearances on U.S. television, but the band’s output and appearances grew more erratic, due in part to MacGowan’s struggles with alcohol and drugs. He was fired by the other band members in 1991 after they became fed up with a string of no-shows, including when The Pogues were opening for Dylan. The band briefly replaced MacGowan with Clash frontman Joe Strummer before breaking up.

MacGowan performed with a new band, Shane MacGowan and the Popes, with whom he put out two albums: “The Snake” in 1995 and “The Crock Of Gold” in 1997. He reunited with The Pogues in 2001 for a series of concerts and tours, despite his well-documented problems with drinking and performances that regularly included slurred lyrics and at least one fall on stage.

MacGowan had years of health problems and used a wheelchair after breaking his pelvis a decade ago. He was long famous for his broken, rotten teeth until receiving a full set of implants in 2015 from a dental surgeon who described the procedure as “the Everest of dentistry.”

MacGowan received a lifetime achievement award from the Irish president on his 60th birthday. The occasion was marked with a celebratory concert at the National Concert Hall in Dublin with performers including Bono, Nick Cave, Sinead O’Connor and Johnny Depp.

Clarke wrote on Instagram that “there’s no way to describe the loss that I am feeling and the longing for just one more of his smiles that lit up my world.”

“I am blessed beyond words to have met him and to have loved him and to have been so endlessly and unconditionally loved by him and to have had so many years of life and love and joy and fun and laughter and so many adventures,” she wrote.

your ad here

Iranian Rapper Toomaj Salehi Arrested Again

Iranian rapper Toomaj Salehi, who had been previously detained for showing support to anti-government protests and was released on bail earlier this month, was arrested again, Iran’s state media reported on Thursday.

“Salehi has been arrested for publishing false information and disturbing public opinion, after being released upon an order by Iran’s supreme court to revise his case,” the judiciary news agency said.

Following the death in custody of 22-year-old Iranian-Kurdish woman Mahsa Amini in September 2022, Iran has seen months of nationwide protests that represented one of the fiercest challenges to the Islamic Republic since its establishment in 1979.

Salehi, who wrote songs about the protests, was initially sentenced to six years in prison on multiple charges, including “corruption on earth,” a ruling that was then rejected by Iran’s supreme court.

The 33-year-old rapper spent one year and 21 days in prison, including 252 days in solitary confinement, during which he sustained physical injuries, according to his official page on the social media website X, formerly known as Twitter.

your ad here

Vietnam’s Rare Earth Sector on the Rise

Vietnam, with the world’s second-largest reserves of the rare earths used in such modern devices as electric vehicle batteries and smart phone screens, is intensifying mining of the critical minerals. The industry, though, faces high processing costs, environmental concerns, and the takedown of industry leaders for illegal mining and mineral sales.

Vietnam’s rare earth resources are second only to those of China, which has held a tight monopoly since the 1980s. With Chinese relations with the West becoming more volatile, many countries are looking for other sources for the elements.

“China produces about 60% of the world’s rare earths but what they process is over 90%,” Louis O’Connor, CEO of Strategic Metals Invest, an Irish investment firm, told VOA.

“It was not a good idea to allow one country to dominate critical raw materials that are critical to all nations’ economic prosperity and increasingly military capability,” he said.

O’Connor added that while China has the world’s majority of raw materials, its dominance over technical expertise in the complex and costly process of rare earth refining is even greater. China has 39 metallurgy universities and approximately 200 metallurgists graduate weekly in the country, he said.

“The ability to go from having the potential to end product — that’s the most challenging, complicated, and expensive part,” O’Connor said. “For Vietnam, even if they have the deposits, what they don’t have is the human capital, or the engineering expertise.”

Vietnam increased rare earth mining tenfold with its output hitting 4,300 tons last year, compared to 400 tons in 2021.  according to the U.S. Geological Survey. Vietnam said in July it plans to process 2 million tons of rare earth ores by 2030 and produce 60,000 tons of rare earth oxides annually starting in 2030. This year, China’s mining quota is set at 240,000 tons to meet the demand for the electric vehicle industry, according to Chinese government data.

The United States and other countries are interested in Vietnam increasing its production of rare earths.

“The U.S. wants Vietnam to become a more important supplier and perhaps replace China, if possible, because of the risk that the U.S. may face in relying on rare earth supplies from China,” Le Hong Hiep, senior fellow at the ISEAS-Yusof Ishak Institute in Singapore told VOA.

“Not only the U.S., but also other partners like Korea, Japan, and Australia also are working with Vietnam to develop the rare earth industry,” he said.

South Korean President Yoon Suk Yeol signed a memorandum of understanding in Vietnam in June to establish a joint supply chain center for rare earth minerals.

“We reached an agreement that there is more potential to develop rare earths together, as they are abundant in Vietnam,” Yoon said in a June 23 statement with Vietnam’s president Vo Van Thuong.

The United States signed such a memorandum on cooperation in the rare earths sector during President Joe Biden’s visit to Hanoi on September 9.

“We see Vietnam as a potential critical nexus in global supply chains when it comes to critical minerals and rare earth elements,” Marc Knapper, U.S. ambassador to Vietnam, said on September 13 during a digital press briefing. “We certainly want to work together to ensure that Vietnam is able to take advantage of its rich resources in a way that’s also sustainable.”

Scandal

However, a handful of Vietnam’s key rare earth enterprises have become entangled in scandal. On October 20, police arrested six individuals for mining and tax violations.

Police arrested Doan Van Huan, chairman of the Hanoi-based Thai Duong Group that operates a mine in Yen Bai province, and its chief accountant, Nguyen Van Chinh, for violating regulations on the exploration and exploitation of natural resources and accounting violations, the Public Security Ministry said. The two were accused of making $25.5 million from the illegal sale of rare earth ore and iron ore. Police raided 21 excavation and trading sites in Yen Bai province and three other locations. Authorities seized an estimated 13,700 tons of rare earth and more than 1,400 tons of iron ores, according to local publication VnExpress.

Although government statements did not state what made Thai Duong’s rare earth sales illegal, a source told Reuters raw Yen Bai mine ore had been exported to China to avoid high domestic refining costs, in violation of Vietnamese rules.

The chairman, Luu Anh Tuan, and accountant, Nguyen Thi Hien, of the country’s primary rare earth refining company, Vietnam Rare Earth JSC, were also arrested for violating accounting regulations in trading rare earth with Thai Duong Group. Dang Tran Chi, director of Hop Thanh Phat, and his accountant Pham Thi Ha were arrested on the same charge.

Looking at corruption in Vietnam’s rare earth industry will be “top of the list” for future investors, O’Connor said.

“Corruption levels would have to be looked at,” he said. “If you’re buying a metal that’s going to need to perform in a jet engine, for example or a rocket … they have to be sure of the purity levels. The chain of custody of these, it’s more important really than gold.”

Vietnam committed to industry

Hanoi is committed to developing the rare earths industry even though economic gains are limited by environmental and production costs, Hiep told VOA.

“Vietnam is now interested in promoting this industry mainly because of the strategic significance,” Hiep told VOA. “If you can grow this industry and become a reliable supplier of rare earth products for the U.S. and its allies, Vietnam’s strategic position will be enhanced greatly.”

“Whether that will be successful, we have to wait and see,” he added.

There are also environmental concerns for the growing industry, particularly as a crackdown on Vietnam’s environmental organizations and civil society leaves little room for public speech.

“The biggest challenge is going to be how do you handle the waste process from the mining,” said Courtney Weatherby, deputy director of the Southeast Asia Program at Washington’s Stimson Center told VOA.

“Ensuring that development happens in a sustainable way takes a lot of different actors,” she said.

But Duy Hoang, executive director of unsanctioned political party Viet Tan, said the room for outside actors to express concern over environmental and labor practices is narrowing.

“What we’re seeing is sort of a shrinking space for civil society to speak out and a number of the leading environmental activists are now in jail. We don’t have their voices which are very needed and I think there may be self-censorship going on by other activists,” he said. “There has to be accountability.”

your ad here

White House Hopes to Lead Global Charge in ‘Promise, Peril’ of Emerging Tech Like AI

American leadership is essential in establishing norms and laws to “determine how we both glean the promise and manage the peril” of emerging technologies like artificial intelligence and digital economic and social platforms used to connect billions of people around the world, a White House adviser told VOA.

The Biden administration has rolled out a number of initiatives on the topic — most recently, an executive order that aims to set new AI safety and security standards. That order relies on cooperation from private developers and other countries, “because the attackers are in one set of countries, the infrastructure is in another and the victims are global,” said Anne Neuberger, deputy national security adviser for cyber and emerging technology at the National Security Council.

Neuberger sat down with VOA White House Correspondent Anita Powell to explain these complex, compelling technologies and how she thinks they have exposed the worst but also the best in humanity.

The following has been edited for length and clarity.

VOA: Thank you so much for sitting down with VOA today. Can you walk us through the concrete outcomes of the recent meeting between President Joe Biden and Chinese President Xi Jinping in the areas you cover — cybersecurity, AI and the digital economy?

Anne Neuberger, White House deputy national security adviser: Of course, strategic technologies are very important to both of our countries’ growth and national security — and we’re global players on a global stage. The most important part of the discussion was two leaders coming together to say: While we are in competition, we’re committed to working together on areas where we can collaborate – areas like climate change, like discussions of what are the rules for artificial intelligence.

VOA: Would you assess that the meeting made any progress, especially on AI regulation?

Neuberger: Certainly very good discussions related to an agreement for the countries to sit down and establish a working group on AI [about] appropriate guardrails and guidelines in this area.

VOA: I’m going to stick with AI and the administration’s recent moves, like the AI Bill of Rights and also the attempt to set some norms at the recent London summit on AI. Why does the administration think U.S. leadership matters so much here?

Neuberger: For two reasons. First, the United States is a committed democracy and AI is a major technology that brings both promise and peril. It is up to us to determine how we both glean the promise and manage the peril. President Biden has made that clear in his game-changing executive order that, as a country, we must manage the perils in order to glean the promise.

VOA: Speaking of the perils of AI, what is the administration doing to prevent the malicious use of generative AI in both conflicts and contests? I’m talking about conflicts like Israel and Ukraine, but also contests like the upcoming elections in Congo, in Taiwan and here in the United States.

Neuberger: We’ve seen new AI models that generate very realistic videos, very realistic images. In terms of generative AI related to elections, I want to lift up one of the voluntary commitments that the president negotiated, which was around watermarking: having a visible and potentially invisible mark on an AI-generated image or video that notes that this is AI-generated, to alert a viewer. An invisible mark could be used so that, even if there are attempts to remove this mark, the platforms themselves can still be able to portray that message and help educate individuals. This is still an area of evolving technology. It’s getting better and better. But companies made commitments to start marking content that they generate. And I know a number of social media platforms are also making commitments to ensure that they display messages to help consumers who see such content know that it is generated by artificial intelligence.

VOA: Moving on to cybersecurity and malign actors like North Korea and Russia, what is the administration doing to curb their work in this area?

Neuberger: We see North Korea really using cyberattacks as a way to get money because they’re such a heavily sanctioned regime. So North Korea moved from targeting banks to targeting … cryptocurrency infrastructure around the world. And the White House has had a focused effort to bring together all elements we have to fight that with Treasury Department designations.

There’ll be further designations coming up for the cryptocurrency mixers that launder funds stolen from those cryptocurrency infrastructures. We also have been working with the industry to press them to improve the cybersecurity of their systems as well as law enforcement. U.S. law enforcement has been cooperating with partners around the world to take down that server infrastructure and to arrest the individuals who are responsible for some of this activity.

VOA: Tell us a little bit about the counter-ransomware initiative you’re working on.

Neuberger: Absolutely. Essentially, criminal groups, many of which are based in Russia with infrastructure operating from around the world, are locking systems … in order to request that the system owners pay ransom. In the United States alone in the last two years, $2.3 billion was paid in ransom. It’s a fundamentally transnational fight. … What we’ve done is assemble 48 countries, Interpol [and] the European Union to take this on together, because we know that the attackers are in one set of countries, the infrastructure is in another, and the victims are global. As the White House built this initiative, we ensure that the leadership is diverse.

So, for example, the leaders of the effort to build capacity around the world are Nigeria and Germany — intentionally, a country from Africa and a country from Europe, because their needs are different. And we wanted to ensure that as we’re helping countries build the capacity to fight this, we’re sensitive to the different needs of a country like Nigeria, like Rwanda, like South Africa, like Indonesia. Similarly, there’s an effort focused on exercising information, sharing information together.

You asked about the key deliverables from this most recent meeting. I’ll note three big ones. First, we launched a website and a system where countries can collaborate when they’re fighting a ransomware attack, where they can ask for help [or] learn from others who fought a similar attack. Second, we made the first ever joint policy statement — a big deal — 48 countries committing that countries themselves will not pay ransoms, because we know this is a financially driven problem. And third, the United States committed that we would be sharing bad wallets [that] criminals are using to move money around the world so other countries can help stop that money as it moves as well. So that’s an example of three of the many commitments that came out of the recent meeting.

VOA: Let’s talk about the Global South, which has pioneered development of really interesting digital economic technologies like Kenya’s M-PESA, which was rolled out in, like, 2007. Now the U.S. has Venmo, which is modeled on that. How is the U.S. learning from the developing world in the development of these projects and also the perils of these products?

Neuberger: M-PESA is a fantastic example of the promise of digital tech. Essentially, Kenya took the fact that they had a telecom infrastructure, and built their banking infrastructure riding on that, so they leapt ahead to enable people across the country to do transactions online. When you look at Ukraine in the context of Russia’s invasion of Ukraine, Ukraine quickly moved their government online, really building on lessons learned from Estonia, to enable Ukrainians — many who are in Poland and Hungary — to continue to engage with their government in a digital way.

The U.S. Agency for International Development is tremendously proud of that Ukrainian project and is using it as a model as we look to other countries around the world. So we’re learning a lot from the creativity and innovation; what we want to bring to that is American development, skill and aid, and also plugging in American tech companies who can accelerate the rollout of these projects in countries around the world, because we still believe in the promise of digital. But you mentioned the peril, and that’s where cybersecurity comes in.

VOA: This lines us up perfectly for my final question, about the promise and the peril. In the digital world, people can hide behind anonymity and say and do awful things using tools that were meant to improve the world. How do you keep your faith in humanity?

Neuberger: It’s a tremendously important question. It’s one that’s personally important to me. My great-grandparents lost their lives in Nazi death camps. And those members of my family who survived — some survived through the horrors of the camp, some managed to hide out under false identities. And I often think that the promise of digital has also made our identities very evident. Sometimes when I’m just browsing Amazon online, and it recommends a set of books, I think to myself: I wonder how I’d hide if what happened to my grandparents came for me. So as a result, I think that even as we engage with these technologies, we have to ensure that vulnerable populations are protected.

So, the president’s working with AI companies to say companies have an obligation to protect vulnerable populations online, to ensure that we’re using AI to detect where there’s bullying online, where there’s hate speech that goes against common practices that needs to be addressed; where there are AI-generated images related to children or women or other vulnerable populations, that we use AI to find them and remove them; and certainly use law enforcement and the power of law enforcement partnerships around the world to deter that as well. Freedom of speech is a part of free societies. Freedom from harm needs to be a fight we take on together.

VOA: Thank you so much for speaking to our audience.

Neuberger: Thank you.

your ad here

Ukraine Businesses Pivot to New Military Technology Production

Since the start of Russia’s full-scale invasion of Ukraine, drone production in the country has surged. Ukrainian businesses have shifted from manufacturing products for peacetime to producing equipment for wartime. From Kyiv, Myroslava Gongadze explains how Ukrainian ingenuity is altering the course of the war. Camera: Eugene Shynkar.

your ad here

British PM Accuses Greek Leader of ‘Grandstanding’ Over Parthenon Marbles 

British Prime Minister Rishi Sunak has accused his Greek counterpart Kyriakos Mitsotakis of public “grandstanding” over the ownership of Parthenon sculptures. 

The two leaders have been at odds with one another after Sunak canceled a scheduled meeting between the two just hours before it was set to take place. 

In a weekly question period with the house of commons, Sunak told parliament that Mitsotakis had broken a promise that he would not publicly bring up the sculptures.

“Specific assurances on that topic were made to this country and then were broken,” Sunak said. “When people make commitments, they should keep them.” 

Greek officials denied that any such promise had been made.

In an interview with British television on Sunday, Mitsotakis called for the return of the sculptures so they could be displayed beside the rest of the sculptures still in Athens. He also said that removing them was like cutting the “Mona Lisa” in half.

Athens has long urged the British Museum to return 2,500-year-old sculptures, known in Britain as the Elgin Marbles. The Marbles were taken from the Parthenon temple by British diplomat Lord Elgin in 1806, when Greece was under Ottoman Turkish rule.

Greek officials have said Mitsotakis only promoted a longstanding position, and he called Sunak’s cancelation of the meeting disrespectful.

Mitsotakis said the cancelation was “an unfortunate event,” but he added that “the move will not hurt relations between Greece and Britain in the longer term.”

The Greek leader also went on to say the cancelation of the meeting had a positive side to it and that his calls for reunification of the sculptures have gained more attention.

Some information in this report came from The Associated Press and Reuters.

your ad here

US Imposes Sanctions on Cryptocurrency Mixer Sinbad Over Alleged North Korea Links

The United States on Wednesday imposed sanctions on a virtual currency mixer the Treasury Department said has processed millions of dollars worth of cryptocurrency from major heists carried out by North Korea-linked hackers.

The U.S. Treasury Department in a statement said virtual currency mixer Sinbad, hit with sanctions on Wednesday, processed millions of dollars worth of virtual currency from heists carried out by the North Korea-linked Lazarus Group, including the Axie Infinity and Horizon Bride heists of hundreds of millions of dollars.

Lazarus, which has been sanctioned by the U.S., has been accused of carrying out some of the largest virtual currency heists to date. In March 2022, for example, they allegedly stole about $620 million in virtual currency from a blockchain project linked to the online game Axie Infinity.

“Mixing services that enable criminal actors, such as the Lazarus Group, to launder stolen assets will face serious consequences,” Deputy Treasury Secretary Wally Adeyemo said in the statement on Wednesday.

“The Treasury Department and its U.S. government partners stand ready to deploy all tools at their disposal to prevent virtual currency mixers, like Sinbad, from facilitating illicit activities.”

A virtual currency mixer is a software tool that pools and scrambles cryptocurrencies from thousands of addresses.

Sinbad is believed by some experts in the industry to be a successor to the Blender mixer, which the U.S. hit with sanctions last year over accusations it was being used by North Korea.

The Treasury said Sinbad is also used by cybercriminals to obscure transactions linked to activities such as sanctions evasion, drug trafficking and the purchase of child sexual abuse materials, among other malign activities. 

Wednesday’s action freezes any U.S. assets of Sinbad and generally bars Americans from dealing with it. Those that engage in certain transactions with the mixer also risk being hit with sanctions. 

your ad here

America House Opens in Odesa Despite Ongoing War in Ukraine 

A new America House is celebrating its opening in Odesa, making it the third major cultural and educational center in Ukraine supported and financed by the U.S. Embassy. America House Odesa was supposed to open in early 2022, but Russia’s invasion changed those plans. Anna Kosstutschenko visited the center and found out how the war altered its program. Camera — Pavel Suhodolskiy.

your ad here

Is AI About to Steal Your Job?

Almost all U.S. jobs, from truck driver to childcare provider to software developer, include skills that can be done, or at least supplemented, by generative artificial intelligence (GenAI), according to a recent report.

GenAI is artificial intelligence that can generate high-quality content based on the input data used to train it.

“AI is likely to touch every part of every job to some degree,” says Cory Stahle, an economist with Indeed.com, which released the report.

The report finds that almost one in five jobs (19.7%) — like IT operations, mathematics and information design — faces the highest risk of being affected by AI because at least 80% of the job skills those positions require can be done reasonably well by GenAI.

But that doesn’t mean that those jobs will eventually be lost to robots.

“It’s important to recognize that, in general, these technologies don’t affect entire occupations. It actually is very rare that a robot will show up, sit in somebody’s seat to do everything that someone does at their job,” says Michael Chui of the McKinsey Global Institute (MGI), who researches the impact of technology and innovation on business, the economy and society.

Indeed.com researchers analyzed more than 55 million job postings and found that GenAI can perform 50% to almost 80% of the skills required in 45.7% of those job listings. In 34.6% of jobs listed, GenAI can handle less than 50% of the skills.

Jobs that require manual skills or a personal touch, such as nursing and veterinary care, are the least likely to be hard hit by AI, the report says.

In the past, technological advances have mostly affected manual labor. However, GenAI is expected to have the most effect on so-called knowledge workers, generally defined as people who create knowledge or think for a living.

But, for now, AI does not appear poised to steal anyone’s job.

“There are very few jobs that AI can do completely. Even in jobs where AI can do many of the skills, there are still aspects of those jobs that AI cannot do,” Stahle says.

Rather than replace workers, researchers expect GenAI to enhance the work people already do, making them more efficient.

“This is something that, in many ways, we believe is going to unlock human potential and productivity for many workers across many different sectors of the economy,” Stahle says.

“There are a number of things that can happen,” Chui adds. “One is, we simply do more of something we were already doing, and so imagine if you’re a university professor or a teacher, and the grading can be done by machine rather than you. You can take those hours and, instead of grading, you can actually start tutoring your students, spending more time with your students, improving their performance, helping them learn.”

American workers need to begin using the new technology if they hope to remain competitive, according to Chui.

“Workers who are best able to use these technologies will be the most competitive workers in the workforce,” he says. “It was true before, but it’s more true than ever, that we’re all going to have to be lifetime learners.”

A survey developed by Chui finds that almost 80% of workers have experimented with AI tools.

“One of the great powers of these generative AI tools, so far, is they’ve been designed in such a way to make it easy for really anybody to use these types of tools,” Stahle says. “I really believe that people should be looking to embrace these tools and find ways to incorporate them into the work that they’re already interested in doing.”

Ultimately, could one of the unexpected benefits of AI be more efficient employees who work less?

“In general, Americans work a lot,” Chui says. “Maybe we don’t have to work so long. Maybe we have a four-day work week … and so you could give that time back to the worker.”

your ad here

‘Hunger Games’ Feasts, ‘Napoleon’ Conquers, ‘Wish’ Disappoints at Box Office

The Walt Disney Co.’s “Wish” had been expected to rule the Thanksgiving weekend box office, but moviegoers instead feasted on leftovers, as “The Hunger Games: The Ballad of Songbirds and Snakes” led ticket sales for the second weekend, according to studio estimates Sunday. 

Neither of the weekend’s top new releases — “Wish” and Ridley Scott’s “Napoleon” — could keep up with Lionsgate’s “Hunger Games” prequel. After debuting the previous weekend with $44.6 million, the return to Panem proved the top draw for holiday moviegoers, grossing $28.8 million over the weekend and $42 million over the five-day holiday frame. 

In two weeks of release, “Songbirds and Snakes” has grossed nearly $100 million domestically and $200 million globally. 

The closer contest was for second place, where “Napoleon” narrowly outmaneuvered “Wish.” Scott’s epic outperformed expectations to take $32.5 million over the five-day weekend and an estimated $20.4 million Friday through Sunday. The film, starring Joaquin Phoenix as the French emperor and Vanessa Kirby as his wife Joséphine de Beauharnais, was also the top movie globally with $78.8 million. 

Reviews were mixed (61% fresh on Rotten Tomatoes) and ticket buyers were non-plussed (a “B-” CinemaScore), but “Napoleon” fared far better in theaters than its subject did at Waterloo. 

“Napoleon,” like Martin Scorsese’s “Killers of the Flower Moon,” is a big-budget statement by Apple Studios of the streamer’s swelling Hollywood ambitions. With an estimated budget of $200 million, “Napoleon” may still have a long road to reach profitability for Apple, which partnered with Sony to distribute “Napoleon” theatrically. But it’s an undeniably strong beginning for an adult-skewing 168-minute historical drama. 

“Wish,” however, had been supposed to have a more starry-eyed start. Disney Animation releases like “Frozen II” ($123.7 million over five days in 2019), “Ralph Breaks the Internet” ($84.6 million in 2018) and “Coco” ($71 million in 2017), have often owned Thanksgiving moviegoing. 

But “Wish” wobbled, coming in with $31.7 million over five days and $19.5 million Friday through Sunday. It added $17.3 million internationally. It had been forecast to debut closer to $50 million. 

“Wish,” at least, is faring better than Disney’s Thanksgiving release last year: 2022’s “Strange World” bombed with a five-day $18.9 million opening. But hopes had been higher for “Wish,” co-written and co-directed by the “Frozen” team of Chris Buck and Jennifer Lee and featuring the voices of Ariana DeBose and Chris Pine. “Wish,” a fairy tale centered around a wished-upon star, is also a celebration of Disney, itself, timed to the studio’s 100th anniversary and rife with callbacks to Disney favorites. 

Critics weren’t impressed, saying “Wish” felt more like marketing than movie magic. So instead of righting an up-and-down year for Disney, “Wish” is, for now, adding to some of the studio’s recent headaches, including the underperforming “The Marvels.” The Marvel sequel has limped to $76.9 million domestically and $110.2 million overseas in three weeks. 

“Wish” also faced direct competition for families in “Trolls Band Together.” The DreamWorks and Universal Pictures release opened a week prior and took in $17.5 million in its second frame ($25.3 million over five days). 

“‘Wish’ ran into a much more competitive market than what Disney might normally see in the Thanksgiving corridor,” said Paul Dergarabedian, senior media analyst for data firm Comscore. “We’re accustomed to seeing those Disney films at the top of the chart. They kind of had to split the audience with ‘Trolls.’” 

Still, the storybook isn’t written yet on “Wish.” It could follow the lead of Pixar’s “Elemental,” which launched with a lukewarm $29.6 million in June but found its legs, ultimately grossing nearly $500 million worldwide. 

Also entering wide-release over the holiday weekend was Emerald Fennell’s “Saltburn,” the writer-director’s follow-up to 2020’s “Promising Young Woman.” After debuting in seven packed theaters last weekend, “Saltburn” grossed $3.1 million over five days for Amazon and MGM. Barry Keoghan stars as an Oxford student befriended by a rich classmate (Jacob Elordi) and invited to his family’s country manor. 

As Hollywood’s award season accelerates (Netflix debuted Bradley Cooper’s “Maestro” in select theaters but didn’t report grosses), Focus Features’ “The Holdovers” continues to be one of the top choices in cinemas. Alexander Payne’s film starring Paul Giamatti as a boarding school instructor made $3.8 million over the five-day weekend. In five weeks, it grossed $12.9 million. 

Ticket sales overall reached $172 million in U.S. and Canada theaters over the five-day holiday weekend, according to Comscore. That’s up significantly from recent years but well behind the typical pre-pandemic Thanksgiving weekends. (In 2019, sales boosted by “Frozen 2” surpassed $262 million.) 

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. Final domestic figures will be released Monday. 

  1. “The Hunger Games: The Ballad of Songbirds and Snakes,” $28.8 million. 

  2. “Napoleon,” $20.4 million. 

  3. “Wish,” $19.5 million. 

  4. “Trolls Band Together,” $17.5 million. 

  5. “Thanksgiving,” $7.2 million. 

  6. “The Marvels,” $6.4 million. 

  7. “The Holdovers,” $2.8 million. 

  8. “Taylor Swift: The Eras Tour,” $2.3 million. 

  9. “Five Nights at Freddy’s,” $1.8 million. 

  10. “Saltburn,” $1.7 million. 

your ad here